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(26 x 21.6 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The rivers surrounding Manhattan have always attracted swimmers brave – or foolish – enough to endure pollutants and random bits of garbage floating nearby. Fortunately, the quality of New York waterways is currently improving, and sights like the one may be more common in the future. Looming above the swimmers and boaters enjoying the East River is the Queensborough Bridge, also known as the 59th Street Bridge, made famous by Simon and Garfunkel’s album and song (Feeling Groovy). One of the many bridges that have been artists’ favorites, the Queensborough Bridge connects Manhattan and Queens. Over a mile long, it was opened to traffic in 1909. The spires that were part of the original design, and that can be seen in this print, were removed in the 1950s because of their deteriorating condition. [Label text, 2003]", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The East River Bridge at 59th Street", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25057", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1295, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1295", "Disp_Access_No" : "1983.134.21", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Central Park Lake", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "6 1/4 x 11 3/4 in. (15.9 x 29.8 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26163", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1301, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1301", "Disp_Access_No" : "1983.134.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Refuge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "7 x 5 in. (17.8 x 12.7 cm)", "Disp_Height" : "7 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26164", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1312, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1312", "Disp_Access_No" : "1983.134.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Washington Square South", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "7 x 8 3/4 in. (17.8 x 22.2 cm)", "Disp_Height" : "7 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Out of necessity and solidarity artists banded together to survive the Great Depression by collective efforts to make, show, and sell their work. Hugh Botts’ keen sense of humor and ability to market his work is clear in Washington Square Park South. This display of eight of his prints tacked to a fence mimics how he probably displayed his work to sell at the Washington Square Outdoor Art Exhibit (established in 1931). This outdoor, public exhibition of art for sale, similar to the Memorial Art Gallery’s own annual Clothesline Arts Festival, is still in operation today in New York City. The prints depicted were among Bott’s most successful images; Columbus Circle was reprinted in the 1939 WPA guide to New York, Roosevelt Wing Museum was the feature of an article about the artist in Christian Science Monitor, and House Painter was a prizewinning print noted by the New York Times reviewer as characteristic of the artist’s wit. [Label text] Since 1931, artists have shown their works in an annual exhibition in Greenwich Village’s Washington Square. Launched during the Depression by Jackson Pollock, Alice Neel, and other artists seeking to have their work seen and purchased, the show became a popular (and inexpensive) way of gaining recognition. In this etching, Hugh Botts shows his own works on view in Washington Square. In characteristic fashion, the artist includes his whimsical touches – for example, a trompe l’oeil label with his name and date on it. Look closely, and you’ll find a miniature version of an etching in this exhibition. 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Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25068", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1314, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1314", "Disp_Access_No" : "1983.134.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Mid Manhattan Canyon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "12 15/16 x 17 7/8 in. (32.9 x 45.4 cm)", "Disp_Height" : "12 15/16 in.", "Disp_Width" : "17 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Aquatint and etching", "Info_Page_Comm" : "The New York skyline is a backdrop for the human drama that Botts saw all around him in New York City. [Label text, 2003]", "Dedication" : "Gift of Robert W. 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(14.9 x 19.4 cm)", "Disp_Height" : "5 7/8 in.", "Disp_Width" : "7 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Drypoint on ivory wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.88_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.88_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.88_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.88_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29497", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for for print or web", "View" : "" } , ] },{ "embark_ID" : 1808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1808", "Disp_Access_No" : "1967.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1888", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1888", "Disp_Title" : "Mending the Nets", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "22 x 27 7/8 in. (55.9 x 70.8 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "27 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Made after an 1882 watercolor of the same name.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Remarque proof: anchor below composition in area between composition and plate edge, 1.75" from left edge. After watercolor of same title, dated 1882, in collection of A.H. Caspary.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13506", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1809", "Disp_Access_No" : "1967.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1887", "_Disp_Start_Dat" : "1887", "_Disp_End_Date" : "1887", "Disp_Title" : "Eight Bells", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "23 5/8 x 28 5/8 in. (60 x 72.7 cm)", "Disp_Height" : "23 5/8 in.", "Disp_Width" : "28 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "After an 1886 oil painting of the same title, now at the Addison Gallery of American Art, Phillips Academy, Andover, MA.