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(39.2 x 28.1 cm)", "Disp_Height" : "15 7/16 in.", "Disp_Width" : "11 1/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor, gouache and black ink ", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James Sibley Watson, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12987", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3518, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3518", "Disp_Access_No" : "1948.7", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "The Fatio House, St. Augustine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Avery", "Sort_Artist" : "Avery, Ralph", "Disp_Dimen" : "15 x 21 in. (38.1 x 53.3 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "The Fatio House is a landmark of St. Augustine, Florida, built in the early 19th century.", "Dedication" : "Marion Stratton Gould Fund; 1948 Rochester Finger Lakes Exhibition Purchase Award", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.7_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.7_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.7_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.7_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44400", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3529, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3529", "Disp_Access_No" : "1977.152.51", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Jonathan Child House, South Washington Street, Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Avery", "Sort_Artist" : "Avery, Ralph", "Disp_Dimen" : "10 1/4 x 13 3/16 in. (26 x 33.5 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "13 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and gouache with graphite on paper", "Info_Page_Comm" : "This 1837 “Greek Revival” mansion is actually designed in the style of a Roman temple, with large Corinthian columns defining the front façade. Like innumerable structures found across the U.S., it represents the American fondness for adopting classical architecture styles for important buildings of political power and prestige. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of the Estate of Ralph Avery", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.152.51_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.152.51_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.152.51_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.152.51_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28488", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3543, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3543", "Disp_Access_No" : "1977.152.139", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1975", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1980", "Disp_Title" : "Trinity Church and World Trade Center, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Avery", "Sort_Artist" : "Avery, Ralph", "Disp_Dimen" : "13 1/2 x 10 1/2 in. (34.3 x 26.7 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "10 1/2 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "board", "Disp_Medium" : "Watercolor and gouache with graphite on board", "Info_Page_Comm" : "Rochester artist Ralph Avery juxtaposed the World Trade Center with Trinity Church in a colorful scene painted shortly after the towers were completed in 1973. In reality, the church, a symbol of old New York (it was founded in 1696), is dwarfed by neighboring skyscrapers, but from Avery’s vantage point, the cross-topped steeple competes with the surrounding buildings for the highest point in the scene. Perhaps Avery was inserting his own point of view about the competing roles of God and Mammon in that Wall Street neighborhood. As an illustrator for magazines that were bastions of middle-class, conservative values – Saturday Evening Post and Reader’s Digest — Avery may have been expressing the publisher’s values as well. [Label text, 2003]", "Dedication" : "Gift of the Estate of Ralph Avery", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.152.139_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.152.139_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.152.139_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.152.139_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "44254", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3546, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3546", "Disp_Access_No" : "1977.152.165", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Brooklyn Bridge, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Avery", "Sort_Artist" : "Avery, Ralph", "Disp_Dimen" : "7 7/16 x 11 in. (18.9 x 28 cm)", "Disp_Height" : "7 7/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and gouache on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Ralph Avery", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.152.165_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.152.165_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.152.165_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.152.165_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3551, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3551", "Disp_Access_No" : "1988.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1955", "_Disp_Start_Dat" : "1955", "_Disp_End_Date" : "1955", "Disp_Title" : "The Upper Falls, Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Avery", "Sort_Artist" : "Avery, Ralph", "Disp_Dimen" : "22 3/16 x 30 3/16 in. (56.3 x 76.7 cm)", "Disp_Height" : "22 3/16 in.", "Disp_Width" : "30 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor, gouache and graphite ", "Info_Page_Comm" : "", "Dedication" : "Gift of R.T. French Company", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.26_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.26_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.26_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.26_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28547", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3552, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3552", "Disp_Access_No" : "1989.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1969", "_Disp_Start_Dat" : "1969", "_Disp_End_Date" : "1969", "Disp_Title" : "The Garden of Charlotte Whitney Allen", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Avery", "Sort_Artist" : "Avery, Ralph", "Disp_Dimen" : "21 1/2 x 15 1/2 in. (54.6 x 39.4 cm)", "Disp_Height" : "21 1/2 in.", "Disp_Width" : "15 1/2 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "board", "Disp_Medium" : "Watercolor with graphite on board", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift in memory of Charlotte Whitney Allen", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.30_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.30_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.30_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.30_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "44268", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3554, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3554", "Disp_Access_No" : "1958.65", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1950", "_Disp_Start_Dat" : "1945", "_Disp_End_Date" : "1955", "Disp_Title" : "Cemetery, Père Lachaise", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ludwig Bemelmans", "Sort_Artist" : "Bemelmans, Ludwig", "Disp_Dimen" : "17 3/4 x 25 7/8 in. (45.1 x 65.7 cm)", "Disp_Height" : "17 3/4 in.", "Disp_Width" : "25 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "Perhaps best known as the illustrator of the popular Madeline books, Ludwig Bemelmans breathes unexpected life into Père Lachaise cemetery in Paris. Established by Napoleon in 1803, the 125-acre cemetery is the final resting place of such famous figures as Héloise and Abelard, Honoré de Balzac, Frederic Chopin, Oscar Wilde, and Jim Morrison. At least six gendarmes are depicted in this watercolor, most giving directions to bewildered tourists and one giving chase to a dog on the loose. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.65_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.65_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.65_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.65_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39549", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3560, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3560", "Disp_Access_No" : "1944.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1939-1941", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1941", "Disp_Title" : "Mathematical Abstraction No. 5 "Study in complementaries"", "Alt_Title" : "Projective Ornament", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Fayette Bragdon", "Sort_Artist" : "Bragdon, Claude Fayette", "Disp_Dimen" : "28 3/8 x 20 5/16 in. (72.1 x 51.6 cm)", "Disp_Height" : "28 3/8 in.", "Disp_Width" : "20 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "thin board", "Disp_Medium" : "Watercolor, charcoal, ink and pen with red ink", "Info_Page_Comm" : "Bragdon’s Mathematical Abstractions is a set of images based on mathematical relationships and suggestive of cosmic forms in the solar system. This series grew out of Bragdon’s continued interest in uniting color, form, and music. The series was exhibited in 1941-42 in Hartford, New York City, and finally in Rochester at the Memorial Art Gallery, where Bragdon’s patrons, Dr. and Mrs. James Sibley Watson, agreed to purchase this one for MAG. Bragdon wrote about the gift to Isabel Herdle, MAG curator, in 1944: “It is the one which your sister [Gertrude Herdle Moore, MAG director] and Fritz [Trautmann] decided would be best and which was also settled upon by Mrs. Watson and myself.” The Mathematical Abstraction series was best described by the artist in the 1941-42 exhibition brochure: "These fifteen water-color paintings represent the final distillation of Mr. Bragdon’s creative ability in a field which he has made his own. Although susceptible of classification as non-representational, or non-objective art, they are unique by reason of the fact that Mr. Bragdon is a skilled mathematician and geometer as well as an artist. He does not wish these paintings to be viewed, however, from any other standpoint than that of their intrinsic beauty—their purely aesthetic appeal. He believes that mathematical truth is at the root of all beauty, and that in the same sense that music may be said to be the beauty of mathematics made audible, so are these paintings mathematics made visible. After having made many hundred drawings, Mr. Bragdon made the paintings here and now exhibited, which from one point of view might be regarded as so many 'stills' of color symphonies seen by the author 'in his mind’s eye.' One of the pioneers in the new art of Color Music, Mr. Bragdon has from far back employed his spare time and his spare money in the construction of one “color-organ” after another, in which it was his idea to add luminosity, color, rhythm, mobility, to his designs derived from mathematical sources. Convinced, after many failures, that the most satisfactory way in which this might be accomplished was by the animated cartoon technique, he made a study of it with this in view, and tried to interest the moving picture people in his idea. None of them were prepared, however, to invest the necessary amount of money in what they regarded as an uncertain venture. Walt Disney, meantime, a free agent, with the means at his disposal, had gone ahead and in certain parts of “Fantasia”—notably in the “sound-track” sequence—approximated some of the color-music effects which Mr. Bragdon had had in mind." Excerpt from Mathematical Abstractions exhibition brochure, 1941-42 [Gallery label text, 2010] ", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.6_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.6_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.6_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.6_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "33962", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 3561, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3561", "Disp_Access_No" : "1956.91", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1915", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1920", "Disp_Title" : "Shield for Song and Light Festival", "Alt_Title" : "Design for Stained Glass Medallion", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Fayette Bragdon", "Sort_Artist" : "Bragdon, Claude Fayette", "Disp_Dimen" : "13 3/8 x 13 3/8 in. (34 x 34 cm)", "Disp_Height" : "", "Disp_Width" : "13 3/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and ink on paper with glass and lead", "Info_Page_Comm" : "Like philosophers and artists before him, Claude Bragdon sought a sacred geometry of cosmic significance and harmonious design. In his 1915 book Projective Ornament he outlined a modern, universal system of design based on numbers and geometry abstracted from nature. Bragdon’s beliefs in Theosophy influenced his use of the fourth dimension in creating his ornament. He believed in the fourth dimension as a mystical hyperspace that explained some of the mysteries of life and the afterlife. Bragdon based his new ornamental style on a complex system of projecting and manipulating two-dimensional shapes such as squares and triangles into four-dimensional shapes such as tesseracts and pentahedroids. In September of 1915, Claude Bragdon helped organize the Song and Light Festival, a community-building public singing event held in Highland Park. As Master of Light, Bragdon used projective ornament to design colorful circular glass shields and Japanese-style lanterns that he artfully arranged around the stage. Lit by electricity, Bragdon’s projective ornament designs created an otherworldly outdoor environment likened to a “cathedral without walls.” Bragdon was intensely absorbed and inspired by this new endeavor in which he could aid progressive social reform using his passion for color, light, drama and modern ornament. The popularity of the Rochester festival soon spread to other cities in the northeast, and Bragdon was involved in staging Song and Light Festivals through 1918. [Gallery label text, 2010] ", "Dedication" : "Gift of Chandler Bragdon", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Decorative Arts", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.91_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.91_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.91_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.91_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27100", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3562", "Disp_Access_No" : "1984.57", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1939-1941", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1941", "Disp_Title" : "Mathematical Abstraction No. 6 "Split complementary"", "Alt_Title" : "Projective Ornament", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Fayette Bragdon", "Sort_Artist" : "Bragdon, Claude Fayette", "Disp_Dimen" : "28 x 20 in. (71.1 x 50.8 cm)", "Disp_Height" : "28 