{ "objects" : [ { "embark_ID" : 361, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/361", "Disp_Access_No" : "1963.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Two Nudes Bathing by Waterfall", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louis Michel Eilshemius", "Sort_Artist" : "Eilshemius, Louis Michel", "Disp_Dimen" : "27 1/2 x 21 1/2 in. (69.9 x 54.6 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Roy R. Neuberger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 357, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/357", "Disp_Access_No" : "1957.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1790", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1790", "Disp_Title" : "Mary Smith Booth (1744-1824)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Earl", "Sort_Artist" : "Earl, Ralph", "Disp_Dimen" : "38 x 31 in. (96.5 x 78.7 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13415", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 356, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/356", "Disp_Access_No" : "1941.26", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1904", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1909", "Disp_Title" : "William H. Macdowell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Eakins", "Sort_Artist" : "Eakins, Thomas", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thomas Eakins painted multiple portraits of his father-in-law, William H. Macdowell. Eakins’s sensitive portraits and genre scenes defined American realist art at the end of the 19th century. His art and commitment to realism were enormously influential to the artists of the Urban Realist movement. [Gallery label text, 2007] Thomas Eakins was one of America's greatest painters, whose realistic portrayals of people at work and at play have become icons of American culture. He immortalized many friends and family members by using them as subjects, among them his father-in-law, William Macdowell, an engraver and self-styled philosopher, whom Eakins painted and photographed numerous times. In the Gallery's portrait, Macdowell's aged face, rendered with scrupulous care and detail, emerges from a somber background. In this direct and straightforward manner, Eakins suggests Macdowell's strength of character and distinctive personality. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through R. T. Miller fund-- later shifted to Marion Stratton Gould fund. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38866", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 350, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/350", "Disp_Access_No" : "1937.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1920-1934", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1934", "Disp_Title" : "Portrait of the Duchess", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rufus J. Dryer", "Sort_Artist" : "Dryer, Rufus J.", "Disp_Dimen" : "39 1/4 x 32 in. (99.7 x 81.3 cm)", "Disp_Height" : "39 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Rufus K. Dryer was born into a well-to-do Rochester family of politicians and businessmen. Like many aspiring artists of the day, he studied with Robert Henri in New York City. And like many free spirits of means, he soon after moved to France to pursue his career, returning home only three years before his death. Nothing is known of the pensive woman wearing a fashionable cloche and fur whom Dryer painted in tones of blue and peach against a wildly-patterned wallpaper backdrop. This canvas appeared in the artist’s memorial exhibition here at MAG in 1937, shortly after which it was presented to us as a gift from Dryer’s sister, Leora, also an artist. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Miss Leora Dryer", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39414", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 341, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/341", "Disp_Access_No" : "1957.79", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1908", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1913", "Disp_Title" : "Portrait in a Brown Dress", "Alt_Title" : "Lady in Yellow", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas W. Dewing", "Sort_Artist" : "Dewing, Thomas W.", "Disp_Dimen" : "20 x 15 1/2 in. (50.8 x 39.4 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "15 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Around the same time that Thomas Dewing painted this portrait of a young woman reading a book, American art critic Charles Caffin wrote about Dewing's work: "Generations of repressed emotion have made [Dewing's women] incapable of passion; strenuousness survives only in supersensitive nerves; their sole religion is the worship of self…They are motionless in an atmosphere from which all human warmth has been sucked, in a vacuum drained of intellectual and emotional nourishment. These bodily shapes are not of flesh and blood; they are the essence distilled from the withering of what is womanly, the mere fragrance of dead rose-leaves." Thomas Dewing's depictions of genteel, ethereal young women engaged in contemplative and artistic pursuits stand in contrast to the bold and vigorous "New Woman," the feminist model of woman who emerged during this same period. The "New Woman" earned a living and wanted the vote and was not content to be marginalized in gauzy environments like the ones created by Dewing. This painting is in its original frame, which is similar to those designed by Stanford White, who created opulent and decorative environments for many of Dewing's Gilded Age patrons. (1). Charles H. Caffin, The Story of American Painting: The Evolution of American Painting from Colonial Times to the Present (New York: Frederick A. Stokes Company, 1907) , 189. [Gallery label text]", "Dedication" : "Gift of Mr. and Mrs. Alexander Millar Lindsay III, in memory of Jesse Williams and Grace Curtice Lindsay and their daughter, Carolyn Lindsay White", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.79_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12405", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 328, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/328", "Disp_Access_No" : "1967.23", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Caliban", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "20 x 20 in. (50.8 x 50.8 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. A. David Davies", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Notes taken by curator Jess Marten from object file, 4/28/15 - gift of Davies paintings from daughter-in-law was due, in large part, to MAG director Harris Prior''s work in organizing a Davies'' exhibiiton for Munson Williams Proctor in 1962; exhibited at Hyde Collection 2001 Davies'' exhibition Dweller on the Threshold, and reproduced in catalog", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36983", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from a transparency shot by Jim Via in 2001", "View" : "" } , ] },{ "embark_ID" : 320, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/320", "Disp_Access_No" : "1931.12", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Park at Evening", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "10 1/4 x 21 in. (26 x 53.3 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Lizzie P. Bliss", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39107", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 313, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/313", "Disp_Access_No" : "1979.31", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Dr. James Sibley Watson, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "E. E. Cummings", "Sort_Artist" : "Cummings, E. E.", "Disp_Dimen" : "17 3/4 x 8 5/8 in. (45.1 x 21.9 cm)", "Disp_Height" : "17 3/4 in.", "Disp_Width" : "8 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "cardboard", "Disp_Medium" : "Oil on cardboard", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.31_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.31_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.31_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.31_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19692", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 299, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/299", "Disp_Access_No" : "1987.18", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Game Room, Medical Center, 1947", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfred D. Crimi", "Sort_Artist" : "Crimi, Alfred D.", "Disp_Dimen" : "9 1/8 x 7 in. (23.2 x 17.8 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on canvas board", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/293", "Disp_Access_No" : "1945.48", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Spring Plowing", "Alt_Title" : "Spring Plowing (Family Group)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Edward Costigan", "Sort_Artist" : "Costigan, John Edward", "Disp_Dimen" : "7 7/8 x 11 7/8 in. (20 x 30.2 cm)", "Disp_Height" : "7 7/8 in.", "Disp_Width" : "11 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 292, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/292", "Disp_Access_No" : "1944.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1765", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1770", "Disp_Title" : "Unfinished Portrait of Nathaniel Hurd (1729-1777)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Singleton Copley", "Sort_Artist" : "Copley, John Singleton", "Disp_Dimen" : "29 3/8 x 24 5/8 in. (74.6 x 62.5 cm)", "Disp_Height" : "29 3/8 in.", "Disp_Width" : "24 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Nathaniel Hurd (1730-1778), silversmith, goldsmith, and engraver, was a member of a distinguished Boston family of silversmiths. In addition to creating a number of silver pieces, he was well-known for his bookplates, which were designed for many distinguished colonial families including Loyalists and a signer of the Declaration of Independence, and were based on heraldic motifs (to which they may or may not have been entitled). Hurd also designed a plate for his own family, as well as bookplates for both Harvard and Dartmouth Colleges. The bookplates provide an unusual link to the social and intellectual climate of the times, and literally speak volumes about sociocultural aspirations of eighteenth-century America. Hurd was a contemporary of Copley’s. This ca. 1765 portrait, Copley’s first to depict a fellow artisan in working costume, had been preceded by an earlier miniature that Copley had painted of Hurd in 1755. [Gallery label text, 1996] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12367", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 290, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/290", "Disp_Access_No" : "1977.15", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1905", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1905", "Disp_Title" : "Weaving Homespun, Canada", "Alt_Title" : "The Weavers", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emma Lampert Cooper", "Sort_Artist" : "Cooper, Emma Lampert", "Disp_Dimen" : "22 x 30 in. (55.9 x 76.2 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Mrs. A. M. Stewart", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37922", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "For in-house uses only; not for web or publication.", "View" : "" } , ] },{ "embark_ID" : 275, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/275", "Disp_Access_No" : "1973.69.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1863", "_Disp_Start_Dat" : "1863", "_Disp_End_Date" : "1863", "Disp_Title" : "Portrait of Gideon Burbank (1803 - 1873)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Cogswell", "Sort_Artist" : "Cogswell, William", "Disp_Dimen" : "46 x 35 in. (116.8 x 88.9 cm)", "Disp_Height" : "46 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gideon Webster Burbank, Sr., 1863 Born May 24, 1803 - died March 4, 1873 (Rochester, NY) The artist, William Cogswell, was born in upstate New York and taught himself portrait painting in the 1830s. He worked as a professional artist in New York City and exhibited at the National Academy and the American Art-Union. His best-known work is a portrait of Abraham Lincoln in the White House Collection. His portraits also include Presidents Grant and McKinley. The portraits of Mr. and Mrs. Burbank were conserved by a Henry Luce Foundation Conservation Grant. Gallery label, Feb. 2011, Colleen Piccone The portraits of Mr. and Mrs. Burbank provide an unparalleled way of standing ‘face to face’ with early generations of Americans – those people who lived before Kodak gave us the snapshot. Gideon Webster Burbank was educated in New York City and established a dry goods business in Kendall, NY in 1824. The following year he married Mary Goodrich and she bore eleven children. In 1839, after the Erie Canal was completed, Mr. Burbank started a career in Rochester as a manufacturer of flour at the Frankfort Mills. His mill sent barrels of flour to London as Rochester’s exhibit in the first World’s Fair in 1851. In the late 1850s, he designed and operated the steamer “Fulton” which made trips between Rochester and Buffalo on the Erie Canal. In 1869, he became a partner in the firm of Richardson, Burbank & Company, owners of the New York Flour Mills. He also served as president and director of several banks, and as a trustee of the First Baptist church. Mr. Burbank was one of the earliest and most generous supporters of the University of Rochester and served on its Board of Trustees for nineteen years. In 1854, when the University was just four years old, he established the “Gideon Webster Burbank Professorship of Intellectual and Moral Philosophy.” His gift of $20,000 was, until that point, the largest single donation and helped inspire confidence in the long-term success of the University. He later suffered great financial loss, but remained proud of his connection to the University, saying “That I have saved.” The Burbank family plot is located in Mt. Hope Cemetery. Text Panel, Feb. 2011, Colleen Piccone ", "Dedication" : "Gift of Conrad Cobb", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "large and ornate gold frame", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.69.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.69.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.69.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.69.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32525", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image was derived from the post treatment photography (TIF with color bar) produced by Williamstown Art Conservation Center.", "View" : "" } , ] },{ "embark_ID" : 274, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/274", "Disp_Access_No" : "1973.69.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1863", "_Disp_Start_Dat" : "1863", "_Disp_End_Date" : "1863", "Disp_Title" : "Portrait of Mary Burbank (1806 - 1888)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Cogswell", "Sort_Artist" : "Cogswell, William", "Disp_Dimen" : "46 x 35 in. (116.8 x 88.9 cm)", "Disp_Height" : "46 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Mary Goodrich Burbank, 1863 Born Dec. 28, 1806 - died July 4, 1888 (Rochester, NY) The artist, William Cogswell, was born in upstate New York and taught himself portrait painting in the 1830s. He worked as a professional artist in New York City and exhibited at the National Academy and the American Art-Union. His best-known work is a portrait of Abraham Lincoln in the White House Collection. His portraits also include Presidents Grant and McKinley. The portraits of Mr. and Mrs. Burbank were conserved by a Henry Luce Foundation Conservation Grant. Gallery label, Feb. 2011, Colleen Piccone The portraits of Mr. and Mrs. Burbank provide an unparalleled way of standing ‘face to face’ with early generations of Americans – those people who lived before Kodak gave us the snapshot. Gideon Webster Burbank was educated in New York City and established a dry goods business in Kendall, NY in 1824. The following year he married Mary Goodrich and she bore eleven children. In 1839, after the Erie Canal was completed, Mr. Burbank started a career in Rochester as a manufacturer of flour at the Frankfort Mills. His mill sent barrels of flour to London as Rochester’s exhibit in the first World’s Fair in 1851. In the late 1850s, he designed and operated the steamer “Fulton” which made trips between Rochester and Buffalo on the Erie Canal. In 1869, he became a partner in the firm of Richardson, Burbank & Company, owners of the New York Flour Mills. He also served as president and director of several banks, and as a trustee of the First Baptist church. Mr. Burbank was one of the earliest and most generous supporters of the University of Rochester and served on its Board of Trustees for nineteen years. In 1854, when the University was just four years old, he established the “Gideon Webster Burbank Professorship of Intellectual and Moral Philosophy.” His gift of $20,000 was, until that point, the largest single donation and helped inspire confidence in the long-term success of the University. He later suffered great financial loss, but remained proud of his connection to the University, saying “That I have saved.” The Burbank family plot is located in Mt. Hope Cemetery. Text Panel, Feb. 2011, Colleen Piccone", "Dedication" : "Gift of Conrad Cobb", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.69.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.69.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.69.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.69.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32524", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image was derived from the post treatment photography (TIF with color bar) produced by Williamstown Art Conservation Center.", "View" : "" } , ] },{ "embark_ID" : 268, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/268", "Disp_Access_No" : "1951.38", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Figure with Flamingoes", "Alt_Title" : "The Flamingoes", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick Stuart Church", "Sort_Artist" : "Church, Frederick Stuart", "Disp_Dimen" : "15 x 12 in. 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See curatorial file. --KSchauber, Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29239", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 264, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/264", "Disp_Access_No" : "1992.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "Boats on Shore, Yport, France", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harry Chase", "Sort_Artist" : "Chase, Harry", "Disp_Dimen" : "10 x 16 in. (25.4 x 40.6 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Hollister Spencer", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.16_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15795", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/263", "Disp_Access_No" : "1991.102", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Mexican Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Charlot", "Sort_Artist" : "Charlot, Jean", "Disp_Dimen" : "10 1/8 x 8 1/16 in. (25.7 x 20.4 cm)", "Disp_Height" : "10 1/8 in.", "Disp_Width" : "8 1/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Florence M. Hetzler", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 262, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/262", "Disp_Access_No" : "1942.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1937", "_Disp_Start_Dat" : "1937", "_Disp_End_Date" : "1937", "Disp_Title" : "Dance of the Pilgrims", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Charlot", "Sort_Artist" : "Charlot, Jean", "Disp_Dimen" : "15 3/8 x 19 3/8 in. (39.1 x 49.2 cm)", "Disp_Height" : "15 3/8 in.", "Disp_Width" : "19 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/261", "Disp_Access_No" : "1942.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1937", "_Disp_Start_Dat" : "1937", "_Disp_End_Date" : "1937", "Disp_Title" : "Lavendera", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Charlot", "Sort_Artist" : "Charlot, Jean", "Disp_Dimen" : "19 3/8 x 15 3/8 in. (49.2 x 39.1 cm)", "Disp_Height" : "19 3/8 in.", "Disp_Width" : "15 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19124", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 239, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/239", "Disp_Access_No" : "1975.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1843", "_Disp_Start_Dat" : "1843", "_Disp_End_Date" : "1843", "Disp_Title" : "View of the Ducal Palace, Venice", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Loring Brown", "Sort_Artist" : "Brown, George Loring", "Disp_Dimen" : "23 3/4 x 29 1/8 in. (60.3 x 74 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "29 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Norman B. Hirschl in honor of Harris K. Prior", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/234", "Disp_Access_No" : "1997.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1836", "_Disp_Start_Dat" : "1836", "_Disp_End_Date" : "1836", "Disp_Title" : "Mr. Gerald Fowler", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Bradley", "Sort_Artist" : "Bradley, John", "Disp_Dimen" : "34 x 28 in. (86.4 x 71.1 cm)", "Disp_Height" : "34 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil and distemper on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "235", "Rel_Obj_Title" : "Mrs. Gerald (Catherine) Fowler" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26545", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/227", "Disp_Access_No" : "1983.134.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1930-1939", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1939", "Disp_Title" : "Beatrice Baratoni and Cat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "8 7/16 x 7 5/8 in. (21.5 x 19.4 cm)", "Disp_Height" : "8 7/16 in.", "Disp_Width" : "7 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas (unstretched)", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28708", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/222", "Disp_Access_No" : "1941.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1862-1863", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1863", "Disp_Title" : "Trial Scene ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Gilmour Blythe", "Sort_Artist" : "Blythe, David Gilmour", "Disp_Dimen" : "22 1/4 x 27 in. (56.5 x 68.6 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Blythe’s painting shows a scene of frontier justice in a rough building serving as a courtroom. A backwoods “lawyer” at the center either defends or makes his case against a shackled prisoner at the right. However, some elements of the scene, including the onlookers—some armed with long guns, some distracted by a card game—and the pot and sack at the lower left labelled “tar” and “feathers,” reveal that this is an extrajudicial proceeding. The prisoner whittles unconcernedly while his fate is decided, suggesting that this is a typically satirical genre scene for Blythe, who made other paintings of farcical trials and caricatured politics. [Gallery label text, 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through R. T. Miller fund-- later shifted to Marion Stratton Gould fund. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12354", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial before any other use.", "View" : "" } , ] },{ "embark_ID" : 212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/212", "Disp_Access_No" : "1952.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1950-1952", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1952", "Disp_Title" : "Fishwife", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul S. Berry", "Sort_Artist" : "Berry, Paul S.", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "For many years, works from the annual Rochester-Finger Lakes Exhibition were purchased by MAG for the permanent collection. Fishwife, by Syracuse artist Paul S. Berry, is an example of such an acquisition made from the 1952 show. Its survival may rest on the fact that it entered the museum’s collection so soon after it was painted, as every August the artist would evaluate the contents of his studio and destroy anything that wasn’t up to his exacting standards. According to Berry’s widow, Fishwife is painted in a style quite different from most of his work. A turbaned Haitian woman lifts an enormous, wide-eyed fish from a wicker basket; the diagonal line of her muscular arm echoes the ramshackle roofline of the building behind her. The influence of photography is seen in the arm of a third person poking in from the left side of the composition. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Art Patrons' Purchase Award, 1952 Rochester - Finger Lakes Exhibition", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39601", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 206, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/206", "Disp_Access_No" : "1966.24", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "Unknown Gentleman", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Benbridge", "Sort_Artist" : "Benbridge, Henry", "Disp_Dimen" : "29 1/4 x 19 1/4 in. (74.3 x 48.9 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "19 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This portrait was attributed to the German artist Johann Zoffany when it was acquired by Memorial Art Gallery in 1966. Prompted by MAG director Harris Prior, Smithsonian curator Robert Stewart investigated further and came to the conclusion that the American-born portraitist Henry Benbridge was the true artist. Shortly thereafter, this portrait was loaned to an exhibit of Benbridge’s work in the National Portrait Gallery in Washington, DC. Stewart described it as “one of the nicest of what I call his ‘portraits in the small.’” The elongated forehead, proportionately small body, and decorative plant matter in the foreground are hallmarks of Benbridge’s style. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "listed in bill of sale as painting by Zoffany", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12433", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 196, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/196", "Disp_Access_No" : "1994.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Judith", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eugenie Baizerman", "Sort_Artist" : "Baizerman, Eugenie", "Disp_Dimen" : "24 3/4 x 17 3/4 in. (62.9 x 45.1 cm)", "Disp_Height" : "24 3/4 in.", "Disp_Width" : "17 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Anne Prior Whitcomb", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 194, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/194", "Disp_Access_No" : "1963.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "Haircut by the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton Avery", "Sort_Artist" : "Avery, Milton", "Disp_Dimen" : "44 x 32 in. (111.8 x 81.3 cm)", "Disp_Height" : "44 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Roy R. Neuberger", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12413", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 192, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/192", "Disp_Access_No" : "1934.1", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1831", "_Disp_Start_Dat" : "1821", "_Disp_End_Date" : "1830", "Disp_Title" : "Colonel Nathaniel Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This formal gentleman was the founder of the city of Rochester, New York. His portrait was originally thought to have been painted by John James Audubon, but current scholarship has weighed in against that opinion. Nathaniel Rochester was an enterprising individual, which was a characteristic of many early settlers. He founded businesses and churches, and held governmental positions. He was the first president of the Rochester Athenaeum, the precursor to the Rochester Institute of Technology, and he was instrumental in the organization of Monroe County and the building of the Erie Canal. His practical and inventive bent may have led him to wear four-lens spectacles, which allowed him to read small print and see at a distance using the same pair of glasses. [Gallery label text, 2007]", "Dedication" : "Gift of Thomas J. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Conversation between Marjorie Searl and Holly Cumberland (Rochester family descendant) regarding acquisition and attribution of painting (December 7, 2009); Holly wanted to alert us to the book "Nathaniel" written by her grandfather, Rochester Rogers, whose son Nathaniel died of throat cancer in 1945. In the book, Rogers alludes to the painting of Nathaniel Rochester, and that it was acquired for MAG by Thomas Watson. Holly''s contention is that Thomas Watson bought the painting believing that it was by Audubon, and that as Rochester Rogers and Thomas Watson were friends, there would have been ample opportunity for Watson to have ascertained from his friend Rogers that it was in fact by Audubon. However, as I explained to Holly, it was Rochester Rogers'' sister Helen who strongly supported the Audubon attribution, so this comment does not change the fact that there is virtually no objective and external evidence pointing to this portrait''s being by Audubon, other than an anonymous inscription on the back of the painting.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/34.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/34.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/34.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/34.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12350", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 189, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/189", "Disp_Access_No" : "1930.54", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Gideon Granger (1767 - 1822)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ezra Ames", "Sort_Artist" : "Ames, Ezra", "Disp_Dimen" : "29 1/4 x 23 in. (74.3 x 58.4 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.54_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.54_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.54_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.54_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36553", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image was derived from an after treatment photo provided by Williamstown Art Conservation Center in 2011.", "View" : "" } , ] },{ "embark_ID" : 4258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4258", "Disp_Access_No" : "5.1997L", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Interlude", "Alt_Title" : "The Lute Players", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maxfield Parrish", "Sort_Artist" : "Parrish, Maxfield", "Disp_Dimen" : "84 x 60 in. (213.4 x 152.4 cm)", "Disp_Height" : "84 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on linen canvas", "Info_Page_Comm" : "Maxfield Parrish, leading illustrator and muralist of the early twentieth century, painted Interlude to hang at the Eastman Theatre in Rochester. Through architect Lawrence Grant White, George Eastman commissioned three murals for the theater, which served as both silent movie palace and philharmonic hall. Interlude was Eastman’s favorite, a “peacherina,” he wrote White. The radiant quality of Interlude is due to Parrish’s high technical standards and theatrical sense of color—electrical reds, vivid purples, and lush apricots. A shade of cobalt straight from the tube was applied so ingeniously that it became known as “Parrish blue.” He painted glaze upon glaze to create a hard photographic finish that betrayed no brush strokes. Interlude was moved to the Memorial Art Gallery in 1997 to provide it with more stable temperature and humidity conditions. In its place at the Eastman Theatre is a full-size color reproduction. Elizabeth Brayer, George Eastman Historian [Summer 2015]", "Dedication" : "Lent by the Eastman School of Music of the University of Rochester", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See reproduction of a photo of a model posing for this painting in Alma Gilbert''s "Parrish and Photography," Plainfield, NH, 1998, fig. 13a. During the pandemic in 2020-21, the Eastman School suggested they were thinking of deaccessioning this work and selling it, as they were in a financial bind. A suggestion was made that MAG buy the painting from the ESM. In January 2021, Dr. Binstock approached UR President Sarah Mangelsdorf to discuss the situation, and later sent this message to MAG''s Board: "This is just an update to let you know that Peter [Brown] and I met with President Mangelsdorf and she received our comments on the subject of the Maxfield Parrish painting sympathetically. We believe that at this time the Maxfield Parrish matter is closed, and that there is no risk that the Univ. will seek to sell the painting." See full documentation in object file.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/5.97L_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/5.97L_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/5.97L_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/5.97L_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17393", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of the Eastman Theater", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/5.97L_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/5.97L_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/5.97L_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/5.97L_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "38863", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 368, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/368", "Disp_Access_No" : "1997.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1879", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1879", "Disp_Title" : "Portrait of the Artist's Father", "Alt_Title" : "Portrait of DeWitt Clinton Ellis", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "14 x 11 7/8 in. (35.6 x 30.2 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "11 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mary M. Gazley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.4_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "44776", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.4_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.4_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.4_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.4_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "47177", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo on disks labelled "MAG 170607"", "View" : "" } , ] },{ "embark_ID" : 382, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/382", "Disp_Access_No" : "1936.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1852", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1852", "Disp_Title" : "Sketch of a Girl's Head", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James E. Freeman", "Sort_Artist" : "Freeman, James E.", "Disp_Dimen" : "11 1/2 x 12 in. (29.2 x 30.5 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper mounted on cardboard", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Frances DuPuy Fletcher", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.20_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.20_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.20_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.20_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31323", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was taken by Fine Arts Conservation after treatment. A digital file was provided to MAG that was already color-corrected. It does not contain a color bar, gray scale, or accessio number. This digital file was preserved as 36.20_P2.TIF and an access image was derived from it for web access use. This file is not for publication purposes.", "View" : "" } , ] },{ "embark_ID" : 385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/385", "Disp_Access_No" : "1957.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Iris", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice Fromkes", "Sort_Artist" : "Fromkes, Maurice", "Disp_Dimen" : "31 1/2 x 27 1/2 in. (80 x 69.9 cm)", "Disp_Height" : "31 1/2 in.", "Disp_Width" : "27 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "From the collection of Mrs. Charles Wright Dodge, gift of her daughter, Mrs. Adrian Devine", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Mrs. Adrian Devine died in 1956-- how did she give MAG a gift in 1957? Note that a cardboad backing in curatorial file for 57.45, another Fromkes from Devine, says "Louise Dodge Bequest." Mrs. Dodge died in 1953; her daughter, Mrs Devine, who is credited with this gift, died in 1956. Did she have lifetime interest in this work and 57.45 and they came to MAG at her death?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15781", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 391, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/391", "Disp_Access_No" : "1942.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850-1860", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1860", "Disp_Title" : "Portrait of Sophia Josephine Dixon", "Alt_Title" : "Mrs. Robert Fulton White", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jefferson Gauntt", "Sort_Artist" : "Gauntt, Jefferson", "Disp_Dimen" : "50 1/4 x 40 1/8 in. (127.6 x 101.9 cm)", "Disp_Height" : "50 1/4 in.", "Disp_Width" : "40 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Attributed to Jefferson Gauntt American, 1806 – 1864 Sophia Josephine Dixon, born circa 1852 - date of death unknown Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860. Tombstone, Oct. 2010, Colleen Piccone A favorite of MAG visitors, the portrait of Sophia Josephine Dixon was conserved in 2006 through a Lower Hudson Conference Conservation Treatment Grant and has been on view in the 19th century American gallery. We are happy to reunite her with her parents, Hiram and Angeline Dixon, whose portraits were conserved in 2008 through the Henry Luce Foundation American Art Conservation Grant. This is the first time that MAG has exhibited the portraits together as a family. They were given to the Gallery by Sophia Josephine’s daughter, Mrs. George B. Penny. The Dixons’ daughter, Sophia Josephine, holds her pet goldfinch on a string, illustrating her patience and nurturing nature in training a wild bird as her pet. Her white dress with blue ribbon sash, lace pantaloons and straw hat are those of a well-bred young girl from a successful American family. In the early nineteenth century, girls were generally depicted in domestic settings. By 1831, however, “The Mother’s Book” by Lydia Child argued that girls as well as boys would benefit from open air and should be allowed to play outside. The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY. Excerpted from installation text, Oct. 2010 Colleen Piccone, Curatorial Dept. ", "Dedication" : "Gift of Mrs. George Barlow Penny", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "392", "Rel_Obj_Title" : "Portrait of Angeline Wildey Dixon (1817 - 1903)" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12363", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 392, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/392", "Disp_Access_No" : "1952.35", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1850-1860", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1860", "Disp_Title" : "Portrait of Angeline Wildey Dixon (1817 - 1903)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jefferson Gauntt", "Sort_Artist" : "Gauntt, Jefferson", "Disp_Dimen" : "35 3/4 x 28 1/2 in. (90.8 x 72.4 cm)", "Disp_Height" : "35 3/4 in.", "Disp_Width" : "28 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Angeline Wildey Dixon, born circa 1817 - died Feb. 26, 1903 (Tarrytown, NY) Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860. The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY. Although painted separately, Mr. and Mrs. Dixon appear to share a couch against a large window through which an elaborate landscape can be seen. Both are dressed in stylish and sophisticated attire. It was considered poor taste for men to wear much jewelry; instead, their wives displayed the family’s wealth. Angeline Dixon wears four gold rings and a bracelet with carved black stones. As popular hairstyles of the time covered the ears, earrings fell out of fashion for a time and the hand became the center of interest. Her cameo brooch, carved from shell, is attached to a gold chain with a pendant or watch fob similar to the one worn by her husband. Excerpted from installation text, Oct. 2010 Colleen Piccone, Curatorial Dept. ", "Dedication" : "Gift of Mrs. George B. Penny", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "391", "Rel_Obj_Title" : "Portrait of Sophia Josephine Dixon" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28607", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was derived from the after treatment photography (TIF with color bar) provided by WACC.", "View" : "" } , ] },{ "embark_ID" : 393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/393", "Disp_Access_No" : "1952.36", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1850-1860", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1860", "Disp_Title" : "Portrait of Hiram Westley Dixon (1817- 1888)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jefferson Gauntt", "Sort_Artist" : "Gauntt, Jefferson", "Disp_Dimen" : "35 3/4 x 28 1/2 in. (90.8 x 72.4 cm)", "Disp_Height" : "35 3/4 in.", "Disp_Width" : "28 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Hiram Wesley Dixon, Born circa 1817- died Dec. 1, 1888 (Tarrytown, NY) Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860. Tombstone, Oct. 2010, Colleen Piccone The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY. Although painted separately, Mr. and Mrs. Dixon appear to share a couch against a large window through which an elaborate landscape can be seen. Both are dressed in stylish and sophisticated attire. Hiram W. Dixon was the owner of a hardware store in Hudson. In 1856, Mr. Dixon was elected a messenger of the Electoral College to carry the vote to Washington. A newspaper article reported that each year he “predicted the election returns and his selections were as predictable as the Gallup polls.” In 1864, he was a director of The First National Bank of Hudson and in 1866, appointed postmaster of the Hudson post-office. In 1866, the family became members of the First Reformed Protestant Dutch Church in Hudson. Mr. Dixon was also involved in real estate and insurance in Tarrytown where there is a street named for him. Text Panel, Oct. 2010, Colleen Piccone ", "Dedication" : "Gift of Mrs. George B. Penny", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "22808", "Rel_Obj_Title" : "Farmers Bank Note" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28608", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was derived from the after treatment photography (TIF with color bar) provided by WACC.", "View" : "" } , ] },{ "embark_ID" : 395, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/395", "Disp_Access_No" : "1949.62", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "William Ellwanger", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Grove Sheldon Gilbert", "Sort_Artist" : "Gilbert, Grove Sheldon", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Kenneth H. Field", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 400, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/400", "Disp_Access_No" : "1935.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Girl's Head", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "13 1/2 x 11 in. (34.3 x 27.9 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on masonite panel", "Info_Page_Comm" : "", "Dedication" : "George L. Herdle Memorial Prize", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.29_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.29_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.29_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.29_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39109", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 401, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/401", "Disp_Access_No" : "1935.49", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1940", "Disp_Title" : "Night Beauty", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "20 x 17 in. (50.8 x 43.2 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.49_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.49_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.49_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.49_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18009", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 403, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/403", "Disp_Access_No" : "1929.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1912", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1912", "Disp_Title" : "The Absinthe Drinker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Lee MacCameron", "Sort_Artist" : "MacCameron, Robert Lee", "Disp_Dimen" : "43 x 33 in. (109.2 x 83.8 cm)", "Disp_Height" : "43 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Robert Lee MacCameron was well-known for two very different kinds of paintings: society portraits of people like President Taft, Auguste Rodin, and Lady Astor, and depictions of the sordid demi-monde of his adopted city of Paris. The Absinthe Drinker, completed in the year of the artist’s death, is an excellent example of the latter. Despite the painting’s poor condition, the sitter’s ghastly complexion and stooped posture evoke the fate of those who lost themselves to “the green fairy,” as the potent and inexpensive spirit was sometimes called. MacCameron married Louise Van Voorhis, a member of one of Rochester’s most prominent families. Her mother donated this painting to MAG many years after the painter’s death at age 46. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Mrs. John Van Voorhis", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/29.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/29.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/29.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/29.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17253", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 404, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/404", "Disp_Access_No" : "1946.60", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1941", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1946", "Disp_Title" : "Check-Up", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "38 x 31 in. (96.5 x 78.7 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43327", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from transparency by KSchauber as there were no print or master level images. JPG derived from this new scan.", "View" : "" } , ] },{ "embark_ID" : 408, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/408", "Disp_Access_No" : "1992.39", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Observer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "36 7/8 x 44 5/8 in. (93.6 x 113.4 cm)", "Disp_Height" : "36 7/8 in.", "Disp_Width" : "44 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of John, Deborah and Sarah Gorsline", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 409, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/409", "Disp_Access_No" : "1993.36", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self-Portrait in a Chinese Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "22 1/16 x 17 15/16 in. (56 x 45.5 cm)", "Disp_Height" : "22 1/16 in.", "Disp_Width" : "17 15/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Originally from Rochester, the painter and writer Douglas Gorsline attended the Art Students League in New York City and taught at the National Academy of Design. He was profoundly influenced by the artistic styles of cubism and realism. He tended to use fragmented compositions as a means of depicting reality, in particular reality combined with movement. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of Marie Gorsline", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43998", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/418", "Disp_Access_No" : "1951.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "The Opposition", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Gropper", "Sort_Artist" : "Gropper, William", "Disp_Dimen" : "28 x 38 in. (71.1 x 96.5 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "38 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Lawmakers were threatening to cut significant federal funding for the arts when political cartoonist and painter William Gropper satirized the United States Senate in The Opposition. Gropper wrote, “I have portrayed the type of representative that is opposed to progress and culture. The U.S. Senate…[has] such an influence on American life, good and bad, that it has even affected the artist and the cultural development of our country.” [Gallery label text, 2007] William Gropper was best known for his caustic commentary on the American political and social scene. He depicted realistic and identifiable subjects; The Opposition was one of a number of paintings and illustrations that came out of his 1934 assignment for the magazine Vanity Fair, to sketch legislators in action in Washington. Gropper made no bones about his distaste for politics and used his art to further his point of view: "I have portrayed the type of representative that is opposed to progress and culture. The U.S. Senate and the House of Representatives have had such an influence on American life, good and bad, that it has even affected the artist and the cultural development of our country. No matter how far removed from politics artists may be, it seems to strike home. Only recently one blasting speech of a reactionary representative resulted in not only doing away with the Section of Fine Art, but also dismissing the Graphic Division of the OWI [Office of War Information] and nullifying art reportage for the War Department." Gropper's start as a newspaper illustrator informed the creative processes of the rest of his life. His work retained his journalist's interest in issues of the day, giving it a particularly topical essence presented in a dynamic, expressionistic format. