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Portfolios%20%3D%20%222146%22%20and%20Disp_Obj_Type%20%3D%20%22Painting%22%20and%20Century%20%3D%20%2217th%20Century%22
Painting
Still Life
Jan Davidsz. de Heem, 1606 - ca. 1684
Heem, Jan Davidsz. de
Netherlands
1606 - ca. 1684
Male
14 1/2 x 18 in. (36.8 x 45.7 cm)
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without frame
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approximate installation dimensions
frame
Oil
Oil
ca. 1645
1640
1650
1600-1800, 17th century, fruit in art, paintings, still lifes
Painting
upper rightback of panelback of panel, Modern.
1949.63
item
Memorial Art Gallery
4/5/2000
49.63TR1
Transparency
Memorial Art Gallery
4 x 5
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49.63CPRT1
glossy
4.5 x 5.5
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49.63SL1
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49.63DI1
digital image
Memorial Art Gallery
Imaging complete
6/26/2000
http://127.0.0.1:5000/Media/images/49.63_A1.jpg
negative
color
1 x 1
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49.63SL2
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detail-oyster
2 x 2
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49.63SL3
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detail- orange
2 x 2
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49.63SL4
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detail- lemon in glass
2 x 2
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49.63SL5
slide
before conservation
2 x 2
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49.63DI2
digital image
Memorial Art Gallery
Imaging complete
00/00/00
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49.63DI3
digital image
00/00/00
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49.63DI#3
digital image
Detail
6/10/2009
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49.63DI#4
digital image
Detail
6/10/2009
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49.63DI#5
digital image
Detail
6/10/2009
http://127.0.0.1:5000/Media/images/49.63_A5.jpg
x-ray
00/00/00
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49.63DI6
digital image
Back of panel
7/10/2007
http://127.0.0.1:5000/Media/images/Inventory pictures/49.63_I4.JPG
Painting
Portrait of a Man Holding the Frontispiece to Dürer's "Small Passion"
Pietro Paolini, 1603 - 1681/1682
Paolini, Pietro
Italy
1603 - 1681-1682
Male
49 3/4 x 40 3/4 in. (126.4 x 103.5 cm)
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Oil
Oil
1633-1637
1633
1637
1600-1800, 17th century, men, paintings, portraits
Painting
back of stretcherback of stretcherback of frameback of stretcherback of stretcherback of stretcherback of stretcherback of stretcher
1977.103
item
Memorial Art Gallery
1/22/2001
77.103TR1
transparency
4 x 5
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negative
4 x5
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77.103DI1
digital image
full
4 x 5
6/14/2002
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77.103DI2
digital image
00/00/00
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77.103DI3
digital image
full
4 x 5
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77.103SL2
slide
detail of hand w Durer
2 x 2
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77.103DI#3
digital image
7/10/2012
http://127.0.0.1:5000/Media/images/77.103_A3.jpg
Painting
Two Musicians
Bernardo Strozzi, (Genoa, 1581 - 1644, Venice)
Strozzi, Bernardo
Italy
1581 - 1644
Male
45 5/8 x 47 7/8 in. (115.9 x 121.6 cm)
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Oil
Oil
1630-1635
1630
1635
1600-1800, 17th century, musical instruments (depictions), musicians, paintings
Painting
This scene of a middle-aged lute player and young violinist illustrates many qualities of Baroque art. Both musicians look directly out from the painting, their eye contact and lively expressions establishing a sympathetic psychological relationship with their audience. A parapet that separates performer from spectator links imaginary and actual space; dramatic lighting, naturalistic details and richly saturated colors all merge to intensify the viewer’s visual experience.
The meaning of Two Musicians leaves much to the imagination. The two figures here could suggest a contrast between naïve youth and experienced age; the violin and the lute both refer to ideas of balance and harmony. Concert scenes sometimes symbolize the sense of hearing or the idea of harmony and love. Whatever the interpretation, these paintings of concerts were, like the music they represent, extremely popular with their public during the Baroque period.
