{ "objects" : [ { "embark_ID" : 1588, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1588", "Disp_Access_No" : "1941.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "Piazzo San Marco", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank Duveneck", "Sort_Artist" : "Duveneck, Frank", "Disp_Dimen" : "13 3/8 x 10 15/16 in. (34 x 27.8 cm)", "Disp_Height" : "13 3/8 in.", "Disp_Width" : "10 15/16 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Bequest of Ida Lynch", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per note in file, inscribed on old mat: Fine early proof before the face of the boy at extreme left is darkened and before additional work in sky. Print Collection Bulletin, Vol. III, no. 2, p. 6 (Knoedler)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19068", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1649, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1649", "Disp_Access_No" : "1919.28", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Venetian Doorway", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Margaret Lial Freeman", "Sort_Artist" : "Freeman, Margaret Lial", "Disp_Dimen" : "12 3/16 x 8 3/8 in. (31 x 21.2 cm)", "Disp_Height" : "12 3/16 in.", "Disp_Width" : "8 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Monotype", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/19.28_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/19.28_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/19.28_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/19.28_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39422", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2487, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2487", "Disp_Access_No" : "1948.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1880", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1880", "Disp_Title" : "The Doorway", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "11 9/16 x 7 15/16 in. (29.4 x 20.2 cm)", "Disp_Height" : "11 9/16 in.", "Disp_Width" : "7 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "From "Twenty-six Etchings" published by Dowdeswell and Dowdeswell, London, 1886", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24294", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3656, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3656", "Disp_Access_No" : "1935.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "Venetian Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edwin Landseer Harris", "Sort_Artist" : "Harris, Edwin Landseer", "Disp_Dimen" : "15 3/8 x 22 1/16 in. (39 x 56.1 cm)", "Disp_Height" : "15 3/8 in.", "Disp_Width" : "22 1/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23785", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4167, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4167", "Disp_Access_No" : "2000.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "View of Venice", "Alt_Title" : "Venetian Scene", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Moran", "Sort_Artist" : "Moran, Thomas", "Disp_Dimen" : "19 3/4 x 24 1/2 in. (50.2 x 62.2 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thomas Moran was an adventurous landscape painter who traveled far and wide in search of compelling views. He accompanied the first government-sponsored expedition to Yellowstone, shortly before it became a national park, and his drawings and watercolors from that expedition formed the basis for dramatic paintings of western views. In 1886, he journeyed to Venice, where his watercolors captured views of lagoons and picturesque buildings. These sketches formed the basis of immensely popular studio paintings like the one hanging here. In the second half of the nineteenth century, Venice was a favored Old World destination for many American writers and painters, including Mark Twain, Henry James, and James MacNeill Whistler. However, Moran's work probably had the greatest impact on Americans' awareness of La Serenissima (the most serene), a fond nickname for Venice. [Gallery label text, 2004]", "Dedication" : "Given in loving memory of Cornelia Robinson and Henry Douglas Buell by their daughter Jane Buell Ward and family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17996", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4809", "Disp_Access_No" : "1955.180", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1760-1771", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1771", "Disp_Title" : "The Riva degli Schiavoni, Venice, Looking West", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William James", "Sort_Artist" : "James, William", "Disp_Dimen" : "25 3/4 x 40 in. (65.4 x 101.6 cm)", "Disp_Height" : "25 3/4 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The waterfront promenade of the Riva degli Schiavoni, or River of the Slavs, has long been one of the most picturesque and popular in Venice. Paintings by the great Canaletto and his British followers like William James show the bustling of gondolas, sailing boats and barges; the promenade itself is equally lively with travelers, merchants and townspeople actively engaged in both commerce and recreation. [Gallery label text, 2008]", "Dedication" : "Gift of Mr. and Mrs. Harold L. Field", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1955 - The painting was given to the Gallery as a Canaletto (certified by the Gallery it was purchased from, Howard Young Galleries, and endorsed by Dr. W. R. Valentiner). 1970 – note to file from Harris Prior, Memorial Art Gallery Director, “The young gentleman, David Posnett, from the Leger Galleries in London was here last winter. He looked at our Canaletto and immediately said that it is by William James, an English associate of Canaletto.” In addition, there are numerous references throughout the file about scholars viewing the painting and finding the early attribution to Canaletto dubious due to the style. Unfortunately, not all previous curators were fanatical about documenting such information, so we do not know exact names. Since then there have been numerous William James’ views of Venice that have been compared to the MAG painting (photocopies in file) and have been found to have a similar style. James flourished between 1760 and 1771, hence our dating for the painting. An identical painting hangs at the Sir John Soane Museum in London.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.180_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.180_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.180_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.180_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26217", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that master image includes frame; it has been cropped out for this view.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.180_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.180_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.180_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.180_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "27901", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }