{ "objects" : [ { "embark_ID" : 361, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/361", "Disp_Access_No" : "1963.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Two Nudes Bathing by Waterfall", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louis Michel Eilshemius", "Sort_Artist" : "Eilshemius, Louis Michel", "Disp_Dimen" : "27 1/2 x 21 1/2 in. (69.9 x 54.6 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Roy R. Neuberger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 356, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/356", "Disp_Access_No" : "1941.26", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1904", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1909", "Disp_Title" : "William H. Macdowell", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Eakins", "Sort_Artist" : "Eakins, Thomas", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thomas Eakins painted multiple portraits of his father-in-law, William H. Macdowell. Eakins’s sensitive portraits and genre scenes defined American realist art at the end of the 19th century. His art and commitment to realism were enormously influential to the artists of the Urban Realist movement. [Gallery label text, 2007] Thomas Eakins was one of America's greatest painters, whose realistic portrayals of people at work and at play have become icons of American culture. He immortalized many friends and family members by using them as subjects, among them his father-in-law, William Macdowell, an engraver and self-styled philosopher, whom Eakins painted and photographed numerous times. In the Gallery's portrait, Macdowell's aged face, rendered with scrupulous care and detail, emerges from a somber background. In this direct and straightforward manner, Eakins suggests Macdowell's strength of character and distinctive personality. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally purchased through R. T. Miller fund-- later shifted to Marion Stratton Gould fund. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38866", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 355, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/355", "Disp_Access_No" : "1977.106", "_AccNumSort1" : "", "Disp_Create_DT" : "1900-1905", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1905", "Disp_Title" : "Sunset Seascape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank Duveneck", "Sort_Artist" : "Duveneck, Frank", "Disp_Dimen" : "23 5/8 x 28 5/8 in. (60 x 72.7 cm)", "Disp_Height" : "23 5/8 in.", "Disp_Width" : "28 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. Robert P. Coggins", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.106_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.106_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.106_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.106_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12474", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 350, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/350", "Disp_Access_No" : "1937.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1920-1934", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1934", "Disp_Title" : "Portrait of the Duchess", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rufus J. Dryer", "Sort_Artist" : "Dryer, Rufus J.", "Disp_Dimen" : "39 1/4 x 32 in. (99.7 x 81.3 cm)", "Disp_Height" : "39 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Rufus K. Dryer was born into a well-to-do Rochester family of politicians and businessmen. Like many aspiring artists of the day, he studied with Robert Henri in New York City. And like many free spirits of means, he soon after moved to France to pursue his career, returning home only three years before his death. Nothing is known of the pensive woman wearing a fashionable cloche and fur whom Dryer painted in tones of blue and peach against a wildly-patterned wallpaper backdrop. This canvas appeared in the artist’s memorial exhibition here at MAG in 1937, shortly after which it was presented to us as a gift from Dryer’s sister, Leora, also an artist. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Miss Leora Dryer", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39414", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/349", "Disp_Access_No" : "1956.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Projection", "Alt_Title" : "Composition 186", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Werner Drewes", "Sort_Artist" : "Drewes, Werner", "Disp_Dimen" : "34 x 42 in. (86.4 x 106.7 cm)", "Disp_Height" : "34 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Werner Drewes said, “Nature is so rich, why shouldn’t non-objective art be the same?” Drewes’ bright planes of opaque and translucent color and contrasting curvilinear and geometric line and shape give this emphatically abstract painting the depth and complexity of a traditional landscape. Drewes emigrated to the United States from Germany in 1930 only three years before the modern art school where he studied, the Bauhaus, was closed by Hitler. [Gallery label text, 2007]", "Dedication" : "Memorial Art Gallery Purchase", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12400", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 348, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/348", "Disp_Access_No" : "1951.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Cars in a Sleet Storm", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur Dove", "Sort_Artist" : "Dove, Arthur", "Disp_Dimen" : "15 x 21 in. (38.1 x 53.3 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painted in Geneva, NY, Cars in a Sleet Storm is representative of Arthur Dove’s personalized abstract vocabulary with which he responded to the world around him. Dove, along with Georgia O’Keeffe and Marsden Hartley, were members of a group of modernist American artists championed by the photographer Alfred Stieglitz in his 291 Gallery in Manhattan. [Gallery label text, 2007] Arthur G. Dove was a native of Geneva, New York, about 46 miles from Rochester. Early on, rural New York State did not satisfy Dove's desire for a more engaged artistic life, and a few years after the turn of the 20th century, he moved to New York City and then to Paris. On his return to the United States in 1910, he began to paint abstract landscapes, and is considered one of America's first abstract painters. Dove's work was actively exhibited by photographer Alfred Stieglitz in his Gallery 291 and Intimate Gallery, major centers of avant-garde art in the United States. Stieglitz also showed the work of Georgia O'Keeffe whom he married in 1924. Cars in a Sleet Storm was painted at the end of Dove's years in Geneva, where he had returned to manage his father's estate. Dove's own words align him with the 20th century movement away from identifiable subject matter:"I would like to make something that is real in itself, that does not remind anyone of any other thing, and that does not have to be explained like the letter A, for instance." He also commented, "… I no longer observed in the old way, and not only began to think subjectively but also to remember certain sensations purely through their form and color, that is, by certain shapes, planes of light, or character lines determined by the meeting of such planes." [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25276", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from 1999 James Via transparency", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Color-corrected and cropped from M1 file as no print master existed. JPG derived from new print master.", "View" : "" } , ] },{ "embark_ID" : 346, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/346", "Disp_Access_No" : "1985.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "Silver Surge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mary Lou Dooley", "Sort_Artist" : "Dooley, Mary Lou", "Disp_Dimen" : "49 1/2 x 46 in. (125.7 x 116.8 cm)", "Disp_Height" : "49 1/2 in.", "Disp_Width" : "46 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painter Mary Lou Dooley is the wife of MAG’s fifth director, Bret Waller, so it seems especially appropriate that one of her canvases was purchased to honor his service to the museum. In describing Silver Surge, she says: “It is a gestural painting related to my interest in calligraphy and movement. It also relates to the influence of two former professors who studied with Hans Hofmann. My intent is to achieve what appears to be a spontaneous result even though the painting has been reworked a number of times.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Purchased in tribute to Bret Waller, Gallery Director 1980-1985, through the Padelford Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39615", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 345, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/345", "Disp_Access_No" : "1960.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1958", "_Disp_Start_Dat" : "1958", "_Disp_End_Date" : "1958", "Disp_Title" : "Sicily", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lamar Dodd", "Sort_Artist" : "Dodd, Lamar", "Disp_Dimen" : "27 x 40 in. (68.6 x 101.6 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 344, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/344", "Disp_Access_No" : "1939.10", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Near San Francisco", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harry St. John Dix", "Sort_Artist" : "Dix, Harry St. John", "Disp_Dimen" : "15 x 20 in. (38.1 x 50.8 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the New York World's Fair Corporation", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 343, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/343", "Disp_Access_No" : "1944.18", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1937", "_Disp_Start_Dat" : "1932", "_Disp_End_Date" : "1942", "Disp_Title" : "Happy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walt Disney", "Sort_Artist" : "Disney, Walt", "Disp_Dimen" : "5 1/8 x 4 7/16 in. (13 x 11.3 cm)", "Disp_Height" : "5 1/8 in.", "Disp_Width" : "4 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Paint", "Support" : "celluloid", "Disp_Medium" : "Paint on celluloid", "Info_Page_Comm" : "Anne Cassebeer may have been MAG’s youngest donor of art. Nineteen years old when she donated Happy, she was a student at Pembroke College and the daughter of artist and architect Walter Cassebeer, a member of MAG’s board. We wish we could tell you the story of how Anne came to own a production cel depicting Happy, one of the Seven Dwarfs but, as often happens, the circumstances were not recorded at the time she made the gift. A good deal more is known about the Walt Disney film, Snow White and the Seven Dwarfs, released in 1937. It was the first full-length animated feature film with an official soundtrack. MAG’s Happy was one of 1,500,000 drawings and watercolors that were photographed to create Snow White. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Miss Anne Cassebeer", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ""An original painting on celluloid from the Walt Disney Studios, actually used in the filming of "Snow White and the Seven Dwarfs." Only a very limited number have been selected to be placed on the market."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.18_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.18_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.18_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.18_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39090", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 342, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/342", "Disp_Access_No" : "1987.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Snow on Quai", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edwin Dickinson", "Sort_Artist" : "Dickinson, Edwin", "Disp_Dimen" : "21 x 18 in. (53.3 x 45.7 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Nancy Turner in memory of Richard Turner", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.62_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.62_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.62_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.62_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 341, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/341", "Disp_Access_No" : "1957.79", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1908", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1913", "Disp_Title" : "Portrait in a Brown Dress", "Alt_Title" : "Lady in Yellow", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas W. Dewing", "Sort_Artist" : "Dewing, Thomas W.", "Disp_Dimen" : "20 x 15 1/2 in. (50.8 x 39.4 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "15 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "Around the same time that Thomas Dewing painted this portrait of a young woman reading a book, American art critic Charles Caffin wrote about Dewing's work: "Generations of repressed emotion have made [Dewing's women] incapable of passion; strenuousness survives only in supersensitive nerves; their sole religion is the worship of self…They are motionless in an atmosphere from which all human warmth has been sucked, in a vacuum drained of intellectual and emotional nourishment. These bodily shapes are not of flesh and blood; they are the essence distilled from the withering of what is womanly, the mere fragrance of dead rose-leaves." Thomas Dewing's depictions of genteel, ethereal young women engaged in contemplative and artistic pursuits stand in contrast to the bold and vigorous "New Woman," the feminist model of woman who emerged during this same period. The "New Woman" earned a living and wanted the vote and was not content to be marginalized in gauzy environments like the ones created by Dewing. This painting is in its original frame, which is similar to those designed by Stanford White, who created opulent and decorative environments for many of Dewing's Gilded Age patrons. (1). Charles H. Caffin, The Story of American Painting: The Evolution of American Painting from Colonial Times to the Present (New York: Frederick A. Stokes Company, 1907) , 189. [Gallery label text]", "Dedication" : "Gift of Mr. and Mrs. Alexander Millar Lindsay III, in memory of Jesse Williams and Grace Curtice Lindsay and their daughter, Carolyn Lindsay White", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.79_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12405", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/337", "Disp_Access_No" : "1945.58", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1945", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1950", "Disp_Title" : "Rockport Harbor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph DeMartini", "Sort_Artist" : "DeMartini, Joseph", "Disp_Dimen" : "20 x 28 in. 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(44.5 x 49.5 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs.Thomas G. 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(81.3 x 106.4 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "41 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Stuart Davis began as a student of the Urban Realist style, but upon seeing the many European modernist works on display at the New York Armory Show of 1913, the artist found his passion for abstraction. The influence of the broken-up and flattened surfaces of Cubism and the syncopated rhythms of American jazz contributed to Davis’ personal style. [Gallery label text, 2007] Gloucester, one of Massachusetts's oldest seaports, was a summer home for painter Stuart Davis from the time he was a young man of twenty-two. This view of the harbor clearly captivated him by the early 1930s, and preliminary studies of this painting reveal how carefully he considered the scene and translated it into paint, all the while deliberately conveying a sense of simplicity and speed in its execution. After a Parisian stay in the late 1920s, Davis returned to the United States with a new way of seeing things. The goal for him was to paint an expressive, abstracted version of the world around him, rather than a photographic simulacrum. As modernism challenged the nature of reality and how it is perceived, Davis reminds us here that it is possible to see two sides of a building at once, and that often it really looks like only half of a ship is in the water even though our brains convince us that the other half is hidden behind the fish warehouse. Flatness and simplification of forms were characteristics that distinguished work of influential European painters like Picasso and Matisse, whose work Davis would have encountered during his stay in France. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3088", "Rel_Obj_Title" : "Study for "Landscape with Garage Lights"" },{ "Rel_Obj_ID" : "3089", "Rel_Obj_Title" : "From Sketchbook 3, Drawing for "Landscape with Garage Lights"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12383", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.3_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "53893", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned transparency at larger size for reproduction. New JPG derived from that larger TIF.", "View" : "" } , ] },{ "embark_ID" : 332, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/332", "Disp_Access_No" : "1994.73", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "6 1/16 x 9 5/8 in. (15.4 x 24.5 cm)", "Disp_Height" : "6 1/16 in.", "Disp_Width" : "9 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Anne Prior Whitcomb", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.73_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.73_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.73_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.73_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "41525", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 331, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/331", "Disp_Access_No" : "1994.72", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1905", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1910", "Disp_Title" : "Ouray, Colorado", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "5 1/4 x 9 3/8 in. (13.3 x 23.8 cm)", "Disp_Height" : "5 1/4 in.", "Disp_Width" : "9 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Anne Prior Whitcomb", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.72_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.72_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.72_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.72_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "41524", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 330, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/330", "Disp_Access_No" : "1978.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Sky Wagon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gene Davis", "Sort_Artist" : "Davis, Gene", "Disp_Dimen" : "54 x 57 in. (137.2 x 144.8 cm)", "Disp_Height" : "54 in.", "Disp_Width" : "57 in.", "Dimen_Extent" : "without frame", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "In the late 1950s, Gene Davis was among a group of artists who reacted against the gestural, expressive style of Abstract Expressionism (see the painting by Hans Hofmann nearby). In a 1981 interview, Davis recalled the motivation behind his work of the period: Well, in the climate of 1957, ’58, Abstract Expressionism and painterly abstraction were dominating everything. All the art departments—college art departments—were grinding out little De Koonings and Pollocks and Klines and so on. So, in that climate, it seemed like Abstract Expressionism was academic, and there was no place to go….So the very opposite place to go, obviously, was to get away from painterliness and be neat….So I just…decided to do a stripe painting, just to be outrageous….I was just one of a number of people that were beginning to feel…this painterly abstraction was used up and we had to move somewhere else…. [Summer 2015]", "Dedication" : "Gift of Benjamin P. Nicolette in memory of Richard C. Nicoletti", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Formerly on loan", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.74_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.74_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.74_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.74_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "43992", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 329, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/329", "Disp_Access_No" : "1973.152", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1904", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1909", "Disp_Title" : "The Archer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "22 x 17 in. (55.9 x 43.2 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.152_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.152_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.152_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.152_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41523", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 328, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/328", "Disp_Access_No" : "1967.23", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Caliban", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "20 x 20 in. (50.8 x 50.8 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. A. David Davies", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Notes taken by curator Jess Marten from object file, 4/28/15 - gift of Davies paintings from daughter-in-law was due, in large part, to MAG director Harris Prior''s work in organizing a Davies'' exhibiiton for Munson Williams Proctor in 1962; exhibited at Hyde Collection 2001 Davies'' exhibition Dweller on the Threshold, and reproduced in catalog", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36983", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from a transparency shot by Jim Via in 2001", "View" : "" } , ] },{ "embark_ID" : 326, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/326", "Disp_Access_No" : "1967.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1926", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1926", "Disp_Title" : "Child's Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "58 x 38 in. (147.3 x 96.5 cm)", "Disp_Height" : "58 in.", "Disp_Width" : "38 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Arthur Davies, born in Utica and educated at the School of the Art Institute of Chicago, was considered one of the greatest American artists during his lifetime. He was a primary force behind the organization of the pioneering 1913 Armory Show, which introduced the American public to avant-garde European art and helped change the course of painting and sculpture in the United States. Although Davies experimented with different styles, mediums, and techniques, he always returned to the figure as the central element of his paintings. In much of his work he created a fantasy world into which the viewer could escape from the stress of an increasingly mechanized age. The women and children he painted are often placed either into idyllic landscapes that emphasize the innocent world he sought to recreate, or into a simple color background, as in Child’s Portrait, which permits the viewer to forget all but the purity of his subject. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of the Estate of A. David Davies", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43989", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/324", "Disp_Access_No" : "1967.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1924", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1924", "Disp_Title" : "Pool of Fragrance", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur B. Davies", "Sort_Artist" : "Davies, Arthur B.", "Disp_Dimen" : "40 x 26 in. (101.6 x 66 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "While much of Arthur B. Davies's work is ethereal and far-removed from the gritty realism that characterized the work of many of The Eight, he was an innovative artist who was dedicated to fighting the conservative practices of the National Academy of Design. Davies also spearheaded the 1913 Armory Show, which became a byword for all that was contemporary in American and European art. This work is typical of his figure paintings, which often include groups of nudes in the landscape. [Gallery label text, 2003]", "Dedication" : "Gift of the Estate of A. 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(48.3 x 61 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on masonite panel", "Info_Page_Comm" : "", "Dedication" : "Gift of the Family of Merritt Barker", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.166_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.166_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.166_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.166_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "44771", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 315, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/315", "Disp_Access_No" : "1950.18", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Seascape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Leon Dabo", "Sort_Artist" : "Dabo, Leon", "Disp_Dimen" : "27 x 36 in. 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(45.1 x 21.9 cm)", "Disp_Height" : "17 3/4 in.", "Disp_Width" : "8 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "cardboard", "Disp_Medium" : "Oil on cardboard", "Info_Page_Comm" : "", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.31_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.31_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.31_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.31_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19692", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 303, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/303", "Disp_Access_No" : "1946.5", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Mountain Landscape - "New England Vista" ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "E. E. Cummings", "Sort_Artist" : "Cummings, E. E.", "Disp_Dimen" : "48 x 36 in. (121.9 x 91.4 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on composition board", "Info_Page_Comm" : "E.E. Cummings, both painter and poet, called those two pursuits his “twin obsessions.” Understanding the importance of visual impact and presentation, his unique style often scattered words and fragments of words across the page to punctuate emotion and meaning. [Gallery label text] This view, possibly of Mount Chocorua in New Hampshire, was probably exhibited at the Memorial Art Gallery in 1945. It was from the collection Dr. and Mrs. James Sibley Watson, who were patrons of both e.e.cummings and the Memorial Art Gallery. About his own work, e.e.cummings wrote in 1940: apparently I've found my style in painting --it's NOT painstakingly washed flat surfaces sans brushstrokes fine camel's hair delineation-by-outline building up a careful sum out of parts it's chunking ahead with a big brush held loosely & loaded with paint. Out of the crisscrossings, "mistakes",etc a picture Builds itself --chiefly INWARD,thru GREYS. [Gallery label text]", "Dedication" : "Gift of a friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Deaccessioned 1-31-78; later reaccessioned?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "20014", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 302, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/302", "Disp_Access_No" : "1944.46", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Paris Roofs, Rue de la Bucherie", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "E. E. Cummings", "Sort_Artist" : "Cummings, E. E.", "Disp_Dimen" : "12 x 16 in. 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Crimi", "Sort_Artist" : "Crimi, Alfred D.", "Disp_Dimen" : "9 1/8 x 7 in. (23.2 x 17.8 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on canvas board", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 298, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/298", "Disp_Access_No" : "1995.51", "_AccNumSort1" : "", "Disp_Create_DT" : "ca.1945", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1950", "Disp_Title" : "Study for Fortune Magazine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralston Crawford", "Sort_Artist" : "Crawford, Ralston", "Disp_Dimen" : "7 15/16 x 5 in. 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Jess Shenson, Emilie Wiggin, and Marion Stratton Gould Fund, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "296", "Rel_Obj_Title" : "Whitestone Bridge" } ], "Related_Sibling" : [ { "Rel_Obj_ID" : "3071", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "3583", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "297", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "3367", "Rel_Obj_Title" : "Whitestone Bridge" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.51_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.51_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.51_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.51_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27611", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 297, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/297", "Disp_Access_No" : "1995.50", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1945", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1950", "Disp_Title" : "Study for Fortune Magazine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralston Crawford", "Sort_Artist" : "Crawford, Ralston", "Disp_Dimen" : "7 15/16 x 5 in. 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Jess Shenson, Emilie Wiggin, and Marion Stratton Gould Fund, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "296", "Rel_Obj_Title" : "Whitestone Bridge" } ], "Related_Sibling" : [ { "Rel_Obj_ID" : "3071", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "3583", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "298", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "3367", "Rel_Obj_Title" : "Whitestone Bridge" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.50_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.50_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.50_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.50_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27610", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 296, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/296", "Disp_Access_No" : "1951.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1939-1940", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1940", "Disp_Title" : "Whitestone Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralston Crawford", "Sort_Artist" : "Crawford, Ralston", "Disp_Dimen" : "40 1/4 x 32 in. (102.2 x 81.3 cm)", "Disp_Height" : "40 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ralston Crawford’s strong linear style and simplified form and palette in Whitestone Bridge are representative of the modern Precisionist style. Precisionist artists celebrated industrialization and technology with a visual language that evoked the purity and perfection of the machine. [Gallery label text, 2007] The Whitestone Bridge, linking The Bronx and Queens, was opened in 1939 just in time for the New York World's Fair. The suspension bridge routed travelers coming to the Fair from Upstate and New England away from the congestion of New York City. At the same time, Crawford was moving away from painting traditional landscapes and searching for a vocabulary that was closer in spirit to the streamlined, industrial aesthetic that he was observing in the world around him. The Whitestone Bridge was an excellent match for his artistic aspirations. The sleek and futuristic lines of the Whitestone Bridge matched the Trylon and Perisphere logo of the World's Fair, which was intended to signify progress and the World of Tomorrow. By 1944, when this painting was acquired by the Encyclopedia Britannica Collection, the sleek and elegant Whitestone Bridge had become an icon of contemporary design. The curator traveled to New York City to determine whether the bridge really looks as though it extends back into space with no land visible on the other side. And, in fact, Crawford's thrilling vantage point can be experienced by taking the bus across the bridge - for a brief instant, the first-time crosser experiences the view that Crawford recorded: a slim line of road, held up by wires, sailing across the water with no end in sight. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3071", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "3583", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "297", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "298", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "3367", "Rel_Obj_Title" : "Whitestone Bridge" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12382", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. 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Until the 1960s, commercial buildings like the ones in this painting flanked north and south sides of the bridge, effectively hiding the river below. Since 1989, the bridge has been elegantly ornamented by Albert Paley’s steel railings, framing a dramatic view of the rushing Genesee. In 1911, Colin Campbell Cooper wrote: "Mrs. Cooper [painter Emma Lampert Cooper] says that the Main Street Bridge picture, whenever it has been shown at art exhibitions, has attracted much attention, because people are surprised that such a foreign looking place can be found in America…People always compare it with the Ponte Vecchio at Florence, which rather proves my assertion that 'any old thing' is good enough when the sun falls on it right." [Gallery label text, 2007]", "Dedication" : "Gift of Hiram W. 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(49.8 x 76.4 cm)", "Disp_Height" : "19 5/8 in.", "Disp_Width" : "30 1/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil, egg emulsion on plywood panel", "Info_Page_Comm" : "", "Dedication" : "Purchased through the Art Patrons Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Rental?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33964", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 243, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/243", "Disp_Access_No" : "1991.67", "_AccNumSort1" : "", "Disp_Create_DT" : "1947", "_Disp_Start_Dat" : "1947", "_Disp_End_Date" : "1947", "Disp_Title" : "Dancer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Byron Browne", "Sort_Artist" : "Browne, Byron", "Disp_Dimen" : "14 1/8 x 12 in. (35.9 x 30.5 cm)", "Disp_Height" : "14 1/8 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Dr. and Mrs. Harry L. Segal Collection", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "43997", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 242, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/242", "Disp_Access_No" : "1962.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1958", "_Disp_Start_Dat" : "1958", "_Disp_End_Date" : "1958", "Disp_Title" : "Wind on the Beach", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Byron Browne", "Sort_Artist" : "Browne, Byron", "Disp_Dimen" : "23 1/2 x 29 1/2 in. (59.7 x 74.9 cm)", "Disp_Height" : "23 1/2 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per the registrar''s ledger, this was acquired for the Lending Library collection [= Lending and Sales?] in 1962, and accessioned into the Permanent Collection in 1976. It is not noted in the ledger from where it was acquired. This painting was lent to the Dean''s office in Morey Hall in 1970.", "Images": [ ] },{ "embark_ID" : 236, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/236", "Disp_Access_No" : "1964.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "The Bath -- Watermill (Berta's) (2)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Warren Brandt", "Sort_Artist" : "Brandt, Warren", "Disp_Dimen" : "72 x 80 in. (182.9 x 203.2 cm)", "Disp_Height" : "72 in.", "Disp_Width" : "80 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Warren Brandt’s obituary in the New York Times described him as “a painter whose dalliance with Abstract Expressionism gave way to a style of realism and domestic warmth.” [Label text from It Came From the Vault exhibition, 2013] Berta Borgenicht was the artist's stepdaughter and daughter of Grace Borgenicht, Warren Brandt's second wife. Grace Borgenicht was a gallery owner in New York City. Water Mill is a town on the eastern end of Long Island, New York. ", "Dedication" : "Gift of Mrs. Albert List", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39416", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 227, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/227", "Disp_Access_No" : "1983.134.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1930-1939", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1939", "Disp_Title" : "Beatrice Baratoni and Cat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "8 7/16 x 7 5/8 in. (21.5 x 19.4 cm)", "Disp_Height" : "8 7/16 in.", "Disp_Width" : "7 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas (unstretched)", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28708", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 223, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/223", "Disp_Access_No" : "1989.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1950", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1950", "Disp_Title" : "Untitled (Relational Painting)", "Alt_Title" : "", "Obj_Title" : "Untitled (Relational Painting)", "Series_Title" : "", "Disp_Maker_1" : "Ilya Bolotowsky", "Sort_Artist" : "Bolotowsky, Ilya", "Disp_Dimen" : "30 3/8 x 20 in. (77.2 x 50.8 cm)", "Disp_Height" : "30 3/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12512", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 216, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/216", "Disp_Access_No" : "1977.164", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "The Year it Snowed Early in Kansas", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Streeter Blair", "Sort_Artist" : "Blair, Streeter", "Disp_Dimen" : "17 x 32 in. (43.2 x 81.3 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Family of Merritt Barker", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/212", "Disp_Access_No" : "1952.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1950-1952", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1952", "Disp_Title" : "Fishwife", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul S. Berry", "Sort_Artist" : "Berry, Paul S.", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "For many years, works from the annual Rochester-Finger Lakes Exhibition were purchased by MAG for the permanent collection. Fishwife, by Syracuse artist Paul S. Berry, is an example of such an acquisition made from the 1952 show. Its survival may rest on the fact that it entered the museum’s collection so soon after it was painted, as every August the artist would evaluate the contents of his studio and destroy anything that wasn’t up to his exacting standards. According to Berry’s widow, Fishwife is painted in a style quite different from most of his work. A turbaned Haitian woman lifts an enormous, wide-eyed fish from a wicker basket; the diagonal line of her muscular arm echoes the ramshackle roofline of the building behind her. The influence of photography is seen in the arm of a third person poking in from the left side of the composition. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Art Patrons' Purchase Award, 1952 Rochester - Finger Lakes Exhibition", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39601", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/211", "Disp_Access_No" : "1951.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Boomtown", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "46 1/8 x 54 1/4 in. (117.2 x 137.8 cm)", "Disp_Height" : "46 1/8 in.", "Disp_Width" : "54 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Egg yolk and oil", "Support" : "canvas", "Disp_Medium" : "Egg yolk and oil on canvas", "Info_Page_Comm" : "Early in his career, Thomas Hart Benton was involved in the American abstract movement, Synchromism. In the 1920s, Benton embarked on a style that incorporated Synchromist rhythmic line and expressive color with representational imagery of rural America. With this major shift in style, Benton established the Regionalist movement. Many consider Boomtown to be the artist’s first Regionalist masterpiece. [Gallery label text, 2007] Boomtown is one of the masterpieces of the Gallery's collection because of its impressive and unique depiction of an American landscape. When Thomas Hart Benton sketched this panoramic scene from a second floor window, the smoky fire on the horizon signified progress, not pollution. Borger, Texas was a boomtown that sprang to life in 1926 after a refinery company hit a gusher that produced 5000 gallons of oil a day. Benton is one of the three major American Regionalists (the other two are Grant Wood and John Steuart Curry), so called because most of their subjects were about life in the rural heartland of America. While Benton was not a fan of contemporary modernist painting, and in fact disdained artists who painted in the abstract style, he couldn't help but be influenced by the curvy and streamlined aesthetic of his times and the way in which artists were reinterpreting three-dimensional space. Consider the way in which the people, buildings and landscape are layered from top to bottom on the canvas, rather than being laid out carefully from front to back in the manner of traditional artistic renderings. 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"Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.1_R5.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.1_R5.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.1_R5.tif", "IIIF_URL": "http://iiif.gallerysystems.com/51.1_R5.tif", "IsPrimary" : "0", "_SurrogateID" : "37733", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/205", "Disp_Access_No" : "1947.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "Evening Group", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "25 x 30 in. (63.5 x 76.2 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on composition board", "Info_Page_Comm" : "This painting portrays the artist with his wife, Emma, and daughter, Anne, on vacation on Monhegan Island off the coast of Maine. Two neighbor children occupy the right side of the canvas. [Gallery label text, 2007] In the summer of 1914, painter George Bellows convinced his wife, Emma, to travel to Monhegan Island off the coast of Maine along with their young daughter, Anne. There, he hoped to paint more of the stunning seascapes he had worked on so successfully in past years. Evening Group depicts Emma and Anne on the left, the artist in the middle, and two neighbor children on the right. Based in New York City during much of the year, Bellows found that the harsh beauty of places like Monhegan Island provided him with subjects that contrasted dramatically with his acclaimed urban scenes. He first visited the island in 1911 in the company of his teacher and mentor, Robert Henri, and wrote enthusiastically to Emma: “The Island is only a mile wide and two miles long, but it looks as large as the Rocky Mountains. It’s three times as high as Montauk [Long Island] and all black and grey rock. Beautiful pine forests and wonderful varieties of all kinds…” In another letter, he lamented “my head is full of millions of great pictures which I will never have time to paint.” [Gallery label text, 2005]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3002", "Rel_Obj_Title" : "Study for "Evening Group"" } ], "Curator" : "Note that the online catalogue raisonne lists the inclusion of this work in a 1926 exhibition at the Los Angeles Museum of Art, but an exhibition of that date that might contain this work could not be found.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12371", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42bellows1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42bellows1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42bellows1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/42bellows1.tif", "IsPrimary" : "0", "_SurrogateID" : "23028", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "CMYK tif image from Monroe Litho for Seeing America catalogue. Cannot be converted to RGB for web use without considerable color adjustment.", "View" : "" } , ] },{ "embark_ID" : 204, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/204", "Disp_Access_No" : "1958.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1958", "_Disp_Start_Dat" : "1958", "_Disp_End_Date" : "1958", "Disp_Title" : "Structural Fragments", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nancy Belfer", "Sort_Artist" : "Belfer, Nancy", "Disp_Dimen" : "20 x 31 3/4 in. (50.8 x 80.6 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "31 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18012", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 203, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/203", "Disp_Access_No" : "1970.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Gospel Song", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Romare Bearden", "Sort_Artist" : "Bearden, Romare", "Disp_Dimen" : "40 x 30 in. (101.6 x 76.2 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Mixed media", "Support" : "board", "Disp_Medium" : "Mixed media on board", "Info_Page_Comm" : "Gallery labet text 2013 Influenced by the Harlem Renaissance of the 1920s, Bearden was friendly with the writer Langston Hughes and jazz musicians Duke Ellington and Fats Waller. He was fascinated by jazz, trying his hand at songwriting for a short time. Bearden’s work bears parallels to the rhythms, intervals, variations, and improvisational devices of music. He stated, “I paint out of the tradition of the blues.” Bearden was a pioneer of the collage style, explaining “The medium I used was chosen intentionally because assemblage forges a variety of contrary images into one unified expression.” Bearden was a founding member of the 1960s Harlem art group, Spiral, formed “for the purpose of discussing the commitment of the Negro artist in the present struggle for civil liberties.” ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Collage", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12442", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/201", "Disp_Access_No" : "1977.197", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eric Bauer", "Sort_Artist" : "Bauer, Eric", "Disp_Dimen" : "55 x 44 in. (139.7 x 111.8 cm)", "Disp_Height" : "55 in.", "Disp_Width" : "44 in.", "Dimen_Extent" : "overall", "Medium" : "Paint", "Support" : "canvas", "Disp_Medium" : "Paint on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Benjamin P. Nicolette", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 200, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/200", "Disp_Access_No" : "1957.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "Structures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Leonard Barkin", "Sort_Artist" : "Barkin, Leonard", "Disp_Dimen" : "66 x 29 in. (167.6 x 73.7 cm)", "Disp_Height" : "66 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.8_I1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.8_I1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.8_I1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.8_I1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13825", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image is only to be used for reference. Not for public use.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "36579", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 196, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/196", "Disp_Access_No" : "1994.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Judith", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eugenie Baizerman", "Sort_Artist" : "Baizerman, Eugenie", "Disp_Dimen" : "24 3/4 x 17 3/4 in. (62.9 x 45.1 cm)", "Disp_Height" : "24 3/4 in.", "Disp_Width" : "17 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Anne Prior Whitcomb", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 195, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/195", "Disp_Access_No" : "1946.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "New Hope Skyline", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Avery", "Sort_Artist" : "Avery, Ralph", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ralph Avery is well-known locally for his views of downtown Rochester. In this early painting, however, he depicts the Stockton Avenue Bridge crossing over Ingham Creek in the vibrant artists’ colony at New Hope, PA. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39385", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 194, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/194", "Disp_Access_No" : "1963.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "Haircut by the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milton Avery", "Sort_Artist" : "Avery, Milton", "Disp_Dimen" : "44 x 32 in. (111.8 x 81.3 cm)", "Disp_Height" : "44 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Roy R. Neuberger", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12413", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 193, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/193", "Disp_Access_No" : "1945.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "The Garden", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Darrel Austin", "Sort_Artist" : "Austin, Darrel", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This bizarre, spectral landscape was purchased from the Gallery’s 1945 exhibition The A B C’s of Modern Art, organized to foster a more liberal point of view amongst the Gallery’s audience. Painted in thick layers with a palette knife, Darrel Austin’s primordial visions were often peopled by predatory cats and shimmering female figures, as in The Garden. A frank reviewer in the Art Digest wrote in 1942, “It’s hard to explain Darrel Austin’s art, because he can’t explain it himself . So the most sensible approach for the viewer is just to enjoy them without thinking too logically.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Holder Not Found", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/45.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/45.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/45.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/45.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 190, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/190", "Disp_Access_No" : "1973.72", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Milford Apetz", "Sort_Artist" : "Apetz, Milford", "Disp_Dimen" : "15 3/8 x 9 7/8 in. (39.1 x 25.1 cm)", "Disp_Height" : "15 3/8 in.", "Disp_Width" : "9 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil and mixed media on board", "Info_Page_Comm" : "", "Dedication" : "Gift of John Funt", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 188, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/188", "Disp_Access_No" : "1983.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hilda Altschule Coates", "Sort_Artist" : "Coates, Hilda Altschule", "Disp_Dimen" : "42 x 35 in. (106.7 x 88.9 cm)", "Disp_Height" : "42 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "From her limited formal art training, Hilda Altschule Coates evolved a personal and expressive style. What could Coates have embedded in this seemingly symbol-laden still life arranged in a corner of her apartment on Alexander Street? The initial sensation the viewer experiences is vertigo due to the dizzying perspective of the table and the white lily leaning towards the open third-floor window. Curiosity comes next. Who are the seven glasses for? Shouldn’t the lemon be in the empty fruit bowl rather than on the precipitously-tilted table? And why a white lily, traditionally a symbol of purity located near the Virgin Mary in paintings of the Annunciation? Unfortunately, a personal interpretation is lost to us as this painting was given to the Gallery after the artist’s death in 1983. [Label text from It Came From the Vault exhibition, 2013] “My art education is, and has been, without benefit of art school. I say this neither boastfully nor apologetically, simply with a wish to report the facts.” So wrote Hilda Altschule Coates, whose formal art training consisted of an undergraduate painting class while she worked on a degree in natural sciences at Hunter College, and another while pursuing her master’s degree in philosophy at Cornell University. Studying and working on her own, she evolved a style which she felt depended upon emotive rather than cerebral elements for its impact. Many of Altschule’s paintings of the 30s and 40s are studies of interiors that draw the eye around a room and out the window to the world outside. This particular canvas shows the view from her apartment on Alexander Street in Rochester. The eccentric perspective and a fascination with surfaces – the cloudy glass of the goblets, the reflective tray upon which they rest, the warm patina of an antique table, and the glossy leaves of the lily plant – are characteristic of Altschule’s early work. The lily is a symbol of purity; legend has it that the first lily sprang up from the tears Eve shed when she was expelled from the Garden of Eden. [Gallery label text, 1994]", "Dedication" : "Anonymous gift in memory of Willson H. and Hilda Altschule Coates", "Copyright_Type" : "Copyright Holder Not Found", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39388", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 187, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/187", "Disp_Access_No" : "1975.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Sunny Ducks", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daniel Arthur Allen", "Sort_Artist" : "Allen, Daniel Arthur", "Disp_Dimen" : "5 3/16 x 3 7/16 in. (13.1 x 8.8 cm)", "Disp_Height" : "5 3/16 in.", "Disp_Width" : "3 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Acrylic", "Support" : "board", "Disp_Medium" : "Acrylic on board", "Info_Page_Comm" : "Nearly 40 years after it entered MAG’s collection, Daniel Allen’s tiny painting was re-discovered by an intern updating records for the museum website. Its quirky sense of humor and mysterious narrative caught her eye. Intern Sarah Gerin says: “Sunny Ducks’ intrigue lies in its ambiguity. It is kind and comforting, yet still forlorn and remote. In the painting, there is no context for what interaction is taking place, where it is taking place, or even its significance. With its enigmatic imagery and striking sense of both kindness and solitude, this scene reveals a clever and playful approach to the universal themes of isolation, alienation, and human relationships.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of William Whiting and the Arthur Allen family in memory of Daniel Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16336", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 185, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/185", "Disp_Access_No" : "1967.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Homage to the Square: Soft Resonance", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Albers", "Sort_Artist" : "Albers, Josef", "Disp_Dimen" : "48 x 48 in. (121.9 x 121.9 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "48 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on composition board", "Info_Page_Comm" : "Have you ever had the experience of picking out an article of clothing in a store and bringing it home, only to find out that it wasn’t the color you thought it was? This is often the result of the effect of different kinds of lighting on our perception of color. Josef Albers spent thirty years studying how our sense of color is influenced and sometimes tricked. As Albers said in his book, Interaction of Color, “color deceives continually.” His Homage to the Square series is an elegant exploration of the way people perceive colors differently depending on the colors nearby. If the same yellow square in the center of this painting were surrounded by a dark red color, do you think the yellow square would appear lighter or darker than it does in this painting? [Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12436", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 362, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/362", "Disp_Access_No" : "1979.71", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louis Michel Eilshemius", "Sort_Artist" : "Eilshemius, Louis Michel", "Disp_Dimen" : "15 1/2 x 13 1/2 in. (39.4 x 34.3 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "13 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Canon and Mrs. Nathaniel T. Whitcomb", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 364, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/364", "Disp_Access_No" : "1961.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1960", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1960", "Disp_Title" : "Behold the Dawn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lucy Eisenhart", "Sort_Artist" : "Eisenhart, Lucy", "Disp_Dimen" : "40 x 34 in. (101.6 x 86.4 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "34 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Herbert Eisenhart", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 4258, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4258", "Disp_Access_No" : "5.1997L", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Interlude", "Alt_Title" : "The Lute Players", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maxfield Parrish", "Sort_Artist" : "Parrish, Maxfield", "Disp_Dimen" : "84 x 60 in. (213.4 x 152.4 cm)", "Disp_Height" : "84 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on linen canvas", "Info_Page_Comm" : "Maxfield Parrish, leading illustrator and muralist of the early twentieth century, painted Interlude to hang at the Eastman Theatre in Rochester. Through architect Lawrence Grant White, George Eastman commissioned three murals for the theater, which served as both silent movie palace and philharmonic hall. Interlude was Eastman’s favorite, a “peacherina,” he wrote White. The radiant quality of Interlude is due to Parrish’s high technical standards and theatrical sense of color—electrical reds, vivid purples, and lush apricots. A shade of cobalt straight from the tube was applied so ingeniously that it became known as “Parrish blue.” He painted glaze upon glaze to create a hard photographic finish that betrayed no brush strokes. Interlude was moved to the Memorial Art Gallery in 1997 to provide it with more stable temperature and humidity conditions. In its place at the Eastman Theatre is a full-size color reproduction. Elizabeth Brayer, George Eastman Historian [Summer 2015]", "Dedication" : "Lent by the Eastman School of Music of the University of Rochester", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See reproduction of a photo of a model posing for this painting in Alma Gilbert''s "Parrish and Photography," Plainfield, NH, 1998, fig. 13a.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/5.97L_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/5.97L_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/5.97L_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/5.97L_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17393", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of the Eastman Theater", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/5.97L_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/5.97L_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/5.97L_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/5.97L_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "38863", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 366, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/366", "Disp_Access_No" : "1946.19", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1945", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1950", "Disp_Title" : "Spring Back of Nelson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lucy Carter Eliot", "Sort_Artist" : "Eliot, Lucy Carter", "Disp_Dimen" : "20 x 30 in. (50.8 x 76.2 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 372, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/372", "Disp_Access_No" : "1946.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Zirchow VI", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lyonel Feininger", "Sort_Artist" : "Feininger, Lyonel", "Disp_Dimen" : "32 3/16 x 39 9/16 in. (81.7 x 100.5 cm)", "Disp_Height" : "32 3/16 in.", "Disp_Width" : "39 9/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Born in America, Lyonel Feininger spent much of his adult life living and painting in Germany. He developed his own personal style of Cubism in which splinters of form and space are rhythmic and interlocking. At the time the Nazis took over the German government and its cultural properties in the 1930s, the National Museum of Halle owned Zirchow VI. The Nazi campaign against abstract art, labeled “degenerate,” led to the sale of the museum’s collection of modern paintings including Zirchow VI. [Gallery label text, 2007] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13416", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 373, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/373", "Disp_Access_No" : "1955.181", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Plant", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kurt K. Feuerherm", "Sort_Artist" : "Feuerherm, Kurt K.", "Disp_Dimen" : "36 x 15 5/8 x 1/8 in. (91.4 x 39.7 x 0.3 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "15 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "masonite", "Disp_Medium" : "Oil on panel and paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.181_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.181_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.181_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.181_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "40683", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Post-treatment by the artist, who set down some lifting sections.", "View" : "" } , ] },{ "embark_ID" : 374, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/374", "Disp_Access_No" : "1956.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1956", "_Disp_Start_Dat" : "1951", "_Disp_End_Date" : "1961", "Disp_Title" : "Semaphore", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kurt K. Feuerherm", "Sort_Artist" : "Feuerherm, Kurt K.", "Disp_Dimen" : "47 x 23 in. (119.4 x 58.4 cm)", "Disp_Height" : "47 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Casein and oil, paper and tape", "Support" : "masonite", "Disp_Medium" : "Casein and oil, paper and tape collage on masonite", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "40684", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Post-treatment by the artist, who set down some lifting sections.", "View" : "" } , ] },{ "embark_ID" : 375, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/375", "Disp_Access_No" : "1964.66", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1962-1964", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1964", "Disp_Title" : "Honeoye #11", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kurt K. Feuerherm", "Sort_Artist" : "Feuerherm, Kurt K.", "Disp_Dimen" : "36 x 24 in. (91.4 x 61 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "As a 25-year-old student at the Cranbrook Academy of Art, Kurt Feuerherm was represented in the Metropolitan Museum of Art’s first U.S. painting competition by a powerful depiction of a Mexican meat market that showed a crucifix hanging with butchered animal carcasses. Life magazine illustrated the work in a January 1951 article about the new generation of contemporary artists. In 1953, after graduating from Yale School of Art, Feuerherm moved to Rochester and taught, over the years, at Rochester Institute of Technology, MAG’s Creative Workshop, Monroe Community College, and Empire State College. Recently, he and three of his past students were featured in RoCo’s annual Makers and Mentors exhibition. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Anonymous gift through the American Federation of Arts", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Museum Donor Program", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.66_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.66_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.66_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.66_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39407", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 376, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/376", "Disp_Access_No" : "1963.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1949", "_Disp_Start_Dat" : "1949", "_Disp_End_Date" : "1949", "Disp_Title" : "The Wreck no. VII", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernest Fiene", "Sort_Artist" : "Fiene, Ernest", "Disp_Dimen" : "30 x 36 in. (76.2 x 91.4 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Roy R. Neuberger", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 381, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/381", "Disp_Access_No" : "1981.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Seer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Helen Frankenthaler", "Sort_Artist" : "Frankenthaler, Helen", "Disp_Dimen" : "93 1/2 x 85 1/8 in. (237.5 x 216.2 cm)", "Disp_Height" : "93 1/2 in.", "Disp_Width" : "85 1/8 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "Helen Frankenthaler, who died on December 27, 2011, was a major American painter. Over the course of her long career, she experimented with new techniques that included pouring oil paint thinned with turpentine directly on large pieces of unprimed canvas, which permitted the paint to saturate the cloth and create loose and fluid fields of color. The emphasis on color of the second generation of abstract artists resulted in the term "Color Field Painters" to describe the work of Frankenthaler, Morris Louis, Kenneth Noland, and others. Her spontaneous style and meditative aesthetic were perhaps the result of the philosophy that she expressed in a 2003 New York Times interview: “There are no rules. Let the picture lead you where it must go.” In addition to "Seer", MAG also owns four prints created by Frankenthaler. ", "Dedication" : "Gift of the Women's Council on the occasion of the Council's 40th anniversary", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12483", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 385, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/385", "Disp_Access_No" : "1957.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Iris", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice Fromkes", "Sort_Artist" : "Fromkes, Maurice", "Disp_Dimen" : "31 1/2 x 27 1/2 in. (80 x 69.9 cm)", "Disp_Height" : "31 1/2 in.", "Disp_Width" : "27 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "From the collection of Mrs. Charles Wright Dodge, gift of her daughter, Mrs. Adrian Devine", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Mrs. Adrian Devine died in 1956-- how did she give MAG a gift in 1957? Note that a cardboad backing in curatorial file for 57.45, another Fromkes from Devine, says "Louise Dodge Bequest." Mrs. Dodge died in 1953; her daughter, Mrs Devine, who is credited with this gift, died in 1956. Did she have lifetime interest in this work and 57.45 and they came to MAG at her death?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15781", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/387", "Disp_Access_No" : "1923.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Russian Bridge, Close of Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Leon Gaspard", "Sort_Artist" : "Gaspard, Leon", "Disp_Dimen" : "17 x 22 in. (43.2 x 55.9 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/23.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/23.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/23.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/23.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12343", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 388, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/388", "Disp_Access_No" : "1946.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Composition", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri Gaudriot", "Sort_Artist" : "Gaudriot, Henri", "Disp_Dimen" : "20 x 16 in. (50.8 x 40.6 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "composition board", "Disp_Medium" : "Oil on composition board", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15722", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 396, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/396", "Disp_Access_No" : "1973.12", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1915", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1920", "Disp_Title" : "Beach at Blue Point", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Glackens", "Sort_Artist" : "Glackens, William", "Disp_Dimen" : "25 1/4 x 30 1/8 in. (64.1 x 76.5 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Like many American painters, including Winslow Homer, William Glackens was an artist-reporter early in his career. He met Robert Henri in Philadelphia, shared a studio with him, and went to Paris with him in 1895. Upon Glackens's return, he moved to New York City. He exhibited with The Eight in 1908, and chaired the Armory Show in 1913. By 1914, he was devoting all of his time to painting, and espoused subjects like this one, colorful depictions of Americans at play. Many of his paintings reflect the influence of French impressionists, particularly Pierre Auguste Renoir. [Gallery label text, 2003]", "Dedication" : "Elizabeth R. Grauwiller Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12454", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 397, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/397", "Disp_Access_No" : "1967.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1960", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1960", "Disp_Title" : "Ulysses V", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Goodnough", "Sort_Artist" : "Goodnough, Robert", "Disp_Dimen" : "56 x 56 in. (142.2 x 142.2 cm)", "Disp_Height" : "56 in.", "Disp_Width" : "56 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of James N. Goodman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "44783", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo and alternates on disk entitled 160106", "View" : "" } , ] },{ "embark_ID" : 400, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/400", "Disp_Access_No" : "1935.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Girl's Head", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "13 1/2 x 11 in. (34.3 x 27.9 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on masonite panel", "Info_Page_Comm" : "", "Dedication" : "George L. Herdle Memorial Prize", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.29_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.29_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.29_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.29_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39109", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 401, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/401", "Disp_Access_No" : "1935.49", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1940", "Disp_Title" : "Night Beauty", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "20 x 17 in. (50.8 x 43.2 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "17 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.49_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.49_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.49_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.49_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18009", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 402, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/402", "Disp_Access_No" : "1942.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Bar Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "29 1/2 x 25 1/4 in. (74.9 x 64.1 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "25 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Art Patrons' Purchase Award, 1942 Rochester-Finger Lakes Exhibition", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12362", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note: Archival Master scan has several hairs on it which need to be removed. The most visible has been removed in the Access version; probably needs to be removed in the resized print inhouse version.", "View" : "" } , ] },{ "embark_ID" : 404, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/404", "Disp_Access_No" : "1946.60", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1941", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1946", "Disp_Title" : "Check-Up", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "38 x 31 in. (96.5 x 78.7 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43327", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from transparency by KSchauber as there were no print or master level images. JPG derived from this new scan.", "View" : "" } , ] },{ "embark_ID" : 405, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/405", "Disp_Access_No" : "1960.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1949", "_Disp_Start_Dat" : "1949", "_Disp_End_Date" : "1949", "Disp_Title" : "Clearing - Livingston", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "29 1/2 x 39 1/2 in. (74.9 x 100.3 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Joseph F. Taylor", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18015", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 406, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/406", "Disp_Access_No" : "1992.29", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "African Violets", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "20 x 18 1/4 in. (50.8 x 46.4 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "18 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Richard F. Brush", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18280", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 408, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/408", "Disp_Access_No" : "1992.39", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Observer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "36 7/8 x 44 5/8 in. (93.6 x 113.4 cm)", "Disp_Height" : "36 7/8 in.", "Disp_Width" : "44 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of John, Deborah and Sarah Gorsline", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 409, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/409", "Disp_Access_No" : "1993.36", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self-Portrait in a Chinese Hat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "22 1/16 x 17 15/16 in. (56 x 45.5 cm)", "Disp_Height" : "22 1/16 in.", "Disp_Width" : "17 15/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Originally from Rochester, the painter and writer Douglas Gorsline attended the Art Students League in New York City and taught at the National Academy of Design. He was profoundly influenced by the artistic styles of cubism and realism. He tended to use fragmented compositions as a means of depicting reality, in particular reality combined with movement. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of Marie Gorsline", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.36_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.36_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.36_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.36_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43998", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 410, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/410", "Disp_Access_No" : "1954.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1953", "_Disp_Start_Dat" : "1953", "_Disp_End_Date" : "1953", "Disp_Title" : "Little Spirit Bird", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Morris Graves", "Sort_Artist" : "Graves, Morris", "Disp_Dimen" : "9 3/4 x 16 3/4 in. (24.8 x 42.5 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "16 3/4 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/54.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/54.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/54.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/54.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12394", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 413, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/413", "Disp_Access_No" : "1985.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "Fragment", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nancy S. Graves", "Sort_Artist" : "Graves, Nancy S.", "Disp_Dimen" : "64 x 76 in. (162.6 x 193 cm)", "Disp_Height" : "64 in.", "Disp_Width" : "76 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil and crayon on canvas", "Info_Page_Comm" : "Nancy Graves worked in many media, including sculpture, printmaking, film, and painting. This fact may be one reason why this important and influential artist is not as well known today as she might otherwise be. Graves’ work is so varied in subject and material that it can be difficult to grasp the totality of her accomplishment. For paintings like this from the late 1970s, the artist found inspiration in topographical maps, including of the ocean floor, lunar photographs, fossil records, and other records of the natural world to create ebullient, whimsical, and layered abstract paintings. [Summer 2015]", "Dedication" : "Gift of Sharon and Neil Norry; and Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12496", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 417, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/417", "Disp_Access_No" : "1956.10", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Still Life with Apples and Pears", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Grimm", "Sort_Artist" : "Grimm, William", "Disp_Dimen" : "18 x 21 1/4 in. (45.7 x 54 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "21 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas mounted on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. William Grimm", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/418", "Disp_Access_No" : "1951.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "The Opposition", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Gropper", "Sort_Artist" : "Gropper, William", "Disp_Dimen" : "28 x 38 in. (71.1 x 96.5 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "38 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Lawmakers were threatening to cut significant federal funding for the arts when political cartoonist and painter William Gropper satirized the United States Senate in The Opposition. Gropper wrote, “I have portrayed the type of representative that is opposed to progress and culture. The U.S. Senate…[has] such an influence on American life, good and bad, that it has even affected the artist and the cultural development of our country.” [Gallery label text, 2007] William Gropper was best known for his caustic commentary on the American political and social scene. He depicted realistic and identifiable subjects; The Opposition was one of a number of paintings and illustrations that came out of his 1934 assignment for the magazine Vanity Fair, to sketch legislators in action in Washington. Gropper made no bones about his distaste for politics and used his art to further his point of view: "I have portrayed the type of representative that is opposed to progress and culture. The U.S. Senate and the House of Representatives have had such an influence on American life, good and bad, that it has even affected the artist and the cultural development of our country. No matter how far removed from politics artists may be, it seems to strike home. Only recently one blasting speech of a reactionary representative resulted in not only doing away with the Section of Fine Art, but also dismissing the Graphic Division of the OWI [Office of War Information] and nullifying art reportage for the War Department." Gropper's start as a newspaper illustrator informed the creative processes of the rest of his life. His work retained his journalist's interest in issues of the day, giving it a particularly topical essence presented in a dynamic, expressionistic format. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "1714", "Rel_Obj_Title" : "The Opposition" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 419, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/419", "Disp_Access_No" : "1951.