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Portfolios%20%3D%20%221245%22%20and%20Disp_Obj_Type%20%3D%20%22Painting%22%20and%20Creation_Place2%20%3D%20%22Flanders%22
Painting
Portrait of an Italian Nobleman
Anthony van Dyck, (Antwerp, Belgium, 1599 - 1641, London)
Dyck, Anthony van
Flanders
1599 - 1641
Male
40 x 32 1/2 in. (101.6 x 82.6 cm)
.
.
.
Oil
Oil
1622-1625
1622
1625
1600-1800, 17th century, armor, George Eastman Collection, men, paintings, portraits
Painting
The Flemish artist, Anthony van Dyck, painted this portrait of an Italian nobleman while he was working in Genoa between 1622 and 1625. Supremely talented and precocious, van Dyck enjoyed considerable success in Italy, Flanders, and eventually England, where he was the favorite painter of King Charles I. He painted notable religious and mythological canvases, but remains most famous for his extraordinarily vivid portraits. The name of this sitter, with his graceful pose and penetrating glance, is unknown. He was certainly a wealthy Genoese patrician, however. To convey this to future viewers of his portrait, he donned his richest apparel for the occasion, including a finely crafted suit of armor and his most expensive wide lace collar and cuffs.
[Gallery label text]
1968.100
item
Memorial Art Gallery
1/22/2001
68.100SL1
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68.100DI1
digital image
12/1/2001
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68.100SL2
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full- w frame
2 x 2
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detail-hand
2 x 2
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68.100TR1
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full
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68.100DI5
digital image
Detail
6/16/2009
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Painting
Landscape with Figures
Joos de Momper, (1564 - 1635)
Momper, Joos de
Flanders
1564 - 1635
Male
18 5/8 x 26 7/8 in. (47.3 x 68.3 cm)
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.
.
Oil
Oil
ca. 1620 (?)
1615
1625
1600-1800, 17th century, castles, landscapes, paintings
Painting
1946.36
item
Memorial Art Gallery
1/22/2001
46.36SL1
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full
2 x 2
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46.36DI1
digital image
6/28/2002
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46.36SL2
slide
detail - figures
2x2
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digital image
00/00/00
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46.36DI#3
digital image
Detail
6/10/2009
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46.36DI#2
digital image
Detail
6/10/2009
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x-ray
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Painting
Ulysses Landing on the Island of the Phaeacians
Workshop of Peter Paul Rubens, 1577 - 1640
Rubens, Peter Paul
Flanders
1577 - 1640
Male
67 x 99 in. (170.2 x 251.5 cm)
.
.
.
Oil
Oil
after 1625
1626
1635
1600-1800, 17th century, Odysseus, Odyssey, paintings
Painting
The monumental painting “Ulysses Landing on the Island of the Phaeacians” was inspired by a passage in Book 6 of Homer’s “Odyssey” in which the shipwrecked hero swims to safety and finds refuge from the stormy sea on an unknown shore. Arriving at night, he falls asleep between two trees and at dawn is awakened by the playful shouts of the princess Nausicaa and her attendants. Rubens has depicted the moment when Odysseus emerges to ask for food and shelter. The action occurs in the foreground of the canvas; the landscape is rich in terrestrial detail and is filled with a variety of atmospheric effects.
Rubens is often considered the most versatile and influential Baroque artist of 17th century northern Europe. Highly educated, his knowledge of Classical art and literature was thorough and complex. In order to fulfill innumerable private commissions, he collaborated on many works with other artists and students in his studio. Although Rubens provided designs and oversaw production, his personal involvement with individual paintings varied. Replicas were frequently painted by assistants. A smaller version of this painting, attributed to Rubens rather than his studio, is today in the Pitti Palace in Florence, Italy.
[Gallery label text]
1961.27
item
Memorial Art Gallery
2/20/2001
61.27SL1
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full
2 x 2
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61.27DI1
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2 x 2
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detail
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transparency
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Painting
Sacrifice to Ceres
Flemish artist
Flemish artist
Flanders
Primary
29 1/4 x 39 1/2 x 1 in. (74.3 x 100.3 x 2.5 cm)
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.
.
overall
Oil
Oil
ca. 1580-1610
1580
1610
Painting
1999.17
item
Memorial Art Gallery
10/21/1999
negative
4x5
00/00/00
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glossy
8x10
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99.17DI1
digital image
5/1/2002
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A1.99.17.jpg
digital image
00/00/00
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99.17TR1
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