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "After an oil painting of the same title dated 1886, in the collection of the Addison Gallery of American Art, Phillips Academy, Andover. Remarque proof: compass, anchor, compass sketch, lower left, between plate and composition.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13509", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1810, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1810", "Disp_Access_No" : "1967.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1888", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1888", "Disp_Title" : "Perils of the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "20 1/4 x 25 3/8 in. (51.4 x 64.5 cm)", "Disp_Height" : "20 1/4 in.", "Disp_Width" : "25 3/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Made after an 1881 watercolor of the same title.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Remarque proof: lightly etched anchor in area between composition and edge of plate, left plate: head of fisherman, left plate: remnants of lettering to edges, center below composition, indistinguishable. After watercolor of same title, 1881, in the collection of Mr. Francis M. Weld", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1880", "Disp_Access_No" : "1931.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Night in the Park", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edward Hopper", "Sort_Artist" : "Hopper, Edward", "Disp_Dimen" : "12 3/8 x 16 1/4 in. (31.5 x 41.3 cm)", "Disp_Height" : "12 3/8 in.", "Disp_Width" : "16 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In 1921, when this print was created, Edward Hopper was a relatively unknown artist who had sold a few paintings but had not begun to receive the acclaim that would be his within a few years. By 1931, when it was exhibited at MAG and acquired with funds donated by a relative of the Watson family, Hopper had become HOPPER; the Museum of Modern Art had purchased one of his paintings the year before. While MAG does not own any of his canvases, we are fortunate to own this print and one other from Hopper’s decade of printmaking, 1915–1924. The cinematic quality of Hopper’s paintings is evident even in his etchings. A shadowy figure placed at the far end of a line of benches could easily be a character from a Hollywood “film noir.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.26_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.26_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.26_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.26_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39066", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1881, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1881", "Disp_Access_No" : "1989.52", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Night Shadows", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edward Hopper", "Sort_Artist" : "Hopper, Edward", "Disp_Dimen" : "10 5/8 x 13 3/16 in. (27 x 33.5 cm)", "Disp_Height" : "10 5/8 in.", "Disp_Width" : "13 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Edward Hopper’s prints, like those of Martin Lewis, have a strong relationship to cinematic film noir. The artist gives us the sense that we are unseen watchers observing clandestine activity, and we have a feeling of unease. Strongly contrasting light and dark areas and sharp diagonal lines heighten these precarious and anxious feelings. Who are these people? Are they city dwellers or newcomers? As Jonathan Franzen wrote in a 1966 essay in the New Yorker, “There’s no better way of rejecting where you came from, no plainer declaration of an intention to reinvent yourself, than moving to New York.” Hopper’s work suggests how the city’s cloak of anonymity makes Franzen’s statement possible. [Label text, 2003]", "Dedication" : "Gift of Sister Magdalen LaRow in honor of Robert Gianniny", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.52_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.52_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.52_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.52_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43457", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1882, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1882", "Disp_Access_No" : "1932.13", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Old Chinatown, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Earl Horter", "Sort_Artist" : "Horter, Earl", "Disp_Dimen" : "12 15/16 x 16 9/16 in. (32.8 x 42 cm)", "Disp_Height" : "12 15/16 in.", "Disp_Width" : "16 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/32.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/32.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/32.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/32.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18703", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1901, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1901", "Disp_Access_No" : "1997.10", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Einstein", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mohammad Omer Khalil", "Sort_Artist" : "Khalil, Mohammad Omer", "Disp_Dimen" : "18 1/8 x 14 11/16 in. (46 x 37.3 cm)", "Disp_Height" : "18 1/8 in.", "Disp_Width" : "14 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color etching", "Info_Page_Comm" : "", "Dedication" : "Deaccession Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37969", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1909, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1909", "Disp_Access_No" : "1989.