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "The Wanderer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Grosz", "Sort_Artist" : "Grosz, George", "Disp_Dimen" : "30 x 40 in. (76.2 x 101.6 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ten years after fleeing Germany during Hitler’s rise to power, George Grosz painted The Wanderer in New York. As World War II raged over the ocean, Grosz created this intensely personal response to his experience as a German soldier in World War I and his 1933 emigration to the United States. [Gallery label text, 2007] Painted in the midst of World War II, The Wanderer is an expression of the artist’s recent life experience. George Grosz was an established painter in Germany who, like many others, spoke out against the totalitarian Nazi regime. For his own safety and that of his family, he relocated to the United States. The Wanderer was one of a group of so-called ‘hell pictures’; in a letter, he wrote: I work a lot…I painted a little picture – The Wanderer – myself of course…The resonance of explosion and destruction often shakes me bodily. The explosion and destruction was a reference to the war-torn European continent that he had left behind, as well as a reference to his own emotional volatility as he tried to adjust, with little success, to his new life in America, suggested in the painting by the seagrasses he knew from Long Island and Cape Cod beaches. The Wanderer was probably one of the newest paintings acquired for the Encyclopedia Britannica Collection, as the collection was formed in 1943, the same year that Grosz painted this work. Stylistically, the painting’s expression of personal and cultural angst – achieved through desolate subject matter, somber palette, and unquiet line – was very much an alternative view to the more upbeat images of wartime artists like Norman Rockwell. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12388", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 422, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/422", "Disp_Access_No" : "1958.60", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Dutch Canal with House, Trees and Boat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Gruppe", "Sort_Artist" : "Gruppe, Charles Paul", "Disp_Dimen" : "10 x 14 in. (25.4 x 35.6 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Eugene M. Lowenthal", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Also assigned 58.123 by mistake. 58.123 was "inactivated" and not reassigned.", "Images": [ ] },{ "embark_ID" : 423, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/423", "Disp_Access_No" : "1969.31", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Park", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Gruppe", "Sort_Artist" : "Gruppe, Charles Paul", "Disp_Dimen" : "14 1/2 x 19 in. (36.8 x 48.3 cm)", "Disp_Height" : "14 1/2 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of John R. Maltby", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 424, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/424", "Disp_Access_No" : "1969.111", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Old Landmarks, Caledonia Creek", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Gruppe", "Sort_Artist" : "Gruppe, Charles Paul", "Disp_Dimen" : "14 x 20 in. (35.6 x 50.8 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of John R. Maltby", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 429, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/429", "Disp_Access_No" : "1992.6", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Late Afternoon in the Catskills", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emile Gruppe", "Sort_Artist" : "Gruppe, Emile", "Disp_Dimen" : "20 x 24 in. (50.8 x 60.9 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Stuart Hyland Bequest", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16964", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 431, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/431", "Disp_Access_No" : "1951.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "Non-Fiction", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Gwathmey", "Sort_Artist" : "Gwathmey, Robert", "Disp_Dimen" : "29 x 24 in. (73.7 x 61 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the 1940s, Robert Gwathmey focused his artist’s eye upon the lives of African-American sharecroppers in the South. Non-Fiction shows a common sight on southern farms; older children tended to the young when both parents worked all day in the fields. The barbed wire and minstrel figure symbolize the dual oppressions of segregation and racism. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12389", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 435, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/435", "Disp_Access_No" : "1965.59", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1940", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1945", "Disp_Title" : "Waterfall, Morse Pond", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marsden Hartley", "Sort_Artist" : "Hartley, Marsden", "Disp_Dimen" : "22 x 28 in. (55.9 x 71.1 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "academy board", "Disp_Medium" : "Oil on academy board", "Info_Page_Comm" : "With the introduction of modernism, landscapes painted by American artists become deeply personal exercises. Unlike the emphasis on panoramic vistas in the 19th century, modernist artists allow their personal connection and response to a waterfall or a tree become the main subject of their painting. This waterfall in the Maine woods would have held particular interest for Marsden Hartley, who felt a spiritual connection to Maine and its natural resources. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Fell Out of Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12428", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.59_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.59_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.59_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.59_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "16353", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Margie MacDougal, the author for the Hartley painting for the American catalog took this photograph on November 4, 2002.", "View" : "" } , ] },{ "embark_ID" : 436, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/436", "Disp_Access_No" : "1963.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "The Bathers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "48 3/16 x 148 1/4 in. (122.4 x 376.6 cm)", "Disp_Height" : "48 3/16 in.", "Disp_Width" : "148 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting hung originally in the home of C.E.S. Wood, a Portland, Oregon lawyer, writer and art collector. Murals were a common feature of turn-of-the-20th-century interiors, as they complemented the unified design popularized by artists and designers like William Morris and Gustav Stickley. Monumental buildings like the Boston Public Library as well as cozy residential bungalows were decorated by artists who covered blank walls with colorful, imaginative, and romantic scenes like The Bathers. MAG’s painting by Impressionist painter Childe Hassam was installed as part of a larger mural in the library/studio of the Portland, Oregon, home of Charles Erskine Scott Wood. A lawyer, writer, connoisseur, and friend of Hassam, Wood was influenced by the late 19th century Arts & Crafts aesthetic that disdained the ornate and cluttered surroundings of the Victorian period and aspired to simplicity and harmonious design. Wood wrote to his friend, the artist J. Alden Weir, that Hassam “whirled in and painted me a whole wall for my studio, and they tell me it is beautiful.” [Gallery label text, 2008] ", "Dedication" : "Gift of Mr. and Mrs. Ogden Phipps", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "There are a number of descendants of C.E.S. Wood, who commissioned this painting from Hassam. In October 2008 Marjorie Searl spoke with Nancy Robinson von Gimbut, a greatgranddaughter of C.E.S. Wood. She was born in Rochester and lived on Fonthill Road in Brighton. Her father was David Robinson, who was born in England and was in the Air Service. Her email address is nvongimbut@yahoo.com", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12414", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 438, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/438", "Disp_Access_No" : "1989.65", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with Farmer and Plowhorses", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George M. Haushalter", "Sort_Artist" : "Haushalter, George M.", "Disp_Dimen" : "19 3/4 x 25 3/4 in. (50.1 x 65.4 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "25 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Beula Sonders in memory of Dr. Samuel Sonders", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 439, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/439", "Disp_Access_No" : "1976.22", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1911", "_Disp_Start_Dat" : "1906", "_Disp_End_Date" : "1916", "Disp_Title" : "Spring", "Alt_Title" : "From the Garden", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Webster Hawthorne", "Sort_Artist" : "Hawthorne, Charles Webster", "Disp_Dimen" : "39 1/2 x 39 1/2 in. (100.3 x 100.3 cm)", "Disp_Height" : "39 1/2 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12470", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 440, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/440", "Disp_Access_No" : "1949.61", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1949", "_Disp_Start_Dat" : "1944", "_Disp_End_Date" : "1954", "Disp_Title" : "Neon City", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Hawver", "Sort_Artist" : "Hawver, Richard", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "", "Disp_Medium" : "Oil", "Info_Page_Comm" : "", "Dedication" : "Purchased through the Marion Stratton Gould Fund from the 1949 Rochester Finger Lakes Exhibition", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30217", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 443, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/443", "Disp_Access_No" : "1962.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1955", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1960", "Disp_Title" : "Blue Painting", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carl Heidenreich", "Sort_Artist" : "Heidenreich, Carl", "Disp_Dimen" : "48 1/8 x 38 1/4 in. (122.2 x 97.2 cm)", "Disp_Height" : "48 1/8 in.", "Disp_Width" : "38 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. Henry A. Buxbaum", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 444, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/444", "Disp_Access_No" : "1955.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1954", "_Disp_Start_Dat" : "1954", "_Disp_End_Date" : "1954", "Disp_Title" : "Innsbruck", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Heliker", "Sort_Artist" : "Heliker, John", "Disp_Dimen" : "17 3/4 x 11 in. (45.1 x 27.9 cm)", "Disp_Height" : "17 3/4 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Whitney F. Hoyt in memory of his father and mother, Mr. and Mrs. Martin B. Hoyt", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 446, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/446", "Disp_Access_No" : "1977.155", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1922", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1927", "Disp_Title" : "Lucero's Place, Springtime", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Penhallow Henderson", "Sort_Artist" : "Henderson, William Penhallow", "Disp_Dimen" : "31 3/4 x 39 7/8 in. (80.6 x 101.3 cm)", "Disp_Height" : "31 3/4 in.", "Disp_Width" : "39 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Miss Helen C. Ellwanger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/447", "Disp_Access_No" : "1926.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1924", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1924", "Disp_Title" : "Tom Cafferty", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Henri", "Sort_Artist" : "Henri, Robert", "Disp_Dimen" : "22 1/4 x 20 1/8 in. (56.5 x 51.1 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "20 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Robert Henri, the leader of the Urban Realist movement, sought truth in art above all else. Henri promoted this revolutionary idea in support of a uniquely American art. [Gallery label text, 2007] In addition to providing guidance and inspiration (as well as occasional financial assistance) to many artists, Robert Henri was himself a very fine painter. Wherever he taught, he gathered around him eager and enthusiastic students who benefited from his instruction. He moved to New York in 1900 and taught at William Merritt Chase's school for a few years. In 1909, he established his own school, and also taught painting at the radical Ferrer School established by former Rochesterian Emma Goldman. Although a member of the National Academy of Design, Henri actively promoted non-juried exhibitions and the work of younger, less traditional artists. Dictums such as "Know what the old masters did…They made their language. You make yours. All the past can help you" gave his followers the confidence to paint in their own way. During the 1920s, Henri lived in Ireland and painted a young boy named Tom Cafferty, who was the subject of this painting and a number of others. Characteristically, Henri painted him in a very loose and colorful style, with energetic brush strokes. [Gallery label text, 2003]", "Dedication" : "Gift of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See May 2010 article in Apollo magazine about the McGlothlin collection in Florida, promised to the Virginia Musuem of Fine Arts; they own another version of this portrait which is titled "Listening Boy." KSchauber, Curatorial Research Ass''t See discussion of Henri''s portraits of Tom Cafferty and other Irish children in the Gerald Peters Gallery catalogue "Robert Henri: The Painted Spirit," 2005, pp. 29-31", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.1_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.1_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.1_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.1_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "33959", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 450, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/450", "Disp_Access_No" : "1979.68", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1908", "_Disp_Start_Dat" : "1903", "_Disp_End_Date" : "1913", "Disp_Title" : "The End of the Day", "Alt_Title" : "German Farm House (title given by Gertrude Herdle Moore and Isabel Herdle when it came into collection)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Leonard Herdle", "Sort_Artist" : "Herdle, George Leonard", "Disp_Dimen" : "22 x 28 in. (55.9 x 71.1 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Title is taken from Memorial Exhibition.", "Dedication" : "Gift of Gertrude Herdle Moore", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Provisional 12-11-1979 & 1-22-80", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.68_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.68_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.68_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.68_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "38895", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame edited out of photo in processing.", "View" : "" } , ] },{ "embark_ID" : 451, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/451", "Disp_Access_No" : "1989.55", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1915", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1920", "Disp_Title" : "The Canal Boat", "Alt_Title" : "The Locks at Brighton (title given by Gertrude Herdle Moore and Isabel Herdle when it came into collection)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Leonard Herdle", "Sort_Artist" : "Herdle, George Leonard", "Disp_Dimen" : "21 15/16 x 28 in. (55.8 x 71.1 cm)", "Disp_Height" : "21 15/16 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Title is taken from Memorial Exhibition. George Herdle was one of the most versatile and influential leaders of Rochester’s arts community around the turn of the twentieth century. In addition to being a fine landscape painter, he was president of the Rochester Art Club for nearly two decades and, in 1913, he became the first director of the Memorial Art Gallery of the University of Rochester. Herdle’s legacy is visible in the building and collections that surround you, as well as in the tradition of connoisseurship and artistic vitality that he transmitted to his two daughters, Gertrude Herdle Moore and Isabel C. Herdle. Gertrude took over at the Gallery as director after her father’s untimely death, and Isabel worked by her side as curator and associate director for many years. The family was honored by the naming of the Herdle Fountain Court on the second floor of the Gallery. [Gallery label text, 2007]", "Dedication" : "Gift of Gertrude Herdle Moore and Isabel C. Herdle", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.55_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.55_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.55_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.55_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38897", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame edited out of photo in processing.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/exhibitview1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/exhibitview1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/exhibitview1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/exhibitview1.tif", "IsPrimary" : "0", "_SurrogateID" : "47757", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 452, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/452", "Disp_Access_No" : "1960.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1959", "_Disp_Start_Dat" : "1959", "_Disp_End_Date" : "1959", "Disp_Title" : "Ruby Gold", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hans Hofmann", "Sort_Artist" : "Hofmann, Hans", "Disp_Dimen" : "55 3/8 x 40 1/2 in. (140.7 x 102.9 cm)", "Disp_Height" : "55 3/8 in.", "Disp_Width" : "40 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "According to painter Hans Hofmann, “there are bigger things to be seen in nature than the object.” Ruby Gold demonstrates this idea through the dramatic interplay of color, form, and expression. Hofmann was one of the most influential teachers of Abstract Expressionism, the painting style for which he is known. While other painters, such as Jackson Pollock, pioneered the style, Hofmann taught it to generations of students and helped to cement its role as a dominant form of painting in the U.S. from the 1950s onward. He created his signature works, like Ruby Gold, in the last eight years of his life, when, at age 78, he stopped teaching and devoted himself exclusively to painting. [Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.37_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.37_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.37_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.37_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40794", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk number 131024", "View" : "" } , ] },{ "embark_ID" : 458, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/458", "Disp_Access_No" : "1973.147", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Landscape with Sheep", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Henry Howe", "Sort_Artist" : "Howe, William Henry", "Disp_Dimen" : "15 x 22 in. (38.1 x 55.9 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.147_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.147_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.147_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.147_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28902", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090406", "View" : "" } , ] },{ "embark_ID" : 459, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/459", "Disp_Access_No" : "1942.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Abandoned Railroad", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Whitney F. Hoyt", "Sort_Artist" : "Hoyt, Whitney F.", "Disp_Dimen" : "27 1/2 x 39 1/2 in. (69.9 x 100.3 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Rochester artist Whitney Hoyt skillfully used light, line, and composition to create this moody rumination on the relationship between technology and nature. Decades after he painted Abandoned Railroad, Hoyt continued to find his muse in the landscape. He wrote in November 1966, “I enjoy walking in the woods and fields. The mood, the atmosphere of things growing, of things decaying delight me . . . At heart I am a pantheist. Despite the computer, humanism is not dead.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Purchased through Anonymous Gift and Gallery Funds from the Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 460, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/460", "Disp_Access_No" : "1950.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1949", "_Disp_Start_Dat" : "1949", "_Disp_End_Date" : "1949", "Disp_Title" : "Home in the Hills", "Alt_Title" : " Home in the Hills", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Whitney F. Hoyt", "Sort_Artist" : "Hoyt, Whitney F.", "Disp_Dimen" : "8 x 10 in. (20.3 x 25.4 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 465, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/465", "Disp_Access_No" : "1926.99", "_AccNumSort1" : "", "Disp_Create_DT" : "1926 or later", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1926", "Disp_Title" : "Café Maure, Sidi-Bou-Said, Tunisia", "Alt_Title" : "Old Café at Sidi-Bou-Said", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank Townsend Hutchens", "Sort_Artist" : "Hutchens, Frank Townsend", "Disp_Dimen" : "39 x 45 in. (99.1 x 114.3 cm)", "Disp_Height" : "39 in.", "Disp_Width" : "45 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Henry W. Morgan", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/26.99_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/26.99_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/26.99_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/26.99_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41423", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 466, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/466", "Disp_Access_No" : "1957.19", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Anemones", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Whitney F. Hoyt", "Sort_Artist" : "Hoyt, Whitney F.", "Disp_Dimen" : "11 1/2 x 15 1/2 in. (29.2 x 39.4 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "15 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "The Lending Library Purchase Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "File says this was purchased with Gould Fund, not Lending Library Purchase Fund-- which is correct?", "Images": [ ] },{ "embark_ID" : 467, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/467", "Disp_Access_No" : "1951.285", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Road to Grassy Point", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Whitney F. Hoyt", "Sort_Artist" : "Hoyt, Whitney F.", "Disp_Dimen" : "10 3/8 x 12 3/8 in. (26.4 x 31.4 cm)", "Disp_Height" : "10 3/8 in.", "Disp_Width" : "12 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Presented by Mrs. James S. Watson, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 469, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/469", "Disp_Access_No" : "1949.85", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Forbidden Playground", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Whitney F. Hoyt", "Sort_Artist" : "Hoyt, Whitney F.", "Disp_Dimen" : "24 1/2 x 31 1/2 in. (62.2 x 80 cm)", "Disp_Height" : "24 1/2 in.", "Disp_Width" : "31 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchased through an Anonymous Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 471, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/471", "Disp_Access_No" : "1951.85", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1915", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1920", "Disp_Title" : "The Minnow Box", "Alt_Title" : "Conesus Outlet (Creek Side Farm) (title given by Gertrude Herdle Moore and Isabel Herdle when it came into collection)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Leonard Herdle", "Sort_Artist" : "Herdle, George Leonard", "Disp_Dimen" : "18 x 22 in. (45.7 x 55.9 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Title is taken from the Memorial Exhibition.", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.85_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.85_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.85_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.85_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "38892", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame edited out of photo in processing. Rephotograph with less glare.", "View" : "" } , ] },{ "embark_ID" : 477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/477", "Disp_Access_No" : "1992.5", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bend in the River, Vermont", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emile Gruppe", "Sort_Artist" : "Gruppe, Emile", "Disp_Dimen" : "25 x 30 in. (63.5 x 76.2 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Stuart Hyland Bequest", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16963", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 479, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/479", "Disp_Access_No" : "1966.23", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1965", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1970", "Disp_Title" : "Prometheus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sidney Gross", "Sort_Artist" : "Gross, Sidney", "Disp_Dimen" : "60 x 96 in. (152.4 x 243.8 cm)", "Disp_Height" : "60 in.", "Disp_Width" : "96 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Blanche and Jerome W. Picker Foundation", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 480, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/480", "Disp_Access_No" : "1952.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1952", "_Disp_Start_Dat" : "1952", "_Disp_End_Date" : "1952", "Disp_Title" : "Buildings", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ned Griner", "Sort_Artist" : "Griner, Ned", "Disp_Dimen" : "24 x 30 in. (61 x 76.2 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Purchased through the Art Patrons Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.31_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.31_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.31_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.31_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24398", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 481, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/481", "Disp_Access_No" : "1944.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1913", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1913", "Disp_Title" : "Matin, Auray", "Alt_Title" : "Bridge at Avray", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walter Griffin", "Sort_Artist" : "Griffin, Walter", "Disp_Dimen" : "33 3/8 x 36 1/2 in. (84.8 x 92.7 cm)", "Disp_Height" : "33 3/8 in.", "Disp_Width" : "36 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "The Edward Bausch Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26204", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 493, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/493", "Disp_Access_No" : "1985.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "Evening Glow", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wolf Kahn", "Sort_Artist" : "Kahn, Wolf", "Disp_Dimen" : "52 1/4 x 76 1/4 in. (132.7 x 193.7 cm)", "Disp_Height" : "52 1/4 in.", "Disp_Width" : "76 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Julius G. Kayser", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN>From e-mail sent by Lyn Kaiser to Jonathan Binstock upon reinstallation of the piece at MAG in May 2018: "<SPAN STYLE="font-size:10pt">Nice to know that Wolf is represented on the walls of MAG again.  He was/is a good friend of the Gallery.. My sister, Lennie Strasenburgh, spent studio time in Vermont with him for a few summers and they enjoyed a friendship.  <BR/>I think the piece is entitled Evening Glow and had there been a light with a reostat ? reistat?  on it , it would actually glow when the light was activated.    <BR/>I am not an advocate of keeping art that is no longer of importance to a museum and had in the past let Peter know that if it was determined that Kahn fit that category, that the art committee should take the money and run...<BR/>Of interest, the committee advised the Board of it''s intention to buy the piece on the occasion of my last meeting as Board Pres... I loved it and thought it an appropriate departure gift and handed a note of my covering the expense to Peter? Betsey? the person making the committee''s accession known. I was always happy that it was their choice and not mine.<BR/>You must know that Mickey Sands has some of Wolf''s work in her collection.</SPAN>"</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12497", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 494, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/494", "Disp_Access_No" : "1974.99", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Abstract - Study of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Morris Kantor", "Sort_Artist" : "Kantor, Morris", "Disp_Dimen" : "38 x 34 in. (96.5 x 86.4 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "34 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.99_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.99_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.99_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.99_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "40330", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 495, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/495", "Disp_Access_No" : "1974.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Landscape with Bathers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Morris Kantor", "Sort_Artist" : "Kantor, Morris", "Disp_Dimen" : "36 x 42 in. (91.4 x 106.7 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.100_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.100_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.100_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.100_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12458", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 497, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/497", "Disp_Access_No" : "1971.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "Near the Mohawk River", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harold Keller", "Sort_Artist" : "Keller, Harold", "Disp_Dimen" : "40 x 44 1/2 in. (101.6 x 113 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "44 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of R.V. and Holly Hemingway Bendrat", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "37197", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 498, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/498", "Disp_Access_No" : "1978.79", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1972", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1977", "Disp_Title" : "The Oasis", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Keller", "Sort_Artist" : "Keller, Henry", "Disp_Dimen" : "33 7/8 x 46 5/8 in. (86 x 118.4 cm)", "Disp_Height" : "33 7/8 in.", "Disp_Width" : "46 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Gerald L. Glaser", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 505, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/505", "Disp_Access_No" : "1956.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1955", "_Disp_Start_Dat" : "1955", "_Disp_End_Date" : "1955", "Disp_Title" : "Lilacs and Books", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Karl Knaths", "Sort_Artist" : "Knaths, Karl", "Disp_Dimen" : "30 x 40 in. (76.2 x 101.6 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Karl Knaths seldom left his home in Provincetown, where he primarily painted familiar Cape Cod scenes: the rambling lilac bushes that overtake the island in the summer months and the local fishermen and their gear. The 1956 exhibition from which the Gallery purchased Lilacs and Books received a glowing review in the New York Times that predicted, “Knaths’ work may well be part of the work of our time that is likely to endure.” Despite his popularity in the 1950s, his lyrical style was eclipsed in the annals of history by the muscular, dripping abstractions of Jackson Pollock and other Abstract Expressionists. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Holder Not Found", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.60_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.60_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.60_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.60_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13417", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 507, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/507", "Disp_Access_No" : "1965.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Interlude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Koch", "Sort_Artist" : "Koch, John", "Disp_Dimen" : "50 1/8 x 39 7/8 in. (127.3 x 101.3 cm)", "Disp_Height" : "50 1/8 in.", "Disp_Width" : "39 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Koch was a master of the tradition of American realism. His warm, intimate, and elegant New York City interiors glow with light that is reflected by well-polished furniture, floors, and silver. In this painting, the artist’s wife (piano teacher Dora Zaslavsky) offers a cup of tea to the nude artist’s model, while the artist sits in the background and contemplates his canvas. A variation on the theme of artists and models, Interlude also is an expression of the generosity of human relationships. As one of Zaslavsky’s former students wrote, “…her philosophy of care and concern for the individual student helps shape my teaching to this day.” [Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Thomas H. Hawks", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3173", "Rel_Obj_Title" : "Study for "Interlude" (I)" },{ "Rel_Obj_ID" : "3174", "Rel_Obj_Title" : "Study for "Interlude" (II)" } ], "Curator" : "Per MSearl, telephone number of family that lives in John Koch''s apartment is 212 873 2875. Family of UR student Joyce Cohen lives there (don''t know when this info is from - sometime before 2012). 11.14.12.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 508, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/508", "Disp_Access_No" : "1963.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Opposed", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ida Kohlmeyer", "Sort_Artist" : "Kohlmeyer, Ida", "Disp_Dimen" : "81 x 69 in. (205.7 x 175.3 cm)", "Disp_Height" : "81 in.", "Disp_Width" : "69 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist through the Ford Foundation Purchase Program", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44782", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo and alternates on disk entitled 160106", "View" : "" } , ] },{ "embark_ID" : 509, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/509", "Disp_Access_No" : "1959.49", "_AccNumSort1" : "", "Disp_Create_DT" : "1959", "_Disp_Start_Dat" : "1959", "_Disp_End_Date" : "1959", "Disp_Title" : "Palermo II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lola Konraty", "Sort_Artist" : "Konraty, Lola", "Disp_Dimen" : "25 x 29 in. (63.5 x 73.7 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas board", "Disp_Medium" : "Oil on canvas board", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 510, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/510", "Disp_Access_No" : "1947.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Jacob and the Angel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maxim Kopf", "Sort_Artist" : "Kopf, Maxim", "Disp_Dimen" : "36 x 44 in. (91.4 x 111.8 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "44 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This Genesis story is a common subject in Western painting, depicting the biblical figure of Jacob wrestling with an angel and receiving a blessing. Like Jacob, Maxim Kopf struggled mightily in his life and then was blessed, having spent two and a half years in internment camps in Europe before coming to the United States in 1941. In 1947, MAG director Gertrude Herdle negotiated to purchase this painting, thinking “it one of the most important contemporary American paintings which we could add to our collection at this time.” Sixty-five years later, Kopf is no longer regarded as a major contemporary artist. However, as tastes change over time, a painting that was held in high esteem by one director may be well-regarded by another in the future. For that reason, museums approach the process of deaccessioning with great care. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39403", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop. Rephotograph with less glare", "View" : "" } , ] },{ "embark_ID" : 511, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/511", "Disp_Access_No" : "1951.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Clown", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Walt Kuhn", "Sort_Artist" : "Kuhn, Walt", "Disp_Dimen" : "20 x 16 1/4 in. (50.8 x 41.3 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "16 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Walt Kuhn received great acclaim during his lifetime for the bold simplicity and emotional intensity of his paintings of vaudeville and circus performers. Kuhn was also one of the principal organizers of the landmark and pioneering Armory Show of 1913, which introduced the American public to avant-garde European art and helped change the course of painting and sculpture in the United States. ? [Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13418", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 521, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/521", "Disp_Access_No" : "1974.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1954", "_Disp_Start_Dat" : "1949", "_Disp_End_Date" : "1959", "Disp_Title" : "Gamblers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "9 x 12 in. (22.9 x 30.5 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera on gesso panel", "Info_Page_Comm" : "Compare the ominous and somber mood of Jacob Lawrence’s Gamblers with the upbeat and optimistic flavor of his painting Summer Street Scene in Harlem (MAG collection). The still and formal arrangement of figures and cards in Gamblers, the delicate floral vine that arches across the canvas, and the casket or tombstone forms behind the standing men create a scene that is very nearly funereal, perhaps suggesting the idea that life (and death) is a game of chance. [Gallery label text, 2009]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12457", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 522, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/522", "Disp_Access_No" : "1991.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1948", "_Disp_Start_Dat" : "1948", "_Disp_End_Date" : "1948", "Disp_Title" : "Summer Street Scene in Harlem", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Lawrence", "Sort_Artist" : "Lawrence, Jacob", "Disp_Dimen" : "20 1/16 x 24 1/8 in. (51 x 61.2 cm)", "Disp_Height" : "20 1/16 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Tempera on gesso panel", "Info_Page_Comm" : "Jacob Lawrence chronicled the migration of African Americans from the South to the North in the first half of the 20th century. In Summer Street Scene in Harlem, Lawrence’s style incorporates the flattened surfaces, distorted shapes, and bold colors of modernism to capture the energy and vitality of life in Harlem, New York. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12514", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 523, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/523", "Disp_Access_No" : "1951.