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "thin board", "Disp_Medium" : "Watercolor, graphite, charcoal and red colored pencil", "Info_Page_Comm" : "Bragdon’s Mathematical Abstractions is a set of images based on mathematical relationships and suggestive of cosmic forms in the solar system. This series grew out of Bragdon’s continued interest in uniting color, form, and music. The series was exhibited in 1941-42 in Hartford, New York City, and finally in Rochester at the Memorial Art Gallery. The Mathematical Abstractions were best described by the artist in the 1941-42 exhibition brochure: "These fifteen water-color paintings represent the final distillation of Mr. Bragdon’s creative ability in a field which he has made his own. Although susceptible of classification as non-representational, or non-objective art, they are unique by reason of the fact that Mr. Bragdon is a skilled mathematician and geometer as well as an artist. He does not wish these paintings to be viewed, however, from any other standpoint than that of their intrinsic beauty—their purely aesthetic appeal. He believes that mathematical truth is at the root of all beauty, and that in the same sense that music may be said to be the beauty of mathematics made audible, so are these paintings mathematics made visible. After having made many hundred drawings, Mr. Bragdon made the paintings here and now exhibited, which from one point of view might be regarded as so many 'stills' of color symphonies seen by the author 'in his mind’s eye.' One of the pioneers in the new art of Color Music, Mr. Bragdon has from far back employed his spare time and his spare money in the construction of one “color-organ” after another, in which it was his idea to add luminosity, color, rhythm, mobility, to his designs derived from mathematical sources. Convinced, after many failures, that the most satisfactory way in which this might be accomplished was by the animated cartoon technique, he made a study of it with this in view, and tried to interest the moving picture people in his idea. None of them were prepared, however, to invest the necessary amount of money in what they regarded as an uncertain venture. Walt Disney, meantime, a free agent, with the means at his disposal, had gone ahead and in certain parts of “Fantasia”—notably in the “sound-track” sequence—approximated some of the color-music effects which Mr. Bragdon had had in mind." 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Cassebeer", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16295", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3707, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3707", "Disp_Access_No" : "1913.2", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Gray Day on the Riviera, Cap Ferrat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louis Aston Knight", "Sort_Artist" : "Knight, Louis Aston", "Disp_Dimen" : "25 5/8 x 32 in. 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Franklin Brewster", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3708, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3708", "Disp_Access_No" : "1920.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1891", "_Disp_Start_Dat" : "1891", "_Disp_End_Date" : "1891", "Disp_Title" : "The Breadwinner", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emma Lampert Cooper", "Sort_Artist" : "Cooper, Emma Lampert", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "Emma Lampert of Nunda, NY, studied at the Art Students League and taught at Mechanics Institute (now RIT) before marrying the well-known painter, Colin Campbell Cooper. This view of a Dutch interior was exhibited widely both here and abroad; it garnered several awards, including a medal at the 1893 World’s Columbian Exposition. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Colin Campbell Cooper", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/20.3_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/20.3_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/20.3_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/20.3_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28019", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was taken after conservation treatment undertaken by Patricia Hamm in 2008.", "View" : "" } , ] },{ "embark_ID" : 3711, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3711", "Disp_Access_No" : "1973.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joan Lyons", "Sort_Artist" : "Lyons, Joan", "Disp_Dimen" : "11 3/8 x 9 11/16 in. (28.9 x 24.6 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "9 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Oil", "Support" : "paper", "Disp_Medium" : "Oil and pastel on paper", "Info_Page_Comm" : "Joan Lyons founded the Visual Studies Workshop Press in Rochester in 1971 and she remains one of the nation’s most dedicated advocates of small edition artists’ books. A visual artist herself, she graduated from Alfred University. This colorful early drawing might be read as an aerial view of the landscape. It was donated by John Funt, an artist and the son of Candid Camera host Alan Funt. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of John Funt", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.73_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.73_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.73_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.73_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37956", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3713, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3713", "Disp_Access_No" : "1977.144", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Purple Iris", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Elmer L. Macrae", "Sort_Artist" : "Macrae, Elmer L.", "Disp_Dimen" : "30 1/16 x 20 in. (76.4 x 50.8 cm)", "Disp_Height" : "30 1/16 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "General Acquisitions Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.144_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.144_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.144_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.144_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34480", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3716, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3716", "Disp_Access_No" : "1925.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1923", "_Disp_Start_Dat" : "1923", "_Disp_End_Date" : "1923", "Disp_Title" : "Three Master", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Marin", "Sort_Artist" : "Marin, John", "Disp_Dimen" : "21 7/8 x 26 3/8 in. (55.5 x 67 cm)", "Disp_Height" : "21 7/8 in.", "Disp_Width" : "26 3/8 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and charcoal on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Slight landscape sketch in watercolor on verso. Previously collection of Philip L. Goodwin? Reproduced in 1935 book on Marin with that credit, although this watercolor was already in MAG''s collection by then.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.32_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12344", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3717, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3717", "Disp_Access_No" : "1951.