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1845", "_Disp_Start_Dat" : "1845", "_Disp_End_Date" : "1845", "Disp_Title" : "The Capture of Major Andre", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Smillie", "Sort_Artist" : "Smillie, James", "Disp_Dimen" : "17 3/8 x 19 5/8 in. (44.1 x 49.8 cm)", "Disp_Height" : "17 3/8 in.", "Disp_Width" : "19 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "", "Dedication" : "Thelma M. Knapp Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14602", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1916, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1916", "Disp_Access_No" : "1958.89", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1958", "_Disp_Start_Dat" : "1953", "_Disp_End_Date" : "1963", "Disp_Title" : "September", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dorothy Rutka Kennon", "Sort_Artist" : "Kennon, Dorothy Rutka", "Disp_Dimen" : "12 1/2 x 17 1/2 in. (31.8 x 44.5 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Lithograph and etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.89_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.89_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.89_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.89_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13604", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1947, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1947", "Disp_Access_No" : "1975.229", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bearing of The Cross", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Klabunde", "Sort_Artist" : "Klabunde, Charles", "Disp_Dimen" : "23 3/4 x 35 1/2 in. (60.3 x 90.2 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "35 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1962, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1962", "Disp_Access_No" : "1944.30", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1931", "_Disp_Start_Dat" : "1926", "_Disp_End_Date" : "1936", "Disp_Title" : "Street in Hungary", "Alt_Title" : "A Street in Budapest", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kalman Kubinyi", "Sort_Artist" : "Kubinyi, Kalman", "Disp_Dimen" : "7 5/16 x 10 3/16 in. 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Note publication date of 1968 as compared to EmbARK creation date of 1965.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.250_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.250_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.250_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.250_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21820", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2069, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2069", "Disp_Access_No" : "1979.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1978", "_Disp_Start_Dat" : "1978", "_Disp_End_Date" : "1978", "Disp_Title" : "Anonymous Child", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert E. Marx", "Sort_Artist" : "Marx, Robert E.", "Disp_Dimen" : "15 3/16 x 10 13/16 in. 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(34.3 x 44.3 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "17 7/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Drypoint on ivory wove paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "public domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.53_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.53_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.53_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.53_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2245, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2245", "Disp_Access_No" : "1975.272", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Entrapment", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Michael Ponce De Leon", "Sort_Artist" : "Ponce De Leon, Michael", "Disp_Dimen" : "25 x 22 1/2 in. (63.5 x 57.2 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "22 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Intaglio and collage", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2299, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2299", "Disp_Access_No" : "1975.285", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Composition", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Rosenquist", "Sort_Artist" : "Rosenquist, James", "Disp_Dimen" : "9 15/16 x 7 9/16 in. 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Roth", "Sort_Artist" : "Roth, Ernest D.", "Disp_Dimen" : "15 x 12 11/16 in. (38.1 x 32.2 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "12 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/19.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/19.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/19.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/19.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18596", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2325, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2325", "Disp_Access_No" : "1991.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1854", "_Disp_Start_Dat" : "1854", "_Disp_End_Date" : "1854", "Disp_Title" : "The County Election (after George Caleb Bingham)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sartain", "Sort_Artist" : "Sartain, John", "Disp_Dimen" : "25 5/8 x 32 3/16 in. (65.1 x 81.8 cm)", "Disp_Height" : "25 5/8 in.", "Disp_Width" : "32 3/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored line, stipple and mezzotint engraving", "Info_Page_Comm" : "This scene is a commentary on American elections as well as on a specific Election Day in 1850. On that day, in Saline County, Missouri, the artist George Caleb Bingham ran for a place in the State Legislature. E. D. Sappington, the candidate lifting his shiny top hat, was the winner. Sappington, with his workers, tried to buy votes with liquor, and because he was related to the judge and one of the clerks, the election’s outcome aroused suspicion. While Bingham did not contest the results, The County Election makes a powerful statement about his thoughts concerning the corrupt proceedings. The artist represents himself as the figure in the stovepipe hat seated on the courthouse steps, attended by a friendly dog and two men in white hats who pause to look over his shoulder. John Sartain was a highly successful engraver and publisher. He is well-known for his mezzotints of paintings by some of America’s major artists, including Emanuel Leutze and Thomas Sully. His descendants continued to make important contributions to the world of 19th century American art. [Gallery label text, October 2010]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.73_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.73_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.73_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.73_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18944", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2366, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2366", "Disp_Access_No" : "1988.