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "The Garden", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernest Lawson", "Sort_Artist" : "Lawson, Ernest", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "While many early twentieth century American paintings celebrated buildings, bridges and the hustle and bustle of the city, tranquil subjects, including Ashcan artist Ernest Lawson’s Garden, filled canvases as well. In documenting a formal garden owned by H.H. Rogers in exclusive Tuxedo Park, New York, Lawson chose rich and vivid colors that evoked the warmth and languor of a summer interlude. The view of the charming teahouse, complete with sculpture, suggests afternoons filled with genteel conversation and desultory reading, or spent drifting off to the sound of lapping water, far removed from the clamor of Lie’s nearby Brooklyn Bridge or Sloan’s Election Night. [Gallery label text, 2007] Ernest Lawson moved to New York in 1898, and in 1908 he exhibited at Macbeth Gallery with The Eight. While this garden vista is an uncharacteristically intimate view by Lawson, it demonstrates his intense use of a color palette that was referred to as consisting of "crushed jewels." The painting was exhibited in 1916 at the Memorial Art Gallery, acquired from the exhibition by longtime MAG patrons, the Watsons, and generously donated to the Gallery in 1951. Long thought to be a Rochester garden, the subject was definitively identified by Deirdre Cunningham, the George Eastman House Nancy R. Turner landscape curator, as a garden in Tuxedo Park, New York. The current owners are in the process of restoring the garden, abandoned for many years, to its original beauty. [Gallery label text, 2003] ", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "20130", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "From Architectural Forum article", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "20131", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "20132", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary view of H. H. Rogers garden", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "36872", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "From Architectural Forum article", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "44279", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 524, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/524", "Disp_Access_No" : "1975.2", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Table with Roman Colors", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Lechay", "Sort_Artist" : "Lechay, James", "Disp_Dimen" : "40 x 50 in. (101.6 x 127 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "50 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "James Lechay played a notable role in the tradition of avant-garde painting in New York City, where his circle of friends included Milton Avery, Mark Rothko, and Arshile Gorky, and later in the Midwest, where he taught at the University of Iowa for nearly three decades. “A serious painter is what I like,” he said in an interview in 1995 at the age of 89. “Whether I like his work or not has nothing to do with it, but I like the fact that he’s serious and struggling and trying to find something. A carefully done, precise, boring rendition copy, that shows no search, I’m not interested in that, and I don’t think that goes anywhere. But the person who has all the wonderful mistakes of a human being, his work is wonderful because it has wonderful errors in it, it’s full of life. I mean that a cadaver is perfect, it doesn’t make any mistakes, but it’s also dead.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of the American Academy of Arts and Letters, Childe Hassam Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Curator from American Academy of Arts and Letters called to say by terms of the gift to MAG, they should have been notified before works given by them to MAG were deaccessioned (we sent informational letter right after 52.38 Bosa was deaccessioned in April 2017). She asked about other two works given by AAAL, which were still at MAG (75.2 Lechay and 79.40 Sharrer). If those are deaccessioned, AAAL should be consulted first. --KSchauber, Curatorial Research Ass''t, 5-25-2017", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17992", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 529, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/529", "Disp_Access_No" : "1928.446", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1915", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1920", "Disp_Title" : "St. Ives, Cornwall", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hayley Lever", "Sort_Artist" : "Lever, Hayley", "Disp_Dimen" : "24 x 30 in. (61 x 76.2 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting won the silver medal at the National Arts Club, 1914", "Dedication" : "Gift of the artist", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.446_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.446_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.446_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.446_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "35320", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "These files (master, print, access) were derived from post-treatment photography (tif) provided by James Hamm, Fine Arts Conservation.", "View" : "" } , ] },{ "embark_ID" : 534, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/534", "Disp_Access_No" : "1913.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1911-1912", "_Disp_Start_Dat" : "1911", "_Disp_End_Date" : "1912", "Disp_Title" : "Morning on the River", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jonas Lie", "Sort_Artist" : "Lie, Jonas", "Disp_Dimen" : "50 x 60 in. (127 x 152.4 cm)", "Disp_Height" : "50 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Jonas Lie captures the new American landscape of industry and technology by painting the gritty underside of the Brooklyn Bridge. [Gallery label text, 2007]", "Dedication" : "Gift of Ruth Sibley Gade in memory of James G. Averell", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12334", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 538, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/538", "Disp_Access_No" : "1974.103", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1923-1924", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1924", "Disp_Title" : "Boy with Dice", "Alt_Title" : "Shoeshine Boy", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Luks", "Sort_Artist" : "Luks, George", "Disp_Dimen" : "30 5/16 x 26 5/16 in. (77 x 66.8 cm)", "Disp_Height" : "30 5/16 in.", "Disp_Width" : "26 5/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting of a shoeshine boy is a part of a series Luks made of young boys who worked on the streets of New York. [Gallery label text, 2007 Luks, like Glackens, was originally from Philadelphia and moved to New York City in 1896. He was one of The Eight who exhibited together at Macbeth Gallery in 1908, and his painting of a boy with dice reflects his interest in depicting aspects of life in the lower classes. Here, a boy who looks to be no more than ten is smoking, more than likely earning his own living as a shoeshine boy, and supplementing his income by gambling. The painting, inscribed To Elizabeth, was given by the artist to his student, Elizabeth Olds, who studied with him at the Art Students League in New York City. Elizabeth Olds was an accomplished printmaker and, like her teacher, believed in the importance of art for all people, not just the upper classes. [Gallery label text, 2003]", "Dedication" : "Gift of Mr. and Mrs. Thomas H. Hawks, in honor of Harris K. Prior", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.103_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.103_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.103_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.103_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/543", "Disp_Access_No" : "1914.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "New Orleans Man", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Lee MacCameron", "Sort_Artist" : "MacCameron, Robert Lee", "Disp_Dimen" : "22 x 18 in. (55.9 x 45.7 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Robert Lee MacCameron was celebrated in Europe and the United States for his insightful portraits. He moved to London in 1888, where he worked as an illustrator, before going to Paris to study at the École des Beaux-Arts. There, he studied with the major artists of the day, including Jean-Léon Gérôme and James McNeil Whistler. His portrait commissions ranged from European nobility to prominent American politicians, including Presidents McKinley and Taft. In addition, MacCameron painted scenes and portraits of the diverse ethnic mix that populated American cities at the turn of the century. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of the Rochester Art Club", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12641", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 551, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/551", "Disp_Access_No" : "1960.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "The Assessor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Conrad Marca-Relli", "Sort_Artist" : "Marca-Relli, Conrad", "Disp_Dimen" : "54 x 46 in. (137.2 x 116.8 cm)", "Disp_Height" : "54 in.", "Disp_Width" : "46 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil collage on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12410", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 552, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/552", "Disp_Access_No" : "1943.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "People's Follies No. 3", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reginald Marsh", "Sort_Artist" : "Marsh, Reginald", "Disp_Dimen" : "25 7/8 x 39 in. (65.7 x 99.1 cm)", "Disp_Height" : "25 7/8 in.", "Disp_Width" : "39 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "board", "Disp_Medium" : "Tempera on composition board", "Info_Page_Comm" : "Reginald Marsh inherited the Urban Realist interest in the act of seeing and being seen. His art often addressed sexuality in the urban environment, as in this painting of a burlesque hall. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12364", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 553, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/553", "Disp_Access_No" : "1945.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Ice Cream Cones", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reginald Marsh", "Sort_Artist" : "Marsh, Reginald", "Disp_Dimen" : "24 x 30 in. (61 x 76.2 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "without frame", "Medium" : "Egg tempera", "Support" : "board", "Disp_Medium" : "Egg tempera on composition board", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/45.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/45.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/45.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/45.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 555, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/555", "Disp_Access_No" : "1936.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "On the Hillside", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Homer Dodge Martin", "Sort_Artist" : "Martin, Homer Dodge", "Disp_Dimen" : "24 1/2 x 36 1/2 in. (62.2 x 92.7 cm)", "Disp_Height" : "24 1/2 in.", "Disp_Width" : "36 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13057", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 557, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/557", "Disp_Access_No" : "1965.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Woman in a Wing Chair", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert E. Marx", "Sort_Artist" : "Marx, Robert E.", "Disp_Dimen" : "48 x 44 in. (121.9 x 111.8 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "44 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift through the American Federation of Arts", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Museum Donor Program", "Images": [ ] },{ "embark_ID" : 564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/564", "Disp_Access_No" : "1970.47", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1930", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1935", "Disp_Title" : "Still Life with Bananas", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfred Maurer", "Sort_Artist" : "Maurer, Alfred", "Disp_Dimen" : "18 x 21 1/4 in. (45.7 x 54 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "21 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Bertha Schaefer in memory of Max A. Adler", "Copyright_Type" : "Fell Out of Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12444", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 568, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/568", "Disp_Access_No" : "1983.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "Woman in an Ermine Collar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kathleen McEnery Cunningham", "Sort_Artist" : "Cunningham, Kathleen McEnery", "Disp_Dimen" : "76 7/8 x 38 3/8 in. (195.3 x 97.5 cm)", "Disp_Height" : "76 7/8 in.", "Disp_Width" : "38 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Kathleen McEnery’s early training as an Urban Realist drew her to depict reality with an uncompromising eye. The artist was about twenty-two years old and living in Paris when she painted this bold and modern woman. McEnery lived in New York, Madrid, and Paris before she moved to Rochester, NY in 1914. [Gallery label text, 2007] Kathleen McEnery was about twenty-two years old and living in Paris when she painted Woman in an Ermine Collar. She lived and trained in New York, Madrid, and Paris before moving to Rochester in 1914. McEnery played a major role in Rochester’s cultural circles, and painted throughout her life while raising a family with her husband, Francis Cunningham of the Cunningham Car Company. McEnery’s training with the American realist master Robert Henri drew her to depict with honesty the conditions of modern life. The result is this woman’s unapologetic presence. She is an embodiment of the New Woman – a cultural phenomenon of the growing women’s rights movement, of which the artist was an ardent supporter. The New Woman rebelled against traditional gender roles and was independent, confident, and physically active. As this woman’s dashing manner illustrates, she was equally as comfortable in the public domain as would be any man. [Gallery label text, 2006] In New York City, Kathleen McEnery studied with Robert Henri. She also studied abroad and exhibited two paintings at the controversial 1913 Armory Show in New York City. After her marriage to Rochesterian Francis Cunningham, whose family owned the Cunningham Carriage Factory, she continued painting in a studio off the family's home on 10 South Goodman St., now on the campus of the Rochester Museum and Science Center. As Mrs. Cunningham, she was a member of the Gallery's Board of Managers from 1927 through 1971. The model's direct and intelligent expression and forthright pose suggests the "new woman," ready to be a participant in contemporary society rather than remain at home. Certainly, McEnery herself, who had graduated from Pratt Institute and lived on her own in New York City, fit that description as well. [Gallery label text, 2003]", "Dedication" : "Gift of Joan Cunningham Williams, Peter Cunningham, and Michael McEnery Cunningham", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print master derived 11/23/09 by Lu Harper for Seeing America lesson plans. Needs to be okayed by Curatorial for any other use.", "View" : "" } , ] },{ "embark_ID" : 573, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/573", "Disp_Access_No" : "1947.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1947", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1952", "Disp_Title" : "End of a Mansion", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Menihan", "Sort_Artist" : "Menihan, John C.", "Disp_Dimen" : "25 x 35 in. (63.5 x 88.9 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Art Patrons Fund Purchase Prize - 1947 Finger Lakes Exhibition", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Exhibited in the 1947 Rochester - Finger Lakes Exhibition and awarded the Art Patrons Fund Purchase Award", "Images": [ ] },{ "embark_ID" : 576, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/576", "Disp_Access_No" : "1913.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "The Golden Carnival", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Willard L. Metcalf", "Sort_Artist" : "Metcalf, Willard L.", "Disp_Dimen" : "36 x 39 in. (91.4 x 99.1 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "39 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12335", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.7_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.7_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.7_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.7_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "41033", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned in-house from transparency and re-color corrected to create larger file for RIT iPad project, 2013", "View" : "" } , ] },{ "embark_ID" : 581, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/581", "Disp_Access_No" : "1983.112", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Sunset over the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Moran", "Sort_Artist" : "Moran, Thomas", "Disp_Dimen" : "5 1/8 x 10 1/4 in. (13 x 26 cm)", "Disp_Height" : "5 1/8 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Given in memory of Dr. James Sibley Watson and Hildegarde Lasell Watson by their daughter-in-law, Nicoleta Z. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.112_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.112_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.112_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.112_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12490", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 584, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/584", "Disp_Access_No" : "1953.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "My Hills of Home", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Mary Robertson Moses", "Sort_Artist" : "Moses, Anna Mary Robertson", "Disp_Dimen" : "18 x 36 in. (45.7 x 91.4 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "If you asked people to name an American artist, chances are that many of them would say “Grandma Moses,” for her name has come to be associated with a distinctive style of painting and rural subjects that strike a common national chord. Grandma Moses first began to paint in her seventies, after arthritis made it impossible for her to continue to embroider. A New York collector driving through Moses’s home town of Hoosick Falls, New York, saw her paintings in a drugstore, bought them, and bought more after visiting her at her farm. She had her first exhibition in 1940. In her biography, she wrote: "I look back on my life like a good day's work, it was done and I feel satisfied with it. I was happy and contented, I knew nothing better and made the best out of what life offered. And life is what we make it, always has been, always will be." [Gallery label text, 2009] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "12579", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "53.3.DI1 watermarked for use on website--see PRR record.", "View" : "" } , ] },{ "embark_ID" : 591, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/591", "Disp_Access_No" : "1993.49", "_AccNumSort1" : "", "Disp_Create_DT" : "1946", "_Disp_Start_Dat" : "1946", "_Disp_End_Date" : "1946", "Disp_Title" : "Manmade Man, Imprisoned by Nature", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carl Morris", "Sort_Artist" : "Morris, Carl", "Disp_Dimen" : "18 1/8 x 24 in. (46 x 61 cm)", "Disp_Height" : "18 1/8 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Anne Prior Whitcomb", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.49_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.49_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.49_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.49_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19097", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 592, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/592", "Disp_Access_No" : "1930.12", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Indian Village, Taos", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas J. Mitchell", "Sort_Artist" : "Mitchell, Thomas J.", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Julius M. Wile", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 597, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/597", "Disp_Access_No" : "1965.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Woman in a Cloak", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert E. Marx", "Sort_Artist" : "Marx, Robert E.", "Disp_Dimen" : "48 x 42 in. (121.9 x 106.7 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painter-printmaker Robert Marx taught at the State University at Brockport from 1970 to 1990. His figures personify the frustrating, hurtful, and dysfunctional aspects of the human condition in relation to authority, personal relationships, and oneself. He invites the viewer to meet the gaze of his subject, stating, “If I am successful, my people will make eye contact with you and a dialogue will begin.” [Label text from It Came From the Vault exhibition, 2013] Painter-printmaker Robert Marx taught at the State University at Brockport from 1970 to 1990. His figures personify the frustrating, hurtful, and dysfunctional aspects of the human condition. He invites the viewer to meet the gaze of his subject, stating, “If I am successful, my people will make eye contact with you and dialogue will begin.” He currently lives and works in Rochester, New York. [Gallery Label Text, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.22_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.22_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.22_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.22_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 598, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/598", "Disp_Access_No" : "1927.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Mood", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kathleen McEnery Cunningham", "Sort_Artist" : "Cunningham, Kathleen McEnery", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Kathleen McEnery’s artistic career drastically changed course after her marriage to Frank Cunningham and subsequent relocation to Rochester. Early on, she studied in New York City with Robert Henri, exhibited two paintings in the pioneering 1913 Armory Show, and continued her education in Paris. Although she continued to paint, her work consisted primarily of intimate portraits of friends and acquaintances. Marjorie Quetchenbach, one of McEnery’s friends, served as the model for this portrait. The title Mood, however, identifies the moment and personality of the sitter rather than her name. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of a group of friends of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/27.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/27.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/27.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/27.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39106", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/617", "Disp_Access_No" : "1951.11a", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Jawbone and Fungus", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georgia O'Keeffe", "Sort_Artist" : "O'Keeffe, Georgia", "Disp_Dimen" : "17 x 20 in. (43.2 x 50.8 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "With her unique vision and expression, Georgia O’Keeffe epitomizes the modern American artist. Her simple, pared down shapes and closely cropped still-lifes of bones and flowers turn objects into landscapes of their own. [Gallery label text, 2007] Painting on the verso, 51.11b.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ { "Rel_Obj_ID" : "11221", "Rel_Obj_Title" : "Untitled (Abstraction)" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.11a_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.11a_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.11a_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.11a_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12378", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.11b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.11b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.11b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.11b_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12379", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 618, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/618", "Disp_Access_No" : "1964.5b", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1963", "_Disp_Start_Dat" : "1958", "_Disp_End_Date" : "1968", "Disp_Title" : "Untitled Painting #11 b", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jerry Okimoto", "Sort_Artist" : "Okimoto, Jerry", "Disp_Dimen" : "24 5/8 x 12 1/2 in. (62.5 x 31.8 cm)", "Disp_Height" : "24 5/8 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "10581", "Rel_Obj_Title" : "Untitled Painting #11 b" } ], "Curator" : "With sliding panels", "Images": [ ] },{ "embark_ID" : 619, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/619", "Disp_Access_No" : "1988.24", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1920", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1925", "Disp_Title" : "A New Arrangement", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ivan G. Olinsky", "Sort_Artist" : "Olinsky, Ivan G.", "Disp_Dimen" : "30 x 25 in. (76.2 x 63.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "25 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ivan Olinksy, a Russian who arrived in New York City at age 13, was for many years the studio assistant of John LaFarge, the celebrated muralist and stained glass designer. After LaFarge’s death, Olinsky became a well-known painter in his own right, and George Herdle included his work in MAG’s inaugural exhibition of 1913. In attempting to trace that painting for the Gallery’s 75th anniversary show, MAG made contact with Olinsky’s daughter and grandsons. Serendipitously, Olinksky’s great-grandson had just graduated from the University of Rochester, and the family generously donated A New Arrangement to the permanent collection. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Richard H. Miller, John L. Miller, and Leonore O. Miller", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12510", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 625, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/625", "Disp_Access_No" : "1970.45", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1921", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1931", "Disp_Title" : "Edison Mazda Lamps (Advertising Sign)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maxfield Parrish", "Sort_Artist" : "Parrish, Maxfield", "Disp_Dimen" : "26 x 21 1/2 in. (66 x 54.6 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "", "Medium" : "Enamel", "Support" : "metal", "Disp_Medium" : "Enamel on metal with wood", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Leo Kaplan", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Metalwork", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "12758", "Rel_Obj_Title" : "Better Things - On Reading 1" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19067", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 626, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/626", "Disp_Access_No" : "1972.69", "_AccNumSort1" : "", "Disp_Create_DT" : "1905", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1905", "Disp_Title" : "Illustration for "Potpourri" by H.G. Dwight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maxfield Parrish", "Sort_Artist" : "Parrish, Maxfield", "Disp_Dimen" : "16 x 14 in. (40.6 x 35.6 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil on stretched paper", "Info_Page_Comm" : "Frontispiece to the August 1905 issue of Scribner's magazine.", "Dedication" : "Anonymous gift", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3455", "Rel_Obj_Title" : "Maxfield Parrish posing for photograph" } ], "Curator" : "Frontispiece, Scribner''s Magazine, Vol. XXXVIII, No. 2, August, 1905. Caption: "Ah, never in the world were there such roses As once from that enchanted trellis hung." See also PHOTOGRAPHS, SC 74.1", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.69_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.69_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.69_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.69_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12453", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 630, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/630", "Disp_Access_No" : "1981.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Memorial Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carl W. Peters", "Sort_Artist" : "Peters, Carl W.", "Disp_Dimen" : "36 x 40 in. (91.4 x 101.6 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "One of Rochester's most picturesque river crossings is the Veterans' Memorial Bridge (Ridge Road), completed in 1931. In this painting, Carl Peters records the complex engineering systems that were used to build the bridge's series of seven granite-faced concrete arches. Most likely, his vantage point was the steep west bank of the Genesee River, whose green waters flow far below; work has been completed on both sides of the river but the bridge is still lacking its large central span. On the bridge is a dedicatory plaque donated by World War I Gold Star Mothers - women who lost sons in World War I. At the dedication, the president of the group said: Great bridges across flowing waters are indicative of the continual labors of life. In the very presence of continual change, they seem to connect the past with the present, even as they connect the East with the West, the North with the South... [Gallery label text, 2009]", "Dedication" : "Gift of Mr. and Mrs. Edwin S. Wiitala in memory of Dr. and Mrs. Charles R. Weeth and Mr. and Mrs. Axel Wiitala", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12485", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17335", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17336", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17337", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "17338", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R5.jpg", "IsPrimary" : "0", "_SurrogateID" : "17339", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , ] },{ "embark_ID" : 634, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/634", "Disp_Access_No" : "1959.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1950", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1950", "Disp_Title" : "Red Vertical Composition 5", "Alt_Title" : "Red Vertical Composition 5", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jackson Pollock", "Sort_Artist" : "Pollock, Jackson", "Disp_Dimen" : "21 x 11 1/2 in. (53.3 x 29.2 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Jackson Pollock mused “that the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture. Each age finds its own technique.” His “poured” paintings, like the one on view here, have become an emblem of twentieth-century abstract art. Eschewing traditional brushes, easels, and realistic subject matter, Pollock placed his canvases on the floor. He often walked on them as he dripped skeins of paint across their surfaces. Using the movement of his entire body, he got inside his paintings, as he sometimes described his working process. His painting style may appear to be accidental and random, but it was, in fact, controlled and defined. [Summer 2015] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No. 5 of series of works originally painted as six vertical compositions on one long strip of canvas approx. 24x 85 in. (61x 213.3 cm.)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12406", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 637, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/637", "Disp_Access_No" : "1986.132", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "The Beginning of the Fields", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fairfield Porter", "Sort_Artist" : "Porter, Fairfield", "Disp_Dimen" : "52 x 76 1/8 in. (132.1 x 193.4 cm)", "Disp_Height" : "52 in.", "Disp_Width" : "76 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.132_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.132_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.132_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.132_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12499", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 638, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/638", "Disp_Access_No" : "1921.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1920", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1920", "Disp_Title" : "Evening, Mallorca", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William J. Potter", "Sort_Artist" : "Potter, William J.", "Disp_Dimen" : "40 x 50 in. (101.6 x 127 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "50 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. David Hays", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/21.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/21.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/21.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/21.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "34899", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This access jpg was derived from a post-treatment photo taken by West Lake Conservators in 2010. For the original jpg with frame and color bar, see the surrogate records attached to the conservation record.", "View" : "" } , ] },{ "embark_ID" : 640, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/640", "Disp_Access_No" : "1963.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1913-1915", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1915", "Disp_Title" : "Woodland Bathers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice Prendergast", "Sort_Artist" : "Prendergast, Maurice", "Disp_Dimen" : "19 1/2 x 26 1/2 in. (49.5 x 67.3 cm)", "Disp_Height" : "19 1/2 in.", "Disp_Width" : "26 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas mounted on board", "Info_Page_Comm" : "Despite many differences in style and subject matter, Maurice Prendergast exhibited with the Urban Realist artists in the beginning of the century. His style of breaking up the surface of his paintings with color and light was a shock to American viewers. An art critic wrote in 1908, “Hung in a group, these canvases of Mr. Prendergast look… like an explosion in a color factory.” [Gallery label text, 2007] Prendergast looked to European artists for his inspiration. One of the most modern painters working in America in the first decade of the century, his colors were often applied in post-impressionist daubs, like Seurat, and the space in his works was compressed and unrealistic. Like Glackens, he enjoyed painting scenes of leisure, particularly bathing scenes like this one. He exhibited in the 1908 Macbeth Gallery show, along with Henri and the others, and while his work had little in common with many of the members of The Eight, he was as interested as they were in defying the conventions that had been established by the National Academy. [Gallery label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12415", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 649, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/649", "Disp_Access_No" : "1928.444", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "River Hills - Pt. Pleasant Hillside", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edward W. Redfield", "Sort_Artist" : "Redfield, Edward W.", "Disp_Dimen" : "50 x 56 1/4 in. (127 x 142.9 cm)", "Disp_Height" : "50 in.", "Disp_Width" : "56 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the children of Daniel W. Powers in his memory", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Fletcher 1996 (see bibliography) says this work is dated 1927", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/powersbuilding2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/powersbuilding2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/powersbuilding2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/powersbuilding2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17540", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.444_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.444_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.444_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.444_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25638", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was taken after conservation treatment was performed on this object by Susan Blakney of West Lake Conservators in January 2008 (cleaning).", "View" : "" } , ] },{ "embark_ID" : 653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/653", "Disp_Access_No" : "1968.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1952", "_Disp_Start_Dat" : "1952", "_Disp_End_Date" : "1952", "Disp_Title" : "Abstract Painting: Red", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ad Reinhardt", "Sort_Artist" : "Reinhardt, Ad", "Disp_Dimen" : "82 x 22 in. (208.28 x 55.88 cm)", "Disp_Height" : "82 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ad Reinhardt took a philosophical point of view when it came to making fine art and explaining its significance. An influential writer on the subject, he is remembered for having made the following statement: “Art is Art, and Life is Life.” The spirit of this statement is well represented by this painting, which has a very subtle composition that only emerges for the viewer after close inspection. For Reinhardt, to appreciate the true significance of art one shouldn’t compare it to anything else. Art is an idea that is revealed only through pure form and content. For Reinhardt, art cannot teach you about the world. It can only teach you about art. [Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12439", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 671, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/671", "Disp_Access_No" : "1973.149", "_AccNumSort1" : "", "Disp_Create_DT" : "1912", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1912", "Disp_Title" : "In the Woods", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Percival L. Rosseau", "Sort_Artist" : "Rosseau, Percival L.", "Disp_Dimen" : "21 x 25 1/2 in. (53.3 x 64.8 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.149_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.149_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.149_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.149_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13068", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 675, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/675", "Disp_Access_No" : "1962.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "In the Nevada Desert", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sven Birger Sandzén", "Sort_Artist" : "Sandzén, Sven Birger", "Disp_Dimen" : "32 x 48 in. (81.3 x 121.9 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "48 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of G. S. Soderlund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39405", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 676, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/676", "Disp_Access_No" : "1971.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1971", "_Disp_Start_Dat" : "1971", "_Disp_End_Date" : "1971", "Disp_Title" : "Woman with Bird", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ramon Santiago", "Sort_Artist" : "Santiago, Ramon", "Disp_Dimen" : "27 1/2 x 24 in. (69.9 x 61 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 678, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/678", "Disp_Access_No" : "1957.14", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1896", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1901", "Disp_Title" : "Mrs. William Shakespeare", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Singer Sargent", "Sort_Artist" : "Sargent, John Singer", "Disp_Dimen" : "29 3/8 x 24 1/2 in. (74.6 x 62.2 cm)", "Disp_Height" : "29 3/8 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Singer Sargent was the most fashionable portrait painter working in England and the United States in the late 1800s. He was not only a gifted artist, but an accomplished pianist and linguist. The novelist Henry James once remarked that London society at the turn of the century saw John Singer Sargent and his friends “…all swimming just now in a sea of music,” with Sargent being “as much a player as a painter.” The sitter of this portrait, Louise Weiland (c. 1850–1911), was brought up at the court of Dresden, Germany. She married the British singer, composer, and conductor William Shakespeare, one of Sargent’s closest friends, in 1875. Mrs. Shakespeare was best known for the musical salons she held in her London home, which brought together artists, musicians, and members of high society. She was described by her friend Eva Ducat as a quiet woman who “hid brilliant gifts under a gentle, deprecating manner.” According to Ducat, Sargent tried to capture Mrs. Shakespeare’s characteristic wistful expression by telling her sad stories as he painted her portrait. [Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that Sargent catalogue raisonne lists a different provenance than MAG records list. C.r. notes a replica painted for another family member which has been unaccounted for since 1912-- provenance may have been mixed up between the two? --KSchauber", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12401", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 683, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/683", "Disp_Access_No" : "1940.