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Marin Island, Small Point, Maine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Marin", "Sort_Artist" : "Marin, John", "Disp_Dimen" : "17 x 21 3/4 in. (43.2 x 55.2 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "21 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor with graphite on paper", "Info_Page_Comm" : "Like Arthur G. Dove and Georgia O'Keeffe, John Marin aligned himself with the avant-garde circle surrounding Alfred Stieglitz. While Marin's favorite subjects were landscapes and seascapes, particularly Maine marines, he applied to them the modernist sensibilities that he absorbed from European masters like Cézanne, whose first one-man show was at Stieglitz's Gallery 291 in 1911. The island that Marin depicts here is one that he purchased in 1914 immediately after getting married. It is off the coast of Maine, near Portland. The Maine landscape drew Marin back throughout his life. A chief characteristic of twentieth century painting has been the practice of artists to transform subject with emotion, or as Marin's fellow painter Arthur Dove describes it, to pull the subject matter out and leave the sensation. Here, Marin sketches in the bare bones of his island but then folds it in as part of an all-over expression of action and energy, as if to suggest that the land mass is one with the wind and the waves. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3718, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3718", "Disp_Access_No" : "1960.10", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Spirit Lake", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Martell Mason", "Sort_Artist" : "Mason, Roy Martell", "Disp_Dimen" : " ()", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "The Bequest of Miss Fannie Benjamin", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29634", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for print or web", "View" : "" } , ] },{ "embark_ID" : 3720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3720", "Disp_Access_No" : "1980.59", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1921-1925", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1925", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Matulka", "Sort_Artist" : "Matulka, Jan", "Disp_Dimen" : "13 7/8 x 20 7/8 in. (35.2 x 53 cm)", "Disp_Height" : "13 7/8 in.", "Disp_Width" : "20 7/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor with graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. William A. Centner", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "23789", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3724, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3724", "Disp_Access_No" : "1941.18", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1941", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1946", "Disp_Title" : "Cove with Squall", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Menihan", "Sort_Artist" : "Menihan, John C.", "Disp_Dimen" : "16 1/2 x 21 in. (41.9 x 53.3 cm)", "Disp_Height" : "16 1/2 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Purchase Award, George L. Herdle Memorial Prize presented by Mrs. Walden Moore in memory of her father", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3725, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3725", "Disp_Access_No" : "1946.48", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rain", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Menihan", "Sort_Artist" : "Menihan, John C.", "Disp_Dimen" : "13 3/4 x 20 in. (34.9 x 50.8 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.48_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.48_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.48_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.48_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14710", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3727, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3727", "Disp_Access_No" : "1993.18", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Abandoned House", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Menihan", "Sort_Artist" : "Menihan, John C.", "Disp_Dimen" : "26 1/16 x 40 1/8 in. (66.2 x 101.9 cm)", "Disp_Height" : "26 1/16 in.", "Disp_Width" : "40 1/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds donated by Frank J. Goodwin in memory of John C. Menihan", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14780", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3728, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3728", "Disp_Access_No" : "1964.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Haddonfield, U.S.A. #10", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Miller", "Sort_Artist" : "Miller, Richard", "Disp_Dimen" : "20 x 30 in. (50.8 x 76.2 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache on paper", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift through the American Federation of Arts", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3730, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3730", "Disp_Access_No" : "1956.85", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Pasture Gate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Annie (Nina) Moore", "Sort_Artist" : "Moore, Annie (Nina)", "Disp_Dimen" : "7 5/8 x 11 1/2 in. (19.3 x 29.2 cm)", "Disp_Height" : "7 5/8 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper laid down on board", "Info_Page_Comm" : "", "Dedication" : "Gift of the children of Dr. and Mrs. William Gannett", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.85_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.85_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.85_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.85_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37953", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3731, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3731", "Disp_Access_No" : "1993.48", "_AccNumSort1" : "", "Disp_Create_DT" : "1958", "_Disp_Start_Dat" : "1958", "_Disp_End_Date" : "1958", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carl Morris", "Sort_Artist" : "Morris, Carl", "Disp_Dimen" : "17 3/8 x 22 11/16 in. (44.1 x 57.6 cm)", "Disp_Height" : "17 3/8 in.", "Disp_Width" : "22 11/16 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "Japanese paper", "Disp_Medium" : "Watercolor and ink on Japanese paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Ann Whitcomb", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.48_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.48_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.48_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.48_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "23791", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3734, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3734", "Disp_Access_No" : "1991.95", "_AccNumSort1" : "", "Disp_Create_DT" : "1776", "_Disp_Start_Dat" : "1776", "_Disp_End_Date" : "1776", "Disp_Title" : "John Beale Bordley (1727-1804)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Willson Peale", "Sort_Artist" : "Peale, Charles Willson", "Disp_Dimen" : "1 5/16 x 1 1/8 in. (3.3 x 2.9 cm)", "Disp_Height" : "1 5/16 in.", "Disp_Width" : "1 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "ivory", "Disp_Medium" : "Watercolor on ivory", "Info_Page_Comm" : "Bordley was a childhood friend of Peale and an early patron.", "Dedication" : "Gift of Mr. and Mrs. Lester Eber", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "According to Curator of American Art, David Brigham (Worcester Art Museum), who visited MAG on 3/26/00, Peale miniatures usually have a blue cast, due to the monochromatic underpainting which is a cool blue-gray. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.95_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.95_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.95_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.95_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12515", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3735, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3735", "Disp_Access_No" : "1963.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Park by the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice Prendergast", "Sort_Artist" : "Prendergast, Maurice", "Disp_Dimen" : "17 3/8 x 22 3/8 in. (44.1 x 56.8 cm)", "Disp_Height" : "17 3/8 in.", "Disp_Width" : "22 3/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor with graphite on paper", "Info_Page_Comm" : "Throughout his life, Maurice Prendergast found delight and inspiration in the pleasant, sun-filled parks and beaches along the New England shore. He recalled happy moments there in brilliant watercolors, so remarkable in their energy and hue that they were likened, in Prendergast's day, to "an explosion in a color factory." Trained as a theater poster painter, Prendergast became extraordinarily facile in watercolor, and he employed it throughout his career. The fluid medium was especially appropriate to Prendergast's expressions of the momentary, as the dance of light across the landscape and the rhythmic movements of bathers and picnickers could be suggested in quick dashes of luminous color. Under the influence of French post-impressionistic painting, Prendergast's watercolors became increasingly abstract. This late example is typical in its brevity. The design is realized through a loose pattern of strong primary and secondary colors set against the bright white ground. Much of the sheet has been left to create scattered highlights and to heighten the viewer's awareness of the work as pure paint on paper. [Gallery label text]", "Dedication" : "Gift of Mrs. Charles Prendergast", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.28_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.28_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.28_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.28_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13424", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3736, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3736", "Disp_Access_No" : "1957.70", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1910", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1915", "Disp_Title" : "Evening, Buzzards Bay", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank K. M. Rehn", "Sort_Artist" : "Rehn, Frank K. M.", "Disp_Dimen" : "13 x 18 3/8 in. (33 x 46.6 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "18 3/8 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. Charles Strowger", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This was credited as "anonymous gift" with the ledger describing the work as being found in storage until a note was found in Don Rosenthal''s handwriting in May of 2014; this listed the gifts of Dr. Charles Strowger as including a painting by Rehn signed as this one is. In June of 2014, the credit line for this work was changed to read "Gift of Dr. Charles Strowger." --KSchauber, Curatorial Research Assistant", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/57.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/57.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/57.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/57.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25679", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 3737, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3737", "Disp_Access_No" : "1955.10", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Ruins of a Roman Bridge at Warwick, England", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jane Brewster Reid", "Sort_Artist" : "Reid, Jane Brewster", "Disp_Dimen" : "13 1/8 x 16 3/8 in. (33.3 x 41.6 cm)", "Disp_Height" : "13 1/8 in.", "Disp_Width" : "16 3/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37952", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3738, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3738", "Disp_Access_No" : "1980.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1878", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1878", "Disp_Title" : "St. Michael's Mount, Cornwall", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Trost Richards", "Sort_Artist" : "Richards, William Trost", "Disp_Dimen" : "3 1/8 x 4 7/8 in. (7.9 x 12.4 cm)", "Disp_Height" : "3 1/8 in.", "Disp_Width" : "4 7/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Joseph H. Willard", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.73_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.73_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.73_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.73_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "37960", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3741, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3741", "Disp_Access_No" : "1971.49", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Iris, Pale Sea and Sky", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Karl Schrag", "Sort_Artist" : "Schrag, Karl", "Disp_Dimen" : "25 x 37 in. (63.5 x 94 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "37 in.", "Dimen_Extent" : "", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Whitney Hoyt in Memory of Fritz Trautman", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.49_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.49_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.49_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.49_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12989", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3742, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3742", "Disp_Access_No" : "1974.93", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Connecticut Barn and Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Sheeler", "Sort_Artist" : "Sheeler, Charles", "Disp_Dimen" : "6 1/2 x 8 11/16 in. (16.5 x 22 cm)", "Disp_Height" : "6 1/2 in.", "Disp_Width" : "8 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Peter Iselin and his sister, Emilie I. Wiggin", "Copyright_Type" : "No existing copyright holder", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.93_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.93_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.93_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.93_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13229", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.93_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.93_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.93_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.93_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27603", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 3743, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3743", "Disp_Access_No" : "1974.