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "Farm Road (Truxton, NY)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James A. Skvarch", "Sort_Artist" : "Skvarch, James A.", "Disp_Dimen" : "10 7/8 x 19 1/4 in. (27.7 x 48.9 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "19 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "1988 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34801", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2370, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2370", "Disp_Access_No" : "1917.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Barber Shop", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : " ()", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/17.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/17.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/17.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/17.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18592", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2374, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2374", "Disp_Access_No" : "1989.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1912", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1912", "Disp_Title" : "Anshutz Talking on Anatomy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "7 5/16 x 8 13/16 in. (18.5 x 22.4 cm)", "Disp_Height" : "7 5/16 in.", "Disp_Width" : "8 13/16 in.", "Dimen_Extent" : "image/plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In 1905, shortly after Bellows arrived in New York to study painting, Robert Henri arranged a lecture at the New York School of Art by Thomas Anshutz, an instructor at the Pennsylvania Academy of Fine Arts. In attendance were a number of artists who would form the core of the urban realists led by Henri-among them George Bellows (standing, third from the right toward the upper right corner), John Sloan, and William Glackens. Sloan recorded the event in this etching. On close examination, it is possible to see a caricature of Bellows with the initials GB. According to artist Rockwell Kent, who is also included in this etching, "We used to paint all over the walls of the studio, and Sloan shows some of those paintings in his etching. The one bearing the initials 'GB' is probably someone's caricature of Bellows at that time." [Gallery label text]", "Dedication" : "Purchased with funds donated by Frank and Lynne Lovejoy in memory of Suzanne Trimble Lovejoy", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.43_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39056", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2375, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2375", "Disp_Access_No" : "1991.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1905", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1905", "Disp_Title" : "Turning Out the Light", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "7 3/4 x 11 5/16 in. (19.7 x 28.7 cm)", "Disp_Height" : "7 3/4 in.", "Disp_Width" : "11 5/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "For centuries, New York and Paris have shared a reputation as centers of vice and licentious behavior. While John Sloan’s tender print of a bedtime moment in a New York tenement seems far removed from the ubiquitous and explicit displays of contemporary sexuality, the image was firmly rejected for the American Water Color Society’s 1906 exhibition as being ‘vulgar’ and ‘indecent.’ Sloan was part of a group of artists later called the Ashcan School, who did not shy away from subjects that other artists found unworthy or unattractive. Because so many of the artists, among them Sloan, had difficulty exhibiting their work due to their choice of subject matter and their idiosyncratic styles, they mounted their own exhibition in 1908 at Macbeth Gallery in New York City and were subsequently referred to as The Eight. [Label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45721", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2393", "Disp_Access_No" : "1975.304", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "14 15/16 x 11 in. (38 x 28 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.304_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.304_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.304_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.304_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22329", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9671, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9671", "Disp_Access_No" : "1983.134.25", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "8 1/16 x 6 5/16 in. (20.5 x 16 cm)", "Disp_Height" : "8 1/16 in.", "Disp_Width" : "6 5/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The self-portrait is undated but may have been made in the late 1920s when Botts was a printmaking fellow at the prestigious Yaddo artist colony. Botts presents himself as a dapper draughtsman with his eyebrows arched over his clear gaze. Stylistic references point to self-portraits by earlier artists including James McNeill Whistler. Rather than describe everything about his appearance Botts relies on loose lines, clear description and select dark lines. [Label text] ", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25061", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2445, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2445", "Disp_Access_No" : "1947.81", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Game Cock (Carney Cock)", "Alt_Title" : "Game Cock Carney Cock", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Emerson Tuttle", "Sort_Artist" : "Tuttle, Henry Emerson", "Disp_Dimen" : "", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Gift of Isabel Hollister Tuttle", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.81_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.81_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.81_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.81_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "32624", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2446, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2446", "Disp_Access_No" : "1947.