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Lower Falls", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "W. Elmer Schofield", "Sort_Artist" : "Schofield, W. Elmer", "Disp_Dimen" : "25 1/2 x 29 1/2 in. (64.8 x 74.9 cm)", "Disp_Height" : "25 1/2 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "When Director George Herdle invited artists to exhibit their work at the Memorial Art Gallery, he often included an invitation for them to visit Rochester, give a talk, and meet potential patrons. Such was the case with Walter Elmer Schofield's 1915 exhibition. In March, he came to Rochester, spent time braving cold weather in various locales and painted at least two canvases. As he stood by his easel on the Driving Park Bridge overlooking the Lower Falls of the Genesee River, a news photographer happened upon him and took his picture for the March 3, 1915, newspaper. The headline? "Artist Braves March Weather to Paint Lower River". [Gallery label text, 2007]", "Dedication" : "Bequest of Mrs. Ernest R. 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Elmer Schofield", "Sort_Artist" : "Schofield, W. Elmer", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Miss Mary O'Brien in memory of Mr. and Mrs. John J. Sharkey", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.27_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41482", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame, frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 685, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/685", "Disp_Access_No" : "1951.99", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "In the Dugway", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "W. Elmer Schofield", "Sort_Artist" : "Schofield, W. Elmer", "Disp_Dimen" : "11 x 13 in. (27.9 x 33 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.99_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.99_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.99_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.99_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40326", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame, frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 699, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/699", "Disp_Access_No" : "1963.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Form in Space", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Green Shaw", "Sort_Artist" : "Shaw, Charles Green", "Disp_Dimen" : "64 x 48 in. (162.6 x 121.9 cm)", "Disp_Height" : "64 in.", "Disp_Width" : "48 in.", "Dimen_Extent" : "overall", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist through the Bertha Schaefer Gallery, New York", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 701, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/701", "Disp_Access_No" : "1974.97", "_AccNumSort1" : "", "Disp_Create_DT" : "1944", "_Disp_Start_Dat" : "1944", "_Disp_End_Date" : "1944", "Disp_Title" : "Catastrophe #1", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Sheeler", "Sort_Artist" : "Sheeler, Charles", "Disp_Dimen" : "4 1/2 x 5 3/4 in. (11.4 x 14.6 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "5 3/4 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "wove paper", "Disp_Medium" : "Tempera on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Peter Iselin and his sister, Emilie I. Wiggin, New York", "Copyright_Type" : "No existing copyright holder", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.97_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.97_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.97_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.97_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13232", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 702, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/702", "Disp_Access_No" : "1945.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1900-1905", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1905", "Disp_Title" : "Sullivan Street", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Everett Shinn", "Sort_Artist" : "Shinn, Everett", "Disp_Dimen" : "8 x 10 in. (20.3 x 25.4 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In a city of many tough neighborhoods, New York’s Sullivan Street was one of the toughest. Shinn’s depiction of the isolated figure in the foreground evokes the condition of modern man in an urban environment—a recurring theme in the art of the Urban Realists. [Gallery label text, 2007] In 1897, encouraged by his mentor Robert Henri, Shinn moved from Philadelphia to New York City. Like Luks and Glackens, he was an artist-reporter as well as a painter. He exhibited with The Eight in 1908 at Macbeth Gallery. Sullivan Street was owned by the artist until 1945, when the Memorial Art Gallery purchased the canvas directly from him. With just a few strokes of his brush, Everett Shinn has recreated an overcast winter street scene filled with mood and mystery. Sullivan Street is in Greenwich Village, around the corner from Shinn's studio on Waverly Place and near Washington Square Park, whose leafless trees can be seen beyond the buildings on the right. [Gallery label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/45.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/45.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/45.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/45.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22001", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "color corrected from Jim Via''s original transparency", "View" : "" } , ] },{ "embark_ID" : 704, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/704", "Disp_Access_No" : "1955.185", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1953", "_Disp_Start_Dat" : "1948", "_Disp_End_Date" : "1958", "Disp_Title" : "Boat Landing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Kenneth Sibley", "Sort_Artist" : "Sibley, Charles Kenneth", "Disp_Dimen" : "20 x 30 in. (50.8 x 76.2 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on masonite panel", "Info_Page_Comm" : "", "Dedication" : "Purchase and Sales Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.185_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.185_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.185_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.185_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24400", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Acceptable for web display - not for publication (glare spots on right side of image). ", "View" : "" } , ] },{ "embark_ID" : 707, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/707", "Disp_Access_No" : "1941.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Election Night", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "26 3/8 x 32 1/4 in. (67 x 81.9 cm)", "Disp_Height" : "26 3/8 in.", "Disp_Width" : "32 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This scene, nearly unintelligible in its crowding and confusion, is Sloan’s celebration of the furor of the city on election night. [Gallery label text, 2007] John Sloan met Robert Henri in Philadelphia, and from early on maintained a friendship and correspondence with him until Henri died in 1929. He moved to New York City at Henri’s urging. On November 5, 1907, he wrote: “Election Day… saw the noisy trumpet blowers, confetti throwers and the 'ticklers' in use - a small feather duster on a stick which is pushed in the face of each girl by the men, and in the face of men by the girls. A good humorous crowd, so dense in places that it was impossible to control one's movement.” The location, Herald Square at 34th and Broadway, was close by the New York Herald Building as well as Macy's. The elevated railroad tracks loomed overhead, increasing the suggestion of noise and activity in the scene. Sloan included Election Night as one of his entries in the 1908 exhibition at Macbeth Gallery. In his estimation, it was “…one of my best things. So that I felt happy in the evening, that good all over feeling that only comes from satisfaction in work - the real happiness, the joy of accomplishing or thinking that one has accomplished, which amounts to the same thing.” [Gallery label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12359", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008.", "View" : "" } , ] },{ "embark_ID" : 708, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/708", "Disp_Access_No" : "1951.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "Chinese Restaurant", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "26 x 32 1/4 in. (66 x 81.9 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "32 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "John Sloan’s interest in the working class was not only aesthetic, it was also political. By 1909, Sloan was an active member of the Socialist party and used his art to shine a light on the equally noble and interesting lives of the lower classes. Marrying style to subject, Sloan’s loose brushwork and dark colors epitomize the Ashcan style. [Gallery label text, 2007] In 1909, many artists and collectors would not have considered a Chinese restaurant to be an appropriate subject for a painting. The artist, John Sloan, was part of a group of artists labeled “Ashcan” painters early in the century, because of their frequent choice of the less genteel aspects of urban life. Now, Sloan’s paintings are recognized as major documents of American life and this painting, like many others on view in this installation, is often loaned to museums in the United States and overseas. Also called “The Eight,” Sloan and his seven colleagues exhibited together in a landmark show at Macbeth Gallery in 1908 in response to the jurying system of the National Academy and its more traditional members that frequently excluded less conventional artists. It’s amusing to consider that in 1943, when the Encyclopedia Britannica collection was being assembled, that a painting created in 1909 would be considered contemporary. However, it may have been included in recognition of the fact that John Sloan painted his contemporary world as he saw it. In fact, in 1943, the freshness of Sloan’s style and the timeless nature of the scene painted thirty-four years previously did not seem out of keeping with many works from the 1940s. And Sloan was still quite an active artist at this point in his life. [Gallery label text, 2006] As recommended by his mentor, painter Robert Henri, John Sloan derived most of his subjects from close observation of his surroundings. Such was the case on the night of February 23, 1909, when he went out to eat at a restaurant on Sixth Avenue, not far from Herald Square. He wrote, “I saw a strikingly gotten up girl with dashing red feathers in her hat playing with the restaurant's fat cat. It would be a good thing to paint. I may make a go at it.” Characteristically, Sloan waited for a bit before undertaking the work, and on March 15 wrote, “I started a memory painting of the Chinese Restaurant girl I saw some four weeks ago." His intermittent working style is revealed by a diary entry on March, 18, in which he described not only working on the painting, but going to the restaurant again to “refresh my memory of the place.” In 1944, the painting joined a corporate collection of outstanding contemporary art formed by the Encyclopedia Britannica. In 1951, the Memorial Art Gallery acquired fourteen paintings from the collection – this painting and work by Thomas Hart Benton, Georgia O'Keeffe, and Stuart Davis, among others. [Gallery label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.12_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.12_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.12_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.12_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33004", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk in curatorial office", "View" : "" } , ] },{ "embark_ID" : 709, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/709", "Disp_Access_No" : "1962.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Lazy Town", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Getlar Smith", "Sort_Artist" : "Smith, Jacob Getlar", "Disp_Dimen" : "23 1/2 x 29 1/2 in. (59.7 x 74.9 cm)", "Disp_Height" : "23 1/2 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Jacob Getlar Smith and her son, David Loeffler Smith, in memory of the Artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 717, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/717", "Disp_Access_No" : "1979.94", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1946", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1951", "Disp_Title" : "Maureen Stapleton", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "15 3/4 x 11 3/4 in. (40 x 29.8 cm)", "Disp_Height" : "15 3/4 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Raphael Soyer was a prolific realist painter and printmaker whose career spanned most of the 20th century. In 1912 he immigrated to New York from Russia with his family, and the city became his muse. The actress Maureen Stapleton (1925-2006) was an artist’s model before her film career took off. In her memoirs she wrote that she “worked for Reggie [Marsh] for quite a while. He passed me off to his friend, Raphael Soyer….I was zaftig, and that’s what those guys wanted: a big, blubbery young dame.” [Forman Gallery, Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Solomon K. Gross", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.94_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.94_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.94_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.94_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12481", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 718, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/718", "Disp_Access_No" : "1982.51", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1907", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1912", "Disp_Title" : "Clarence J. McCarthy (1887 - 1953)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eugene Speicher", "Sort_Artist" : "Speicher, Eugene", "Disp_Dimen" : "36 x 30 in. (91.4 x 76.2 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Throughout history, artists have painted portraits of their friends, including friends who are often artists themselves. The young man in this portrait, Clarence J. McCarthy, met the artist Eugene Speicher while both were studying at the Albright Art School in their native Buffalo. The two also studied together at New York City’s Art Students League with the influential teacher Robert Henri. Speicher became an important portrait painter, and McCarthy, a significant illustrator. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of Mr. and Mrs. Dennis J. Byrne in memory of Walter B. Byrne", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Clarence J. McCarthy (subject) was born in Rochester, died in Woodstock, NY. Worked as a magazine illustrator and painter. Studied at Albright Art School in Buffalo, where he met Speicher. Also studied at Art Student''s League. Member of the Salmagundi Club and Society of Illustrators. Great-uncle of the donor.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12488", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 721, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/721", "Disp_Access_No" : "1950.46", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Abstraction", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carl Sprinchorn", "Sort_Artist" : "Sprinchorn, Carl", "Disp_Dimen" : "30 x 40 in. (76.2 x 101.6 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Deaccessioned 1977-78, but recommended for reaccessioning in October 1981.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14716", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 731, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/731", "Disp_Access_No" : "1975.421", "_AccNumSort1" : "", "Disp_Create_DT" : "1967-1975", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1975", "Disp_Title" : "River Pond", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wayne Thiebaud", "Sort_Artist" : "Thiebaud, Wayne", "Disp_Dimen" : "74 1/8 x 76 1/16 in. (188.3 x 193.2 cm)", "Disp_Height" : "74 1/8 in.", "Disp_Width" : "76 1/16 in.", "Dimen_Extent" : "", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Joseph C. Wilson Memorial Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3297", "Rel_Obj_Title" : "Study for "River Pond"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.421_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.421_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.421_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.421_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12469", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 735, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/735", "Disp_Access_No" : "1963.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1958", "_Disp_Start_Dat" : "1958", "_Disp_End_Date" : "1958", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mark Tobey", "Sort_Artist" : "Tobey, Mark", "Disp_Dimen" : "8 1/4 x 4 1/2 in. (21 x 11.4 cm)", "Disp_Height" : "8 1/4 in.", "Disp_Width" : "4 1/2 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "paper", "Disp_Medium" : "Tempera on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12412", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 736, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/736", "Disp_Access_No" : "1969.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Prairie Red", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mark Tobey", "Sort_Artist" : "Tobey, Mark", "Disp_Dimen" : "55 5/8 x 27 3/4 in. (141.3 x 70.5 cm)", "Disp_Height" : "55 5/8 in.", "Disp_Width" : "27 3/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Tempera", "Support" : "paper", "Disp_Medium" : "Tempera on paper", "Info_Page_Comm" : "Mark Tobey’s observations about his own work are especially eloquent and revealing: Over the past 15 years, my approach to painting has varied, sometimes being dependent on brushwork, sometimes on lines, dynamic white strokes in geometric space. For me, the road has been a zig-zag into and out of old civilizations, seeking new horizons through meditation and contemplation. My sources of inspiration have gone from those of my native Middle West to those of microscopic worlds. I have discovered many a universe on paving stones and tree barks. Some critics have criticized me for being what they call an Orientalist and using Oriental models for my work. But they were wrong….What did develop there was what I call the calligraphic impulse that has opened out new horizons for my work. Now I could paint the turmoil and tumult of the great cities, the intertwining of the lights and the streams of people caught up in the mesh of their net. [Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17116", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 739, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/739", "Disp_Access_No" : "1956.65", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Galaxy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fritz Trautmann", "Sort_Artist" : "Trautmann, Fritz", "Disp_Dimen" : "35 x 29 1/2 in. (88.9 x 74.9 cm)", "Disp_Height" : "35 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "For thirty-three years Fritz Trautmann’s passion for painting inspired his students in MAG’s Creative Workshop. Over his lifetime, he developed an approach to color that was scientific as well as mystical, and in 1942 he painted Galaxy to teach his theories to students. MAG purchased the painting from the artist in 1956. It has been a visitor favorite ever since. Despite appearances, not a single drop of black paint was used, as Trautmann believed it dampened the natural vibrations of color. Focusing on what he considered the four primary colors rather than the traditional three, Trautmann wrote, Galaxy symbolizes the great truth that every phenomenon in life involves ALL of life. Each globe of Galaxy is composed of EXACTLY THE SAME ELEMENTS. The entire spectrum wraps itself around each globe with unvarying uniformity. Warm red plays across the field from the left, bright yellow streams down from above, cold blue comes in from the right, and deep violet rises from the bottom. [Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.65_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.65_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.65_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.65_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13419", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.65_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.65_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.65_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.65_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "28765", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.65_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.65_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.65_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.65_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "41035", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned in-house from transparency and re-color corrected to create larger file for RIT iPad project, 2013", "View" : "" } , ] },{ "embark_ID" : 741, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/741", "Disp_Access_No" : "1974.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "River Garden", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fritz Trautmann", "Sort_Artist" : "Trautmann, Fritz", "Disp_Dimen" : "31 x 29 3/4 in. (78.7 x 75.6 cm)", "Disp_Height" : "31 in.", "Disp_Width" : "29 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In River Garden, we see the two passions of Fritz Trautmann’s life: color and landscape architecture. In a letter to the painting’s donors, Trautmann wrote, “This is a corner of my River Road garden. I’ve made many gardens in my day, but this one gave me the most pleasure. It was built in the ruined foundation of a barn that burned many years ago. As I remember it there were thirteen different levels… It was located about midway between the old River Bend Inn and Balentine bridge [sic] on the east side of the Genesee River.” Although he lived in the city of Rochester, Trautmann sought rural surroundings in the summer. He stayed in the house attached to this garden in the 1920s; by the early 1930s he purchased and refurbished an old farmhouse and its gardens on Canadice Lake. [Gallery label text, 2010] ", "Dedication" : "Gift of Mr. and Mrs. William G. Staudenmaier", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "With group of letters by artist to donor. No incoming for this?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33971", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 743, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/743", "Disp_Access_No" : "1986.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "The Parting", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joyce Treiman", "Sort_Artist" : "Treiman, Joyce", "Disp_Dimen" : "80 x 60 in. (203.2 x 152.4 cm)", "Disp_Height" : "80 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3299", "Rel_Obj_Title" : "The Plumed Helmet: Study for "The Parting"" },{ "Rel_Obj_ID" : "7944", "Rel_Obj_Title" : "Studies for "Parting" and "Hercules Cycle"" },{ "Rel_Obj_ID" : "11667", "Rel_Obj_Title" : "Studies for "Parting" and "Hercules Cycle"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12501", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 745, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/745", "Disp_Access_No" : "1951.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1906", "_Disp_Start_Dat" : "1906", "_Disp_End_Date" : "1906", "Disp_Title" : "Late Twilight - Autumn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dwight W. Tryon", "Sort_Artist" : "Tryon, Dwight W.", "Disp_Dimen" : "16 x 24 in. (40.6 x 61 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 747, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/747", "Disp_Access_No" : "1916.9", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "The White Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Henry Twachtman", "Sort_Artist" : "Twachtman, John Henry", "Disp_Dimen" : "30 1/4 x 25 1/8 in. (76.8 x 63.8 cm)", "Disp_Height" : "30 1/4 in.", "Disp_Width" : "25 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Impressionism, a radically modern style upon its inception in France in the 1860s, came late to American shores. The Impressionist artist sought to capture impressions of light, color, and shape in a spontaneous way. [Gallery label text, 2007] John Twachtman’s finest paintings were inspired by the beauty of the land on which he lived with his family. Located in Greenwich, Connecticut, the picturesque property included a portion of Horseneck Brook, across which Twachtman built an ornamental but functional footbridge. Here, his children swam in the summer and rowed their boat beneath the bridge’s arched deck. The bridge may have been inspired by similar structures in Venice, where the artist lived in the 1880s and 90s. Twachtman was one of America’s premier impressionist painters and a founding member of the Ten American Painters, a group that included Thomas Dewing and William Merritt Chase, artists whose works are also on view at MAG. The White Bridge’s bright colors, energetic brushwork, and light-filled canvas link Twachtman’s work with that of French impressionist Claude Monet. [Gallery label text, 2004]", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12337", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 753, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/753", "Disp_Access_No" : "1973.90", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Michael Venezia", "Sort_Artist" : "Venezia, Michael", "Disp_Dimen" : "24 1/2 x 36 1/2 in. (62.2 x 92.7 cm)", "Disp_Height" : "24 1/2 in.", "Disp_Width" : "36 1/2 in.", "Dimen_Extent" : "", "Medium" : "Acrylic", "Support" : "paper", "Disp_Medium" : "Acrylic and enamel on coated paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.90_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.90_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.90_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.90_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16059", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 754, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/754", "Disp_Access_No" : "1966.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Batavia", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Esteban Vicente", "Sort_Artist" : "Vicente, Esteban", "Disp_Dimen" : "60 x 72 in. (152.4 x 182.9 cm)", "Disp_Height" : "60 in.", "Disp_Width" : "72 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of The Longview Foundation", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See Art Committee box in Archives: in letter to Committee from Harris Prior dated July 17, 1970, he mentions that Tom Hess, editor of Art News magazine, arranged for MAG to advance $1500 to artist Tony Smith in 1965 for a work to be determined, and that in exchange Hess arranged for MAG to receive this painting from the Longview Foundation.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/66.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/66.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/66.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/66.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12434", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 755, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/755", "Disp_Access_No" : "1979.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1953", "_Disp_Start_Dat" : "1953", "_Disp_End_Date" : "1953", "Disp_Title" : "Halloween Mask", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Vickrey", "Sort_Artist" : "Vickrey, Robert", "Disp_Dimen" : "48 x 24 1/2 in. (121.9 x 62.2 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Tempera", "Support" : "panel", "Disp_Medium" : "Egg tempera on masonite panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Earl W. Kage", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.60_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.60_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.60_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.60_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12480", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 762, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/762", "Disp_Access_No" : "1951.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "Discourse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Weber", "Sort_Artist" : "Weber, Max", "Disp_Dimen" : "27 x 22 in. (68.6 x 55.9 cm)", "Disp_Height" : "27 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12381", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 768, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/768", "Disp_Access_No" : "1925.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Three Trees, Winter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harold Weston", "Sort_Artist" : "Weston, Harold", "Disp_Dimen" : "16 x 20 in. (40.6 x 50.8 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In 1922, the year he painted "Three Trees, Winter," Harold Weston wrote: "I stopped beside a big hemlock tree and reached around the great trunk to feel its vigor, its reality, its life existing essence. My ear, laid against the wet bark, seemed to hear the pulse, the flow of life-creating sap....[R]oots plunged into the soil, made it one with the earth and gave it life. As a primitive pagan I bowed before the mystery of that world spirit that giveth life to nature and to man." Weston has recently emerged as one of the premier painters of the Adirondack landscape. His modernist sensibility - abstract forms, expressive lines and colors - renew the viewer's understanding and appreciation of traditional vistas. In the words of collector Duncan Phillips, "There is a young American painter who stirs in me the hope for a re-birth on this new soil of something that was not lost to the art of painting with the passing of Vincent van Gogh." [Gallery label text, 2007] ", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12345", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 776, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/776", "Disp_Access_No" : "1986.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1986", "_Disp_Start_Dat" : "1986", "_Disp_End_Date" : "1986", "Disp_Title" : "Breaking the Pose", "Alt_Title" : "The Art Class", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jerome Witkin", "Sort_Artist" : "Witkin, Jerome", "Disp_Dimen" : "88 x 71 in. (223.5 x 180.3 cm)", "Disp_Height" : "88 in.", "Disp_Width" : "71 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Throughout his career, Jerome Witkin’s dedication to the human form has never wavered. In "Breaking the Pose," Witkin captures the activities within an artist’s studio at a specific moment in time. A figurative painter’s reliance upon a nude model is made evident here, as two women pose for the artist. Modeled after Diego Velasquez’s 1656 portrait of the royal family of Spain, Las Meninas, Witkin elevates the goings on of an artist’s studio and makes a connection across the centuries to one of the most successful and revered Old Master figure painters. Similarities between the two works include the presence of the canvas and the artist; multiple subjects, all of whom appear to be momentarily distracted by visitors; and the reflections in a mirrored background that extend the scene and pique the viewer’s interest. [Hawks Gallery reinstallation, summer 2019]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3317", "Rel_Obj_Title" : "4th Pose Study: Lisa Pannella Posing-Preparatory Sketch for "Breaking the Pose"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.16_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12502", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 778, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/778", "Disp_Access_No" : "1963.18", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1962", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1967", "Disp_Title" : "Axial Structure #5", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jack Wolsky", "Sort_Artist" : "Wolsky, Jack", "Disp_Dimen" : "48 x 47 1/4 in. (121.9 x 120 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "47 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Lacquer", "Support" : "panel", "Disp_Medium" : "Lacquer on masonite panel", "Info_Page_Comm" : "Jack Wolsky studied art at the State University College at Buffalo and was a professor of art at the State University College at Brockport for 35 years. Form is the subject of his paintings, and he cites many artists who inspire his non-representational style, including Georges Braque, Pablo Picasso, and Lyonel Feininger. In Axial Structure #5, layers of lacquer glazes create textural details on a scaffolding of symmetrically arranged forms. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.18_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.18_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.18_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.18_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39406", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 781, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/781", "Disp_Access_No" : "1951.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "Troupers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Karl Zerbe", "Sort_Artist" : "Zerbe, Karl", "Disp_Dimen" : "31 x 36 in. (78.7 x 91.4 cm)", "Disp_Height" : "31 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "", "Medium" : "Encaustic", "Support" : "board", "Disp_Medium" : "Encaustic on board", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13380", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 789, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/789", "Disp_Access_No" : "1946.63", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Gideon Granger, 2nd (1821 - 1868)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "32 x 26 in. (81.3 x 66 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Antoinette Pierson Granger", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 824, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/824", "Disp_Access_No" : "1915.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "The Artist's Daughter (Marion Bridge)", "Alt_Title" : "Mrs. Ezra R. Bridge", "Obj_Title" : "The Artist's Daughter (Marion Douglas Volk Bridge, 1888-1973)", "Series_Title" : "", "Disp_Maker_1" : "Douglas Volk", "Sort_Artist" : "Volk, Douglas", "Disp_Dimen" : "40 x 30 in. (101.6 x 76.2 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Douglas Volk was known for his portraiture. This painting of his daughter, Marion, is a nice example of his work. Volk was the son of Leonard Wells Volk, the sculptor of Life Mask and Hands of Abraham Lincoln (98.37.1-.2a-b) and Abraham Lincoln and the Emancipation Proclamation statuette (2008.29) in the collection of the Memorial Art Gallery. As the child of an artist, Douglas Volk was surrounded by art from an early age. He travelled to Paris as a young man where he studied under the academic painter, Jean-Léon Gérôme. Volk went on to have a long and distinguished career in the United States where he exhibited widely, was the recipient of numerous awards, and taught generations of artists at Cooper Union, the Art Students League, and the National Academy of Design. ", "Dedication" : "Gift of Mrs. George Dickman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Betsy Brayer notes that donor Josephine Dickman was one of George Eastman''s art advisors.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12336", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 848, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/848", "Disp_Access_No" : "1992.84", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Fork", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Stewart", "Sort_Artist" : "Stewart, William", "Disp_Dimen" : "83 x 19 x 10 in. (210.8 x 48.3 x 25.4 cm)", "Disp_Height" : "83 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "overall", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "", "Dedication" : "Gift of the Dawson Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Lifting glaze is the intent of artist (he told me so when installed)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.84_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.84_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.84_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.84_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "17118", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 849, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/849", "Disp_Access_No" : "1992.85", "_AccNumSort1" : "", "Disp_Create_DT" : "1991", "_Disp_Start_Dat" : "1991", "_Disp_End_Date" : "1991", "Disp_Title" : "Rake", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Stewart", "Sort_Artist" : "Stewart, William", "Disp_Dimen" : "74 x 21 1/2 x 10 in. (188 x 54.6 x 25.4 cm)", "Disp_Height" : "74 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Ceramic", "Support" : "", "Disp_Medium" : "Ceramic", "Info_Page_Comm" : "", "Dedication" : "Gift of the Dawson Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Ceramics", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.85_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.85_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.85_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.85_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "17119", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 853, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/853", "Disp_Access_No" : "1993.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1948", "_Disp_Start_Dat" : "1948", "_Disp_End_Date" : "1948", "Disp_Title" : "Reflections in a Shop Window", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Aaron Bohrod", "Sort_Artist" : "Bohrod, Aaron", "Disp_Dimen" : "11 7/8 x 16 in. (30.2 x 40.7 cm)", "Disp_Height" : "11 7/8 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Ann A. 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(25.9 x 20 cm)", "Disp_Height" : "10 3/16 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Charcoal", "Support" : "wove paper", "Disp_Medium" : "Charcoal on wove paper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. 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(25.7 x 19.5 cm)", "Disp_Height" : "10 1/8 in.", "Disp_Width" : "7 11/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Charcoal", "Support" : "wove paper", "Disp_Medium" : "Charcoal on wove paper", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15530", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/880", "Disp_Access_No" : "1996.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Adah Mann", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georgia O'Keeffe", "Sort_Artist" : "O'Keeffe, Georgia", "Disp_Dimen" : "6 15/16 x 8 15/16 in. (17.6 x 22.7 cm)", "Disp_Height" : "6 15/16 in.", "Disp_Width" : "8 15/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Graphite", "Support" : "wove paper", "Disp_Medium" : "Graphite on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Harriet Begg", "Copyright_Type" : "Under Copyright Web Only", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.94_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.94_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.94_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.94_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12535", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 882, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/882", "Disp_Access_No" : "1996.96", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Angna Enters Dancing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "10 5/16 x 6 1/2 in. 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(73.8 x 58.6 cm)", "Disp_Height" : "29 1/16 in.", "Disp_Width" : "23 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "", "Dedication" : "Gift of Karl Taylor and Ron Kransler ", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.106_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.106_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.106_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.106_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12720", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 888, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/888", "Disp_Access_No" : "1997.