267
Portfolios%20%3D%20%22597%22
Print
Hans Sachs
Jost Amman, (Zürich, Switzerland, 1539 - 1591, Nuremberg, Bavaria)
Amman, Jost
Germany
1539 - 1591
Male
Herneisen, Andreas
Germany
1538 - 1610
Male
After
12 9/16 x 8 1/4 in. (31.9 x 21 cm)
.
.
.
sheet
vertical
sheet
Printer's ink
Printer's ink
1576
1576
1576
1400-1600, authors, etchings, Lockhart Collection, men, Renaissance & Baroque
Print
Sachs (1494-1576) was a shoemaker and a popular meistersinger and poet, immortalized in Richard Wagner's opera "Die Meistersinger von Nürnberg. "
lower center, in the platelower center, in the image, in cartoucheupper center, in the imageversoversoversoverso
1993.8
item
Memorial Art Gallery
3/20/2001
93.8SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
93.8DI1
digital image
4/11/2002
http://127.0.0.1:5000/Media/images/93.8_A1.jpg
93.8DI#2
digital image
3/13/2008
http://127.0.0.1:5000/Media/images/93.8_A2.jpg
Painting
Colonel Nathaniel Rochester
American artist, (active )
American artist
United States
Primary
Audubon, John James
United States
1785 - 1851
Male
Previous attribution
Previously attributed to
30 x 25 in. (76.2 x 63.5 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
without frame
Oil
Oil
before 1831
1821
1830
1800-1900, 19th century, from Rochester collections, men, New York State & Local History, paintings, portraits
Painting
Long celebrated as our city’s founder, Nathaniel Rochester (1752–1831) was recently discovered to have bought and sold enslaved people while he lived in Maryland. Not only did Rochester buy and sell enslaved people in the South as a business venture, he continued to own and profit from the labor of enslaved individuals after moving north. In fact, he did so until New York State law made it impossible for him to continue in 1827. This information makes evident how insidious and enmeshed slavery was in the business life of the early nineteenth century, even in the northern states.
Many decades before Kodak gave us the snapshot, a portrait such as this one was a way for a privileged, white person of this period to capture their likeness for posterity. In comparison, the enslaved Black men, women, and children of Rochester’s household did not have their portraits painted. Their names, likenesses, and personal stories went largely unrecorded and most have not survived history—another example of the dehumanization of enslaved individuals during this period of American history.
[Gallery label text, 2021]
verso
1934.1
item
Memorial Art Gallery
9/8/1999
34.1TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
34.1SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full back
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
full front
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
full front
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
full back
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
34.1DI1
digital image
Memorial Art Gallery
Imaging complete
7/10/2000
http://127.0.0.1:5000/Media/images/34.1_A1.jpg
glossy
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
3unknown2.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/3unknown2.tif
M425_p30.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p30.tif
M425_p30(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p30(10).tif
M425_p30_270%.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p30_270%.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/34.1_R2.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/34.1_R1.jpg
34.1DI#2
digital image
8/28/2012
http://127.0.0.1:5000/Media/images/34.1_A2.jpg
Sculpture
Abraham Lincoln
George Grey Barnard, 1863 - 1938
Barnard, George Grey
United States
1863 - 1938
Male
21 x 11 7/8 x 14 7/16 in. (53.3 x 30.2 x 36.7 cm)
.
.
.
overall
Marble
Marble
ca. 1918
1913
1923
1900-2000, 20th century, Abraham Lincoln, heads, men
Sculpture
1986.5
item
Memorial Art Gallery
9/8/1999
86.5TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.5SL1
slide
full frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.5DI1
digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/86.5_A1.jpg
86.5SL2
slide
full-back
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.5SL3
slide
full profile-right
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.5SL4
slide
full profile-left
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46barnard1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/46barnard1.tif
46barnard1(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/46barnard1(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/86.5_A2.jpg
86.5DI2
digital image
Three-quarter
00/00/00
http://127.0.0.1:5000/Media/images/86.5_A3.JPG
Print
A Stag at Sharkey's
Stag at Sharkey's
George Bellows, 1882 - 1925
Bellows, George
United States
1882 - 1925
Male
21 x 26 3/16 in. (53.4 x 66.5 cm)
.
.
.
overall
horizontal
mount
.
.
.
overall
image
.
.
.
overall
frame
Printer's ink
Printer's ink
1917
1917
1917
1900-2000, 20th century, leisure activities, lithographs, men, Realism, sport
Print
lower right, below imagelower center, below imagelower left, below imagelower center, in the stone, in the image
1964.31
item
Memorial Art Gallery
9/8/1999
64.31SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
64.31DI1
digital image
1/18/2002
http://127.0.0.1:5000/Media/images/64.31_A1.jpg
64.31DI#2
digital image
10/1/2012
http://127.0.0.1:5000/Media/images/64.31_A2.jpg
Print
Introducing John L. Sullivan
George Bellows, 1882 - 1925
Bellows, George
United States
1882 - 1925
Male
23 x 22 in. (58.4 x 55.9 cm)
.
.
.
image
square
image
.
.
.
sheet
Printer's ink
Printer's ink
1916
1916
1916
1900-2000, 20th century, American art, leisure activities, lithographs, men, Realism
Print
lower right, in the stonelower right, below imagelower leftlower center
1916.30
item
Memorial Art Gallery
9/8/1999
16.30DI1
digital image
1/18/2002
http://127.0.0.1:5000/Media/images/16.30_A1.jpg
Sculpture
St. George and the Dragon
Francesco Fanelli, (Florence, flourished ca. 1608 - 1661)
Benati, Carlo
Italy
Male
Previous attribution
Attributed to
Fanelli, Francesco
Italy
ca. 1608 - 1661
Male
Primary
8 1/4 in. (21 cm)
.
.
.
Bronze
Bronze
1625
1625
1625
1600-1800, 17th century, dragons, horses, men, sculpture, St. George
Sculpture
1955.93
item
Memorial Art Gallery
1/22/2001
55.93SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.93DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/55.93_A1.jpg
55.93DI#2
digital image
1/2/2012
http://127.0.0.1:5000/Media/images/55.93_A2.jpg
Painting
Portrait of a Man
Unknown Gentleman
Henry Benbridge, (Philadelphia, PA, 1743 - 1812, Philadelphia, PA)
Benbridge, Henry
United States
1743 - 1812
Male
Zoffany, Johann
Germany
1733 - 1810
Male
Previous attribution
29 1/4 x 19 1/4 in. (74.3 x 48.9 cm)
.
.
.
Oil
Oil
0
0
American art, men, paintings, portraits
Painting
This portrait was attributed to the German artist Johann Zoffany when it was acquired by Memorial Art Gallery in 1966. Prompted by MAG director Harris Prior, Smithsonian curator Robert Stewart investigated further and came to the conclusion that the American-born portraitist Henry Benbridge was the true artist. Shortly thereafter, this portrait was loaned to an exhibit of Benbridge’s work in the National Portrait Gallery in Washington, DC. Stewart described it as “one of the nicest of what I call his ‘portraits in the small.’” The elongated forehead, proportionately small body, and decorative plant matter in the foreground are hallmarks of Benbridge’s style.
[Label text from It Came From the Vault exhibition, 2013]
1966.24
item
Memorial Art Gallery
9/8/1999
66.24TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
66.24SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
66.24DI1
digital image
Memorial Art Gallery
Imaging complete
2/1/2001
http://127.0.0.1:5000/Media/images/66.24_A1.jpg
Painting
Trial Scene
David Gilmour Blythe, 1815 - 1865
Blythe, David Gilmour
United States
1815 - 1865
Male
22 1/4 x 27 in. (56.5 x 68.6 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
without frame
Oil
Oil
ca. 1862-1863
1862
1863
1800-1900, 19th century, genre scenes, men, paintings, politics in art
Painting
Blythe’s painting shows a scene of frontier justice in a rough building serving as a courtroom. A backwoods “lawyer” at the center either defends or makes his case against a shackled prisoner at the right. However, some elements of the scene, including the onlookers—some armed with long guns, some distracted by a card game—and the pot and sack at the lower left labelled “tar” and “feathers,” reveal that this is an extrajudicial proceeding. The prisoner whittles unconcernedly while his fate is decided, suggesting that this is a typically satirical genre scene for Blythe, who made other paintings of farcical trials and caricatured politics.
[Gallery label text, 2019]
verso, Exhibition label, removed from painting and now stored in object file.illegible, lower left, Letters from the dealers and the permanent collection worksheet done in 6/78 claim that it is signed, but it is very difficult to read now.
1941.24
item
Memorial Art Gallery
9/8/1999
41.24TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
41.24SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
41.24DI1
digital image
Memorial Art Gallery
Imaging complete
7/10/2000
http://127.0.0.1:5000/Media/images/41.24_A1.jpg
41.24SL2
slide
detail
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
M425_p80.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p80.tif
M425_p80(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p80(10).tif
glossy
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Mr. Gerald Fowler
John Bradley, d. 1847
Bradley, John
United States
- 1847
Male
34 x 28 in. (86.4 x 71.1 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1836
1836
1836
1800-1900, 19th century, men, paintings, portraits
Painting
lower left
1997.19
item
Memorial Art Gallery
9/8/1999
97.19SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
97.19DI#1
digital image
1/20/2006
http://127.0.0.1:5000/Media/images/97.19_A1.jpg
97.19TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Sculpture
The Breton Poet (The Smoker) (Le Fumeur)
Jean Baptiste Carpeaux, 1827 - 1875
Carpeaux, Jean Baptiste
France
1827 - 1875
Male
19 3/4 in. (50.2 cm)
.
.
.
Bronze
Bronze
1863
1863
1863
1800-1900, 19th century, authors, heads, men, portraits, sculpture
Sculpture
left edge, incised, cast in at left edge near shoulder
1969.34
item
Memorial Art Gallery
1/30/2001
69.34SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full 3/4
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full 3/4
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
69.34D1
digital image
3/4
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/69.34_A1.jpg
69.34DI#2
digital image
11/15/2011
http://127.0.0.1:5000/Media/images/69.34_A2.jpg
69.34DI#3
digital image
6/4/2012
http://127.0.0.1:5000/Media/images/69.34_A3.jpg
Watercolor
A Dutch Cavalier
Emma Lampert Cooper, (Nunda, NY, 1855 - 1920, Pittsford, NY)
Cooper, Emma Lampert
United States
1855 - 1920
Female
11 x 7 1/4 in. (27.9 x 18.4 cm)
.
.
.
Watercolor
Watercolor
20th Century
1900
1999
1900-2000, 20th century, by Rochester artists, men, watercolors
Watercolor
lower right
1958.130
item
Memorial Art Gallery
9/8/1999
58.130SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
58.130DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/58.130_A1.jpg
Painting
Unfinished Portrait of Nathaniel Hurd (1729-1777)
John Singleton Copley, (Boston, MA?, 1738 - 1815, London, England)
Copley, John Singleton
United States
1738 - 1815
Male
29 3/8 x 24 5/8 in. (74.6 x 62.5 cm)
.
.
.
frame opening
vertical
.
.
.
approximate installation dimensions
frame
.
.
.
Oil
Oil
ca. 1765
1760
1770
1600-1800, 18th century, artist portraits, artists, Colonial, men, paintings, portraits
Painting
Nathaniel Hurd (1730-1778), silversmith, goldsmith, and engraver, was a member of a distinguished Boston family of silversmiths. In addition to creating a number of silver pieces, he was well-known for his bookplates, which were designed for many distinguished colonial families including Loyalists and a signer of the Declaration of Independence, and were based on heraldic motifs (to which they may or may not have been entitled). Hurd also designed a plate for his own family, as well as bookplates for both Harvard and Dartmouth Colleges. The bookplates provide an unusual link to the social and intellectual climate of the times, and literally speak volumes about sociocultural aspirations of eighteenth-century America.
Hurd was a contemporary of Copley’s. This ca. 1765 portrait, Copley’s first to depict a fellow artisan in working costume, had been preceded by an earlier miniature that Copley had painted of Hurd in 1755.
[Gallery label text, 1996]
removed from stretcher, Now in curatorial fileremoved from stretcher, Now in curatorial file. Old exhibition label, mostly torn away
1944.2
item
Memorial Art Gallery
9/8/1999
44.2TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.2SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.2DI1
digital image
Memorial Art Gallery
Imaging complete
7/10/2000
http://127.0.0.1:5000/Media/images/44.2_A1.jpg
1copley1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/1copley1.tif
44.2DI#2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/44.2_A2.jpg
Painting
The Stonebreaker
Gustave Courbet, (Ornans, France, 1819 – 1877, La Tour-de-Peilz, Switzerland)
Courbet, Gustave
France
1819 - 1877
Male
17 1/2 x 21 1/2 in. (44.5 x 54.6 cm)
.
.
.
without frame
.
.
.
overall framed size
frame
Oil
Oil
ca. 1872
1867
1877
1800-1900, 19th century, genre scenes, jobs & work, men, paintings
Painting
Painting is an essentially concrete art and can only consist in the representation of real and existing things.
- Gustave Courbet (1861)
Courbet was the leading painter of a movement called Realism. Many French citizens began to advocate for democratic and socialist reforms after the Revolution of 1848 overturned the monarchy of King Louis-Philippe. Realist painters depicted modern subjects drawn from the everyday lives of the working class.
The subject matter of The Stonebreaker is similar to that of Courbet’s The Stonebreakers, which Courbet exhibited at the Salon in 1850. The earlier painting, destroyed in World War II, depicted two men dressed in heavy, tattered clothing crushing rocks near a road. Because of its raw and, according to some viewers, politically motivated subject matter, The Stonebreakers was extremely controversial with the French public. The Gallery’s The Stonebreaker, painted over 20 years later, reflects a more intimate view of the laborer, solitary as he eats his midday meal.
lower rightback of frame, See photo under Marks-->Surrogatesback of frame, See photo under Marks-->Surrogatesback of stretcherback of stretcher, See photo under Marks-->Surrogatesback of stretcher, See photo under Marks-->Surrogatesback of stretcher, See photo under Marks-->Surrogatesback of stretcher, See photo under Marks-->Surrogatesback of stretcher, Circular stamp. Also stamped on back of canvas. See photo under Marks-->Surrogatesback of stretcher, Mostly illegible; under edge of paper tape. See photo under Marks-->Surrogatesback of stretcher, See photo under Marks-->Surrogates
1943.11
item
Memorial Art Gallery
4/5/2000
43.11TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
43.11SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
43.11DI1
digital image
Memorial Art Gallery
Imaging complete
6/26/2000
http://127.0.0.1:5000/Media/images/43.11_A1.jpg
43.11SL2
slide
detail
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
43.11DI2
digital image
TRC4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Portrait of the Artist
Thomas Couture, (Senlis, 1815 - 1879, Villiers-le-Bel)
Couture, Thomas
France
1815 - 1879
Male
18 1/4 x 14 7/8 in. (46.4 x 37.8 cm)
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1848
1843
1853
1800-1900, 19th century, artists, men, paintings, portraits, self portraits
Painting
1947.17
item
Memorial Art Gallery
1/29/2001
47.17SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
47.17DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/47.17_A1.jpg
47.17DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Drawing
The Conceited Lawyer (L'Avocat suffisant)
Honoré Daumier, (Marseille, France, 1808 – 1879, Valmondois, France)
Daumier, Honoré
France
1808 - 1879
Male
10 9/16 x 8 in. (26.8 x 20.3 cm)
.
.
.
sheet
sheet
.
.
.
overall
frame
Ink
Ink
0
0
1800-1900, 19th century, drawing, lawyers, Lockhart Collection, men
Drawing
lower left, in image
1986.109
item
Memorial Art Gallery
2/21/2001
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.109DI1
digital image
8x10
00/00/00
http://127.0.0.1:5000/Media/images/86.109_A1.jpg
Print
Self-Portrait
Jim Dine, 1935 -
Dine, Jim
United States
1935
Male
22 1/8 x 16 15/16 in. (56.2 x 43 cm)
.
.
.
plate
vertical
image
.
.
.
sheet
Printer's ink
Printer's ink
1964
1964
1964
1900-2000, 20th century, artists, Charles Rand Penney Collection, etchings, men, portraits, self portraits
Print
From the portfolio "New York Ten"
This work claims to be a self-portrait, although we don't actually see what we typically expect in a portrait - a face. One of the trademarks of Pop Art is the absence of the artist's hand - many of them wanted their work to look machine-made or mass-produced. Pop Art, as well as many other art movements throughout the ages, often prompted the question "What is art?" This work also invites the question "What is a portrait?"
[Gallery label text]
The self-portrait has been redefined by a number of artists in contemporary times. In Dine’s case, the substitution of a bathrobe for the artist’s face is a witty twist on an old theme, simultaneously conveying anonymity and “cozy familiarity,” in the words of one writer. Like Warhol’s Campbell’s soup can, Dine’s bathrobe has become a signature image of Pop art of the Sixties.
In addition to his unconventional approach to self-portraiture, Dine’s printing technique “breaks the rules” as well. Rather than being centered on the paper, the image is asymmetrically placed, which creates a cropped effect.
[Label text, 1997]
lower left, below imagelower right corner, Blindstamp, ES in a boxlower left corner
1975.329.2
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.329.2DI1
digital image
12/7/2001
http://127.0.0.1:5000/Media/images/75.329.2_A1.jpg
Painting
St. Jerome in the Desert
Attributed to Jan Adriaensz. van Staveren, (ca. 1625 - after 1668)
Dou, Gerrit
Netherlands
1613 - 1675
Male
Previous attribution
Staveren, Jan Adriaensz. van
Netherlands
ca. 1625 - after 1668
Male
Primary
19 5/8 x 14 3/4 in. (49.8 x 37.4 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
1643-1647
1643
1647
1600-1800, 17th century, men, paintings, St. Jerome
Painting
After studying for three years with Rembrandt, Dou established himself as an independent painter, achieving wealth and fame in his native Leiden. He specialized in small, highly finished genre scenes that delight by their precise reproduction of everyday objects. Meticulous realism and enamel-like surfaces also typify Dou’s portraits and religious pictures, such as St. Jerome in the Desert.
This painting integrates the two most common pictorial motifs associated with this saint, who was both a scholar of the Bible and an ascetic known to have spent long sojourns in the desert.
[Gallery label text, 2005]
St. Jerome, born to a wealthy pagan family, converted to Christianity around 365 CE. A theologian by training, his major work was the Vulgate translation of the Bible, which is still in use today. He lived for years as a hermit in the Syrian desert, and, after a scandal in Rome, returned to his life of desert solitude. He lived the last 34 years of his life in the Holy Land as a semi-recluse. In this painting, St. Jerome is shown in prayer and meditation during one of his desert sojourns. The numerous books refer to his life as a scholar of the Bible; the skull symbolizes the transience of life.
[Excerpted from gallery label text]
1926.73
item
Memorial Art Gallery
1/22/2001
26.73SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
26.73DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/26.73_A1.jpg
26.73DI#2
digital image
2/18/2008
http://127.0.0.1:5000/Media/images/26.73_A2.jpg
26.73TR1
transparency
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Knight, Death, and the Devil
Albrecht Dürer, (Nuremberg, Germany, 1471 - 1528, Nuremberg, Germany)
Dürer, Albrecht
Germany
1471 - 1528
Male
9 9/16 x 7 7/16 in. (24.3 x 18.9 cm)
.
.
.
overall
vertical
image
.
.