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "1714", "Rel_Obj_Title" : "The Opposition" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 419, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/419", "Disp_Access_No" : "1951.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "The Wanderer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Grosz", "Sort_Artist" : "Grosz, George", "Disp_Dimen" : "30 x 40 in. (76.2 x 101.6 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ten years after fleeing Germany during Hitler’s rise to power, George Grosz painted The Wanderer in New York. As World War II raged over the ocean, Grosz created this intensely personal response to his experience as a German soldier in World War I and his 1933 emigration to the United States. [Gallery label text, 2007] Painted in the midst of World War II, The Wanderer is an expression of the artist’s recent life experience. George Grosz was an established painter in Germany who, like many others, spoke out against the totalitarian Nazi regime. For his own safety and that of his family, he relocated to the United States. The Wanderer was one of a group of so-called ‘hell pictures’; in a letter, he wrote: I work a lot…I painted a little picture – The Wanderer – myself of course…The resonance of explosion and destruction often shakes me bodily. The explosion and destruction was a reference to the war-torn European continent that he had left behind, as well as a reference to his own emotional volatility as he tried to adjust, with little success, to his new life in America, suggested in the painting by the seagrasses he knew from Long Island and Cape Cod beaches. The Wanderer was probably one of the newest paintings acquired for the Encyclopedia Britannica Collection, as the collection was formed in 1943, the same year that Grosz painted this work. Stylistically, the painting’s expression of personal and cultural angst – achieved through desolate subject matter, somber palette, and unquiet line – was very much an alternative view to the more upbeat images of wartime artists like Norman Rockwell. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12388", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 425, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/425", "Disp_Access_No" : "1979.41", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895-1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1900", "Disp_Title" : "Her Pastime", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Gruppe", "Sort_Artist" : "Gruppe, Charles Paul", "Disp_Dimen" : "24 x 19 1/2 in. (61 x 49.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Winifred M. Hamilton", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 431, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/431", "Disp_Access_No" : "1951.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "Non-Fiction", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Gwathmey", "Sort_Artist" : "Gwathmey, Robert", "Disp_Dimen" : "29 x 24 in. (73.7 x 61 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the 1940s, Robert Gwathmey focused his artist’s eye upon the lives of African-American sharecroppers in the South. Non-Fiction shows a common sight on southern farms; older children tended to the young when both parents worked all day in the fields. The barbed wire and minstrel figure symbolize the dual oppressions of segregation and racism. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12389", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 436, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/436", "Disp_Access_No" : "1963.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "The Bathers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "48 3/16 x 148 1/4 in. (122.4 x 376.6 cm)", "Disp_Height" : "48 3/16 in.", "Disp_Width" : "148 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting hung originally in the home of C.E.S. Wood, a Portland, Oregon lawyer, writer and art collector. Murals were a common feature of turn-of-the-20th-century interiors, as they complemented the unified design popularized by artists and designers like William Morris and Gustav Stickley. Monumental buildings like the Boston Public Library as well as cozy residential bungalows were decorated by artists who covered blank walls with colorful, imaginative, and romantic scenes like The Bathers. MAG’s painting by Impressionist painter Childe Hassam was installed as part of a larger mural in the library/studio of the Portland, Oregon, home of Charles Erskine Scott Wood. A lawyer, writer, connoisseur, and friend of Hassam, Wood was influenced by the late 19th century Arts & Crafts aesthetic that disdained the ornate and cluttered surroundings of the Victorian period and aspired to simplicity and harmonious design. Wood wrote to his friend, the artist J. Alden Weir, that Hassam “whirled in and painted me a whole wall for my studio, and they tell me it is beautiful.” [Gallery label text, 2008] ", "Dedication" : "Gift of Mr. and Mrs. Ogden Phipps", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "There are a number of descendants of C.E.S. Wood, who commissioned this painting from Hassam. In October 2008 Marjorie Searl spoke with Nancy Robinson von Gimbut, a greatgranddaughter of C.E.S. Wood. She was born in Rochester and lived on Fonthill Road in Brighton. Her father was David Robinson, who was born in England and was in the Air Service. Her email address is nvongimbut@yahoo.com", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12414", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 439, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/439", "Disp_Access_No" : "1976.22", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1911", "_Disp_Start_Dat" : "1906", "_Disp_End_Date" : "1916", "Disp_Title" : "Spring", "Alt_Title" : "From the Garden", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Webster Hawthorne", "Sort_Artist" : "Hawthorne, Charles Webster", "Disp_Dimen" : "39 1/2 x 39 1/2 in. (100.3 x 100.3 cm)", "Disp_Height" : "39 1/2 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12470", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 446, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/446", "Disp_Access_No" : "1977.155", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1922", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1927", "Disp_Title" : "Lucero's Place, Springtime", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Penhallow Henderson", "Sort_Artist" : "Henderson, William Penhallow", "Disp_Dimen" : "31 3/4 x 39 7/8 in. (80.6 x 101.3 cm)", "Disp_Height" : "31 3/4 in.", "Disp_Width" : "39 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Miss Helen C. Ellwanger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/447", "Disp_Access_No" : "1926.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1924", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1924", "Disp_Title" : "Tom Cafferty", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Henri", "Sort_Artist" : "Henri, Robert", "Disp_Dimen" : "22 1/4 x 20 1/8 in. (56.5 x 51.1 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "20 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Robert Henri, the leader of the Urban Realist movement, sought truth in art above all else. Henri promoted this revolutionary idea in support of a uniquely American art. [Gallery label text, 2007] In addition to providing guidance and inspiration (as well as occasional financial assistance) to many artists, Robert Henri was himself a very fine painter. Wherever he taught, he gathered around him eager and enthusiastic students who benefited from his instruction. He moved to New York in 1900 and taught at William Merritt Chase's school for a few years. In 1909, he established his own school, and also taught painting at the radical Ferrer School established by former Rochesterian Emma Goldman. Although a member of the National Academy of Design, Henri actively promoted non-juried exhibitions and the work of younger, less traditional artists. Dictums such as "Know what the old masters did…They made their language. You make yours. All the past can help you" gave his followers the confidence to paint in their own way. During the 1920s, Henri lived in Ireland and painted a young boy named Tom Cafferty, who was the subject of this painting and a number of others. Characteristically, Henri painted him in a very loose and colorful style, with energetic brush strokes. [Gallery label text, 2003]", "Dedication" : "Gift of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See May 2010 article in Apollo magazine about the McGlothlin collection in Florida, promised to the Virginia Musuem of Fine Arts; they own another version of this portrait which is titled "Listening Boy." KSchauber, Curatorial Research Ass''t See discussion of Henri''s portraits of Tom Cafferty and other Irish children in the Gerald Peters Gallery catalogue "Robert Henri: The Painted Spirit," 2005, pp. 29-31", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.1_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.1_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.1_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.1_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "33959", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 476, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/476", "Disp_Access_No" : "1974.119", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "Portrait of a Young Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Chester Harding", "Sort_Artist" : "Harding, Chester", "Disp_Dimen" : "27 1/4 x 22 in. (69.2 x 55.9 cm)", "Disp_Height" : "27 1/4 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of John McMath, in memory of Ralph Mather Cole and Elsie McMath Cole", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Maria Stevens Flintham, 1831-1916, grandmother of Ralph Mather Cole of Albion, NY; oval cut frame (original). [Ralph Mather Cole may have been John McMath''s uncle-- Cole''s wife was Elsie McMath until her marriage]", "Images": [ ] },{ "embark_ID" : 491, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/491", "Disp_Access_No" : "1958.6", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Ready for the Fête", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francis Coates Jones", "Sort_Artist" : "Jones, Francis Coates", "Disp_Dimen" : "20 x 14 in. (50.8 x 35.6 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Francis Coates Jones was born in Baltimore and studied at the Académie Julian and the Ecole des Beaux Arts in Paris. He spent much of his life in New York City, where he was the treasurer of the National Academy of Design and a trustee of the Metropolitan Museum of Art. His Neoclassical style references the traditions of ancient Greece and Rome as well as the Italian High Renaissance. This painting demonstrates his mastery of texture and surface design in the rich drapes and folds of the woman’s robe. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of the Estate of Albert Eastwood", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Approved for deaccession 1-31-78 - re-accessioned 1-12-83", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.6_I1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.6_I1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.6_I1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.6_I1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13815", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image is only to be used for reference. Not for public use.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39399", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 494, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/494", "Disp_Access_No" : "1974.99", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Abstract - Study of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Morris Kantor", "Sort_Artist" : "Kantor, Morris", "Disp_Dimen" : "38 x 34 in. (96.5 x 86.4 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "34 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.99_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.99_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.99_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.99_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "40330", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 507, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/507", "Disp_Access_No" : "1965.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Interlude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Koch", "Sort_Artist" : "Koch, John", "Disp_Dimen" : "50 1/8 x 39 7/8 in. (127.3 x 101.3 cm)", "Disp_Height" : "50 1/8 in.", "Disp_Width" : "39 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Koch was a master of the tradition of American realism. His warm, intimate, and elegant New York City interiors glow with light that is reflected by well-polished furniture, floors, and silver. In this painting, the artist’s wife (piano teacher Dora Zaslavsky) offers a cup of tea to the nude artist’s model, while the artist sits in the background and contemplates his canvas. A variation on the theme of artists and models, Interlude also is an expression of the generosity of human relationships. As one of Zaslavsky’s former students wrote, “…her philosophy of care and concern for the individual student helps shape my teaching to this day.” [Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Thomas H. Hawks", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3173", "Rel_Obj_Title" : "Study for "Interlude" (I)" },{ "Rel_Obj_ID" : "3174", "Rel_Obj_Title" : "Study for "Interlude" (II)" } ], "Curator" : "Per MSearl, telephone number of family that lives in John Koch''s apartment is 212 873 2875. Family of UR student Joyce Cohen lives there (don''t know when this info is from - sometime before 2012). 11.14.12.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 511, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/511", "Disp_Access_No" : "1951.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Clown", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walt Kuhn", "Sort_Artist" : "Kuhn, Walt", "Disp_Dimen" : "20 x 16 1/4 in. (50.8 x 41.3 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "16 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Walt Kuhn received great acclaim during his lifetime for the bold simplicity and emotional intensity of his paintings of vaudeville and circus performers. Kuhn was also one of the principal organizers of the landmark and pioneering Armory Show of 1913, which introduced the American public to avant-garde European art and helped change the course of painting and sculpture in the United States. ? [Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13418", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 537, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/537", "Disp_Access_No" : "1951.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1889", "_Disp_Start_Dat" : "1889", "_Disp_End_Date" : "1889", "Disp_Title" : "London Bus Driver", "Alt_Title" : "Cabby or London Cabby", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "27 x 22 in. (68.6 x 55.9 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Luks, like Glackens, was originally from Philadelphia and moved to New York City in 1896. He was one of The Eight who exhibited together at Macbeth Gallery in 1908, and his painting of a boy with dice reflects his interest in depicting aspects of life in the lower classes. Here, a boy who looks to be no more than ten is smoking, more than likely earning his own living as a shoeshine boy, and supplementing his income by gambling. The painting, inscribed To Elizabeth, was given by the artist to his student, Elizabeth Olds, who studied with him at the Art Students League in New York City. Elizabeth Olds was an accomplished printmaker and, like her teacher, believed in the importance of art for all people, not just the upper classes. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The painting is also known as ''Cabby'' and ''London Cabby''", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12390", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 538, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/538", "Disp_Access_No" : "1974.103", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1923-1924", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1924", "Disp_Title" : "Boy with Dice", "Alt_Title" : "Shoeshine Boy", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "30 5/16 x 26 5/16 in. (77 x 66.8 cm)", "Disp_Height" : "30 5/16 in.", "Disp_Width" : "26 5/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting of a shoeshine boy is a part of a series Luks made of young boys who worked on the streets of New York. [Gallery label text, 2007 Luks, like Glackens, was originally from Philadelphia and moved to New York City in 1896. He was one of The Eight who exhibited together at Macbeth Gallery in 1908, and his painting of a boy with dice reflects his interest in depicting aspects of life in the lower classes. Here, a boy who looks to be no more than ten is smoking, more than likely earning his own living as a shoeshine boy, and supplementing his income by gambling. The painting, inscribed To Elizabeth, was given by the artist to his student, Elizabeth Olds, who studied with him at the Art Students League in New York City. Elizabeth Olds was an accomplished printmaker and, like her teacher, believed in the importance of art for all people, not just the upper classes. [Gallery label text, 2003]", "Dedication" : "Gift of Mr. and Mrs. Thomas H. Hawks, in honor of Harris K. Prior", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.103_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.103_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.103_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.103_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/543", "Disp_Access_No" : "1914.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "New Orleans Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Lee MacCameron", "Sort_Artist" : "MacCameron, Robert Lee", "Disp_Dimen" : "22 x 18 in. (55.9 x 45.7 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Robert Lee MacCameron was celebrated in Europe and the United States for his insightful portraits. He moved to London in 1888, where he worked as an illustrator, before going to Paris to study at the École des Beaux-Arts. There, he studied with the major artists of the day, including Jean-Léon Gérôme and James McNeil Whistler. His portrait commissions ranged from European nobility to prominent American politicians, including Presidents McKinley and Taft. In addition, MacCameron painted scenes and portraits of the diverse ethnic mix that populated American cities at the turn of the century. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of the Rochester Art Club", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12641", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 549, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/549", "Disp_Access_No" : "1941.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "Judge and Mrs. Arthur Yates", "Alt_Title" : "Conversation Piece", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "M. M. Manchester", "Sort_Artist" : "Manchester, M. M.", "Disp_Dimen" : "36 x 58 3/4 in. (91.4 x 149.2 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "58 3/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This grand portrait might have been a focal point in Judge and Mrs. Yates’s parlor. Judge Yates built the first steam saw mill in Tioga County, and was justice of the peace and postmaster. Whether the furnishings, book, and clothing accurately depict the Yates’s possessions is impossible to say. They are meant to convince us of the pair’s position within the local gentry. Yards of satiny fabric held in place by a curtain holdback speak of luxury. Mrs. Yates’s jewelry, lace collar, cuffs and trimmed handkerchief, were the accoutrements of a lady of means. Judge Yates holds a book by English theologian William Paley entitled Natural Theology, a text regularly consulted by well-read gentlemen of the 19th century. While we know very little about Mr. Manchester, the artist, we can safely say that he was familiar with the grand tradition of portraiture that frequently placed subjects within ennobling, but not always authentic, settings. [Gallery label text, 2002]", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Exhibited in the 1940s with the title "Conversation Piece"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12357", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 550, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/550", "Disp_Access_No" : "1955.201", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Interior with Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Don Manfredi", "Sort_Artist" : "Manfredi, Don", "Disp_Dimen" : "18 1/2 x 24 in. (47 x 61 cm)", "Disp_Height" : "18 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 552, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/552", "Disp_Access_No" : "1943.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "People's Follies No. 3", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reginald Marsh", "Sort_Artist" : "Marsh, Reginald", "Disp_Dimen" : "25 7/8 x 39 in. (65.7 x 99.1 cm)", "Disp_Height" : "25 7/8 in.", "Disp_Width" : "39 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "board", "Disp_Medium" : "Tempera on composition board", "Info_Page_Comm" : "Reginald Marsh inherited the Urban Realist interest in the act of seeing and being seen. His art often addressed sexuality in the urban environment, as in this painting of a burlesque hall. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12364", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 553, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/553", "Disp_Access_No" : "1945.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Ice Cream Cones", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reginald Marsh", "Sort_Artist" : "Marsh, Reginald", "Disp_Dimen" : "24 x 30 in. (61 x 76.2 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "without frame", "Medium" : "Egg tempera", "Support" : "board", "Disp_Medium" : "Egg tempera on composition board", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/45.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/45.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/45.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/45.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 557, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/557", "Disp_Access_No" : "1965.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Woman in a Wing Chair", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert E. Marx", "Sort_Artist" : "Marx, Robert E.", "Disp_Dimen" : "48 x 44 in. (121.9 x 111.8 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "44 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift through the American Federation of Arts", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Museum Donor Program", "Images": [ ] },{ "embark_ID" : 563, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/563", "Disp_Access_No" : "1957.63", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Figure of a Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfred Maurer", "Sort_Artist" : "Maurer, Alfred", "Disp_Dimen" : "21 1/2 x 18 in. (54.6 x 45.7 cm)", "Disp_Height" : "21 1/2 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Fell Out of Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Deaccessioned 1977-78, but recommended for reaccessioning in October 1981.", "Images": [ ] },{ "embark_ID" : 568, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/568", "Disp_Access_No" : "1983.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "Woman in an Ermine Collar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kathleen McEnery Cunningham", "Sort_Artist" : "Cunningham, Kathleen McEnery", "Disp_Dimen" : "76 7/8 x 38 3/8 in. (195.3 x 97.5 cm)", "Disp_Height" : "76 7/8 in.", "Disp_Width" : "38 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Kathleen McEnery’s early training as an Urban Realist drew her to depict reality with an uncompromising eye. The artist was about twenty-two years old and living in Paris when she painted this bold and modern woman. McEnery lived in New York, Madrid, and Paris before she moved to Rochester, NY in 1914. [Gallery label text, 2007] Kathleen McEnery was about twenty-two years old and living in Paris when she painted Woman in an Ermine Collar. She lived and trained in New York, Madrid, and Paris before moving to Rochester in 1914. McEnery played a major role in Rochester’s cultural circles, and painted throughout her life while raising a family with her husband, Francis Cunningham of the Cunningham Car Company. McEnery’s training with the American realist master Robert Henri drew her to depict with honesty the conditions of modern life. The result is this woman’s unapologetic presence. She is an embodiment of the New Woman – a cultural phenomenon of the growing women’s rights movement, of which the artist was an ardent supporter. The New Woman rebelled against traditional gender roles and was independent, confident, and physically active. As this woman’s dashing manner illustrates, she was equally as comfortable in the public domain as would be any man. [Gallery label text, 2006] In New York City, Kathleen McEnery studied with Robert Henri. She also studied abroad and exhibited two paintings at the controversial 1913 Armory Show in New York City. After her marriage to Rochesterian Francis Cunningham, whose family owned the Cunningham Carriage Factory, she continued painting in a studio off the family's home on 10 South Goodman St., now on the campus of the Rochester Museum and Science Center. As Mrs. Cunningham, she was a member of the Gallery's Board of Managers from 1927 through 1971. The model's direct and intelligent expression and forthright pose suggests the "new woman," ready to be a participant in contemporary society rather than remain at home. Certainly, McEnery herself, who had graduated from Pratt Institute and lived on her own in New York City, fit that description as well. [Gallery label text, 2003]", "Dedication" : "Gift of Joan Cunningham Williams, Peter Cunningham, and Michael McEnery Cunningham", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 569, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/569", "Disp_Access_No" : "2017.13", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Miriam McEnery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kathleen McEnery Cunningham", "Sort_Artist" : "Cunningham, Kathleen McEnery", "Disp_Dimen" : "53 3/4 x 34 in. (136.5 x 86.4 cm)", "Disp_Height" : "53 3/4 in.", "Disp_Width" : "34 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Peter Cunningham and Joan Cunningham Williams Families", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.13_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.13_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.13_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2017.13_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36982", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 586, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/586", "Disp_Access_No" : "1930.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1830", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1830", "Disp_Title" : "Antoinette Pierson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Sidney Mount", "Sort_Artist" : "Mount, William Sidney", "Disp_Dimen" : "24 x 33 in. (61 x 83.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Antoinette Pierson resided in nearby Canandaigua, New York. She was eight years old when this portrait was painted. [Gallery label text, 2007]", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12349", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 592, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/592", "Disp_Access_No" : "1930.12", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Indian Village, Taos", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas J. Mitchell", "Sort_Artist" : "Mitchell, Thomas J.", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Julius M. Wile", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 593, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/593", "Disp_Access_No" : "1948.52", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1846", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1856", "Disp_Title" : "Portrait of Daniel Webster (after F. DeBourg Richards)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George T. Deming", "Sort_Artist" : "Deming, George T.", "Disp_Dimen" : "8 9/16 x 6 1/4 in. (21.7 x 15.8 cm)", "Disp_Height" : "8 9/16 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Oil", "Support" : "cardboard", "Disp_Medium" : "Oil on cardboard", "Info_Page_Comm" : "Orator, lawyer, statesman, and senator Daniel Webster (1782–1852) was the subject of many portraits, but none more charming than this one, informally titled Dan. Information on the back says the painting was copied from an engraving, which was no doubt itself a copy of an 1840s daguerreotype by F. DeBourg Richards. Chief curator Marjorie Searl has determined that the original attribution to G. K. Merrick is incorrect. Markings on the back of the portrait were misleading; the signature for Merrick, an attorney in Wellsboro, PA, probably indicated ownership. Another inscription, “painted from an engraving by George Deming, Wellsboro, Pennsylvania,” most likely led to the interpretation that Deming was the engraver and Merrick was the painter. Thanks to the internet and Ancestry.com, we can now safely say that Deming was the painter, and we can speculate that Merrick purchased it from him. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Suggested by Mr. Beaumont Newhall, Curator of Eastman House , Inc. to be from a popular daguerreotype of Webster from which other portraits were painted. Research revealed to be after a daguerreotype by Frederick DeBourg Richards.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.52_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.52_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.52_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.52_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37950", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 597, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/597", "Disp_Access_No" : "1965.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Woman in a Cloak", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert E. Marx", "Sort_Artist" : "Marx, Robert E.", "Disp_Dimen" : "48 x 42 in. (121.9 x 106.7 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painter-printmaker Robert Marx taught at the State University at Brockport from 1970 to 1990. His figures personify the frustrating, hurtful, and dysfunctional aspects of the human condition in relation to authority, personal relationships, and oneself. He invites the viewer to meet the gaze of his subject, stating, “If I am successful, my people will make eye contact with you and a dialogue will begin.” [Label text from It Came From the Vault exhibition, 2013] Painter-printmaker Robert Marx taught at the State University at Brockport from 1970 to 1990. His figures personify the frustrating, hurtful, and dysfunctional aspects of the human condition. He invites the viewer to meet the gaze of his subject, stating, “If I am successful, my people will make eye contact with you and dialogue will begin.” He currently lives and works in Rochester, New York. [Gallery Label Text, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 598, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/598", "Disp_Access_No" : "1927.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Mood", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kathleen McEnery Cunningham", "Sort_Artist" : "Cunningham, Kathleen McEnery", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Kathleen McEnery’s artistic career drastically changed course after her marriage to Frank Cunningham and subsequent relocation to Rochester. Early on, she studied in New York City with Robert Henri, exhibited two paintings in the pioneering 1913 Armory Show, and continued her education in Paris. Although she continued to paint, her work consisted primarily of intimate portraits of friends and acquaintances. Marjorie Quetchenbach, one of McEnery’s friends, served as the model for this portrait. The title Mood, however, identifies the moment and personality of the sitter rather than her name. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of a group of friends of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/27.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/27.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/27.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/27.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39106", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 610, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/610", "Disp_Access_No" : "1974.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1835", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1835", "Disp_Title" : "Elijah Talcott Miller (1800 - 1854)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Noah North", "Sort_Artist" : "North, Noah", "Disp_Dimen" : "27 x 22 3/4 in. (68.6 x 57.8 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "22 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert C. Miller in memory of Sophia Miller", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "611", "Rel_Obj_Title" : "Mrs. Elijah Talcott Miller (1803-1863)" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36986", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from a transparency shot by Jim Via in 1988", "View" : "" } , ] },{ "embark_ID" : 611, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/611", "Disp_Access_No" : "1974.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1835", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1835", "Disp_Title" : "Mrs. Elijah Talcott Miller (1803-1863)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Noah North", "Sort_Artist" : "North, Noah", "Disp_Dimen" : "27 x 22 3/4 in. (68.6 x 57.8 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "22 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Sitter's full name was Ruth Tillotson Miller ", "Dedication" : "Gift of Robert C. Miller in memory of Sophia Miller", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "610", "Rel_Obj_Title" : "Elijah Talcott Miller (1800 - 1854)" } ], "Curator" : "", "Images": [ ] },{ "embark_ID" : 612, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/612", "Disp_Access_No" : "1978.187", "_AccNumSort1" : "", "Disp_Create_DT" : "1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Ann Gennett Pixley Lacey (1809 - 1841)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton W. Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In this painting, Ann Lacey (the mother of Pierrepont and Eliza (78.188 and 78.189)) holds a book in her hand. Her traditional pose suggests that she was a cultured and literate individual. The portraits of the Lacey family were passed down through the generations in the family home in Scottsville, New York, until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. [Excerpted from gallery label text, 2006] M. W. Hopkins American, 1789 - 1844 Ann Gennett Pixley Lacey (1809 - 1841) ca. 1835 - 1836 Oil on canvas Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn, 78.187 Ann Gennett was born in Kirkland, New York, and her family later moved to nearby Chili. Around 1830, she married Allen Tobias Lacey, son of a neighboring farmer and political associate of her father. She was the mother of Pierrepont and Eliza, whose portraits hang nearby. In the painting, she is shown holding a small book, a popular motif that suggests literacy and a certain level of affluence. Ann Lacey died of cancer at the age of 32 and she is buried in the Fellows Cemetery in Chili. Shortly thereafter, Allen Lacey remarried, and in 1847, the family moved west to farm in Marshall, Michigan. {Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial} The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial}", "Dedication" : "Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "613", "Rel_Obj_Title" : "Eliza Pixley Lacey (1834 - 1839)" },{ "Rel_Obj_ID" : "614", "Rel_Obj_Title" : "Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12637", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18240", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/613", "Disp_Access_No" : "1978.188", "_AccNumSort1" : "", "Disp_Create_DT" : "1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Eliza Pixley Lacey (1834 - 1839)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton W. Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "M. W. Hopkins American, 1789 - 1844 Eliza Pixley Lacey (1834 - 1839) ca. 1835 - 36 Oil on canvas Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn, 78.188 M.W. Hopkins painted several portraits of young girls holding flower baskets. Eliza was painted when she was about two, and may have been Hopkins’ youngest and most endearing sitter. Portrait painting was not Hopkins’ sole occupation; he was also a farmer and ornamental painter who decorated carriages and signs. Eliza was only five when she died. She is buried in Fellows Cemetery in Chili along with her mother, Ann, whose portrait hangs nearby. {Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial} The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. {Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial} ", "Dedication" : "Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "612", "Rel_Obj_Title" : "Ann Gennett Pixley Lacey (1809 - 1841)" },{ "Rel_Obj_ID" : "614", "Rel_Obj_Title" : "Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.188_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.188_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.188_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.188_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12636", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18241", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/614", "Disp_Access_No" : "1978.189", "_AccNumSort1" : "", "Disp_Create_DT" : "1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton W. Hopkins", "Sort_Artist" : "Hopkins, Milton W.", "Disp_Dimen" : "42 x 30 1/8 in. (106.7 x 76.5 cm)", "Disp_Height" : "42 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The Lacey family lived and farmed in Scottsville, New York, a small village south of Rochester on the Oatka Creek. Like many families of means, they used the services of a local artist to have their likenesses painted, since photography as we know it did not exist. For many years, this artist was thought to be Noah North, but recent scholarship points to Milton Hopkins, with whom North probably apprenticed. Painting was not Hopkins' sole occupation. As well, he farmed and was a carriage and sign painter, and was involved in anti-Masonic, abolitionist, and temperance politics. Pierrepont Lacey was born in 1832, and like many little boys, he probably was not comfortable posing for a painting in his best clothes. The family dog, Gun, most likely didn't stand still for long, either, so it may have been quite a challenge for the artist to capture the likenesses of boy and dog. When Pierrepont was fifteen, his family moved to Marshall, Michigan. He grew up, married, and was the father of one son. Milton Hopkins moved to Ohio shortly after this portrait was painted, where he continued to paint portraits and work for the Underground Railroad. [Gallery label text, 2000] Like many young boys, Pierrepont Lacey was probably not comfortable posing for a painting dressed in his best suit and red shoes. Gun, the family dog, was most likely a restless subject for the artist to capture, as well. There are six known portraits by Hopkins showing children dressed in their finest clothes, often accompanied by their dogs. All of the children’s parents were connected to the artist through their activities in anti-Masonic, abolitionist, and temperance politics. MAG’s nearly full-size portrait is one of the most engaging likenesses done by Hopkins and has become an American folk art icon. [Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial] The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery. The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors. [Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial}] ", "Dedication" : "Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "612", "Rel_Obj_Title" : "Ann Gennett Pixley Lacey (1809 - 1841)" },{ "Rel_Obj_ID" : "613", "Rel_Obj_Title" : "Eliza Pixley Lacey (1834 - 1839)" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.189_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.189_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.189_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.189_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12478", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.187-191_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.187-191_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.187-191_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.187-191_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18242", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Also on CD, the 2 images from which the restored image was created: Lacey House Scottsville A.tif (78.187-191_R2.tif on print master folder), and Lacey House Scottsville B.tif (78.187-191_R3.tif).", "View" : "" } , ] },{ "embark_ID" : 619, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/619", "Disp_Access_No" : "1988.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1920", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1925", "Disp_Title" : "A New Arrangement", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ivan G. Olinsky", "Sort_Artist" : "Olinsky, Ivan G.", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ivan Olinksy, a Russian who arrived in New York City at age 13, was for many years the studio assistant of John LaFarge, the celebrated muralist and stained glass designer. After LaFarge’s death, Olinsky became a well-known painter in his own right, and George Herdle included his work in MAG’s inaugural exhibition of 1913. In attempting to trace that painting for the Gallery’s 75th anniversary show, MAG made contact with Olinsky’s daughter and grandsons. Serendipitously, Olinksky’s great-grandson had just graduated from the University of Rochester, and the family generously donated A New Arrangement to the permanent collection. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Richard H. Miller, John L. Miller, and Leonore O. Miller", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12510", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 629, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/629", "Disp_Access_No" : "1937.65", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Van Dearing Perrine", "Sort_Artist" : "Perrine, Van Dearing", "Disp_Dimen" : "11 x 14 in. (28 x 35.6 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Margaret Ellwanger", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.65_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26203", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/633", "Disp_Access_No" : "1984.22", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1834", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1839", "Disp_Title" : "Old Woman with a Bible", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ammi Phillips", "Sort_Artist" : "Phillips, Ammi", "Disp_Dimen" : "33 1/2 x 28 in. (85.1 x 71.1 cm)", "Disp_Height" : "33 1/2 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "linen", "Disp_Medium" : "Oil on linen", "Info_Page_Comm" : "We take for granted the ability to record our families' faces. Even the likenesses of those long-dead are etched in our memories by their photographs. But before cameras and film, the only way to save a "likeness" was to create a life or death mask, draw or paint a picture, or make a sculpture. In rural New York State, many portraits were done by painters like Ammi Phillips who had a minimal amount of training. Their customers, in turn, passed paintings down through the generations until all too often, the identity of the sitters was lost. If we don't know whose portrait this was, and if Ammi Phillips was not an academically trained artist, why do we continue to appreciate this work and keep it in a museum? The directness of human spirit that these paintings convey combined with the intricacy of design and patterning create a work filled with the "visual delight" that we search for in a work of art. [Gallery label text, 2008] This woman’s identity has not been preserved, but we might speculate with confidence that she was a devout person, as her arm is placed so firmly on the Bible. Notice, too, how carefully the artist painted the fabric of her day-cap, the embroidery on her shawl, and even the tasseled trim of the curtains. [Gallery label text, 2008]", "Dedication" : "Beatrice M. Padelford Trust", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 639, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/639", "Disp_Access_No" : "1981.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1776", "_Disp_Start_Dat" : "1776", "_Disp_End_Date" : "1776", "Disp_Title" : "Captain John Barry", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Matthew Pratt", "Sort_Artist" : "Pratt, Matthew", "Disp_Dimen" : "29 3/4 x 25 in. (75.6 x 63.5 cm)", "Disp_Height" : "29 3/4 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Peter Barry", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12484", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 640, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/640", "Disp_Access_No" : "1963.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1913-1915", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1915", "Disp_Title" : "Woodland Bathers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice Prendergast", "Sort_Artist" : "Prendergast, Maurice", "Disp_Dimen" : "19 1/2 x 26 1/2 in. (49.5 x 67.3 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "26 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas mounted on board", "Info_Page_Comm" : "Despite many differences in style and subject matter, Maurice Prendergast exhibited with the Urban Realist artists in the beginning of the century. His style of breaking up the surface of his paintings with color and light was a shock to American viewers. An art critic wrote in 1908, “Hung in a group, these canvases of Mr. Prendergast look… like an explosion in a color factory.” [Gallery label text, 2007] Prendergast looked to European artists for his inspiration. One of the most modern painters working in America in the first decade of the century, his colors were often applied in post-impressionist daubs, like Seurat, and the space in his works was compressed and unrealistic. Like Glackens, he enjoyed painting scenes of leisure, particularly bathing scenes like this one. He exhibited in the 1908 Macbeth Gallery show, along with Henri and the others, and while his work had little in common with many of the members of The Eight, he was as interested as they were in defying the conventions that had been established by the National Academy. [Gallery label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12415", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 641, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/641", "Disp_Access_No" : "1981.14", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850", "_Disp_Start_Dat" : "1845", "_Disp_End_Date" : "1855", "Disp_Title" : "Girl with Braided Hair", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Matthew Prior", "Sort_Artist" : "Prior, William Matthew", "Disp_Dimen" : "14 1/8 x 10 1/4 in. (35.9 x 26 cm)", "Disp_Height" : "14 1/8 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on paperboard", "Info_Page_Comm" : "", "Dedication" : "Gift of Edgar William and Bernice Chrysler Garbisch", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Garbisch collection no.: 54.36 (found in New Hampshire)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36988", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from a transparency shot by Jim Via in 2002", "View" : "" } , ] },{ "embark_ID" : 642, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/642", "Disp_Access_No" : "1981.15", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850", "_Disp_Start_Dat" : "1845", "_Disp_End_Date" : "1855", "Disp_Title" : "Girl in a Blue Dress", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Matthew Prior", "Sort_Artist" : "Prior, William Matthew", "Disp_Dimen" : "14 1/8 x 10 1/8 in. (35.9 x 25.7 cm)", "Disp_Height" : "14 1/8 in.", "Disp_Width" : "10 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paperboard", "Disp_Medium" : "Oil on paperboard", "Info_Page_Comm" : "", "Dedication" : "Gift of Edgar William and Bernice Chrysler Garbisch", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Garbisch collection no.: 54.37 (found in New Hampshire)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36989", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from a transparency shot by Jim Via in 2002", "View" : "" } , ] },{ "embark_ID" : 643, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/643", "Disp_Access_No" : "1981.16", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1850", "_Disp_Start_Dat" : "1845", "_Disp_End_Date" : "1855", "Disp_Title" : "Child with Flowers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Matthew Prior", "Sort_Artist" : "Prior, William Matthew", "Disp_Dimen" : "14 x 10 in. (35.6 x 25.4 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on paperboard", "Info_Page_Comm" : "", "Dedication" : "Gift of Edgar William and Bernice Chrysler Garbisch", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Garbisch no.: 49.209 (found in Pittsfield, Mass)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36990", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from a transparency shot by Jim Via in 2002", "View" : "" } , ] },{ "embark_ID" : 668, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/668", "Disp_Access_No" : "1942.57", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Two Boys", "Alt_Title" : "Mexican Boys", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Doris Patty Rosenthal", "Sort_Artist" : "Rosenthal, Doris Patty", "Disp_Dimen" : "19 1/4 x 23 1/4 in. (48.9 x 59.1 cm)", "Disp_Height" : "19 1/4 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 676, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/676", "Disp_Access_No" : "1971.