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Sedona Storm Clouds I", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Donald Holden", "Sort_Artist" : "Holden, Donald", "Disp_Dimen" : "7 1/2 x 11 5/16 in. (19.1 x 28.7 cm)", "Disp_Height" : "7 1/2 in.", "Disp_Width" : "11 5/16 in.", "Dimen_Extent" : "image", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on cold-press watercolor paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Oxford Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16282", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 892, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/892", "Disp_Access_No" : "1979.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Eva May", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Darryl Abraham", "Sort_Artist" : "Abraham, Darryl", "Disp_Dimen" : "12 1/2 x 20 1/2 x 12 1/2 in. 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(133.4 cm)", "Disp_Height" : "52 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Polymer", "Support" : "", "Disp_Medium" : "Polymer resin", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The medium is based on the medium used by the artist for other works, but further analysis of the sculpture is needed.", "Images": [ ] },{ "embark_ID" : 894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/894", "Disp_Access_No" : "1971.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "September 26", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peter Alexander", "Sort_Artist" : "Alexander, Peter", "Disp_Dimen" : "90 x 40 in. 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(53.3 x 30.2 x 36.7 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "11 7/8 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12504", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 915, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/915", "Disp_Access_No" : "1995.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1992", "_Disp_Start_Dat" : "1992", "_Disp_End_Date" : "1992", "Disp_Title" : "Cones (9)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jonathan Bonner", "Sort_Artist" : "Bonner, Jonathan", "Disp_Dimen" : "30 x 30 x 30 in. 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Chazan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12529", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 918, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/918", "Disp_Access_No" : "1964.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Knights and Flag", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Judith S. Brown", "Sort_Artist" : "Brown, Judith S.", "Disp_Dimen" : "26 x 23 in. (66 x 58.4 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Steel", "Info_Page_Comm" : "", "Dedication" : "Gift of the Artist, dedicated to Marjorie Bache Menden, sister of Mrs. Maurice R. Forman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 921, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/921", "Disp_Access_No" : "1964.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1926", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1926", "Disp_Title" : "Very Flat", "Alt_Title" : "Flat Cat", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexander Calder", "Sort_Artist" : "Calder, Alexander", "Disp_Dimen" : "19 x 5 1/2 x 1 1/2 in. (48.3 x 14 x 3.8 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Oak", "Support" : "", "Disp_Medium" : "Oak", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Donor retained possession during lifetime (d. 4/24/78)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.26_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.26_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.26_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.26_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12417", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/922", "Disp_Access_No" : "1964.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Untitled Standing Mobile", "Alt_Title" : "Untitled Mobile", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexander Calder", "Sort_Artist" : "Calder, Alexander", "Disp_Dimen" : "105 1/2 x 72 x 41 in. (268 x 182.9 x 104.1 cm)", "Disp_Height" : "105 1/2 in.", "Disp_Width" : "72 in.", "Dimen_Extent" : "overall", "Medium" : "Iron", "Support" : "", "Disp_Medium" : "Iron, steel and paint", "Info_Page_Comm" : "Alexander Calder was one of the most important and influential sculptors of the twentieth century. He is best known for his mobiles, kinetic or moving sculptures usually painted in black and the primary colors of red, yellow, and blue. Calder’s sculptures delight people of all ages for their charm, whimsy, and grace. If this mobile, with its rather bulky counter-weight, seems less graceful than some of Calder’s others, it may be because it is one of the earliest of his mobiles made for the outdoors. Created in 1935 of iron rather than the artist’s typical sheet metal, it is a very rare and relatively large early example. Soon after this, Calder would work in metal far less frequently. As the U.S. geared up for the World War II effort, metal became a very scarce material. This sculpture was given to the Memorial Art Gallery by Charlotte Whitney Allen, who commissioned it in 1934 for her garden on Oliver Street in Rochester. [Summer 2015]", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Parts labelled individually January 2016: A=yellow and blue disks; B=red disk; C=white disk; D=black counter-weight; E=pyramid-shaped base", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.27_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "12418", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Mobile in original location, June 17, 2000", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12419", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.27_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.27_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.27_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.27_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18868", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "from Sets-Rochester 12/7/1934, Photo sent to Mrs. Allen by Calder with proposal for "object" for garden (this model not built)", "View" : "" } , ] },{ "embark_ID" : 923, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/923", "Disp_Access_No" : "1968.50", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : ""Happy Birthday" Mobile", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexander Calder", "Sort_Artist" : "Calder, Alexander", "Disp_Dimen" : "16 x 13 in. (40.6 x 33 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Brass", "Support" : "", "Disp_Medium" : "Brass wire and cotton string", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.50_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21358", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 53", "View" : "" } , ] },{ "embark_ID" : 926, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/926", "Disp_Access_No" : "1988.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1984", "_Disp_Start_Dat" : "1984", "_Disp_End_Date" : "1984", "Disp_Title" : "Dr. Caligari", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle", "Sort_Artist" : "Castle, Wendell", "Disp_Dimen" : "92 1/2 x 31 1/2 x 26 1/2 in. (235 x 80 x 67.3 cm)", "Disp_Height" : "92 1/2 in.", "Disp_Width" : "31 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Curly cherry veneer, ebony and gold-plated brass", "Support" : "", "Disp_Medium" : "Curly cherry veneer, ebony and gold-plated brass", "Info_Page_Comm" : "Dr. Caligari is among a series of thirteen clocks that Wendell Castle created in the 1980s. He made them at the suggestion of his dealer, who urged him to create a body of work that would challenge the critics’ association of Castle with functional furniture. Castle was particularly interested in the concept of time, and Dr. Caligari is a fanciful exploration of time travel. Its tall case is rich with connections to traditional grandfather clocks. It suggests either a trip to the past in an ancient obelisk, or to the future, in a rocket ship. The title of the work was inspired by the angular set design of the 1920 German Expressionist film, The Cabinet of Dr. Caligari. The clock’s painted interior was intended to suggest the silent horror film’s unsettling mood. Castle and his longtime associate Don Sottile developed a smearing technique using India ink over gesso that gave the painted finish its distinctive feathered edges. [Summer 2015]", "Dedication" : "Given in honor of Joan M. Vanden Brul by her family", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38877", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from transparency, clock silhouetted out from background by Andy Olenick", "View" : "" } , ] },{ "embark_ID" : 927, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/927", "Disp_Access_No" : "1991.6.1-.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Library Sculpture", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wendell Castle", "Sort_Artist" : "Castle, Wendell", "Disp_Dimen" : "89 1/2 x 78 x 64 in. (227.3 x 198.1 x 162.6 cm)", "Disp_Height" : "89 1/2 in.", "Disp_Width" : "78 in.", "Dimen_Extent" : "overall", "Medium" : "Walnut", "Support" : "", "Disp_Medium" : "Walnut with leather and raccoon fur cushions", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Allen Macomber", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ".1a-c Desk with two connecting seats and central pillar containing light fixture. .2: Stool .3-.5: Leather and raccoon fur seat cushions.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.6.1-.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.6.1-.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.6.1-.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.6.1-.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "35814", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Color adjusted from 91.6.1-.5_P1 to reduce pink tones. Exists only in TIF and JPG formats.", "View" : "" } , ] },{ "embark_ID" : 934, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/934", "Disp_Access_No" : "1967.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Side View Mirror", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Allan D'Arcangelo", "Sort_Artist" : "D'Arcangelo, Allan", "Disp_Dimen" : "7 x 5 1/2 x 5 1/4 in. (17.8 x 14 x 13.3 cm)", "Disp_Height" : "7 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "", "Disp_Medium" : "Printer's ink", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31835", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.19_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.19_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.19_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.19_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "31836", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 936, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/936", "Disp_Access_No" : "1964.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Ceremonial Desert Form", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Norman Daly", "Sort_Artist" : "Daly, Norman", "Disp_Dimen" : "18 x 8 x 2 in. (45.7 x 20.3 x 5.1 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "8 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "Decades ago, one of the prizes awarded at the Rochester-Finger Lakes Exhibition was a one-person show the following year. Norman Daly, a professor of art at Cornell University, received that honor in 1963 and this double-faced marble tablet was purchased for the permanent collection. It prefigures Daly’s greatest achievement: his invention, in 1972, of an entire civilization and an exhibition based on artifacts supposedly excavated from its ruins. Always interested in the art produced by ancient cultures, Daly created fragments of wall paintings, votives, tools, weapons, jewelry, and other objects from the mythical civilization of Llhuros, many of which resembled our double-sided Ceremonial Desert Form. The upward-reaching figure is a recurrent motif in his work. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39458", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Unclear which side is "front" vs. "back"", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.4_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.4_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.4_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.4_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "39459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Unclear which side is "front" vs. "back"", "View" : "" } , ] },{ "embark_ID" : 938, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/938", "Disp_Access_No" : "1971.40", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Merry-Go-Round Goat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Looff", "Sort_Artist" : "Looff, Charles", "Disp_Dimen" : "72 1/4 in. (183.5 cm)", "Disp_Height" : "72 1/4 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "In the second half of the nineteenth century, with the rising popularity of resort communities on streetcar routes, carvers began to specialize in carousel and merry-go-round figures to populate the musical rides. Unfortunately, we don’t know the original location of MAG’s Goat. Based on the style of the carving of the saddle and bridle, it is likely that it was made by Charles Looff, whose company manufactured the first carousel at Coney Island. [Gallery label text, 2002]", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Recreational Artifact", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 940, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/940", "Disp_Access_No" : "1975.333.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Rainbow Faucet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "4 3/4 x 5 in. (12.1 x 12.7 cm)", "Disp_Height" : "4 3/4 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Aluminum", "Support" : "", "Disp_Medium" : "Cast aluminum and paint", "Info_Page_Comm" : ""Seven Objects in a Box" "Seven Objects in a Box" was the first edition of Pop multiples - that is an editioned group of objects instead of prints. Rosa Esman, a young art collector on a budget, who attended all of the Pop shows and witnessed the popularity of the Warhol and Lichtenstein shopping bags, believed that Pop objects might be met with the same enthusiasm. She had already published the Pop print portfolio, "New York Ten," in 1964. Since artists had begun using or creating objects themselves - Warhol was making Brillo boxes and signing real Campbell soup cans, and Jasper Johns made sculptures of beer cans - Esman envisioned that the next step would be to have artists make a group of objects for a portfolio. The availability of new technology made it possible to create the artist's visions. For example, Tom Wesselmann's "Little Nude" could not have been created before World War II because the technology of vacuum-formed molding was not available. The artists also needed the ability to mass-produce the objects they designed. Luckily, New York was the perfect place to find offbeat cottage industries capable of producing 100 sand cast faucets and baked enamel sunrises. The result of Esman's effort is a combination of objects quite typical of each artist's personal work. Warhol used a still from a movie he made in 1963 called "The Kiss." The film froze on a close-up of a black man and a white woman kissing, a subject considered quite provocative at the time. Wesselmann's "Little Nude" is lifted right from his "Great American Nude" series, which he began in 1961, featuring highly simplified, stylized, abruptly cropped female bodies, usually focusing on the lips, nipples and genitalia. D'Arcangelo's "Side-View Mirror" takes his signature highway motif one step further by placing it in actual side-view mirror hardware. In the end, what is left is a series of small-scale mementos of each artist's larger works: mass-produced objects available to the public at a reasonable price so that "consumers" could also be "collectors." [Gallery label text]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.333.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.333.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.333.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.333.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31841", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 942, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/942", "Disp_Access_No" : "1970.60", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Dove", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Edmondson", "Sort_Artist" : "Edmondson, William", "Disp_Dimen" : "4 x 8 1/4 x 13 1/2 in. (10.2 x 21 x 34.3 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "8 1/4 in.", "Dimen_Extent" : "", "Medium" : "Sandstone", "Support" : "", "Disp_Medium" : "Carved sandstone", "Info_Page_Comm" : "William Edmondson was a self-taught sculptor from Tennessee, who claimed that God told him to start sculpting. He transformed blocks of stone into his ‘critters’, including this elegant dove. Oct. 2011/Folk Art Case M. Searl", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36612", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 944, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/944", "Disp_Access_No" : "1941.19", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "Assyrian", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ehrich", "Sort_Artist" : "Ehrich, William", "Disp_Dimen" : "12 in. (30.5 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Stone", "Support" : "", "Disp_Medium" : "Stone", "Info_Page_Comm" : "", "Dedication" : "Art Patrons' Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.19_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.19_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.19_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.19_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28646", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 945, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/945", "Disp_Access_No" : "1948.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Lear", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ehrich", "Sort_Artist" : "Ehrich, William", "Disp_Dimen" : "11 1/2 x 12 1/2 in. (29.2 x 31.8 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "", "Medium" : "Belgian black marble", "Support" : "", "Disp_Medium" : "Belgian black marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. William E. Sloan", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28652", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 946, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/946", "Disp_Access_No" : "1949.56", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Provider", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ehrich", "Sort_Artist" : "Ehrich, William", "Disp_Dimen" : "4 1/2 x 6 x 12 in. (11.4 x 15.2 x 30.5 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "overall", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "William Ehrich became a major contributor to the art community in western New York after arriving in Buffalo from Europe in 1929. He established a successful sculpting career despite the onset of the Great Depression, and taught both ceramics and sculpture at Memorial Art Gallery and the University of Rochester. MAG owns 13 Ehrich sculptures; The Provider showcases the closed-form, simplified, and idealized style of early modernism. The lamb may have held special significance to Ehrich, who was a practicing Methodist. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28654", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 953, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/953", "Disp_Access_No" : "1974.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "The Fawn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John B. Flannagan", "Sort_Artist" : "Flannagan, John B.", "Disp_Dimen" : "15 1/2 x 12 x 11 in. (39.4 x 30.5 x 27.9 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Granite", "Support" : "", "Disp_Medium" : "Granite", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Holder Not Found", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12460", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/960", "Disp_Access_No" : "1996.43", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1958", "_Disp_Start_Dat" : "1953", "_Disp_End_Date" : "1963", "Disp_Title" : "Centaur with Pipes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dimitri Hadzi", "Sort_Artist" : "Hadzi, Dimitri", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Estates of Maurice R. and Maxine B. Forman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16938", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 963, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/963", "Disp_Access_No" : "1975.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Go", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Duayne Hatchett", "Sort_Artist" : "Hatchett, Duayne", "Disp_Dimen" : "96 x 111 x 84 in. (243.8 x 281.9 x 213.4 cm)", "Disp_Height" : "96 in.", "Disp_Width" : "111 in.", "Dimen_Extent" : "", "Medium" : "Aluminum plate and Plexiglas", "Support" : "", "Disp_Medium" : "Aluminum plate and Plexiglas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund and Gift of the Artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15789", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 964, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/964", "Disp_Access_No" : "1996.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Altar Bowl with Weapon Artifact #2", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Hirsch", "Sort_Artist" : "Hirsch, Richard", "Disp_Dimen" : "35 x 35 x 23 in. (88.9 x 88.9 x 58.4 cm)", "Disp_Height" : "35 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Earthenware", "Support" : "", "Disp_Medium" : "Raku-fired earthenware with low-fired glazes and lacquers", "Info_Page_Comm" : "For three decades a professor at RIT’s School for American Crafts, Richard Hirsch is one of the acknowledged masters of contemporary ceramic art. His own collection of Asian ritual containers and stone tools inspired the series from which this piece comes. The forms hint at ritual sacrifice or other kinds of human ceremonies, while the surfaces allude to ancient weathered stone and bronze. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Purchased by the friends and family of Robert W. and Judith-Ellen Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.32_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17122", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 967, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/967", "Disp_Access_No" : "1988.15", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Joan of Arc", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Hyatt Huntington", "Sort_Artist" : "Huntington, Anna Hyatt", "Disp_Dimen" : "18 x 12 x 5 in. (45.7 x 30.5 x 12.7 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Sculptor Anna Hyatt Huntington, whose career overlapped chronologically with [Gaston] Lachaise’s, is well known for her historical and fictional subjects. In addition to creating Joan of Arc, located in New York City (the heroic version of MAG’s smaller sculpture), she also sculpted El Cid and Don Quixote for the Hispanic Society. [Gallery label text, 2005] ", "Dedication" : "Gift of the friends and family of Margaret M. McDonald", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.15_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12509", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 968, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/968", "Disp_Access_No" : "1938.3", "_AccNumSort1" : "", "Disp_Create_DT" : "before 3/10/23", "_Disp_Start_Dat" : "2/8/2023", "_Disp_End_Date" : "3/9/2023", "Disp_Title" : "Monkey and Bird", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Hyatt Huntington", "Sort_Artist" : "Huntington, Anna Hyatt", "Disp_Dimen" : "5 1/2 x 3 3/4 in. (14 x 9.5 cm)", "Disp_Height" : "5 1/2 in.", "Disp_Width" : "3 3/4 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40233", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/969", "Disp_Access_No" : "1978.90", "_AccNumSort1" : "", "Disp_Create_DT" : "1967", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1967", "Disp_Title" : "The Critic Sees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jasper Johns", "Sort_Artist" : "Johns, Jasper", "Disp_Dimen" : "23 13/16 x 19 15/16 in. (60.5 x 50.6 cm)", "Disp_Height" : "23 13/16 in.", "Disp_Width" : "19 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "acetate", "Disp_Medium" : "Serigraph, embossing and collage", "Info_Page_Comm" : "", "Dedication" : "Gift of the Genesee Valley School Development Association", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.90_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.90_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.90_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.90_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41188", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 973, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/973", "Disp_Access_No" : "1996.9.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1995", "_Disp_Start_Dat" : "1995", "_Disp_End_Date" : "1995", "Disp_Title" : "Emergence", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nancy Jurs", "Sort_Artist" : "Jurs, Nancy", "Disp_Dimen" : "88 x 30 x 24 in. (223.5 x 76.2 x 61 cm)", "Disp_Height" : "88 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "overall", "Medium" : "Clay", "Support" : "", "Disp_Medium" : "Clay", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Robert D. Hursh", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.9.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.9.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.9.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.9.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12533", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/979", "Disp_Access_No" : "1960.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "Female Torso (Ogunquit)", "Alt_Title" : "Ogunquit Torso", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "10 1/4 x 8 5/8 x 4 1/8 in. (26 x 21.9 x 10.5 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 5/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze, nickel-plated", "Support" : "", "Disp_Medium" : "Nickel-plated bronze", "Info_Page_Comm" : "Lachaise's sculptures captured in permanent form elusive and complex ideals of female beauty. Here, the model's contrapposto stance, in which the weight is off center rather than upright and balanced, is lively and engaging. Additionally, areas of bronze color enliven the fragment's surface. [Gallery label text, 2005]", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This piece is visible in James Sibley Watson''s 1933 film "Lot in Sodom." Catalogue raisonne says only 5 figures in nickel-plated edition", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.46_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.46_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.46_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.46_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "36928", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 980, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/980", "Disp_Access_No" : "1964.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Fountain Figure", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "72 in. (182.9 cm)", "Disp_Height" : "72 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "Charlotte Whitney Allen and her husband hired Pittsford native Fletcher Steele to design a garden for their newly built house on Oliver Street [Rochester, NY] in 1915. The lot was small, ninety by two hundred feet, so Steele had to make use of interesting details to provide visual stimulation. The young landscape architect had strong notions of what would make a small backyard into a charming city oasis, which he enumerated in several articles and even a book, "Design in the Little Garden". Sculpture was one such detail Steele felt was crucial to a small garden, providing it met the proper criteria. He also considered space composition a necessary factor in good garden design. Some of the traits good garden sculpture should possess, according to Steele, include substantial mass, interesting silhouette, strong light and shadow, and contrasting material and color to the foliage around it. Mr. and Mrs. Allen commissioned the French-born sculptor Gaston Lachaise in 1926 to create a figure for the focal point of their garden. They had first seen his work in an exhibition in New York City in 1918, from which they may have purchased a small sculpture, and possibly even earlier in the 1913 Armory Show. A group of letters housed at Kenyon College in Gambier, Ohio chronicles the development of their occasionally stormy relationship. After considerable delay, the sculpture was finally installed above the pool in the Oliver Street garden. Alfred Stieglitz, who championed Lachaise, wrote to the Allens in 1927 that "It [the sculpture] has been seen by at least thirty sculptors and their unanimous opinion has been that it is one of the grand bits of work that has come out of America." (Kenyon College Special Collections, Gambier, Ohio, March 26, 1927) [Gallery label text]", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3184", "Rel_Obj_Title" : "Sketch for "Fountain Figure"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "18655", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "18656", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "33491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "In situ view in Charlotte Whitney Allen''s garden...Photo in Object file.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.28_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.28_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.28_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.28_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "33492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "In situ view in Charlotte Whitney Allen''s garden...Photo in Object file.", "View" : "" } , ] },{ "embark_ID" : 981, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/981", "Disp_Access_No" : "1964.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Standing Woman", "Alt_Title" : "Pudeur", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "13 1/2 x 4 3/8 in. (34.3 x 11.1 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "4 3/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Mrs. Whitney Allen, who commissioned "Fountain Figure" for her garden (now in the MAG's collection) and donated this sculpture to the Memorial Art Gallery, was a friend of Lachaise's patrons, the Watsons. [Gallery label text, 2005]", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.29_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.29_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.29_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.29_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36929", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 982, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/982", "Disp_Access_No" : "1967.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "Portrait Statuette of Mrs. J. Sibley Watson, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "16 1/4 x 7 1/2 x 6 1/2 in. (41.3 x 19.1 x 16.5 cm)", "Disp_Height" : "16 1/4 in.", "Disp_Width" : "7 1/2 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Nickel-plated bronze", "Info_Page_Comm" : "Strength and refinement are communicated simultaneously in this elegant portrait of Hildegarde Lasell Watson. She and her husband, James Sibley Watson, Jr., were important figures in Rochester’s cultural history, and were central to an avant-garde salon of writers, artists and musicians during the first half of the 20th century. The sculpture is enlivened by Gaston Lachaise’s characteristic use of contrasting surface colors. [Forman Gallery, Summer 2015]", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Photo of plaster version of this figure is held at Beinecke Library, Yale University. See disk in curatorial file. Virginia Budny notes that this work is referenced in Lachaise''s unpublished typescript for his photo album: "No. 81, Portrait statuette of Mrs. J. Sibley Watson Jr. 1924; Two bronze copies bought by Mrs. Watson, one to be delivered. [annotation in pen by Lachaise: plaster model studio.]"", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_R1.png", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_R1.png", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_R1.png", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_R1.png", "IsPrimary" : "0", "_SurrogateID" : "53396", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Gift of Anastasia Watson. Original in Archives, Hist Box 5 File 3 Item 3. Photo is by Dr. James Sibley Watson, Jr.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25584", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 11/1/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.11_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.11_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.11_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.11_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "28554", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Gaston Lachaise with life-sized and reduced models for the sculpture, scanned from photo in photo album of Anastasia Watson 2/17/09", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Lachaise_studio.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Lachaise_studio.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Lachaise_studio.tif", "IIIF_URL": "http://iiif.gallerysystems.com/Lachaise_studio.tif", "IsPrimary" : "0", "_SurrogateID" : "39597", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Markham, in MAG Archives Hist Box 5 File 3, Item 1", "View" : "" } , ] },{ "embark_ID" : 983, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/983", "Disp_Access_No" : "1973.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Urling Sibley Iselin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "17 in. (43.2 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Alabaster", "Support" : "", "Disp_Medium" : "Alabaster and paint", "Info_Page_Comm" : "Urling Sibley Iselin was cousin to James Sibley Watson, Jr., one of Lachaise's most important patrons. ", "Dedication" : "Gift of Mr. Peter Iselin and his sister, Mrs. Emilie I. Wiggin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Virginia Budny notes that Lachaise dated the model for this piece 1925; photos of the model in clay or Plasticine date to 1925. He noted that he delivered the marble in 1927, and it was included in a New York exhibition in 1927. The work is listed as no. 100 in Lachaise''s unpublished typescript manuscript for his photo album. "To be carved in marble. Plaster model in Studio." [added in Lachaise''s hand: "Delivered in marble 1927."]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.74_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.74_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.74_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.74_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15898", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 984, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/984", "Disp_Access_No" : "1973.75", "_AccNumSort1" : "", "Disp_Create_DT" : "1928", "_Disp_Start_Dat" : "1928", "_Disp_End_Date" : "1928", "Disp_Title" : "Standing Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "65 in. (165.1 cm)", "Disp_Height" : "65 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : ""Standing Woman" was commissioned for the New York City apartment of Mr. and Mrs. O'Donnell Iselin, cousins of James Sibley Watson, Jr., one of Lachaise's most important patrons. Lachaise designed the sculpture knowing that the work was to be the centerpiece of a formal library, and would be placed on the mantel above the fireplace. He wrote that he "composed the figure in a spirit of tranquil elevation, harmonious to the purpose of the room." Lachaise's most distinguished subjects are life sized draped female figures. The Memorial Art Gallery is fortunate to own two examples, the bronze Standing Woman and the stone Fountain Figure, both on view in the Vanden Brul Sculpture Pavilion. [Gallery label text, 2005]", "Dedication" : "Gift of Mr. Peter Iselin and his sister, Mrs. Emilie I. Wiggin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.75_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.75_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.75_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.75_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "21999", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photograph is actually a conservation photo taken after treatment at Williamstown Art Conservation Center in 2005. The existing digital/embark kiosk display image is so deplorable and misrepresentative of the object that it seemed necessary to use the more current, better quality conservation photo. Modifications to the original image file (saved to embark drive: images folder: conservation images folder: 73.75 folder) was to block out the white base the object was photographed on. Jessica Marten, Assistant Curator. February 2, 2006", "View" : "" } , ] },{ "embark_ID" : 985, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/985", "Disp_Access_No" : "1977.189", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Standing Nude", "Alt_Title" : "Woman; Hautaine", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "13 x 6 1/2 x 4 in. (33 x 16.5 x 10.2 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Isabel Dutaud Nagle was Lachaise's muse, his wife, and the model or at least the inspiration for many of his sculptures. He never ceased to appreciate and depict the physicality of her body - its strength and its ample proportions. [Gallery label text, 2005]", "Dedication" : "Gift of a Friend of the Gallery in memory of Hildegarde Lasell Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.189_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.189_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.189_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.189_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36933", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 986, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/986", "Disp_Access_No" : "1990.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Dr. James Sibley Watson, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "14 x 7 x 9 3/4 in. (35.5 x 17.8 x 24.7 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "without base", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Lachaise's friend, James Sibley Watson, Jr., was a member of MAG's founding family. This remarkably talented individual is best known for his editorship of the avant-garde publication "The Dial," where he worked with literary figures like e.e. cummings and Marianne Moore, as well as his early ventures into motion pictures, including the making of "The Fall of the House of Usher." Watson was married to Hildegarde Lasell Watson, who starred in the film and whose portrait sculpture by Lachaise is also owned by the Memorial Art Gallery (67.11). [Gallery label text, 2005]", "Dedication" : "Gift of a Friend of the Gallery, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15902", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "36940", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/90.3_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/90.3_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/90.3_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/90.3_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "39595", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Watson, in MAG Archives Hist Box 5 File 3 Item 1. Photo by Dr. James Sibley Watson, Jr.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/Lachaise_studio.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/Lachaise_studio.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/Lachaise_studio.tif", "IIIF_URL": "http://iiif.gallerysystems.com/Lachaise_studio.tif", "IsPrimary" : "0", "_SurrogateID" : "39596", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "Original from Anastasia Markham, in archives, Medium Box 31 Item 5D. Photo may be by Dr. James Sibley Watson, Jr.", "View" : "" } , ] },{ "embark_ID" : 987, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/987", "Disp_Access_No" : "1997.11", "_AccNumSort1" : "", "Disp_Create_DT" : "July 1923 - February 1924", "_Disp_Start_Dat" : "7/1923", "_Disp_End_Date" : "2/1924", "Disp_Title" : "The Mountain", "Alt_Title" : "The Mountain", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "9 x 20 x 9 in. (22.9 x 50.8 x 22.9 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "overall", "Medium" : "Limestone", "Support" : "", "Disp_Medium" : "Limestone", "Info_Page_Comm" : "Lachaise made numerous versions of "The Mountain," in which he suggested the similarity between a reclining female figure and a mountainous form. [Gallery label text, 2005]", "Dedication" : "Gift of Dr. Michael L. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Hilton Kramer, author of "The Sculpture of Gaston Lachaise" (New York, Eakins Press Publishers, 1967) said "Lachaise created numerous reclining ''Mountain'' figures in varying sizes in stone and bronze - the first in 1913, the last and largest at the end of his life."", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15903", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.11_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "26544", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 996, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/996", "Disp_Access_No" : "1975.333.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Sunrise", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "8 1/2 x 11 x 1 in. (21.6 x 27.9 x 2.5 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "overall", "Medium" : "Enamel", "Support" : "metal", "Disp_Medium" : "Enamel on metal", "Info_Page_Comm" : ""Seven Objects in a Box" "Seven Objects in a Box" was the first edition of Pop multiples - that is an editioned group of objects instead of prints. Rosa Esman, a young art collector on a budget, who attended all of the Pop shows and witnessed the popularity of the Warhol and Lichtenstein shopping bags, believed that Pop objects might be met with the same enthusiasm. She had already published the Pop print portfolio, "New York Ten," in 1964. Since artists had begun using or creating objects themselves - Warhol was making Brillo boxes and signing real Campbell soup cans, and Jasper Johns made sculptures of beer cans - Esman envisioned that the next step would be to have artists make a group of objects for a portfolio. The availability of new technology made it possible to create the artist's visions. For example, Tom Wesselmann's "Little Nude" could not have been created before World War II because the technology of vacuum-formed molding was not available. The artists also needed the ability to mass-produce the objects they designed. Luckily, New York was the perfect place to find offbeat cottage industries capable of producing 100 sand cast faucets and baked enamel sunrises. The result of Esman's effort is a combination of objects quite typical of each artist's personal work. Warhol used a still from a movie he made in 1963 called "The Kiss." The film froze on a close-up of a black man and a white woman kissing, a subject considered quite provocative at the time. Wesselmann's "Little Nude" is lifted right from his "Great American Nude" series, which he began in 1961, featuring highly simplified, stylized, abruptly cropped female bodies, usually focusing on the lips, nipples and genitalia. D'Arcangelo's "Side-View Mirror" takes his signature highway motif one step further by placing it in actual side-view mirror hardware. In the end, what is left is a series of small-scale mementos of each artist's larger works: mass-produced objects available to the public at a reasonable price so that "consumers" could also be "collectors." [Gallery label text]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.333.3_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.333.3_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.333.3_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.333.3_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "31842", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 999, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/999", "Disp_Access_No" : "1955.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "Study for Benediction I", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacques Lipchitz", "Sort_Artist" : "Lipchitz, Jacques", "Disp_Dimen" : "8 x 8 in. 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Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.16_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.16_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.16_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.16_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40501", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1015", "Disp_Access_No" : "1975.114", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Mountain Piece", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hilda Morris", "Sort_Artist" : "Morris, Hilda", "Disp_Dimen" : "60 x 60 x 48 in. (152.4 x 152.4 x 121.9 cm)", "Disp_Height" : "60 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Frank and Lynne Lovejoy in memory of Suzanne Trimble Lovejoy", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3213", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," I" },{ "Rel_Obj_ID" : "3214", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," II" },{ "Rel_Obj_ID" : "3215", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," III" },{ "Rel_Obj_ID" : "3216", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," IV" },{ "Rel_Obj_ID" : "3217", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," V" },{ "Rel_Obj_ID" : "3218", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," VI" },{ "Rel_Obj_ID" : "3219", "Rel_Obj_Title" : "Preparatory Drawing for "Mountain Piece," VII" },{ "Rel_Obj_ID" : "1017", "Rel_Obj_Title" : "Maquette for "Mountain Piece"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.114_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.114_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.114_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.114_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12640", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.114_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.114_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.114_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.114_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "41497", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 1016, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1016", "Disp_Access_No" : "1994.76", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Maquette for Untitled Sculpture", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hilda Morris", "Sort_Artist" : "Morris, Hilda", "Disp_Dimen" : "12 1/2 in. (31.8 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster", "Info_Page_Comm" : "", "Dedication" : "Gift of Anne Prior Whitcomb", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.76_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.76_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.76_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.76_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36624", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1019, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1019", "Disp_Access_No" : "1962.7", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1916-1932", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1932", "Disp_Title" : "Head of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elie Nadelman", "Sort_Artist" : "Nadelman, Elie", "Disp_Dimen" : "18 3/4 x 10 x 15 1/2 in. (47.6 x 25.4 x 39.4 cm)", "Disp_Height" : "18 3/4 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "image", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "Sculptor Elie Nadelman drew inspiration from the classical forms of ancient Greece, yet his work suggests contemporary influences as well. The streamlined and chiseled facial features of Head of a Woman and the subtle band at the woman’s hairline are timeless elements, yet they suggest an aesthetic closely associated with the Art Deco movement. [Gallery label text, 2010] ", "Dedication" : "Anonymous gift in honor of Gertrude Herdle Moore", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12411", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1020, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1020", "Disp_Access_No" : "1977.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Untitled (Head of a Woman)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elie Nadelman", "Sort_Artist" : "Nadelman, Elie", "Disp_Dimen" : "23 x 10 x 11 1/2 in. (58.4 x 25.4 x 29.2 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "overall", "Medium" : "White marble", "Support" : "", "Disp_Medium" : "White marble on onyx base", "Info_Page_Comm" : "Sculptors Elie Nadelman and Gaston Lachaise traveled in many of the same artistic circles. Their drawings were published in The Dial, James Sibley Watson's literary magazine, and their sculpture was exhibited at Alfred Stieglitz's galleries. Stieglitz was known for his interest in and promotion of modern art. [Gallery label text, 2005]", "Dedication" : "Gift of a Friend of the Gallery in memory of Hildegarde Lasell Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.190_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.190_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.190_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.190_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12476", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1021, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1021", "Disp_Access_No" : "1991.99", "_AccNumSort1" : "", "Disp_Create_DT" : "1980", "_Disp_Start_Dat" : "1980", "_Disp_End_Date" : "1980", "Disp_Title" : "Nymph and Dolphin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reuben Nakian", "Sort_Artist" : "Nakian, Reuben", "Disp_Dimen" : "9 3/16 x 7 7/8 x 6 15/16 in. (23.3 x 20 x 17.7 cm)", "Disp_Height" : "9 3/16 in.", "Disp_Width" : "7 7/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Malcolm A. Nanes", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.99_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.99_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.99_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.99_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36623", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1023", "Disp_Access_No" : "1961.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1958", "_Disp_Start_Dat" : "1958", "_Disp_End_Date" : "1958", "Disp_Title" : "Totem", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louise Nevelson", "Sort_Artist" : "Nevelson, Louise", "Disp_Dimen" : "71 1/2 x 7 3/8 in. (181.6 x 18.7 cm)", "Disp_Height" : "71 1/2 in.", "Disp_Width" : "7 3/8 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/61.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/61.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/61.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/61.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13010", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1025, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1025", "Disp_Access_No" : "1960.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "Calligraphics", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isamu Noguchi", "Sort_Artist" : "Noguchi, Isamu", "Disp_Dimen" : "70 5/8 x 18 x 3 5/8 in. (179.4 x 45.7 x 9.2 cm)", "Disp_Height" : "70 5/8 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "overall", "Medium" : "Iron, wood and rope", "Support" : "", "Disp_Medium" : "Cast iron, wood and rope", "Info_Page_Comm" : "Isamu Noguchi’s father was a Japanese poet and his mother was an American writer. Although he was born in California and lived much of his life in the U.S., Noguchi’s travels reflected his own East-West duality. The artist spent his childhood traveling throughout Japan with his mother. As a young man he went to Paris to study with the abstract sculptor Constantin Brancusi. In China, he studied the ancient art of calligraphy. In the sleek, mid-century forms of Calligraphics, Noguchi combined his love of modern sculpture and calligraphy. The two shapes suggest abstract versions of Japanese characters: ni meaning “the sun” (like the red sun on the flag of Japan) and hon meaning “the origin” (perhaps his own). [Summer 2015]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Chiyo Ueyama notes that the sculpture suggests abstracted versions of the characters for "nihon," the Japanese name for Japan: the two characters translate to "the sun" (ni) and "the origin" (hon).", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12408", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1026, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1026", "Disp_Access_No" : "1962.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Horigata", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Toshio Odate", "Sort_Artist" : "Odate, Toshio", "Disp_Dimen" : "23 in. (58.4 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Oak", "Support" : "", "Disp_Medium" : "Oak", "Info_Page_Comm" : "", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29657", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for print or web", "View" : "" } , ] },{ "embark_ID" : 1028, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1028", "Disp_Access_No" : "1975.333.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Baked Potato", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claes Oldenburg", "Sort_Artist" : "Oldenburg, Claes", "Disp_Dimen" : "4 1/2 x 10 1/2 x 7 1/4 in. (11.4 x 26.7 x 18.4 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "10 1/2 in.", "Dimen_Extent" : "maximum", "Medium" : "Acrylic", "Support" : "resin", "Disp_Medium" : "Painted cast resin on a Shenango china dish", "Info_Page_Comm" : ""Seven Objects in a Box" "Seven Objects in a Box" was the first edition of Pop multiples - that is an editioned group of objects instead of prints. Rosa Esman, a young art collector on a budget, who attended all of the Pop shows and witnessed the popularity of the Warhol and Lichtenstein shopping bags, believed that Pop objects might be met with the same enthusiasm. She had already published the Pop print portfolio, "New York Ten," in 1964. Since artists had begun using or creating objects themselves - Warhol was making Brillo boxes and signing real Campbell soup cans, and Jasper Johns made sculptures of beer cans - Esman envisioned that the next step would be to have artists make a group of objects for a portfolio. The availability of new technology made it possible to create the artist's visions. For example, Tom Wesselmann's "Little Nude" could not have been created before World War II because the technology of vacuum-formed molding was not available. The artists also needed the ability to mass-produce the objects they designed. Luckily, New York was the perfect place to find offbeat cottage industries capable of producing 100 sand cast faucets and baked enamel sunrises. The result of Esman's effort is a combination of objects quite typical of each artist's personal work. Warhol used a still from a movie he made in 1963 called "The Kiss." The film froze on a close-up of a black man and a white woman kissing, a subject considered quite provocative at the time. Wesselmann's "Little Nude" is lifted right from his "Great American Nude" series, which he began in 1961, featuring highly simplified, stylized, abruptly cropped female bodies, usually focusing on the lips, nipples and genitalia. D'Arcangelo's "Side-View Mirror" takes his signature highway motif one step further by placing it in actual side-view mirror hardware. In the end, what is left is a series of small-scale mementos of each artist's larger works: mass-produced objects available to the public at a reasonable price so that "consumers" could also be "collectors." [Gallery label text]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.333.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.333.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.333.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.333.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31843", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1030", "Disp_Access_No" : "1982.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "Candlestick", "Alt_Title" : "Vatican Candlestick", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Paley", "Sort_Artist" : "Paley, Albert", "Disp_Dimen" : "111 x 35 in. (281.9 x 88.9 cm)", "Disp_Height" : "111 in.", "Disp_Width" : "35 in.", "Dimen_Extent" : "", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Mild steel, forged", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Daniel G. Schuman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per the artist: Vatican representatives approached him in the early 70s about lending a work to an exhibition on art in religion, and he made this piece for inclusion in that exhibition. It later went on tour with other pieces. See Art Committee minutes of May 1983.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12487", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1031, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1031", "Disp_Access_No" : "1987.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Convergence", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Paley", "Sort_Artist" : "Paley, Albert", "Disp_Dimen" : "107 x 77 1/2 x 16 1/2 in. (271.8 x 196.9 x 41.9 cm)", "Disp_Height" : "107 in.", "Disp_Width" : "77 1/2 in.", "Dimen_Extent" : "", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Forged steel, polychromed", "Info_Page_Comm" : "", "Dedication" : "Gift in honor of Herbert W. Vanden Brul made possible by Harris Corporation-RF Communications Division, Vanden Brul family members and friends, and the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3226", "Rel_Obj_Title" : "Convergence" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12506", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1034", "Disp_Access_No" : "1913.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "Memory", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ordway Partridge", "Sort_Artist" : "Partridge, William Ordway", "Disp_Dimen" : "82 1/2 x 26 3/4 x 29 5/8 in. (209.6 x 67.9 x 75.2 cm)", "Disp_Height" : "82 1/2 in.", "Disp_Width" : "26 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Marble", "Support" : "", "Disp_Medium" : "Marble", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12333", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.12_R3.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.12_R3.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.12_R3.tif", "IIIF_URL": "http://iiif.gallerysystems.com/13.12_R3.tif", "IsPrimary" : "0", "_SurrogateID" : "40466", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "color from original photo in photo files in Archives.", "View" : "" } , ] },{ "embark_ID" : 1036, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1036", "Disp_Access_No" : "1923.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1914", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1919", "Disp_Title" : "Thomas Jefferson", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Ordway Partridge", "Sort_Artist" : "Partridge, William Ordway", "Disp_Dimen" : "20 in. (50.8 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "", "Dimen_Extent" : "maximum", "Medium" : "Plaster", "Support" : "", "Disp_Medium" : "Plaster and paint", "Info_Page_Comm" : "Plaster sketch for the bronze portrait statue at the School of Journalism, Columbia University, New York.", "Dedication" : "Gift of Lily Lawlor", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/23.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/23.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/23.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/23.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36599", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1039, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1039", "Disp_Access_No" : "1978.195", "_AccNumSort1" : "", "Disp_Create_DT" : "1967-1968", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1968", "Disp_Title" : "Vertical Ventaglio", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Beverly Pepper", "Sort_Artist" : "Pepper, Beverly", "Disp_Dimen" : "104 5/8 x 43 1/2 x 86 in. (265.7 x 110.5 x 218.4 cm)", "Disp_Height" : "104 5/8 in.", "Disp_Width" : "43 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Stainless and carbon steel with automotive paint", "Support" : "", "Disp_Medium" : "Stainless and carbon steel with automotive paint", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ""Vertical Ventaglio" was part of a series that Pepper worked on between 1967-1969, along with "Maxi Zig Zag" which is now at the Buffalo Convention Center in Buffalo, NY.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.195_A14.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.195_A14.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.195_A14.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.195_A14.jpg", "IsPrimary" : "1", "_SurrogateID" : "41498", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 1049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1049", "Disp_Access_No" : "1994.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1994", "_Disp_Start_Dat" : "1994", "_Disp_End_Date" : "1994", "Disp_Title" : "Two Lines Up Excentric - Twelve Feet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Rickey", "Sort_Artist" : "Rickey, George", "Disp_Dimen" : "231 15/16 x 266 in. (589.2 x 675.6 cm)", "Disp_Height" : "231 15/16 in.", "Disp_Width" : "266 in.", "Dimen_Extent" : "maximum", "Medium" : "Stainless steel", "Support" : "", "Disp_Medium" : "Stainless steel", "Info_Page_Comm" : "", "Dedication" : "Gift of Richard F. Brush", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "4150", "Rel_Obj_Title" : "Two Lines [Small Series]" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.44_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.44_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.44_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.44_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "41499", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 1053, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1053", "Disp_Access_No" : "1970.25", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1915", "Disp_Title" : "Crested Swans", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Scholl", "Sort_Artist" : "Scholl, John", "Disp_Dimen" : "84 1/4 x 33 x 30 1/2 in. (214 x 83.8 x 77.5 cm)", "Disp_Height" : "84 1/4 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "For approximately sixteen years before he died at age 88, John Scholl created over forty imaginative sculptures that he stored in the parlor of his home in Germania, Potter County, Pennsylvania. A builder by trade, Scholl seemed to create these architectural forms as an extension of the decorative fretwork and scrollwork seen on the porches and gables of Victorian homes, many of which were made from pattern book templates. Incorporated into the whimsical creations were traditional European folk art motifs: birds, stars, and sunbursts. Scholl was proud of his work, and enjoyed showing people through the collection; in good weather, he moved some it out into his yard. When he died of pneumonia, contracted after shoveling snow, Crested Swans was one of the pieces that surrounded Scholl's casket during the wake. [Gallery label text, 2002]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12443", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "note that on close examination you can see that the black background is uneven", "View" : "" } , ] },{ "embark_ID" : 1054, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1054", "Disp_Access_No" : "1975.333.5", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1965", "_Disp_Start_Dat" : "1960", "_Disp_End_Date" : "1970", "Disp_Title" : "Reclining Rooster", "Alt_Title" : "Chicken", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Segal", "Sort_Artist" : "Segal, George", "Disp_Dimen" : "4 x 19 x 12 1/2 in. (10.2 x 48.3 x 31.8 cm)", "Disp_Height" : "4 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "maximum", "Medium" : "Acrylic", "Support" : "", "Disp_Medium" : "Cast acrylic and fiberglass", "Info_Page_Comm" : ""Seven Objects in a Box" "Seven Objects in a Box" was the first edition of Pop multiples - that is an editioned group of objects instead of prints. Rosa Esman, a young art collector on a budget, who attended all of the Pop shows and witnessed the popularity of the Warhol and Lichtenstein shopping bags, believed that Pop objects might be met with the same enthusiasm. She had already published the Pop print portfolio, "New York Ten," in 1964. Since artists had begun using or creating objects themselves - Warhol was making Brillo boxes and signing real Campbell soup cans, and Jasper Johns made sculptures of beer cans - Esman envisioned that the next step would be to have artists make a group of objects for a portfolio. The availability of new technology made it possible to create the artist's visions. For example, Tom Wesselmann's "Little Nude" could not have been created before World War II because the technology of vacuum-formed molding was not available. The artists also needed the ability to mass-produce the objects they designed. Luckily, New York was the perfect place to find offbeat cottage industries capable of producing 100 sand cast faucets and baked enamel sunrises. The result of Esman's effort is a combination of objects quite typical of each artist's personal work. Warhol used a still from a movie he made in 1963 called "The Kiss." The film froze on a close-up of a black man and a white woman kissing, a subject considered quite provocative at the time. Wesselmann's "Little Nude" is lifted right from his "Great American Nude" series, which he began in 1961, featuring highly simplified, stylized, abruptly cropped female bodies, usually focusing on the lips, nipples and genitalia. D'Arcangelo's "Side-View Mirror" takes his signature highway motif one step further by placing it in actual side-view mirror hardware. In the end, what is left is a series of small-scale mementos of each artist's larger works: mass-produced objects available to the public at a reasonable price so that "consumers" could also be "collectors." [Gallery label text]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.333.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.333.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.333.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.333.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31845", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1057, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1057", "Disp_Access_No" : "1967.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Six Cubes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Sellers", "Sort_Artist" : "Sellers, William", "Disp_Dimen" : "43 in. (109.2 cm)", "Disp_Height" : "43 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Stainless steel", "Support" : "", "Disp_Medium" : "Stainless steel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.21_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.21_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.21_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.21_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41493", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 1058, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1058", "Disp_Access_No" : "1968.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Converging Cubes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Sellers", "Sort_Artist" : "Sellers, William", "Disp_Dimen" : "72 in. (182.9 cm)", "Disp_Height" : "72 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Steel", "Support" : "", "Disp_Medium" : "Corten steel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.36_A6.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.36_A6.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.36_A6.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.36_A6.jpg", "IsPrimary" : "1", "_SurrogateID" : "41494", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos on disk entitled MAG Sculpture Garden. No uncorrected masters exist.", "View" : "" } , ] },{ "embark_ID" : 1061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1061", "Disp_Access_No" : "1975.300", "_AccNumSort1" : "", "Disp_Create_DT" : "1952", "_Disp_Start_Dat" : "1952", "_Disp_End_Date" : "1952", "Disp_Title" : "Big Diamond", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Smith", "Sort_Artist" : "Smith, David", "Disp_Dimen" : "28 1/8 x 27 5/8 x 8 7/8 in. 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[Gallery label text, 2005]", "Dedication" : "Gift of Edward, James and Julian Atwater in memory of their parents and their grandparents", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3895", "Rel_Obj_Title" : "Maquette for "Garden Figure"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12530", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1073, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1073", "Disp_Access_No" : "1975.333.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Little Nude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Tom Wesselmann", "Sort_Artist" : "Wesselmann, Tom", "Disp_Dimen" : "8 x 8 x 1 1/2 in. 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The availability of new technology made it possible to create the artist's visions. For example, Tom Wesselmann's "Little Nude" could not have been created before World War II because the technology of vacuum-formed molding was not available. The artists also needed the ability to mass-produce the objects they designed. Luckily, New York was the perfect place to find offbeat cottage industries capable of producing 100 sand cast faucets and baked enamel sunrises. The result of Esman's effort is a combination of objects quite typical of each artist's personal work. Warhol used a still from a movie he made in 1963 called "The Kiss." The film froze on a close-up of a black man and a white woman kissing, a subject considered quite provocative at the time. Wesselmann's "Little Nude" is lifted right from his "Great American Nude" series, which he began in 1961, featuring highly simplified, stylized, abruptly cropped female bodies, usually focusing on the lips, nipples and genitalia. D'Arcangelo's "Side-View Mirror" takes his signature highway motif one step further by placing it in actual side-view mirror hardware. In the end, what is left is a series of small-scale mementos of each artist's larger works: mass-produced objects available to the public at a reasonable price so that "consumers" could also be "collectors." 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(96.5 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Pine", "Support" : "", "Disp_Medium" : "Pine and paint", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. Hyman Lifshutz", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Recreational Artifact", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Folk Art Sculpture; Probably from a Merry-go-Round group", "Images": [ ] },{ "embark_ID" : 1123, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1123", "Disp_Access_No" : "1976.7a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Weathervane: Aurora in a Cunningham Carriage", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "31 1/2 x 40 in. 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Cunningham", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From the James Cunningham, Son and Company Carriage Manufactory", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "15077", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1128, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1128", "Disp_Access_No" : "1985.22", "_AccNumSort1" : "", "Disp_Create_DT" : "Late 19th Century - early 20th Century", "_Disp_Start_Dat" : "1867", "_Disp_End_Date" : "1932", "Disp_Title" : "Optometrist's Trade Sign", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "17 3/4 x 30 1/2 in. 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(51 x 40.7 x 32.4 cm)", "Disp_Height" : "20 1/16 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "overall", "Medium" : "Cast optical, laminated, copper, selenium with dichroic neodynium glasses ", "Support" : "", "Disp_Medium" : "Cast optical, laminated, copper, selenium with dichroic neodynium glasses ", "Info_Page_Comm" : "Alchemy Symphony is an apt metaphor to describe the processes used by glass artist Michael Taylor to transform a sand-based material into a harmonic, translucent, and intricately structured work of art. Taylor is one of America’s premier studio glass artists. He has been affiliated with Rochester Institute of Technology’s outstanding School for American Crafts for a number of years, where he was formerly a professor and head of the Glass Department. His work has been exhibited internationally and is found in many public and private collections, including the White House, the High Museum in Atlanta, and the Smithsonian’s Renwick Gallery. 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", "Dedication" : "Gift of the Chase Manhattan Bank", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.1.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.1.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.1.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.1.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36490", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1145, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1145", "Disp_Access_No" : "1974.125", "_AccNumSort1" : "", "Disp_Create_DT" : "1974", "_Disp_Start_Dat" : "1974", "_Disp_End_Date" : "1974", "Disp_Title" : "Shell-Spiral", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Linda Adato", "Sort_Artist" : "Adato, Linda", "Disp_Dimen" : "10 1/8 x 13 in. 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(63.8 x 47.9 cm)", "Disp_Height" : "25 1/8 in.", "Disp_Width" : "18 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.149_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.149_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.149_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.149_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45771", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1147, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1147", "Disp_Access_No" : "1975.150", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Spatial Concept", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Ahlgren", "Sort_Artist" : "Ahlgren, Roy", "Disp_Dimen" : "17 x 16 3/4 in. (43.2 x 42.5 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "16 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "When you first approach this print by Roy Ahlgren, you might see a hallway covered in a brightly colored pattern. A closer look might reveal a more complex environment in which different flat surfaces meet in improbable ways. How does the artist use color and form to suggest this unreal space? Here, Ahlgren demonstrates how the human visual system prefers to interpret a complex shape as a regular shape perceived from a different angle or position. Look at the lower left corner of this print. Do you see a flat image of ovals and diamonds? Or a three-dimensional space where different flat surfaces, each covered in a pattern of circles and squares, meet? When you look at this image, you are most likely picking up on these spatial cues, and interpreting a complex three-dimensional space, rather than a flat image composed of different shapes. [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.150_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.150_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.150_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.150_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45772", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1148, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1148", "Disp_Access_No" : "1975.337", "_AccNumSort1" : "", "Disp_Create_DT" : "1943", "_Disp_Start_Dat" : "1943", "_Disp_End_Date" : "1943", "Disp_Title" : "Forgotten Things (Northampton County, PA )", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Grace Thurston Arnold Albee", "Sort_Artist" : "Albee, Grace Thurston Arnold", "Disp_Dimen" : "10 15/16 x 14 15/16 in. (27.8 x 38 cm)", "Disp_Height" : "10 15/16 in.", "Disp_Width" : "14 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.337_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.337_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.337_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.337_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45778", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1149, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1149", "Disp_Access_No" : "1975.151", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Day and Night VIII", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Albers", "Sort_Artist" : "Albers, Josef", "Disp_Dimen" : "18 7/8 x 20 7/16 in. (47.9 x 51.9 cm)", "Disp_Height" : "18 7/8 in.", "Disp_Width" : "20 7/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.151_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.151_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.151_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.151_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12872", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1150", "Disp_Access_No" : "1975.152", "_AccNumSort1" : "", "Disp_Create_DT" : "1942", "_Disp_Start_Dat" : "1942", "_Disp_End_Date" : "1942", "Disp_Title" : "To Monte Alban", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Albers", "Sort_Artist" : "Albers, Josef", "Disp_Dimen" : "23 13/16 x 19 1/8 in. (60.5 x 48.6 cm)", "Disp_Height" : "23 13/16 in.", "Disp_Width" : "19 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Zinc plate lithograph", "Info_Page_Comm" : "Focus on the two most prominent rectangles in the image. Which of these shapes seems to be closer to you? What architectural structures unfold before your eyes? Inspired by his travels to Latin American ruins in the 1930s and 1940s, Josef Albers’ print combines his streamlined Modern style of composition with inspirations from the ancient world. This particular print is an homage to the celebrated geometric pyramids of Monte Albán, which date back to around 300 BCE and are located in modern day Oaxaca, Mexico. Albers implies depth by surrounding the two central rectangles with a series of concentric lines, the arrangement mimicking the sloping sides of these grand architectural forms. In this image, Albers also creates an optical illusion that challenges our perception of spatial depth. Which of these rectangles appears to be the top of the pyramid? Does that change depending on where you look? [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.152_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.152_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.152_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.152_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45774", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1151, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1151", "Disp_Access_No" : "1992.48", "_AccNumSort1" : "", "Disp_Create_DT" : "1972", "_Disp_Start_Dat" : "1972", "_Disp_End_Date" : "1972", "Disp_Title" : "Olympic Art Poster", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Josef Albers", "Sort_Artist" : "Albers, Josef", "Disp_Dimen" : "39 11/16 x 25 1/8 in. (100.8 x 63.8 cm)", "Disp_Height" : "39 11/16 in.", "Disp_Width" : "25 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1152, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1152", "Disp_Access_No" : "1978.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1977", "_Disp_Start_Dat" : "1977", "_Disp_End_Date" : "1977", "Disp_Title" : "Michelle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Irving Amen", "Sort_Artist" : "Amen, Irving", "Disp_Dimen" : "26 x 20 in. (66 x 50.8 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1153", "Disp_Access_No" : "1978.