.
sheet
Printer's ink
Printer's ink
1513
1513
1513
1400-1600, armor, Death, Devil, dogs, engravings, horses, men, Renaissance & Baroque
Print
lower left, in image, in the plate
1913.18
item
Memorial Art Gallery
5/12/2001
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
13.18SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
13.18DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/13.18_A1.jpg
13.18DI#2
digital image
7/22/2013
http://127.0.0.1:5000/Media/images/13.18_A2.jpg
Painting
Portrait of an Italian Nobleman
Anthony van Dyck, (Antwerp, Belgium, 1599 - 1641, London)
Dyck, Anthony van
Flanders
1599 - 1641
Male
40 x 32 1/2 in. (101.6 x 82.6 cm)
.
.
.
Oil
Oil
1622-1625
1622
1625
1600-1800, 17th century, armor, George Eastman Collection, men, paintings, portraits
Painting
The Flemish artist, Anthony van Dyck, painted this portrait of an Italian nobleman while he was working in Genoa between 1622 and 1625. Supremely talented and precocious, van Dyck enjoyed considerable success in Italy, Flanders, and eventually England, where he was the favorite painter of King Charles I. He painted notable religious and mythological canvases, but remains most famous for his extraordinarily vivid portraits. The name of this sitter, with his graceful pose and penetrating glance, is unknown. He was certainly a wealthy Genoese patrician, however. To convey this to future viewers of his portrait, he donned his richest apparel for the occasion, including a finely crafted suit of armor and his most expensive wide lace collar and cuffs.
[Gallery label text]
1968.100
item
Memorial Art Gallery
1/22/2001
68.100SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2.5 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
2.5 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.100DI1
digital image
12/1/2001
http://127.0.0.1:5000/Media/images/68.100_A4.jpg
68.100SL2
slide
full- w frame
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.100SL3
slide
detail-hand
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.100DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/68.100_A1.jpg
M2.68.100.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/68.100_A2.jpg
M3.68.100.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/68.100_A3.jpg
68.100TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.100DI5
digital image
Detail
6/16/2009
http://127.0.0.1:5000/Media/images/68.100_A5.jpg
Painting
William H. Macdowell
Thomas Eakins, 1844-1916
Eakins, Thomas
United States
1844 - 1916
Male
24 x 20 in. (61 x 50.8 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
without frame
Oil
Oil
ca. 1904
1899
1909
1900-2000, 20th century, figure, men, paintings, portraits, Realism
Painting
Thomas Eakins painted multiple portraits of his father-in-law, William H. Macdowell. Eakins’s sensitive portraits and genre scenes defined American realist art at the end of the 19th century. His art and commitment to realism were enormously influential to the artists of the Urban Realist movement.
[Gallery label text, 2007]
Thomas Eakins was one of America's greatest painters, whose realistic portrayals of people at work and at play have become icons of American culture. He immortalized many friends and family members by using them as subjects, among them his father-in-law, William Macdowell, an engraver and self-styled philosopher, whom Eakins painted and photographed numerous times. In the Gallery's portrait, Macdowell's aged face, rendered with scrupulous care and detail, emerges from a somber background. In this direct and straightforward manner, Eakins suggests Macdowell's strength of character and distinctive personality.
[Gallery label text]
initialed, verso
1941.26
item
Memorial Art Gallery
9/8/1999
41.26TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
41.26SL
slide
photo of Wm. Macdowell
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
41.26SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
41.26DI1
digital image
Memorial Art Gallery
Imaging complete
6/23/2000
http://127.0.0.1:5000/Media/images/41.26_A1.jpg
41.26DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
41.26SL2
slide
photo of Mr. & Mrs. Wm Macdowell
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
M425_p140.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p140.tif
M425_p140(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p140(10).tif
41.26DI#2
digital image
6/4/2012
http://127.0.0.1:5000/Media/images/41.26_A2.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Watercolor
Burning Brush
Harvey Ellis, (1852 - 1904)
Ellis, Harvey
United States
1852 - 1904
Male
16 1/4 x 20 1/4 in. (41.2 x 51.4 cm)
.
.
.
mount
mount (irregular)
.
.
.
sheet
sheet
Watercolor
Watercolor
1896
1896
1896
1800-1900, 19th century, by Rochester artists, men, Rochester Art Club founders, watercolors
Watercolor
lower left
1914.44
item
Memorial Art Gallery
9/8/1999
glossy
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
14.44SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
14.44DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/14.44_A1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/14.44_R1.jpg
14.44DI#2
digital image
12/17/2013
http://127.0.0.1:5000/Media/images/14.44_A2.jpg
14.44DI#3
digital image
7/23/2020
http://127.0.0.1:5000/Media/images/14.44_A3.jpg
Drawing
Man in Fighting Stance
Harvey Ellis, (1852 - 1904)
Ellis, Harvey
United States
1852 - 1904
Male
15 1/4 x 9 1/8 in. (38.7 x 23.2 cm)
.
.
.
sheet
sheet
Graphite
Graphite
ca. 1883
1878
1888
1800-1900, 19th century, by Rochester artists, drawing, men, Rochester Art Club founders
Drawing
1972.80
item
Memorial Art Gallery
9/8/1999
72.80SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
2.5 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.80DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/72.80_A1.jpg
72.80DI#2
digital image
7/23/2020
http://127.0.0.1:5000/Media/images/72.80_A2.jpg
Print
The 3 Wise Men
Barbara E. Evans, 1947 -
Evans, Barbara E.
United States
1947
Female
21 3/4 x 31 1/2 in. (55.2 x 80 cm)
.
.
.
Printer's ink
Printer's ink
1973
1973
1973
1900-2000, 20th century, Charles Rand Penney Collection, etchings, men
Print
1975.190
item
Memorial Art Gallery
9/8/1999
75.190SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.190DI1
digital image
3/28/2002
http://127.0.0.1:5000/Media/images/75.190_A1.jpg
Sculpture
Bust of Ralph Waldo Emerson
Daniel Chester French, 1850 - 1931
French, Daniel Chester
United States
1850 - 1931
Male
22 in. (55.9 cm)
.
.
.
maximum
Bronze
Bronze
after 1884
1885
1894
1800-1900, 19th century, authors, men, portraits, sculpture
Sculpture
back of baseback sideback of base, lower rightfront
1999.2
item
Memorial Art Gallery
10/15/1999
99.2TR1
Transparency
Memorial Art Gallery
Front, 3/4
2 1/4 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
99.2SL1
slide
full-3/4
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
99.2DI1
digital image
Memorial Art Gallery
"Front, 3/4"
Imaging complete
8/28/2000
http://127.0.0.1:5000/Media/images/99.2_A1.jpg
23french1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/23french1.tif
23french1(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/23french1(10).tif
Painting
Man with a Book Seated in a Landscape
Thomas R. A. Gainsborough, (Sudbury, England, 1727 - 1788, London)
Gainsborough, Thomas R. A.
England
1727 - 1788
Male
24 x 20 in. (61 x 50.8 cm)
.
.
.
Oil
Oil
ca. 1747
1742
1752
1600-1800, 18th century, landscapes, men, paintings, portraits
Painting
Although the name of the sitter is unknown, Gainsborough gives the viewer several clues that help place him in a social context: the gentleman holds a book, indicating he is learned; he leans on a stone pillar, with a pastoral landscape and a river behind him, suggesting he is a landowner.
This portrait, made when Gainsborough was in his mid-20s, is a typical example of his early style.
[Gallery label text, 2008]
1975.115
item
Memorial Art Gallery
11/2/2000
75.115TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.115SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.115DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/75.115_A1.jpg
75.115DI#2
digital image
4/7/2009
http://127.0.0.1:5000/Media/images/75.115_A2.jpg
Painting
Sir Henry Palmer, Knight
Marcus Geeraerts the Elder, 1530 - 1590
Geeraerts the Elder, Marcus
Flanders
1530 - 1590
Male
22 3/4 x 18 in. (57.8 x 45.7 cm)
.
.
.
Oil
Oil
1586
1586
1586
1400-1600, men, paintings, portraits, Renaissance & Baroque
Painting
1946.46
item
Memorial Art Gallery
1/30/2001
46.46SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
6x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.46DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/46.46_A1.jpg
46.46DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.46DI2
digital image
with frame
00/00/00
http://127.0.0.1:5000/Media/images/46.46_A2.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Portrait of Dr. Gachet
Vincent van Gogh, 1853 - 1890
Gogh, Vincent van
Netherlands
1853 - 1890
Male
13 x 9 11/16 in. (33 x 24.6 cm)
.
.
.
sheet
sheet
.
.
.
image
image
Printer's ink
Printer's ink
1890
1890
1890
1800-1900, 19th century, drypoint, etchings, Lockhart Collection, men, portraits
Print
upper right, in the image, in the plateupper right of verso, van Gelderlower center, Gachet family collector’s stamp, a red cat
1977.151
item
Memorial Art Gallery
2/4/2001
77.151TR1
transparency
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.151SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.151DI#2
digital image
3/13/2008
http://127.0.0.1:5000/Media/images/77.151_A2.jpg
77.151DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/77.151_A1.jpg
Print
The Great Standard-Bearer
Hendrik Goltzius, 1558 - 1617
Goltzius, Hendrik
Netherlands
1558 - 1617
Male
13 7/16 x 9 1/8 in. (34.1 x 23.2 cm)
.
.
.
plate
vertical
image
.
.
.
sheet
sheet
Printer's ink
Printer's ink
1587
1587
1587
1400-1600, engravings, Lockhart Collection, men, military, Renaissance & Baroque
Print
lower center, in the plate, in the image, HG in Monogram. lower right, in marginlower right, in marginverso, L in a boxverso, Fleur-de-lis in an eschutcheon with the attached letters WRlower center, below image, in the plate
1994.15
item
Memorial Art Gallery
2/4/2001
94.15SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
94.15DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/94.15_A1.jpg
94.15DI#2
digital image
3/13/2008
http://127.0.0.1:5000/Media/images/94.15_A2.jpg
Painting
The Printseller's Window
Walter Goodman, (London, 1838 - 1912, London)
Goodman, Walter
England
1838 - 1912
Male
52 1/4 x 44 3/4 in. (132.7 x 113.7 cm)
.
.
.
Oil
Oil
1883
1883
1883
1800-1900, 19th century, jobs & work, men, paintings, trompe l'oeil
Painting
Painted in the illusionistic technique of trompe l’oeil (French for “fool the eye),” The Printseller depicts a heavily-bearded shopkeeper cradling a small statuette of Cupid. The display case before him contains a variety of objects, including prints, books, coins in a porcelain dish, a magnifying glass, a wineglass, a strand of pearls and a metal tankard. Many of the prints are reproductions of famous paintings that would have been familiar to Walter Goodman’s audience of the early 1880s.
A string of small photographs called cartes-de-visites stretches across the display case. These small photographic portraits, sized to mount on a visiting card, became extremely popular; a craze developed for collecting the cartes of celebrities as well as family and friends. Here, each represents a famous Victorian painter of Goodman’s time, including John Everett Millais, Rosa Bonheur, and Lawrence Alma-Tadema (fourth, sixth, and ninth from the left, respectively). A larger photographic portrait of the famous art critic John Ruskin is located in the center directly below the string of cartes.
Although relatively unknown, Walter Goodman was an interesting and practiced artist with a varied career as a portraitist, illustrator and writer. Of Jewish heritage, he was the son of portraitist Julia Salaman Goodman. He was widely traveled and an intimate member of London’s theatrical society. He exhibited at the Royal Academy and the British Institution.
lower rightback of stretcher, per 1999 conservation report; partial label, mostly illegible. [possibly The London, Brighton and South Coast Railway (LB&SCR), a railway company in the UK from 1846 to 1923? ran to Victoria Station, London]back of stretcher, per 1999 conservation reportback of stretcher, per 1999 conservation reportback of stretcher, per 1999 conservation reportback of stretcher, per 1999 conservation report. Inscription has been effaced.back of stretcher, per 1999 conservation report.back of canvas, per 1999 conservation report. back of canvas, per 1999 conservation report. back of canvas, per 1999 conservation report.back of stretcher, per 1999 conservation report; partial label, mostly illegible [possibly So. Kensington Museum?]back of stretcher, scratched into the wood
1998.75
item
Memorial Art Gallery
10/21/1999
98.75TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.75SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.75DI1
digital image
Memorial Art Gallery
Imaging complete
7/13/2000
http://127.0.0.1:5000/Media/images/98.75_A1.jpg
98.75DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.75DI3
digital image
Memorial Art Gallery
Imaging complete
00/00/00
http://127.0.0.1:5000/Media/images/98.75_A2.jpg
98.75DI4
digital image
detail
00/00/00
http://127.0.0.1:5000/Media/images/98.75_A3.jpg
98.75DI#5
digital image
4/7/2009
http://127.0.0.1:5000/Media/images/98.75_A4.jpg
Drawing
The Standard Bearer of Zurich
Attributed to or after Urs Graf, (1485 - 1527)
Graf, Urs
Switzerland
1485 - 1527
Male
5 5/8 x 4 1/8 in. (14.3 x 10.5 cm)
.
.
.
sheet
Ink
Ink
16th century
1500
1599
1400-1600, armor, drawing, Lockhart Collection, men, military, Renaissance & Baroque
Drawing
verso, Boxed "L"
verso
1983.117
item
Memorial Art Gallery
2/27/2001
83.117TR1
transparency
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
83.117SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
83.117DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/83.117_A1.jpg
83.117DI#2
digital image
5/8/2008
http://127.0.0.1:5000/Media/images/83.117_A2.jpg
Painting
The Opposition
William Gropper, 1897 - 1977
Gropper, William
United States
1897 - 1977
Male
28 x 38 in. (71.1 x 96.5 cm)
.
.
.
overall framed size
horizontal
frame
.
.
.
without frame
Oil
Oil
1942
1942
1942
1900-2000, 20th century, American Scene/Regionalism, Encyclopedia Britannica Collection, men, paintings, politics in art, Social Realism
Painting
William Gropper satirized the United States Senate in The Opposition as lawmakers were threatening to cut significant federal funding for the arts. Gropper wrote, “I have portrayed the type of representative that is opposed to progress and culture. The U.S. Senate…[has] such an influence on American life, good and bad, that it has even affected the artist and the cultural development of our country.”
William Gropper supported himself with his political cartoons, satirical drawings, and illustrations, most of which pointed out how the burdens of society were largely borne by the working class.
[Gallery label text, 2024]
Lawmakers were threatening to cut significant federal funding for the arts when political cartoonist and painter William Gropper satirized the United States Senate in The Opposition. Gropper wrote, “I have portrayed the type of representative that is opposed to progress and culture. The U.S. Senate…[has] such an influence on American life, good and bad, that it has even affected the artist and the cultural development of our country.”
[Gallery label text, 2007]
William Gropper was best known for his caustic commentary on the American political and social scene. He depicted realistic and identifiable subjects; The Opposition was one of a number of paintings and illustrations that came out of his 1934 assignment for the magazine Vanity Fair, to sketch legislators in action in Washington. Gropper made no bones about his distaste for politics and used his art to further his point of view:
"I have portrayed the type of representative that is opposed to progress and culture. The U.S. Senate and the House of Representatives have had such an influence on American life, good and bad, that it has even affected the artist and the cultural development of our country. No matter how far removed from politics artists may be, it seems to strike home. Only recently one blasting speech of a reactionary representative resulted in not only doing away with the Section of Fine Art, but also dismissing the Graphic Division of the OWI [Office of War Information] and nullifying art reportage for the War Department."
Gropper's start as a newspaper illustrator informed the creative processes of the rest of his life. His work retained his journalist's interest in issues of the day, giving it a particularly topical essence presented in a dynamic, expressionistic format.
[Gallery label text, 2006]
lower left
1951.5
item
Memorial Art Gallery
9/8/1999
51.5TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.5SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.5DI1
digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/51.5_A1.jpg
51.5DI2
digital image
Memorial Art Gallery
Imaging complete
00/00/00
http://127.0.0.1:5000/Media/images/51.5_A2.jpg
63gropper1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/63gropper1.tif
Painting
The Wanderer
George Grosz, 1893 - 1959
Grosz, George
United States
1893 - 1959
Male
30 x 40 in. (76.2 x 101.6 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
Oil
Oil
1943
1943
1943
1900-2000, 20th century, Encyclopedia Britannica Collection, men, paintings, wandering jew
Painting
George Grosz was a German soldier in World War I and left his country for the United States in 1933 during Adolf Hitler’s rise to power. Ten years later, he painted The Wanderer in New York—his intensely personal response to his experiences—as World War II raged over the ocean.
[Gallery label text, 2024]
Ten years after fleeing Germany during Hitler’s rise to power, George Grosz painted The Wanderer in New York. As World War II raged over the ocean, Grosz created this intensely personal response to his experience as a German soldier in World War I and his 1933 emigration to the United States.
[Gallery label text, 2007]
Painted in the midst of World War II, The Wanderer is an expression of the artist’s recent life experience. George Grosz was an established painter in Germany who, like many others, spoke out against the totalitarian Nazi regime. For his own safety and that of his family, he relocated to the United States. The Wanderer was one of a group of so-called ‘hell pictures’; in a letter, he wrote:
I work a lot…I painted a little picture – The Wanderer –
myself of course…The resonance of explosion and
destruction often shakes me bodily.
The explosion and destruction was a reference to the war-torn European continent that he had left behind, as well as a reference to his own emotional volatility as he tried to adjust, with little success, to his new life in America, suggested in the painting by the seagrasses he knew from Long Island and Cape Cod beaches.
The Wanderer was probably one of the newest paintings acquired for the Encyclopedia Britannica Collection, as the collection was formed in 1943, the same year that Grosz painted this work. Stylistically, the painting’s expression of personal and cultural angst – achieved through desolate subject matter, somber palette, and unquiet line – was very much an alternative view to the more upbeat images of wartime artists like Norman Rockwell.
