18
Portfolios%20%3D%20%22555%22%20and%20Creation_Place2%20%3D%20%22Flanders%22
Painting
Portrait of an Italian Nobleman
Anthony van Dyck, (Antwerp, Belgium, 1599 - 1641, London)
Dyck, Anthony van
Flanders
1599 - 1641
Male
40 x 32 1/2 in. (101.6 x 82.6 cm)
.
.
.
Oil
Oil
1622-1625
1622
1625
1600-1800, 17th century, armor, George Eastman Collection, men, paintings, portraits
Painting
The Flemish artist, Anthony van Dyck, painted this portrait of an Italian nobleman while he was working in Genoa between 1622 and 1625. Supremely talented and precocious, van Dyck enjoyed considerable success in Italy, Flanders, and eventually England, where he was the favorite painter of King Charles I. He painted notable religious and mythological canvases, but remains most famous for his extraordinarily vivid portraits. The name of this sitter, with his graceful pose and penetrating glance, is unknown. He was certainly a wealthy Genoese patrician, however. To convey this to future viewers of his portrait, he donned his richest apparel for the occasion, including a finely crafted suit of armor and his most expensive wide lace collar and cuffs.
[Gallery label text]
1968.100
item
Memorial Art Gallery
1/22/2001
68.100SL1
slide
full
2 x 2
00/00/00
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negative
full
4 x 5
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negative
full
2.5 x 2.5
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glossy
full
2.5 x 2.5
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negative
full
8 x 10
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glossy
full
5 x 7
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glossy
full
8 x 10
00/00/00
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68.100DI1
digital image
12/1/2001
http://127.0.0.1:5000/Media/images/68.100_A4.jpg
68.100SL2
slide
full- w frame
2 x 2
00/00/00
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68.100SL3
slide
detail-hand
2 x 2
00/00/00
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68.100DI1
digital image
00/00/00
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M2.68.100.tif
digital image
00/00/00
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M3.68.100.tif
digital image
00/00/00
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68.100TR1
transparency
full
4 x 5
00/00/00
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68.100DI5
digital image
Detail
6/16/2009
http://127.0.0.1:5000/Media/images/68.100_A5.jpg
Painting
Portrait of Elizabeth Jordaens, Daughter of the Artist
Jacob Jordaens, (Antwerp, 1593 - 1678, Antwerp)
Jordaens, Jacob
Flanders
1593 - 1678
Male
27 1/2 x 21 3/4 in. (69.9 x 55.2 cm)
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.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1640
1635
1645
1600-1800, 17th century, paintings, portraits, women
Painting
1974.102
item
Memorial Art Gallery
1/22/2001
74.102SL1
slide
full
2 x 2
00/00/00
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glossy
8x10
00/00/00
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negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
74.102DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/74.102_A1.jpg
74.102DI#2
digital image
3/5/2024
http://127.0.0.1:5000/Media/images/74.102_A2.jpg
Painting
Landscape with Figures
Joos de Momper, (1564 - 1635)
Momper, Joos de
Flanders
1564 - 1635
Male
18 5/8 x 26 7/8 in. (47.3 x 68.3 cm)
.
.
.
Oil
Oil
ca. 1620 (?)
1615
1625
1600-1800, 17th century, castles, landscapes, paintings
Painting
1946.36
item
Memorial Art Gallery
1/22/2001
46.36SL1
slide
full
2 x 2
00/00/00
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neg
8x10
00/00/00
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glossy
8x10
00/00/00
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neg
4x5
00/00/00
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46.36DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/46.36_A1.jpg
46.36SL2
slide
detail - figures
2x2
00/00/00
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46.36DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.36DI#3
digital image
Detail
6/10/2009
http://127.0.0.1:5000/Media/images/46.36_A3.jpg
46.36DI#2
digital image
Detail
6/10/2009
http://127.0.0.1:5000/Media/images/46.36_A2.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
The Reconciliation of King Henry III and Henry of Navarre
Peter Paul Rubens, 1577 - 1640
Rubens, Peter Paul
Flanders
1577 - 1640
Male
9 3/8 x 7 5/8 in. (23.8 x 19.4 cm)
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.