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1971", "_Disp_Start_Dat" : "1971", "_Disp_End_Date" : "1971", "Disp_Title" : "Woman with Bird", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ramon Santiago", "Sort_Artist" : "Santiago, Ramon", "Disp_Dimen" : "27 1/2 x 24 in. (69.9 x 61 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/678", "Disp_Access_No" : "1957.14", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1896", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1901", "Disp_Title" : "Mrs. William Shakespeare", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Singer Sargent", "Sort_Artist" : "Sargent, John Singer", "Disp_Dimen" : "29 3/8 x 24 1/2 in. (74.6 x 62.2 cm)", "Disp_Height" : "29 3/8 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Singer Sargent was the most fashionable portrait painter working in England and the United States in the late 1800s. He was not only a gifted artist, but an accomplished pianist and linguist. The novelist Henry James once remarked that London society at the turn of the century saw John Singer Sargent and his friends “…all swimming just now in a sea of music,” with Sargent being “as much a player as a painter.” The sitter of this portrait, Louise Weiland (c. 1850–1911), was brought up at the court of Dresden, Germany. She married the British singer, composer, and conductor William Shakespeare, one of Sargent’s closest friends, in 1875. Mrs. Shakespeare was best known for the musical salons she held in her London home, which brought together artists, musicians, and members of high society. She was described by her friend Eva Ducat as a quiet woman who “hid brilliant gifts under a gentle, deprecating manner.” According to Ducat, Sargent tried to capture Mrs. Shakespeare’s characteristic wistful expression by telling her sad stories as he painted her portrait. [Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that Sargent catalogue raisonne lists a different provenance than MAG records list. C.r. notes a replica painted for another family member which has been unaccounted for since 1912-- provenance may have been mixed up between the two? --KSchauber", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12401", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 710, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/710", "Disp_Access_No" : "1975.139", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Home Late", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mortimer Smith", "Sort_Artist" : "Smith, Mortimer", "Disp_Dimen" : "40 x 46 in. (101.6 x 116.8 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "46 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Home Late is the earliest identified painting by Mortimer Smith. The shadowy interior of the frontier cabin demonstrates his mastery of the genre scene: the rifle hanging from the ceiling side by side with drying meats and vegetables, supper cooking in the kettle suspended in the stone fireplace, and the dog sleeping peacefully by the fire. Smith is equally adept at capturing the warm glow cast by the fire as it contrasts with the cold light of the winter scene beyond the doorway. The child pausing in the doorway heightens the emotional ambiguity of the scene as he surveys the cabin's interior, perhaps to gauge the mood within as he returns home late from skating. Smith's landscape and genre scenes suggest familiarity with his better-known contemporaries, like Albert Bierstadt and Eastman Johnson. Certainly, early exposure to the work exhibited at the Cosmopolitan Art Association in Sandusky provided Smith with models of painting styles that continued to influence him throughout his life. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.139_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.139_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.139_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.139_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "31885", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "cropped from CMYK file used in Seeing America Catalogue for web use", "View" : "" } , ] },{ "embark_ID" : 717, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/717", "Disp_Access_No" : "1979.94", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1946", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1951", "Disp_Title" : "Maureen Stapleton", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "15 3/4 x 11 3/4 in. (40 x 29.8 cm)", "Disp_Height" : "15 3/4 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Raphael Soyer was a prolific realist painter and printmaker whose career spanned most of the 20th century. In 1912 he immigrated to New York from Russia with his family, and the city became his muse. The actress Maureen Stapleton (1925-2006) was an artist’s model before her film career took off. In her memoirs she wrote that she “worked for Reggie [Marsh] for quite a while. He passed me off to his friend, Raphael Soyer….I was zaftig, and that’s what those guys wanted: a big, blubbery young dame.” [Forman Gallery, Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Solomon K. Gross", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.94_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.94_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.94_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.94_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12481", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 718, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/718", "Disp_Access_No" : "1982.51", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1907", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1912", "Disp_Title" : "Clarence J. McCarthy (1887 - 1953)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eugene Speicher", "Sort_Artist" : "Speicher, Eugene", "Disp_Dimen" : "36 x 30 in. (91.4 x 76.2 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Throughout history, artists have painted portraits of their friends, including friends who are often artists themselves. The young man in this portrait, Clarence J. McCarthy, met the artist Eugene Speicher while both were studying at the Albright Art School in their native Buffalo. The two also studied together at New York City’s Art Students League with the influential teacher Robert Henri. Speicher became an important portrait painter, and McCarthy, a significant illustrator. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Dennis J. Byrne in memory of Walter B. Byrne", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Clarence J. McCarthy (subject) was born in Rochester, died in Woodstock, NY. Worked as a magazine illustrator and painter. Studied at Albright Art School in Buffalo, where he met Speicher. Also studied at Art Student''s League. Member of the Salmagundi Club and Society of Illustrators. Great-uncle of the donor.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12488", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/720", "Disp_Access_No" : "1988.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1852", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1857", "Disp_Title" : "Peeling Onions", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lilly Martin Spencer", "Sort_Artist" : "Spencer, Lilly Martin", "Disp_Dimen" : "36 x 29 in. (91.4 x 73.7 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Women's Council in celebration of the 75th anniversary of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 726, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/726", "Disp_Access_No" : "1941.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1806", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1811", "Disp_Title" : "Russell Sturgis (1750 - 1826)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gilbert Stuart", "Sort_Artist" : "Stuart, Gilbert", "Disp_Dimen" : "28 3/4 x 24 1/8 in. (73 x 61.3 cm)", "Disp_Height" : "28 3/4 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gilbert Stuart was known for his portraits of George Washington – including the one on the dollar bill. [Gallery label text, 2007]", "Dedication" : "Purchased through the R. T. Miller, Jr. Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "727", "Rel_Obj_Title" : "Elizabeth Perkins Sturgis (1756 - 1843)" } ], "Curator" : "Portrait of Russell Sturgis, prominant fur-merchant of Boston and friend of Stuart who painted three portraits of him. Russell Sturgis was born in Barnstable, MA in 1750. He lived in Boston from 1777 until 1826. Married Elizabeth Perkins of Boston in 1773. He died in Boston in 1826. Portrait was painted approximately in 1806. Sturgis is painted in a black suit with white ruffled stock against a grey-olive background. Original carved, gilt frame.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12360", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 727, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/727", "Disp_Access_No" : "1941.35", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1806", "_Disp_Start_Dat" : "1801", "_Disp_End_Date" : "1811", "Disp_Title" : "Elizabeth Perkins Sturgis (1756 - 1843)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gilbert Stuart", "Sort_Artist" : "Stuart, Gilbert", "Disp_Dimen" : "28 3/4 x 23 1/8 in. (73 x 58.7 cm)", "Disp_Height" : "28 3/4 in.", "Disp_Width" : "23 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Gilbert Stuart was known for his portraits of George Washington – including the one on the dollar bill. [Gallery label text, 2007]", "Dedication" : "Purchased through the R. T. Miller, Jr. Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "726", "Rel_Obj_Title" : "Russell Sturgis (1750 - 1826)" } ], "Curator" : "Portrait of Elizabeth Perkins Sturgis (Mrs. Russell Sturgis), companion portrait to that of Russell Sturgis. Elizabeth Perkins Sturgis was born in Boston in 1756. Married Russell Sturgis in 1773 and died in Boston in 1843. She is dressed in a brown silk dress with black lace shawl and white fichu and is painted against an olive-grey background seated in a green brocade chair. She wears a be-ribboned, white lace cap. Original carved, gilt frame.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12361", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 730, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/730", "Disp_Access_No" : "1951.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1879", "_Disp_Start_Dat" : "1879", "_Disp_End_Date" : "1879", "Disp_Title" : "Anne Mumford Palmer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Abbott Handerson Thayer", "Sort_Artist" : "Thayer, Abbott Handerson", "Disp_Dimen" : "24 x 19 1/2 in. (61 x 49.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A vision of fresh beauty in her portrait, Anne Mumford Palmer lived a life that was hardly placid. Born to a Rochester lawyer and his wife, Palmer moved to New York City after her father became the treasurer of Western Union. She was a good friend of the distinguished American writer Henry Adams and his wife, Clover. An adventurous marriage to Englishman E. Nelson Fell included draining swamps in Florida to build a British colony called Fellsmere. Four years were spent with their three children on the Siberian steppes where Nelson Fell supervised a mining operation. When Anne Mumford Palmer, age 22, was painted by Abbott Thayer, newly returned from studying in France, her life lay ahead of her like a limitless ocean. When she sold the painting to MAG founder Emily Sibley Watson in 1930, she was nearing the end of her remarkable journey, and would die seven years later. More remains to be learned about an interesting life. [Gallery label text, 2009]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12983", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image (loaded 7/19/00) to be replaced with professional scan.", "View" : "" } , ] },{ "embark_ID" : 762, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/762", "Disp_Access_No" : "1951.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Discourse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Weber", "Sort_Artist" : "Weber, Max", "Disp_Dimen" : "27 x 22 in. (68.6 x 55.9 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12381", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 771, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/771", "Disp_Access_No" : "1971.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1865-1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1870", "Disp_Title" : "Genesee River Valley I", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lemuel M. Wiles", "Sort_Artist" : "Wiles, Lemuel M.", "Disp_Dimen" : "11 1/2 x 19 3/4 in. (29.2 x 50.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "19 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Lemuel Wiles was a native of Perry, New York, in Wyoming County.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12450", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 772, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/772", "Disp_Access_No" : "1971.9", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1865-1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1870", "Disp_Title" : "Genesee River Valley II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lemuel M. Wiles", "Sort_Artist" : "Wiles, Lemuel M.", "Disp_Dimen" : "11 1/2 x 19 3/4 in. (29.2 x 50.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "19 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12451", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 776, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/776", "Disp_Access_No" : "1986.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Breaking the Pose", "Alt_Title" : "The Art Class", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jerome Witkin", "Sort_Artist" : "Witkin, Jerome", "Disp_Dimen" : "88 x 71 in. (223.5 x 180.3 cm)", "Disp_Height" : "88 in.", "Disp_Width" : "71 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Throughout his career, Jerome Witkin’s dedication to the human form has never wavered. In "Breaking the Pose," Witkin captures the activities within an artist’s studio at a specific moment in time. A figurative painter’s reliance upon a nude model is made evident here, as two women pose for the artist. Modeled after Diego Velasquez’s 1656 portrait of the royal family of Spain, Las Meninas, Witkin elevates the goings on of an artist’s studio and makes a connection across the centuries to one of the most successful and revered Old Master figure painters. Similarities between the two works include the presence of the canvas and the artist; multiple subjects, all of whom appear to be momentarily distracted by visitors; and the reflections in a mirrored background that extend the scene and pique the viewer’s interest. [Hawks Gallery reinstallation, summer 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3317", "Rel_Obj_Title" : "4th Pose Study: Lisa Pannella Posing-Preparatory Sketch for "Breaking the Pose"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12502", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 786, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/786", "Disp_Access_No" : "1930.55", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1815", "_Disp_Start_Dat" : "1810", "_Disp_End_Date" : "1820", "Disp_Title" : "Mindwell Pease Granger (1770 - 1860)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "28 x 21 7/8 in. (71.1 x 55.6 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "21 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 796, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/796", "Disp_Access_No" : "1956.9.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "25 1/2 x 21 in. (64.8 x 53.3 cm)", "Disp_Height" : "25 1/2 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas mounted on masonite", "Info_Page_Comm" : "", "Dedication" : "Bequest of Pauline Wagner", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Notes taken by curator Jess Marten from object file, 4/28/15 - Bequest of Pauline Wagner, who stated in her will that this portrait pair was of her grandparents; attempts made by MAG staff in 1956 to find living relatives who could identify sitters, dates, artist, but no response found in file; painting conservator Michael Heslip from WACC thought these were not American; Heslip 2007 estimate for conservation, $3,356", "Images": [ ] },{ "embark_ID" : 797, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/797", "Disp_Access_No" : "1956.9.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "Portrait of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "25 1/2 x 21 in. (64.8 x 53.3 cm)", "Disp_Height" : "25 1/2 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas mounted on masonite", "Info_Page_Comm" : "", "Dedication" : "Bequest of Pauline Wagner", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Notes taken by curator Jess Marten from object file, 4/28/15 - Bequest of Pauline Wagner, who stated in her will that this portrait pair was of her grandparents; attempts made by MAG staff in 1956 to find living relatives who could identify sitters, dates, artist, but no response found in file; painting conservator Michael Heslip from WACC thought these were not American; Heslip 2007 estimate for conservation, $3,356 Article in D&C of 12-17-1955 regarding death of Ms. Wagner also states that she left MAG portraits of her grandparents, but does not mention which side of the family the grandparents were from. Per Ancestry, both sets of grandparents were born in Germany-- her father''s parents in Wurtemburg, her mother''s in Bavaria. Ms. Wagner had no living siblings.", "Images": [ ] },{ "embark_ID" : 809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/809", "Disp_Access_No" : "1977.179", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1845", "_Disp_Start_Dat" : "1840", "_Disp_End_Date" : "1850", "Disp_Title" : "Emily", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Susan C. Waters", "Sort_Artist" : "Waters, Susan C.", "Disp_Dimen" : "41 x 30 in. (104.1 x 76.2 cm)", "Disp_Height" : "41 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Portraits with a characteristic flat quality, distorted proportions, and attention to patterned detail were commonly painted by self-trained, itinerant (traveling) artists. For many families, these portraits were the only record of a relative’s appearance. Although this work is not signed, it is attributed to Susan Waters because it resembles other portraits of children that she did sign. Waters often placed her sitters in the foreground of an outdoor setting, looking out at the viewer with a gaze while holding something in their hands. Waters was born in Binghamton, New York. She taught herself to paint and traveled in the region of Pennsylvania and New York’s Southern Tier from 1843 to 1845. Later in her career, she turned from portraiture to still life and animal paintings, and became well-known for her paintings of the sheep that she raised at her home in Bordentown, New Jersey. ", "Dedication" : "Gift of the Family of Merritt Barker", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/824", "Disp_Access_No" : "1915.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "The Artist's Daughter (Marion Bridge)", "Alt_Title" : "Mrs. Ezra R. Bridge", "Obj_Title" : "The Artist's Daughter (Marion Douglas Volk Bridge, 1888-1973)", "Series_Title" : "", "Disp_Maker_1" : "Douglas Volk", "Sort_Artist" : "Volk, Douglas", "Disp_Dimen" : "40 x 30 in. (101.6 x 76.2 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Douglas Volk was known for his portraiture. This painting of his daughter, Marion, is a nice example of his work. Volk was the son of Leonard Wells Volk, the sculptor of Life Mask and Hands of Abraham Lincoln (98.37.1-.2a-b) and Abraham Lincoln and the Emancipation Proclamation statuette (2008.29) in the collection of the Memorial Art Gallery. As the child of an artist, Douglas Volk was surrounded by art from an early age. He travelled to Paris as a young man where he studied under the academic painter, Jean-Léon Gérôme. Volk went on to have a long and distinguished career in the United States where he exhibited widely, was the recipient of numerous awards, and taught generations of artists at Cooper Union, the Art Students League, and the National Academy of Design. ", "Dedication" : "Gift of Mrs. George Dickman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Betsy Brayer notes that donor Josephine Dickman was one of George Eastman''s art advisors.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12336", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 872, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/872", "Disp_Access_No" : "1996.46", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Coachman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "10 3/16 x 7 7/8 in. (25.9 x 20 cm)", "Disp_Height" : "10 3/16 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Charcoal", "Support" : "wove paper", "Disp_Medium" : "Charcoal on wove paper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15529", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 873, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/873", "Disp_Access_No" : "1996.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Woman at Table", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "10 1/8 x 7 11/16 in. (25.7 x 19.5 cm)", "Disp_Height" : "10 1/8 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Charcoal", "Support" : "wove paper", "Disp_Medium" : "Charcoal on wove paper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15530", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/880", "Disp_Access_No" : "1996.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Adah Mann", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georgia O'Keeffe", "Sort_Artist" : "O'Keeffe, Georgia", "Disp_Dimen" : "6 15/16 x 8 15/16 in. (17.6 x 22.7 cm)", "Disp_Height" : "6 15/16 in.", "Disp_Width" : "8 15/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Graphite", "Support" : "wove paper", "Disp_Medium" : "Graphite on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Harriet Begg", "Copyright_Type" : "Under Copyright Web Only", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.94_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.94_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.94_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.94_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12535", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 882, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/882", "Disp_Access_No" : "1996.96", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Angna Enters Dancing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "10 5/16 x 6 1/2 in. (26.2 x 16.5 cm)", "Disp_Height" : "10 5/16 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Graphite", "Support" : "wove paper", "Disp_Medium" : "Graphite on wove paper", "Info_Page_Comm" : "Drawing of dance/mime skit called 'Contre Danse' by performer Angna Enters. Angna Enters (ca. 1900 -1989) was known for performances that were often referred to as 'compositions in dance form' or 'episodes.' Enters used dance, mime, acting, costumes, music and sets to bring to life an array of characters from different times and foreign countries. Miss Enters was also an artist and exhibited paintings and drawings at The Memorial Art Gallery in November of 1936 and she performed in Rochester at least once in 1946. Raised in Milwaukee, Enters moved to New York City in the early 1920's, where she enrolled in a life class taught by John Sloan at the Art Students League. Enters and Sloan met again several years later after a performance she gave in 1925. Sloan, Robert Henri and others were so impressed with Enters' performance that they created a committee to promote her work as they had done decades earlier for dance legend Isadora Duncan. [Gallery label text]", "Dedication" : "Gift of Grant Holcomb and family, in honor of Jeanne Peterson Holcomb", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Credit line changed as per Grant Holcomb''s request 1-6-2020-- he had given this drawing anonymously but wanted his name and a tribute line added. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.96_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.96_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.96_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.96_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12536", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 897, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/897", "Disp_Access_No" : "1986.5", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1918", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1923", "Disp_Title" : "Abraham Lincoln", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Grey Barnard", "Sort_Artist" : "Barnard, George Grey", "Disp_Dimen" : "21 x 11 7/8 x 14 7/16 in. (53.3 x 30.2 x 36.7 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "11 7/8 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 932, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/932", "Disp_Access_No" : "1969.7", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1880", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1885", "Disp_Title" : "Evangeline", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Couper", "Sort_Artist" : "Couper, William", "Disp_Dimen" : "21 1/4 in. (54 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Harry Beardsley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45038", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "These photos and variants can be found on the disk entitled "MAG 160210"", "View" : "" } , ] },{ "embark_ID" : 958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/958", "Disp_Access_No" : "1966.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1876", "_Disp_Start_Dat" : "1876", "_Disp_End_Date" : "1876", "Disp_Title" : "The West Wind", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Ridgeway Gould", "Sort_Artist" : "Gould, Thomas Ridgeway", "Disp_Dimen" : "70 1/2 x 23 x 33 1/4 in. (179.1 x 58.4 x 84.5 cm)", "Disp_Height" : "70 1/2 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "Who was the West Wind? In Greek mythology, the West Wind was Zephyrus, one of the four wind gods. Perhaps the maker of this work, who was influenced by the mythological subjects that he saw in Italy, was describing the West Wind by showing its effect on the figure’s hair and skirt. Another interpretation suggests that the sculpture is an idealized expression of the United States’s westward expansion. It was exhibited at the Centennial Exhibition in Philadelphia on the occasion of the nation’s hundredth birthday in 1876. The starred belt on the waistband of the figure’s clothing could refer to the stars on the American flag. When English poet Percy Shelley wrote his Ode to the West Wind in 1820, he closed it with these immortal words: O Wind, If Winter comes, can Spring be far behind? [Gallery label text, 2004] ", "Dedication" : "Gift of the Isaac Gordon Estate through the Lincoln Rochester Trust Company", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No. II under "Statuary" in Daniel Powers'' collection catalogue of 1888. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12432", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/powersbuilding2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/powersbuilding2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/powersbuilding2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/powersbuilding2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17392", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary photo of the Powers Building.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "23163", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "image derived from Seeing America tiff", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.18_A3.JPG", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.18_A3.JPG", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.18_A3.JPG", "IIIF_URL": "http://iiif.gallerysystems.com/66.18_A3.JPG", "IsPrimary" : "0", "_SurrogateID" : "28576", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Taken at Kwanzaa Family Day, 2008", "View" : "" } , ] },{ "embark_ID" : 967, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/967", "Disp_Access_No" : "1988.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Joan of Arc", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Hyatt Huntington", "Sort_Artist" : "Huntington, Anna Hyatt", "Disp_Dimen" : "18 x 12 x 5 in. (45.7 x 30.5 x 12.7 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Sculptor Anna Hyatt Huntington, whose career overlapped chronologically with [Gaston] Lachaise’s, is well known for her historical and fictional subjects. In addition to creating Joan of Arc, located in New York City (the heroic version of MAG’s smaller sculpture), she also sculpted El Cid and Don Quixote for the Hispanic Society. [Gallery label text, 2005] ", "Dedication" : "Gift of the friends and family of Margaret M. McDonald", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12509", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 974, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/974", "Disp_Access_No" : "1958.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1958", "_Disp_Start_Dat" : "1958", "_Disp_End_Date" : "1958", "Disp_Title" : "Abraham, Abraham", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Luise Kaish", "Sort_Artist" : "Kaish, Luise", "Disp_Dimen" : "33 3/4 in. (85.7 cm)", "Disp_Height" : "33 3/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of the Jewish Community of Rochester in honor of Fred Forman on the occasion of his election to the Chairmanship of the National Campaign committee of the United Jewish Appeal", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/978", "Disp_Access_No" : "1943.42", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1938", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1943", "Disp_Title" : "Garden Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lola Konraty", "Sort_Artist" : "Konraty, Lola", "Disp_Dimen" : "35 in. (88.9 cm)", "Disp_Height" : "35 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/979", "Disp_Access_No" : "1960.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "Female Torso (Ogunquit)", "Alt_Title" : "Ogunquit Torso", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "10 1/4 x 8 5/8 x 4 1/8 in. (26 x 21.9 x 10.5 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 5/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze, nickel-plated", "Support" : "", "Disp_Medium" : "Nickel-plated bronze", "Info_Page_Comm" : "Lachaise's sculptures captured in permanent form elusive and complex ideals of female beauty. Here, the model's contrapposto stance, in which the weight is off center rather than upright and balanced, is lively and engaging. Additionally, areas of bronze color enliven the fragment's surface. [Gallery label text, 2005]", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This piece is visible in James Sibley Watson''s 1933 film "Lot in Sodom." Catalogue raisonne says only 5 figures in nickel-plated edition", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.46_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.46_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.46_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.46_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "36928", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 980, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/980", "Disp_Access_No" : "1964.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Fountain Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "72 in. (182.9 cm)", "Disp_Height" : "72 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "Charlotte Whitney Allen and her husband hired Pittsford native Fletcher Steele to design a garden for their newly built house on Oliver Street [Rochester, NY] in 1915. The lot was small, ninety by two hundred feet, so Steele had to make use of interesting details to provide visual stimulation. The young landscape architect had strong notions of what would make a small backyard into a charming city oasis, which he enumerated in several articles and even a book, "Design in the Little Garden". Sculpture was one such detail Steele felt was crucial to a small garden, providing it met the proper criteria. He also considered space composition a necessary factor in good garden design. Some of the traits good garden sculpture should possess, according to Steele, include substantial mass, interesting silhouette, strong light and shadow, and contrasting material and color to the foliage around it. Mr. and Mrs. Allen commissioned the French-born sculptor Gaston Lachaise in 1926 to create a figure for the focal point of their garden. They had first seen his work in an exhibition in New York City in 1918, from which they may have purchased a small sculpture, and possibly even earlier in the 1913 Armory Show. A group of letters housed at Kenyon College in Gambier, Ohio chronicles the development of their occasionally stormy relationship. After considerable delay, the sculpture was finally installed above the pool in the Oliver Street garden. Alfred Stieglitz, who championed Lachaise, wrote to the Allens in 1927 that "It [the sculpture] has been seen by at least thirty sculptors and their unanimous opinion has been that it is one of the grand bits of work that has come out of America." (Kenyon College Special Collections, Gambier, Ohio, March 26, 1927) [Gallery label text]", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3184", "Rel_Obj_Title" : "Sketch for "Fountain Figure"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18655", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "18656", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "In situ view in Charlotte Whitney Allen''s garden...Photo in Object file.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "In situ view in Charlotte Whitney Allen''s garden...Photo in Object file.", "View" : "" } , ] },{ "embark_ID" : 981, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/981", "Disp_Access_No" : "1964.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Standing Woman", "Alt_Title" : "Pudeur", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "13 1/2 x 4 3/8 in. (34.3 x 11.1 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "4 3/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Mrs. Whitney Allen, who commissioned "Fountain Figure" for her garden (now in the MAG's collection) and donated this sculpture to the Memorial Art Gallery, was a friend of Lachaise's patrons, the Watsons. [Gallery label text, 2005]", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.29_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.29_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.29_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.29_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36929", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 982, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/982", "Disp_Access_No" : "1967.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "Portrait Statuette of Mrs. J. Sibley Watson, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "16 1/4 x 7 1/2 x 6 1/2 in. (41.3 x 19.1 x 16.5 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Nickel-plated bronze", "Info_Page_Comm" : "Strength and refinement are communicated simultaneously in this elegant portrait of Hildegarde Lasell Watson. She and her husband, James Sibley Watson, Jr., were important figures in Rochester’s cultural history, and were central to an avant-garde salon of writers, artists and musicians during the first half of the 20th century. The sculpture is enlivened by Gaston Lachaise’s characteristic use of contrasting surface colors. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Photo of plaster version of this figure is held at Beinecke Library, Yale University. See disk in curatorial file. Virginia Budny notes that this work is referenced in Lachaise''s unpublished typescript for his photo album: "No. 81, Portrait statuette of Mrs. J. Sibley Watson Jr. 1924; Two bronze copies bought by Mrs. Watson, one to be delivered. [annotation in pen by Lachaise: plaster model studio.]"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_R1.png", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_R1.png", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_R1.png", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_R1.png", "IsPrimary" : "0", "_SurrogateID" : "53396", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Gift of Anastasia Watson. Original in Archives, Hist Box 5 File 3 Item 3. Photo is by Dr. James Sibley Watson, Jr.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25584", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 11/1/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "28554", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Gaston Lachaise with life-sized and reduced models for the sculpture, scanned from photo in photo album of Anastasia Watson 2/17/09", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Lachaise_studio.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Lachaise_studio.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Lachaise_studio.tif", "IIIF_URL": "http://iiif.gallerysystems.com/Lachaise_studio.tif", "IsPrimary" : "0", "_SurrogateID" : "39597", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Markham, in MAG Archives Hist Box 5 File 3, Item 1", "View" : "" } , ] },{ "embark_ID" : 983, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/983", "Disp_Access_No" : "1973.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Urling Sibley Iselin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "17 in. (43.2 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Alabaster", "Support" : "", "Disp_Medium" : "Alabaster and paint", "Info_Page_Comm" : "Urling Sibley Iselin was cousin to James Sibley Watson, Jr., one of Lachaise's most important patrons. ", "Dedication" : "Gift of Mr. Peter Iselin and his sister, Mrs. Emilie I. Wiggin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Virginia Budny notes that Lachaise dated the model for this piece 1925; photos of the model in clay or Plasticine date to 1925. He noted that he delivered the marble in 1927, and it was included in a New York exhibition in 1927. The work is listed as no. 100 in Lachaise''s unpublished typescript manuscript for his photo album. "To be carved in marble. Plaster model in Studio." [added in Lachaise''s hand: "Delivered in marble 1927."]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.74_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.74_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.74_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.74_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15898", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 984, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/984", "Disp_Access_No" : "1973.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Standing Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "65 in. (165.1 cm)", "Disp_Height" : "65 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : ""Standing Woman" was commissioned for the New York City apartment of Mr. and Mrs. O'Donnell Iselin, cousins of James Sibley Watson, Jr., one of Lachaise's most important patrons. Lachaise designed the sculpture knowing that the work was to be the centerpiece of a formal library, and would be placed on the mantel above the fireplace. He wrote that he "composed the figure in a spirit of tranquil elevation, harmonious to the purpose of the room." Lachaise's most distinguished subjects are life sized draped female figures. The Memorial Art Gallery is fortunate to own two examples, the bronze Standing Woman and the stone Fountain Figure, both on view in the Vanden Brul Sculpture Pavilion. [Gallery label text, 2005]", "Dedication" : "Gift of Mr. Peter Iselin and his sister, Mrs. Emilie I. Wiggin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.75_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.75_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.75_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.75_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "21999", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is actually a conservation photo taken after treatment at Williamstown Art Conservation Center in 2005. The existing digital/embark kiosk display image is so deplorable and misrepresentative of the object that it seemed necessary to use the more current, better quality conservation photo. Modifications to the original image file (saved to embark drive: images folder: conservation images folder: 73.75 folder) was to block out the white base the object was photographed on. Jessica Marten, Assistant Curator. February 2, 2006", "View" : "" } , ] },{ "embark_ID" : 985, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/985", "Disp_Access_No" : "1977.189", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Standing Nude", "Alt_Title" : "Woman; Hautaine", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "13 x 6 1/2 x 4 in. (33 x 16.5 x 10.2 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Isabel Dutaud Nagle was Lachaise's muse, his wife, and the model or at least the inspiration for many of his sculptures. He never ceased to appreciate and depict the physicality of her body - its strength and its ample proportions. [Gallery label text, 2005]", "Dedication" : "Gift of a Friend of the Gallery in memory of Hildegarde Lasell Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.189_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.189_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.189_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.189_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36933", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 986, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/986", "Disp_Access_No" : "1990.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Dr. James Sibley Watson, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "14 x 7 x 9 3/4 in. (35.5 x 17.8 x 24.7 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Lachaise's friend, James Sibley Watson, Jr., was a member of MAG's founding family. This remarkably talented individual is best known for his editorship of the avant-garde publication "The Dial," where he worked with literary figures like e.e. cummings and Marianne Moore, as well as his early ventures into motion pictures, including the making of "The Fall of the House of Usher." Watson was married to Hildegarde Lasell Watson, who starred in the film and whose portrait sculpture by Lachaise is also owned by the Memorial Art Gallery (67.11). [Gallery label text, 2005]", "Dedication" : "Gift of a Friend of the Gallery, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15902", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "36940", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "39595", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Watson, in MAG Archives Hist Box 5 File 3 Item 1. Photo by Dr. James Sibley Watson, Jr.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Lachaise_studio.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Lachaise_studio.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Lachaise_studio.tif", "IIIF_URL": "http://iiif.gallerysystems.com/Lachaise_studio.tif", "IsPrimary" : "0", "_SurrogateID" : "39596", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Markham, in archives, Medium Box 31 Item 5D. Photo may be by Dr. James Sibley Watson, Jr.", "View" : "" } , ] },{ "embark_ID" : 987, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/987", "Disp_Access_No" : "1997.11", "_AccNumSort1" : "", "Disp_Create_DT" : "July 1923 - February 1924", "_Disp_Start_Dat" : "7/1923", "_Disp_End_Date" : "2/1924", "Disp_Title" : "The Mountain", "Alt_Title" : "The Mountain", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "9 x 20 x 9 in. (22.9 x 50.8 x 22.9 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "overall", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "Lachaise made numerous versions of "The Mountain," in which he suggested the similarity between a reclining female figure and a mountainous form. [Gallery label text, 2005]", "Dedication" : "Gift of Dr. Michael L. 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Searl", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.57_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.57_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.57_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.57_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36610", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.57_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.57_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.57_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.57_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "36611", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 992, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/992", "Disp_Access_No" : "1979.102", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Head of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winifred Lansing", "Sort_Artist" : "Lansing, Winifred", "Disp_Dimen" : "14 x 10 x 10 1/2 in. (35.6 x 25.4 x 26.7 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Cast stone", "Support" : "", "Disp_Medium" : "Cast stone", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.102_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.102_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.102_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.102_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36620", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.102_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "36621", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4265, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4265", "Disp_Access_No" : "1997.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1814", "_Disp_Start_Dat" : "1814", "_Disp_End_Date" : "1814", "Disp_Title" : "Woman Tying Obi", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kikukawa Eizan", "Sort_Artist" : "Kikukawa Eizan", "Disp_Dimen" : "19 7/16 x 8 3/4 in. (49.4 x 22.2 cm)", "Disp_Height" : "19 7/16 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17085", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1001", "Disp_Access_No" : "1986.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "Nathan Hale (1755 - 1776)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick W. MacMonnies", "Sort_Artist" : "MacMonnies, Frederick W.", "Disp_Dimen" : "28 3/8 x 9 1/2 x 5 13/16 in. (72.1 x 24.1 x 14.8 cm)", "Disp_Height" : "28 3/8 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "In the final decades of the nineteenth century, representations of the American Revolution and its heroes were romanticized. Here, Frederick MacMonnies depicts doomed patriot Nathan Hale (1755 – 1776) moments before his execution by the British as punishment for spying. Hale’s ruffled shirt hangs dramatically open, framing and exposing his bare chest and neck, soon to hold the hangman’s noose. With his arms tied back at the elbow, Hale’s hands are left free to gesture as he uttered his famous last words, “I regret that I have but one life to give for my country.” [Gallery label text, 2010]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1019, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1019", "Disp_Access_No" : "1962.7", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1916-1932", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1932", "Disp_Title" : "Head of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elie Nadelman", "Sort_Artist" : "Nadelman, Elie", "Disp_Dimen" : "18 3/4 x 10 x 15 1/2 in. (47.6 x 25.4 x 39.4 cm)", "Disp_Height" : "18 3/4 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "image", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Sculptor Elie Nadelman drew inspiration from the classical forms of ancient Greece, yet his work suggests contemporary influences as well. The streamlined and chiseled facial features of Head of a Woman and the subtle band at the woman’s hairline are timeless elements, yet they suggest an aesthetic closely associated with the Art Deco movement. [Gallery label text, 2010] ", "Dedication" : "Anonymous gift in honor of Gertrude Herdle Moore", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12411", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1020", "Disp_Access_No" : "1977.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Untitled (Head of a Woman)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elie Nadelman", "Sort_Artist" : "Nadelman, Elie", "Disp_Dimen" : "23 x 10 x 11 1/2 in. (58.4 x 25.4 x 29.2 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "overall", "Medium" : "White marble", "Support" : "", "Disp_Medium" : "White marble on onyx base", "Info_Page_Comm" : "Sculptors Elie Nadelman and Gaston Lachaise traveled in many of the same artistic circles. Their drawings were published in The Dial, James Sibley Watson's literary magazine, and their sculpture was exhibited at Alfred Stieglitz's galleries. Stieglitz was known for his interest in and promotion of modern art. [Gallery label text, 2005]", "Dedication" : "Gift of a Friend of the Gallery in memory of Hildegarde Lasell Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.190_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.190_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.190_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.190_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12476", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1034", "Disp_Access_No" : "1913.