[Gallery label text, 2006]
lower left, In yellowish-brown paintback of frameback of frameback of frame, Two identical labels. SEE ATTACHED SURROGATE IMAGESback of frame, mechanically incised into wood, in two placesback of frameback of frameback of frameback of frame, SEE ATTACHED SURROGATE RECORDback of stretcher
1951.6
item
Memorial Art Gallery
9/8/1999
51.6TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.6SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.6DI1
digital image
Memorial Art Gallery
Imaging complete
7/10/2000
http://127.0.0.1:5000/Media/images/51.6_A1.jpg
negative
color
1 x 1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.6DI2
digital image
Memorial Art Gallery
Imaging complete
00/00/00
http://127.0.0.1:5000/Media/images/51.6_A2.jpg
64grosz1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/64grosz1.tif
51.6DI#3
mark
digital image
back of frame
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/51.6_I1.jpg
51.6DI#4
mark
digital image
back of frame
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/51.6_I2.jpg
Painting
Portrait of a Man
Frans Hals, 1580 - 1666
Hals, Frans
Netherlands
1580 - 1666
Male
30 1/2 x 25 1/2 in. (77.5 x 64.8 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1655-1660
1655
1660
1600-1800, 17th century, George Eastman Collection, men, paintings, portraits
Painting
back of frameback of frameback of frame
1968.101
item
Memorial Art Gallery
1/22/2001
68.101SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
detail-face
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.101DI1
digital image
2 detail
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/68.101_A1.jpg
68.101SL2
slide
detail- face
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.101SL3
slide
detail, hands
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.101DI2
digital image
Detail
6/16/2009
http://127.0.0.1:5000/Media/images/68.101_A2.jpg
68.101DI3
digital image
Detail
6/16/2009
http://127.0.0.1:5000/Media/images/68.101_A3.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.101DI#4
digital image
12/8/2021
http://127.0.0.1:5000/Media/images/68.101_A4.jpg
Painting
Mine
Hananiah Harari, (Rochester, NY, 1912 - 2000, Hawthorne, NY)
Harari, Hananiah
United States
1912 - 2000
Male
50 x 40 in. (127 x 101.6 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1983
1983
1983
1900-2000, 20th century, artists, by Rochester artists, men, paintings, self portraits
Painting
lower right
1998.76
item
Memorial Art Gallery
10/18/1999
98.76TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.76SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.76DI1
digital image
Memorial Art Gallery
Imaging complete
8/28/2000
http://127.0.0.1:5000/Media/images/98.76_A1.jpg
98.76SL2
slide
photo in studio in same pose
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.76DI#2
digital image
8/31/2012
http://127.0.0.1:5000/Media/images/98.76_A2.jpg
Print
A Country Blacksmith
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
5 1/2 x 4 1/2 in. (14 x 11.4 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
From the Private Coll. (6) Edition
1918
1918
1918
1900-2000, 20th century, etchings, men
Print
lower right, below imagelower left, below imageextreme lower edge
1959.97
item
Memorial Art Gallery
4/11/2001
59.97DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.97_A1.jpg
Print
Amfortas
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
2 3/16 x 1 5/16 in. (5.6 x 3.3 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1933
1933
1933
1900-2000, 20th century, Amfortas, etchings, men
Print
lower left, below imagelower right, below imagelower edge
1959.124
item
Memorial Art Gallery
4/11/2001
59.124DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.124_A1.jpg
59.124SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Young Amishman
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
10 x 8 15/16 in. (25.4 x 22.7 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1944
1944
1944
1900-2000, 20th century, drypoint, men
Print
lower right, below imagelower left, below image
1959.137
item
Memorial Art Gallery
4/11/2001
59.137DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.137_A1.jpg
Print
Beethoven Vieux Lion Fatigué
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
11 3/4 x 8 7/8 in. (29.8 x 22.5 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1929
1929
1929
1900-2000, 20th century, drypoint, men, musicians
Print
lower left, below imagelower right, below imageupper left, in the plateextreme lower leftextreme lower centerextreme lower right
1959.138
item
Memorial Art Gallery
4/11/2001
59.138DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.138_A1.jpg
Print
Étude d'un Artiste
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
3 1/8 x 2 1/2 in. (7.9 x 6.4 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1925
1925
1925
1900-2000, 20th century, etchings, men, portraits
Print
lower right, below imagelower left, below imagelower right, in the plate
1959.129
item
Memorial Art Gallery
4/11/2001
59.129DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.129_A1.jpg
Print
Étude de Tete No.1
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
3 1/4 x 2 1/2 in. (8.3 x 6.4 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
from the Private Coll. (4) edition
1922
1922
1922
1900-2000, 20th century, etchings, men, portraits
Print
lower right, below imagealong extreme lower edgeupper left cornerlower left, below image
1959.93
item
Memorial Art Gallery
4/11/2001
59.93DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.93_A1.jpg
Print
Étude pour Merci
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
3 x 2 1/2 in. (7.6 x 6.4 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1922
1922
1922
1900-2000, 20th century, etchings, men, portraits
Print
lower right, below imageextreme lower left
1959.103
item
Memorial Art Gallery
4/11/2001
59.103DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.103_A1.jpg
Print
Études d'un Poete
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
5 x 4 in. (12.7 x 10.2 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1925
1925
1925
1900-2000, 20th century, authors, etchings, men, portraits
Print
lower left, below imagelower right, in the platelower right, below image
1959.94
item
Memorial Art Gallery
4/11/2001
59.94DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.94_A1.jpg
Drawing
Grock, French Vaudevillian
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
24 1/8 x 17 1/2 in. (61.3 x 44.5 cm)
.
.
.
sheet
Sanguine crayon
Sanguine crayon
1934
1934
1934
1900-2000, actors, drawing, men, portraits
Drawing
lower rightextreme lower rightverso
1959.82
item
Memorial Art Gallery
9/8/1999
59.82DI1
digital image
3/21/2002
http://127.0.0.1:5000/Media/images/59.82_A1.jpg
Print
Head Study [no.1]
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
8 x 4 15/16 in. (20.3 x 12.5 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1918
1918
1918
1900-2000, 20th century, etchings, men, portraits
Print
lower left, below imageextreme lower leftextreme lower right
1959.96
item
Memorial Art Gallery
4/11/2001
59.96DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.96_A1.jpg
Print
Little Head No. 6
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
2 7/16 x 2 in. (6.2 x 5.1 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
ca. 1938
1933
1943
1900-2000, 20th century, etchings, men, portraits
Print
lower right, below imagelower left, below imageextreme lower left lower right
1959.102
item
Memorial Art Gallery
4/11/2001
59.102DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.102_A1.jpg
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.102SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Head with Black Drape
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
5 x 4 in. (12.7 x 10.2 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1918
1918
1918
1900-2000, 20th century, etchings, men, portraits
Print
lower right, below imagealong extreme lower edgeversoverso
1959.98
item
Memorial Art Gallery
4/11/2001
59.98DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.98_A1.jpg
Print
Lancaster County Farmer
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
11 13/16 x 8 7/16 in. (30 x 21.4 cm)
.
.
.
sheet
vertical
sheet
.
.
.
plate
Printer's ink
Printer's ink
proof
1945
1945
1945
1900-2000, 20th century, drypoint, men, portraits
Print
lower right, below imagelower left, below imagealong extreme lower edge
1959.88
item
Memorial Art Gallery
9/8/1999
59.88DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.88_A1.jpg
59.88SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Le Bibliophile
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
9 15/16 x 8 in. (25.2 x 20.3 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1929
1929
1929
1900-2000, 20th century, etchings, men, portraits
Print
lower left, below imagelower center, below imagelower right, below image
1959.144
item
Memorial Art Gallery
4/11/2001
59.144DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.144_A1.jpg
Print
Le Poète (Ex Libris)
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
4 x 3 1/8 in. (10.2 x 7.9 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1924
1924
1924
1900-2000, 20th century, authors, etchings, men, portraits
Print
lower right, below imageextreme lower left lower left cornerverso
1959.117.2
item
Memorial Art Gallery
4/11/2001
59.117.2DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.117.2_A1.jpg
Print
Le Poète (Ex Libris)
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
4 x 3 1/8 in. (10.2 x 7.9 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1924
1924
1924
1900-2000, 20th century, authors, etchings, men, portraits
Print
lower left, below imageextreme lower left
1959.117.1
item
Memorial Art Gallery
4/11/2001
59.117.1DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.117.1_A1.jpg
Print
Le Poète (Ex Libris)
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
4 x 3 1/8 in. (10.2 x 7.9 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1924
1924
1924
1900-2000, 20th century, authors, etchings, men, portraits
Print
This plate was executed for Mr. and Mrs. Armitt Brown for their personal book plate. No impressions of this plate were offered for sale.
lower right, below imageupper center, in the platelower right, in the platelower left, in the plate, in the imageverso
1959.115
item
Memorial Art Gallery
4/11/2001
59.115DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.115_A1.jpg
Print
Little Head No.4
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
Heintzelman, Arthur William
United States
1891 - 1965
Male
2 1/16 x 1 3/4 in. (5.3 x 4.4 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1933
1933
1933
1900-2000, 20th century, etchings, men, portraits
Print
lower left, below imageupper right corner, in the plateextreme lower leftlower right corner
1959.107
item
Memorial Art Gallery
4/11/2001
59.107DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.107_A1.jpg
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Little Head No.5
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
2 1/2 x 2 1/16 in. (6.4 x 5.3 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1935
1935
1935
1900-2000, 20th century, etchings, men, portraits
Print
lower left, below imagelower right, below imageextreme lower leftextreme lower right
1959.121
item
Memorial Art Gallery
4/11/2001
59.121DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.121_A1.jpg
Print
Study of a Young Poet
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
1 7/8 x 1 1/2 in. (4.8 x 3.8 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1944
1944
1944
1900-2000, 20th century, etchings, men, portraits
Print
lower right, below imageextreme lower leftedge of sheet
1959.114
item
Memorial Art Gallery
4/11/2001
59.114DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.114_A1.jpg
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.114SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Study of Young Beethoven
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
2 1/4 x 1 3/4 in. (5.7 x 4.4 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1943
1943
1943
1900-2000, 20th century, etchings, men, musicians, portraits
Print
lower right, below imageextreme lower right
1959.108
item
Memorial Art Gallery
4/11/2001
59.108DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.108_A1.jpg
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.108SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Old Man in Italian Cap
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
8 7/8 x 6 7/8 in. (22.5 x 17.5 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
from the private edition of 4
1920
1920
1920
1900-2000, 20th century, etchings, men, portraits
Print
lower left, below imagelower center, below imagelower right, below imagealong extreme lower edge, partially seenright marginverso, partially visible
1959.140
item
Memorial Art Gallery
4/11/2001
59.140DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.140_A1.jpg
Print
Penseé De Beethoven
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
9 7/8 x 7 3/4 in. (25.1 x 19.7 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
From the 15 on Verdatre
1929
1929
1929
1900-2000, 20th century, drypoint, men, musicians, portraits
Print
lower right, below imagelower left, below imageupper right, in the platelower left, in the platealong lower margin
1959.130
item
Memorial Art Gallery
4/11/2001
59.130DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.130_A1.jpg
Print
Head Study [no.2]
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
6 5/8 x 5 7/8 in. (16.8 x 14.9 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1935
1935
1935
1900-2000, 20th century, etchings, men, portraits
Print
lower right, below imagelower left, below imageextreme lower left
1959.100
item
Memorial Art Gallery
4/11/2001
59.100DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.100_A1.jpg
Print
Study of Apostle No. 3
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
1 5/16 x 1 1/4 in. (3.3 x 3.2 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1935
1935
1935
1900-2000, 20th century, Apostles, etchings, men, portraits
Print
lower left, below imagelower right, below imagealong extreme lower edge
1959.118
item
Memorial Art Gallery
4/11/2001
59.118DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.118_A1.jpg
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.118SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Study of Apostle No.2
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
1 7/8 x 1 3/8 in. (4.8 x 3.5 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1935
1935
1935
1900-2000, 20th century, Apostles, etchings, men, portraits
Print
lower left, below imagelower right, below imagelower leftlower right
1959.119
item
Memorial Art Gallery
4/11/2001
59.119DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.119_A1.jpg
Print
Study of Apostle No.1
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
1 5/8 x 1 7/16 in. (4.1 x 3.7 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1935
1935
1935
1900-2000, 20th century, Apostles, etchings, men, portraits
Print
lower left, below imagelower right, below imagelower leftlower right
1959.120
item
Memorial Art Gallery
4/11/2001
59.120DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.120_A1.jpg
Print
Study of Three Apostles
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
2 x 2 1/4 in. (5.1 x 5.7 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1935
1935
1935
1900-2000, 20th century, Apostles, etchings, men, portraits
Print
lower left, below imageupper right, in the platelower right, below imageextreme lower leftextreme lower center
1959.116
item
Memorial Art Gallery
4/11/2001
59.116DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.116_A1.jpg
Print
The Artist (Self Portrait)
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
5 7/16 x 4 7/16 in. (13.8 x 11.3 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1918
1918
1918
1900-2000, 20th century, artists, etchings, men, portraits, self portraits
Print
lower left, below imagealong extreme lower edge
1959.134
item
Memorial Art Gallery
4/11/2001
59.134DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.134_A1.jpg
Print
The Balloon Man
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
Heintzelman, Arthur William
United States
1891 - 1965
Male
4 x 2 1/2 in. (10.2 x 6.4 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1915
1915
1915
1900-2000, 20th century, etchings, men, portraits
Print
lower left, below imagelower right, below imagealong extreme lower edge
1959.131
item
Memorial Art Gallery
4/11/2001
59.131DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.131_A1.jpg
Print
The Rabbi
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
5 x 3 1/16 in. (12.7 x 7.8 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1915
1915
1915
1900-2000, 20th century, etchings, men, portraits, rabbis
Print
lower left, below imageextreme lower leftversoverso, Illegible
1959.128
item
Memorial Art Gallery
4/11/2001
59.128DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.128_A1.jpg
Print
The Silent Christ
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
9 1/8 x 9 5/8 in. (23.2 x 24.4 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1932
1932
1932
1900-2000, 20th century, Christ, drypoint, men
Print
lower right, below imagelower right, below imageupper right, in the platealong extreme lower edge
1959.110
item
Memorial Art Gallery
4/11/2001
59.110DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.110_A1.jpg
Print
The Walrus
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
6 1/2 x 5 in. (16.5 x 12.7 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
From the 10 on Umbria
1919
1919
1919
1900-2000, 20th century, etchings, men, portraits
Print
lower left, below imagealong extreme lower edge
1959.123
item
Memorial Art Gallery
4/11/2001
59.123DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.123_A1.jpg
Print
Three Score and Ten
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
10 3/8 x 8 3/8 in. (26.4 x 21.3 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
From the 20 on Umbria
1919
1919
1919
1900-2000, 20th century, drypoint, etchings, men, portraits
Print
lower left, below imagelower left, in marginlower left corner and verso
1959.92
item
Memorial Art Gallery
4/11/2001
59.92DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.92_A1.jpg
Print
Type Du Quartier Latin
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
3 1/4 x 2 9/16 in. (8.3 x 6.5 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1930
1930
1930
1900-2000, 20th century, etchings, men, portraits
Print
lower left, below imagelower right, below image
1959.105
item
Memorial Art Gallery
4/11/2001
59.105DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.105_A1.jpg
Drawing
Untitled
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
22 11/16 x 18 3/4 in. (57.6 x 47.6 cm)
.
.
.
sheet
Charcoal
Charcoal
1951
1951
1951
1900-2000, 20th century, drawing, men, portraits
Drawing
lower left
1959.83
item
Memorial Art Gallery
9/8/1999
59.83DI1
digital image
3/21/2002
http://127.0.0.1:5000/Media/images/59.83_A1.jpg
Print
Valaisan
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
13 5/8 x 10 3/8 in. (34.6 x 26.4 cm)
.
.
.
vertical
sheet
.
.
.
plate
Printer's ink
Printer's ink
1935
1935
1935
1900-2000, 20th century, etchings, men, portraits
Print
lower left, below imagelower right, below imageextreme lower left
1959.85
item
Memorial Art Gallery
4/11/2001
59.85DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.85_A1.jpg
Print
Vigneron
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
12 x 9 1/2 in. (30.5 x 24.1 cm)
.
.
.
vertical
sheet
.
.
.
plate
Printer's ink
Printer's ink
1930
1930
1930
1900-2000, 20th century, etchings, men, portraits
Print
lower right, below imagelower left, below imageextreme lower left
1959.86.2
item
Memorial Art Gallery
4/11/2001
59.86.2DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.86.2_A1.jpg
Print
Vigneron
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
12 1/8 x 9 3/4 in. (30.8 x 24.8 cm)
.
.
.
vertical
sheet
.
.
.
plate
Printer's ink
Printer's ink
1933
1933
1933
1900-2000, 20th century, etchings, men, portraits
Print
lower left, below imagelower centerlower right, below imagein the margin
1959.86.1
item
Memorial Art Gallery
4/11/2001
59.86.1DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.86.1_A1.jpg
Print
Portrait of Dr. Albert Schweitzer
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
11 7/8 x 9 7/8 in. (30.2 x 25.1 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1950
1950
1950
1900-2000, 20th century, etchings, men, portraits
Print
lower right, below imagelower left, below imagelower right
1959.109
item
Memorial Art Gallery
4/11/2001
59.109DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.109_A1.jpg
Print
All in the Gay and Golden Weather
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
5 1/2 x 6 1/2 in. (14 x 16.5 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, boats, figure, leisure activities, men, rivers, women, wood engravings
Print
Published in "Appleton's Journal," June 12, 1869
lower center, in the blocklower right, in imagelower left, in image
1986.79
item
Memorial Art Gallery
9/8/1999
86.79SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.79DI1
digital image
3/26/2002
http://127.0.0.1:5000/Media/images/86.79_A1.jpg
Print
Camping Out in the Adirondack Mountains
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 1/8 x 13 7/8 in. (23.2 x 35.2 cm)
.
.
.
image
Printer's ink
Printer's ink
1874
1874
1874
1800-1900, 19th century, American art, figure, leisure activities, men, wood engravings
Print
Published in "Harper's Weekly," November 7, 1874
lower center, in the blocklower right, in image
1986.69
item
Memorial Art Gallery
9/8/1999
86.69SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.69DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.69_A1.jpg
86.69TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
25homerpaddling2.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/25homerpaddling2.tif
86.69DI#2
digital image
1/20/2006
http://127.0.0.1:5000/Media/images/86.69_A2.jpg
Print
Deer-Stalking in the Adirondacks in Winter
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
8 13/16 x 11 3/4 in. (22.4 x 29.8 cm)
.
.
.
image
Printer's ink
Printer's ink
1871
1871
1871
1800-1900, 19th century, deer, dogs, figure, leisure activities, men, winter, wood engravings
Print
Published in "Every Saturday," January 21, 1871
lower center, in the blocklower left, in image
1986.74
item
Memorial Art Gallery
9/8/1999
86.74SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.74DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.74_A1.jpg
Print
Flirting on the Sea-Shore and on the Meadow
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 1/8 x 13 5/8 in. (23.2 x 34.6 cm)
.
.
.
image
Printer's ink
Printer's ink
1874
1874
1874
1800-1900, 19th century, birds, children, figure, leisure activities, men, women, wood engravings
Print
Published in "Harper's Weekly," September 19, 1874
lower center, in the blocklower right, in image
1986.68
item
Memorial Art Gallery
9/8/1999
86.68SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.68DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.68_A1.jpg
Print
Lumbering in Winter
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
11 11/16 x 8 3/4 in. (29.7 x 22.2 cm)
.
.
.
image
Printer's ink
Printer's ink
1871
1871
1871
1800-1900, 19th century, figure, jobs & work, men, winter, wood engravings
Print
Published in "Every Saturday," January 28, 1871
lower center, in the blocklower left, in image
1986.75
item
Memorial Art Gallery
9/8/1999
86.75SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.75DI1
digital image
3/26/2002
http://127.0.0.1:5000/Media/images/86.75_A1.jpg
Print
The Army of the Potomac - A Sharp Shooter on Picket Duty
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 1/8 x 13 3/4 in. (23.2 x 34.9 cm)
.
.
.
image
Printer's ink
Printer's ink
1862
1862
1862
1800-1900, 19th century, Civil War, figure, men, wood engravings
Print
Published in "Harper's Weekly," November 15, 1862
lower center, in the blocklower right, in the block
1986.29
item
Memorial Art Gallery
9/8/1999
86.29SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.29DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.29_A1.jpg
Print
The Artist in the Country
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
6 1/4 x 6 5/8 in. (15.9 x 16.8 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, artists, figure, making art (depictions), men, women, wood engravings
Print
Published in "Appleton's Journal," June 19, 1869
lower center, in the blocklower left, in image
1986.80
item
Memorial Art Gallery
9/8/1999
86.80SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.80DI1
digital image
3/26/2002
http://127.0.0.1:5000/Media/images/86.80_A1.jpg
Print
The Fishing Party
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 x 12 11/16 in. (22.9 x 32.2 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, figure, leisure activities, men, women, wood engravings
Print
Published in "Appleton's Journal," October 2, 1869
lower center, in the blocklower left, in image, printed on rock
1986.85
item
Memorial Art Gallery
9/8/1999
86.85SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.85DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.85_A1.jpg
Print
The Georgia Delegation in Congress
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
10 3/4 x 9 1/4 in. (27.3 x 23.5 cm)
.