frame
Oil
Oil
1628
1628
1628
1600-1800, 17th century, men, paintings, world history
Painting
In 1622 Marie de' Medici commissioned from the internationally famous painter Rubens two series of enormous paintings to decorate the Luxembourg Palace in Paris, where she then lived. The first series, now in the Louvre, told her own life story. The second was to tell the life of her husband Henry IV, but was never completed, and most of the scenes are known only from painted sketches like this one. The event here is a 1589 meeting between King Henry III of France (Catherine de' Medici's youngest son) and King Henry of Navarre, the future King Henry IV of France.
Henry III had no heirs, and a rival faction of French nobles who wanted to usurp his throne had taken over Paris. His cousin Henry of Navarre, although Protestant and excommunicated by the Pope, was the rightful heir. At the meeting portrayed here, Henry III promised to declare Henry of Navarre his heir, if the famous warrior king would help him to recapture Paris. To symbolize the agreement, Rubens shows the two kings clasping hands around the royal French scepter and a figure behind them holding an insignia of two clasped hands. A few months later, Henry III was stabbed by an assassin. On his deathbed, he made Henry IV promise to convert to Catholicism. Henry IV's famous comment was "Paris is well worth a mass" ("Paris vaut vien une messe").
[Gallery label text, 1996]
, Removed from back of work or frame; now in curatorial file (8/07), Removed from back of work or frame; now in curatorial file (8/07)back of frameback of frameback of panel, Probably title page from the 1819 exhibition catalogueback of panelback of panelback of panel, Long text in French, describing the painting and the event depictedback of panel, Circular stamp, illegible-- possibly export stamp?back of panel, Small label with stamped blue circle; label is perforated vertically and horizontally at center
1944.24
item
Memorial Art Gallery
1/22/2001
44.24SL1
slide
full
2 x 2
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glossy
1x1
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4x5
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44.24DI1
digital image
2 x 2
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44.24SL2
slide
detail, upper half
2 x 2
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44.24SL3
slide
detail- dog
2 x 2
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44.24DI2
digital image
verso
00/00/00
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44.24DI#3
digital image
3/25/2008
http://127.0.0.1:5000/Media/images/44.24_A3.jpg
44.24TR1
transparency
Front
4 x 5
00/00/00
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x-ray
00/00/00
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Painting
Ulysses Landing on the Island of the Phaeacians
Workshop of Peter Paul Rubens, 1577 - 1640
Rubens, Peter Paul
Flanders
1577 - 1640
Male
67 x 99 in. (170.2 x 251.5 cm)
.
.
.
Oil
Oil
after 1625
1626
1635
1600-1800, 17th century, Odysseus, Odyssey, paintings
Painting
The monumental painting “Ulysses Landing on the Island of the Phaeacians” was inspired by a passage in Book 6 of Homer’s “Odyssey” in which the shipwrecked hero swims to safety and finds refuge from the stormy sea on an unknown shore. Arriving at night, he falls asleep between two trees and at dawn is awakened by the playful shouts of the princess Nausicaa and her attendants. Rubens has depicted the moment when Odysseus emerges to ask for food and shelter. The action occurs in the foreground of the canvas; the landscape is rich in terrestrial detail and is filled with a variety of atmospheric effects.
Rubens is often considered the most versatile and influential Baroque artist of 17th century northern Europe. Highly educated, his knowledge of Classical art and literature was thorough and complex. In order to fulfill innumerable private commissions, he collaborated on many works with other artists and students in his studio. Although Rubens provided designs and oversaw production, his personal involvement with individual paintings varied. Replicas were frequently painted by assistants. A smaller version of this painting, attributed to Rubens rather than his studio, is today in the Pitti Palace in Florence, Italy.