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "Memory", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ordway Partridge", "Sort_Artist" : "Partridge, William Ordway", "Disp_Dimen" : "82 1/2 x 26 3/4 x 29 5/8 in. (209.6 x 67.9 x 75.2 cm)", "Disp_Height" : "82 1/2 in.", "Disp_Width" : "26 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12333", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.12_R3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.12_R3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.12_R3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/13.12_R3.tif", "IsPrimary" : "0", "_SurrogateID" : "40466", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "color from original photo in photo files in Archives.", "View" : "" } , ] },{ "embark_ID" : 1036, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1036", "Disp_Access_No" : "1923.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1914", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1919", "Disp_Title" : "Thomas Jefferson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ordway Partridge", "Sort_Artist" : "Partridge, William Ordway", "Disp_Dimen" : "20 in. (50.8 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "", "Dimen_Extent" : "maximum", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster and paint", "Info_Page_Comm" : "Plaster sketch for the bronze portrait statue at the School of Journalism, Columbia University, New York.", "Dedication" : "Gift of Lily Lawlor", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/23.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/23.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/23.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/23.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36599", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1040", "Disp_Access_No" : "1930.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1837", "_Disp_Start_Dat" : "1837", "_Disp_End_Date" : "1837", "Disp_Title" : "Francis Granger (1792 - 1868)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hiram Powers", "Sort_Artist" : "Powers, Hiram", "Disp_Dimen" : "23 x 17 x 11 in. (58.4 x 43.2 x 27.9 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "“Now then for a small piece of vanity—Powers, the sculptor, is taking me in clay, to be wrought in marble in Italy next summer. If he does not get a perfect head, it will be his first failure.” New York Congressman and Canandaigua resident Francis Granger was one of many prominent American politicians to sit for a classical-style portrait bust by Hiram Powers. Many Grand Tourists made Powers’ sculpture studio in Florence, Italy, a stop on their travels, to witness the artist at work, view his latest creations, or commission a personal artwork. [Label text from It Came From the Vault exhibition, 2013] Why do portrait busts often have blank eyeballs? Here’s one theory: originally, many ancient Greek and Roman sculptures were painted, including the eyes, but over the years the paint has faded so that by the 19th century, the eyes appeared to be blank. While 19th century artists often modeled their portrait busts of important political figures on these Classical forms, they did not know that the eyes had been painted originally, so they left them blank. Only with current technology has it been possible to understand how the older sculptures actually appeared. The subject of this sculpture, Francis Granger (1792 – 1868), was born a decade after the American Revolution and died right after the Civil War. A congressman from nearby Canandaigua when he posed for this sculpture in 1837, he said: “Now then for a small piece of vanity – Powers, the sculptor, is taking me in clay, to be wrought in marble in Italy next summer. If he does not get a perfect head, it will be his first failure.” [Gallery label text, 2009]", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Standing on its own cylindrical marble pedestal approximately 43" h - overall: 66" h (information taken from log book and catalog card)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.73_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.73_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.73_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.73_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17113", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1042, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1042", "Disp_Access_No" : "1955.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1895", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1895", "Disp_Title" : "The Broncho Buster", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederic Remington", "Sort_Artist" : "Remington, Frederic", "Disp_Dimen" : "22 1/2 x 20 in. (57.2 x 50.8 cm)", "Disp_Height" : "22 1/2 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12398", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1047", "Disp_Access_No" : "1951.310", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "Taking the Oath and Drawing Rations", "Alt_Title" : "", "Obj_Title" : "Taking the Oath and Drawing Rations", "Series_Title" : "", "Disp_Maker_1" : "John Rogers", "Sort_Artist" : "Rogers, John", "Disp_Dimen" : "23 in. (58.4 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster and paint", "Info_Page_Comm" : "For a fervent abolitionist like artist John Rogers, sympathy for the Southern cause did not come easily. However, an incident in Charleston, South Carolina, inspired him to create the story in plaster. During the Civil War, as the Union army moved in to Confederate territory, citizens were required to take a loyalty oath in order to obtain food rations. Rogers has captured one mother’s conflict as she swears loyalty to the hated Union while keeping a protective hand on her child’s head. The Union soldier who is administering the oath tips his cap, simultaneously the chivalrous gentleman and the enemy. The freed slave looks on with concern and confusion. Because of the emotional complexity and the poignant feelings evoked by this group, it was considered one of Rogers’ most successful works. Over 80,000 narrative sculptures were sold by the self-taught Rogers from his workshop in New York City to middle-class Americans looking to decorate their parlors with an engaging work of art. [Gallery label text, 2002]", "Dedication" : "Gift of M. Gertrude Deavenport", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Patented January 30, 1866 Cost $15.00 - 1866 $20.00 - 1871-1876 $15.00 - 1877-1895", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.310_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.310_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.310_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.310_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13859", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1050, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1050", "Disp_Access_No" : "1993.24", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1855", "_Disp_Start_Dat" : "1856", "_Disp_End_Date" : "1865", "Disp_Title" : "Nydia, the Blind Flower Girl of Pompeii", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Randolph Rogers", "Sort_Artist" : "Rogers, Randolph", "Disp_Dimen" : "36 x 17 11/16 x 25 in. (91.5 x 45 x 63.5 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "17 11/16 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "Nydia, the blind heroine of Edward Bulwer-Lytton’s 1834 novel The Last Days of Pompeii, was the subject of over 50 sculptures by Randolph Rogers. He depicted her, a broken column at her feet, as she used her heightened sense of hearing to listen for Glaucus, the nobleman whom she loved, and his fiancée, Ione. Although Nydia led them to safety, in the end she drowned herself because Glaucus could not be hers. Nineteenth century collectors were fascinated by classical subjects like Pompeii. Many American collectors on the Grand Tour made trips to Italy, where they visited the studios of artists like Rogers and actively commissioned work. At left is a picture of MAG’s Nydia in an earlier collection in the home of Mr. and Mrs. W.W. Chapin, 110 South Fitzhugh Street, Rochester. [Gallery Label, February 6, 2012] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Mr. and Mrs. William Wisner Chapin lived at 110 South Fitzhugh Street. The home, originally built in 1830, was expanded with a music room, possibly designed by Andrew Jackson Warner, an architect who wrote an essay about the room for a small pamphlet entitled "The Pipe Organ in the Home of Mr. Chapin". The sculpture of Nydia now owned by the Memorial Art Gallery was located in the Chapins'' music room. MAG also has in its records a photograph of the sculpture in the music room. The home is no longer standing. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12520", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Master scan shows more of base of statue, although it is blocked by the color bar. Print master scan has color bar & base of statue cropped out.", "View" : "" } , ] },{ "embark_ID" : 1063, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1063", "Disp_Access_No" : "1949.60", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1949", "_Disp_Start_Dat" : "1944", "_Disp_End_Date" : "1954", "Disp_Title" : "Seated Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robin Spry", "Sort_Artist" : "Spry, Robin", "Disp_Dimen" : "11 1/2 in. (29.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Purchased through the Art Patrons Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36602", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1184, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1184", "Disp_Access_No" : "1943.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1924", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1924", "Disp_Title" : "The Promenade Deck", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peggy Bacon", "Sort_Artist" : "Bacon, Peggy", "Disp_Dimen" : "6 1/2 x 9 in. (16.5 x 22.9 cm)", "Disp_Height" : "6 1/2 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.16_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12916", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1194, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1194", "Disp_Access_No" : "1964.48", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Charlotte Whitney Allen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Antonio Barone", "Sort_Artist" : "Barone, Antonio", "Disp_Dimen" : "12 3/4 x 9 1/2 in. (32.4 x 24.1 cm)", "Disp_Height" : "12 3/4 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color drypoint", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.48_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.48_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.48_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.48_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39119", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1211", "Disp_Access_No" : "1916.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Introducing John L. Sullivan", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "23 x 22 in. (58.4 x 55.9 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12869", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1213, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1213", "Disp_Access_No" : "1964.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "A Stag at Sharkey's", "Alt_Title" : "Stag at Sharkey's", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "21 x 26 3/16 in. (53.4 x 66.5 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "26 3/16 in.", "Dimen_Extent" : "with mount", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39092", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1214", "Disp_Access_No" : "1973.116", "_AccNumSort1" : "", "Disp_Create_DT" : "1923-1924", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1924", "Disp_Title" : "Nude Study: Woman Lying on a Pillow", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "5 7/8 x 9 3/4 in. (14.9 x 24.8 cm)", "Disp_Height" : "5 7/8 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.116_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.116_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.116_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.116_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12919", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1220, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1220", "Disp_Access_No" : "1935.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Ploughing", "Alt_Title" : "Plowing It Under", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "10 3/4 x 16 in. (27.3 x 40.6 cm)", "Disp_Height" : "10 3/4 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Edition info for this print can be found in the supplement to Art for Every Home: Associated American Artists 1934-2000, at http://hdl.handle.net/2097/19686, p. 11, no.2", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.32_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25195", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 1221, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1221", "Disp_Access_No" : "1944.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "The Fence Mender", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "11 7/8 x 15 15/16 in. (30.1 x 40.5 cm)", "Disp_Height" : "11 7/8 in.", "Disp_Width" : "15 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Leroy E. Snyder", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 49, no.382", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25196", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 1249, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1249", "Disp_Access_No" : "1992.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Students on the Steps", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isabel Bishop", "Sort_Artist" : "Bishop, Isabel", "Disp_Dimen" : "13 1/4 x 12 7/16 in. 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(29.2 x 38.4 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "15 1/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. John Menihan", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12865", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1381", "Disp_Access_No" : "1988.79", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bolton Coit Brown", "Sort_Artist" : "Brown, Bolton Coit", "Disp_Dimen" : "12 5/8 x 10 1/4 in. 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(23.8 x 15.9 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "6 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "Although Cassatt began her artistic training in Pennsylvania, from an early age she frequently traveled and lived in Europe. She settled in Paris in 1874, where she became a close friend of Edgar Degas. She soon became affiliated with the French Impressionists and exhibited with them from 1879 until 1886. Here, the mandolin player holds her instrument as though she were actually playing it while looking at the music on the stand. She is seated on an upholstered settee in a room with a framed picture and a fan on the wall behind her. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13421", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1439, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1439", "Disp_Access_No" : "1943.18", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1945", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1950", "Disp_Title" : "Misunderstanding", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Federico Castellon", "Sort_Artist" : "Castellon, Federico", "Disp_Dimen" : "10 5/8 x 8 1/8 in. (27 x 20.7 cm)", "Disp_Height" : "10 5/8 in.", "Disp_Width" : "8 1/8 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19127", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1441, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1441", "Disp_Access_No" : "1995.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1947", "_Disp_Start_Dat" : "1947", "_Disp_End_Date" : "1947", "Disp_Title" : "In Phillis Wheatley I Proved Intellectual Equality in the Midst of Slavery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth Catlett", "Sort_Artist" : "Catlett, Elizabeth", "Disp_Dimen" : "15 x 11 in. (38.1 x 28 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Director's Discretionary Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46439", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1442, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1442", "Disp_Access_No" : "1995.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Harriet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth Catlett", "Sort_Artist" : "Catlett, Elizabeth", "Disp_Dimen" : "18 3/8 x 15 1/4 in. (46.6 x 38.7 cm)", "Disp_Height" : "18 3/8 in.", "Disp_Width" : "15 1/4 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Deaccession Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.47_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.47_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.47_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.47_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41190", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1474, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1474", "Disp_Access_No" : "1915.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "La Maternité (after Eugène Carrière)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Timothy Cole", "Sort_Artist" : "Cole, Timothy", "Disp_Dimen" : "8 3/4 x 10 3/8 in. (22.2 x 26.4 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18589", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1488, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1488", "Disp_Access_No" : "1975.179", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Somersault", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lila Copeland", "Sort_Artist" : "Copeland, Lila", "Disp_Dimen" : "16 7/16 x 12 11/16 in. (41.8 x 32.3 cm)", "Disp_Height" : "16 7/16 in.", "Disp_Width" : "12 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 164, no.1491", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.179_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.179_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.179_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.179_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13318", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1536, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1536", "Disp_Access_No" : "1953.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1950", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1950", "Disp_Title" : "In the Garden", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfonsas Dargis", "Sort_Artist" : "Dargis, Alfonsas", "Disp_Dimen" : "25 1/8 x 19 in. (63.8 x 48.2 cm)", "Disp_Height" : "25 1/8 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color woodcut on ivory wove paper", "Info_Page_Comm" : "By overlapping a few simple forms, Dargis has created a lively and evocative scene that may have been inspired by memories of his Lithuanian home. Whether working in realistic or abstract styles, Dargis composed the elements of his prints and paintings in a bold and striking manner. [Gallery label text, 2011]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.20_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.20_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.20_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.20_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36085", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1537, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1537", "Disp_Access_No" : "1953.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1953", "_Disp_Start_Dat" : "1953", "_Disp_End_Date" : "1953", "Disp_Title" : "Composition #64 - Girl with Plant", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfonsas Dargis", "Sort_Artist" : "Dargis, Alfonsas", "Disp_Dimen" : "29 1/2 x 21 in. (74.9 x 53.3 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "The gauzy delicacy of line in the border and the almost winglike forms of the figure’s legs create an illusion of weightlessness that corresponds with the fragility of the small plant barely resting her hands. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.65_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36222", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1538, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1538", "Disp_Access_No" : "1956.58", "_AccNumSort1" : "", "Disp_Create_DT" : "1950", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1950", "Disp_Title" : "The Harpist", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfonsas Dargis", "Sort_Artist" : "Dargis, Alfonsas", "Disp_Dimen" : "18 5/8 x 15 in. (47.3 x 38.1 cm)", "Disp_Height" : "18 5/8 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Woodcut and collograph", "Info_Page_Comm" : "Using just a few expressive curves, Dargis has abstracted the essence of the harpist’s engagement with her instrument. He used the medium of the woodcut technique to his advantage in creating, with a few simple lines, the strings of the harp and the texture of the harpist’s skin. In this print he also employed the collagraph technique, in which a part of the image (in this case the harpist’s dress) are impressions of textured materials glued to a cardboard or metal base. [Gallery label text, 2011]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.58_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.58_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.58_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.58_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36086", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1570, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1570", "Disp_Access_No" : "1975.329.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "22 1/8 x 16 15/16 in. (56.2 x 43 cm)", "Disp_Height" : "22 1/8 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From the portfolio "New York Ten" This work claims to be a self-portrait, although we don't actually see what we typically expect in a portrait - a face. One of the trademarks of Pop Art is the absence of the artist's hand - many of them wanted their work to look machine-made or mass-produced. Pop Art, as well as many other art movements throughout the ages, often prompted the question "What is art?" This work also invites the question "What is a portrait?" [Gallery label text] The self-portrait has been redefined by a number of artists in contemporary times. In Dine’s case, the substitution of a bathrobe for the artist’s face is a witty twist on an old theme, simultaneously conveying anonymity and “cozy familiarity,” in the words of one writer. Like Warhol’s Campbell’s soup can, Dine’s bathrobe has become a signature image of Pop art of the Sixties. In addition to his unconventional approach to self-portraiture, Dine’s printing technique “breaks the rules” as well. Rather than being centered on the paper, the image is asymmetrically placed, which creates a cropped effect. [Label text, 1997]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.329.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.329.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.329.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.329.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12741", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1590, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1590", "Disp_Access_No" : "1985.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "The Children's Clinic (#2)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mabel Dwight", "Sort_Artist" : "Dwight, Mabel", "Disp_Dimen" : "12 1/2 x 18 in. (31.8 x 45.7 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Printer's ink on paper", "Info_Page_Comm" : "Scenes of humble folk and their daily lives fill Mabel Dwight’s work. A Midwesterner who relocated to New York City, Dwight is highly regarded for her personal depictions of urban life. Like Harold Faye and others, she worked for the Federal Art Project during the Depression. [Label text, 2003]", "Dedication" : "Gift of Mrs. Jerome Glaser", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13322", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1607, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1607", "Disp_Access_No" : "1975.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "The 3 Wise Men", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Barbara E. Evans", "Sort_Artist" : "Evans, Barbara E.", "Disp_Dimen" : "21 3/4 x 31 1/2 in. (55.2 x 80 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "31 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.190_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.190_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.190_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.190_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "6002", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1609, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1609", "Disp_Access_No" : "1947.82", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Americana", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Fabri", "Sort_Artist" : "Fabri, Ralph", "Disp_Dimen" : "11 x 14 1/16 in. (27.9 x 35.7 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "14 1/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Society of American Etchers, Robert Trowbridge Memorial Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.82_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.82_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.82_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.82_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "29082", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 1654, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1654", "Disp_Access_No" : "1947.84", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "City Street", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sears Gallagher", "Sort_Artist" : "Gallagher, Sears", "Disp_Dimen" : "6 x 14 in. (15.2 x 35.6 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.84_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.84_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.84_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.84_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29083", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 1655, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1655", "Disp_Access_No" : "1933.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1932", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1932", "Disp_Title" : "At the Sea Shore", "Alt_Title" : "Conversation; Sunbathers (no.1)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emil Ganso", "Sort_Artist" : "Ganso, Emil", "Disp_Dimen" : "11 1/2 x 15 9/16 in. (29.2 x 39.6 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "15 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of the Print Club of Cleveland", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/33.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/33.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/33.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/33.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12914", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1667, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1667", "Disp_Access_No" : "1933.16", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1930", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1935", "Disp_Title" : "In a French Cafe (1st stone)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William S. Gisch", "Sort_Artist" : "Gisch, William S.", "Disp_Dimen" : "9 5/8 x 10 15/16 in. (24.4 x 27.8 cm)", "Disp_Height" : "9 5/8 in.", "Disp_Width" : "10 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of the Print Club of Cleveland", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The first stone broke in process of printing after 60 impressions. Artist made second drawing almost identical", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/33.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/33.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/33.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/33.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35477", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1680, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1680", "Disp_Access_No" : "1959.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "I.R.T. Interlude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "13 1/8 x 10 1/16 in. (33.3 x 25.6 cm)", "Disp_Height" : "13 1/8 in.", "Disp_Width" : "10 1/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18320", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1682, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1682", "Disp_Access_No" : "1987.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1947", "_Disp_Start_Dat" : "1947", "_Disp_End_Date" : "1947", "Disp_Title" : "Soft Lights, Sweet Music", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "10 1/8 x 8 in. (25.7 x 20.3 cm)", "Disp_Height" : "10 1/8 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Tribute Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18024", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1718, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1718", "Disp_Access_No" : "1943.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1920-1921", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1921", "Disp_Title" : "War Invalid and Workers (Kriegsinvalide und Arbeiter)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Grosz", "Sort_Artist" : "Grosz, George", "Disp_Dimen" : "16 1/2 x 13 3/16 in. (41.9 x 33.5 cm)", "Disp_Height" : "16 1/2 in.", "Disp_Width" : "13 3/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "From the portfolio "Im Schatten," or "In the Shadows."", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "24157", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1719, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1719", "Disp_Access_No" : "1943.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "The Cafe (Kaschemme)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Grosz", "Sort_Artist" : "Grosz, George", "Disp_Dimen" : "19 x 13 7/16 in. 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(101.6 x 76.4 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "30 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Ramos was a California native, like his friend and teacher, Wayne Thiebaud. Surrealism and then Abstract Expressionism influenced him early in his career. As his work became more figural, he turned for inspiration to the comic books he loved as a child. He painted his favorite comic book heroes and when he ran out of subjects, he began looking at other magazines for material. He combined pin-ups with commercial products, which evolved into the "Beauty and the Beast" series involving pin-ups and animals, then to an art history series reworking famous paintings of the Old Masters in his own slick style. [Gallery label text] From the portfolio "Eleven Pop Artists, Volume III" ", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.123_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.123_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.123_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.123_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12722", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2292, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2292", "Disp_Access_No" : "1936.43", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Russia", "Alt_Title" : "Russia, 1919 ", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Boardman Robinson", "Sort_Artist" : "Robinson, Boardman", "Disp_Dimen" : "17 15/16 x 12 15/16 in. (45.5 x 32.8 cm)", "Disp_Height" : "17 15/16 in.", "Disp_Width" : "12 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18861", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2353, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2353", "Disp_Access_No" : "1975.329.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Woman Brushing Her Hair", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Segal", "Sort_Artist" : "Segal, George", "Disp_Dimen" : "22 x 17 in. (55.9 x 43.2 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "From the portfolio "New York Ten"", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.329.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.329.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.329.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.329.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12851", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2375, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2375", "Disp_Access_No" : "1991.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1905", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1905", "Disp_Title" : "Turning Out the Light", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "7 3/4 x 11 5/16 in. (19.7 x 28.7 cm)", "Disp_Height" : "7 3/4 in.", "Disp_Width" : "11 5/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "For centuries, New York and Paris have shared a reputation as centers of vice and licentious behavior. While John Sloan’s tender print of a bedtime moment in a New York tenement seems far removed from the ubiquitous and explicit displays of contemporary sexuality, the image was firmly rejected for the American Water Color Society’s 1906 exhibition as being ‘vulgar’ and ‘indecent.’ Sloan was part of a group of artists later called the Ashcan School, who did not shy away from subjects that other artists found unworthy or unattractive. Because so many of the artists, among them Sloan, had difficulty exhibiting their work due to their choice of subject matter and their idiosyncratic styles, they mounted their own exhibition in 1908 at Macbeth Gallery in New York City and were subsequently referred to as The Eight. [Label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45721", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2393", "Disp_Access_No" : "1975.304", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "14 15/16 x 11 in. (38 x 28 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.304_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.304_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.304_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.304_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22329", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2397, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2397", "Disp_Access_No" : "1948.12", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Wind is Rising and the Rivers Flow", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Benton Murdoch Spruance", "Sort_Artist" : "Spruance, Benton Murdoch", "Disp_Dimen" : "16 3/4 x 22 3/4 in. (42.5 x 57.8 cm)", "Disp_Height" : "16 3/4 in.", "Disp_Width" : "22 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Printer's ink on wove paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29087", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 2412, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2412", "Disp_Access_No" : "1975.144", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1970", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1975", "Disp_Title" : "Big Daddy (w/o lettering)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "May Stevens", "Sort_Artist" : "Stevens, May", "Disp_Dimen" : "28 15/16 x 42 7/8 in. (73.5 x 108.9 cm)", "Disp_Height" : "28 15/16 in.", "Disp_Width" : "42 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "25 w/o lettering, 75 w/ lettering", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.144_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.144_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.144_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.144_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38484", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2455, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2455", "Disp_Access_No" : "1965.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Jackie", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "23 7/8 x 23 1/4 in. (60.6 x 59.1 cm)", "Disp_Height" : "23 7/8 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic and silkscreen ink on canvas", "Info_Page_Comm" : "Warhol often used an unorthodox approach to portraiture. He borrowed from media photographs of celebrities to construct an individual’s public image instead of using a brush to render an idiosyncratic artistic interpretation of a sitter’s appearance. This work is part of Warhol’s “Jackie” series, which he began shortly after the assassination of President John F. Kennedy in 1963. As the basis for the paintings, he first selected eight photographs from the mass-media coverage of the event. He then cropped the pictures to focus on the President’s widow, Jacqueline Kennedy. Warhol used a commercial silkscreen technique to produce multiple versions of his work. As Warhol described, I wanted something that gave more of an assembly line effect….With silkscreening you pick a photograph, blow it up, transfer it in glue onto silk, and then roll ink across it so the ink goes through the silk but not through the glue. That way you get the same image, slightly different each time. It was all so simple quick and chancy. [Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12431", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2459, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2459", "Disp_Access_No" : "1976.132", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Jacqueline Kennedy III", "Alt_Title" : "Jacqueline Kennedy III", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Andy Warhol", "Sort_Artist" : "Warhol, Andy", "Disp_Dimen" : "40 x 30 in. (101.6 x 76.2 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "canvas", "Disp_Medium" : "Serigraph on canvas", "Info_Page_Comm" : "The images that Andy Warhol used of Jacqueline Bouvier Kennedy were based on photographs by Fred War in "Life" magazine, December 6, 1963. [Gallery label text] From the portfolio "Eleven Pop Artists, Volume III" Pop Art print rotation, Post-1950 American art gallery, Jessica Marten, Assistant Curator, Oct. 3, 2011 - March 5, 2012: President John F. Kennedy was the first “television president;” he and his wife and children were regulars on our TVs, as if they were our royal family. After the President’s assassination, Warhol treated images of Jacqueline Kennedy as a popular culture commodity much like his ubiquitous Campbell Soup can. Warhol used a commercial silkscreen technique to produce his art. “I wanted something that gave more of an assembly line effect… With silkscreening you pick a photograph, blow it up, transfer it in glue onto silk, and then roll ink across it so the ink goes through the silk but not through the glue. That way you get the same image, slightly different each time. It was all so simple quick and chancy.” ", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Text in Box #280.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.132_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.132_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.132_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.132_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27606", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 2468, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2468", "Disp_Access_No" : "1975.315", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Rock of Ages Cleft for Me", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Weege", "Sort_Artist" : "Weege, William", "Disp_Dimen" : "23 3/4 x 40 in. (60.3 x 101.6 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph and lithograph with flocking on silver mylar", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 223, no.2002. Note landscape orientation in catalogue.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.315_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.315_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.315_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.315_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12993", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2469, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2469", "Disp_Access_No" : "1976.133", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "#II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Weege", "Sort_Artist" : "Weege, William", "Disp_Dimen" : "26 x 19 1/2 in. (66 x 49.5 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.133_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.133_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.133_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.133_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2470, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2470", "Disp_Access_No" : "1976.134", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "#III", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Weege", "Sort_Artist" : "Weege, William", "Disp_Dimen" : "22 15/16 x 17 15/16 in. (58.3 x 45.5 cm)", "Disp_Height" : "22 15/16 in.", "Disp_Width" : "17 15/16 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph and flocking on gold paper", "Info_Page_Comm" : "William Weege was always interested in unusual and experimental textures in printmaking. For example, he has been known to adhere cut and sewn pieces of paper to his work, and to print images on objects, like records. During his early career, his work often contained political messages about war and peace. Weege was born in Milwaukee and spent most of his life in Wisconsin. He received his MA and his MFA from the University of Wisconsin at Madison and went on to teach there for most of his career. From 1968 to 1970, Weege served as the Director of the Experimental Workshop at the Smithsonian Institution, at which time he made this print. [Gallery label text]", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.134_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.134_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.134_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.134_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12734", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.134_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.134_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.134_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.134_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "52549", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2480, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2480", "Disp_Access_No" : "1931.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1873", "_Disp_Start_Dat" : "1873", "_Disp_End_Date" : "1873", "Disp_Title" : "Florence Leyland", "Alt_Title" : "(E.G. Kennedy; 7th state-Mansfield)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "8 3/8 x 5 3/8 in. (21.2 x 13.6 cm)", "Disp_Height" : "8 3/8 in.", "Disp_Width" : "5 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "One of James McNeill Whistler’s great patrons was British shipping magnate and art collector, Frederick Leyland (1832-1892) whose wife and four children were the subjects of numerous drawings, prints, and painted portraits by the artist. Much of what is known of Whistler’s relationship with this family is through letters from his mother, who not infrequently tried her best to smoothe over disagreements between her dilatory son and the impatient Leyland. 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Miner", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Medal", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/45.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/45.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/45.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/45.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "37810", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/45.67_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/45.67_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/45.67_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/45.67_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "37812", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2764, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2764", "Disp_Access_No" : "1943.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "Four Freedoms Medal", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carl L. 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Miner", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Medal", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.26_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.26_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.26_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.26_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "37804", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.26_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.26_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.26_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.26_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "37805", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2768, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2768", "Disp_Access_No" : "1947.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Pastoral Bliss Medal", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sidney Biehler Waugh", "Sort_Artist" : "Waugh, Sidney Biehler", "Disp_Dimen" : "2 7/8 x 2 7/8 in. (7.3 x 7.3 cm)", "Disp_Height" : "2 7/8 in.", "Disp_Width" : "2 7/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "34th medal issued by the Society of Medalists", "Dedication" : "Gift of Edward G. Miner", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Medal", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.2_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "37817", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.2_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.2_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.2_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.2_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "37818", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2770, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2770", "Disp_Access_No" : "1949.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1949", "_Disp_Start_Dat" : "1949", "_Disp_End_Date" : "1949", "Disp_Title" : "Genesis and the Web of Destiny Medal", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adolph Alexander Weinman", "Sort_Artist" : "Weinman, Adolph Alexander", "Disp_Dimen" : "2 7/8 x 2 7/8 in. (7.3 x 7.3 cm)", "Disp_Height" : "2 7/8 in.", "Disp_Width" : "2 7/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "39th medal issued by the Society of Medalists", "Dedication" : "Gift of Edward G. Miner", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Medal", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.55_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.55_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.55_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.55_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "37823", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.55_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.55_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.55_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.55_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "37824", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2862, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2862", "Disp_Access_No" : "1962.23", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1925", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1930", "Disp_Title" : "At the Gates of Morning", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "69 x 38 1/4 in. (175.3 x 97.2 cm)", "Disp_Height" : "69 in.", "Disp_Width" : "38 1/4 in.", "Dimen_Extent" : "", "Medium" : "Wool", "Support" : "", "Disp_Medium" : "Wool", "Info_Page_Comm" : "Arthur B. Davies was the driving force behind the 1913 Armory Show which introduced Americans to radical European abstract art, but his own style remained representational throughout his career. This tapestry of the artist’s signature lyrical nudes dancing in the landscape was one of 36 tapestries he designed and had woven by the famous Gobelins factories in France. Only six were sold during his lifetime; the rest were later destroyed in a fire. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Mr. and Mrs. Niles Meriweather Davies", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Textiles", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.23_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "29644", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for print or web", "View" : "" } , ] },{ "embark_ID" : 7943, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7943", "Disp_Access_No" : "2001.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839", "_Disp_Start_Dat" : "1834", "_Disp_End_Date" : "1844", "Disp_Title" : "Portrait of a Dark-haired Man Reading the "Genesee Farmer"", "Alt_Title" : "possible portrait of Luther Tucker, editor of the "Genesee Farmer"", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Asahel Lynde Powers", "Sort_Artist" : "Powers, Asahel Lynde", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Until the invention of photography, portraits were the primary means of recording human likeness. Asahel Powers, like many self-taught artists, traveled the countryside in search of portrait commissions. Many of these paintings were passed down through families. Over time, however, the names of the sitters were often lost. The Genesee Farmer, first published in western New York in January 1831, was written and edited by Luther Tucker. The newspaper was a well-known local and international resource for farmers. Given the newspaper’s stature, the “dark-haired” man of this portrait could be one of the newspaper’s owners or editors, perhaps even Luther Tucker himself. [Forman Gallery, Summer 2015]", "Dedication" : "Virginia Jeffrey Smith Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17131", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "20140", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "20141", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "20142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.1_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.1_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.1_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.1_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "20143", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3059, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3059", "Disp_Access_No" : "1959.