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Totems in Steel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Sheeler", "Sort_Artist" : "Sheeler, Charles", "Disp_Dimen" : "3 11/16 x 5 1/8 in. (9.4 x 13 cm)", "Disp_Height" : "3 11/16 in.", "Disp_Width" : "5 1/8 in.", "Dimen_Extent" : "image", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache ", "Info_Page_Comm" : "This image of a New York City construction site is based on a film still from Charles Sheeler’s 1920 film collaboration with photographer Paul Strand, <em>Manhatta</em>. In the ten-minute film, the artists track the dynamism of Manhattan through the course of a day, focusing on the unique pulse and geometry of the city’s machinery, vehicles, and architecture. <em>Manhatta</em> provided Sheeler with numerous images from which he later painted. The title of this painting, <em>Totems in Steel</em>, frames modern engineering, industry, and architecture in quasi-religious terms. Sheeler wrote, “In a period such as ours when only a comparatively few individuals seem to be given to religion, some form other than the Gothic cathedral must be found. Industry concerns the greatest numbers—it may be true, as has been said, that our factories are our substitute for religious expression.” [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of Peter Iselin and his sister, Emilie Iselin Wiggin", "Copyright_Type" : "No existing copyright holder", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.94_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.94_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.94_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.94_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27604", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] },{ "embark_ID" : 3744, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3744", "Disp_Access_No" : "1960.1", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sitting Room, Palacio Quinta Bacalhoa, Portugal", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Virginia Jeffrey Smith", "Sort_Artist" : "Smith, Virginia Jeffrey", "Disp_Dimen" : "19 11/16 x 25 5/8 in. 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Hamilton", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Verso: watercolor study of young woman in white dress with black jacket and hat", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.85_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.85_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.85_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.85_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12472", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3771, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3771", "Disp_Access_No" : "1998.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Savoy Dancers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Yarde", "Sort_Artist" : "Yarde, Richard", "Disp_Dimen" : "41 9/16 x 29 1/2 in. (105.6 x 74.9 cm)", "Disp_Height" : "41 9/16 in.", "Disp_Width" : "29 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "wove paper", "Disp_Medium" : "Watercolor on wove paper", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3776, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3776", "Disp_Access_No" : "1950.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1830-1839", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1839", "Disp_Title" : "Alfred Mason Badger (1808-1868)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "2 9/16 x 2 3/16 x 5/16 in. (6.5 x 5.5 x 0.8 cm)", "Disp_Height" : "2 9/16 in.", "Disp_Width" : "2 3/16 in.", "Dimen_Extent" : "overall", "Medium" : "Watercolor", "Support" : "ivory", "Disp_Medium" : "Watercolor on ivory", "Info_Page_Comm" : "", "Dedication" : "Bequest of Lois Badger", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per curatorial file: Sitter born Portsmouth, NH; died in Boston, on vacation from Rochester. Builder of Woodside on East Avenue (former Rochester Historical Society building). Married Susan Adams Harnden (see 50.20) in Washington, NH, 1837.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30618", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo exists only as a JPG. Suitable for kiosk display but not for reproduction.", "View" : "" } , ] },{ "embark_ID" : 3777, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3777", "Disp_Access_No" : "1950.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1830-1839", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1839", "Disp_Title" : "Susan Adams Harnden Badger (1814-1884)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "3 1/16 x 2 1/2 x 5/16 in. 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Married Alfred Badger (see 50.5) in Washington, NH, 1837.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30619", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo exists only as a JPG. Suitable for kiosk display but not for reproduction.", "View" : "" } , ] },{ "embark_ID" : 3778, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3778", "Disp_Access_No" : "1953.36", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Theorem Painting: Basket of Fruit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "13 x 15 1/4 in. (33 x 38.7 cm)", "Disp_Height" : "13 in.", "Disp_Width" : "15 1/4 in.", "Dimen_Extent" : "", "Medium" : "Opaque watercolor", "Support" : "paper", "Disp_Medium" : "Opaque watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "John White Johnston Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 3781, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3781", "Disp_Access_No" : "1987.57", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Summer Home of Virginia Jeffrey Smith, Cape Ann, Massachusetts", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "7 1/2 x 5 1/8 in. (19.1 x 13 cm)", "Disp_Height" : "7 1/2 in.", "Disp_Width" : "5 1/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor gouache and graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Virginia Jeffrey Smith", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.57_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.57_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.57_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.57_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34486", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3875, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3875", "Disp_Access_No" : "1998.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1975", "_Disp_Start_Dat" : "1975", "_Disp_End_Date" : "1975", "Disp_Title" : "Two Female Models on an Iron Bed", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Philip Pearlstein", "Sort_Artist" : "Pearlstein, Philip", "Disp_Dimen" : "22 3/8 x 29 5/8 in. (56.8 x 75.2 cm)", "Disp_Height" : "22 3/8 in.", "Disp_Width" : "29 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert and Anne-Marie Logan", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13426", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3916", "Disp_Access_No" : "1999.