7
Portfolios%20%3D%20%22571%22%20and%20Century%20%3D%20%2214th%20Century%22%20and%20Creation_Place2%20%3D%20%22France%22
Manuscript
Leaf from a Bible
French artist, (active )
French artist
France
Primary
7 5/16 x 5 1/8 in. (18.5 x 13 cm)
.
.
.
overall
sheet
.
.
.
Ink
Ink
14th Century
1300
1399
1000-1400, illuminated manuscripts, Medieval
Manuscript
This leaf from the New Testament of a Bible—the fundamental book of the Christian religion—contains the end of the text from St. Paul’s first letter to Timothy and the beginning of the text from the second. Like books today, the script at the top of the page, which reads “Thimo II,” serves as a chapter heading.
As seen in the second column of script, the books are divided by the elaborately decorated, elongated letter “P,” the center of which contains the image of a man sitting on a stool and writing. This figure represents one of Christ’s apostles, St. Paul, whose compiled letters of advice and encouragement to contemporary Christian followers form a large part of the New Testament.
[Gallery label text, 2010]
1937.59
item
Memorial Art Gallery
9/8/1999
37.59SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
37.59SL2
slide
detail
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
1x1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
37.59DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/37.59_A1.jpg
Manuscript
Leaf from a Breviary
French artist, (active )
French artist
France
Primary
6 3/4 x 4 15/16 in. (17.2 x 12.5 cm)
.
.
.
overall
sheet
Ink
Ink
French; probably made in Paris
ca. 1375
1370
1380
1000-1400, illuminated manuscripts, Medieval
Manuscript
1937.56
item
Memorial Art Gallery
9/8/1999
37.56SL1
slide
page with floral border
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
1x1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
37.56DI1
digital image
page with floral border
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/37.56_A1.jpg
37.56DI#2
digital image
Recto
2/20/2008
http://127.0.0.1:5000/Media/images/37.56_A2.jpg
Sculpture
Madonna and Child
French artist, (active )
French artist
France
Primary
54 x 18 1/4 x 11 in. (137.2 x 46.4 x 27.9 cm)
.
.
.
Limestone
Limestone
French; probably made in Auvergne
ca. 1340-1350
1340
1350
1000-1400, Madonna and Child, Medieval, sculpture
Sculpture
This beautiful representation of the Madonna and Child is typical of a type known as the “Virgin of Tenderness,” which developed in France in the early- and mid-1300s. The elegant quality of the Virgin’s dress and her courtly stance suggest her elevated status and nobility, while the Christ Child’s pose and the manner in which his mother supports him evokes an informal, tender mood.
The Virgin’s crown, which alludes to her role as Queen of Heaven, rests on a veil that symbolizes her humility. Although only a small fragment now survives, the Virgin initially held a flower in her right hand, probably a rose or lily, while the Christ Child holds a bird. In Christian tradition, these symbols refer to the story of Christ’s birth and sacrificial death.
[Gallery label text, June 2013]
1928.466
item
Memorial Art Gallery
1/25/2001
28.466SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
2.5 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3.5 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
7.5 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.466DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/28.466_A1.jpg
28.466DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.466SL2
slide
full x 55.56
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.466DI#3
digital image
Detail
5/11/2009
http://127.0.0.1:5000/Media/images/Inventory pictures/28.466_I1.JPG
28.466DI#4
digital image
Back
5/11/2009
http://127.0.0.1:5000/Media/images/Inventory pictures/28.466_I2.JPG
28.466DI#5
digital image
Detail
5/11/2009
http://127.0.0.1:5000/Media/images/Inventory pictures/28.466_I3.JPG
28.466DI#6
digital image
3/1/2010
http://127.0.0.1:5000/Media/images/28.466_A2.jpg
28.466DI#7
digital image
Detail
3/1/2010
http://127.0.0.1:5000/Media/images/28.466_A3.jpg
28.466DI#8
digital image
3/1/2010
http://127.0.0.1:5000/Media/images/28.466_A4.jpg
28.466DI#9
digital image
3/1/2010
http://127.0.0.1:5000/Media/images/28.466_A5.jpg
28.466DI#10
digital image
Detail
3/1/2010
http://127.0.0.1:5000/Media/images/28.466_A6.jpg
Sculpture
St. Mary Magdalene
French artist, (active )
French artist
France
Primary
58 1/2 x 20 5/8 x 10 3/4 in. (148.6 x 52.4 x 27.3 cm)
.
.
.
overall
overall
Limestone
Limestone
French; made in Le Mans, Normandy
1325-1350
1325
1350
1000-1400, Mary Magdalen, Medieval, sculpture
Sculpture
Mary Magdalen was one of the most popular saints in medieval Christianity. As one of Christ’s most devoted followers, she was present at his crucifixion, death, and burial. Known for her faith; she was one of the first to believe that Christ was truly resurrected. The covered box that she holds is a container for the spices or perfume used to anoint Christ’s body after his crucifixion.
Both wood and stone sculptures were customarily painted during the Middle Ages. Gilders and painters, in fact, were sometimes paid more than sculptors for their share of the work. This statue probably stood alone on an interior altar where it served as an object of devotion. Because the sculpture was protected from the elements, it retains enough polychromy to give an idea of the original appearance.