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "The Wink", "Alt_Title" : "Horned Owl, Canada", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Emerson Tuttle", "Sort_Artist" : "Tuttle, Henry Emerson", "Disp_Dimen" : "17 3/4 x 15 3/16 in. (45.1 x 38.6 cm)", "Disp_Height" : "17 3/4 in.", "Disp_Width" : "15 3/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Isabelle Hollister Tuttle", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.94_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.94_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.94_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.94_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "32625", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2447, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2447", "Disp_Access_No" : "1950.52", "_AccNumSort1" : "", "Disp_Create_DT" : "1950 (from plate made in 1945)", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1950", "Disp_Title" : "Raven on Stump", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Emerson Tuttle", "Sort_Artist" : "Tuttle, Henry Emerson", "Disp_Dimen" : "17 1/8 x 12 7/8 in. (43.5 x 32.6 cm)", "Disp_Height" : "17 1/8 in.", "Disp_Width" : "12 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "1950 Presentation Print of the Print Club of Rochester. A posthumous print, published under the supervision of the artist's widow, Isabelle Hollister Tuttle.", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "There is a discrepancy concerning accession number 50.52: Embark and the catalogue card say that 50.52 is a drypoint by Henry Emerson Tuttle, "Raven on Stump," credited as "gift of a friend of the Gallery," which is the credit line for gifts of Emily Sibley Watson. The accession logbook says that 50.52 was assigned to a lithograph entitled "Chloe" by Daniel J. Murphy, gift of Emily Sibley Watson, deaccessioned 4/11/89. The Art Committee minutes for 4/11/89 list Chloe on a list of duplicate prints approved for deaccession. The accession number on the list is given as 50.53, a typo which is corrected on later documents related to the deaccession. The deaccession file in the registrar''s office contains records that show that the print was sold at auction by Winter Associates, Plainville, CT, at auction #197 on 9/25/89. An un-numbered print of Tuttle''s "Raven on Stump" was sent by MAG to Winter Associates in the same shipment (outgoing 4023), and sold at the same sale. There is no source for this print indicated on the documentation, but as no accession number is cited, it was apparently not deaccessioned; it is listed as "anonymous gift" which generally means "found in collection." Further research is needed to determine where the Tuttle print now 50.52 originally came from. A quick check of Mrs. Sibley Watson''s donor file and donor cards in the registrar''s office do not show it, and the 1950 gift predates the incoming forms.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.52_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.52_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.52_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.52_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "32627", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2448, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2448", "Disp_Access_No" : "1951.56", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Emerson Tuttle", "Sort_Artist" : "Tuttle, Henry Emerson", "Disp_Dimen" : "12 x 9 in. (30.5 x 22.9 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Henry Emerson Tuttle was well-known for his drypoint prints of birds. In the 1930s and 1940s, he was Curator of Prints at Yale University Art Gallery, and the first president of the Artists Association of Nantucket. His work was also included in several books of poetry and prose. [Gallery label text]", "Dedication" : "Presented by Mrs. Alan C. Valentine - June 5, 1951", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "32630", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2449, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2449", "Disp_Access_No" : "1979.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1880", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1880", "Disp_Title" : "Untitled (Farmer hoeing in field)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick T. Vance", "Sort_Artist" : "Vance, Frederick T.", "Disp_Dimen" : "3 7/16 x 4 15/16 in. (8.8 x 12.5 cm)", "Disp_Height" : "3 7/16 in.", "Disp_Width" : "4 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Frederick Vance was an artist with roots in Livingston County and the Genesee River region.", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.100_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.100_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.100_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.100_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33253", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2451, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2451", "Disp_Access_No" : "1975.311", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Pine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Beth Van Hoesen", "Sort_Artist" : "Van Hoesen, Beth", "Disp_Dimen" : "15 1/2 x 12 1/2 in. (39.4 x 31.8 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2480, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2480", "Disp_Access_No" : "1931.