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Young Mother, Daughter, and Baby (Jeune mère, fillette et bébé)", "Alt_Title" : "Mother and Son on a Chaise Longue, Daughter Leaning Over Them", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Cassatt", "Sort_Artist" : "Cassatt, Mary", "Disp_Dimen" : "43 1/4 x 33 1/4 in. (109.9 x 84.5 cm)", "Disp_Height" : "43 1/4 in.", "Disp_Width" : "33 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel on paper", "Info_Page_Comm" : "Mary Cassatt was an American artist who lived in France for much of her life, after having moved there at the age of 21 in order to study painting. Artist Edgar Degas admired Cassatt’s art and encouraged her to join the circle of painters that included Pierre Renoir and Claude Monet, the group that became known as the Impressionists. She first exhibited with them in 1879, when she was 35, and continued to be associated with them for the rest of her life. Cassatt was the only American woman in the group. While Cassatt’s subjects were typically women and children, she herself lived an atypical life for a woman in that period. Cassatt was a strong supporter of women’s suffrage; this painting and others were exhibited in a 1915 exhibition at Knoedler’s that was organized by Cassatt’s good friend and staunch supporter, suffragist and art connoisseur Louisine Havemeyer. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25399", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3062, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3062", "Disp_Access_No" : "1957.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Head of a Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Howard Chandler Christy", "Sort_Artist" : "Christy, Howard Chandler", "Disp_Dimen" : "19 x 15 in. (48.3 x 38.1 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17651", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3063, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3063", "Disp_Access_No" : "1989.12", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1875", "Disp_Title" : "A Mill in Suahn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Clapp", "Sort_Artist" : "Clapp", "Disp_Dimen" : "11 1/2 x 16 1/8 in. (29.2 x 41 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "16 1/8 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. William L. Clapp", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19860", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3067, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3067", "Disp_Access_No" : "1989.16", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1875", "Disp_Title" : "Seated Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Clapp", "Sort_Artist" : "Clapp", "Disp_Dimen" : "11 5/8 x 10 1/4 in. (29.5 x 26 cm)", "Disp_Height" : "11 5/8 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. William L. Clapp", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19864", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3068, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3068", "Disp_Access_No" : "1989.17", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1875", "Disp_Title" : "Woman at a Well", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Clapp", "Sort_Artist" : "Clapp", "Disp_Dimen" : "12 1/2 x 10 1/4 in. (31.8 x 26 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. William L. Clapp", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19865", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3074, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3074", "Disp_Access_No" : "1987.37.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1836", "_Disp_Start_Dat" : "1836", "_Disp_End_Date" : "1836", "Disp_Title" : "Profile Portraits of Members of the Knox Family, Vernon, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "J. M. Crowley", "Sort_Artist" : "Crowley, J. M.", "Disp_Dimen" : "5 x 3 5/8 in. (12.7 x 9.2 cm)", "Disp_Height" : "5 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Ruth E. Conklin and William D. Conklin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.37.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.37.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.37.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.37.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27591", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "The male portrait has written on it "87.37.1". The female portrait has written on it "87.37.2".", "View" : "" } , ] },{ "embark_ID" : 3075, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3075", "Disp_Access_No" : "1987.37.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1836", "_Disp_Start_Dat" : "1836", "_Disp_End_Date" : "1836", "Disp_Title" : "Profile Portraits of Members of the Knox Family, Vernon, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "J. M. Crowley", "Sort_Artist" : "Crowley, J. M.", "Disp_Dimen" : "5 x 3 5/8 in. (12.7 x 9.2 cm)", "Disp_Height" : "5 in.", "Disp_Width" : "3 5/8 in.", "Dimen_Extent" : "", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Ruth E. Conklin and William D. Conklin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.37.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.37.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.37.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.37.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27592", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "The male portrait has written on it "87.37.1". The female portrait has written on it "87.37.2".", "View" : "" } , ] },{ "embark_ID" : 3084, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3084", "Disp_Access_No" : "1948.27", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Reclining Nude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "17 1/4 x 11 1/4 in. (43.8 x 28.6 cm)", "Disp_Height" : "17 1/4 in.", "Disp_Width" : "11 1/4 in.", "Dimen_Extent" : "", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon and chalk on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.27_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44224", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3085, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3085", "Disp_Access_No" : "1948.28", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Seated Nude Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "13 1/4 x 17 7/8 in. (33.7 x 45.4 cm)", "Disp_Height" : "13 1/4 in.", "Disp_Width" : "17 7/8 in.", "Dimen_Extent" : "", "Medium" : "Crayon", "Support" : "paper", "Disp_Medium" : "Crayon and chalk on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.28_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.28_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.28_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.28_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44225", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3096, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3096", "Disp_Access_No" : "1955.79", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "Head of a Young Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas W. Dewing", "Sort_Artist" : "Dewing, Thomas W.", "Disp_Dimen" : "10 1/4 x 8 1/4 in. (26 x 21 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "", "Medium" : "Silver point", "Support" : "board", "Disp_Medium" : "Silver point on gesso-coated wood-pulp paper board", "Info_Page_Comm" : "Head of a Young Woman is the only silver point drawing in MAG’s collection. It is also the only American artwork that was given to the Gallery by Bertha Buswell, whose taste ran nearly exclusively to European fine and decorative arts. Unfortunately, we do not know anything about how or why she acquired such an anomaly, albeit a beautiful one, for her collection. Silver point was a technique used extensively in the Renaissance and revived in the United States in the late 19th century. Every line was created by dragging a silver stylus across the surface of a specially-prepared paper. The stylus left a trail of silver on the paper, requiring perfect control by the artist, as this was not a forgiving medium where mistakes could be corrected with an eraser. With exposure to the air, the silver tarnished and created a warm brown tone. Because of the fragility of the silver and the paper, this lovely work is rarely exhibited. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.79_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12399", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3110, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3110", "Disp_Access_No" : "1972.79", "_AccNumSort1" : "", "Disp_Create_DT" : "1881", "_Disp_Start_Dat" : "1881", "_Disp_End_Date" : "1881", "Disp_Title" : "Young Boy in Costume", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "13 15/16 x 8 3/16 in. (35.4 x 20.8 cm)", "Disp_Height" : "13 15/16 in.", "Disp_Width" : "8 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Described in ledger as unknown source. No further information in object file nor 1972 Ellis exhibition files.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.79_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14740", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.79_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.79_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.79_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.79_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "54511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3111, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3111", "Disp_Access_No" : "1972.80", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1883", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1888", "Disp_Title" : "Man in Fighting Stance", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "15 1/4 x 9 1/8 in. (38.7 x 23.2 cm)", "Disp_Height" : "15 1/4 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Described in ledger as unknown source. No further information in object file nor 1972 Ellis exhibition files.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.80_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.80_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.80_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.80_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14741", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.80_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.80_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.80_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.80_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "54512", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3124, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3124", "Disp_Access_No" : "1930.63", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "Two Gentlemen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Dana Gibson", "Sort_Artist" : "Gibson, Charles Dana", "Disp_Dimen" : "17 1/2 x 13 3/4 in. (44.5 x 34.9 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "", "Medium" : "Ink", "Support" : "board", "Disp_Medium" : "Ink on illustration board", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. William Murphy", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.63_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.63_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.63_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.63_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3125, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3125", "Disp_Access_No" : "1948.80", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Conversation Piece", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Dana Gibson", "Sort_Artist" : "Gibson, Charles Dana", "Disp_Dimen" : "14 3/4 x 10 3/4 in. (37.5 x 27.3 cm)", "Disp_Height" : "14 3/4 in.", "Disp_Width" : "10 3/4 in.", "Dimen_Extent" : "", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Kenneth H. Field", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.80_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.80_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.80_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.80_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35434", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3150", "Disp_Access_No" : "1959.80", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Moravian Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur William Heintzelman", "Sort_Artist" : "Heintzelman, Arthur William", "Disp_Dimen" : "18 x 12 7/8 in. (45.7 x 32.7 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "12 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "laid paper", "Disp_Medium" : "Graphite on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Louis W. Black in memory of his parents, Abram and Anna Black", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.80_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.80_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.80_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.80_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13483", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3151, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3151", "Disp_Access_No" : "1959.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1944", "_Disp_Start_Dat" : "1944", "_Disp_End_Date" : "1944", "Disp_Title" : "Amish Boy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur William Heintzelman", "Sort_Artist" : "Heintzelman, Arthur William", "Disp_Dimen" : "19 x 13 3/8 in. (48.3 x 34 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "13 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Sanguine crayon", "Support" : "paper", "Disp_Medium" : "Sanguine crayon ", "Info_Page_Comm" : "", "Dedication" : "Gift of Louis W. 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Within a couple of years of painting her likeness, DaLee had moved to Buffalo, where his occupation was listed as “grocer.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Robert and Diane Tichell", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.129_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.129_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.129_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.129_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30780", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary- not for print or web", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.129_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.129_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.129_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.129_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "30781", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary- not for print or web", "View" : "" } , ] },{ "embark_ID" : 3596, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3596", "Disp_Access_No" : "1965.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Gossiping Women (after Goya)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Deem", "Sort_Artist" : "Deem, George", "Disp_Dimen" : "25 1/4 x 19 5/16 in. (64.2 x 49 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "19 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38479", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3603, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3603", "Disp_Access_No" : "1930.53", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1825", "_Disp_Start_Dat" : "1820", "_Disp_End_Date" : "1830", "Disp_Title" : "Francis Granger", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anson Dickinson", "Sort_Artist" : "Dickinson, Anson", "Disp_Dimen" : "3 1/4 x 2 5/8 in. (8.3 x 6.7 cm)", "Disp_Height" : "3 1/4 in.", "Disp_Width" : "2 5/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "ivory", "Disp_Medium" : "Watercolor on ivory", "Info_Page_Comm" : "", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3635, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3635", "Disp_Access_No" : "1914.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "Burning Brush", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "16 1/4 x 20 1/4 in. (41.2 x 51.4 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "20 1/4 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Erickson Perkins", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.44_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.44_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.44_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.44_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "41310", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.44_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.44_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.44_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.44_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54498", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3639, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3639", "Disp_Access_No" : "1958.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "The Trap", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "13 3/16 x 7 11/16 in. (33.5 x 19.6 cm)", "Disp_Height" : "13 3/16 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of James B. Arnold", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.114_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.114_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.114_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.114_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "27813", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.114_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.114_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.114_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.114_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54505", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3658, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3658", "Disp_Access_No" : "1916.3", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1903", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1908", "Disp_Title" : "Tahitian Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Overbury Hart", "Sort_Artist" : "Hart, George Overbury", "Disp_Dimen" : "15 3/16 x 13 5/16 in. (38.6 x 33.8 cm)", "Disp_Height" : "15 3/16 in.", "Disp_Width" : "13 5/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper laid down on board", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16280", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3660, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3660", "Disp_Access_No" : "1943.38", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Old Brittany Church", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George M. Haushalter", "Sort_Artist" : "Haushalter, George M.", "Disp_Dimen" : "12 x 10 1/8 in. (30.5 x 25.7 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "10 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16284", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3677, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3677", "Disp_Access_No" : "1989.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1887", "_Disp_Start_Dat" : "1887", "_Disp_End_Date" : "1887", "Disp_Title" : "Youth and Old Age", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Annie H. Williams Howell", "Sort_Artist" : "Howell, Annie H. Williams", "Disp_Dimen" : "8 1/8 x 11 3/8 in. (20.7 x 28.9 cm)", "Disp_Height" : "8 1/8 in.", "Disp_Width" : "11 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "celluloid", "Disp_Medium" : "Watercolor with graphite on celluloid", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. From handwritten list in Registrar''s deaccessioning file: "Lent by Mrs. Emily Somerville Haas through the courtesy of James Haas." Was gift ever made official?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.32_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.32_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.32_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.32_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46451", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3678", "Disp_Access_No" : "1952.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1896", "_Disp_Start_Dat" : "1896", "_Disp_End_Date" : "1896", "Disp_Title" : "Woman in Red", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maud Humphrey", "Sort_Artist" : "Humphrey, Maud", "Disp_Dimen" : "16 1/4 x 13 in. (41.2 x 33 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Marguerite Reed", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Betsy Brayer says this portrait is "possibly of Marie Adelaide Devine." (MAGnum Opus, p. 12)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46446", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3683, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3683", "Disp_Access_No" : "1987.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1846", "_Disp_Start_Dat" : "1846", "_Disp_End_Date" : "1846", "Disp_Title" : "Frederick Jeffrey", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Agnes Jeffrey", "Sort_Artist" : "Jeffrey, Agnes", "Disp_Dimen" : "8 1/2 x 7 in. (21.6 x 17.8 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor with graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Virginia Jeffrey Smith", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16061", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3684", "Disp_Access_No" : "1987.42", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1837", "_Disp_Start_Dat" : "1832", "_Disp_End_Date" : "1842", "Disp_Title" : "Robert William Cunningham (1833-1841) and John George Cunningham (1835-1907)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Agnes Jeffrey", "Sort_Artist" : "Jeffrey, Agnes", "Disp_Dimen" : "8 1/2 x 7 1/8 in. 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(15.7 x 13.2 cm)", "Disp_Height" : "6 3/16 in.", "Disp_Width" : "5 3/16 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34487", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3767, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3767", "Disp_Access_No" : "1976.85", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1885", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Forget-Me-Not", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "10 x 7 in. (25.4 x 17.8 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor ", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Arthur S. Hamilton", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Verso: watercolor study of young woman in white dress with black jacket and hat", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.85_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.85_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.85_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.85_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12472", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3861, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3861", "Disp_Access_No" : "1995.62.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Orange Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "17 15/16 x 36 1/8 in. (45.6 x 91.8 cm)", "Disp_Height" : "17 15/16 in.", "Disp_Width" : "36 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1988 painting by Katz. Alex Katz's artistic vision has revised what representational art looks like in the modern world. His portraits, carefully edited of extraneous detail, flattened, cropped, and blown-up to a grand scale, combine characteristics of realism and abstraction in a way that recalls the visual language and scale of advertising billboards and movies. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35182", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3862, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3862", "Disp_Access_No" : "1995.62.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Ada in Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "26 x 36 1/16 in. (66 x 91.6 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "36 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "This print is based on a small painting of Katz's wife, Ada in a Pillbox Hat, 1961. Katz's interest in making images that were of-the-moment is reflected in his use of "modern props". The pillbox hat was made famous and fashionable by First Lady Jackie Kennedy around the time of her husband's presidential inauguration in January 1961. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35183", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3863, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3863", "Disp_Access_No" : "1995.62.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Green Jacket", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "35 15/16 x 24 in. (91.3 x 61 cm)", "Disp_Height" : "35 15/16 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1989 painting by Katz. Alex Katz says of his artistic influences, "I've got as much Old Masters as I do movies." In Green Jacket, Katz paints himself in the tradition of Baroque court portraiture. As the court painter for the Spanish throne in the 17th century, Velazquez cultivated a style of portraiture that displayed the power, pretension and grace valued at that time. Katz contemporizes his self-portrait by depicting himself in his green athletic jacket; clearly an American man of the late twentieth century. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35184", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3864, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3864", "Disp_Access_No" : "1995.62.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Grey Ribbon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "27 1/2 x 36 in. (69.9 x 91.4 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1987 painting by Katz. Alex Katz's ongoing effort to devalue the subject in his art is most visible in his portraits in which the subject is multiplied, with the result that the image contains more in design than it does in content. A sitter's individuality is diminished one further step, a person's unique character is subsumed to the pattern of the whole. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35185", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3865, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3865", "Disp_Access_No" : "1995.62.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Passing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "32 1/2 x 36 in. (82.6 x 91.4 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1963 painting by Katz. This print is based on a very large painting from 1962-63 of the same name. Katz's goal was to create a self-portrait that truly did subvert the traditional genre. "I wanted to see if I could paint one that was not narcissistic, that was not soulful or sentimental." His answer was to create a persona that was aloof, without evident emotional or psychological baggage. This resulted in the Stranger, the figure in this image. According to the artist, the title Passing has double meaning. It refers to the momentary experience of seeing a stranger--anonymous, blank--passing in the crowd, as well as Katz's attempt at passing himself off as that Stranger. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35186", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3866, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3866", "Disp_Access_No" : "1995.62.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Ada with Sun Glasses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 24 3/16 in. (91.4 x 61.4 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "24 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "This print is based on Katz's earlier portrait of the same name created in 1963. Katz views his prints as the final synthesis of his paintings. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3867, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3867", "Disp_Access_No" : "1995.62.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "Sweat Shirt II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 28 3/4 in. (91.4 x 73 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "28 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1986 painting by Katz. Alex Katz seeks "self-indulgence in a big art form, rather than self-indulgence in personal feelings." He calls his approach to art a "high style" one that is impersonal, grand, sophisticated, and representative of a specific moment in time, yet timeless. Katz delights in the appearance of faces and bodies divested of meaning or content. He strives to create images that are open to multiple interpretations rather than restricting viewers to a single response or understanding of his work. Katz's style, or his use of the formal elements of light, color, and scale, is as much the subject of his portraits as are the sitters. His flat, broad areas of color and compressed spaces cause the viewer's eyes to skim over the surfaces of these portraits, never to penetrate in search of an interior life. Katz wants the viewer to experience and value the act of seeing without getting caught up in a search for meaning, as he has stated, "I can't think of anything more exciting than the surface of things. Just appearance." [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35188", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3868, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3868", "Disp_Access_No" : "1995.62.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1990", "_Disp_Start_Dat" : "1990", "_Disp_End_Date" : "1990", "Disp_Title" : "White Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alex Katz", "Sort_Artist" : "Katz, Alex", "Disp_Dimen" : "36 x 25 1/2 in. (91.4 x 64.8 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Based on a 1978 painting by Katz. This is a portrait of the artist's wife, Ada. Like many artists before him, Alex Katz found his wife a convenient model. Having painted her face more than a hundred times, it has become an aesthetic thread woven throughout his body of work. Katz described Ada as "very malleable…a pretty girl cased in different roles." In fact, we see her throughout Katz's career as she gracefully ages from the time of their marriage in 1958 up to the current day. Despite Katz's assertion that he is interested in divesting his images of meaning, it is hard for the viewer to avoid searching for emotional content in Katz's repeated portraits of himself and his wife. In traditional art making, portraits (and especially those of oneself and one's significant other) are charged with personal connotations. In addition, it is nearly impossible for us as humans to look at a face at such close range without attempting to ascribe to it some emotional content. Our desire to penetrate the surface of these paintings and Katz's insistence on refusing us that privilege creates a tension between our aesthetic and emotional senses. Katz thwarts our expectations and demands that we think differently about what a portrait is and can be. [Gallery label text, 2005]", "Dedication" : "Gift of Lewis Norry and Jill Katz Norry", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.62.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.62.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.62.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.62.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35189", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3875, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3875", "Disp_Access_No" : "1998.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Two Female Models on an Iron Bed", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Philip Pearlstein", "Sort_Artist" : "Pearlstein, Philip", "Disp_Dimen" : "22 3/8 x 29 5/8 in. (56.8 x 75.2 cm)", "Disp_Height" : "22 3/8 in.", "Disp_Width" : "29 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3880", "Disp_Access_No" : "1999.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "John Ashbery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elaine de Kooning", "Sort_Artist" : "Kooning, Elaine de", "Disp_Dimen" : "34 x 30 in. (86.4 x 76.2 cm)", "Disp_Height" : "34 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "The poet John Ashbery and the painter Elaine de Kooning were both members of a group of innovative New York artists that included Jackson Pollock, Mark Rothko, and de Kooning’s husband Willem. Like those of her contemporaries, de Kooning’s aesthetic interests had shifted from traditional representational styles toward the radically new artistic development of Abstract Expressionism. However, the human—and particularly the male—figure still intrigued her; during the 1970s she painted several portraits of friends, including this one of Ashbery. [Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13428", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3881, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3881", "Disp_Access_No" : "1999.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1884", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1894", "Disp_Title" : "Bust of Ralph Waldo Emerson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Chester French", "Sort_Artist" : "French, Daniel Chester", "Disp_Dimen" : "22 in. (55.9 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "", "Dimen_Extent" : "maximum", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of the family of Alan Underberg, in his memory", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12554", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3882, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3882", "Disp_Access_No" : "1998.76", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "Mine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hananiah Harari", "Sort_Artist" : "Harari, Hananiah", "Disp_Dimen" : "50 x 40 in. (127 x 101.6 cm)", "Disp_Height" : "50 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.76_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.76_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.76_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.76_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12549", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3889, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3889", "Disp_Access_No" : "1998.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "The Printseller's Window", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walter Goodman", "Sort_Artist" : "Goodman, Walter", "Disp_Dimen" : "52 1/4 x 44 3/4 in. (132.7 x 113.7 cm)", "Disp_Height" : "52 1/4 in.", "Disp_Width" : "44 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painted in the illusionistic technique of trompe l’oeil (French for “fool the eye),” The Printseller depicts a heavily-bearded shopkeeper cradling a small statuette of Cupid. The display case before him contains a variety of objects, including prints, books, coins in a porcelain dish, a magnifying glass, a wineglass, a strand of pearls and a metal tankard. Many of the prints are reproductions of famous paintings that would have been familiar to Walter Goodman’s audience of the early 1880s. A string of small photographs called cartes-de-visites stretches across the display case. These small photographic portraits, sized to mount on a visiting card, became extremely popular; a craze developed for collecting the cartes of celebrities as well as family and friends. Here, each represents a famous Victorian painter of Goodman’s time, including John Everett Millais, Rosa Bonheur, and Lawrence Alma-Tadema (fourth, sixth, and ninth from the left, respectively). A larger photographic portrait of the famous art critic John Ruskin is located in the center directly below the string of cartes. Although relatively unknown, Walter Goodman was an interesting and practiced artist with a varied career as a portraitist, illustrator and writer. Of Jewish heritage, he was the son of portraitist Julia Salaman Goodman. He was widely traveled and an intimate member of London’s theatrical society. He exhibited at the Royal Academy and the British Institution. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.75_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.75_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.75_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.75_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "27092", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.75_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.75_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.75_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.75_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "29175", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 2000 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 3891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3891", "Disp_Access_No" : "1998.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Sunday Morning", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jerome Myers", "Sort_Artist" : "Myers, Jerome", "Disp_Dimen" : "37 1/2 x 44 1/2 in. (95.3 x 113 cm)", "Disp_Height" : "37 1/2 in.", "Disp_Width" : "44 1/2 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Jerome Myers said of his art, “I went to the gutter for my subject, but they were poetic gutters.” [Gallery label text, 2007] Jerome Myers was called "the gentle poet of the slums" for his compassionate images of immigrant life in New York's Lower East Side. Myers recorded the unglamorous, yet commonplace aspects of city life, as did fellow painters John Sloan and Robert Henri, members of The Eight or the Ashcan School. However, his vision of the city's poor never evoked a sense of wretchedness: "Why catch humanity by the shirt-tail," he said, "when I could see more pleasant things?" Though tame to us today, paintings like Sunday Morning were considered progressive, even "revolutionary" when they were painted, because of their subject matter. However, when it came to exhibiting with The Eight, Robert Henri didn't think that Myers's work was forceful enough. As a founder of the innovative American Association of Painters and Sculptors in 1911, Myers helped to pave the way for the watershed 1913 Armory Show in New York City, the exhibition that introduced European modernism to an enthusiastic but occasionally bewildered public. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.74_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.74_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.74_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.74_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12547", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 3892, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3892", "Disp_Access_No" : "1998.36", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1946", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1951", "Disp_Title" : "Jane", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Guy Pène du Bois", "Sort_Artist" : "Pène du Bois, Guy", "Disp_Dimen" : "30 x 24 in. (76.2 x 61 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Critic and painter Guy Pène du Bois continued the Realist, urban tradition of the Ash Can School painters, but peopled his canvases with more urbane elegant, and at times, mysterious, figures. Jane is one of his quintessential creations. An enigmatic figure appears to step out of a shadow, perhaps in a restaurant or nightclub, perhaps inside or outside, in America or abroad. She is fashionably thin, well-dressed, and bejeweled, and yet for all her apparent material comfort, she manifests a sense of isolation and anxiety, expressed by her hands, her cast down eyes, and a downward turn of the mouth. Pène du Bois' intriguing contrasts of light and dark areas within the painting contribute to the sense of unease that the figure expresses. The painting's mood certainly reflects the artist's admiration of Edward Hopper. [Gallery label text, 2003]", "Dedication" : "Gift of Thomas H. and Marion J. Hawks, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12540", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3894", "Disp_Access_No" : "1998.37.1-2a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Life Mask and Hands of Abraham Lincoln", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Leonard Wells Volk", "Sort_Artist" : "Volk, Leonard Wells", "Disp_Dimen" : "9 3/4 x 8 1/8 x 5 5/8 in. (24.8 x 20.6 x 14.3 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "8 1/8 in.", "Dimen_Extent" : "Head", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Thomas H. and Marion J. Hawks, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ".1 - life mask .2a&b - hands", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.37.1-2a-b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.37.1-2a-b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.37.1-2a-b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.37.1-2a-b_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12541", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3903, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3903", "Disp_Access_No" : "1998.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1880", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1885", "Disp_Title" : "A Parisian Woman Out Walking (Une Parisienne en Promenade (Madame Duez))", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernest Ange Duez", "Sort_Artist" : "Duez, Ernest Ange", "Disp_Dimen" : "20 x 13 1/16 in. (50.8 x 33.2 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "13 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.45_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13410", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3914, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3914", "Disp_Access_No" : "1997.173", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph H. Hidley", "Sort_Artist" : "Hidley, Joseph H.", "Disp_Dimen" : "10 7/8 x 20 7/8 in. (27.6 x 53 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "20 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on pine board", "Info_Page_Comm" : "This painting was never intended to hang on a wall. Rather, it was created as part of a wall to decorate a panel underneath a tall window in the parlor of a home in Eagle Mills, New York, near Albany. The artist was an unusual individual. In addition to painting scenes to decorate rooms in the Albany region, Joseph Hidley was a house painter, a carpenter, and arranger of stuffed birds and dried flowers. For his underwindow panels, he is thought to have derived his inspiration from European viewbooks, which is why this scene is reminiscent of a Swiss landscape. We are still trying to locate the original view that Hidley copied. [Gallery label text, 2002]", "Dedication" : "Gift of Nancy and Alan Cameros", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The object was removed from the Laveigne House, Brunswick, New York, October 20, 1988, according to the photocopy from the auction catalog in the curatorial file. The panel itself was originally located beneath a tall window in the home, per conservator Michael Heslip.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.173_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.173_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.173_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.173_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17123", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3916", "Disp_Access_No" : "1999.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1912-1915", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1915", "Disp_Title" : "In the Park", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Matulka", "Sort_Artist" : "Matulka, Jan", "Disp_Dimen" : "8 13/16 x 11 13/16 in. (22.4 x 30 cm)", "Disp_Height" : "8 13/16 in.", "Disp_Width" : "11 13/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "wove paper", "Disp_Medium" : "Watercolor with graphite on wove paper", "Info_Page_Comm" : "This idyllic scene of fashionable women and children in a New York City park contrasts with the reality of Jan Matulka’s impoverished childhood as the son of an immigrant mother in the Bronx. The realist style of Matulka’s early years shifted to abstraction as he had the opportunity to travel, first through the United States and subsequently to Paris, and engage with artists like Stuart Davis, who was experimenting with modernist styles like cubism. [Label text, 2003]", "Dedication" : "In memory of F. Irving Hutchins from family and friends of Mr. and Mrs. Frank M. Hutchins and Mr. and Mrs. Mark C. Hargrave", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "716", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4003, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4003", "Disp_Access_No" : "1999.34", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Seated Girl Surrounded by Baskets", "Alt_Title" : "Woman in Market", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rufino Tamayo", "Sort_Artist" : "Tamayo, Rufino", "Disp_Dimen" : "18 7/8 x 24 1/2 in. (47.9 x 62.2 cm)", "Disp_Height" : "18 7/8 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Gouache", "Support" : "laid paper", "Disp_Medium" : "Gouache and watercolor on laid paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Mildred Baker", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Mexican", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16079", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4011, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4011", "Disp_Access_No" : "1998.213", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1968", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1973", "Disp_Title" : "Mayor Daley", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Larry Rivers", "Sort_Artist" : "Rivers, Larry", "Disp_Dimen" : "30 x 40 in. (76.2 x 101.6 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "without frame", "Medium" : "Graphite", "Support" : "board", "Disp_Medium" : "Graphite, paper and textile on board ", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Richard T. Stern", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.213_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.213_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.213_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.213_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19163", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4018", "Disp_Access_No" : "1997.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1950", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1955", "Disp_Title" : "Harriet Tubman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Margaret Taylor-Burroughs", "Sort_Artist" : "Taylor-Burroughs, Margaret", "Disp_Dimen" : "17 1/2 x 11 1/2 in. (44.5 x 29.2 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Tribute Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.24_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.24_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.24_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.24_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31669", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4057", "Disp_Access_No" : "1995.41.5", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1978", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1983", "Disp_Title" : "Mr. Lincoln's Whiskers - Writing the Letter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "2 5/8 x 5 5/16 in. (6.6 x 13.5 cm)", "Disp_Height" : "2 5/8 in.", "Disp_Width" : "5 5/16 in.", "Dimen_Extent" : "image", "Medium" : "Pen and ink", "Support" : "paper", "Disp_Medium" : "Brush and black and gray ink on paper", "Info_Page_Comm" : "A suite of illustrations for the book "Mr. Lincoln's Whiskers."", "Dedication" : "Tribute Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.41.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.41.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.41.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.41.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44667", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4133, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4133", "Disp_Access_No" : "1972.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1891", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1891", "Disp_Title" : "Aurélien-Marie Lugné-Poë (1869-1940)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edouard Vuillard", "Sort_Artist" : "Vuillard, Edouard", "Disp_Dimen" : "8 3/4 x 10 1/2 in. (22.2 x 26.7 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "10 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper mounted on panel", "Info_Page_Comm" : "This likeness captures the intense fervor of the artist's friend and patron, Aurélien-Marie Lugné-Poë (1869-1940), an actor and daring theatrical producer who helped Vuillard obtain his first commission for a theatrical poster. The artist's use of broad areas of flat color to define form and volume in this intimate portrait is typical of the Nabis painters, a group of artists influenced by Paul Gauguin and with whom Vuillard was aligned. [Gallery label text, 1999]", "Dedication" : "Gift of Fletcher Steele", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.18_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12452", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.18_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.18_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.18_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.18_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "39026", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Derived from 72.18_M1; no print level photography was made at the time this photo was made, so a new print image was derived from the _M1 and then a JPG from that TIF. 8/31/12 KS", "View" : "" } , ] },{ "embark_ID" : 4137, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4137", "Disp_Access_No" : "1943.