[Gallery label text, June 2013]
1930.2
item
Memorial Art Gallery
1/25/2001
30.2SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.2SL2
slide
detail- 1/2 length
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.2DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/30.2_A1.jpg
30.2DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.2DI#3
digital image
Back
5/11/2009
http://127.0.0.1:5000/Media/images/Inventory pictures/30.2_I1.JPG
30.2DI#4
digital image
Detail
5/11/2009
http://127.0.0.1:5000/Media/images/Inventory pictures/30.2_I2.JPG
30.2DI#5
digital image
Detail
5/11/2009
http://127.0.0.1:5000/Media/images/Inventory pictures/30.2_I3.JPG
30.2DI#6
digital image
Side
5/11/2009
http://127.0.0.1:5000/Media/images/Inventory pictures/30.2_I4.JPG
30.2DI#7
digital image
3/1/2010
http://127.0.0.1:5000/Media/images/30.2_A2.jpg
30.2DI#8
digital image
Detail
3/1/2010
http://127.0.0.1:5000/Media/images/30.2_A3.jpg
30.2DI#9
digital image
Detail
3/1/2010
http://127.0.0.1:5000/Media/images/30.2_A4.jpg
30.2DI#10
digital image
Detail
3/1/2010
http://127.0.0.1:5000/Media/images/30.2_A5.jpg
Sculpture
Mourner's Niche from the Tomb of Philip the Bold
Tomb Niche
Jean de Marville, (active 1366 - 1389)
Marville, Jean de
Netherlands
1366 - 1389
Male
Primary
Sluter, Claus
Netherlands
ca. 1360 - before 1406
Male
co-creator
28 9/16 x 13 1/16 x 9 in. (72.5 x 33.2 x 22.9 cm)
.
.
.
overall
overall
Marble
Marble
ca. 1384 - 1390
1384
1390
1400-1600, Renaissance & Baroque, sculpture, tomb niches
Sculpture
This sculpture was originally part of the tomb of Philip the Bold, who was the ruler of the Netherlands and regent of France until his death in 1404. Forty mourning figures, called pleurants, form a procession around the base of the tomb. Each is placed in an arcade characterized by gothic architectural forms. The gisants, or funerary statues, of the Duke and his wife rest on top of the tomb.
The tomb of Philip the Bold, originally in the Carthusian monastery of Champmol at Dijon, France, was destroyed in the French Revolution. Many of the surviving fragments, including the top of this arcade, were salvaged and then sold to collectors. The tomb was extensively restored from 1818 to 1823 and now stands in the Museum of Fine Arts in Dijon.
[Gallery label text, June 2013]
verso, tape labelverso, paper labelunderside of top, Paper label. Letters in brackets are illegible on label
1949.51
item
Memorial Art Gallery
1/19/2001
49.51SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
49.51DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/49.51_A1.jpg
49.51DI2
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/49.51_A2.jpg
49.51DI#3
digital image
3/28/2011
http://127.0.0.1:5000/Media/images/49.51_A3.jpg
49.51DI#4
digital image
3/28/2011
http://127.0.0.1:5000/Media/images/49.51_A4.jpg
Sculpture
Madonna and Child
French artist, (active )
French artist
France
Primary
8 1/4 x 2 3/16 x 1 7/8 in. (21 x 5.5 x 4.8 cm)
.
.
.
overall
overall
Ivory
Ivory
1300-1399
1300
1399
1000-1400, Madonna and Child, statues
Sculpture
1945.38
item
Memorial Art Gallery
1/29/2001
45.38SL1
slide
full- frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
45.38SL2
slide
full- profile
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
45.38SL3
slide
detail of heads
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
45.38DI1
digital image
full- frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/45.38_A1.jpg
45.38DI2
digital image
detail
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/45.38_A2.jpg
45.38DI#3
digital image
Front
6/20/2011
http://127.0.0.1:5000/Media/images/45.38_A3.jpg
45.38DI#4
digital image
Back
6/20/2011
http://127.0.0.1:5000/Media/images/45.38_A4.jpg
45.38DI#5
digital image
Proper right side
6/20/2011
http://127.0.0.1:5000/Media/images/45.38_A5.jpg
45.38DI#6
digital image
Proper left side
6/20/2011
http://127.0.0.1:5000/Media/images/45.38_A6.jpg
45.38DI#7
digital image
Detail
6/20/2011
http://127.0.0.1:5000/Media/images/45.38_A7.jpg
45.38DI#8
digital image
Detail
6/20/2011
http://127.0.0.1:5000/Media/images/45.38_A8.jpg
45.38DI#9
digital image
Detail
6/20/2011
http://127.0.0.1:5000/Media/images/45.38_A9.jpg
45.38DI#10
digital image
Detail
6/20/2011
http://127.0.0.1:5000/Media/images/45.38_A10.jpg
45.38DI#11
digital image
Detail
6/20/2011
http://127.0.0.1:5000/Media/images/45.38_A11.jpg
45.38DI#12
digital image
Detail
6/20/2011
http://127.0.0.1:5000/Media/images/45.38_A12.jpg
45.38DI#13
digital image
Detail
6/20/2011
http://127.0.0.1:5000/Media/images/45.38_A13.jpg
Sculpture
Leaf of a Diptych with the Crucifixion and Nativity
French artist, (active )
French artist
France
Primary
6 3/8 x 3 1/4 x 3/8 in. (16.2 x 8.2 x 1 cm)
.
.
.
overall
overall
Ivory
Ivory
14th Century
1300
1399
1000-1400, Crucifixion, diptych, donkeys, Gothic, Mary, miniature, Nativity, oxen, reliefs
Sculpture
This is one side of an intricately carved ivory diptych. The upper register of the piece shows the Crucifixion; the lower depicts the Nativity. Scenes from Christ’s birth and death were often paired as a shorthand reference to key moments in the Christian narrative. Luxury ivories were produced in France in large numbers during the 1300s.
[Gallery label text, June 2013]
verso
1949.19
item
Memorial Art Gallery
1/25/2001
49.19SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
49.19DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/49.19_A1.jpg
49.19DI#2
digital image
6/20/2011
http://127.0.0.1:5000/Media/images/49.19_A2.jpg