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1912-1915", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1915", "Disp_Title" : "In the Park", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Matulka", "Sort_Artist" : "Matulka, Jan", "Disp_Dimen" : "8 13/16 x 11 13/16 in. (22.4 x 30 cm)", "Disp_Height" : "8 13/16 in.", "Disp_Width" : "11 13/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "wove paper", "Disp_Medium" : "Watercolor with graphite on wove paper", "Info_Page_Comm" : "This idyllic scene of fashionable women and children in a New York City park contrasts with the reality of Jan Matulka’s impoverished childhood as the son of an immigrant mother in the Bronx. The realist style of Matulka’s early years shifted to abstraction as he had the opportunity to travel, first through the United States and subsequently to Paris, and engage with artists like Stuart Davis, who was experimenting with modernist styles like cubism. [Label text, 2003]", "Dedication" : "In memory of F. Irving Hutchins from family and friends of Mr. and Mrs. Frank M. Hutchins and Mr. and Mrs. Mark C. Hargrave", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "716", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4154", "Disp_Access_No" : "1999.61", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1939-1941", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1941", "Disp_Title" : "Mathematical Abstraction No. 14 "The sun by day and the moon by night"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Fayette Bragdon", "Sort_Artist" : "Bragdon, Claude Fayette", "Disp_Dimen" : "28 3/8 x 20 x 1 3/16 in. (72.1 x 50.8 x 3 cm)", "Disp_Height" : "28 3/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "four ply board", "Disp_Medium" : "Watercolor and graphite on four ply Whatman watercolor board", "Info_Page_Comm" : "Bragdon’s Mathematical Abstractions is a set of images based on mathematical relationships and suggestive of cosmic forms in the solar system. This series grew out of Bragdon’s continued interest in uniting color, form, and music. The series was exhibited in 1941-42 in Hartford, New York City, and finally in Rochester at the Memorial Art Gallery. The Mathematical Abstractions were best described by the artist in the 1941-42 exhibition brochure: "These fifteen water-color paintings represent the final distillation of Mr. Bragdon’s creative ability in a field which he has made his own. Although susceptible of classification as non-representational, or non-objective art, they are unique by reason of the fact that Mr. Bragdon is a skilled mathematician and geometer as well as an artist. He does not wish these paintings to be viewed, however, from any other standpoint than that of their intrinsic beauty—their purely aesthetic appeal. He believes that mathematical truth is at the root of all beauty, and that in the same sense that music may be said to be the beauty of mathematics made audible, so are these paintings mathematics made visible. After having made many hundred drawings, Mr. Bragdon made the paintings here and now exhibited, which from one point of view might be regarded as so many 'stills' of color symphonies seen by the author 'in his mind’s eye.' One of the pioneers in the new art of Color Music, Mr. Bragdon has from far back employed his spare time and his spare money in the construction of one “color-organ” after another, in which it was his idea to add luminosity, color, rhythm, mobility, to his designs derived from mathematical sources. Convinced, after many failures, that the most satisfactory way in which this might be accomplished was by the animated cartoon technique, he made a study of it with this in view, and tried to interest the moving picture people in his idea. None of them were prepared, however, to invest the necessary amount of money in what they regarded as an uncertain venture. Walt Disney, meantime, a free agent, with the means at his disposal, had gone ahead and in certain parts of “Fantasia”—notably in the “sound-track” sequence—approximated some of the color-music effects which Mr. Bragdon had had in mind." 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"Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090501", "View" : "" } , ] },{ "embark_ID" : 7940, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7940", "Disp_Access_No" : "1941.37", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Fan: Moses Striking the Rock", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Italian", "Sort_Artist" : "Unknown, Italian", "Disp_Dimen" : "6 1/4 x 19 1/2 in. 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Printed label on box: ANN BAYLIE / FAN-MAKER, / and Warehouse Woman / (From the late Mr. Margass''s India Warehouse / Bucklersbury, Cheapside) / Now keeps a Shop at the Golden Fan and Sun in Chidley Court near Carleton House, Pall Mall, / Where Ladies may depend on being Genteelly Served with all Sorts of Fans; / Also Mounts properly prepared for the / TAMBOUR / Likewise Fans to Suit Ladies Cloaths [sic].", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "40971", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.37_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.37_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.37_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.37_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "40972", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8105, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8105", "Disp_Access_No" : "2000.28", "_AccNumSort1" : "", "Disp_Create_DT" : "1906", "_Disp_Start_Dat" : "1906", "_Disp_End_Date" : "1906", "Disp_Title" : "Art Class Penn Academy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Demuth", "Sort_Artist" : "Demuth, Charles", "Disp_Dimen" : "13 1/16 x 19 7/8 in. (33.1 x 50.5 cm)", "Disp_Height" : "13 1/16 in.", "Disp_Width" : "19 7/8 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and graphite", "Info_Page_Comm" : "Charles Demuth’s most famous paintings are in a hard-lined and tightly-controlled industrial style called Precisionism, which he helped develop, but his watercolors of people, fruit, and flowers are loose, sensuous, and evocative. This casual study of a woman in a studio at the Pennsylvania Academy of Fine Art was made when Demuth was a student there. Based upon a somewhat illegible inscription on the back, this figure may be Helen Torr, a modernist artist who ran in the same circles as Demuth and eventually married the artist Arthur Dove. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Nancy Turner Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.28_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.28_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.28_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.28_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39103", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9364, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9364", "Disp_Access_No" : "1944.74", "_AccNumSort1" : "", "Disp_Create_DT" : "1888", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1888", "Disp_Title" : "Basket of Flowers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Helen W. Hooker", "Sort_Artist" : "Hooker, Helen W.", "Disp_Dimen" : "13 15/16 x 21 3/8 in. (35.4 x 54.3 cm)", "Disp_Height" : "13 15/16 in.", "Disp_Width" : "21 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of James and Emily Somerville Haas", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.74_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.74_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.74_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.74_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38581", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9365, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9365", "Disp_Access_No" : "1944.75", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cock", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Zim", "Sort_Artist" : "Zim", "Disp_Dimen" : "14 1/2 x 10 3/4 in. (36.8 x 27.3 cm)", "Disp_Height" : "14 1/2 in.", "Disp_Width" : "10 3/4 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of James and Emily Somerville Haas", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.75_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.75_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.75_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.75_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34473", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9514, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9514", "Disp_Access_No" : "1976.74", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Macaroni