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1872", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1877", "Disp_Title" : "The Stonebreaker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gustave Courbet", "Sort_Artist" : "Courbet, Gustave", "Disp_Dimen" : "17 1/2 x 21 1/2 in. (44.5 x 54.6 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painting is an essentially concrete art and can only consist in the representation of real and existing things. - Gustave Courbet (1861) Courbet was the leading painter of a movement called Realism. Many French citizens began to advocate for democratic and socialist reforms after the Revolution of 1848 overturned the monarchy of King Louis-Philippe. Realist painters depicted modern subjects drawn from the everyday lives of the working class. The subject matter of The Stonebreaker is similar to that of Courbet’s The Stonebreakers, which Courbet exhibited at the Salon in 1850. The earlier painting, destroyed in World War II, depicted two men dressed in heavy, tattered clothing crushing rocks near a road. Because of its raw and, according to some viewers, politically motivated subject matter, The Stonebreakers was extremely controversial with the French public. The Gallery’s The Stonebreaker, painted over 20 years later, reflects a more intimate view of the laborer, solitary as he eats his midday meal. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12365", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4136, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4136", "Disp_Access_No" : "1957.7", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1470-1500", "_Disp_Start_Dat" : "1470", "_Disp_End_Date" : "1500", "Disp_Title" : "St. Elizabeth of Hungary", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, German", "Sort_Artist" : "Unknown, German", "Disp_Dimen" : "29 5/16 x 8 7/16 x 7 1/16 in. (74.5 x 21.5 x 18 cm)", "Disp_Height" : "29 5/16 in.", "Disp_Width" : "8 7/16 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Lindenwood", "Info_Page_Comm" : "Saint Elizabeth of Hungary was Queen of Thuringia in the early 1200s. She was an advocate of the poor and gave herself entirely to serving the hungry, weak and feeble. She distributed alms in all parts of her royal territory, even giving royal robes and ornaments to the poor. In order to care personally for the unfortunate, she built a hospital and visited the inmates daily to attend to their needs. In art, she is frequently shown carrying a loaf of bread and a jug of wine, references to her devotion to feeding the hungry. [Gallery label text, June 2013]", "Dedication" : "Bequest of Elizabeth Stebbins in memory of her mother, Elizabeth Sibley", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, of Census of Gothic Sculpture project, with Nancy Norwood: to be included in forthcoming volume of Census.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33560", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.7_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.7_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.7_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.7_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33561", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.7_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.7_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.7_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.7_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33562", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100301 #1", "View" : "" } , ] },{ "embark_ID" : 4160, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4160", "Disp_Access_No" : "1999.53", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Morning, Nude on Bed", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "12 x 9 in. (30.5 x 22.9 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.53_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.53_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.53_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.53_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12957", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4163", "Disp_Access_No" : "2000.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Moses Soyer and Ida Soyer in the Studio", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Burliuk", "Sort_Artist" : "Burliuk, David", "Disp_Dimen" : "11 1/4 x 15 3/8 in. (28.6 x 39.1 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "15 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and goauche on heavy cold press wove paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39102", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4211", "Disp_Access_No" : "2005.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Negro Head", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Steuart Curry", "Sort_Artist" : "Curry, John Steuart", "Disp_Dimen" : "24 x 18 1/2 in. (61 x 47 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "18 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "According to the [previous owner], Curry met the subject of this painting, a sugar cane worker, on a trip to Cuba. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33982", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 4233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4233", "Disp_Access_No" : "1977.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1783", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1783", "Disp_Title" : "Miss Sophia Hoare", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Joshua Reynolds", "Sort_Artist" : "Reynolds, Joshua", "Disp_Dimen" : "36 x 28 in. (91.4 x 71.1 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "overall", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Joshua Reynolds was the leading portrait painter in 18th-century England, the first president of London’s Royal Academy, and a respected art critic. He frequently modeled his sitters’ poses on those seen in Old Master painting and ancient classical sculpture. Reynolds’ use of rich color, strong lighting, and loose brushwork greatly influenced the next generation of British portraitists, including Sir Thomas Lawrence and Sir Henry Raeburn. The young woman in this portrait, Sophia Hoare (c. 1765-1836), was the daughter of Richard Hoare, an heir to the founder of England’s oldest private bank. Sophia’s portrait was commissioned by William Grimston, whom she married in February 1783. Reynolds noted the transaction in his account books: “Miss Hoare, paid by Mr. Grimpstone, £ 78 15s.; a very proper attention on the part of the fiancé.” [Forman Gallery, Summer 2015]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1911 exhibition catalogue lists the sitter as Miss Sophia Hoare and says she sat for the painting in October 1782. See photocopy in curatorial file.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43990", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 4234, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4234", "Disp_Access_No" : "1980.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1764", "_Disp_Start_Dat" : "1764", "_Disp_End_Date" : "1764", "Disp_Title" : "John Monck (1735-1809)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Angelica Kauffmann", "Sort_Artist" : "Kauffmann, Angelica", "Disp_Dimen" : "39 x 29 in. (99.1 x 73.7 cm)", "Disp_Height" : "39 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Monck was the Master of the Ceremonies in Bath, England, a position that charged him with organizing events, introducing guests and maintaining order in the spa town. Angelica Kauffmann painted this portrait in Italy rather than Monck’s native England, which suggests that he was on a gentleman’s “Grand Tour” of Europe. The Italian painter Pompeo Batoni painted Monck’s portrait in the same year, indicating that he must have spent enough time in Italy for two rounds of sittings. Although Kauffmann was only 23 years old when she painted Monck’s portrait, she was well into her career, as she had begun painting professionally as a teenager. [Gallery label text, 2008]", "Dedication" : "Women's Council Acquisition Fund, on the occasion of the Council's 40th Anniversary", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Swiss", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14756", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4253, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4253", "Disp_Access_No" : "1947.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1530", "_Disp_Start_Dat" : "1525", "_Disp_End_Date" : "1535", "Disp_Title" : "Charles 1er de Cossé, Comte de Brissac ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Corneille de Lyon", "Sort_Artist" : "Corneille de Lyon", "Disp_Dimen" : "6 1/4 x 5 in. (15.9 x 12.7 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.1_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "25271", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4260, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4260", "Disp_Access_No" : "1947.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1500", "_Disp_Start_Dat" : "1495", "_Disp_End_Date" : "1505", "Disp_Title" : "Madonna and Child with Angel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raffaellino del Garbo", "Sort_Artist" : "Raffaellino del Garbo", "Disp_Dimen" : "37 1/4 x 37 1/4 in. (94.6 x 94.6 cm)", "Disp_Height" : "37 1/4 in.", "Disp_Width" : "37 1/4 in.", "Dimen_Extent" : "diameter", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera and oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.30_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.30_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.30_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.30_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29167", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from an undated transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 4261, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4261", "Disp_Access_No" : "1976.13", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1560", "_Disp_Start_Dat" : "1555", "_Disp_End_Date" : "1565", "Disp_Title" : "Portrait of a Boy of the Bracciforte Family of Piacenza", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Girolamo Mazzola Bedoli", "Sort_Artist" : "Bedoli, Girolamo Mazzola", "Disp_Dimen" : "65 x 34 5/8 in. (165.1 x 87.9 cm)", "Disp_Height" : "65 in.", "Disp_Width" : "34 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Every pictorial element in this full-length portrait of a young boy refers to his aristocratic heritage and high status in society. His costume is made of a richly-textured fabric trimmed with buttons of gold; the elegant purse at his waist, his fashionable small plumed hat and the golden hilt of his sword attest to the wealth of his family. The coat of arms on the gilded medallion he holds in his right hand clearly identifies him as a member of the Bracciforte family of Piacenza, one of the richest cities in Renaissance Europe. A book, flute and allegorical statue of Fame, shown here as a winged figure holding two long, thin trumpets, are on a table at his right; they suggest the importance of education and music in the highest strata of Renaissance society. For decades, this portrait was attributed to the painter Niccolò dell’Abate. Recent scholarship, however, has suggested that it is the work of Girolamo Mazzola Bedoli, who was well known for his portraits of the Farnese and other notable and aristocratic families in the Duchy of Piacenza as well as the nearby Duchy of Parma. These two duchies united only a few years after this portrait was painted. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.13_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.13_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.13_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.13_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36524", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in its frame; frame cropped out in Photoshop", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.13_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.13_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.13_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.13_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "36525", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in its frame; frame cropped out in Photoshop", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.13_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.13_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.13_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.13_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "36526", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.13_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.13_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.13_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.13_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "36527", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.13_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.13_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.13_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.13_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "36528", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4266, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4266", "Disp_Access_No" : "1997.83", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Nakazu (?)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "8 Places in Edo", "Disp_Maker_1" : "Hosoda Eishi", "Sort_Artist" : "Hosoda Eishi", "Disp_Dimen" : "8 9/16 x 6 1/8 in. (21.8 x 15.6 cm)", "Disp_Height" : "8 9/16 in.", "Disp_Width" : "6 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of Margaret Sterling in memory of M. Louise Stowell, transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.83_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.83_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.83_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.83_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17624", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4271, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4271", "Disp_Access_No" : "1997.190", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1835-1836", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1836", "Disp_Title" : "Chofu in Musashi", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "6 Jewel Rivers", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "14 13/16 x 5 1/16 in. (37.7 x 12.8 cm)", "Disp_Height" : "14 13/16 in.", "Disp_Width" : "5 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of Margaret Sterling in memory of M. Louise Stowell", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "4272", "Rel_Obj_Title" : "Settsu" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.190_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.190_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.190_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.190_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17623", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4288, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4288", "Disp_Access_No" : "1997.98", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Print from "White Threads of Waterfall and Mountain Cherry Blossons" series", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "White Threads of Waterfall and Mountain Cherry Blossoms", "Disp_Maker_1" : "Kitagawa Utamaro", "Sort_Artist" : "Kitagawa Utamaro", "Disp_Dimen" : "14 7/16 x 19 3/4 in. (36.7 x 50.1 cm)", "Disp_Height" : "14 7/16 in.", "Disp_Width" : "19 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.98_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.98_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.98_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.98_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17483", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4304, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4304", "Disp_Access_No" : "1997.89", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Segawa (a courtesan)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kikukawa Eizan", "Sort_Artist" : "Kikukawa Eizan", "Disp_Dimen" : "14 1/8 x 9 1/2 in. (35.8 x 24.2 cm)", "Disp_Height" : "14 1/8 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.89_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.89_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.89_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.89_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17094", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4337", "Disp_Access_No" : "1997.217", "_AccNumSort1" : "", "Disp_Create_DT" : "1847-1852", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1852", "Disp_Title" : "The Drunkard of Edo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Eight Cups of Drunkeness", "Disp_Maker_1" : "Utagawa Kuniyoshi", "Sort_Artist" : "Utagawa Kuniyoshi", "Disp_Dimen" : "13 11/16 x 9 3/4 in. (34.8 x 24.7 cm)", "Disp_Height" : "13 11/16 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.217_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.217_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.217_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.217_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17204", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "some distortion scattered along the top of the image, and some along the sides. Needs reshot. ", "View" : "" } , ] },{ "embark_ID" : 4364, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4364", "Disp_Access_No" : "1997.199", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Third Month", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Fashionable Twelve Seasons", "Disp_Maker_1" : "Isoda Koryusai", "Sort_Artist" : "Isoda Koryusai", "Disp_Dimen" : "9 1/16 x 6 1/4 in. 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Lovejoy, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16015", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4477", "Disp_Access_No" : "1991.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1864", "_Disp_Start_Dat" : "1864", "_Disp_End_Date" : "1864", "Disp_Title" : "Towing a Boat, Honfleur", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "21 3/4 x 32 5/16 in. 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Wilson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25404", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4466, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4466", "Disp_Access_No" : "1983.105", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Girl (Mädchen)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carl Maria (Carry) Hauser", "Sort_Artist" : "Hauser, Carl Maria (Carry)", "Disp_Dimen" : "11 1/2 x 9 1/4 in. 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[Gallery label text, 2007]", "Dedication" : "Gift of Dr. Mark Altschule in memory of Hilda Altschule Coates", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Austrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.105_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.105_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.105_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.105_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24148", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4518, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4518", "Disp_Access_No" : "1947.80", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Honorable Mr. Leicester Stanhope (after Joshua Reynolds)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "14 13/16 x 10 1/2 in. 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See", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32608", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4560, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4560", "Disp_Access_No" : "1947.62", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Ma Chere Amie (after William Hamilton)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Bartolozzi", "Sort_Artist" : "Bartolozzi, Francesco", "Disp_Dimen" : "6 3/8 in. 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The prints were originally published between February, 1755 and February, 1758.", "Dedication" : "Gift of Mr. and Mrs. Herman Cohn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29408", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 4590, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4590", "Disp_Access_No" : "1917.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1809", "_Disp_Start_Dat" : "1809", "_Disp_End_Date" : "1809", "Disp_Title" : "Charles White, R.F.S. (1728-1813) (after J. Allen)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ward", "Sort_Artist" : "Ward, William", "Disp_Dimen" : "12 5/8 x 17 3/4 in. (32.1 x 45.1 cm)", "Disp_Height" : "12 5/8 in.", "Disp_Width" : "17 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Mezzotint", "Info_Page_Comm" : "White was a British surgeon and obstetrician, co-founder of the Manchester Royal Infirmary.", "Dedication" : "Gift of Mrs. Henry G. Danforth", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/17.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/17.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/17.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/17.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28665", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4799, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4799", "Disp_Access_No" : "1989.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "The Sculpture Gallery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Lawrence Alma-Tadema", "Sort_Artist" : "Alma-Tadema, Lawrence", "Disp_Dimen" : "30 1/4 x 23 1/4 in. (76.8 x 59.1 cm)", "Disp_Height" : "30 1/4 in.", "Disp_Width" : "23 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Alma-Tadema is known for his historical and anecdotal scenes set in classical antiquity or medieval Europe. The Sculpture Gallery is one of a number of scenes showing patrons at an ancient art gallery or sculptor’s studio. Here a slave—recognizable by the tablet hanging around his neck—displays a basin ornamented with Scylla, the mythological sea-serpent. The 19th-century collecting audience could likely identify the "Infant Hercules Struggling with a Snake," from the Capodimonti Museum in Naples at the left, and on the right, the statue of Helen, mother of Emperor Constantine, from the Capitoline museum in Rome. The Roman visitors are modelled on members of Alma-Tadema's family, including the artist’s wife and children, at the center. The artist travelled widely and visited historic sites, gaining a reputation for his accuracy in depicting ancient settings and artifacts. However, it was modern technology that helped him achieve this renown: the artist collected professional photographs of artworks and artifacts found on archaeological digs, using these images as the basis for his scenes. [Gallery label text, 2011]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29174", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from an undated and uncredited transparency. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 4804, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4804", "Disp_Access_No" : "1975.115", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1753", "_Disp_Start_Dat" : "1748", "_Disp_End_Date" : "1758", "Disp_Title" : "Man with a Book Seated in a Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas R. A. Gainsborough", "Sort_Artist" : "Gainsborough, Thomas R. A.", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although the name of the sitter is unknown, Gainsborough gives the viewer several clues that help place him in a social context: the gentleman holds a book, indicating he is learned; he leans on a stone pillar, with a pastoral landscape and a river behind him, suggesting he is a landowner. This portrait, made when Gainsborough was in his mid-20s, is a typical example of his early style. [Gallery label text, 2008] ", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.115_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.115_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.115_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.115_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29172", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1999 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 4805, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4805", "Disp_Access_No" : "1978.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1766", "_Disp_Start_Dat" : "1766", "_Disp_End_Date" : "1766", "Disp_Title" : "Mrs. William Provis of Bath", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas R. A. Gainsborough", "Sort_Artist" : "Gainsborough, Thomas R. A.", "Disp_Dimen" : "29 1/2 x 24 in. (74.9 x 61 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A founding member of the Royal Academy, Thomas R. A. Gainsborough was a premier 18th-century English portraitist whose upward trajectory to fame began with a strategic move to Bath, a town with many portrait-commissioning British gentry. This particular portrait captures Bath resident Ann Pigott in her lonely and isolated youth. At 17, she married a much older William Provis and was left alone and childless while he lived at his country estate. As British gentry were selling family art collections in face of financial strain from estate taxes implemented in 1894, newly-wealthy Americans were building art collections. George Eastman acquired this portrait in 1912 in that manner and later bequeathed it to the University of Rochester.[ Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "39387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.1_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.1_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.1_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.1_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "47802", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4811", "Disp_Access_No" : "1978.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1809", "_Disp_Start_Dat" : "1809", "_Disp_End_Date" : "1809", "Disp_Title" : "Admiral Frank Sotheron (1765-1839)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Thomas Lawrence", "Sort_Artist" : "Lawrence, Thomas", "Disp_Dimen" : "49 1/2 x 39 in. (125.7 x 99.1 cm)", "Disp_Height" : "49 1/2 in.", "Disp_Width" : "39 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that 1994-95 correspondence with the National Maritime Museum suggests that this painting could not date to 1809 because Sotheron did not become a Rear-Admiral until 1811 and the painting shows him in the full-dress coat of a Rear Admiral. Correspondence also suggests that conservators found evidence of change in the epaulettes and buttonholes, suggesting the costume was altered after the original painting was made. See correspondence in curatorial file. --KSchauber, Curatorial Research Ass''t, Nov 2019 This painting does not appear in Knoedler lists of George Eastman''s purchases nor in Knoedler stockbooks online-- where did he buy it?", "Images": [ ] },{ "embark_ID" : 4807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4807", "Disp_Access_No" : "1978.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1789", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1794", "Disp_Title" : "Mrs. John Addison (Lucy Clark)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Hoppner", "Sort_Artist" : "Hoppner, John", "Disp_Dimen" : "28 x 21 in. (71.1 x 53.3 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Having a portrait painted by a noted artist such as John Hoppner was a mark of status; decades later, American collectors still enjoyed the prestige of owning portraits of European gentry. Even into the twentieth century, America was seen as a young country, and newly-wealthy Americans could “borrow” the pedigree that accompanied the sitter by displaying these portraits. Comprehensive estate taxes were introduced in England in 1894, and in the years that followed, families were forced to sell off some of their family holdings, including real estate, household belongings, and works of art, to pay these death duties. At the same time, wealthy American industrialists like George Eastman, who owned this painting and several other British portraits, were building their art collections, and bought family portraits as well as Old Master works as they came on the market. Little is known of Mrs. Addison; her husband was in the civil service of the East India Company, and they lived in India for much of their married life. [Gallery label text, 2008] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13080", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4812, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4812", "Disp_Access_No" : "1968.102", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1795", "_Disp_Start_Dat" : "1790", "_Disp_End_Date" : "1800", "Disp_Title" : "Lieutenant-Colonel Hay MacDowell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Henry Raeburn", "Sort_Artist" : "Raeburn, Henry", "Disp_Dimen" : "93 x 58 in. (236.2 x 147.3 cm)", "Disp_Height" : "93 in.", "Disp_Width" : "58 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Raeburn may have made this painting to commemorate General Hay MacDowell’s 1795 departure from the 57th Regiment of Foot, with which he had served for five years. He would go on to be named commander of the British forces in Madras, India. The low perspective of the life-sized canvas elevates MacDowell to the status of a hero, while the vivid colors provide animation to an otherwise-static pose. The use of these simple devices to create a monumental effect helps to explain why Raeburn, who had no formal training as an artist, was the preeminent portraitist in Scotland in the late 1700s and early 1800s. [Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Scottish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ ], "Curator" : "An identical portrait is held at the Iziko Museums of Cape Town, South Africa.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38868", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 4813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4813", "Disp_Access_No" : "1978.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1800", "_Disp_Start_Dat" : "1795", "_Disp_End_Date" : "1805", "Disp_Title" : "Mrs. Johnston of Straiton", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sir Henry Raeburn", "Sort_Artist" : "Raeburn, Henry", "Disp_Dimen" : "35 x 27 in. (88.9 x 68.6 cm)", "Disp_Height" : "35 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Henry Raeburn was almost exclusively a painter of portraits. The demand for his work was great enough to sustain a career in Scotland, and his commissions came primarily from the members of high society in and around the growing city of Edinburgh. Raeburn’s portraits are known for their naturalness and sensitivity to the sitter. They often take the form seen here, with a seated three-quarter length figure pictured in a landscape, painted as if seen from below. This portrait is of a young noblewoman, Mary Johnston, the wife of James Johnston and the daughter of William Baillie, Lord Polkemmet, a Scottish judge whose portrait Raeburn had also painted. [Forman Gallery, Summer 2015]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Scottish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43991", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 4820, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4820", "Disp_Access_No" : "1976.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1784", "_Disp_Start_Dat" : "1784", "_Disp_End_Date" : "1784", "Disp_Title" : "James Clitherow (1766-1841)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Romney must have been well acquainted with James Clitherow as a young man: he made two portraits of him, as well as a replica, all within a span of a year. Clitherow, who had recently graduated from Oxford at the time this portrait was made, appears thoughtful and composed, demonstrating his erudition by holding a book. Newspaper accounts describe the portrait as having been painted for a price of just over £20. Romney directs the viewer’s focus by sketching Clitherow’s hands and stock, or neckcloth, only loosely; he concentrates instead on the details of the head, coat, and chair. [Gallery label text, 2008] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Other portraits of Clitherow by Romney: a replica of MAG''s at Detroit, painted in 1785; another version still at Boston House, Middlesex, England. See curatorial file for photos. A painting of a child entitled "Master Clitherow" is in the collection of the Snite Museum of Art at Notre Dame, but it is dated ca. ten years after MAG''s portrait, and the 1904 catalogue raisonne does not list a portrait of any Clitherow other than James. There has been great confusion between the provenance of MAG''s painting and the one at the DIA; Duveen''s and Knoedler''s records online show that the DIA painting is the replica and the one given by the family to Dr. George Cooper (1792-1877), then his son Dr. Clarence Cooper (1830-1924), South Norwood Park, London, England; his sale, Christie''s, London, June 13, 1913; purchased at that sale by Asher Wertheimer (1844-1918), London; Duveen, London; to Mrs. J. S. Holden, the DIA''s donor.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.24_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "43070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4821, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4821", "Disp_Access_No" : "1977.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1782", "_Disp_Start_Dat" : "1783", "_Disp_End_Date" : "1792", "Disp_Title" : "Eleanor Todd, Lady Maitland (1762-1856)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Romney", "Sort_Artist" : "Romney, George", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This unfinished portrait depicts Eleanor Todd, who became Lady Maitland in 1782 when she married James, Viscount Maitland, eighth Earl of Lauderdale. Although it is not known why the portrait was never completed, at this point in his career, Romney had a large number of unfinished paintings in his studio. Sitters were required to pay half his fee before the painting could commence, but the daunting schedule of sittings and the artist’s demands for specific poses and clothing dissuaded some clients from continuing the professional relationship. Still, the presence of half-finished portraits in the studio served as a sort of showcase, enabling potential subjects to see examples of Romney’s work. [Gallery label text, 2008]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43071", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4827, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4827", "Disp_Access_No" : "1987.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1792-1793", "_Disp_Start_Dat" : "1792", "_Disp_End_Date" : "1793", "Disp_Title" : "The Death of Richard II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francis Wheatley", "Sort_Artist" : "Wheatley, Francis", "Disp_Dimen" : "78 x 60 in. (198.1 x 152.4 cm)", "Disp_Height" : "78 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Francis Wheatley was best known for his historical paintings, scenes of daily life, and portraits. He trained at the Royal Academy in London and became the director of the Society of Artists in 1774. Debts and an unfortunate affair with the wife of a colleague led to his abrupt departure from England to Ireland. He returned in 1783, when he began painting illustrations for works by contemporary authors. The success of these “painted illustrations” led to major commissions, including the one for this monumental painting from the print publisher Robert Bowyer. One of Bowyer’s most ambitious projects was an illustrated edition of David Hume’s "The History of England." It comprised not only a lavish publication, but the creation of a “History Gallery” for the public display of the original paintings. According to Bowyer’s prospectus, the paintings were intended “to rouse the passions, to fire the mind with emulation of heroic deeds, or to inspire it with detestation of criminal actions.” Wheatley responded to this challenge by depicting the more dramatic version of Richard’s death, in which he was beheaded rather than starved in prison. The theatrical gestures and expressions, lurid coloring, and bold brushwork serve to heighten the violent drama of the events. In the end, the project was a financial disaster; the paintings from the gallery, including Wheatley’s "The Death of Richard II," were sold in a lottery in 1807. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17184", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4835, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4835", "Disp_Access_No" : "1957.58", "_AccNumSort1" : "", "Disp_Create_DT" : "1949-1951", "_Disp_Start_Dat" : "1949", "_Disp_End_Date" : "1951", "Disp_Title" : "Woman Holding Cat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Spencer Moore", "Sort_Artist" : "Moore, Henry Spencer", "Disp_Dimen" : "14 x 20 7/8 in. (35.5 x 53 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "20 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "Published in 1951.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.58_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.58_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.58_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.58_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17655", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4891, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4891", "Disp_Access_No" : "1953.76.1", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Goldweight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Asante", "Sort_Artist" : "Unknown, Asante", "Disp_Dimen" : "1 5/8 x 1 1/8 x 1/2 in. (4.1 x 2.9 x 1.3 cm)", "Disp_Height" : "1 5/8 in.", "Disp_Width" : "1 1/8 in.", "Dimen_Extent" : "", "Medium" : "Brass", "Support" : "", "Disp_Medium" : "Brass", "Info_Page_Comm" : "Fueled by rich deposits of gold, the Asante engaged in extensive trade relations with European and African nations. Buyers and vendors used brass weights such as these to counterbalance gold dust on scales. Each Asante family had their own set of brass pieces. Unsurprisingly the vendors’ weights were often too heavy and the buyer’s weights too light. Many goldweights represented local proverbs with social or moral meanings that served as ethical reminders during the sometimes fraught ordeal of gold-weighing. If this weight was associated with a proverb, the cultural association has been lost to us. [Gallery label text, 2009]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "Ghanaian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.76.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.76.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.76.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.76.1_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "29250", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 4858, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4858", "Disp_Access_No" : "1973.155", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Butterfly", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernardus-Johannes Blommers", "Sort_Artist" : "Blommers, Bernardus-Johannes", "Disp_Dimen" : "16 x 19 in. (40.6 x 48.3 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.155_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.155_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.155_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.155_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13071", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4859, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4859", "Disp_Access_No" : "1962.29", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Roman Ruins with Card Players ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Both", "Sort_Artist" : "Both, Jan", "Disp_Dimen" : "25 5/8 x 32 1/8 in. (65.1 x 81.6 cm)", "Disp_Height" : "25 5/8 in.", "Disp_Width" : "32 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "As an independent subject of painting, landscape first emerged in Europe during the 1600s. Its development reflects changes in the views commonly held at that time on the universe and man’s relation to it. As landscape painting developed, the Dutch were quick to acquire a taste for Italian settings and motifs. In this painting, Both uses Italian motifs, such as ruins, as pictorial elements; he then combines them with the typical genre scene of a group of men playing cards. Also called The Ruins of the Temple of Saturn, this painting is a version of the original Jan Both painting of the same subject that is owned by the Alte Pinakothek in Munich, Germany. It was probably painted by either Jan Both or his brother, Andries. [Gallery label text] Born in Utrecht, Both subsequently traveled to Rome, where he remained from 1635 until 1641, when he returned to Holland. He was among the leading “bamboccianti,” as the Dutch painters were called who assimilated their native genre tradition with the classical landscape tradition they discovered in Italy. This popular composition, an autograph version of which survives in the Alte Pinakothek, Munich, shows low-life types amusing themselves near the formidable ruins of the Temple of Saturn. [Gallery label text] ", "Dedication" : "Bequest of Albert S. Schwab", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See another version of this painting (or original?) at Bayerische Staatsgemäldesammlungen https://www.sammlung.pinakothek.de/en/artist/jan-both/roemische-volksszene-mit-kartenspielern-vor-dem-saturntempel", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.29_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.29_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.29_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.29_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26216", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that master image for this photo has the wrong number on the number bar in the shot: it reads 69.29 rather than 62.29. Frame has been cropped out for this view and print master, but is visible in master image.", "View" : "" } , ] },{ "embark_ID" : 4860, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4860", "Disp_Access_No" : "1955.65", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Child with Cherries", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan de Bray", "Sort_Artist" : "Bray, Jan de", "Disp_Dimen" : "23 x 18 1/2 in. (58.4 x 47 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "18 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "This painting shows a young child draped in a floral shawl and holding a wicker basket filled with ripe cherries. His attentive gaze, directed straight at the viewer, adds to the sense of immediacy conveyed by the portrait. Jan de Bray trained as a painter with his father Salomon, a distinguished artist, architect, and urban planner in Haarlem (The Netherlands). More than half of his work consists of individual portraits. [Forman Gallery, Summer 2015]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.65_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15973", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4867, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4867", "Disp_Access_No" : "1945.29", "_AccNumSort1" : "", "Disp_Create_DT" : "450-600 CE", "_Disp_Start_Dat" : "450", "_Disp_End_Date" : "600", "Disp_Title" : "Stirrup Spout Vessel: Seated Woman and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Moche", "Sort_Artist" : "Unknown, Moche", "Disp_Dimen" : "8 1/8 in. (20.6 cm)", "Disp_Height" : "8 1/8 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Blackware", "Support" : "", "Disp_Medium" : "Blackware", "Info_Page_Comm" : "", "Dedication" : "R.T. Miller Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Peruvian", "Department" : "", "Obj_Name" : "", "Period" : "Precolumbian", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/45.29_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/45.29_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/45.29_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/45.29_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29776", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4951, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4951", "Disp_Access_No" : "1914.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Oxen on the Beach", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joaquin Sorolla y Bastida", "Sort_Artist" : "Sorolla y Bastida, Joaquin", "Disp_Dimen" : "29 x 43 in. (73.7 x 109.2 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "43 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Sorolla discovered Impressionism during an 1885 visit to Paris and took its revolutionary approach to light and color back to Spain with him. There he developed his own style, characterized by large, strong brushstrokes, and soon his international reputation was established. Sorolla's special ability to render the play of bright sunlight on the sea, on sand, and on figures along the beach has been praised by critics. "Oxen on the Beach," which features all three surfaces, is a brilliant display of Sorolla's talents. [adapted from gallery label text, 1999]", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 489, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/489", "Disp_Access_No" : "1975.138", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1876", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1881", "Disp_Title" : "Back from the Orchard", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eastman Johnson", "Sort_Artist" : "Johnson, Eastman", "Disp_Dimen" : "10 3/8 x 6 5/8 in. (26.4 x 16.8 cm)", "Disp_Height" : "10 3/8 in.", "Disp_Width" : "6 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.138_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.138_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.138_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.138_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12465", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4947, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4947", "Disp_Access_No" : "2000.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Jean 1921", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "5 5/16 x 4 1/8 in. (13.5 x 10.5 cm)", "Disp_Height" : "5 5/16 in.", "Disp_Width" : "4 1/8 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.20_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17671", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4953", "Disp_Access_No" : "1991.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "The Linen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Bonnard", "Sort_Artist" : "Bonnard, Pierre", "Disp_Dimen" : "19 5/8 x 25 1/2 in. (49.8 x 64.8 cm)", "Disp_Height" : "19 5/8 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper laid down on board", "Info_Page_Comm" : "As an art student in Paris, Bonnard became affiliated with the Nabis, or Prophets. This group of young artists was influenced by Paul Gauguin's belief that a painting should be a product of the imagination rather than a mere copy of nature. Influenced also by Gauguin's style, the Nabis simplified form and used color boldly and expressively. After the turn of the century, Bonnard refined these principles, developing a personal, decorative, and highly subjective style. As in this scene, his pictures of everyday life often featured his wife. Painting from memory in his studio, Bonnard freely modified form and heightened color to express the beauty he recalled in nature. [Gallery label text, 1999]", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26159", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4954, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4954", "Disp_Access_No" : "1955.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "Washerwomen of Fouesnant", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William-Adolphe Bouguereau", "Sort_Artist" : "Bouguereau, William-Adolphe", "Disp_Dimen" : "30 x 23 5/8 in. (76.2 x 60 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "23 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In Fouesnant, a bay in Brittany, Bouguereau found the source material that would fuel his work for years to come. Academic artists viewed scenes of peasants performing their usual daily chores as a modern-day counterpart to the rustic figures of antiquity so beloved in historical paintings. Despite their circumstances, peasants in Academic paintings were usually depicted as clean, well-fed and neatly dressed. Here a girl carrying laundry resembles a caryatid, a classical figure used to support an architectural pediment. [Gallery label text, 2011]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.61_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.61_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.61_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.61_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29169", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1993 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 4955, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4955", "Disp_Access_No" : "1973.