[Gallery label text]
1961.27
item
Memorial Art Gallery
2/20/2001
61.27SL1
slide
full
2 x 2
00/00/00
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glossy
full
8 x 10
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negative
full
8 x 10
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61.27DI1
digital image
2 x 2
00/00/00
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61.27DI2
digital image
00/00/00
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61.27DI4
digital image
2 x 2
00/00/00
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61.27DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/61.27_A1.jpg
M10.61.27.tif
digital image
00/00/00
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M7.61.27.tif
digital image
00/00/00
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P3.61.27.tif
digital image
detail
00/00/00
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P4.61.27.tif
digital image
detail
00/00/00
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61.27TR1
transparency
full
4 x 5
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glossy
8 x 10
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x-ray
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Painting
The Fox and the Heron
Frans Snyders and workshop, (Antwerp, 1579 - 1657, Antwerp)
Snyders, Frans
Flanders
1579 - 1657
Male
Artist
Workshop of Frans Snyders
Flanders
Male
Artist
47 1/8 x 61 1/4 in. (119.7 x 155.6 cm)
.
.
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.
approximate installation dimensions
frame
Oil
Oil
ca. 1630-1640
1630
1640
1600-1800, 17th century, birds, fables & fairy tales, foxes, paintings
Painting
Monumental and decorative animal painting developed in Antwerp in the 17th century in the immediate circle of Rubens. Snyders, whose workshop was famous for this type of work, often also collaborated on the animals, flowers, and fruit in his friend Rubens's paintings. The rendering of materials such as the fur of the fox, the plumage of the bird, and the transparency of the glass jar add to the interest in texture.
"The Fox and the Heron" is a story from Aesop's Fables. In the background, the fox invites the heron for dinner and offers only a bowl of soup, impossible for the heron to eat. In the foreground, the heron in turn invites the fox. Dinner is served in a long-necked glass jar and the fox can only lick the outside.
Moral: One bad turn deserves another!
[Gallery label text, August 1996]
lower corners
1972.75
item
Memorial Art Gallery
1/22/2001
72.75TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.75SL1
slide
full
2 x 2
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72.75DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/72.75_A1.jpg
72.75DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/72.75_A2.jpg
72.75DI#3
digital image
4/7/2009
http://127.0.0.1:5000/Media/images/72.75_A3.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/72.75_R1.jpg
Painting
Tavern Scene
David Teniers the Younger, (Antwerp, 1610 - 1690, Brussels)
Teniers the Younger, David
Flanders
1610 - 1690
Male
18 3/8 x 24 in. (46.7 x 61 cm)
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.
overall framed size
horizontal
frame
Oil
Oil
1680
1680
1680
1600-1800, 17th century, dogs, genre scenes, leisure activities, men, paintings
Painting
The son-in-law of Jan Brueghel and a friend of Peter Paul Rubens, Teniers achieved success in Antwerp and then moved to Brussels, where he served as court painter to the archduke Leopold Wilhelm and later to Don Juan of Austria. Tavern Scene is one of numerous genre paintings in which rustics carouse, uninhibited by notions of propriety or temperance. Such subjects frequently served a moralizing purpose, indicated here by the drawing tacked to the wall above the laughing drunkard. The bird flanked by eyeglasses and candlestick may illustrate the proverb, “What use candle and spectacles if the owl cannot and will not see?”