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1978", "_Disp_Start_Dat" : "1978", "_Disp_End_Date" : "1978", "Disp_Title" : "Philharmonic", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Irving Amen", "Sort_Artist" : "Amen, Irving", "Disp_Dimen" : "21 3/4 x 28 in. (55.2 x 71.1 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1156, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1156", "Disp_Access_No" : "1970.35", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1969", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1974", "Disp_Title" : "Silver Moons", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edna Wright Andrade", "Sort_Artist" : "Andrade, Edna Wright", "Disp_Dimen" : "29 x 29 in. (73.7 x 73.7 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Shape, color, and pattern all play a role in perceiving spatial depth in a two-dimensional image. When you look at this print by Victor Vasarely, do you see a layer of smaller green circles over a layer of larger blue circles, and on top of a green background? Or a blue gear-like shape on a green background with a semicircular border? If you see the former, you are inferring that there is a separate layer of green circles even though they are not clearly distinguished from the same green background. Why might you do this? The human visual system tends to prefer simple shapes over complex ones and regular patterns over irregularities, sometimes interpreting these preferences when evidence for them is inconclusive. In this case, your visual system completes the pattern set up by the smaller green circles that appear to sit on top of the larger blue circles. Your brain fills in the picture, creating a pattern where one might exist. [Label copy from Seeing in Color and Black and White, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "MSearl added a creation date to the record on May 8, 2012, as Andrade''s painting, Cool Circuit, was made in 1969 and the print, Silver Moons, is clearly related to the painting: http://www.icaphila.org/exhibitions/past/andrade.php ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38481", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1157, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1157", "Disp_Access_No" : "1973.55", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Quantum", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Garo Zareh Antreasian", "Sort_Artist" : "Antreasian, Garo Zareh", "Disp_Dimen" : "30 x 22 1/4 in. (76.2 x 56.5 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "22 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1158, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1158", "Disp_Access_No" : "1975.153", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Ring Around", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Garo Zareh Antreasian", "Sort_Artist" : "Antreasian, Garo Zareh", "Disp_Dimen" : "18 1/16 x 15 in. (45.9 x 38.1 cm)", "Disp_Height" : "18 1/16 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1159, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1159", "Disp_Access_No" : "1976.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1976", "_Disp_Start_Dat" : "1976", "_Disp_End_Date" : "1976", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Garo Zareh Antreasian", "Sort_Artist" : "Antreasian, Garo Zareh", "Disp_Dimen" : "31 1/4 x 44 1/2 in. 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Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.114_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.114_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.114_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.114_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12868", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.114_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.114_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.114_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.114_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "52503", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1220, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1220", "Disp_Access_No" : "1935.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Ploughing", "Alt_Title" : "Plowing It Under", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "10 3/4 x 16 in. (27.3 x 40.6 cm)", "Disp_Height" : "10 3/4 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Edition info for this print can be found in the supplement to Art for Every Home: Associated American Artists 1934-2000, at http://hdl.handle.net/2097/19686, p. 11, no.2", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.32_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25195", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 1221, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1221", "Disp_Access_No" : "1944.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1940", "_Disp_Start_Dat" : "1940", "_Disp_End_Date" : "1940", "Disp_Title" : "The Fence Mender", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Hart Benton", "Sort_Artist" : "Benton, Thomas Hart", "Disp_Dimen" : "11 7/8 x 15 15/16 in. 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Snyder", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 49, no.382", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25196", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 1226, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1226", "Disp_Access_No" : "1931.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Lumber Schooners at Provincetown", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Harry Warren Bicknell", "Sort_Artist" : "Bicknell, William Harry Warren", "Disp_Dimen" : "9 5/16 x 14 in. (23.7 x 35.5 cm)", "Disp_Height" : "9 5/16 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. Herbert J. Winn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25190", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 1233, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1233", "Disp_Access_No" : "1975.167", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Little Nude", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isabel Bishop", "Sort_Artist" : "Bishop, Isabel", "Disp_Dimen" : "9 1/2 x 6 13/16 in. (24.2 x 17.3 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "6 13/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.167_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.167_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.167_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.167_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1241, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1241", "Disp_Access_No" : "1991.76.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Fourteenth Street, 1931", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isabel Bishop", "Sort_Artist" : "Bishop, Isabel", "Disp_Dimen" : "15 7/16 x 11 15/16 in. (39.2 x 30.3 cm)", "Disp_Height" : "15 7/16 in.", "Disp_Width" : "11 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Ten folios and eight etchings, housed in a green cloth clamshell box with printed gold lettering.", "Dedication" : "Gift of the Sylvan Cole Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "printed in 1989", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.76.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.76.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.76.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.76.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30843", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- not for print or web", "View" : "" } , ] },{ "embark_ID" : 1249, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1249", "Disp_Access_No" : "1992.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1981", "_Disp_Start_Dat" : "1981", "_Disp_End_Date" : "1981", "Disp_Title" : "Students on the Steps", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isabel Bishop", "Sort_Artist" : "Bishop, Isabel", "Disp_Dimen" : "13 1/4 x 12 7/16 in. 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Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p.285 , no.2584", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43459", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1251", "Disp_Access_No" : "1975.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Duck Hunter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arnold Blanch", "Sort_Artist" : "Blanch, Arnold", "Disp_Dimen" : "11 1/2 x 15 15/16 in. (29.2 x 40.5 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "15 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 134, no. 1222. and notes 24-25, p. 308. 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(29.1 x 40.3 cm)", "Disp_Height" : "11 7/16 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Deaccession Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs,, at http://hdl.handle.net/2097/19686, p. 17, no.62. Note that the title as given in the Associated American Artist''s catalogue is "Along the Hudson," not "Country Scene" as written on our print.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/96.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/96.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/96.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/96.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12955", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4043, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4043", "Disp_Access_No" : "1998.59", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sketch for George Eastman Sculpture", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marisol", "Sort_Artist" : "Marisol", "Disp_Dimen" : "16 3/4 x 14 1/16 in. 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Hawks", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.59_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.59_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.59_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.59_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28728", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1263, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1263", "Disp_Access_No" : "1971.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Willow Trees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Philip Bornarth", "Sort_Artist" : "Bornarth, Philip", "Disp_Dimen" : "15 x 22 3/8 in. 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(26 x 21.6 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The rivers surrounding Manhattan have always attracted swimmers brave – or foolish – enough to endure pollutants and random bits of garbage floating nearby. Fortunately, the quality of New York waterways is currently improving, and sights like the one may be more common in the future. Looming above the swimmers and boaters enjoying the East River is the Queensborough Bridge, also known as the 59th Street Bridge, made famous by Simon and Garfunkel’s album and song (Feeling Groovy). One of the many bridges that have been artists’ favorites, the Queensborough Bridge connects Manhattan and Queens. Over a mile long, it was opened to traffic in 1909. The spires that were part of the original design, and that can be seen in this print, were removed in the 1950s because of their deteriorating condition. [Label text, 2003]", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The East River Bridge at 59th Street", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25057", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1295, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1295", "Disp_Access_No" : "1983.134.21", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Central Park Lake", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "6 1/4 x 11 3/4 in. (15.9 x 29.8 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26163", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1301, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1301", "Disp_Access_No" : "1983.134.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Refuge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "7 x 5 in. (17.8 x 12.7 cm)", "Disp_Height" : "7 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26164", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1312, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1312", "Disp_Access_No" : "1983.134.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Washington Square South", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "7 x 8 3/4 in. (17.8 x 22.2 cm)", "Disp_Height" : "7 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Out of necessity and solidarity artists banded together to survive the Great Depression by collective efforts to make, show, and sell their work. Hugh Botts’ keen sense of humor and ability to market his work is clear in Washington Square Park South. This display of eight of his prints tacked to a fence mimics how he probably displayed his work to sell at the Washington Square Outdoor Art Exhibit (established in 1931). This outdoor, public exhibition of art for sale, similar to the Memorial Art Gallery’s own annual Clothesline Arts Festival, is still in operation today in New York City. The prints depicted were among Bott’s most successful images; Columbus Circle was reprinted in the 1939 WPA guide to New York, Roosevelt Wing Museum was the feature of an article about the artist in Christian Science Monitor, and House Painter was a prizewinning print noted by the New York Times reviewer as characteristic of the artist’s wit. [Label text] Since 1931, artists have shown their works in an annual exhibition in Greenwich Village’s Washington Square. Launched during the Depression by Jackson Pollock, Alice Neel, and other artists seeking to have their work seen and purchased, the show became a popular (and inexpensive) way of gaining recognition. In this etching, Hugh Botts shows his own works on view in Washington Square. In characteristic fashion, the artist includes his whimsical touches – for example, a trompe l’oeil label with his name and date on it. Look closely, and you’ll find a miniature version of an etching in this exhibition. 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Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25068", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1314, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1314", "Disp_Access_No" : "1983.134.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Mid Manhattan Canyon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "12 15/16 x 17 7/8 in. (32.9 x 45.4 cm)", "Disp_Height" : "12 15/16 in.", "Disp_Width" : "17 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Aquatint and etching", "Info_Page_Comm" : "The New York skyline is a backdrop for the human drama that Botts saw all around him in New York City. [Label text, 2003]", "Dedication" : "Gift of Robert W. 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(40.6 x 50.8 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "1985 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16236", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1570, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1570", "Disp_Access_No" : "1975.329.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "22 1/8 x 16 15/16 in. (56.2 x 43 cm)", "Disp_Height" : "22 1/8 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From the portfolio "New York Ten" This work claims to be a self-portrait, although we don't actually see what we typically expect in a portrait - a face. One of the trademarks of Pop Art is the absence of the artist's hand - many of them wanted their work to look machine-made or mass-produced. Pop Art, as well as many other art movements throughout the ages, often prompted the question "What is art?" This work also invites the question "What is a portrait?" [Gallery label text] The self-portrait has been redefined by a number of artists in contemporary times. In Dine’s case, the substitution of a bathrobe for the artist’s face is a witty twist on an old theme, simultaneously conveying anonymity and “cozy familiarity,” in the words of one writer. Like Warhol’s Campbell’s soup can, Dine’s bathrobe has become a signature image of Pop art of the Sixties. In addition to his unconventional approach to self-portraiture, Dine’s printing technique “breaks the rules” as well. Rather than being centered on the paper, the image is asymmetrically placed, which creates a cropped effect. [Label text, 1997]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.329.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.329.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.329.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.329.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12741", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1573, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1573", "Disp_Access_No" : "1978.89", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Tool Box VI (Secateurs)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "23 3/4 x 18 3/4 in. (60.3 x 47.6 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "18 3/4 in.", "Dimen_Extent" : "", "Medium" : "Plastic", "Support" : "paper", "Disp_Medium" : "Serigraph and collage on plastic ", "Info_Page_Comm" : "", "Dedication" : "Gift of the Genesee Valley School Development Association", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.89_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.89_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.89_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.89_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12740", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1574, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1574", "Disp_Access_No" : "1978.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Tool Box VII", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "23 3/4 x 18 3/4 in. (60.3 x 47.6 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "18 3/4 in.", "Dimen_Extent" : "", "Medium" : "Plastic", "Support" : "paper", "Disp_Medium" : "Serigraph and collage on plastic ", "Info_Page_Comm" : "", "Dedication" : "Gift of the Genesee Valley School Development Association", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.93_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.93_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.93_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.93_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41189", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1578", "Disp_Access_No" : "1989.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Toothache", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mark Dreimiller", "Sort_Artist" : "Dreimiller, Mark", "Disp_Dimen" : "14 13/16 x 10 3/8 in. (37.7 x 26.4 cm)", "Disp_Height" : "14 13/16 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "1989 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.63_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.63_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.63_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.63_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30452", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1579, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1579", "Disp_Access_No" : "1957.57", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Outcast", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frannie Dressel", "Sort_Artist" : "Dressel, Frannie", "Disp_Dimen" : "13 13/16 in. (35.1 cm)", "Disp_Height" : "", "Disp_Width" : "13 13/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "linen", "Disp_Medium" : "Linocut", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per email correspondence with Michael Garlington from Northern Trust in Sarasota, Florida, I have indicated in the record that Frannie Dressel''s legal name is Elizabeth Frances Grolock. Marjorie Searl 4.18.08", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.57_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.57_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.57_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.57_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30437", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1587, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1587", "Disp_Access_No" : "1993.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1993", "_Disp_Start_Dat" : "1993", "_Disp_End_Date" : "1993", "Disp_Title" : "Imagination's Gateway", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elizabeth King Durand", "Sort_Artist" : "Durand, Elizabeth King", "Disp_Dimen" : "11 1/4 x 13 13/16 in. (28.5 x 35.1 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "13 13/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and embossing", "Info_Page_Comm" : "", "Dedication" : "1993 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13320", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1590, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1590", "Disp_Access_No" : "1985.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "The Children's Clinic (#2)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mabel Dwight", "Sort_Artist" : "Dwight, Mabel", "Disp_Dimen" : "12 1/2 x 18 in. (31.8 x 45.7 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Printer's ink on paper", "Info_Page_Comm" : "Scenes of humble folk and their daily lives fill Mabel Dwight’s work. A Midwesterner who relocated to New York City, Dwight is highly regarded for her personal depictions of urban life. Like Harold Faye and others, she worked for the Federal Art Project during the Depression. [Label text, 2003]", "Dedication" : "Gift of Mrs. Jerome Glaser", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13322", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1607, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1607", "Disp_Access_No" : "1975.190", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "The 3 Wise Men", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Barbara E. Evans", "Sort_Artist" : "Evans, Barbara E.", "Disp_Dimen" : "21 3/4 x 31 1/2 in. (55.2 x 80 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "31 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.190_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.190_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.190_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.190_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "6002", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1612, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1612", "Disp_Access_No" : "1993.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sylvia Farrer-Bornarth", "Sort_Artist" : "Farrer-Bornarth, Sylvia", "Disp_Dimen" : "20 3/8 x 26 3/8 in. (51.7 x 67 cm)", "Disp_Height" : "20 3/8 in.", "Disp_Width" : "26 3/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "handmade paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in collection. No Bornarth in incomings from 1975 or later (the date of this work).", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13505", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1614", "Disp_Access_No" : "1986.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935-1939", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1939", "Disp_Title" : "East Side, Night", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harold Faye", "Sort_Artist" : "Faye, Harold", "Disp_Dimen" : "11 3/8 x 15 7/8 in. (28.9 x 40.3 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "During the many hours that Harold Faye spent exploring New York City and recording its dens and denizens, he created work that demonstrated ‘enthusiasm of place and period,’ in the words of one art historian. In East Side, Night, he emphasized the city’s hard metallic elements – the fire escape, the sturdy supports for the El, railings, cars, barrels – but tempered them with the softness of the lithographic crayon. Off and on during the Depression, Harold Faye found employment with the Graphic Division of the Federal Art Project of the Works Progress Administration. This government agency was set up as part of the New Deal to create jobs. Typically, artists submitted drawings to supervisors who would either approve them, in which case the artists would go ahead and print multiple copies, or the work would be disapproved and shelved or discarded. Nearly 4,000 artists were given work thanks to this program, including Jacob Lawrence, Mark Rothko, and Jackson Pollock. [Label text, 2003]", "Dedication" : "Gift of Helen S. 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(18.6 x 35.6 cm)", "Disp_Height" : "7 5/16 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color wood engraving", "Info_Page_Comm" : "A Rochester native, Havens is considered part of the color woodblock revival of the early 20th century. Self- taught as a printmaker, he specialized in woodcuts and wood engravings, but he also painted. His design for the logo of the Print Club of Rochester, which he helped found, remains in use to this day. Color wood engraving is a relief technique. A design is cut with sharp wood gouges on end-grain wood. The raised uncut surface is inked with a brayer. Paper is laid on it and the ink is transferred by burnishing with a hard surfaced tool, such as a baren or spoon. Multiple blocks are created for each separate color. In order to economize, some colors are intentionally printed together to create a third color. Excerpted from installation text, Aug. 2011 Colleen Piccone, Curatorial Dept. ", "Dedication" : "Gift of Mr. and Mrs. Charles Fairman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.121_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.121_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.121_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.121_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32642", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1782, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1782", "Disp_Access_No" : "1997.166", "_AccNumSort1" : "", "Disp_Create_DT" : "1950-1951", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1951", "Disp_Title" : "Cardinal and Juncos", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Dexter Havens", "Sort_Artist" : "Havens, James Dexter", "Disp_Dimen" : "4 3/8 x 4 1/2 in. 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(26.7 x 24.6 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "9 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Color wood engraving", "Info_Page_Comm" : "James Dexter Havens American, 1900 – 1960 Pierrot (Sparrow), 1936 Color wood engraving Gift of Mrs. John McKinney, 97.168 A Rochester native, Havens is considered part of the color woodblock revival of the early 20th century. Self- taught as a printmaker, he specialized in woodcuts and wood engravings, but he also painted. His design for the logo of the Print Club of Rochester, which he helped found, remains in use to this day. Color wood engraving is a relief technique. A design is cut with sharp wood gouges on end-grain wood. The raised uncut surface is inked with a brayer. Paper is laid on it and the ink is transferred by burnishing with a hard surfaced tool, such as a baren or spoon. Multiple blocks are created for each separate color. In order to economize, some colors are intentionally printed together to create a third color. Excerpted from installation text, Aug. 2011 Colleen Piccone, Curatorial Dept. ", "Dedication" : "Gift of Mrs. John McKinney", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.168_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.168_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.168_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.168_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32652", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1787, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1787", "Disp_Access_No" : "1987.88", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Headlands", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Deborah Haylor McDowell", "Sort_Artist" : "McDowell, Deborah Haylor", "Disp_Dimen" : "15 x 11 1/4 in. 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(27 x 37.5 cm)", "Disp_Height" : "10 5/8 in.", "Disp_Width" : "14 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1794, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1794", "Disp_Access_No" : "1959.88", "_AccNumSort1" : "", "Disp_Create_DT" : "1945", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1945", "Disp_Title" : "Lancaster County Farmer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur William Heintzelman", "Sort_Artist" : "Heintzelman, Arthur William", "Disp_Dimen" : "11 13/16 x 8 7/16 in. (30 x 21.4 cm)", "Disp_Height" : "11 13/16 in.", "Disp_Width" : "8 7/16 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Drypoint ", "Info_Page_Comm" : "", "Dedication" : "Gift of Louis W. Black in memory of his parents, Abram and Anna Black", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.88_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.88_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.88_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.88_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13165", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1796, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1796", "Disp_Access_No" : "1951.87", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Children at the Well", "Alt_Title" : "A Cool Drink", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eugene Higgins", "Sort_Artist" : "Higgins, Eugene", "Disp_Dimen" : "7 1/16 x 5 1/4 in. (17.9 x 13.3 cm)", "Disp_Height" : "7 1/16 in.", "Disp_Width" : "5 1/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Drypoint on ivory wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.87_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.87_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.87_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.87_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29242", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 1797, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1797", "Disp_Access_No" : "1951.88", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Young Shepherd", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Eugene Higgins", "Sort_Artist" : "Higgins, Eugene", "Disp_Dimen" : "5 7/8 x 7 5/8 in. (14.9 x 19.4 cm)", "Disp_Height" : "5 7/8 in.", "Disp_Width" : "7 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Drypoint on ivory wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.88_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.88_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.88_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.88_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29497", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for for print or web", "View" : "" } , ] },{ "embark_ID" : 1798, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1798", "Disp_Access_No" : "1975.216", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Contact Sheet", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "June Hildebrand", "Sort_Artist" : "Hildebrand, June", "Disp_Dimen" : "13 15/16 x 11 in. (35.4 x 28 cm)", "Disp_Height" : "13 15/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 177, no.1601", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.216_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.216_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.216_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.216_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43450", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1880", "Disp_Access_No" : "1931.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Night in the Park", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edward Hopper", "Sort_Artist" : "Hopper, Edward", "Disp_Dimen" : "12 3/8 x 16 1/4 in. (31.5 x 41.3 cm)", "Disp_Height" : "12 3/8 in.", "Disp_Width" : "16 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In 1921, when this print was created, Edward Hopper was a relatively unknown artist who had sold a few paintings but had not begun to receive the acclaim that would be his within a few years. By 1931, when it was exhibited at MAG and acquired with funds donated by a relative of the Watson family, Hopper had become HOPPER; the Museum of Modern Art had purchased one of his paintings the year before. While MAG does not own any of his canvases, we are fortunate to own this print and one other from Hopper’s decade of printmaking, 1915–1924. The cinematic quality of Hopper’s paintings is evident even in his etchings. A shadowy figure placed at the far end of a line of benches could easily be a character from a Hollywood “film noir.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39066", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1881, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1881", "Disp_Access_No" : "1989.52", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Night Shadows", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edward Hopper", "Sort_Artist" : "Hopper, Edward", "Disp_Dimen" : "10 5/8 x 13 3/16 in. (27 x 33.5 cm)", "Disp_Height" : "10 5/8 in.", "Disp_Width" : "13 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Edward Hopper’s prints, like those of Martin Lewis, have a strong relationship to cinematic film noir. The artist gives us the sense that we are unseen watchers observing clandestine activity, and we have a feeling of unease. Strongly contrasting light and dark areas and sharp diagonal lines heighten these precarious and anxious feelings. Who are these people? Are they city dwellers or newcomers? As Jonathan Franzen wrote in a 1966 essay in the New Yorker, “There’s no better way of rejecting where you came from, no plainer declaration of an intention to reinvent yourself, than moving to New York.” Hopper’s work suggests how the city’s cloak of anonymity makes Franzen’s statement possible. [Label text, 2003]", "Dedication" : "Gift of Sister Magdalen LaRow in honor of Robert Gianniny", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.52_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.52_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.52_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.52_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43457", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1882, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1882", "Disp_Access_No" : "1932.13", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Old Chinatown, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Earl Horter", "Sort_Artist" : "Horter, Earl", "Disp_Dimen" : "12 15/16 x 16 9/16 in. (32.8 x 42 cm)", "Disp_Height" : "12 15/16 in.", "Disp_Width" : "16 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/32.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/32.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/32.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/32.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18703", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1885, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1885", "Disp_Access_No" : "1935.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Gardenia", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Victoria Hutson Huntley", "Sort_Artist" : "Huntley, Victoria Hutson", "Disp_Dimen" : "10 1/2 x 8 7/8 in. (26.7 x 22.5 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "8 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Elmer Adler", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/35.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/35.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/35.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/35.18_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13603", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1893, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1893", "Disp_Access_No" : "1975.335.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Eternal Hexagon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Indiana", "Sort_Artist" : "Indiana, Robert", "Disp_Dimen" : "24 x 20 in. (61 x 50.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "[Gallery label text 2013] Born Robert Clark, Indiana took the name of his home state to emphasize that his essential subject was American visual culture. He describes himself as a “sign painter.” External Hexagon is one of Indiana’s many precise geometric forms based on numbers. The hexagon, a flat shape with six sides and six angles, is a fundamental organizing structure in nature, and an important symbol in many religions. In the hands of a pop artist who is engaged in commercial graphics, this reference to eternity is ironic. ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.335.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.335.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.335.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.335.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12744", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1894, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1894", "Disp_Access_No" : "1993.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Love", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Indiana", "Sort_Artist" : "Indiana, Robert", "Disp_Dimen" : "32 x 23 15/16 in. (81.3 x 60.8 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "23 15/16 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color serigraph", "Info_Page_Comm" : "Gallery label text 2013: In 1964, Mr. Indiana designed the ''Love'' graphic for a Christmas card for the Museum of Modern Art. The logo took off, and in May 1966 he had a show of variations on the theme at the Stable Gallery in Manhattan. The graphic became central to the 1960's visual vocabulary, appearing on clothes, jewelry, towels and rugs. The 1973 postage stamp with the logo was one of the best-selling stamps ever, the first of the US Postal Service regular series of “love stamps.” Mr. Indiana said he received only $1,000 for the design. (He had failed to copyright the logo, and so did not profit as it appeared on countless coffee cups and T-shirts.) The logo did not endear Mr. Indiana to the art establishment, and his star faded in inverse proportion to the success of ''Love.'' ", "Dedication" : "Transfer from the Education Collection", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Transferred from Education Department''s School Loan materials. 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", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Produced for the same Leo Castelli Gallery exhibition as "Crying Girl," September 28-October 24, 1963 There is a numbered edition of 300 and five other slightly varied unnumbered editions. 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", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Offset lithograph: yellow, red, black Produced for the same Leo Castelli Gallery exhibition as "CRAK!," September 28-October 24, 1963", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.240_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.240_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.240_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.240_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12747", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2006, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2006", "Disp_Access_No" : "1975.241", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Foot and Hand", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "17 1/4 x 21 1/2 in. (43.8 x 54.6 cm)", "Disp_Height" : "17 1/4 in.", "Disp_Width" : "21 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Yellow, red, black", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.241_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.241_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.241_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.241_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41185", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2007, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2007", "Disp_Access_No" : "1975.242", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Foot Medication", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "22 15/16 x 16 15/16 in. (58.3 x 43 cm)", "Disp_Height" : "22 15/16 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Offset lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "100 without text (signed and numbered); plus unknown number of posters with and without text (some posters without text were signed but not numbered).", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.242_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.242_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.242_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.242_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12748", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2008, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2008", "Disp_Access_No" : "1975.243", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Temple", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "23 3/4 x 17 3/4 in. 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It’s what stimulated me as a child…you’d go to Paris and see all the exciting posters around there which were very colorful and stimulating…but you walk around New York, and you see the three-sheeter. So that gave birth to the idea of allocating a certain sum for posters. The idea was to commission the fine artist, the creative artist of the time…to bring to the general public –they walk down the street, they see an image, something would attract them, and something would happen…I always felt that if people’s sensibilities were awakened, they would seek to make the whole city a more amenable place in which to live. So that’s how that started." [Label text, 2003]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2023, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2023", "Disp_Access_No" : "1983.132", "_AccNumSort1" : "", "Disp_Create_DT" : "1983", "_Disp_Start_Dat" : "1983", "_Disp_End_Date" : "1983", "Disp_Title" : "Windsor Flags", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jeanne H. 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