As a young man, Strozzi entered a monastery where he painted religious subjects. After his father’s death, he was allowed to leave the monastery to support his mother; he refused, though, to return after she died and was forced to flee his native Genoa. In 1631, he settled in Venice, where he became a Roman Catholic prelate, or church official. He enjoyed continuous success as a painter for the rest of his life.
[Gallery label text]
back of stretcher, Presumably MAG incoming receipt number?back of stretcherback of stretcher, Circular stamp, stamped twice: Swiss export stamp.back of stretcherback of stretcher, On crossbar of stretcher
1953.8
item
Memorial Art Gallery
1/22/2001
53.8TR1
transparency
4 x 5
00/00/00
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53.8SL1
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full
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53.8SL2
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detail-older man hands
2 x 2
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53.8DI1
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4 x 5
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detail-man's head
2 x 2
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53.8SL4
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detail- boy's head
2 x 2
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53.8SL5
slide
detail-boy's hand
2 x 2
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53.8DI#2
digital image
4/7/2009
http://127.0.0.1:5000/Media/images/53.8_A2.jpg
53.8DI#3
digital image
Detail
6/11/2009
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53.8DI#4
digital image
Detail
6/11/2009
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53.8DI#5
digital image
Detail
6/11/2009
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53.8DI#6
digital image
Detail
6/11/2009
http://127.0.0.1:5000/Media/images/53.8_A6.jpg
53.8DI#7
digital image
Detail
6/11/2009
http://127.0.0.1:5000/Media/images/53.8_A7.jpg
x-ray
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Painting
The Apparition of the Virgin to St. Hyacinth
Domenikos Theotocopoulos, ca. 1541 - 1614
Theotocopoulos, Domenikos
Spain
ca. 1541 - 1614
Male
39 3/8 x 24 3/8 in. (100 x 61.9 cm)
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Oil
Oil
ca. 1605 - 1610
1605
1610
1600-1800, 17th century, paintings, St. Hyacinth
Painting
In this painting, El Greco expresses spiritual drama by his distinctive use of line, light and color. St. Hyacinth kneels in awed wonder before a mystical vision of the Virgin and Child. The scene takes place in a church interior with pillars and a patterned floor; a shadowy, monochrome figure or statue of a bishop, identifiable by his hooked staff, stands behind the enraptured saint.
According to Christian legend, Hyacinth, a Polish Dominican priest who lived from 1185-1287, witnessed a miraculous apparition of the Virgin Mary on the feast day of her Assumption—the day she was “taken up body and soul into heavenly glory.” In 1594, shortly before El Greco painted this work, Hyacinth was granted sainthood by Pope Clement VIII.
El Greco (“The Greek”) is the popular name of Domenikos Theotokopoulos, an artist born in Crete but who lived and studied in Venice and Rome. In 1575, he moved to Toledo, Spain, the center of the Catholic Church’s Counter-Reformation activities. During his career, El Greco developed a unique and dramatically spiritual style of painting that is often considered the forerunner of Baroque art.
1938.28
item
Memorial Art Gallery
6/9/2000
38.28TR1
transparency
4 x 5
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38.28SL2
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detail- Chirst
2 x 2
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38.28SL3
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detail- St.'s hand
2 x 2
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38.28SL4
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detail- St.'s head
2 x 2
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38.28SL5
slide
detail- St.'s garment
2 x 2
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38.28DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/38.28_A1.jpg
38.28SL6
slide
detail- bkgr. figure
2 x 2
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38.28SL7
slide
detail- Virgin
2 x 2
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38.28DI2
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digital image
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38.28DI5
digital image
with frame
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digital image
Detail Virgin and Child
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38.28DI6
digital image
Detail Child
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38.28DI6
digital image
Detail background apparition
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38.28DI5
digital image
Detail At. Hyacinth
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38.28DI5
digital image
Detail St. Hyacinth's hand
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