[Gallery label text]
lower left
1955.70
item
Memorial Art Gallery
1/22/2001
55.70TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.70SL1
slide
full
2 x 2
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glossy
8x10
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negative
4x5
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55.70SL2
slide
detail- dog
2 x 2
00/00/00
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55.70DI1
digital image
Memorial Art Gallery
Imaging complete
4 x 5
10/30/2001
http://127.0.0.1:5000/Media/images/55.70_A1.jpg
55.70SL3
slide
detail-bkground right
2 x 2
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55.70SL4
slide
detail bkground left
2 x 2
00/00/00
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55.70DI#2
digital image
Detail
6/11/2009
http://127.0.0.1:5000/Media/images/55.70_A2.jpg
Painting
Young Man with a Dog
Cornelis de Vos, 1584 - 1651
Vos, Cornelis de
Flanders
1584 - 1651
Male
57 x 39 1/2 in. (144.8 x 100.3 cm)
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.
approximate installation dimensions
frame
Oil
Oil
0
0
1600-1800, 17th century, children, dogs, men, paintings, portraits
Painting
1955.83
item
Memorial Art Gallery
2/20/2001
55.83SL1
slide
full
2 x 2
00/00/00
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glossy
8x10
00/00/00
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negative
4x5
00/00/00
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55.83DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/55.83_A1.jpg
55.83DI2
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/55.83_A2.jpg
55.83SL2
slide
full in exhibit
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.83DI3
digital image
11/1/2018
http://127.0.0.1:5000/Media/images/Inventory pictures/55.83_I3.jpg
Woodwork
Box
Flemish artist
Flemish artist
Flanders
Primary
8 1/2 x 12 x 16 in. (21.6 x 30.5 x 40.6 cm)
.
.
.
Wood
Wood
0
0
1600-1800, 17th century, boxes, woodwork
Woodwork
1955.28
item
Memorial Art Gallery
7/20/2001
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.28DI#1
digital image
7/14/2008
http://127.0.0.1:5000/Media/images/55.28_A1.jpg
55.28DI#2
digital image
open
7/14/2008
http://127.0.0.1:5000/Media/images/55.28_A2.jpg
Print
Frans Snyders (1579-1657)
Anthony van Dyck, (Antwerp, Belgium, 1599 - 1641, London)
Dyck, Anthony van
Flanders
1599 - 1641
Male
9 3/4 x 6 1/4 in. (24.8 x 15.9 cm)
.
.
.
sheet
sheet
Printer's ink
Printer's ink
before 1645
1635
1644
17th century, artists, etchings
Print
First state, created for van Dyck's portfolio of portraits entitled "Iconography," published in 1645-46.
1976.46
item
Memorial Art Gallery
2/4/2001
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
76.46DI#1
digital image
3/13/2008
http://127.0.0.1:5000/Media/images/76.46_A1.jpg
Painting
Still Life of Flowers in an Elaborate Urn
Attributed to Gaspar Peeter de Verbrugghen, (1664 - 1734)
Verbrugghen, Gaspar Peeter de
Flanders
1664 - 1734
Male
Primary
26 3/4 x 31 1/2 in. (67.9 x 80 cm)
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.
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.
.
overall
frame
Oil
Oil
0
0
Painting
back of frameback of stretcherback of stretcher, These are not stretcher dimensions (stretcher is 84 x 71cm). 7 has line thru, Euro-styleback of stretcherback of stretcherback of stretcher, Circular stamp with crown, partly illegible. Stamped on stretcher in two placesback of stretcher
2005.276
item
Memorial Art Gallery
3/3/2006
2005.276DI#1
digital image
full
6/7/2006
http://127.0.0.1:5000/Media/images/Inventory pictures/2005.276_I1.jpg
2005.276DI#2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2005.276_A1.jpg
2005.276DI#3
digital image
8/2/2012
http://127.0.0.1:5000/Media/images/2005.276_A2.jpg
2005.276DI#5
digital image
Back
1/9/2022
http://127.0.0.1:5000/Media/images/Inventory pictures/2005.276_I3.JPG
2005.276DI#4
digital image
1/9/2022
http://127.0.0.1:5000/Media/images/Inventory pictures/2005.276_I2.JPG
2005.276DI#6
digital image
1/28/2022
http://127.0.0.1:5000/Media/images/2005.276_A3.jpg
Sculpture
Pan, Nymph, and Putto
Gerhard van Opstal, 1597 - 1668
Opstal, Gerhard van
Flanders
1597 - 1668
Male
8 1/2 x 5 3/4 x 7/8 in. (21.6 x 14.6 x 2.2 cm)
.