.
.
image
Printer's ink
Printer's ink
1861
1861
1861
1800-1900, 19th century, Civil War, figure, men, wood engravings
Print
Published in "Harper's Weekly," January 5, 1861
lower center, "See next page" in square brackets integral to captionlower left, in the block
1986.19
item
Memorial Art Gallery
9/8/1999
86.19SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.19DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.19_A1.jpg
Print
The Seceding Mississippi Delegation in Congress
After Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
10 7/8 x 8 1/16 in. (27.6 x 20.5 cm)
.
.
.
image
Printer's ink
Printer's ink
1861
1861
1861
1800-1900, 19th century, Civil War, figure, men, politics in art, wood engravings
Print
Published in "Harper's Weekly," February 2, 1861
lower center, "see next page" in square brackets is integral to captionlower left, in the block
1986.20
item
Memorial Art Gallery
9/8/1999
86.20SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.20DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.20_A1.jpg
Print
Martin Luther
Daniel Hopfer, ca. 1470 - 1536
Amman, Jost
Germany
1539 - 1591
Male
Hopfer, Daniel
Germany
ca. 1470 - 1536
Male
After
13 x 8 1/4 in. (33 x 21 cm)
.
.
.
plate
vertical
plate
.
.
.
sheet
sheet
Printer's ink
Printer's ink
1523
1523
1523
1400-1600, etchings, Lockhart Collection, Martin Luther, men, portraits, Renaissance & Baroque
Print
Reverse copy after Lucas Cranach the Elder
lower center, in the image, in the plateverso, Two initials encircled [illegible]verso
1993.7
item
Memorial Art Gallery
3/20/2001
93.7SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
93.7DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/93.7_A1.jpg
93.7DI#2
digital image
3/9/2012
http://127.0.0.1:5000/Media/images/93.7_A2.jpg
Painting
Pierre-François Bernier (1779-1803)
Jean-August-Dominique Ingres, 1780 - 1867
Ingres, Jean-August-Dominique
France
1780 - 1867
Male
18 1/4 x 15 in. (46.4 x 38.1 cm)
.
.
.
approximate installation dimensions
frame
Oil
Oil
1800
1800
1800
1800-1900, 19th century, men, paintings, portraits
Painting
back of canvas, Inscription was on back of original canvas, lost to relining (after 1911); inscription transcribed in curatorial file. Unclear if inscription is in artist's handback of stretcher, Written twiceback of stretcherback of stretcher
1955.176
item
Memorial Art Gallery
1/29/2001
55.176TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.176SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.176DI1
digital image
full
4 x 5
6/21/2002
http://127.0.0.1:5000/Media/images/55.176_A1.jpg
55.176DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.176DI3
digital image
full
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/55.176_A2.jpg
Print
Mountain Climber
Rockwell Kent, 1882 - 1971
Kent, Rockwell
United States
1882 - 1971
Male
13 11/16 x 11 3/16 in. (34.8 x 28.4 cm)
.
.
.
sheet
sheet
.
.
.
block
image
Printer's ink
Printer's ink
1933
1933
1933
1900-2000, 20th century, leisure activities, men, wood engravings
Print
lower rightlower right corner
Plattsburgh State Art Museum
1933.18
item
Memorial Art Gallery
9/8/1999
33.18SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
33.18DI1
digital image
1/16/2002
http://127.0.0.1:5000/Media/images/33.18_A1.jpg
33.18DI#2
digital image
8/26/2010
http://127.0.0.1:5000/Media/images/33.18_A2.jpg
Painting
John Ashbery
Elaine de Kooning, 1920 - 1989
Kooning, Elaine de
United States
1920 - 1989
Female
34 x 30 in. (86.4 x 76.2 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1975
1975
1975
1900-2000, 20th century, authors, men, paintings, portraits
Painting
The poet John Ashbery and the painter Elaine de Kooning were both members of a group of innovative New York artists that included Jackson Pollock, Mark Rothko, and de Kooning’s husband Willem. Like those of her contemporaries, de Kooning’s aesthetic interests had shifted from traditional representational styles toward the radically new artistic development of Abstract Expressionism. However, the human—and particularly the male—figure still intrigued her; during the 1970s she painted several portraits of friends, including this one of Ashbery.
[Forman Gallery, Summer 2015]
Elaine de Kooning
1999.3
item
Memorial Art Gallery
10/15/1999
99.3SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
99.3TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
99.3DI1
digital image
Memorial Art Gallery
Imaging Complete
3/13/2002
http://127.0.0.1:5000/Media/images/99.3_A1.jpg
99.3DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Drawing
Standing Male Figure
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
18 3/4 x 11 15/16 in. (47.7 x 30.3 cm)
.
.
.
sheet
sheet
Graphite
Graphite
1930
1930
1930
1900-2000, 20th century, drawing, men, nudes
Drawing
lower right
Marie P. Charles
1951.332
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.332DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/51.332_A1.jpg
51.332DI#2
digital image
8/26/2008
http://127.0.0.1:5000/Media/images/51.332_A2.jpg
Drawing
Untitled (male nude)
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
19 7/8 x 14 1/2 in. (50.5 x 36.8 cm)
.
.
.
sheet
sheet
Graphite
Graphite
1931
1931
1931
1900-2000, 20th century, drawing, men, nudes
Drawing
Marie P. Charles
1997.13
item
Memorial Art Gallery
9/8/1999
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
97.13DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.13_A1.jpg
97.13DI#2
digital image
8/26/2008
http://127.0.0.1:5000/Media/images/97.13_A2.jpg
Painting
Admiral Frank Sotheron (1765-1839)
Sir Thomas Lawrence, (Bristol, England, 1769 - 1830, London)
Lawrence, Thomas
England
1769 - 1830
Male
49 1/2 x 39 in. (125.7 x 99.1 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1809
1809
1809
1800-1900, 19th century, George Eastman Collection, men, paintings, portraits, uniforms
Painting
1978.3
item
Memorial Art Gallery
11/3/2000
78.3SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
78.3DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/78.3_A1.jpg
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/78.3_I1.jpg
Drawing
Coachman
Attributed to George Luks, 1867 - 1933
Luks, George
United States
1867 - 1933
Male
10 3/16 x 7 7/8 in. (25.9 x 20 cm)
.
.
.
without frame
Charcoal
Charcoal
ca. 1900
1895
1905
1800-1900, 1900-2000, 20th century, drawing, men, portraits
Drawing
upper left, Gallery label affixed to backing board that has been removed and placed in the object file.upper left, Label with hand-writing on backing board that has been removed and kept in object file.upper right, Label with type-written name on backing board that was removed and placed in object file.upper right, Name written in green ink on backing board which was removed and placed in file.upper right, Gallery label on backing board that was removed and placed in object file.upper right, Name written in pencil below gallery label on backing board which has been removed and placed in the object file.
1996.46
item
Memorial Art Gallery
9/8/1999
96.46SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
96.46DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/96.46_A1.jpg
Painting
London Bus Driver
Cabby or London Cabby
George Luks, 1867 - 1933
Luks, George
United States
1867 - 1933
Male
27 x 22 in. (68.6 x 55.9 cm)
.
.
.
without frame
Oil
Oil
1889
1889
1889
1800-1900, 19th century, Ashcan School and friends, Encyclopedia Britannica Collection, men, paintings, portraits
Painting
Luks, like Glackens, was originally from Philadelphia and moved to New York City in 1896. He was one of The Eight who exhibited together at Macbeth Gallery in 1908, and his painting of a boy with dice reflects his interest in depicting aspects of life in the lower classes. Here, a boy who looks to be no more than ten is smoking, more than likely earning his own living as a shoeshine boy, and supplementing his income by gambling.
The painting, inscribed To Elizabeth, was given by the artist to his student, Elizabeth Olds, who studied with him at the Art Students League in New York City. Elizabeth Olds was an accomplished printmaker and, like her teacher, believed in the importance of art for all people, not just the upper classes.
[Gallery label text]
lower leftverso
1951.9
item
Memorial Art Gallery
9/8/1999
51.9TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.9SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.9DI1
digital image
Memorial Art Gallery
Imaging complete
7/13/2000
http://127.0.0.1:5000/Media/images/51.9_A1.jpg
51.9SL2
slide
detail of flower
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.9TR2
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/51.9_A2.jpg
51.9DI#3
digital image
Detail
6/11/2009
http://127.0.0.1:5000/Media/images/51.9_A3.jpg
Drawing
The Ticker
George Luks, 1867 - 1933
Luks, George
United States
1867 - 1933
Male
14 3/4 x 11 1/2 in. (37.5 x 29.2 cm)
.
.
.
sheet
Ink
Ink
ca. 1895
1890
1900
1800-1900, 19th century, drawing, men
Drawing
lower right
1948.24
item
Memorial Art Gallery
9/8/1999
48.24SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.24DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.24_A1.jpg
Painting
Charles 1er de Cossé, Comte de Brissac
Corneille de Lyon, (The Hague, Netherlands, ca. 1500 - 1575, Lyon, France)
Corneille de Lyon
Netherlands
ca. 1500 - 1575
Male
6 1/4 x 5 in. (15.9 x 12.7 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1530
1525
1535
1400-1600, men, paintings, portraits, Renaissance & Baroque
Painting
back of frame, Printed and handwritten. Modern label.back of frameback of frameback of frameback of frameback of frame
1947.1
item
Memorial Art Gallery
5/23/2000
47.1SL1
slide
full w frame
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
47.1DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/47.1_A1.jpg
47.1DI#2
digital image
6/22/2010
http://127.0.0.1:5000/Media/images/47.1_A2.jpg
47.1DI#3
digital image
8/17/2010
http://127.0.0.1:5000/Media/images/Inventory pictures/47.1_I1.JPG
Painting
New Orleans Man
Robert Lee MacCameron, (Chicago, IL, 1866 - 1912, New York, NY)
MacCameron, Robert Lee
United States
1866 - 1912
Male
22 x 18 in. (55.9 x 45.7 cm)
.
.
.
approximate installation dimensions
frame
Oil
Oil
0
0
1900-2000, 20th century, Images of Black People, men, paintings, portraits
Painting
Robert Lee MacCameron was celebrated in Europe and the United States for his insightful portraits. He moved to London in 1888, where he worked as an illustrator, before going to Paris to study at the École des Beaux-Arts. There, he studied with the major artists of the day, including Jean-Léon Gérôme and James McNeil Whistler. His portrait commissions ranged from European nobility to prominent American politicians, including Presidents McKinley and Taft. In addition, MacCameron painted scenes and portraits of the diverse ethnic mix that populated American cities at the turn of the century.
[Forman Gallery, Summer 2015]
1914.4
item
Memorial Art Gallery
9/8/1999
14.4TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
14.4SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
14.4DI1
digital image
Memorial Art Gallery
Imaging complete
4 x 5
10/30/2001
http://127.0.0.1:5000/Media/images/14.4_A1.jpg
14.4DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Sculpture
Nathan Hale (1755 - 1776)
Frederick W. MacMonnies, 1863 - 1937
MacMonnies, Frederick W.
United States
1863 - 1937
Male
28 3/8 x 9 1/2 x 5 13/16 in. (72.1 x 24.1 x 14.8 cm)
.
.
.
overall
Bronze
Bronze
1890
1890
1890
1800-1900, 19th century, men, portraits, Revolutionary War, sculpture
Sculpture
In the final decades of the nineteenth century, representations of the American Revolution and its heroes were romanticized. Here, Frederick MacMonnies depicts doomed patriot Nathan Hale (1755 – 1776) moments before his execution by the British as punishment for spying. Hale’s ruffled shirt hangs dramatically open, framing and exposing his bare chest and neck, soon to hold the hangman’s noose. With his arms tied back at the elbow, Hale’s hands are left free to gesture as he uttered his famous last words, “I regret that I have but one life to give for my country.”
[Gallery label text, 2010]
right side of basetop of base, on left
1986.4
item
Memorial Art Gallery
9/8/1999
86.4TR1
Transparency
Memorial Art Gallery
3/4 view
2 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.4SL2
slide
back view
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.4SL1
slide
3/4 view
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.4DI1
digital image
Memorial Art Gallery
3/4 view
Imaging complete
2/2/2001
http://127.0.0.1:5000/Media/images/86.4_A1.jpg
86.4SL3
slide
profile full length
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.4_A2.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/86.4_A2.jpg
24macmonnies2.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/24macmonnies2.tif
24macmoonies1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/24macmoonies1.tif
24macmoonies1(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/24macmoonies1(10).tif
86.4_P1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Portrait of a Gentleman
Nicolaes Maes, (Dordrecht, Netherlands, 1634 – 1693, Amsterdam)
Maes, Nicolaes
Netherlands
1634 - 1693
Male
47 x 38 1/2 in. (119.4 x 97.8 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1670
1665
1675
1600-1800, 17th century, men, paintings, portraits
Painting
lower leftback of frame
1955.77
item
Memorial Art Gallery
1/22/2001
55.77SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.77D1
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/55.77_A1.jpg
55.77DI2
digital image
detail
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/55.77_A2.jpg
55.77DI3
digital image
detail
2 x 2
6/20/2002
http://127.0.0.1:5000/Media/images/55.77_A3.jpg
55.77SL2
slide
deatil-right hand close up
2x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.77SL3
slide
detail - right hand
2x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.77DI4
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.77DI#5
digital image
3/5/2024
http://127.0.0.1:5000/Media/images/55.77_A4.jpg
Drawing
The End of the Workday (La fin de la journée)
Jean François Millet, 1814 - 1875
Millet, Jean François
France
1814 - 1875
Male
29 1/4 x 37 x 3/4 in. (74.3 x 94 x 1.9 cm)
.
.
.
overall
sheet
.
.
.
overall
frame
Pastel
Pastel
1865-1870
1865
1870
1800-1900, 19th century, drawing, genre scenes, George Eastman Collection, jobs & work, landscapes, men
Drawing
On one of their many long, evening walks, Millet said to his brother Pierre: “It is astonishing toward the approach of night, how grand everything on the plain appears, especially when we see figures thrown out against the sky. Then they look like giants.”
The End of the Workday showcases Millet’s fascination with the hour of twilight, which moved him by its power to transform human and other natural forms into strange shapes, evocative of dreams. The pastel, which shows a peasant silhouetted against the fading sky, putting on his jacket after a day of labor, is classic Millet. Best known as a painter of peasants, a politically and socially complex subject matter in France of the 1800s, his scenes of rural life focused on the human figure as much if not more than the landscape.
[Label text from It Came From the Vault exhibition, 2013]
lower right
1936.74
item
Memorial Art Gallery
4/24/2001
36.74TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
36.74SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
36.74DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/36.74_A1.jpg
36.74DI#2
digital image
11/28/2012
http://127.0.0.1:5000/Media/images/36.74_A2.jpg
Print
Sir Henry Irving
William Nicholson, (Newark-on-Trent, England, 1872 - 1949, Blewbury, England)
Nicholson, William
England
1872 - 1949
Male
10 3/8 x 9 7/8 in. (26.4 x 25.1 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1897
1897
1897
actors, European art, important MAG collections, men, wood engravings
Print
upper left, in the platelower center, in the plate
1948.36
item
Memorial Art Gallery
2/3/2001
48.36SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.36DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.36_A1.jpg
Ceramics
Portrait Bust of a Man
Attributed to Vincenzo Onofri, active 1493-1594
Onofri, Vincenzo
Italy
Male
16 1/4 x 18 1/2 x 9 1/4 in. (41.3 x 47 x 23.5 cm)
.
.
.
overall
without base
Terracotta
Terracotta
late 15th Century - early 16th Century
1467
1532
1400-1600, busts, men, portraits, Renaissance & Baroque, sculpture
Ceramics
1968.4
item
Memorial Art Gallery
3/13/2001
68.4SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.4D1
digital image
full
2 x 2
6/20/2002
http://127.0.0.1:5000/Media/images/68.4_A1.jpg
68.4DI#2
digital image
12/12/2012
http://127.0.0.1:5000/Media/images/68.4_A2.jpg
68.4DI#3
digital image
Three-quarter
12/12/2012
http://127.0.0.1:5000/Media/images/68.4_A3.jpg
Painting
Portrait of a Man Holding the Frontispiece to Dürer's "Small Passion"
Pietro Paolini, 1603 - 1681/1682
Paolini, Pietro
Italy
1603 - 1681-1682
Male
49 3/4 x 40 3/4 in. (126.4 x 103.5 cm)
.
.
.
Oil
Oil
1633-1637
1633
1637
1600-1800, 17th century, men, paintings, portraits
Painting
back of stretcherback of stretcherback of frameback of stretcherback of stretcherback of stretcherback of stretcherback of stretcher
1977.103
item
Memorial Art Gallery
1/22/2001
77.103TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.103SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.103DI1
digital image
full
4 x 5
6/14/2002
http://127.0.0.1:5000/Media/images/77.103_A1.jpg
77.103DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.103DI3
digital image
full
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/77.103_A2.jpg
77.103SL2
slide
detail of hand w Durer
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.103DI#3
digital image
7/10/2012
http://127.0.0.1:5000/Media/images/77.103_A3.jpg
Watercolor
John Beale Bordley (1727-1804)
Charles Willson Peale, 1741 - 1827
Peale, Charles Willson
United States
1741 - 1827
Male
1 5/16 x 1 1/8 in. (3.3 x 2.9 cm)
.
.
.
without frame
Watercolor
Watercolor
1776
1776
1776
1600-1800, 18th century, American art, Colonial, men, portraits, watercolors
Watercolor
Bordley was a childhood friend of Peale and an early patron.
1991.95
item
Memorial Art Gallery
9/8/1999
91.95TR1
Transparency
Memorial Art Gallery
2 1/4 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.95SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
w color overlay
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.95DI1
digital image
Memorial Art Gallery
Imaging complete
8/3/2000
http://127.0.0.1:5000/Media/images/91.95_A1.jpg
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Nathaniel Hurd
William S. Pendleton, 1795 - 1879
Pendleton, William S.
United States
1795 - 1879
Male
8 3/4 x 5 7/16 in. (22.2 x 13.8 cm)
.
.
.
sheet
Printer's ink
Printer's ink
ca. 1832
1827
1837
1800-1900, 19th century, artist portraits, artists, lithographs, men
Print
Published as the frontispiece in volume 3 of New-England Magazine, July-December 1832
below imageverso
1998.47
item
Memorial Art Gallery
3/23/2000
98.47SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.47DI1
digital image
7/3/2002
http://127.0.0.1:5000/Media/images/98.47_A1.jpg
98.47DI#2
digital image
2/17/2010
http://127.0.0.1:5000/Media/images/98.47_A2.jpg
Painting
Man in a Ruffled Collar
Pieter Jansz. Pourbus, 1510 - 1584
Pourbus, Pieter Jansz.
Flanders
1510 - 1584
Male
16 3/4 x 13 3/4 in. (42.5 x 34.9 cm)
.
.
.
Oil
Oil
0
0
1400-1600, men, paintings, portraits, Renaissance & Baroque
Painting
1979.69
item
Memorial Art Gallery
2/20/2001
79.69SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.69D1
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/79.69_A1.jpg
79.69DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.69DI#3
digital image
7/7/2015
http://127.0.0.1:5000/Media/images/79.69_A2.jpg
Painting
Captain John Barry
Attributed to Matthew Pratt, 1734 - 1805
Pratt, Matthew
United States
1734 - 1805
Male
29 3/4 x 25 in. (75.6 x 63.5 cm)
.