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Young Priestess", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William-Adolphe Bouguereau", "Sort_Artist" : "Bouguereau, William-Adolphe", "Disp_Dimen" : "71 1/4 x 32 in. (181 x 81.3 cm)", "Disp_Height" : "71 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Bouguereau's idealized figures, with their realistically-rendered surfaces and painstaking level of finish, show a technical mastery that still astonishes. Here the fluid fabrics of the priestess's garments and the drapery behind her contrast sharply with her pale flesh and the stone mosaic of the floor. The lack of context invites viewers to provide the figure with a narrative. This painting, completed when the artist was almost 80, demonstrates a return to the themes of classical antiquity that had been mainstays of his youthful work. Bouguereau had a typical Academic education: he studied anatomy, classical literature and archaeology along with drawing and painting, and spent a year in Rome where he took inspiration from Renaissance artists. A member of the Academy throughout his career, his paintings were regularly included in the annual Salon exhibitions. [Gallery label text, 2011]", "Dedication" : "Gift of Paul T. White in memory of Josephine Kryl White", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18213", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Museum Print Editions scan purchased by Gallery Store for production purposes", "View" : "" } , ] },{ "embark_ID" : 4959, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4959", "Disp_Access_No" : "1931.21", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Dancers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "37 5/8 x 26 3/4 in. (95.6 x 67.9 cm)", "Disp_Height" : "37 5/8 in.", "Disp_Width" : "26 3/4 in.", "Dimen_Extent" : "", "Medium" : "Pastel", "Support" : "paper", "Disp_Medium" : "Pastel and charcoal on tracing paper, mounted on wove paper, mounted on board", "Info_Page_Comm" : "When asked by Mrs. Horace Havemeyer, an American collector, why he so often portrayed dancers, Degas replied “Because I find there, Madame, the combined movements of the Greeks.” This pastel was produced late in the artist’s life when his eyesight had begun to fail. It is possible that his diminished vision resulted in the heavy contours that surround the dancers and give only the barest suggestion of their facial features. Rather than attempting great detail, he concentrated on mapping out the unpredictable effects of theatrical lighting on the forms of the figures. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Mrs. Charles H. Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Lemoisne catalogue raisonne describes this work as a study for or replica of cats. no. 1428 (now Fondation Beyeler, Riehen/Basel) and 1429, "Three Dancers." No information could be found in curatorial or archival records indicating where or from whom MAG bought this work; Mrs. Babcock gave the funds. Seven flattened spots of red wax on verso of panel appear to have been used like glue to adhere a sheet of paper (now missing) to the entire surface. Per Pat Hamm, this appears not to have been fixed with fixative. Work made up of two sheets, attached vertically.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38865", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 4961, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4961", "Disp_Access_No" : "1981.23", "_AccNumSort1" : "", "Disp_Create_DT" : "cast 1919-1937", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1937", "Disp_Title" : "Woman Washing Her Left Leg", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "5 3/4 in. (14.6 cm)", "Disp_Height" : "5 3/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of George and Gertrude Thannhauser Beyer in memory of the Thannhauser family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4962, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4962", "Disp_Access_No" : "1964.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "Tyrolean Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anselm Feuerbach", "Sort_Artist" : "Feuerbach, Anselm", "Disp_Dimen" : "33 1/4 x 24 in. (84.5 x 61 cm)", "Disp_Height" : "33 1/4 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas mounted on board", "Info_Page_Comm" : "", "Dedication" : "Bequest of Albert S. Schwab", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16875", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4965, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4965", "Disp_Access_No" : "1937.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1888-1889", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1889", "Disp_Title" : "The Washerwomen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Léon-Augustin Lhermitte", "Sort_Artist" : "Lhermitte, Léon-Augustin", "Disp_Dimen" : "30 3/8 x 37 3/4 in. (77.2 x 95.9 cm)", "Disp_Height" : "30 3/8 in.", "Disp_Width" : "37 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Although he was of the same generation as Monet and Renoir, Lhermitte chose to follow the path of traditional realism, rather than the Impressionists' experimentation with color. He did practice the fluid brushwork that they had popularized, however. Like Sorolla... Lhermitte specialized in scenes of rural workers. However, his keen eye caught the contrasting colors and textures of sun-bathed landscape and figures in much greater detail. Sorolla concentrated more on the colors and effect of the light rather than on the details of form. [Gallery label text, 1999]", "Dedication" : "Gift of Mr. and Mrs. Edmund Lyon", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Jan-Piet Filedt-Kok of the Rijksmuseum noted that the artist was a friend of van Gogh and that the van Gogh museum bought a number of works by Lhermitte in the 1990s.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.2_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.2_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.2_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.2_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "53500", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.2_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "23527", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "scanned from slide at a print resolution. Should eventually be replaced.", "View" : "" } , ] },{ "embark_ID" : 4968, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4968", "Disp_Access_No" : "1971.24", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rural Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Ferdinand Monchablon", "Sort_Artist" : "Monchablon, Jean Ferdinand", "Disp_Dimen" : "24 x 17 1/2 in. (61 x 44.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "Monchablon was inspired by the rise of photography to experiment with detailed naturalism in painting. At the same time, he also applied Impressionist color theory. The result is a unique vision of the French countryside. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of Elizabeth Weis", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14515", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4971, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4971", "Disp_Access_No" : "1951.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1883", "_Disp_Start_Dat" : "1883", "_Disp_End_Date" : "1883", "Disp_Title" : "Harvest Festival", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Adolphe Monticelli", "Sort_Artist" : "Monticelli, Adolphe", "Disp_Dimen" : "16 x 28 in. (40.6 x 71.1 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "Monticelli was captivated by the rich colors and brushwork of Venetian Renaissance painting and of his somewhat older French contemporary Delacroix. By 1860 he was already experimenting with the softened effects that the Impressionists would adopt only in the 1880s. Van Gogh was fascinated by the light in Monticelli's canvasas, which seem to emanate from the colors themselves, rather than from an outside source. In this late work, which depicts one of the artist's favorite festive themes, form and color mysteriously melt together. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.32_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4972, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4972", "Disp_Access_No" : "1955.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1891-1892", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1892", "Disp_Title" : "Study for "Balzac"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Auguste Rodin", "Sort_Artist" : "Rodin, Auguste", "Disp_Dimen" : "16 in. (40.6 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.14_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.14_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.14_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.14_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "37405", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5067, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5067", "Disp_Access_No" : "1955.107", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Group of Nymphs", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Michel", "Sort_Artist" : "Clodion", "Disp_Dimen" : "11 1/2 in. (29.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.107_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.107_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.107_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.107_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15937", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5064, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5064", "Disp_Access_No" : "1968.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1731", "_Disp_Start_Dat" : "1731", "_Disp_End_Date" : "1731", "Disp_Title" : "Charles Gaspard Guillaume de Vintimille du Luc, Archbishop of Paris (1656-1746)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hyacinthe Rigaud", "Sort_Artist" : "Rigaud, Hyacinthe", "Disp_Dimen" : "61 7/8 x 52 3/4 in. (157.2 x 134 cm)", "Disp_Height" : "61 7/8 in.", "Disp_Width" : "52 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Next to the King, the archbishop of Paris was one of the most powerful men in France, and he surrounded himself with only the finest quality. Rigaud was the leading French portraitist of the early eighteenth century, often painting kings and royal families. His account book reveals that Archbishop Vintimille du Luc paid 3,000 livres (the French currency of the time) for this masterful likeness. The painting documents the archbishop's character and stature. The mild expression admirably suggests the conciliatory nature that made Vintimille du Luc famous for his diplomatic skills. Writing materials close at hand and a vest library in the background allude to his scholarly attainments and his work. His sumptuous attire, the exquisite workmanship of his desk and chair, and the theatrical backdrop of cloth are calculated to impress the viewer with the archbishop's power and wealth. [Gallery label text, 2008]", "Dedication" : "Gift of the Women's Council of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Barryte or Rosenthal, note on back of stretcher: “1655-1746 / Charles Gaspard Guillaume de Vintim. Du Luc, arch, de Paris, duc de St. Cloud, pair de Eveque de Marseille 1 juin 1684 a 1er fevrier 17 Archeveque de Aix (1ere febrier 1708 a 12 mai 1729) Archeveque de Paris (12 mars 1729 a 13 mars 17) Commandeur de l’ordre St. Esprit le 30 juin 1724 ce tableau aurait été peint par Hyacinthe Rigaud en 1731 [ ] un prix de 3000#”", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17991", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "After conservation", "View" : "" } , ] },{ "embark_ID" : 4992, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4992", "Disp_Access_No" : "1948.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1470-1495", "_Disp_Start_Dat" : "1470", "_Disp_End_Date" : "1495", "Disp_Title" : "Madonna and Child Enthroned with Angels", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Master of the St. Ursula Legend", "Sort_Artist" : "Master of the St. Ursula Legend", "Disp_Dimen" : "24 1/4 x 13 1/2 in. (61.6 x 34.3 cm)", "Disp_Height" : "24 1/4 in.", "Disp_Width" : "13 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14445", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4996", "Disp_Access_No" : "1944.15", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "St. Margaret with a Donor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Vrancke van der Stockt", "Sort_Artist" : "Stockt, Vrancke van der", "Disp_Dimen" : "18 1/8 x 7 7/8 in. (46 x 20 cm)", "Disp_Height" : "18 1/8 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "This painting, which shows a woman in contemporary dress kneeling in devotion before an open prayer book, her patron saint behind her, was once the right wing of a small triptych, or three-part altarpiece. Saint Margaret, who is recognizable through her attributes, or identifying symbols, holds a cross; a fanged dragon is at her feet. According to the story, Margaret spent her life following the teachings of Christ. The governor of Antioch in the ancient Roman province of Syria, now modern Turkey, fell in love with Margaret’s beauty and asked her to marry him. She rejected his proposal, vowing to remain a virgin. The governor sent her to prison, where the Devil appeared to Margaret as a dragon. She was saved by her Christian faith: when the dragon swallowed Margaret, she made the sign of the cross, which split the dragon in two and allowed her to escape from his belly unharmed. The left panel of the altarpiece, now in the Allen Memorial Art Museum of Oberlin University in Oberlin, Ohio, is a mirror image of this scene and depicts the woman’s husband also kneeling in devotion with his patron saint behind him. The center panel of the altarpiece to which the couple offers their prayers was probably a painting of the Virgin and infant Christ. [Expanded from gallery label text, June 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.15_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "14532", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.15_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.15_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.15_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.15_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "14533", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.15_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.15_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.15_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.15_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "19342", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "inhouse scan by Douglas Holleley--note: file on cd needs reorienting and cropping. Lu did both for EmbARK version. There''s another, not as good scan on the cd.", "View" : "" } , ] },{ "embark_ID" : 5003, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5003", "Disp_Access_No" : "1950.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1620", "_Disp_Start_Dat" : "1620", "_Disp_End_Date" : "1620", "Disp_Title" : "Portrait of a Young Girl", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Franz Kessler", "Sort_Artist" : "Kessler, Franz", "Disp_Dimen" : "27 1/16 x 22 3/4 in. (68.8 x 57.8 cm)", "Disp_Height" : "27 1/16 in.", "Disp_Width" : "22 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See sale of very similar unidentified sitter: https://auctions.freemansauction.com/auction-lot-detail/FRANZ%2DKESSLER%2D%28GERMAN%2D1580%2DC.1650%29%2C%2DPortrait%2Dof%2Da%2DCourt%2DLady/1627++++++78+/+1013062 Both face and lace are very close to MAG girl. Essay with sale even mentions her. Article published by auction house says “a rare portrait by German artist Franz Kessler, executed in 1620, likely depicting German Princess Amalia von Sayn Wittgenstein.” Is MAG girl from that family too?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15965", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5004, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5004", "Disp_Access_No" : "1955.74", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Portrait of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "School of Fontainebleau", "Sort_Artist" : "School of Fontainebleau", "Disp_Dimen" : "10 1/2 x 8 1/4 in. (26.7 x 21 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.74_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.74_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.74_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.74_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33965", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 5015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5015", "Disp_Access_No" : "1945.62", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Autumn, from the Four Seasons", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Bassano", "Sort_Artist" : "Bassano, Jacopo", "Disp_Dimen" : "17 1/4 x 17 1/8 in. (43.8 x 43.5 cm)", "Disp_Height" : "17 1/4 in.", "Disp_Width" : "17 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting was originally one of a set of four that illustrated the four seasons of the year. The scene of wine-making was traditionally associated with autumn. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Federico Zeri website lists this work with previous provenance of the Hermitage, St. Petersburg. This work not found in 1891 catalogue of Hermitage Italian & Spanish paintings, although they do own Bassano''s "Winter" and "Summer"-- Zeri does not give source for this information or dates Hermitage owned. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/45.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/45.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/45.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/45.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14440", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5006", "Disp_Access_No" : "1955.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1470-1489", "_Disp_Start_Dat" : "1470", "_Disp_End_Date" : "1489", "Disp_Title" : "St. Barbara", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, German", "Sort_Artist" : "Unknown, German", "Disp_Dimen" : "29 7/16 x 9 3/16 x 5 1/8 in. (74.8 x 23.4 x 13 cm)", "Disp_Height" : "29 7/16 in.", "Disp_Width" : "9 3/16 in.", "Dimen_Extent" : "without base", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, polychromy, gilding", "Info_Page_Comm" : "According to Christian legend, Saint Barbara was the beautiful daughter of a wealthy pagan named Dioscorus, who lived in Nicodemia (present-day Turkey) during the 3rd century. Fearful of losing Barbara to the outside world, her father kept her locked in a tower. She secretly converted to Christianity; when she told Dioscorus of her new-found faith, he reported her to the authorities. She was sentenced to torture and beheading—a decree carried out by her father himself. In Christian art, Barbara is usually shown holding the tower in which she was imprisoned and a book, which represents the teachings that led to her conversion. Here, she also wears fine clothing that represents her wealth. A purse hangs from her belt, and she wears a golden crown. This sculpture originally formed part of a larger late medieval altarpiece that included other solitary or grouped figures. Although beautifully carved, the last 500 years have taken their toll on both her appearance and structure. Old repairs have broken off or splintered, and both original and later paint and gilding are flaking, making her too unstable for continuous display. MAG staff is working to identify funds for her treatment so that she can be returned to permanent exhibition in the medieval galleries. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, of Census of Gothic Sculpture project, with Nancy Norwood: to be included in forthcoming volume of Census. From the same altarpiece as 55.45.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.46_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.46_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.46_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.46_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.46_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.46_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.46_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.46_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33421", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.46_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.46_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.46_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.46_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33422", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.46_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.46_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.46_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.46_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "33423", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.46_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.46_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.46_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.46_A6.jpg", "IsPrimary" : "0", "_SurrogateID" : "33424", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.46_A7.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.46_A7.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.46_A7.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.46_A7.jpg", "IsPrimary" : "0", "_SurrogateID" : "33425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , ] },{ "embark_ID" : 5007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5007", "Disp_Access_No" : "1955.45", "_AccNumSort1" : "", "Disp_Create_DT" : "16th century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Female Saint", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, German", "Sort_Artist" : "Unknown, German", "Disp_Dimen" : "31 13/16 x 10 5/8 x 8 11/16 in. (80.8 x 27 x 22 cm)", "Disp_Height" : "31 13/16 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, polychromy", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "5/07: Examined by Joan Holladay and Susan Ward, of Census of Gothic Sculpture project, with Nancy Norwood: to be included in forthcoming volume of Census. From the same altarpiece as 55.46.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33416", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.45_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.45_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.45_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.45_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33417", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.45_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.45_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.45_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.45_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33418", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.45_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.45_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.45_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.45_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "33419", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original photos with variants on CD: 100309 #2", "View" : "" } , ] },{ "embark_ID" : 5032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5032", "Disp_Access_No" : "1955.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1680", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "Tavern Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Teniers the Younger", "Sort_Artist" : "Teniers the Younger, David", "Disp_Dimen" : "18 3/8 x 24 in. (46.7 x 61 cm)", "Disp_Height" : "18 3/8 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The son-in-law of Jan Brueghel and a friend of Peter Paul Rubens, Teniers achieved success in Antwerp and then moved to Brussels, where he served as court painter to the archduke Leopold Wilhelm and later to Don Juan of Austria. Tavern Scene is one of numerous genre paintings in which rustics carouse, uninhibited by notions of propriety or temperance. Such subjects frequently served a moralizing purpose, indicated here by the drawing tacked to the wall above the laughing drunkard. The bird flanked by eyeglasses and candlestick may illustrate the proverb, “What use candle and spectacles if the owl cannot and will not see?” [Gallery label text]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12642", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5034", "Disp_Access_No" : "1974.102", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Portrait of Elizabeth Jordaens, Daughter of the Artist", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Jordaens", "Sort_Artist" : "Jordaens, Jacob", "Disp_Dimen" : "27 1/2 x 21 3/4 in. (69.9 x 55.2 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "21 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.102_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.102_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.102_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.102_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13362", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5035, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5035", "Disp_Access_No" : "1949.68", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of a Boy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pietro Tacca", "Sort_Artist" : "Tacca, Pietro", "Disp_Dimen" : "15 7/16 x 8 1/16 x 8 in. (39.2 x 20.5 x 20.3 cm)", "Disp_Height" : "15 7/16 in.", "Disp_Width" : "8 1/16 in.", "Dimen_Extent" : "with base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.68_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.68_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.68_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.68_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "36083", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.68_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.68_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.68_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.68_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "36084", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.68_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.68_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.68_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.68_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "38705", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk labelled "Ren Remix- Drew''s Photos"", "View" : "" } , ] },{ "embark_ID" : 5039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5039", "Disp_Access_No" : "1955.71", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1661-1669", "_Disp_Start_Dat" : "1661", "_Disp_End_Date" : "1669", "Disp_Title" : "The Pancake Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Steen", "Sort_Artist" : "Steen, Jan", "Disp_Dimen" : "26 1/4 x 20 7/16 in. (66.7 x 51.9 cm)", "Disp_Height" : "26 1/4 in.", "Disp_Width" : "20 7/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Pancake vendors, much like outdoor food vendors today, were a common sight on Dutch streets during the 1600s. Originally a delicacy prepared on the festival day of Shrove Tuesday, the last day of Carnival and the day before the beginning of Lent, pancakes were associated with feasting and wild behavior. Images of pancake makers were initially moralistic in nature, symbolizing gluttony and lust. By the 17th century, pancakes were eaten every day and the theme lost some of its allegorical significance. The scene retained its popularity among painters and printmakers of “low-life” genre scenes, or scenes of everyday peasant and street life. [Gallery label text] Steen was a prolific artist who specialized in low-life genre scenes, such as the popular subject of the pancake maker. A delicacy prepared especially on Vastenavond, or Shrove Tuesday, which was the last day of Carnival, the pancake had become associated with feasting and riotous behavior. It was therefore identified with overindulgence and became a symbol of gluttony or lust. During the seventeenth century, however, pancakes began to be enjoyed at any time, which reduced the allegorical potency of the theme. [Gallery label text]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.71_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.71_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.71_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.71_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15974", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5040, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5040", "Disp_Access_No" : "1955.72", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1640", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1645", "Disp_Title" : "Eva Bicker", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dirck van Santvoort", "Sort_Artist" : "Santvoort, Dirck van", "Disp_Dimen" : "27 x 23 1/2 in. (68.6 x 59.7 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.72_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.72_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.72_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.72_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15975", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5042, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5042", "Disp_Access_No" : "1955.77", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1670", "_Disp_Start_Dat" : "1665", "_Disp_End_Date" : "1675", "Disp_Title" : "Portrait of a Gentleman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nicholas Maes", "Sort_Artist" : "Maes, Nicholas", "Disp_Dimen" : "47 x 38 1/2 in. (119.4 x 97.8 cm)", "Disp_Height" : "47 in.", "Disp_Width" : "38 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.77_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.77_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.77_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.77_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14496", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5043", "Disp_Access_No" : "1968.101", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1655-1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1660", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frans Hals", "Sort_Artist" : "Hals, Frans", "Disp_Dimen" : "30 1/2 x 25 1/2 in. (77.5 x 64.8 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.101_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.101_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.101_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.101_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15995", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5044, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5044", "Disp_Access_No" : "1955.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1625", "_Disp_Start_Dat" : "1625", "_Disp_End_Date" : "1625", "Disp_Title" : "St. George and the Dragon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Fanelli", "Sort_Artist" : "Fanelli, Francesco", "Disp_Dimen" : "8 1/4 in. (21 cm)", "Disp_Height" : "8 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.93_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.93_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.93_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.93_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37717", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5052, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5052", "Disp_Access_No" : "1968.98", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1665", "Disp_Title" : "Portrait of a Young Man in an Armchair", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "41 x 33 1/2 in. (104.1 x 85.1 cm)", "Disp_Height" : "41 in.", "Disp_Width" : "33 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.98_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.98_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.98_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.98_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34706", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that this image has been lightened to be more appropriate for reproduction. The actual painting is darker than this.", "View" : "" } , ] },{ "embark_ID" : 5054, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5054", "Disp_Access_No" : "1968.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1622-1625", "_Disp_Start_Dat" : "1622", "_Disp_End_Date" : "1625", "Disp_Title" : "Portrait of an Italian Nobleman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "40 x 32 1/2 in. (101.6 x 82.6 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "32 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The Flemish artist, Anthony van Dyck, painted this portrait of an Italian nobleman while he was working in Genoa between 1622 and 1625. Supremely talented and precocious, van Dyck enjoyed considerable success in Italy, Flanders, and eventually England, where he was the favorite painter of King Charles I. He painted notable religious and mythological canvases, but remains most famous for his extraordinarily vivid portraits. The name of this sitter, with his graceful pose and penetrating glance, is unknown. He was certainly a wealthy Genoese patrician, however. To convey this to future viewers of his portrait, he donned his richest apparel for the occasion, including a finely crafted suit of armor and his most expensive wide lace collar and cuffs. [Gallery label text]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.100_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.100_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.100_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.100_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 5055, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5055", "Disp_Access_No" : "1944.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1628", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1628", "Disp_Title" : "The Reconciliation of King Henry III and Henry of Navarre", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peter Paul Rubens", "Sort_Artist" : "Rubens, Peter Paul", "Disp_Dimen" : "9 3/8 x 7 5/8 in. (23.8 x 19.4 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "7 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on oak panel", "Info_Page_Comm" : "In 1622 Marie de' Medici commissioned from the internationally famous painter Rubens two series of enormous paintings to decorate the Luxembourg Palace in Paris, where she then lived. The first series, now in the Louvre, told her own life story. The second was to tell the life of her husband Henry IV, but was never completed, and most of the scenes are known only from painted sketches like this one. The event here is a 1589 meeting between King Henry III of France (Catherine de' Medici's youngest son) and King Henry of Navarre, the future King Henry IV of France. Henry III had no heirs, and a rival faction of French nobles who wanted to usurp his throne had taken over Paris. His cousin Henry of Navarre, although Protestant and excommunicated by the Pope, was the rightful heir. At the meeting portrayed here, Henry III promised to declare Henry of Navarre his heir, if the famous warrior king would help him to recapture Paris. To symbolize the agreement, Rubens shows the two kings clasping hands around the royal French scepter and a figure behind them holding an insignia of two clasped hands. A few months later, Henry III was stabbed by an assassin. On his deathbed, he made Henry IV promise to convert to Catholicism. Henry IV's famous comment was "Paris is well worth a mass" ("Paris vaut vien une messe"). [Gallery label text, 1996]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.24_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 5059, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5059", "Disp_Access_No" : "1926.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1643-1647", "_Disp_Start_Dat" : "1643", "_Disp_End_Date" : "1647", "Disp_Title" : "St. Jerome in the Desert", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Adriaensz. van Staveren", "Sort_Artist" : "Staveren, Jan Adriaensz. van", "Disp_Dimen" : "19 5/8 x 14 3/4 in. (49.8 x 37.4 cm)", "Disp_Height" : "19 5/8 in.", "Disp_Width" : "14 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "After studying for three years with Rembrandt, Dou established himself as an independent painter, achieving wealth and fame in his native Leiden. He specialized in small, highly finished genre scenes that delight by their precise reproduction of everyday objects. Meticulous realism and enamel-like surfaces also typify Dou’s portraits and religious pictures, such as St. Jerome in the Desert. This painting integrates the two most common pictorial motifs associated with this saint, who was both a scholar of the Bible and an ascetic known to have spent long sojourns in the desert. [Gallery label text, 2005] St. Jerome, born to a wealthy pagan family, converted to Christianity around 365 CE. A theologian by training, his major work was the Vulgate translation of the Bible, which is still in use today. He lived for years as a hermit in the Syrian desert, and, after a scandal in Rome, returned to his life of desert solitude. He lived the last 34 years of his life in the Holy Land as a semi-recluse. In this painting, St. Jerome is shown in prayer and meditation during one of his desert sojourns. The numerous books refer to his life as a scholar of the Bible; the skull symbolizes the transience of life. [Excerpted from gallery label text] ", "Dedication" : "Gift of Miss Antoinette P. Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.73_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.73_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.73_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.73_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25724", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 5061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5061", "Disp_Access_No" : "1977.103", "_AccNumSort1" : "", "Disp_Create_DT" : "1633-1637", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1637", "Disp_Title" : "Portrait of a Man Holding the Frontispiece to Dürer's "Small Passion"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pietro Paolini", "Sort_Artist" : "Paolini, Pietro", "Disp_Dimen" : "49 3/4 x 40 3/4 in. (126.4 x 103.5 cm)", "Disp_Height" : "49 3/4 in.", "Disp_Width" : "40 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.103_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.103_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.103_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.103_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "38884", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from TR1 to create a file of a size suitable for publication.", "View" : "" } , ] },{ "embark_ID" : 5062, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5062", "Disp_Access_No" : "1977.109", "_AccNumSort1" : "", "Disp_Create_DT" : "1704-1708", "_Disp_Start_Dat" : "1704", "_Disp_End_Date" : "1708", "Disp_Title" : "The Triumph of Judith", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Solimena", "Sort_Artist" : "Solimena, Francesco", "Disp_Dimen" : "38 3/4 x 49 1/4 in. (98.4 x 125.1 cm)", "Disp_Height" : "38 3/4 in.", "Disp_Width" : "49 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The subject of Judith cutting off the head of Holofernes was one of the most popular subjects in Christian art of the 1600s and 1700s. The Old Testament story tells how the heroine Judith went to the camp of Holofernes, the Assyrian general who was besieging her town. She dazzled him with her beauty; after pretending to accept his advances, she beheaded him with his own sword while he was in a drunken stupor. This painting illustrates the moment when Judith displays the trophy of her victory to the citizens she has rescued. In a Christian context, the story of the Jewish heroine represents the triumph of virtue over evil. During the Counter-Reformation, the subject also became a powerful symbol of the Catholic Church’s triumph over heresy, or dissent from its teachings. Here, Solimena shows Judith as confident that she has served the will of God. The dramatic lighting, gestures and facial expressions of the figures are intended to appeal to the emotions and inspire the faith that motivated Judith.", "Dedication" : "Gift of Dr. and Mrs. James V. Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.109_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.109_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.109_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.109_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22380", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 5076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5076", "Disp_Access_No" : "1977.102", "_AccNumSort1" : "", "Disp_Create_DT" : "1779", "_Disp_Start_Dat" : "1779", "_Disp_End_Date" : "1779", "Disp_Title" : "The Visit (Le visite à la gardien)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Le Prince", "Sort_Artist" : "Le Prince, Jean-Baptiste", "Disp_Dimen" : "34 3/4 x 50 3/4 in. (88.3 x 128.9 cm)", "Disp_Height" : "34 3/4 in.", "Disp_Width" : "50 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Le Prince studied with the rococo painter François Boucher and adopted his master's delicate manner and cool, pastel palette in his early work. Dating from late in his career, however, "The Visit" demonstrates a greater naturalism, reflecting the increasing popularity of seventeenth-century Dutch painting in eighteenth-century France. In this canvas, Le Prince has combined a genre scene with a panoramic landscape to suggest a gracious moment in everyday rural life. The subject of nobles visiting a peasant family would have appealed to the sense of humanity cultivated during the Enlightenment. [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund; and Mr. and Mrs. E. Lewis Burnham, Edith Holden Babcock Bequest, and Bertha Buswell Bequest, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38874", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 5154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5154", "Disp_Access_No" : "1938.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1871-1872", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1872", "Disp_Title" : "Between Coubron and Montfermeil, Undergrowth (Entre Coubron et Montfermeil)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste-Camille Corot", "Sort_Artist" : "Corot, Jean-Baptiste-Camille", "Disp_Dimen" : "13 3/4 x 17 1/2 in. (34.9 x 44.5 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This painting appears on a memo in 1977 where it appears that this work was deaccessioned and exchanged with Newhouse Galleries in New York for another painting. The Corot painting deaccessioned and sold was in fact 55.63, "Souvenir de Douai." The mention of this work, 38.8, was apparently a confusion between the two Corot paintings. --KSchauber, Curatorial Research Assistant", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14436", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5156, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5156", "Disp_Access_No" : "1938.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1880-1889", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1889", "Disp_Title" : "Cottage Interior", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Israels", "Sort_Artist" : "Israels, Josef", "Disp_Dimen" : "8 x 7 in. (20.3 x 17.8 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Bequest of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14437", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5157, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5157", "Disp_Access_No" : "1947.17", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1848", "_Disp_Start_Dat" : "1843", "_Disp_End_Date" : "1853", "Disp_Title" : "Portrait of the Artist", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Couture", "Sort_Artist" : "Couture, Thomas", "Disp_Dimen" : "18 1/4 x 14 7/8 in. (46.4 x 37.8 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "14 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14444", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5161, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5161", "Disp_Access_No" : "1959.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1850-1858", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1858", "Disp_Title" : "The Fisherman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jules Dupré", "Sort_Artist" : "Dupré, Jules", "Disp_Dimen" : "9 1/2 x 13 in. (24.1 x 33 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13066", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "not for publication", "View" : "" } , ] },{ "embark_ID" : 5162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5162", "Disp_Access_No" : "1954.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "At Court (Au Tribunal)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Louis Forain", "Sort_Artist" : "Forain, Jean Louis", "Disp_Dimen" : "22 x 27 5/8 in. (55.9 x 70.2 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "27 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchase and Sales Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5163, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5163", "Disp_Access_No" : "1955.176", "_AccNumSort1" : "", "Disp_Create_DT" : "1800", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1800", "Disp_Title" : "Pierre-François Bernier (1779-1803)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-August-Dominique Ingres", "Sort_Artist" : "Ingres, Jean-August-Dominique", "Disp_Dimen" : "18 1/4 x 15 in. (46.4 x 38.1 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on paper mounted on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.176_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.176_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.176_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.176_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14501", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5166, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5166", "Disp_Access_No" : "1964.19", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1857", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1862", "Disp_Title" : "Religious Procession", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jules-Adolphe-Aimé Louis Breton", "Sort_Artist" : "Breton, Jules-Adolphe-Aimé Louis", "Disp_Dimen" : "15 x 18 in. (38.1 x 45.7 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "A detail of the central figures from Breton's Blessing of the Wheat in Artois, 1857, at the Musee d'Orsay", "Dedication" : "Gift of Mrs. John Finigan", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5167, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5167", "Disp_Access_No" : "1969.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1867-1899", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1899", "Disp_Title" : "Worker Bundling Sticks", "Alt_Title" : "Harvester", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Aimé-Jules Dalou", "Sort_Artist" : "Dalou, Aimé-Jules", "Disp_Dimen" : "4 x 4 in. (10.2 x 10.2 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "4 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Irving S. Norry", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The terra cotta model for this piece is in the collection of the Petit Palais, Paris. It probably relates to an unrealized monumental piece honoring workers, planned by Dalou from about 1889. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5168, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5168", "Disp_Access_No" : "1955.92", "_AccNumSort1" : "", "Disp_Create_DT" : "1867-1899", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1899", "Disp_Title" : "Worker Repairing a Scythe", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Aimé-Jules Dalou", "Sort_Artist" : "Dalou, Aimé-Jules", "Disp_Dimen" : "4 1/2 in. (11.4 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This figure probably relates to an unrealized monumental piece honoring workers, planned by Dalou from about 1889. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.92_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.92_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.92_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.92_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "31575", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- Not for web or print", "View" : "" } , ] },{ "embark_ID" : 5169, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5169", "Disp_Access_No" : "1969.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1863", "_Disp_Start_Dat" : "1863", "_Disp_End_Date" : "1863", "Disp_Title" : "The Breton Poet (The Smoker) (Le Fumeur)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Baptiste Carpeaux", "Sort_Artist" : "Carpeaux, Jean Baptiste", "Disp_Dimen" : "19 3/4 in. (50.2 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No basis for this work''s title "The Breton Poet" could be found. --KSchauber, Curatorial Research Ass''t", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.34_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.34_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.34_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.34_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "38869", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Other views and angles on disk.", "View" : "" } , ] },{ "embark_ID" : 5171, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5171", "Disp_Access_No" : "1973.148", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bread and Butter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Neuhuys", "Sort_Artist" : "Neuhuys, Albert", "Disp_Dimen" : "52 x 42 in. (132.1 x 106.7 cm)", "Disp_Height" : "52 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.148_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.148_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.148_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.148_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17848", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "orientation incorrect on cd; corrected in Print Master 73.148_P1.tif", "View" : "" } , ] },{ "embark_ID" : 5173, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5173", "Disp_Access_No" : "1934.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Guanyin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "52 x 22 1/2 in. (132.1 x 57.2 cm)", "Disp_Height" : "52 in.", "Disp_Width" : "22 1/2 in.", "Dimen_Extent" : "", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Gray limestone with brown patina", "Info_Page_Comm" : "", "Dedication" : "Mrs. Charles H. Babcock Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/34.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/34.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/34.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/34.