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Portfolios%20%3D%20%22570%22%20and%20Sort_Artist%20%3D%20%22Moche%20artist%22
Ceramics
Stirrup Spout Vessel with Warriors
Moche artist, (active )
Moche artist
Peru
Primary
11 x 5 x 5 in. (27.9 x 12.7 x 12.7 cm)
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Terracotta
Terracotta
Moche; made in Peru
ca. 450-600
450
600
1000 BCE - 500 CE, 500-1000, ceramics, Moche, Pre-Columbian art of Central & South America, vessels
Ceramics
The arts of the Moche, who flourished on the northern desert coast of Peru, evolved from earlier styles in the region. Known to have been weavers, metalworkers, mural painters and builders of large-scale monuments, only their ceramics remain as a testament to their achievements. Stirrup spout vessels – so named because the shape of the spout recalls the stirrup on a horseman's saddle - were designed for the storage and libation of liquids. The unique handle design inhibited both evaporation and spillage as it allowed the vessel to be carried on a belt or sash. This vessel depicts two animated warriors in full regalia; each wears a half-moon nose ornament as a sign of rank and power.
[Gallery label text, 2009]
1982.17
item
Memorial Art Gallery
11/16/2000
82.17SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
82.17DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/82.17_A1.jpg
82.17DI#2
digital image
Side 1
5/12/2009
http://127.0.0.1:5000/Media/images/82.17_A2.jpg
82.17DI#3
digital image
Side 2
5/12/2009
http://127.0.0.1:5000/Media/images/82.17_A3.jpg
Ceramics
Stirrup Spout Vessel: Seated Blind Man
Moche artist, (active )
Moche artist
Peru
7 11/16 x 3 3/4 x 6 7/8 in. (19.6 x 9.5 x 17.5 cm)
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overall
overall
Terracotta, pigment
Terracotta, pigment
Moche; made in Peru
450-600 CE
450
600
1000 BCE - 500 CE, ceramics, male figures, Mochica, Pre-Columbian art of Central & South America, vessels
Ceramics
The Moche were keen observers of humanity as evidenced by the wide variety of subjects treated in their ceramics. Although they often based their designs on realistic images and scenes from daily life, these vessels probably had religious and symbolic significance. Here, a portrait of a blind man may allude to both a specific individual and the shamanic practice of using senses beyond sight to determine meaning. This figure is seated and wears a sash that passes through the stirrup spout of another vessel.
[Gallery label text, 2009]
1944.65
item
Memorial Art Gallery
11/16/2000
44.65SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
w 45.30 & 43.8
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.65DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/44.65_A1.jpg
44.65DI#2
digital image
Three-quarter
7/28/2009
http://127.0.0.1:5000/Media/images/44.65_A2.jpg