.
.
without frame
Oil
Oil
1776
1776
1776
1600-1800, 18th century, Colonial, men, paintings, portraits, Revolutionary War
Painting
verso, attached to canvasrecto, attached to frame
1981.22
item
Memorial Art Gallery
9/8/1999
81.22TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
81.22SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
81.22DI1
digital image
Memorial Art Gallery
Imaging complete
7/13/2000
http://127.0.0.1:5000/Media/images/81.22_A1.jpg
81.22DI2
digital image
Memorial Art Gallery
Imaging complete
7/13/2000
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Lieutenant-Colonel Hay MacDowell
Sir Henry Raeburn, (Edinburgh, Scotland, 1756 – 1823, Edinburgh, Scotland)
Raeburn, Henry
Scotland
1756 - 1823
Male
93 x 58 in. (236.2 x 147.3 cm)
.
.
.
Oil
Oil
ca. 1795
1790
1800
1800-1900, 19th century, George Eastman Collection, men, military, paintings, portraits, uniforms
Painting
Raeburn may have made this painting to commemorate General Hay MacDowell’s 1795 departure from the 57th Regiment of Foot, with which he had served for five years. He would go on to be named commander of the British forces in Madras, India.
The low perspective of the life-sized canvas elevates MacDowell to the status of a hero, while the vivid colors provide animation to an otherwise-static pose. The use of these simple devices to create a monumental effect helps to explain why Raeburn, who had no formal training as an artist, was the preeminent portraitist in Scotland in the late 1700s and early 1800s.
[Gallery label text, 2008]
1968.102
item
Memorial Art Gallery
11/3/2000
68.102TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.102SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.102TR2
transparency
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.102DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/68.102_A1.jpg
68.102DI#2
digital image
6/4/2012
http://127.0.0.1:5000/Media/images/68.102_A2.jpg
Painting
Portrait of a Man
Attributed to Jan van Ravesteyn, (Hague, Netherlands, 1570 - 1657, Hague, Netherlands)
Ravesteyn, Jan van
Netherlands
1570 - 1657
Male
48 1/8 x 35 5/8 in. (122.2 x 90.5 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
1632
1632
1632
1600-1800, 17th century, men, paintings, portraits
Painting
lower leftcradleback of frameback of frameback of frameback of frame
1966.13
item
Memorial Art Gallery
1/30/2001
66.13SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
66.13D1
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/66.13_A1.jpg
66.13DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
66.13DI#3
digital image
3/5/2024
http://127.0.0.1:5000/Media/images/66.13_A2.jpg
Sculpture
The Broncho Buster
Frederic Remington, 1861 - 1909
Remington, Frederic
United States
1861 - 1909
Male
22 1/2 x 20 in. (57.2 x 50.8 cm)
.
.
.
overall
Bronze
Bronze
1895
1895
1895
1800-1900, 19th century, horses, men, sculpture
Sculpture
on base, right frontside of base, reartop of base, rearunderneath base
1955.3
item
Memorial Art Gallery
9/8/1999
55.3TR1
Transparency
Memorial Art Gallery
Side
2 1/4 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.3SL1
slide
full-3/4 right side
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.3DI1
digital image
Memorial Art Gallery
Side
Imaging complete
8/28/2000
http://127.0.0.1:5000/Media/images/55.3_A1.jpg
M425_p123.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p123.tif
55.3D2
digital image
Side
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/55.3_I1.JPG
Print
Portrait of Cezanne
Pierre Auguste Renoir, (Limoges, France, 1841 - 1919, Cagnes-sur-Mer, France)
Renoir, Pierre Auguste
France
1841 - 1919
Male
22 7/16 x 18 3/8 in. (57 x 46.6 cm)
.
.
.
sheet
sheet
.
.
.
image
image
Printer's ink
Printer's ink
1902
1902
1902
1900-2000, 20th century, artist portraits, artists, lithographs, men, portraits
Print
lower right, in the stone
1999.51
item
Memorial Art Gallery
1/4/2001
99.51SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
99.51DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/99.51_A1.jpg
99.51DI#2
digital image
3/17/2016
http://127.0.0.1:5000/Media/images/99.51_A2.jpg
Painting
Charles Gaspard Guillaume de Vintimille du Luc, Archbishop of Paris (1656-1746)
Hyacinthe Rigaud, (Perpignan, France, 1659 - 1743, Paris)
Rigaud, Hyacinthe
France
1659 - 1743
Male
61 7/8 x 52 3/4 in. (157.2 x 134 cm)
.
.
.
Oil
Oil
1731
1731
1731
1600-1800, 18th century, church officials, men, paintings, portraits
Painting
Next to the King, the archbishop of Paris was one of the most powerful men in France, and he surrounded himself with only the finest quality. Rigaud was the leading French portraitist of the early eighteenth century, often painting kings and royal families. His account book reveals that Archbishop Vintimille du Luc paid 3,000 livres (the French currency of the time) for this masterful likeness. The painting documents the archbishop's character and stature. The mild expression admirably suggests the conciliatory nature that made Vintimille du Luc famous for his diplomatic skills. Writing materials close at hand and a vest library in the background allude to his scholarly attainments and his work. His sumptuous attire, the exquisite workmanship of his desk and chair, and the theatrical backdrop of cloth are calculated to impress the viewer with the archbishop's power and wealth.
[Gallery label text, 2008]
1968.1
item
Memorial Art Gallery
1/25/2001
separations
6 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.1TR1
transparency
before conservation
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.1SL1
slide
full- before conservation
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full before conservation
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full w frame before conservation
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full before conservation
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.1SL2
slide
detail- lace before conservation
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.1SL3
slide
detail- eye before conservation
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.1DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/68.1_A2.jpg
68.1TR2
transparency
full after conservation
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.1SL4
slide
full after conservation
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.1DI6
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/68.1_A1.jpg
68.1DI7
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.1DI3
digital image
with frame- before conservation
00/00/00
http://127.0.0.1:5000/Media/images/68.1_A3.jpg
Painting
Portrait of a Young Man in an Armchair
Rembrandt Harmensz. van Rijn, (Leiden, 1606 - 1669, Amsterdam)
Rijn, Rembrandt Harmensz. van
Netherlands
1606 - 1669
Male
41 x 33 1/2 in. (104.1 x 85.1 cm)
.
.
.
.
.
.
overall framed size
vertical
frame
Oil
Oil
ca. 1660
1655
1665
1600-1800, 17th century, George Eastman Collection, men, paintings, portraits
Painting
1968.98
item
Memorial Art Gallery
1/22/2001
68.98TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.98SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2.5 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
2.5 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
3.75 x 4.75
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
detail of hands
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
detail of hands
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
detail of face
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
detail of face
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.98DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/68.98_A1.jpg
68.98SL2
slide
detail- head
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.98SL3
slide
detail- hands
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Color separations
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.98DI#2
digital image
9/20/2010
http://127.0.0.1:5000/Media/images/68.98_A2.jpg
68.98DI#3
digital image
Detail
9/20/2010
http://127.0.0.1:5000/Media/images/68.98_A3.jpg
68.98DI#4
digital image
Detail
9/20/2010
http://127.0.0.1:5000/Media/images/68.98_A4.jpg
68.98DI#5
digital image
9/20/2010
http://127.0.0.1:5000/Media/images/68.98_A5.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/68.98_R1.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Sculpture
Study for "Balzac"
Auguste Rodin, (Paris, 1840 - 1917, Meudon, France)
Rodin, Auguste
France
1840 - 1917
Male
16 in. (40.6 cm)
.
.
.
.
.
.
Bronze
Bronze
1891-1892
1891
1892
European art, men, nudes, sculpture
Sculpture
1955.14
item
Memorial Art Gallery
1/17/2001
55.14SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.14SL2
slide
detail-head
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.14DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/55.14_A1.jpg
55.14DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.14DI#3
digital image
Detail
6/11/2009
http://127.0.0.1:5000/Media/images/55.14_A2.jpg
55.14DI#3
digital image
11/15/2011
http://127.0.0.1:5000/Media/images/55.14_A3.jpg
55.14DI#4
digital image
11/15/2011
http://127.0.0.1:5000/Media/images/55.14_A4.jpg
Painting
James Clitherow (1766-1841)
George Romney, (Dalton-in-Furness, England, 1734 - 1802, Kendal, England)
Romney, George
England
1734 - 1802
Male
30 x 25 in. (76.2 x 63.5 cm)
.
.
.
Oil
Oil
1784
1784
1784
1600-1800, 18th century, George Eastman Collection, men, paintings, portraits
Painting
Romney must have been well acquainted with James Clitherow as a young man: he made two portraits of him, as well as a replica, all within a span of a year. Clitherow, who had recently graduated from Oxford at the time this portrait was made, appears thoughtful and composed, demonstrating his erudition by holding a book. Newspaper accounts describe the portrait as having been painted for a price of just over £20.
Romney directs the viewer’s focus by sketching Clitherow’s hands and stock, or neckcloth, only loosely; he concentrates instead on the details of the head, coat, and chair.
[Gallery label text, 2008]
back of original canvas, In the artist's hand? On original canvas, lost to relining November 1978. See photo of inscription in Surrogates for this record
1976.24
item
Memorial Art Gallery
11/3/2000
76.24TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
76.24SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
76.24DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/76.24_A1.jpg
76.24DI2
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/76.24_A2.jpg
76.24DI#3
digital image
10/20/2014
http://127.0.0.1:5000/Media/images/76.24_A3.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
The Reconciliation of King Henry III and Henry of Navarre
Peter Paul Rubens, 1577 - 1640
Rubens, Peter Paul
Flanders
1577 - 1640
Male
9 3/8 x 7 5/8 in. (23.8 x 19.4 cm)
.
.
.
.
.
.
frame
Oil
Oil
1628
1628
1628
1600-1800, 17th century, men, paintings, world history
Painting
In 1622 Marie de' Medici commissioned from the internationally famous painter Rubens two series of enormous paintings to decorate the Luxembourg Palace in Paris, where she then lived. The first series, now in the Louvre, told her own life story. The second was to tell the life of her husband Henry IV, but was never completed, and most of the scenes are known only from painted sketches like this one. The event here is a 1589 meeting between King Henry III of France (Catherine de' Medici's youngest son) and King Henry of Navarre, the future King Henry IV of France.
Henry III had no heirs, and a rival faction of French nobles who wanted to usurp his throne had taken over Paris. His cousin Henry of Navarre, although Protestant and excommunicated by the Pope, was the rightful heir. At the meeting portrayed here, Henry III promised to declare Henry of Navarre his heir, if the famous warrior king would help him to recapture Paris. To symbolize the agreement, Rubens shows the two kings clasping hands around the royal French scepter and a figure behind them holding an insignia of two clasped hands. A few months later, Henry III was stabbed by an assassin. On his deathbed, he made Henry IV promise to convert to Catholicism. Henry IV's famous comment was "Paris is well worth a mass" ("Paris vaut vien une messe").
[Gallery label text, 1996]
, Removed from back of work or frame; now in curatorial file (8/07), Removed from back of work or frame; now in curatorial file (8/07)back of frameback of frameback of panel, Probably title page from the 1819 exhibition catalogueback of panelback of panelback of panel, Long text in French, describing the painting and the event depictedback of panel, Circular stamp, illegible-- possibly export stamp?back of panel, Small label with stamped blue circle; label is perforated vertically and horizontally at center
1944.24
item
Memorial Art Gallery
1/22/2001
44.24SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
1x1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.24DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/44.24_A1.jpg
44.24SL2
slide
detail, upper half
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.24SL3
slide
detail- dog
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.24DI2
digital image
verso
00/00/00
http://127.0.0.1:5000/Media/images/44.24_A2.jpg
44.24DI#3
digital image
3/25/2008
http://127.0.0.1:5000/Media/images/44.24_A3.jpg
44.24TR1
transparency
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Home Late
Mortimer Smith, 1840 - 1896
Smith, Mortimer
United States
1840 - 1896
Male
40 x 46 in. (101.6 x 116.8 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
without frame
Oil
Oil
1866
1866
1866
1800-1900, 19th century, children, families, genre scenes, home life, men, paintings, weather & water
Painting
Home Late is the earliest identified painting by Mortimer Smith. The shadowy interior of the frontier cabin demonstrates his mastery of the genre scene: the rifle hanging from the ceiling side by side with drying meats and vegetables, supper cooking in the kettle suspended in the stone fireplace, and the dog sleeping peacefully by the fire. Smith is equally adept at capturing the warm glow cast by the fire as it contrasts with the cold light of the winter scene beyond the doorway. The child pausing in the doorway heightens the emotional ambiguity of the scene as he surveys the cabin's interior, perhaps to gauge the mood within as he returns home late from skating.
Smith's landscape and genre scenes suggest familiarity with his better-known contemporaries, like Albert Bierstadt and Eastman Johnson. Certainly, early exposure to the work exhibited at the Cosmopolitan Art Association in Sandusky provided Smith with models of painting styles that continued to influence him throughout his life.
[Gallery label text]
lower left
1975.139
item
Memorial Art Gallery
9/8/1999
75.139TR1
Transparency
Memorial Art Gallery
pink
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.139SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.139DI1
digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/75.139_A1.jpg
M425_p90(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p90(10).tif
M425_p90.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p90.tif
cmyk
digital image
00/00/00
http://127.0.0.1:5000/Media/images/75.139_A2.jpg
75.139DI#5
digital image
11/18/2019
http://127.0.0.1:5000/Media/images/75.139_A3.jpg
Drawing
Adna Byron Smith (1848-1936)
Virginia Jeffrey Smith, 1886 - 1987
Smith, Virginia Jeffrey
United States
1886 - 1987
Female
8 x 6 in. (20.3 x 15.2 cm)
.
.
.
Graphite
Graphite
ca. 1910
1905
1915
1900-2000, 20th century, by Rochester artists, drawing, men, portraits
Drawing
1987.55
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.55DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.55_A1.jpg
87.55DI#2
digital image
12/7/2010
http://127.0.0.1:5000/Media/images/87.55_A2.jpg
Print
Self-Portrait
Raphael Soyer, (Borisoglebsk (Tamblov Oblast), Russia, 1899 - 1987, New York, NY)
Soyer, Raphael
United States
1899 - 1987
Male
14 15/16 x 11 in. (38 x 28 cm)
.
.
.
overall sheet
sheet
.
.
.
plate
image
Printer's ink
Printer's ink
1963
1963
1963
1900-2000, 20th century, artists, Charles Rand Penney Collection, etchings, men, portraits, Realism, self portraits
Print
Joy Weber
1975.304
item
Memorial Art Gallery
9/8/1999
75.304SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.304DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/75.304_A1.jpg
75.304DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.304DI#3
digital image
full
4/5/2006
http://127.0.0.1:5000/Media/images/75.304_A2.jpg
Painting
Clarence J. McCarthy (1887 - 1953)
Eugene Speicher, 1883 - 1962
Speicher, Eugene
United States
1883 - 1962
Male
36 x 30 in. (91.4 x 76.2 cm)
.
.
.
without frame
Oil
Oil
ca. 1907
1902
1912
1900-2000, 20th century, artist portraits, artists, men, paintings
Painting
Throughout history, artists have painted portraits of their friends, including friends who are often artists themselves. The young man in this portrait, Clarence J. McCarthy, met the artist Eugene Speicher while both were studying at the Albright Art School in their native Buffalo. The two also studied together at New York City’s Art Students League with the influential teacher Robert Henri. Speicher became an important portrait painter, and McCarthy, a significant illustrator.
[Forman Gallery, Summer 2015]
lower left
1982.51
item
Memorial Art Gallery
9/8/1999
82.51TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
82.51SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
82.51DI1
digital image
Memorial Art Gallery
Imaging complete
7/13/2000
http://127.0.0.1:5000/Media/images/82.51_A1.jpg
Painting
Russell Sturgis (1750 - 1826)
Gilbert Stuart, (Saunderstown RI, 1757 - 1828, Boston)
Stuart, Gilbert
United States
1757 - 1828
Male
28 3/4 x 24 1/8 in. (73 x 61.3 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
without frame
Oil
Oil
ca. 1806
1801
1811
1800-1900, 19th century, artist portraits, artists, men, paintings, portraits
Painting
Gilbert Stuart was known for his portraits of George Washington – including the one on the dollar bill.
[Gallery label text, 2007]
1941.34
item
Memorial Art Gallery
9/8/1999
41.34TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
41.34SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
41.34DI1
digital image
Memorial Art Gallery
Imaging complete
7/10/2000
http://127.0.0.1:5000/Media/images/41.34_A1.jpg
41.34SL2
slide
xray of damage
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Tavern Scene
David Teniers the Younger, (Antwerp, 1610 - 1690, Brussels)
Teniers the Younger, David
Flanders
1610 - 1690
Male
18 3/8 x 24 in. (46.7 x 61 cm)
.
.
.
.
.
.
.
.
.
overall framed size
horizontal
frame
Oil
Oil
1680
1680
1680
1600-1800, 17th century, dogs, genre scenes, leisure activities, men, paintings
Painting
The son-in-law of Jan Brueghel and a friend of Peter Paul Rubens, Teniers achieved success in Antwerp and then moved to Brussels, where he served as court painter to the archduke Leopold Wilhelm and later to Don Juan of Austria. Tavern Scene is one of numerous genre paintings in which rustics carouse, uninhibited by notions of propriety or temperance. Such subjects frequently served a moralizing purpose, indicated here by the drawing tacked to the wall above the laughing drunkard. The bird flanked by eyeglasses and candlestick may illustrate the proverb, “What use candle and spectacles if the owl cannot and will not see?”
[Gallery label text]
lower left
1955.70
item
Memorial Art Gallery
1/22/2001
55.70TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.70SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.70SL2
slide
detail- dog
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.70DI1
digital image
Memorial Art Gallery
Imaging complete
4 x 5
10/30/2001
http://127.0.0.1:5000/Media/images/55.70_A1.jpg
55.70SL3
slide
detail-bkground right
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.70SL4
slide
detail bkground left
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.70DI#2
digital image
Detail
6/11/2009
http://127.0.0.1:5000/Media/images/55.70_A2.jpg
Painting
Portrait of a Venetian Patrician
Jacopo Robusti Tintoretto, (Venice, 1518 - 1594, Venice)
Tintoretto, Domenico
Italy
1560 - 1635
Male
Alternate
Tintoretto, Jacopo Robusti
Italy
1518 - 1594
Male
Alternate
44 3/4 x 35 in. (113.7 x 88.9 cm)
.
.
.
Oil
Oil
16th Century
1500
1599
1400-1600, George Eastman Collection, men, paintings, portraits, Renaissance & Baroque
Painting
back of frame, Printed and handwrittenback of frameback of frameback of frameback of frameback of frame, Red ink. Label of a French packer/shipper, mostly illeg.
1968.97
item
Memorial Art Gallery
3/3/2001
68.97SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.97SL3
slide
detail base
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2.25 x 2.25
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
2.25 x 2.25
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.97TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.97DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/68.97_A1.jpg
68.97SL2
slide
detail- hands
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.97SL4
slide
detail- fur on sleeve
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.97DI2
digital image
Detail
6/16/2009
http://127.0.0.1:5000/Media/images/68.97_A2.jpg
68.97DI3
digital image
Detail
6/16/2009
http://127.0.0.1:5000/Media/images/68.97_A3.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Sculpture
Male Attendant
Chinese artist
Chinese artist
China
Primary
14 in. (35.6 cm)
.