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1873", "_Disp_Start_Dat" : "1873", "_Disp_End_Date" : "1873", "Disp_Title" : "Florence Leyland", "Alt_Title" : "(E.G. Kennedy; 7th state-Mansfield)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "8 3/8 x 5 3/8 in. (21.2 x 13.6 cm)", "Disp_Height" : "8 3/8 in.", "Disp_Width" : "5 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "One of James McNeill Whistler’s great patrons was British shipping magnate and art collector, Frederick Leyland (1832-1892) whose wife and four children were the subjects of numerous drawings, prints, and painted portraits by the artist. Much of what is known of Whistler’s relationship with this family is through letters from his mother, who not infrequently tried her best to smoothe over disagreements between her dilatory son and the impatient Leyland. Whistler’s regular visits to Speke Hall (the Leyland family’s estate near Liverpool, England) brought him into frequent contact with the children, who posed for him many times. Look for the phrase “I am Flo” to the right of the figure of Florence, the youngest, who is holding a hoop – perhaps an inside joke, a reference to the fact that there were three Leyland daughters who may have been regularly confused with each other! [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. James Sibley Watson Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Identifying features of this state: right leg is outlined by heavy broken line; the right toe is made square, and there is new work on the left foot. Many fine diagonal lines are added to the background to the left. Listed in 1932 "Annual Report" as being on "permanent loan" from Mrs. J. S. Watson Jr.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24298", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2481, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2481", "Disp_Access_No" : "1938.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1858", "_Disp_Start_Dat" : "1858", "_Disp_End_Date" : "1858", "Disp_Title" : "Annie Seated", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "7 7/8 x 6 9/16 in. (20 x 16.6 cm)", "Disp_Height" : "7 7/8 in.", "Disp_Width" : "6 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This is a portrait of Whistler's niece, the daughter of Francis Seymour Hayden.", "Dedication" : "Gift of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ""One of the most beautiful of the many portraits of Miss Annie Hayden" T.R. Way", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.24_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.24_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.24_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.24_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "24297", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2483, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2483", "Disp_Access_No" : "1941.17", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1863", "_Disp_Start_Dat" : "1858", "_Disp_End_Date" : "1868", "Disp_Title" : "Old Hungerford Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "9 x 12 7/8 in. (22.8 x 32.7 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "12 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "The American artist James Abbott McNeill Whistler, based primarily in London, and Monet were both committed to working from nature and seeking beauty in contemporary environments. They directed their focus increasingly on transient effects of light and weather and revisited their subjects under varying conditions. In particular, both artists shared a fascination with the landmarks and activity along London’s Thames River. This etchings was a part of Whistler’s A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (known as “The Thames Set”). When they were published in 1871, the prints were already recognized as a valuable record of an already vanishing London. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Bequest of Ida Lynch", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per note in file, inscribed on old mat: III state From "Sixteen Etchings of Scenes on the Thames and Other Subjects," published in 1871 by Ellis and Green, London", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "24317", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2484, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2484", "Disp_Access_No" : "1947.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Doorway and Vine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "9 3/16 x 6 11/16 in. (23.4 x 17 cm)", "Disp_Height" : "9 3/16 in.", "Disp_Width" : "6 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From "Twenty-six Etchings" published by Dowdeswell and Dowdeswell, London, 1886 ", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24295", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2485, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2485", "Disp_Access_No" : "1947.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Garden", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "11 15/16 x 9 5/16 in. 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(51.8 x 34.9 cm)", "Disp_Height" : "20 3/8 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "After a 1723 portrait by Rigaud", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/50.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/50.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/50.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/50.1_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "29235", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 8269, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8269", "Disp_Access_No" : "1924.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1692", "_Disp_Start_Dat" : "1692", "_Disp_End_Date" : "1692", "Disp_Title" : "Pierre de Montarsis (after Coypel)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gerard Edelinck", "Sort_Artist" : "Edelinck, Gerard", "Disp_Dimen" : "16 5/16 x 12 15/16 in. 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(29.5 x 23.3 cm)", "Disp_Height" : "11 5/8 in.", "Disp_Width" : "9 3/16 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Engraving with etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Henry G. Danforth", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/17.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/17.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/17.