Tin", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Idelle Weber", "Sort_Artist" : "Weber, Idelle", "Disp_Dimen" : "19 x 28 in. (48.3 x 71.1 cm)", "Disp_Height" : "19 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "Gift of the Women's Council and the National Endowment for the Arts", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.74_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.74_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.74_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.74_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "16060", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/76.74_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/76.74_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/76.74_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/76.74_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "54145", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9772, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9772", "Disp_Access_No" : "1977.152.162", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Peonies", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Avery", "Sort_Artist" : "Avery, Ralph", "Disp_Dimen" : "7 1/2 x 6 3/4 in. (19.1 x 17.1 cm)", "Disp_Height" : "7 1/2 in.", "Disp_Width" : "6 3/4 in.", "Dimen_Extent" : "image", "Medium" : "Watercolor", "Support" : "wove paper", "Disp_Medium" : "Watercolor and gouache on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Ralph Avery", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Painted on the left side of the sheet, with a piece of colored paper glued to the right side, probably to accomodate Reader''s Digest cover layout?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.152.162_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.152.162_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.152.162_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.152.162_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44255", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10400, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10400", "Disp_Access_No" : "2001.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1961", "_Disp_Start_Dat" : "1961", "_Disp_End_Date" : "1961", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alfonsas Dargis", "Sort_Artist" : "Dargis, Alfonsas", "Disp_Dimen" : "12 1/8 x 14 15/16 in. (30.8 x 37.9 cm)", "Disp_Height" : "12 1/8 in.", "Disp_Width" : "14 15/16 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink and oil paint on rice paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. John McKinney ", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.23_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.23_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.23_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.23_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "36227", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11699, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11699", "Disp_Access_No" : "2003.15", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled (Windmill)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Ward Ranger", "Sort_Artist" : "Ranger, Henry Ward", "Disp_Dimen" : "12 13/16 x 24 7/16 in. (32.5 x 62 cm)", "Disp_Height" : "12 13/16 in.", "Disp_Width" : "24 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and gouache ", "Info_Page_Comm" : "", "Dedication" : "Gift of John and Mary Celentano", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.15_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17928", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "52485", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11920, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11920", "Disp_Access_No" : "2003.49", "_AccNumSort1" : "", "Disp_Create_DT" : "1919", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1919", "Disp_Title" : "Toulouse France", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. 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Wenrich", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.49_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.49_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.49_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.49_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18786", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11921, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11921", "Disp_Access_No" : "2003.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1919", "_Disp_Start_Dat" : "1919", "_Disp_End_Date" : "1919", "Disp_Title" : "Cathedral with Tabac Store", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Wenrich", "Sort_Artist" : "Wenrich, John C.", "Disp_Dimen" : "16 x 10 1/16 in. (40.7 x 25.5 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "10 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache with graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of John A. and Jeanne P. Wenrich", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.60_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.60_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.60_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.60_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18795", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11922", "Disp_Access_No" : "2003.71", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1919", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1924", "Disp_Title" : "Cathedral: Toulouse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Wenrich", "Sort_Artist" : "Wenrich, John C.", "Disp_Dimen" : "15 15/16 x 9 15/16 in. (40.5 x 25.3 cm)", "Disp_Height" : "15 15/16 in.", "Disp_Width" : "9 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache with graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of John A. and Jeanne P. Wenrich", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.71_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.71_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.71_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.71_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44559", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11923, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11923", "Disp_Access_No" : "2003.82", "_AccNumSort1" : "", "Disp_Create_DT" : "c. 1919", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1924", "Disp_Title" : "Bar le Duc Port du Château", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Wenrich", "Sort_Artist" : "Wenrich, John C.", "Disp_Dimen" : "10 13/16 x 6 15/16 in. (27.5 x 17.7 cm)", "Disp_Height" : "10 13/16 in.", "Disp_Width" : "6 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of John A. and Jeanne P. Wenrich", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.82_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.82_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.82_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.82_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18806", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11927, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11927", "Disp_Access_No" : "2003.97", "_AccNumSort1" : "", "Disp_Create_DT" : "c.1919", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1924", "Disp_Title" : "Clock", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. 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