.
.
Terracotta
Terracotta
0
0
500-1000, Chinese, male figures, men
Sculpture
1930.28
item
Memorial Art Gallery
1/30/2001
30.28SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.28DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/30.28_A1.jpg
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Sculpture
King Ny-user-ra
Egyptian artist
Egyptian artist
Egypt
Primary
32 1/8 x 9 3/8 x 15 3/8 in. (81.6 x 23.8 x 39.1 cm)
.
.
.
upper half
.
.
.
overall
overall
Granite
Granite
ca. 2390 BCE-2360 BCE
2390 BCE
2360 BCE
Before 2000 BCE, Egyptian, Egyptian rulers, men, sculpture, statues
Sculpture
This figure of King Ny-user-ra wears a royal striped linen headdress and carries a mace—a symbol of power—in his right hand. His name means “the one who belongs to the god Ra.” Ra, one of the earliest and most powerful Egyptian gods, was associated with the sun. The sculpture was probably buried in the King’s tomb to serve as the repository for Ny-user-ra’s ka, or life force.
[Gallery label text, 2009]
The Memorial Art Gallery’s bust of an Egyptian king of the Old Kingdom was unidentified until Bernard Bothmer, a prominent Egyptologist, realized that the Gallery’s sculpture matched the lower part of a statue in the Museum of Egyptian Antiquities in Cairo. On the base of the Cairo portion, in front of the right foot, is a cartouche (see diagram) naming King Ny-user-ra, who ruled from 2390 to 2360 BCE. A plaster cast was made of this lower fragment and attached to the Gallery’s bust. The king wears a royal striped linen headdress and carries in his right hand a mace, a symbol of power. The red granite statue had been tossed into a refuse dump in ancient times at the Temple of Amon at Karnak, where this and other fragments were excavated in 1904. This is one of only two known portraits inscribed with Ny-user-ra’s name.
[Gallery label text, 2004]
1942.54
item
Memorial Art Gallery
3/20/2001
42.54SL1
slide
bust only
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 view
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
full front
3.25 x 4.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
full front
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
3/4 front
3.25 x 4.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
side view
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
side view
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
full front
3.25 x 4.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
side view
3.25 x 4.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
3/4 front
3.25 x 4.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.54DI1
digital image
Memorial Art Gallery
Full
Imaging complete
2 X 2
11/29/2001
http://127.0.0.1:5000/Media/images/42.54_A1.jpg
42.54DI2
digital image
Memorial Art Gallery
side view
Imaging complete
2 X 2
11/29/2001
http://127.0.0.1:5000/Media/images/42.54_A2.jpg
42.54SL2
slide
full-side view
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.54SL3
slide
full frontal MAG
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.54SL4
slide
full frontal Cairo
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 front from Chiro Mus. with their base/our bust
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.54SL5
slide
full 3/4 Cairo
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.54DI#4
digital image
Side
3/30/2009
http://127.0.0.1:5000/Media/images/42.54_A3.jpg
42.54DI#3
digital image
Three-quarter
3/30/2009
http://127.0.0.1:5000/Media/images/42.54_A4.jpg
42.54DI#5
digital image
Detail
3/30/2009
http://127.0.0.1:5000/Media/images/42.54_A5.jpg
42.54DI#6
digital image
Front
3/30/2009
http://127.0.0.1:5000/Media/images/42.54_A6.jpg
42.54DI#7
digital image
Detail
3/30/2009
http://127.0.0.1:5000/Media/images/42.54_A7.jpg
pdf file
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/pdf/BerkeleyGuide.pdf
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/42.54_R1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/42.54_R2.tif
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/audio files/Bothmer_talk.wav
audio file
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
pdf file
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/pdf/42.54_R1.pdf
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/word/42 54_One and One Makes One -Final.docx
Sculpture
Standing Figure of the Finance Minister Maya
Egyptian artist
Egyptian artist
Egypt
Primary
33 9/16 x 11 in. (85.2 x 28 cm)
.
.
.
without mount
overall
.
.
.
with mount
overall
Limestone
Limestone
ca. 1330 BCE
1335 BCE
1325 BCE
2000 - 1000 BCE, Before 2000 BCE, Egyptian, men, reliefs
Sculpture
The inscription identifies this relief as belonging to the tomb of Maya, the son of Iwy and Werit. Maya, the Overseer of the Royal Treasury who served the pharaohs Tutankhamun, Aya and Horemhab, also supervised the preparation of the tombs of Tutankhamun and Ay in the Valley of the Kings. An inscription from another part of the tomb, now in Liverpool, England, tells us that Tutankhamun himself ordered Maya to journey from Aswan, a city in the south, to the shores of the Mediterranean. His instructions were to levy taxes in order to establish offerings for all the gods of Egypt.
In this relief, Maya is shown wearing an elaborate wig, the individual curls of which are tied at their ends. His facial features are distinctive, particularly his aquiline nose and strong chin. His accessories include two collars of disk beads that represent the “gold of honor.” Pharaohs of the period gave this type of collar to distinguished administrators as a reward for their service.
Richard Lepsius, a famous German Egyptologist, studied the tomb of Maya during the 1900s. He and his team published drawings that place the Gallery’s relief on the exterior south side of the entrance to the antechamber of the tomb.
[Excerpted from gallery label text, 2004]
1942.55
item
Memorial Art Gallery
3/20/2001
42.55TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.55SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.55TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
full front
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
full front
3.5 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.55DI1
digital image
Memorial Art Gallery
Imaging complete
2 X 2
11/29/2001
http://127.0.0.1:5000/Media/images/42.55_A1.jpg
42.55DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
42.55DI3
digital image
00/00/00
http://127.0.0.1:5000/Media/images/42.55_A2.jpg
42.55DI4
digital image
00/00/00
http://127.0.0.1:5000/Media/images/42.55_A3.jpg
42.55DI5
digital image
00/00/00
http://127.0.0.1:5000/Media/images/42.55_A4.jpg
42.55DI6
digital image
00/00/00
http://127.0.0.1:5000/Media/images/42.55_A5.jpg
42.55DI#7
digital image
3/30/2009
http://127.0.0.1:5000/Media/images/42.55_A6.jpg
42.55DI#8
digital image
Detail
3/30/2009
http://127.0.0.1:5000/Media/images/42.55_A7.jpg
Sculpture
Standing Male Figure
Egyptian artist
Egyptian artist
Egypt
Primary
11 7/8 x 2 3/4 x 1 7/8 in. (30.2 x 7 x 4.7 cm)
.
.
.
overall
overall
Wood
Wood
2680 BCE - 2258 BCE
2680 BCE
2258 BCE
Before 2000 BCE, Egyptian, male figures, men
Sculpture
In Egyptian art, the male figure was invariably shown striding forward, with the left leg advanced.
[Gallery label text]
1940.66
item
Memorial Art Gallery
2/13/2001
40.66SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
40.66DI1
digital image
Memorial Art Gallery
full
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/40.66_A1.jpg
40.66DI2
digital image
Memorial Art Gallery
detail
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/40.66_A2.jpg
40.66DI3
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
40.66DI#3
digital image
full
12/18/2007
http://127.0.0.1:5000/Media/images/40.66_A3.jpg
Print
Johannes IV and Sigismund, Dukes of Bavaria
German artist
German artist
Germany
Primary
16 5/16 x 11 3/16 in. (41.4 x 28.4 cm)
.
.
.
.
.
.
overall
frame
Color
Color
ca. 1470
1465
1475
1400-1600, European art, illuminated manuscripts, men, portraits
Print
1975.128
item
Memorial Art Gallery
3/10/2001
75.128SL1
slide
full page
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.128SL2
slide
detail of heads
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/75.128_A1.jpg
Sculpture
Portrait Head of a Man with a Beard
Roman artist
Roman artist
Italy
Primary
11 x 8 1/4 x 9 1/16 in. (28 x 21 x 23 cm)
.
.
.
with base
overall
.
.
.
with base
overall
.
.
.
without base
overall
Marble
Marble
2nd century
100
199
1000 BCE - 500 CE, heads, men, Roman
Sculpture
1946.39
item
Memorial Art Gallery
3/20/2001
46.39SL1
slide
3/4 view
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
3/4 view
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
profile
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
back
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
profile- left
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
profile- right
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
back
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.39DI1
digital image
Memorial Art Gallery
Full
Imaging complete
2 x 2
11/29/2001
http://127.0.0.1:5000/Media/images/46.39_A1.jpg
46.39DI2
digital image
Memorial Art Gallery
Detail
Imaging complete
2 x 2
11/28/2001
http://127.0.0.1:5000/Media/images/46.39_A2.jpg
46.39SL2
slide
detail-eye
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.39SL3
slide
full frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.39DI3
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.39DI4
digital image
Memorial Art Gallery
Full
Imaging complete
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/46.39_A3.jpg
46.39DI#5
digital image
Front
3/30/2009
http://127.0.0.1:5000/Media/images/46.39_A4.jpg
46.39DI#6
digital image
Side
3/30/2009
http://127.0.0.1:5000/Media/images/46.39_A5.jpg
46.39DI#7
digital image
Side
3/30/2009
http://127.0.0.1:5000/Media/images/46.39_A6.jpg
pdf file
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/pdf/BerkeleyGuide.pdf
Sculpture
Togatus
Roman artist
Roman artist
Italy
Primary
68 7/8 x 31 1/4 x 20 in. (174.9 x 79.4 x 50.8 cm)
.
.
.
Marble
Marble
1st century
0
99
1000 BCE - 500 CE, men, Roman, statues
Sculpture
This man was a significant public figure in ancient Roman society. His toga—the traditional status garment symbolic of Roman citizenship—the scroll in his hand, and the box of scrolls at his feet mark his high status. He may have been one of the 300 Roman Senators who addressed important matters of civic law, religious practice, or foreign policy, all aspects of Roman life controlled by the Senate.
[Gallery label text, 2009]
1973.146
item
Memorial Art Gallery
3/20/2001
73.146SL1
slide
full front
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full side
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
face frontal
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
face side
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
detail robe
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
face frontal
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
face side
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full side left
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full side right
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.146DI1
digital image
Memorial Art Gallery
Full
Imaging complete
8 x 10
11/29/2001
http://127.0.0.1:5000/Media/images/73.146_A2.jpg
73.146DI2
digital image
Memorial Art Gallery
detail
Imaging complete
8 x 10
11/29/2001
http://127.0.0.1:5000/Media/images/73.146_A1.jpg
73.146SL2
slide
full side view
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.146SL3
slide
full- outside
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.146SL4
slide
detail-head
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.146SL5
slide
full length profile left side
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.146DI3
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.146DI1
digital image
Detail
6/25/2009
http://127.0.0.1:5000/Media/images/73.146_A3.jpg
Sculpture
Torso of a Young Man
Roman artist
Roman artist
Italy
Primary
25 3/8 x 12 9/16 x 8 7/8 in. (64.5 x 31.9 x 22.5 cm)
.
.
.
without base
overall
Marble
Marble
1st Century BCE
100 BCE
1 BCE
1000 BCE - 500 CE, men, nudes, Roman, torsos
Sculpture
This youthful male torso, nearly life size, is likely based on a Greek bronze original. This Roman copy required iron bars and dowels to support the weight of marble limbs. Evidence of long, wavy hair remaining on his shoulders may identify this youth as the young Dionysus, Greek god of wine and revelry.
[Gallery label text, 2009]
1936.53
item
Memorial Art Gallery
3/20/2001
36.53SL1
slide
full frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full side
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full back
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 back
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
full side
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
3/4 front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
full back
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
full front
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
36.53DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
36.53DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/36.53_A1.jpg
36.53DI#3
digital image
3/30/2009
http://127.0.0.1:5000/Media/images/36.53_A2.jpg
Sculpture
Life Mask and Hands of Abraham Lincoln
After Leonard Wells Volk, (Wellstown (now Wells), NY, 1828 - 1895, Osceola, WI)
Volk, Leonard Wells
United States
1828 - 1895
Male
9 3/4 x 8 1/8 x 5 5/8 in. (24.8 x 20.6 x 14.3 cm)
.
.
.
Right hand
.
.
.
Left hand
.
.
.
Head
Bronze
Bronze
1886
1886
1886
1800-1900, 19th century, Abraham Lincoln, men, sculpture
Sculpture
1998.37.1-2a-b
item
Memorial Art Gallery
10/21/1999
TR1.98.37.1-2a-b
Transparency
Memorial Art Gallery
Front, face and hands
2 1/4 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
TR1.98.37.2a-b
transparency
hands only
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.37.1-2a-bDI1
digital image
Memorial Art Gallery
"Front, face and hands"
Imaging complete
6/26/2000
http://127.0.0.1:5000/Media/images/98.37.1-2a-b_A1.jpg
98.37.1SL1
slide
3/4 face only
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.37.2SL2a-b
slide
hands only
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.37.1-.2a-bTR2
transparency
full face and hands, close
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
14volk1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/14volk1.tif
98.37.1-.2a-b
negative
head and both hands
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.37.1
negative
Three-quarter
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.37.1
glossy
Three-quarter
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.37.2a-b
negative
hands only
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.37.2a-b
glossy
hands only
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/98.37.1-2a-b_A2.jpg
98.37.a-.2a-bDI#4
digital image
11/1/2005
http://127.0.0.1:5000/Media/images/98.37.1-.2a-b_A4.jpg
Painting
Aurélien-Marie Lugné-Poë (1869-1940)
Edouard Vuillard, (Cuiseaux, France, 1868 – 1940, La Baule-Escoublac, France)
Vuillard, Edouard
France
1868 - 1940
Male
8 3/4 x 10 1/2 in. (22.2 x 26.7 cm)
.
.
.
overall framed size
horizontal
frame
Oil
Oil
1891
1891
1891
1800-1900, 19th century, authors, men, paintings, portraits
Painting
This likeness captures the intense fervor of the artist's friend and patron, Aurélien-Marie Lugné-Poë (1869-1940), an actor and daring theatrical producer who helped Vuillard obtain his first commission for a theatrical poster. The artist's use of broad areas of flat color to define form and volume in this intimate portrait is typical of the Nabis painters, a group of artists influenced by Paul Gauguin and with whom Vuillard was aligned.
[Gallery label text, 1999]
initialed, lower left
1972.18
item
Memorial Art Gallery
4/5/2000
72.18TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.18SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.18DI1
digital image
Memorial Art Gallery
Imaging complete
6/26/2000
http://127.0.0.1:5000/Media/images/72.18_A1.jpg
72.18SL2
slide
photo of Lugne-Poe
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.18DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.18_A2.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/72.18_A2.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/72.18_A3.jpg
72.18DI#4
digital image
8/31/2012
http://127.0.0.1:5000/Media/images/72.18_A4.jpg
Print
Sir Joshua Reynolds (1723-1792) (after a self-portrait)
James Watson, (1740 - 1790, London)
Watson, James
Ireland
1740 - 1790
Male
Printer
Reynolds, Joshua
England
1723 - 1792
Male
Original artist
After
11 13/16 x 19 1/2 in. (30 x 49.5 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1770
1770
1770
1600-1800, 18th century, artist portraits, artists, George Eastman Collection, men, mezzotints
Print
lower left, below imagelower center, below imagelower center, below imagelower center, below imagelower right, below image
1948.48
item
Memorial Art Gallery
9/1/2000
48.48SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.48DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.48_A1.jpg
48.48DI#2
digital image
3/19/2009
http://127.0.0.1:5000/Media/images/48.48_A2.jpg
Painting
Discourse
Max Weber, (Bialystok, Poland, 1881 – 1961, Great Neck, NY)
Weber, Max
United States
1881 - 1961
Male
27 x 22 in. (68.6 x 55.9 cm)
.
.
.
overall
frame
.
.
.
Oil
Oil
1940
1940
1940
1900-2000, 20th century, Encyclopedia Britannica Collection, men, Modernism, paintings
Painting
lower right
1951.13
item
Memorial Art Gallery
9/8/1999
51.13TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.13SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.13DI1
digital image
Memorial Art Gallery
Imaging complete
7/13/2000
http://127.0.0.1:5000/Media/images/51.13_A1.jpg
Painting
The Death of Richard II
Francis Wheatley, (London, 1747 - 1801)
Wheatley, Francis
England
1747 - 1801
Male
78 x 60 in. (198.1 x 152.4 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
ca. 1792-1793
1792
1793
1600-1800, 18th century, armor, men, paintings, violence, world history
Painting
Francis Wheatley was best known for his historical paintings, scenes of daily life, and portraits. He trained at the Royal Academy in London and became the director of the Society of Artists in 1774. Debts and an unfortunate affair with the wife of a colleague led to his abrupt departure from England to Ireland. He returned in 1783, when he began painting illustrations for works by contemporary authors. The success of these “painted illustrations” led to major commissions, including the one for this monumental painting from the print publisher Robert Bowyer.
One of Bowyer’s most ambitious projects was an illustrated edition of David Hume’s "The History of England." It comprised not only a lavish publication, but the creation of a “History Gallery” for the public display of the original paintings. According to Bowyer’s prospectus, the paintings were intended “to rouse the passions, to fire the mind with emulation of heroic deeds, or to inspire it with detestation of criminal actions.”
Wheatley responded to this challenge by depicting the more dramatic version of Richard’s death, in which he was beheaded rather than starved in prison. The theatrical gestures and expressions, lurid coloring, and bold brushwork serve to heighten the violent drama of the events. In the end, the project was a financial disaster; the paintings from the gallery, including Wheatley’s "The Death of Richard II," were sold in a lottery in 1807.
[Label text from It Came From the Vault exhibition, 2013]
1987.1
item
Memorial Art Gallery
11/3/2000
87.1TR1
transparency
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.1SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.1DI1
digital image
8 x 10
00/00/00
http://127.0.0.1:5000/Media/images/87.1_A1.jpg
87.1DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Two women and a man
Utagawa Toyokuni I, (1769 - 1825)
Utagawa Toyokuni I
Japan
1769 - 1825
Male
Designer
14 5/16 x 9 3/4 in. (36.3 x 24.8 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, men, Ukiyo-e, women, woodcuts
Print
1997.88
item
Memorial Art Gallery
6/22/2000
97.88DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.88_A1.jpg
Print
Women diving for abalone
Katsukawa Shunsen, 1762 - ca.1830
Katsukawa Shunsen
Japan
1762 - ca.1830
Male
9 7/16 x 14 3/16 in. (24 x 36 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, jobs & work, men, Ukiyo-e, women, woodcuts
Print
, Signature: Kashosai Shunsen ga, with seal
1997.203
item
Memorial Art Gallery
6/22/2000
97.203DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.203_A1.jpg
Print
Green Jacket
Alex Katz, (Brooklyn, New York, 1927 - )
Katz, Alex
United States
1927
Male
35 15/16 x 24 in. (91.3 x 61 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1990
1990
1990
1900-2000, 20th century, artists, men, self portraits, serigraphs
Print
Based on a 1989 painting by Katz.
Alex Katz says of his artistic influences, "I've got as much Old Masters as I do movies." In Green Jacket, Katz paints himself in the tradition of Baroque court portraiture. As the court painter for the Spanish throne in the 17th century, Velazquez cultivated a style of portraiture that displayed the power, pretension and grace valued at that time. Katz contemporizes his self-portrait by depicting himself in his green athletic jacket; clearly an American man of the late twentieth century.