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/17.7_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "28824", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for print or web", "View" : "" } , ] },{ "embark_ID" : 8366, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8366", "Disp_Access_No" : "1972.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1907", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1907", "Disp_Title" : "Berthe Morisot Drawing, with her Daughter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Berthe Morisot", "Sort_Artist" : "Morisot, Berthe", "Disp_Dimen" : "7 7/16 x 5 1/2 in. (18.9 x 14 cm)", "Disp_Height" : "7 7/16 in.", "Disp_Width" : "5 1/2 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "This work was not published during Morisot's lifetime; this edition was published in December 1907 in the Gazette des Beaux-Arts Berthe Morisot was a founding member of the Impressionist group and exhibited regularly at their exhibitions. Although best known for her fresh, light-filled oil paintings, she also produced a number of etchings. Her favorite subjects were women in domestic settings. This print is a self-portrait of the artist with her daughter. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/72.73_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/72.73_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/72.73_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/72.73_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8382, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8382", "Disp_Access_No" : "1948.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Female Bather, Three-Quarter Length (Baigneuse debout, a mi-jambes)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "9 3/4 x 7 7/16 in. 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Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.57_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.57_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.57_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.57_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25970", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8387", "Disp_Access_No" : "1981.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1881", "_Disp_Start_Dat" : "1881", "_Disp_End_Date" : "1881", "Disp_Title" : "Love Makes the World Go 'Round", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Auguste Rodin", "Sort_Artist" : "Rodin, Auguste", "Disp_Dimen" : "11 x 14 1/8 in. 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The gallerist Paul Cassirer saw the text, My Life, and hoped to publish a translation of it that would include prints by Chagall. Responding immediately to this new medium of printmaking, the artist completed his first etchings within three weeks. They were issued as a portfolio without text, due to translation difficulties with Chagall''s unusual prose. Drawing on vivid childhood memories of village life in Vitebsk, the artist depicted himself, his wife and child, his parents, his childhood home, local figures such as the teacher of the Talmud, and events that had taken place there. https://www.moma.org/collection/works/22260 ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.89_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.89_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.89_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.89_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32626", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8997, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8997", "Disp_Access_No" : "1951.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1924", "_Disp_Start_Dat" : "1924", "_Disp_End_Date" : "1924", "Disp_Title" : "The Acrobat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marc Chagall", "Sort_Artist" : "Chagall, Marc", "Disp_Dimen" : "16 3/8 x 12 1/2 in. (41.6 x 31.8 cm)", "Disp_Height" : "16 3/8 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Russian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32628", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9018", "Disp_Access_No" : "1936.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1863 or after", "_Disp_Start_Dat" : "1863", "_Disp_End_Date" : "1863", "Disp_Title" : "Nor These (Tampoco)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francisco Goya y Lucientes", "Sort_Artist" : "Goya y Lucientes, Francisco", "Disp_Dimen" : "9 13/16 x 12 15/16 in. (24.9 x 32.8 cm)", "Disp_Height" : "9 13/16 in.", "Disp_Width" : "12 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Plate 10 from Fatales consequencias de la sangrienta guerra en España con Buonaparte. Y otros caprichos enfaticos (Fatal consequences of Spain’s bloody war with Buonaparte. And other emphatic caprices, known as Disasters of War). The original set of 85 etchings was made around 1810-14, and given to a friend of the artist; it was not published until 1863, well after Goya's death. ", "Dedication" : "Granger A. Hollister Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.42_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.42_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.42_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.42_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41506", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9030, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9030", "Disp_Access_No" : "1932.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1922-1923", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1923", "Disp_Title" : "The Three Bathers, III (Les trois baignèuses, III)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "16 15/16 x 11 1/8 in. (43 x 28.3 cm)", "Disp_Height" : "16 15/16 in.", "Disp_Width" : "11 1/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gallery purchase", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/32.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/32.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/32.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/32.14_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39065", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9032", "Disp_Access_No" : "1948.