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15948", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5189, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5189", "Disp_Access_No" : "1930.28", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Male Attendant", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Chinese", "Sort_Artist" : "Unknown, Chinese", "Disp_Dimen" : "14 in. (35.6 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta, polychromy", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Chinese", "Department" : "", "Obj_Name" : "", "Period" : "Tang Dynasty (618-907 CE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15925", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5204, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5204", "Disp_Access_No" : "1958.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1926", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1926", "Disp_Title" : "Reunion (Wiedersehen)", "Alt_Title" : "Meeting Again", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernst Barlach", "Sort_Artist" : "Barlach, Ernst", "Disp_Dimen" : "19 in. (48.3 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze (one of six casts)", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37409", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5215, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5215", "Disp_Access_No" : "1957.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1956", "_Disp_Start_Dat" : "1956", "_Disp_End_Date" : "1956", "Disp_Title" : "Maternity", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Giacomo Manzù", "Sort_Artist" : "Manzù, Giacomo", "Disp_Dimen" : "14 x 7 x 9 in. (35.6 x 17.8 x 22.9 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze ", "Info_Page_Comm" : "The remarkable bond between a mother and her child begins with gestation and continues after birth through touch. Our first lessons on how to interact with our world and the people around us begin in our mother’s arms. Giacomo Manzù captured this intensely physical relationship in a series of sculptures of women with their children in various states of embrace and caress. This sculpture was never put into production, and the chalky remains of the casting process remain on its surface. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Copyright Holder Not Found", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.32_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.32_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.32_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.32_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31818", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.32_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.32_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.32_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.32_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "31819", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5217, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5217", "Disp_Access_No" : "1958.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "Small Rider (Piccolo Cavaliere)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marino Marini", "Sort_Artist" : "Marini, Marino", "Disp_Dimen" : "19 3/16 in. (48.7 cm)", "Disp_Height" : "19 3/16 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15705", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5218, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5218", "Disp_Access_No" : "1924.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1922-1923", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1923", "Disp_Title" : "Girl with a Tricorne (Vénitienne)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri Matisse", "Sort_Artist" : "Matisse, Henri", "Disp_Dimen" : "24 3/8 x 20 in. (61.9 x 50.8 cm)", "Disp_Height" : "24 3/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of James Sibley Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/24.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/24.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/24.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/24.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16513", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5222", "Disp_Access_No" : "1949.80", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Ripe Wheat Field (Reifes Ährenfeld)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Pechstein", "Sort_Artist" : "Pechstein, Max", "Disp_Dimen" : "31 7/8 x 39 5/8 in. (81 x 100.6 cm)", "Disp_Height" : "31 7/8 in.", "Disp_Width" : "39 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Rudolph H. Hofheinz in memory of their son Rudolph Hofheinz, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.80_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.80_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.80_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.80_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27626", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5230, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5230", "Disp_Access_No" : "1964.51", "_AccNumSort1" : "", "Disp_Create_DT" : "probably mid-1600s", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "Portrait of a Child with a Dog", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Spanish", "Sort_Artist" : "Unknown, Spanish", "Disp_Dimen" : "29 1/2 x 25 in. (74.9 x 63.5 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Portraits often include visual elements similar to those used by other painters of the period. The landscape and the rich drapery behind the child suggest a Spanish origin. Based on these elements as well as the treatment of the child’s face, one scholar has suggested that MAG’s Child with a Dog could be the work of Juan Battista Martinez del Mazo, the son-in-law of the most famous Spanish painter of the mid-1600s, Diego Velázquez. After his father-in-law’s death, Mazo succeeded Velázquez as the official painter to the royal family; many of his portraits were of children, and many made use of similar background landscapes and drapery. We believe now that this work is by a painter active among the Spanish nobility during the mid-17th century, a period marked by prosperity and a flourishing of the arts known as Spain’s Golden Age. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Miss Helen C. Ellwanger", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.51_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.51_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.51_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.51_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39551", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rephotograph to minimize glare", "View" : "" } , ] },{ "embark_ID" : 5236, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5236", "Disp_Access_No" : "1966.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1632", "_Disp_Start_Dat" : "1632", "_Disp_End_Date" : "1632", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan van Ravesteyn", "Sort_Artist" : "Ravesteyn, Jan van", "Disp_Dimen" : "48 1/8 x 35 5/8 in. (122.2 x 90.5 cm)", "Disp_Height" : "48 1/8 in.", "Disp_Width" : "35 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Elizabeth K. and William H. Hudnut, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14508", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5239, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5239", "Disp_Access_No" : "1946.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1586", "_Disp_Start_Dat" : "1586", "_Disp_End_Date" : "1586", "Disp_Title" : "Sir Henry Palmer, Knight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marcus Geeraerts the Elder", "Sort_Artist" : "Geeraerts the Elder, Marcus", "Disp_Dimen" : "22 3/4 x 18 in. (57.8 x 45.7 cm)", "Disp_Height" : "22 3/4 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. C. Schuyler Davis", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Palmer b. ca. 1520, Wingham, d. 1608, Essex—comptroller of the Navy between 1598 - 1611. Contemporary of Geeraerts the Elder, born in same year Note that Getty ULAN lists artist as Gheeraerts See replica, or MAG’s is replica: http://www.nationaltrustcollections.org.uk/object/809835 -- that one called IN THE MANNER OF GEERAERTS the YOUNGER Palmer coat of arms: 3 black palmers’ purses tasseled and buckled in gold [palmer = pilgrim, carrying palm leaf]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14443", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10613, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10613", "Disp_Access_No" : "1998.72", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Mother and Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lynne Feldman", "Sort_Artist" : "Feldman, Lynne", "Disp_Dimen" : "41 x 31 in. (104.1 x 78.7 cm)", "Disp_Height" : "41 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Myrtle Logan Pleune Estate", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.72_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.72_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.72_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.72_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17670", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5291, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5291", "Disp_Access_No" : "1936.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1812", "_Disp_Start_Dat" : "1812", "_Disp_End_Date" : "1812", "Disp_Title" : "Mary Fitzroy, Duchess of Richmond and Somerset", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Nicholls", "Sort_Artist" : "Nicholls, William", "Disp_Dimen" : "13 7/8 x 11 7/16 in. (35.2 x 29.1 cm)", "Disp_Height" : "13 7/8 in.", "Disp_Width" : "11 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Engraving on artist's board", "Info_Page_Comm" : "Commissioned for John Chamberlaine's 1812 edition of "Portraits of Illustrious Personages of the Court of Henry VIII," featuring the original drawings by Holbein copied by a number of engravers. Mary Fitzroy, the Duchess of Richmond and Somerset, was born in 1519, married Henry Fitzroy, illegitimate son of Henry VIII around 1533, and died in 1557. This portrait was made around the date of her marriage. Holbein's original sketch that provides the basis for this work is now in the royal collection of the United Kingdom.", "Dedication" : "Gift of Mrs. Charles Wright Dodge", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25574", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5336, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5336", "Disp_Access_No" : "1948.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1899", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1899", "Disp_Title" : "Sir Henry Irving", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Nicholson", "Sort_Artist" : "Nicholson, William", "Disp_Dimen" : "10 3/8 x 9 7/8 in. (26.4 x 25.1 cm)", "Disp_Height" : "10 3/8 in.", "Disp_Width" : "9 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13060", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5884, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5884", "Disp_Access_No" : "1977.151", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "Portrait of Dr. Gachet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Vincent van Gogh", "Sort_Artist" : "Gogh, Vincent van", "Disp_Dimen" : "13 x 9 11/16 in. (33 x 24.6 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "9 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and drypoint on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.151_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.151_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.151_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.151_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25934", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5895, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5895", "Disp_Access_No" : "1994.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1587", "_Disp_Start_Dat" : "1587", "_Disp_End_Date" : "1587", "Disp_Title" : "The Great Standard-Bearer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrik Goltzius", "Sort_Artist" : "Goltzius, Hendrik", "Disp_Dimen" : "13 7/16 x 9 1/8 in. (34.1 x 23.2 cm)", "Disp_Height" : "13 7/16 in.", "Disp_Width" : "9 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Engraving on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25945", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5912, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5912", "Disp_Access_No" : "1920.59", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Fragment with Head of a Woman in Relief from a Vessel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Carthaginian", "Sort_Artist" : "Unknown, Carthaginian", "Disp_Dimen" : "1 7/8 x 1 7/16 in. (4.8 x 3.7 cm)", "Disp_Height" : "1 7/8 in.", "Disp_Width" : "1 7/16 in.", "Dimen_Extent" : "", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Award to the University of Rochester of the de Prorok Expedition", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Carthaginian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Please note that objects accessioned as “Award to the University of Rochester of the de Prorok Expedition” (20.52-.71, 20.73-.82, .87-.88) were actually received at the Gallery in 1926 or after. See 1926 newspaper articles in curatorial files that reproduce some of these objects, when they were lent as part of a collection still belonging to De Prorok. The works were subsequently given to the Gallery, and when catalogued, they were inadvertently given 1920 accession numbers. When the issue was discovered, it was decided to retain the 1920 numbers. --Kerry Schauber, Curatorial Research Assistant, November 2008", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/20.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/20.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/20.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/20.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36113", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rephotograph-- out of focus", "View" : "" } , ] },{ "embark_ID" : 5913, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5913", "Disp_Access_No" : "1920.60", "_AccNumSort1" : "", "Disp_Create_DT" : "3rd century BCE", "_Disp_Start_Dat" : "300 BCE", "_Disp_End_Date" : "201 BCE", "Disp_Title" : "Fragment of a Vessel with Head of Woman in Relief", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Carthaginian", "Sort_Artist" : "Unknown, Carthaginian", "Disp_Dimen" : "2 1/8 x 1 15/16 x 9/16 in. (5.4 x 5 x 1.5 cm)", "Disp_Height" : "2 1/8 in.", "Disp_Width" : "1 15/16 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Terracotta", "Info_Page_Comm" : "", "Dedication" : "Award to the University of Rochester of the de Prorok Expedition", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Carthaginian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Please note that objects accessioned as “Award to the University of Rochester of the de Prorok Expedition” (20.52-.71, 20.73-.82, .87-.88) were actually received at the Gallery in 1926 or after. See 1926 newspaper articles in curatorial files that reproduce some of these objects, when they were lent as part of a collection still belonging to De Prorok. The works were subsequently given to the Gallery, and when catalogued, they were inadvertently given 1920 accession numbers. When the issue was discovered, it was decided to retain the 1920 numbers. --Kerry Schauber, Curatorial Research Assistant, November 2008", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/20.60_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/20.60_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/20.60_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/20.60_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "27732", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5935, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5935", "Disp_Access_No" : "1913.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1510", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1510", "Disp_Title" : "Jesus Christ Presented to the People", "Alt_Title" : "Ecce Homo", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lucas van Leyden", "Sort_Artist" : "Leyden, Lucas van", "Disp_Dimen" : "11 5/16 x 17 15/16 in. (28.7 x 45.6 cm)", "Disp_Height" : "11 5/16 in.", "Disp_Width" : "17 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Copper engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Netherlandish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.14_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "28842", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temorary Image,do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 5942, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5942", "Disp_Access_No" : "1951.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1510", "_Disp_Start_Dat" : "1510", "_Disp_End_Date" : "1510", "Disp_Title" : "The Standard Bearer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lucas van Leyden", "Sort_Artist" : "Leyden, Lucas van", "Disp_Dimen" : "4 5/8 x 2 3/4 in. (11.7 x 7 cm)", "Disp_Height" : "4 5/8 in.", "Disp_Width" : "2 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Netherlandish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.100_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.100_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.100_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.100_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29243", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 5968, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5968", "Disp_Access_No" : "1929.89", "_AccNumSort1" : "", "Disp_Create_DT" : "5th century BCE", "_Disp_Start_Dat" : "500 BCE", "_Disp_End_Date" : "401 BCE", "Disp_Title" : "Pelike", "Alt_Title" : "Amphora", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Greek", "Sort_Artist" : "Unknown, Greek", "Disp_Dimen" : "13 x 10 1/2 in. (33 x 26.7 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "10 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Terracotta", "Support" : "", "Disp_Medium" : "Painted terracotta", "Info_Page_Comm" : "", "Dedication" : "University of Rochester Appropriation for the C. 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Herbert Ocumpaugh Collection", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "Egyptian", "Department" : "", "Obj_Name" : "", "Period" : "Predynastic Period (ca. 5300-3000 BCE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.376_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.376_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.376_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.376_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13939", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.376_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.376_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.376_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.376_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25373", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.376_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.376_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.376_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.376_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "25374", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6211", "Disp_Access_No" : "1989.66", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1645", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1644", "Disp_Title" : "Cornelis de Vos", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lucas Vorsterman", "Sort_Artist" : "Vorsterman, Lucas", "Disp_Dimen" : "10 1/16 x 6 1/2 in. (25.5 x 16.5 cm)", "Disp_Height" : "10 1/16 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Created for van Dyck's portfolio of portraits entitled "Iconography," published in 1645-46.", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.66_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.66_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.66_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.66_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25937", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6311, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6311", "Disp_Access_No" : "1994.75", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Roses de Noel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Berthon", "Sort_Artist" : "Berthon, Paul", "Disp_Dimen" : "20 1/4 x 19 3/16 in. (51.5 x 48.7 cm)", "Disp_Height" : "20 1/4 in.", "Disp_Width" : "19 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Anne Prior Whitcomb", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.75_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.75_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.75_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.75_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13392", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.75_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.75_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.75_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.75_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "52479", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6347, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6347", "Disp_Access_No" : "1995.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1641", "_Disp_Start_Dat" : "1641", "_Disp_End_Date" : "1641", "Disp_Title" : "The Card Player", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "3 9/16 x 3 1/4 in. (9.1 x 8.2 cm)", "Disp_Height" : "3 9/16 in.", "Disp_Width" : "3 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Norbert Ruf in honor of James O. Belden", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15293", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6365", "Disp_Access_No" : "1940.66", "_AccNumSort1" : "", "Disp_Create_DT" : "2680 BCE - 2258 BCE", "_Disp_Start_Dat" : "2680 BCE", "_Disp_End_Date" : "2258 BCE", "Disp_Title" : "Standing Male Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Egyptian", "Sort_Artist" : "Unknown, Egyptian", "Disp_Dimen" : "11 7/8 x 2 3/4 x 1 7/8 in. (30.2 x 7 x 4.7 cm)", "Disp_Height" : "11 7/8 in.", "Disp_Width" : "2 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, paint", "Info_Page_Comm" : "In Egyptian art, the male figure was invariably shown striding forward, with the left leg advanced. [Gallery label text]", "Dedication" : "Gift of Miss Eleanor Lovett in memory of her aunt, Miss Edith Morgan", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Egyptian", "Department" : "", "Obj_Name" : "", "Period" : "Old Kingdom (2686-2125 BCE)", "Style" : "", "Edition" : "", "Curator" : "Note on catalog card: should be 51.___ It is unclear what this means; the Frederic Morgan collection was acquired in 1951 and Edith Morgan, mentioned in this credit line, may be related to Frederic, but this figure does not appear in the ledger for 1951.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.66_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.66_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.66_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.66_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13951", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.66_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.66_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.66_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.66_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "25383", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6397, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6397", "Disp_Access_No" : "1995.35", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Woman in Boat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Feng Zhonglian", "Sort_Artist" : "Zhonglian, Feng", "Disp_Dimen" : "77 7/8 x 17 3/4 in. 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(9.4 x 6.7 cm)", "Disp_Height" : "3 11/16 in.", "Disp_Width" : "2 5/8 in.", "Dimen_Extent" : "", "Medium" : "Pen and ink", "Support" : "paper", "Disp_Medium" : "Brown ink and grey wash", "Info_Page_Comm" : "", "Dedication" : "Bequest of Mr. and Mrs. Whitney F. Hoyt, in memory of Mr. Hoyt's parents, Mr. and Mrs. Martin B. Hoyt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.26_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.26_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.26_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.26_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16419", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6454, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6454", "Disp_Access_No" : "1981.39", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Seated Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "4 7/8 x 3 7/16 in. 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Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Most of Heseltine''s Rembrandt drawings were exhibited at the Winter Exhibition of the Royal Academy in 1899-- was this among them?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.39_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.39_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.39_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.39_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38875", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6509, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6509", "Disp_Access_No" : "1979.39", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1700 BCE", "_Disp_Start_Dat" : "1705 BCE", "_Disp_End_Date" : "1695 BCE", "Disp_Title" : "Striding Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Egyptian", "Sort_Artist" : "Unknown, Egyptian", "Disp_Dimen" : "8 5/8 x 2 1/4 x 5 in. 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[Gallery label text, 2004]", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Egyptian", "Department" : "", "Obj_Name" : "", "Period" : "Middle Kingdom (2055-1650 BCE)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.39_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.39_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.39_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.39_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "25384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.39_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.39_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.39_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.39_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "25385", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.39_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.39_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.39_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.39_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "25386", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.39_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.39_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.39_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.39_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "25387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6513, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6513", "Disp_Access_No" : "1966.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1868", "_Disp_Start_Dat" : "1868", "_Disp_End_Date" : "1868", "Disp_Title" : "La Bionda del Balcone", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dante Gabriel Rossetti", "Sort_Artist" : "Rossetti, Dante Gabriel", "Disp_Dimen" : "13 3/4 x 14 7/8 in. (34.9 x 37.8 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "14 7/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "board", "Disp_Medium" : "Watercolor and gouache on board", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12573", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "scanned by the Rossetti Archive (see PRR notes)", "View" : "" } , ] },{ "embark_ID" : 6514, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6514", "Disp_Access_No" : "1946.35", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1660", "_Disp_Start_Dat" : "1655", "_Disp_End_Date" : "1665", "Disp_Title" : "The Doctor's Visit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hendrick Heerschop", "Sort_Artist" : "Heerschop, Hendrick", "Disp_Dimen" : "17 x 14 1/4 in. (43.2 x 36.2 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "14 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "In this picture, a doctor dramatically examines a flask of urine as he takes his patient’s pulse. The setting is the young woman’s bedchamber; she droops with exhaustion as the physician seeks a diagnosis. A second woman, her hand placed jauntily on her hip, leans between them. The role of the characters in this painting would have been easily understood in the prosperous world of 17th -century Holland. The satirical subject of the quack doctor (suggested here by his dramatic posturing and costume) who claimed he could identify all sorts of illnesses by looking at a patient’s urine was a favorite theme in both theater and painting. There are also moral overtones in the portrayal of the patient and the demeanor of her companion—scenes of fainting women usually referred to lovesickness, erotic melancholy or pregnancy. [Gallery label text, 2005]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25725", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 6524, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6524", "Disp_Access_No" : "1943.20", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Gypsy at Fire", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eric Gill", "Sort_Artist" : "Gill, Eric", "Disp_Dimen" : "7 7/8 x 7 1/2 in. (20 x 19 cm)", "Disp_Height" : "7 7/8 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Graphite", "Support" : "", "Disp_Medium" : "Graphite and wash", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From the report of the Print Committee, October 13, 1943, re: this acquisition: Mrs. Cunningham stated that...this action represented an expansion of the Committee''s activities into the field of original drawings.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26589", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6542, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6542", "Disp_Access_No" : "1955.69", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Portrait of a Lady", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frans van Mieris the Elder", "Sort_Artist" : "Mieris the Elder, Frans van", "Disp_Dimen" : "5 x 4 in. (12.7 x 10.2 cm)", "Disp_Height" : "5 in.", "Disp_Width" : "4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "copper", "Disp_Medium" : "Oil on copper", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.69_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.69_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.69_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.69_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29371", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 6545, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6545", "Disp_Access_No" : "1955.66", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1628-1630", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1630", "Disp_Title" : "An Old Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Dutch", "Sort_Artist" : "Unknown, Dutch", "Disp_Dimen" : "25 5/8 x 20 5/8 x 3/4 in. (65.1 x 52.4 x 1.9 cm)", "Disp_Height" : "25 5/8 in.", "Disp_Width" : "20 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.66_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.66_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.66_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.66_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25726", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "After cleaning and conservation. On disk dated 2/18/08", "View" : "" } , ] },{ "embark_ID" : 6558, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6558", "Disp_Access_No" : "1979.69", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Man in a Ruffled Collar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pieter Jansz. Pourbus", "Sort_Artist" : "Pourbus, Pieter Jansz.", "Disp_Dimen" : "16 3/4 x 13 3/4 in. (42.5 x 34.9 cm)", "Disp_Height" : "16 3/4 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Clarence Clift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.69_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.69_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.69_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.69_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43995", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 6559, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6559", "Disp_Access_No" : "1979.70", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Woman in a Ruffled Collar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pieter Jansz. Pourbus", "Sort_Artist" : "Pourbus, Pieter Jansz.", "Disp_Dimen" : "16 3/4 x 13 3/4 in. (42.5 x 34.9 cm)", "Disp_Height" : "16 3/4 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Clarence Clift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.70_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.70_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.70_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.70_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43996", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 6562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6562", "Disp_Access_No" : "1955.83", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Young Man with a Dog", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Cornelis de Vos", "Sort_Artist" : "Vos, Cornelis de", "Disp_Dimen" : "57 x 39 1/2 in. (144.8 x 100.3 cm)", "Disp_Height" : "57 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.83_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.83_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.83_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.83_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15976", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.83_I3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.83_I3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.83_I3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.83_I3.jpg", "IsPrimary" : "1", "_SurrogateID" : "52318", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Taken by Chiyo Ueyama on her phone. Still better than 55.83DI1. Not for publication use.", "View" : "" } , ] },{ "embark_ID" : 6813, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6813", "Disp_Access_No" : "1968.97", "_AccNumSort1" : "", "Disp_Create_DT" : "16th Century", "_Disp_Start_Dat" : "1500", "_Disp_End_Date" : "1599", "Disp_Title" : "Portrait of a Venetian Patrician", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacopo Robusti Tintoretto", "Sort_Artist" : "Tintoretto, Jacopo Robusti", "Disp_Dimen" : "44 3/4 x 35 in. (113.7 x 88.9 cm)", "Disp_Height" : "44 3/4 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This work may have been included in an 1857 exhibition at Manchester, England ("Art Treasures"); a work by Tintoretto titled "A Senator" and owned by the Marquess of Abercorn was no. 300 in that exhibition. It is unknown when the Dukes of Abercorn acquired MAG''s work. Betsy Brayer descibes a letter from Joseph Duveen to Eastman in which Duveen claims that this portrait "was a small section cut from a huge group portrait of senators that covered a whole wall. That wily old collector, Joseph Duveen, informed Eastman of this and wrote that he too, owned a cut-down portrait from the same grouping."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.97_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.97_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.97_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.97_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15992", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6569, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6569", "Disp_Access_No" : "1955.132", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1600", "_Disp_Start_Dat" : "1595", "_Disp_End_Date" : "1605", "Disp_Title" : "Allegory of Vanity: Lady with a Mirror", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Flemish", "Sort_Artist" : "Unknown, Flemish", "Disp_Dimen" : "13 x 10 in. (33 x 25.4 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "This painting has all the elements of the Christian medieval tradition of an allegory of vanity, or the personification of all the temptations and vain pleasures of the world. The painter drew on a wide vocabulary of images to suggest the transience of the material world. In this painting, dressed in fine clothes and bedecked in jewels, the woman seems to be turning away from the mirror, the symbol of vanity. In reality, though, out of the corner of her eye she gazes approvingly at her own reflection. The mirror also represents the idea of false appearances; her jewels symbolize the dangerous allure of wealth. Fresh flowers, beautiful for only a few days, suggest the fleeting nature of beauty; the book on her table refers to earthly rather than spiritual knowledge. [Gallery label text, 2005]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.132_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.132_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.132_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.132_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33966", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 6574, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6574", "Disp_Access_No" : "1936.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "The Washerwomen of Auvers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles François Daubigny", "Sort_Artist" : "Daubigny, Charles François", "Disp_Dimen" : "11 3/4 x 20 3/8 in. (29.8 x 51.8 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "20 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13085", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6590, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6590", "Disp_Access_No" : "1948.35", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Night Crier", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Rowlandson", "Sort_Artist" : "Rowlandson, Thomas", "Disp_Dimen" : "13 1/2 x 8 1/2 in. (34.3 x 21.6 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14712", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6616, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6616", "Disp_Access_No" : "1955.179", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Charity", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "François LeMoyne", "Sort_Artist" : "LeMoyne, François", "Disp_Dimen" : "25 x 31 1/4 in. (63.5 x 79.4 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "31 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. R.J. Constantin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "After (or preparatory to?) a detail from "Louis XV giving Peace to Europe" (1729), at the Château de Versailles. The maternal figure represents fecundity or charity. This figure in the full painting wears an olive-branch wreath rather than the jeweled coronet seen here.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.179_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.179_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.179_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.179_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "39538", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6619, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6619", "Disp_Access_No" : "1947.26", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Peasant Carousel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joos van Craesbeeck", "Sort_Artist" : "Craesbeeck, Joos van", "Disp_Dimen" : "6 3/4 x 7 5/16 in. (17.1 x 18.6 cm)", "Disp_Height" : "6 3/4 in.", "Disp_Width" : "7 5/16 in.", "Dimen_Extent" : "", "Medium" : "Pen and ink", "Support" : "paper", "Disp_Medium" : "Pen and ink on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37949", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6620, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6620", "Disp_Access_No" : "1945.80", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Woman Leaning on Her Elbows", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "8 3/4 x 8 3/4 in. (22.2 x 22.2 cm)", "Disp_Height" : "8 3/4 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This figure appears to have been cut down from a larger canvas of sketches, published in the Renoir c.r. (vol. 4, 2012: no. 3216). See curatorial file.", "Images": [ ] },{ "embark_ID" : 6633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6633", "Disp_Access_No" : "1991.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1895-1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1900", "Disp_Title" : "Harem Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Israel", "Sort_Artist" : "Israel, Daniel", "Disp_Dimen" : "35 1/2 x 23 1/2 in. (90.2 x 59.7 cm)", "Disp_Height" : "35 1/2 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "sight", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The scene depicted here is an example of Orientalism, the portrayal of Eastern figures and scenes-both real and imagined-by western artists. This was a popular aspect of Academic painting. Here a girl tries on jewelry while an older woman, perhaps her maid, looks on approvingly. The intimate alcove of a vast, columned interior allows the artist to show his skill at rendering the patterned fabrics, such as the hanging drapery and the maid's robe, and the jewels that spill from the inlaid chest behind the girl. The 19th century provided many opportunities for artists to travel to Asia and Africa as those lands were being explored, exploited and colonized by European countries. While some paintings were anthropologically correct, based on the artists' experiences, others chose to portray the people of these faraway lands in settings and poses that demonstrated the vast perceived difference between their circumstances and Europeans'. Women, especially, were held up as object lessons of decadence and sensuality in ways Europeans would not have been. [Gallery label text, 2011]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Austrian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. Note in file from 8/19/91 to send the painting to (T287) to Williamstown for treatment. It also says "Let''s accession the painting with the number 91.15 -- worksheet attached to Lee''s copy of this memo for completion. mv"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.15_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.15_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.15_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.15_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26155", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 6634, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6634", "Disp_Access_No" : "1949.64", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1508", "_Disp_Start_Dat" : "1503", "_Disp_End_Date" : "1513", "Disp_Title" : "Portrait of a Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Vincenzo di Biagio Catena", "Sort_Artist" : "Catena, Vincenzo di Biagio", "Disp_Dimen" : "12 3/4 x 10 1/4 in. (32.4 x 26 cm)", "Disp_Height" : "12 3/4 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Vicenzo Catena was active a generation after Hans Memling, the Northern Renaissance artist who inspired Kehinde Wiley’s contemporary portrait nearby. Despite a difference of 500 years in the creation of Catena’s and Wiley’s portraits, the similarities are striking. Both are three-quarter profiles of young men of their day, set in a distant landscape. The sitters are linked not by social status but by their stillness and intensity of gaze, and by their immediate relationship to the viewer. Catena’s patrons were primarily members of the aristocratic and wealthy classes of Venice, Italy, of which the sitter for "Portrait of a Young Man" was certainly a member. The portrait’s aesthetic appeal derives from the simple, crisp composition; high level of craftsmanship; strong characterization of the sitter; and fluid use of brilliant and contrasting oil glazes. [Hawks Gallery reinstallation, summer 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18777", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Inhouse scan from after treatment photography from Williamstown. Transparency in object file with conservation record.", "View" : "" } , ] },{ "embark_ID" : 6652, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6652", "Disp_Access_No" : "1986.109", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Conceited Lawyer (L'Avocat suffisant)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Honoré Daumier", "Sort_Artist" : "Daumier, Honoré", "Disp_Dimen" : "10 9/16 x 8 in. (26.8 x 20.3 cm)", "Disp_Height" : "10 9/16 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "laid paper", "Disp_Medium" : "Gray ink with gray and black washes over traces of black chalk on laid paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.109_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.109_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.109_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.109_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16020", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6655, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6655", "Disp_Access_No" : "1987.65", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1878-1881", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1881", "Disp_Title" : "Dancer, Seen from Behind (Danseuse vue de dos)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edgar Degas", "Sort_Artist" : "Degas, Edgar", "Disp_Dimen" : "19 3/16 x 11 11/16 in. (48.7 x 29.7 cm)", "Disp_Height" : "19 3/16 in.", "Disp_Width" : "11 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Chalk", "Support" : "paper", "Disp_Medium" : "Black chalk and pastel on faded blue laid paper, laid down to two more sheets", "Info_Page_Comm" : "Often called “the painter of modern life,” Edgar Degas filled his canvases with images from the vibrant world of performance and spectacle in the clubs and theaters of Paris during the latter part of the 1800s. Ballet dancers appealed to Degas as a pictorial subject for two key reasons: they represented modern subjects, and they offered female bodies that could be naturally observed in a host of complicated poses. Drawing from innumerable studies, he created light-filled images that represent the essence of natural movement. Dancer, Seen from Behind is a study for a figure in the far right of Dancers in the Rehearsal Room, with a Double Bass, which is now in the Metropolitan Museum of Art. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.65_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "26219", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6657, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6657", "Disp_Access_No" : "1921.8", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Nude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Dumont", "Sort_Artist" : "Dumont, Jacques", "Disp_Dimen" : "19 7/8 x 16 in. (50.5 x 40.7 cm)", "Disp_Height" : "19 7/8 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "sheet", "Medium" : "Chalk", "Support" : "paper", "Disp_Medium" : "Red and white chalk on toned paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Theodore A. Miller", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/21.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/21.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/21.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/21.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27530", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6658, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6658", "Disp_Access_No" : "1943.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1841", "_Disp_Start_Dat" : "1841", "_Disp_End_Date" : "1841", "Disp_Title" : "Silhouette of Francis Granger", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Augustin Edouart", "Sort_Artist" : "Edouart, Augustin", "Disp_Dimen" : "11 1/8 x 7 3/8 in. (28.2 x 18.8 cm)", "Disp_Height" : "11 1/8 in.", "Disp_Width" : "7 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21755", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6662, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6662", "Disp_Access_No" : "1932.19", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Proposal", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexandre-Evariste Fragonard", "Sort_Artist" : "Fragonard, Alexandre-Evariste", "Disp_Dimen" : "4 1/2 x 3 1/16 in. (11.4 x 7.7 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "3 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Wash", "Support" : "paper", "Disp_Medium" : "Wash on paper board", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. William Ellwanger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/32.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/32.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/32.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/32.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26588", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6672, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6672", "Disp_Access_No" : "1954.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1798", "_Disp_Start_Dat" : "1798", "_Disp_End_Date" : "1798", "Disp_Title" : "Children with Dogs", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Laidy", "Sort_Artist" : "Laidy, Charles", "Disp_Dimen" : "7 1/4 x 9 5/8 in. (18.4 x 24.4 cm)", "Disp_Height" : "7 1/4 in.", "Disp_Width" : "9 5/8 in.", "Dimen_Extent" : "", "Medium" : "Pen", "Support" : "paper", "Disp_Medium" : "Pen on paper laid down to card", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Kenneth Field", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26592", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6692, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6692", "Disp_Access_No" : "1975.120.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Women's Equality", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marisol", "Sort_Artist" : "Marisol", "Disp_Dimen" : "41 1/2 x 29 3/4 in. 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