[Gallery label text, 2005]
lower leftverso
1995.62.3
item
Memorial Art Gallery
10/14/1999
95.62.3SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.62.3DI1
digital image
10/23/2002
http://127.0.0.1:5000/Media/images/95.62.3_A1.jpg
95.62.3DI#2
digital image
10/28/2010
http://127.0.0.1:5000/Media/images/95.62.3_A2.jpg
Print
Sweat Shirt II
Alex Katz, (Brooklyn, New York, 1927 - )
Katz, Alex
United States
1927
Male
36 x 28 3/4 in. (91.4 x 73 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1990
1990
1990
1900-2000, 20th century, artists, men, self portraits, serigraphs
Print
Based on a 1986 painting by Katz.
Alex Katz seeks "self-indulgence in a big art form, rather than self-indulgence in personal feelings." He calls his approach to art a "high style" one that is impersonal, grand, sophisticated, and representative of a specific moment in time, yet timeless. Katz delights in the appearance of faces and bodies divested of meaning or content. He strives to create images that are open to multiple interpretations rather than restricting viewers to a single response or understanding of his work.
Katz's style, or his use of the formal elements of light, color, and scale, is as much the subject of his portraits as are the sitters. His flat, broad areas of color and compressed spaces cause the viewer's eyes to skim over the surfaces of these portraits, never to penetrate in search of an interior life. Katz wants the viewer to experience and value the act of seeing without getting caught up in a search for meaning, as he has stated, "I can't think of anything more exciting than the surface of things. Just appearance."
[Gallery label text, 2005]
lower leftverso
1995.62.7
item
Memorial Art Gallery
10/14/1999
95.62.7SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.62.7DI1
digital image
10/23/2002
http://127.0.0.1:5000/Media/images/95.62.7_A1.jpg
95.62.7DI#2
digital image
10/28/2010
http://127.0.0.1:5000/Media/images/95.62.7_A2.jpg
Print
Passing
Alex Katz, (Brooklyn, New York, 1927 - )
Katz, Alex
United States
1927
Male
32 1/2 x 36 in. (82.6 x 91.4 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1990
1990
1990
1900-2000, 20th century, artists, men, self portraits, serigraphs
Print
Based on a 1963 painting by Katz.
This print is based on a very large painting from 1962-63 of the same name. Katz's goal was to create a self-portrait that truly did subvert the traditional genre. "I wanted to see if I could paint one that was not narcissistic, that was not soulful or sentimental." His answer was to create a persona that was aloof, without evident emotional or psychological baggage. This resulted in the Stranger, the figure in this image. According to the artist, the title Passing has double meaning. It refers to the momentary experience of seeing a stranger--anonymous, blank--passing in the crowd, as well as Katz's attempt at passing himself off as that Stranger.
[Gallery label text, 2005]
lower leftverso
1995.62.5
item
Memorial Art Gallery
10/14/1999
95.62.5SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.62.5DI1
digital image
10/23/2002
http://127.0.0.1:5000/Media/images/95.62.5_A1.jpg
95.62.5DI#2
digital image
10/28/2010
http://127.0.0.1:5000/Media/images/95.62.5_A2.jpg
Numismatics
Drachm of Shapur I
Sassanian artist, (active )
Sassanian artist
Iran
1 1/16 x 1/8 in. (2.7 x 0.3 cm)
.
.
.
overall
overall
.
.
.
overall
overall
Silver
Silver
Sassanian Empire
241-272
241
272
1000 BCE - 500 CE, ancient art (Mediterranean & Near East), coins, men, Mesopotamian, portraits
Numismatics
A standard inscription inside the obverse border proclaims the king’s divine right to rule: “The Mazda worshipper, the divine Shapur, King of the Kings of Iran, heaven-descended of the Gods.”
[Gallery label text, 2009]
The Sassanian Empire, founded by Shapur’s father Ardashir in 224 A.D., was ruled from Mesopotamia (present-day Iraq) until the Arab invasion of 636. Also called the New Persian Empire, it stretched in its heyday from Spain to India, just south of the Roman Empire, with which it constantly fought. The beautifully designed and executed coins minted by the highly civilized Sassanid dynasty follow the Roman formula, with the ruler’s profile on the front, but the details of the crown, hairstyle, and shaped beard are absolutely Persian.
[Gallery label text, 1995]
recto, along sides, Sassanian inscriptionsverso, along sides, Sassanian inscriptions
1995.24
item
Memorial Art Gallery
3/13/2001
95.24SL2
slide
reverse
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
obverse
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
reverse
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
obverse
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
reverse
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.24DI2
digital image
reverse
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/95.24_A2.jpg
95.24DI1
digital image
obverse
00/00/00
http://127.0.0.1:5000/Media/images/95.24_A1.jpg
95.24DI#3
digital image
obverse
12/18/2007
http://127.0.0.1:5000/Media/images/95.24_A3.jpg
95.24DI#4
digital image
reverse
12/18/2007
http://127.0.0.1:5000/Media/images/95.24_A4.jpg
Painting
At Court (Au Tribunal)
Jean Louis Forain, (Reims, France, 1853 – 1931, Paris)
Forain, Jean Louis
France
1853 - 1931
Male
22 x 27 5/8 in. (55.9 x 70.2 cm)
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1900
1895
1905
children, European art, lawyers, men, paintings, politics in art, women
Painting
1954.1
item
Memorial Art Gallery
1/29/2001
54.1TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
54.1SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
54.1D1
digital image
full
4 x 5
6/14/2002
http://127.0.0.1:5000/Media/images/54.1_A1.jpg
54.1DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
beside the dead
Ben Shahn, 1898 - 1969
Shahn, Ben
United States
1898 - 1969
Male
Artist
images
Rilke, Rainer Maria
Germany
1875 - 1926
Male
Poet
text
22 1/2 x 17 3/4 in. (57.2 x 45.1 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1968
1968
1968
1900-2000, 20th century, death & burial, lithographs, men, Social Realism
Print
Portfolio of 24 color lithographs based on "The Notebooks of Malte Laurids Brigge" by Rainer Maria Rilke
lower right
1968.59.26b
item
Memorial Art Gallery
1/22/2004
68.59.26bDI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/68.59.26b_A1.jpg
68.59.26bSL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Big Daddy Paper Doll
May Stevens, (Boston, MA, 1924 - 2019, Santa Fe, NM)
Stevens, May
United States
1924 - 2019
Female
28 15/16 x 42 7/8 in. (73.5 x 108.9 cm)
.
.
.
overall
sheet
.
.
.
overall
image
Printer's ink
Printer's ink
ca. 1970
1965
1975
1900-2000, 20th century, men, serigraphs
Print
lower right, below imagelower left
1975.144
item
Memorial Art Gallery
9/8/1999
75.144DI1
digital image
3/28/2002
http://127.0.0.1:5000/Media/images/75.144_A1.jpg
75.144DI#2
digital image
3/9/2012
http://127.0.0.1:5000/Media/images/75.144_A2.jpg
Print
Bust of a Man ("Bust of Doctor Faustus") (after Rembrandt)
Bust of Doctor Faustus
Jan Georg van Vliet, (Delft, ca. 1610 - after 1635)
Rijn, Rembrandt Harmensz. van
Netherlands
1606 - 1669
Male
Rijn, Rembrandt Harmensz. van
Netherlands
1606 - 1669
Male
After
Vliet, Jan Georg van
Netherlands
ca. 1610 - after 1635
Male
5 13/16 x 5 1/8 in. (14.8 x 13 cm)
.
.
.
sheet
sheet
1630-1633
1630
1633
1600-1800, 17th century, etchings, men, portraits
Print
Johannes van Vliet worked for Rembrandt in the late 1620s and 1630s. For the most part, he prepared Rembrandt’s painted compositions for production as prints; he also made direct copies of the master’s prints.
Van Vliet created etchings after his own designs as well, although many derive thematically from work by Rembrandt. Scenes of everyday life, peasants, card players, and beggars were his subject matter of choice.
[Label text from It Came From the Vault exhibition, 2013]
upper right, in the plate, Rembrandt's monogram, last used on paintings in 1632
1992.63
item
Memorial Art Gallery
3/20/2001
92.63SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
92.63DI1
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Media/images/92.63_A1.jpg
92.63DI#2
digital image
3/13/2008
http://127.0.0.1:5000/Media/images/92.63_A2.jpg
Sculpture
Small Rider (Piccolo Cavaliere)
Marino Marini, (Pistoia, Italy, 1901 – 1980, Viareggio, Italy)
Marini, Marino
Italy
1901 - 1980
Male
19 3/16 in. (48.7 cm)
.
.
.
.
.
.
approximate installation dimensions
object
Bronze
Bronze
1946
1946
1946
1900-2000, 20th century, horses, men, sculpture
Sculpture
1958.1
item
Memorial Art Gallery
1/30/2001
58.1SL1
slide
full-side view
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full, vertical print
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full, horizontal print
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full, horizontal print
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full, horizontal print
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
base & legs only
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
58.1DI1
digital image
full-side view
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/58.1_A1.jpg
Print
Christmas Belles
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 1/8 x 13 3/4 in. (23.2 x 34.9 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, figure, holidays & festivals, horses, men, women, wood engravings
Print
Published in "Harper's Weekly," January 2, 1869
lower center, in the block
1986.42
item
Memorial Art Gallery
9/8/1999
86.42SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.42DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.42_A1.jpg
86.42DI#2
digital image
8/11/2016
http://127.0.0.1:5000/Media/images/86.42_A2.jpg
Painting
Between Coubron and Montfermeil, Undergrowth (Entre Coubron et Montfermeil)
Jean-Baptiste-Camille Corot, 1796 - 1875
Corot, Jean-Baptiste-Camille
France
1796 - 1875
Male
13 3/4 x 17 1/2 in. (34.9 x 44.5 cm)
.
.
.
approximate installation dimensions
frame
Oil
Oil
1871-1872
1871
1872
1800-1900, 19th century, jobs & work, landscapes, men, paintings
Painting
lower right
1938.8
item
Memorial Art Gallery
1/29/2001
38.8TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
38.8SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
6x4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
6x4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
38.8SL2
slide
full with frame
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
38.8SL1
slide
detail- figures
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
38.8DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/38.8_A1.jpg
38.8DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Clown
Walt Kuhn, 1880 - 1949
Kuhn, Walt
United States
1880 - 1949
Male
20 x 16 1/4 in. (50.8 x 41.3 cm)
.
.
.
overall framed size
vertical
frame
.
.
.
without frame
.
.
.
without frame
Oil
Oil
1945
1945
1945
1900-2000, 20th century, Encyclopedia Britannica Collection, men, paintings, portraits
Painting
Walt Kuhn received great acclaim during his lifetime for the bold simplicity and emotional intensity of his paintings of vaudeville and circus performers. Kuhn was also one of the principal organizers of the landmark and pioneering Armory Show of 1913, which introduced the American public to avant-garde European art and helped change the course of painting and sculpture in the United States.
?
[Forman Gallery, Summer 2015]
upper right
1951.8
item
Memorial Art Gallery
9/8/1999
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.8SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.8TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.8DI1
digital image
Memorial Art Gallery
Imaging Complete
3/13/2002
http://127.0.0.1:5000/Media/images/51.8_A1.jpg
51.8DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Cornelis de Vos
Lucas Vorsterman, 1595 - 1675
Vorsterman, Lucas
Flanders
1595 - 1675
Male
Dyck, Anthony van
Flanders
1599 - 1641
Male
after
vanden Enden, Martin
Flanders
Male
Publisher
10 1/16 x 6 1/2 in. (25.5 x 16.5 cm)
.
.
.
sheet
sheet
Printer's ink
Printer's ink
before 1645
1635
1644
17th century, artist portraits, artists, engravings, men
Print
Created for van Dyck's portfolio of portraits entitled "Iconography," published in 1645-46.
below image, in the platelower left, below image, in the platelower right, below image, in the plate
1989.66
item
Memorial Art Gallery
2/4/2001
89.66DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/89.66_A1.jpg
89.66DI#2
digital image
3/13/2008
http://127.0.0.1:5000/Media/images/89.66_A2.jpg
Sculpture
Dr. James Sibley Watson, Jr.
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
14 x 7 x 9 3/4 in. (35.5 x 17.8 x 24.7 cm)
.
.
.
with base
.
.
.
without base
.
.
.
Bronze
Bronze
1927
1927
1927
1900-2000, 20th century, from Rochester collections, heads, men, portraits, sculpture
Sculpture
Lachaise's friend, James Sibley Watson, Jr., was a member of MAG's founding family. This remarkably talented individual is best known for his editorship of the avant-garde publication "The Dial," where he worked with literary figures like e.e. cummings and Marianne Moore, as well as his early ventures into motion pictures, including the making of "The Fall of the House of Usher." Watson was married to Hildegarde Lasell Watson, who starred in the film and whose portrait sculpture by Lachaise is also owned by the Memorial Art Gallery (67.11).
[Gallery label text, 2005]
on neck, below left earon baseback of base, Base coat: acryloid B-67 in naptha
Number: acrylic paint
Top coat: acryloid B-72 in acetone
Paula R. Hornbostel
1990.3
item
Memorial Art Gallery
9/8/1999
90.3SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
90.3DI1
digital image
2 x 2
11/20/2002
http://127.0.0.1:5000/Media/images/90.3_A1.jpg
90.3SL2
slide
profile
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
90.3SL3
slide
photo, artist with bust
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
90.3TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51lachaise2.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/51lachaise2.tif
90.3DI4
digital image
00/00/00
http://127.0.0.1:5000/Media/images/90.3_A2.jpg
90.3DI#2
digital image
7/25/2011
http://127.0.0.1:5000/Media/images/90.3_A3.jpg
90.3DI#3
digital image
7/25/2011
http://127.0.0.1:5000/Media/images/90.3_A4.jpg
00/00/00
http://127.0.0.1:5000/Media/images/related_images/90.3_R1.jpg
00/00/00
http://127.0.0.1:5000/Media/images/related_images/Lachaise_studio.tif
90.3DI#5
digital image
11/1/2005
http://127.0.0.1:5000/Media/images/90.3_A5.jpg
Sculpture
Francis Granger (1792 - 1868)
Hiram Powers, 1805 - 1873
Powers, Hiram
United States
1805 - 1873
Male
23 x 17 x 11 in. (58.4 x 43.2 x 27.9 cm)
.
.
.
overall
.
.
.
with base
Marble
Marble
1837
1837
1837
1800-1900, 19th century, busts, Granger Family, Canandaigua, NY, men, New York State & Local History, politics in art, portraits
Sculpture
“Now then for a small piece of vanity—Powers, the sculptor, is taking me in clay, to be wrought in marble in Italy next summer. If he does not get a perfect head, it will be his first failure.”
New York Congressman and Canandaigua resident Francis Granger was one of many prominent American politicians to sit for a classical-style portrait bust by Hiram Powers. Many Grand Tourists made Powers’ sculpture studio in Florence, Italy, a stop on their travels, to witness the artist at work, view his latest creations, or commission a personal artwork.
[Label text from It Came From the Vault exhibition, 2013]
Why do portrait busts often have blank eyeballs? Here’s one theory: originally, many ancient Greek and Roman sculptures were painted, including the eyes, but over the years the paint has faded so that by the 19th century, the eyes appeared to be blank. While 19th century artists often modeled their portrait busts of important political figures on these Classical forms, they did not know that the eyes had been painted originally, so they left them blank. Only with current technology has it been possible to understand how the older sculptures actually appeared.
The subject of this sculpture, Francis Granger (1792 – 1868), was born a decade after the American Revolution and died right after the Civil War. A congressman from nearby Canandaigua when he posed for this sculpture in 1837, he said: “Now then for a small piece of vanity – Powers, the sculptor, is taking me in clay, to be wrought in marble in Italy next summer. If he does not get a perfect head, it will be his first failure.”
[Gallery label text, 2009]
1930.73
item
Memorial Art Gallery
9/8/1999
30.73SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.73TR1
transparency
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.73DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/30.73_A1.jpg
Print
Gauloises Bleues
Robert Motherwell, (Aberdeen, WA, 1915 - 1991, Provincetown, MA)
Motherwell, Robert
United States
1915 - 1991
Male
9 7/8 x 5 1/2 in. (25.1 x 14 cm)
.
.
.
plate
Printer's ink
Printer's ink
1968
1968
1968
1900-2000, 20th century, aquatints, collage, men
Print
lower rightlower left
Estate of Robert Motherwell
1970.36
item
Memorial Art Gallery
9/8/1999
70.36SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
70.36DI1
digital image
7/22/2004
http://127.0.0.1:5000/Media/images/70.36_A1.jpg
Print
Half-length Portrait of a Young Man in Oriental Costume
Gerbrand van den Eeckhout, 1621 - 1674
Eeckhout, Gerbrand van den
Netherlands
1621 - 1674
Male
6 15/16 x 5 7/16 in. (17.6 x 13.8 cm)
.
.
.
sheet
sheet
Printer's ink
Printer's ink
0
0
1600-1800, 17th century, etchings, Lockhart Collection, men, portraits
Print
, Fleur-de-lis in a crowned escutcheon
1992.54
item
Memorial Art Gallery
3/20/2001
92.54SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
92.54DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/92.54_A1.jpg
92.54DI#2
digital image
3/13/2008
http://127.0.0.1:5000/Media/images/92.54_A2.jpg
Painting
Harvest Festival
Adolphe Monticelli, (Marseille, France, 1824 – 1886, Marseille, France)
Monticelli, Adolphe
France
1824 - 1886
Male
Primary
16 x 28 in. (40.6 x 71.1 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1883
1883
1883
1800-1900, 19th century, genre scenes, holidays & festivals, horses, men, paintings, women
Painting
Monticelli was captivated by the rich colors and brushwork of Venetian Renaissance painting and of his somewhat older French contemporary Delacroix. By 1860 he was already experimenting with the softened effects that the Impressionists would adopt only in the 1880s. Van Gogh was fascinated by the light in Monticelli's canvasas, which seem to emanate from the colors themselves, rather than from an outside source. In this late work, which depicts one of the artist's favorite festive themes, form and color mysteriously melt together.
[Adapted from gallery label text, 1999]
lower rightback of frameback of frameback of frameback of frameback of stretcher
1951.32
item
Memorial Art Gallery
1/17/2001
51.32SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.32D1
digital image
full
2 x 2
6/24/2002
http://127.0.0.1:5000/Media/images/51.32_A1.jpg
51.32DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.32DI3
digital image
with frame
00/00/00
http://127.0.0.1:5000/Media/images/51.32_A2.jpg
Sculpture
Worker Bundling Sticks
Harvester
Aimé-Jules Dalou, (Paris, 1838 - 1902, Paris)
Dalou, Aimé-Jules
France
1838 - 1902
Male
4 x 4 in. (10.2 x 10.2 cm)
.
.
.
overall
Bronze
Bronze
1867-1899
1867
1899
1800-1900, 19th century, jobs & work, men, sculpture
Sculpture
1969.5
item
Memorial Art Gallery
1/30/2001
69.5SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full front
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
69.5D1
digital image
front
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/69.5_A1.jpg
Print
Hong Kong Tailor
Jack Levine, (Boston, MA, 1915 - 2010, New York, NY)
Levine, Jack
United States
1915 - 2010
Male
14 15/16 x 11 1/8 in. (38 x 28.3 cm)
.
.
.
overall
vertical
image
.
.
.
plate
Printer's ink
Printer's ink
1974
1974
1974
1900-2000, 20th century, drypoint, men, portraits
Print
lower left, below imagelower right, below imageversolower right, ES in a box
2002.42
item
Memorial Art Gallery
11/15/2002
2002.42DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2002.42_A1.jpg
2002.42DI#2
digital image
11/20/2009
http://127.0.0.1:5000/Media/images/2002.42_A2.jpg
Print
I.R.T. Interlude
Douglas Warner Gorsline, (Rochester, NY, 1913 - 1985, Dijon, France)
Gorsline, Douglas Warner
United States
1913 - 1985
Male
13 1/8 x 10 1/16 in. (33.3 x 25.6 cm)
.
