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New York State & Local History

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Pierrepont Edward Lacey (1832 - after 1860) and His Dog, Gun

42 x 30 1/8 in. (106.7 x 76.5 cm)

Milton W. Hopkins
United States (1789 - 1844)
Noah North
United States (1809 - 1880) Previous Attribution

Object Type: Painting
Medium and Support: Oil on canvas
Credit Line: Gift of Mr. and Mrs. Robert H. Dunn in memory of Ruth Hanford Munn and James Buell Munn
Accession Number: 1978.189
Location: Currently on view
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The Lacey family lived and farmed in Scottsville, New York, a small village south of Rochester on the Oatka Creek. Like many families of means, they used the services of a local artist to have their likenesses painted, since photography as we know it did not exist. For many years, this artist was thought to be Noah North, but recent scholarship points to Milton Hopkins, with whom North probably apprenticed. Painting was not Hopkins' sole occupation. As well, he farmed and was a carriage and sign painter, and was involved in anti-Masonic, abolitionist, and temperance politics.

Pierrepont Lacey was born in 1832, and like many little boys, he probably was not comfortable posing for a painting in his best clothes. The family dog, Gun, most likely didn't stand still for long, either, so it may have been quite a challenge for the artist to capture the likenesses of boy and dog. When Pierrepont was fifteen, his family moved to Marshall, Michigan. He grew up, married, and was the father of one son. Milton Hopkins moved to Ohio shortly after this portrait was painted, where he continued to paint portraits and work for the Underground Railroad.

[Gallery label text, 2000]

Like many young boys, Pierrepont Lacey was probably not comfortable posing for a painting dressed in his best suit and red shoes. Gun, the family dog, was most likely a restless subject for the artist to capture, as well.

There are six known portraits by Hopkins showing children dressed in their finest clothes, often accompanied by their dogs. All of the children’s parents were connected to the artist through their activities in anti-Masonic, abolitionist, and temperance politics.

MAG’s nearly full-size portrait is one of the most engaging likenesses done by Hopkins and has become an American folk art icon.

[Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial]

The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery.

The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors.

[Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial}]

Commissioned by Allen Tobias Lacey, Scottsville, NY and Marshall, MI, ca. 1835-36; to his grandson Henry Alden Lacey, Marshall, MI, 1872; to his cousin Rear Admiral Franklin Hanford, Scottsville, NY; to his children Dr. John Hanford and Mrs. James Buell Munn; to his sister Mrs. James Buell Munn, Cambridge, MA; to her cousin Mrs. Robert H. Dunn, Pittsford, NY; given to the Gallery in 1978

Related Objects
See companion portraits made by the same artist: Ann Gennett Pixley Lacey (1809-1841), 78.187; Eliza Pixley Lacey (1834-1839), 78.188

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Web Links See links to web pages and lesson plans
Animals in Art Discover the many ways images of animals appear in art: as pets, working animals, wild animals, animal habitats, animals in fables & myths, animals as symbols, animals as teachers.
Seeing America Inservice Materials from a teacher in-service presentation Spring 2008
Seeing America Chapter on Milton W. Hopkins' Pierrepont Edward Lacey and His Dog, Gun, written by Jacquelyn Oak.

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