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1905", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1905", "Disp_Title" : "The Bath (Le Bain)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "25 1/4 x 19 13/16 in. (64.1 x 50.3 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "19 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 9033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9033", "Disp_Access_No" : "1951.20", "_AccNumSort1" : "", "Disp_Create_DT" : "1905", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1905", "Disp_Title" : "The Mother Dressing (La Toilette de la mère)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "9 1/4 x 6 7/8 in. (23.5 x 17.5 cm)", "Disp_Height" : "9 1/4 in.", "Disp_Width" : "6 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29238", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 9034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9034", "Disp_Access_No" : "1958.95", "_AccNumSort1" : "", "Disp_Create_DT" : "1933", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1933", "Disp_Title" : "Bullfight II (Combat dans l'arene, course de taureau)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pablo Picasso", "Sort_Artist" : "Picasso, Pablo", "Disp_Dimen" : "7 5/8 x 10 9/16 in. (19.4 x 26.8 cm)", "Disp_Height" : "7 5/8 in.", "Disp_Width" : "10 9/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Paris 8 November XXXIII Musee Picasso lists a print of this date: Title: Suite Vollard L071 (Mort au soleil IV); Medium: Drypoint, scraping & etching on Montval paper, edition 250; Dimension: 20 x 28 [26,3 x 34.5] cm", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.95_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.95_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.95_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.95_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39061", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9047, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9047", "Disp_Access_No" : "1960.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1900", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1900", "Disp_Title" : "Maja von Heijne", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anders Zorn", "Sort_Artist" : "Zorn, Anders", "Disp_Dimen" : "18 5/16 x 12 3/16 in. (46.5 x 31 cm)", "Disp_Height" : "18 5/16 in.", "Disp_Width" : "12 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching ", "Info_Page_Comm" : "", "Dedication" : "Gift of the Women's Council", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Swedish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25576", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9324, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9324", "Disp_Access_No" : "1987.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1651", "_Disp_Start_Dat" : "1651", "_Disp_End_Date" : "1651", "Disp_Title" : "The Goldweigher's Field", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Rembrandt Harmensz. van Rijn", "Sort_Artist" : "Rijn, Rembrandt Harmensz. van", "Disp_Dimen" : "4 13/16 x 12 5/8 in. (12.2 x 32.1 cm)", "Disp_Height" : "4 13/16 in.", "Disp_Width" : "12 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching and drypoint on wove paper", "Info_Page_Comm" : "This landscape is of a real place: the city of Haarlem with the spire of the Grootekerk can be seen at the left and the church tower of Bloemendaal is in the right middle ground. Rembrandt has subtly manipulated the scene into a carefully composed and extended horizontal panorama. He uses diagonal lines to indicate divisions in the fields. Horizontal lines showing property divisions and the woods also serve to slow the viewer’s gaze. The addition of drypoint, or lines scratched in the plate without the use of acid, heightens the contrast between light and shadow. The title for this print comes from the author of a 1751 catalogue of Rembrandt’s prints. He mistook this landscape for the property of the goldweigher, the Receiver General Jan Uytenbogaert, who was the subject of one of Rembrandt’s portraits. The Goldweigher’s Field actually shows the estate of the merchant Christoffel Thijs, who sold Rembrandt his house in 1639 and to whom Rembrandt was in debt. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.63_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.63_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.63_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.63_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39587", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9390, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9390", "Disp_Access_No" : "1959.29", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Porte du Jerzual, Dinan, France", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Caroline H. Armington", "Sort_Artist" : "Armington, Caroline H.", "Disp_Dimen" : "11 x 8 1/2 in. (27.9 x 21.6 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Bequest of Antoinette W. Snyder", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Canadian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.29_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.29_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.29_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.29_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30297", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9418, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9418", "Disp_Access_No" : "1944.37", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "On the Seine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stephen Brooks", "Sort_Artist" : "Brooks, Stephen", "Disp_Dimen" : "9 1/4 x 6 3/4 in. (23.5 x 17.1 cm)", "Disp_Height" : "9 1/4 in.", "Disp_Width" : "6 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Leroy E. Snyder", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "32619", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9419, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9419", "Disp_Access_No" : "1947.60", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Charing Cross Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Goff", "Sort_Artist" : "Goff, Robert", "Disp_Dimen" : "10 3/8 x 7 1/8 in. 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