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Art by & About African-Americans

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Fishwife

1950-1952

Paul S. Berry
United States (1915 - 1997)

Object Type: Painting
Medium and Support: Oil on canvas
Credit Line: Art Patrons' Purchase Award, 1952 Rochester - Finger Lakes Exhibition
Accession Number: 1952.50
Link to this object
Location: Not currently on view

For many years, works from the annual Rochester-Finger Lakes Exhibition were purchased by MAG for the permanent collection. Fishwife, by Syracuse artist Paul S. Berry, is an example of such an acquisition made from the 1952 show. Its survival may rest on the fact that it entered the museum’s collection so soon after it was painted, as every August the artist would evaluate the contents of his studio and destroy anything that wasn’t up to his exacting standards.

According to Berry’s widow, Fishwife is painted in a style quite different from most of his work. A turbaned Haitian woman lifts an enormous, wide-eyed fish from a wicker basket; the diagonal line of her muscular arm echoes the ramshackle roofline of the building behind her. The influence of photography is seen in the arm of a third person poking in from the left side of the composition.

[Label text from It Came From the Vault exhibition, 2013]

Marks
Artist's signature, lower right: Paul S. Berry


Provenance
Purchased from the Artist, Fayetteville, NY, out of the 1952 Rochester Finger Lakes Exhibition

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It Came from the Vault exhibition catalogue Entry for this artwork in the It Came from the Vault exhibition catalogue. The exhibition ran from March 17-June 9, 2013


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