.
.
Ivory
Ivory
17th Century
1600
1699
1600-1800, European art, nymphs, Pan, putti
Sculpture
1955.49.2
item
Memorial Art Gallery
3/10/2001
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.49.2TR1
transparency
2.5 x 3.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.49.2SL1
slide
2 x 2
00/00/00
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55.49.2DI1
digital image
2.5 x 3.5
00/00/00
http://127.0.0.1:5000/Media/images/55.49.2_A1.jpg
55.49.2DI#2
digital image
10/23/2009
http://127.0.0.1:5000/Media/images/55.49.2_A2.jpg
Textiles
Cap Crown or Bodice Insert
Flemish artist
Flemish artist
Flanders
Primary
10 1/8 x 9 7/8 in. (25.7 x 25.1 cm)
.
.
.
Lace
Lace
0
0
17th century, costume, lace
Textiles
1944.60
item
Memorial Art Gallery
5/12/2001
44.60DI#1
digital image
4/2/2008
http://127.0.0.1:5000/Media/images/44.60_A1.jpg
Sculpture
Female Satyr, Bacchus, and Putti
Gerhard van Opstal, 1597 - 1668
Opstal, Gerhard van
Flanders
1597 - 1668
Male
8 1/2 x 6 1/4 x 1 in. (21.6 x 15.9 x 2.5 cm)
.
.
.
Ivory
Ivory
17th Century
1600
1699
1600-1800, Bacchus, European art, putti, satyrs
Sculpture
1955.49.1
item
Memorial Art Gallery
3/10/2001
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5 x 7
00/00/00
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55.49.1DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/55.49.1_A1.jpg
55.49.1DI#2
digital image
10/23/2009
http://127.0.0.1:5000/Media/images/55.49.1_A2.jpg
Print
A Flemish Fair (after Vinckboons)
Nicolaes de Bruyn, (1571 - 1656)
Bruyn, Nicolaes de
Flanders
1571 - 1656
Male
Vinckboons, David
Flanders
1576 - 1629
Male
after
17 1/2 x 26 15/16 in. (44.5 x 68.5 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1602
1602
1602
Print
1991.56
item
Memorial Art Gallery
2/4/2001
91.56SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.56DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/91.56_A1.jpg
Metalwork
Pricket Candlesticks (one of four)
Flemish artist
Flemish artist
Flanders
Primary
25 in. (63.5 cm)
Silver
Silver
0
0
17th century, candlesticks, European art
Metalwork
1955.59.4
item
Memorial Art Gallery
10/27/2010
55.59.4DI#2
digital image
3/28/2010
http://127.0.0.1:5000/Media/images/55.59.4_A1.jpg
55.59.1-.4DI1
digital image
11/15/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/55.59.1-.4_I1.jpg
Metalwork
Pricket Candlesticks (one of four)
Flemish artist
Flemish artist
Flanders
Primary
25 in. (63.5 cm)
Silver
Silver
0
0
17th century, candlesticks, European art
Metalwork
1955.59.2
item
Memorial Art Gallery
10/27/2010
55.59.2DI#2
digital image
3/28/2010
http://127.0.0.1:5000/Media/images/55.59.2_A1.jpg
55.59.1-.4DI1
digital image
11/15/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/55.59.1-.4_I1.jpg
Metalwork
Pricket Candlesticks (one of four)
Flemish artist
Flemish artist
Flanders
Primary
25 in. (63.5 cm)
Silver
Silver
0
0
17th century, candlesticks, European art
Metalwork
1955.59.3
item
Memorial Art Gallery
10/27/2010
55.59.3DI#2
digital image
3/28/2010
http://127.0.0.1:5000/Media/images/55.59.3_A1.jpg
55.59.1-.4DI1
digital image
11/15/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/55.59.1-.4_I1.jpg