.
.
plate
image
.
.
.
Printer's ink
Printer's ink
1941
1941
1941
1900-2000, 20th century, engravings, men, women
Print
lower rightlower left
1959.59
item
Memorial Art Gallery
9/8/1999
59.59TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.59CPRT1
glossy print
3 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.59SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.59DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/59.59_A1.jpg
Painting
James Sibley Watson, Jr.
E. E. Cummings, 1894 - 1962
Cummings, E. E.
United States
1894 - 1962
Male
17 1/2 x 8 9/16 in. (44.5 x 21.8 cm)
.
.
.
sheet
Oil
Oil
0
0
1900-2000, 20th century, art with Rochester connections, men, paintings, portraits
Painting
versoverso
2002.7
item
Memorial Art Gallery
3/27/2002
2002.7DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2002.7_A1.jpg
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2002.7TR1
transparency
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2002.7SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2002.7DI#2
digital image
7/22/2013
http://127.0.0.1:5000/Media/images/2002.7_A2.jpg
Print
Jan Asselyn
Rembrandt Harmensz. van Rijn, (Leiden, 1606 - 1669, Amsterdam)
Rijn, Rembrandt Harmensz. van
Netherlands
1606 - 1669
Male
12 3/8 x 9 13/16 in. (31.4 x 25 cm)
.
.
.
overall
vertical
image
.
.
.
sheet (irregular)
Printer's ink
Printer's ink
ca. 1647
1642
1652
1600-1800, 17th century, drypoint, etchings, men, portraits
Print
lower right, in image, Partial date?verso
2002.27
item
Memorial Art Gallery
10/14/2002
2002.27DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2002.27_A1.jpg
2002.27DI#2
digital image
10/28/2010
http://127.0.0.1:5000/Media/images/2002.27_A2.jpg
2002.27DI#3
digital image
10/28/2010
http://127.0.0.1:5000/Media/images/2002.27_A3.jpg
Print
Jan Cornelisz. Sylvius, Preacher
Rembrandt Harmensz. van Rijn, (Leiden, 1606 - 1669, Amsterdam)
Rijn, Rembrandt Harmensz. van
Netherlands
1606 - 1669
Male
6 1/2 x 5 1/2 in. (16.5 x 14 cm)
.
.
.
Printer's ink
Printer's ink
1633
1633
1633
1600-1800, 17th century, etchings, men, portraits
Print
1974.82
item
Memorial Art Gallery
2/4/2001
74.82DI1
digital image
10/16/2002
http://127.0.0.1:5000/Media/images/74.82_A1.jpg
74.82DI#2
digital image
9/20/2023
http://127.0.0.1:5000/Media/images/74.82_A2.jpg
Print
Joost van den Vondel
Janus Lutma the Younger, 1624 - 1685 or 1689
Lutma the Younger, Janus
Netherlands
1624 - 1685 or 1689
Male
10 13/16 x 8 11/16 in. (27.5 x 22.1 cm)
.
.
.
plate
image
.
.
.
sheet
sheet
Printer's ink
Printer's ink
ca. 1681-1683
1681
1683
1600-1800, 17th century, drypoint, etchings, men, portraits
Print
lower left, in the image, in the plate, on the left side of carved basein the image, around top of nichein the image, inscribed below the nichein the image, on the front of the base
1992.57
item
Memorial Art Gallery
3/20/2001
92.57
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
92.57DI1
digital image
8 x 10
00/00/00
http://127.0.0.1:5000/Media/images/92.57_A1.jpg
92.57DI#2
digital image
9/20/2023
http://127.0.0.1:5000/Media/images/92.57_A2.jpg
Painting
Judge and Mrs. Arthur Yates
Conversation Piece
M. M. Manchester, active ca. 1840
Manchester, M. M.
United States
active ca. 1840
Male
36 x 58 3/4 in. (91.4 x 149.2 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
without frame
Oil
Oil
ca. 1840
1835
1845
1800-1900, 19th century, folk art, men, paintings, portraits, women
Painting
This grand portrait might have been a focal point in Judge and Mrs. Yates’s parlor. Judge Yates built the first steam saw mill in Tioga County, and was justice of the peace and postmaster.
Whether the furnishings, book, and clothing accurately depict the Yates’s possessions is impossible to say. They are meant to convince us of the pair’s position within the local gentry. Yards of satiny fabric held in place by a curtain holdback speak of luxury. Mrs. Yates’s jewelry, lace collar, cuffs and trimmed handkerchief, were the accoutrements of a lady of means. Judge Yates holds a book by English theologian William Paley entitled Natural Theology, a text regularly consulted by well-read gentlemen of the 19th century. While we know very little about Mr. Manchester, the artist, we can safely say that he was familiar with the grand tradition of portraiture that frequently placed subjects within ennobling, but not always authentic, settings.
[Gallery label text, 2002]
verso, Visible before relining
1941.30
item
Memorial Art Gallery
9/8/1999
41.30TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
41.30SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
41.30DI1
digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/41.30_A1.jpg
41.30DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
41.30DI2
digital image
Memorial Art Gallery
Imaging complete
00/00/00
http://127.0.0.1:5000/Media/images/41.30_A2.jpg
Painting
Landscape with Figures
Joseph H. Hidley, 1830 - 1872
Hidley, Joseph H.
United States
1830 - 1872
Male
10 7/8 x 20 7/8 in. (27.6 x 53 cm)
.
.
.
overall
horizontal
.
.
.
without frame
Oil
Oil
0
0
1800-1900, 19th century, cows, folk art, houses, men, paintings, women
Painting
This painting was never intended to hang on a wall. Rather, it was created as part of a wall to decorate a panel underneath a tall window in the parlor of a home in Eagle Mills, New York, near Albany.
The artist was an unusual individual. In addition to painting scenes to decorate rooms in the Albany region, Joseph Hidley was a house painter, a carpenter, and arranger of stuffed birds and dried flowers.
For his underwindow panels, he is thought to have derived his inspiration from European viewbooks, which is why this scene is reminiscent of a Swiss landscape. We are still trying to locate the original view that Hidley copied.
[Gallery label text, 2002]
1997.173
item
Memorial Art Gallery
10/25/1999
97.173SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
97.173DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.173_A2.jpg
97.173TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
97.173DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.173_A1.jpg
Ceramics
Man Mounted on an Ox
Cypriot artist, (active )
Cypriot artist
Cyprus
Primary
5 1/2 x 6 1/4 x 2 5/8 in. (13.9 x 15.8 x 6.6 cm)
.
.
.
overall
overall
Clay
Clay
7th Century BCE-6th Century BCE
700 BCE
501 BCE
1000 BCE - 500 CE, ancient art (Mediterranean & Near East), ceramics, Cypriot, men, oxen, sculpture
Ceramics
The Cypriotes provided models of everyday life for the deceased in much the same manner as the Egyptians.
[Gallery label text, 1995]
1951.313
item
Memorial Art Gallery
3/20/2001
51.313SL1
slide
Three-quarter
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.313DI1
digital image
Memorial Art Gallery
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/51.313_A3.jpg
51.313DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.313DI#3
digital image
Three-quarter
11/6/2007
http://127.0.0.1:5000/Media/images/51.313_A1.jpg
51.313DI#4
digital image
side view
11/6/2007
http://127.0.0.1:5000/Media/images/51.313_A2.jpg
Drawing
Mayor Daley
Larry Rivers, 1923 - 2002
Rivers, Larry
United States
1923 - 2002
Male
30 x 40 in. (76.2 x 101.6 cm)
.
.
.
without frame
Graphite
Graphite
circa 1968
1963
1973
1900-2000, 20th century, collage, men, politics in art, portraits
Drawing
in the image
1998.213
item
Memorial Art Gallery
3/6/2000
98.213DI1
digital image
7/22/2004
http://127.0.0.1:5000/Media/images/98.213_A1.jpg
Painting
Two Men Under a Cherry Tree
Persian artist
Persian artist
Iraq
Primary
6 5/16 x 4 1/2 in. (16 x 11.5 cm)
.
.
.
Watercolor
Watercolor
19th Century
1800
1899
1800-1900, Islam, Islamic art, men, paintings, Persian
Painting
1934.18
item
Memorial Art Gallery
3/10/2001
34.18DI1
digital image
6/27/2002
http://127.0.0.1:5000/Media/images/34.18_A4.jpg
34.18_A1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/34.18_A1.jpg
34.18_A2.jpg
digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/34.18_A2.jpg
34.18_A3.jpg
Detail
00/00/00
http://127.0.0.1:5000/Media/images/34.18_A3.jpg
34.18DI#5
digital image
00/00/00
http://127.0.0.1:5000/Media/images/34.18_A5.jpg
Watercolor
Moses Soyer and Ida Soyer in the Studio
David Burliuk, 1882 - 1967
Burliuk, David
United States
1882 - 1967
Male
11 1/4 x 15 3/8 in. (28.6 x 39.1 cm)
.
.
.
sheet
horizontal
sheet
.
.
.
overall
frame
Watercolor
Watercolor
1945
1945
1945
1900-2000, 20th century, artist portraits, artists, men, watercolors, women
Watercolor
upper leftupper right, barely visibleverso
2000.2
item
Memorial Art Gallery
4/13/2000
2000.2SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2000.2DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/2000.2_A1.jpg
2000.2DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2000.2DI#2
digital image
10/1/2012
http://127.0.0.1:5000/Media/images/2000.2_A2.jpg
Painting
Negro Head
John Steuart Curry, (Dunavant, KS, 1897 - 1946, Madison, WI)
Curry, John Steuart
United States
1897 - 1946
Male
24 x 18 1/2 in. (61 x 47 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
.
.
.
overall framed size
vertical
frame
Oil
Oil
1927
1927
1927
1.97L
1900-2000, 20th century, American Scene/Regionalism, Images of Black People, men, paintings, portraits
Painting
Until research identifies the sitter, Portrait of a Youth or Portrait of a Young Man may be applied as a more appropriate title.
Unfortunately, the name of this young man was not recorded. The title that the work has carried for many years is further dehumanizing. In the historical moment when this painting was made and exhibited, the term “negro” was commonly used—including by significant African American figures such as Martin Luther King Jr. and Langston Hughes—to refer to a Black person. Today, however, this terminology is outdated and inappropriate.
John Steuart Curry is known for his narrative and landscape paintings of life in his home state of Kansas. When he painted this luminous portrait, he had just returned from studying art in Paris, France.
[Gallery label text, 2024]
yes, lower right
2005.31
item
Memorial Art Gallery
5/10/2000
2005.31DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2005.31_A1.jpg
2005.31DI#2
digital image
6/22/2010
http://127.0.0.1:5000/Media/images/2005.31_A2.jpg
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
audio file
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/audio files/SearlNegroHeadCurry.mp3
audio file
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/audio files/04NegroHead.mp3
Painting
Oxen on the Beach
Joaquin Sorolla y Bastida, (Valencia, Spain, 1863 – 1923, Madrid)
Sorolla y Bastida, Joaquin
Spain
1863 - 1923
Male
29 x 43 in. (73.7 x 109.2 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
1910
1910
1910
1900-2000, 20th century, men, oxen, paintings, seascapes
Painting
Sorolla discovered Impressionism during an 1885 visit to Paris and took its revolutionary approach to light and color back to Spain with him. There he developed his own style, characterized by large, strong brushstrokes, and soon his international reputation was established. Sorolla's special ability to render the play of bright sunlight on the sea, on sand, and on figures along the beach has been praised by critics. "Oxen on the Beach," which features all three surfaces, is a brilliant display of Sorolla's talents.
[adapted from gallery label text, 1999]
lower right
1914.8
item
Memorial Art Gallery
1/17/2001
14.8TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
14.8SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
14.8DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/14.8_A1.jpg
14.8DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/14.8_R1.jpg
Watercolor
Peat-cutting, Leba (Beim Torfstechen, Leba)
Max Pechstein, (Zwickau, Germany, 1881 – 1955, Berlin, Germany)
Pechstein, Max
Germany
1881 - 1955
Male
18 9/16 x 24 15/16 in. (47.1 x 63.3 cm)
.
.
.
Watercolor
Watercolor
1922
1922
1922
1900-2000, 20th century, genre scenes, jobs & work, men, paintings
Watercolor
lower right, in imageverso
1949.81
item
Memorial Art Gallery
3/10/2001
49.81SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
49.81DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/49.81_A1.jpg
49.81DI#3
digital image
Front
6/18/2007
http://127.0.0.1:5000/Media/images/49.81_A2.jpg
Painting
Portrait of a Dark-haired Man Reading the "Genesee Farmer"
possible portrait of Luther Tucker, editor of the "Genesee Farmer"
Asahel Lynde Powers, (Springfield, VT, 1813 - 1843, Olney, IL)
Powers, Asahel Lynde
United States
1813 - 1843
Male
30 x 25 in. (76.2 x 63.5 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
without frame
Oil
Oil
ca. 1839
1834
1844
1800-1900, 19th century, by Rochester artists, men, paintings, portraits, views of Rochester & western New York
Painting
The artist of the painting signed the back of the canvas with a flourish “Asahel Powers.” Powers was a self-taught portrait painter who traveled throughout the countryside in search of portrait commissions. Unfortunately, history has lost the name of this dapper gentleman who, we infer by the books and writing cabinet visible behind him, was a learned man of means. His interests and likely profession are further indicated by "The Genesee Farmer" in his hands, a popular journal dedicated to agriculture and horticulture founded in Rochester in 1831.
This portrait broadly tells the story of early Euro-American settlers who were cultivating and living off of the land of the Genesee Valley. It does not capture the story of the Indigenous people who had lived in those lands for hundreds of years prior to the arrival of the European settlers. Coincidentally, this portrait was painted during the infamous Trail of Tears, a brutal upheaval in American history over land rights in which the military forcibly moved over 60,000 Indigenous people (Cherokee, Chickasaw, Choctaw, Muscogee, Osage, and Seminole, including thousands of their Black slaves) to an undesirable stretch of prairie land, now in Oklahoma. During the forced march, many thousands of men, women, and children suffered and died from exposure, disease, and starvation.
[Gallery label text, 2021]
verso, Inscription with signature, sketches of men's heads, and calligraphic "A" in black paint on back of canvas.
See digital images of canvas verso attached to Embark record.
2001.1
item
Memorial Art Gallery
3/27/2001
2001.1DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2001.1_A6.jpg
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2001.1TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2001.1SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2001.1DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2001.1_A1.jpg
Powers back detail.jpg
digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/2001.1_A2.jpg
Powers back detail 2.jpg
digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/2001.1_A3.jpg
Powers back signature.jpg
digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/2001.1_A4.jpg
Powersback1.jpg
digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/2001.1_A5.jpg
7powers1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/7powers1.tif
7powers2.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/7powers2.tif
7powers3.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/7powers3.tif
Print
Young Man Wearing a Plumed Cap
Ferdinand Bol, 1616 - 1680
Bol, Ferdinand
Netherlands
1616 - 1680
Male
3 9/16 x 3 1/8 in. (9 x 7.9 cm)
.
.
.
image
image
.
.
.
sheet
sheet
Printer's ink
Printer's ink
1642
1642
1642
1600-1800, 17th century, drypoint, etchings, men, portraits
Print
upper left, in the image, in the plate
1992.53
item
Memorial Art Gallery
3/20/2001
92.53
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
92.53DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/92.53_A1.jpg
92.53DI#2
digital image
3/13/2008
http://127.0.0.1:5000/Media/images/92.53_A2.jpg
Sculpture
Portrait of a Caesar
Portrait of a Member of the Corsini Family
Circle of Gregorio di Lorenzo, active 1461 - 1473
di Lorenzo, Gregorio
Italy
1461 - 1473
Male
Pasti, Matteo de'
Italy
c. 1420 - after 5/15/1467
Male
Previous attribution
17 3/4 x 12 in. (45.1 x 30.5 cm)
.
.
.
without frame
overall
.
.
.
with frame
overall
Marble
Marble
ca. 1470 - ca. 1500
1470
1500
1400-1600, men, portraits, reliefs, Renaissance & Baroque, sculpture
Sculpture
reverse, Encircled in black ink or felt-tipbottom
1965.8
item
Memorial Art Gallery
3/13/2001
65.8SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
65.8DI1
digital image
front
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/65.8_A1.jpg
65.8DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
65.8DI#3
digital image
4/18/2011
http://127.0.0.1:5000/Media/images/65.8_A2.jpg
65.8DI#4
digital image
without frame
4/18/2011
http://127.0.0.1:5000/Media/images/65.8_A3.jpg
Painting
Portrait of the Artist's Father
Portrait of DeWitt Clinton Ellis
Harvey Ellis, (1852 - 1904)
Ellis, Harvey
United States
1852 - 1904
Male
14 x 11 7/8 in. (35.6 x 30.2 cm)
.
.
.
overall
stretcher
.
.
.
overall
frame
Oil
Oil
1879
1879
1879
1800-1900, 19th century, by Rochester artists, men, paintings, portraits, Rochester Art Club founders
Painting
lower leftlower leftback of canvaslower leftback of frame, partial
1997.4
item
Memorial Art Gallery
9/8/1999
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
97.4DI1
digital image
4/24/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/97.4_I1.jpg
97.4DI2
digital image
8x10
00/00/00
http://127.0.0.1:5000/Media/images/97.4_A1.jpg
97.4DI#3
digital image
6/19/2015
http://127.0.0.1:5000/Media/images/Inventory pictures/97.4_I2.JPG
97.4DI#4
digital image
2/4/2016
http://127.0.0.1:5000/Media/images/97.4_A2.jpg
97.4DI#5
digital image
6/7/2017
http://127.0.0.1:5000/Media/images/97.4_A3.jpg
Painting
Portrait of Daniel Webster (after F. DeBourg Richards)
George T. Deming, (Wellsboro, Pennsylvania, 1868 - 1948, Alameda, California)
Deming, George T.
United States
1868 - 1948
Male
Primary
Engraving
8 9/16 x 6 1/4 in. (21.7 x 15.8 cm)
.
.
.
sheet
horizontal
sheet
.
.
.
overall
frame
Oil
Oil
after 1846
1847
1856
1800-1900, 19th century, Daniel Webster, men, paintings, portraits
Painting
Orator, lawyer, statesman, and senator Daniel Webster (1782–1852) was the subject of many portraits, but none more charming than this one, informally titled Dan. Information on the back says the painting was copied from an engraving, which was no doubt itself a copy of an 1840s daguerreotype by F. DeBourg Richards.
Chief curator Marjorie Searl has determined that the original attribution to G. K. Merrick is incorrect. Markings on the back of the portrait were misleading; the signature for Merrick, an attorney in Wellsboro, PA, probably indicated ownership. Another inscription, “painted from an engraving by George Deming, Wellsboro, Pennsylvania,” most likely led to the interpretation that Deming was the engraver and Merrick was the painter. Thanks to the internet and Ancestry.com, we can now safely say that Deming was the painter, and we can speculate that Merrick purchased it from him.
[Label text from It Came From the Vault exhibition, 2013]
versoversolower center
1948.52
item
Memorial Art Gallery
9/8/1999
48.52DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.52_A1.jpg
48.52DI#2
digital image
2/9/2012
http://127.0.0.1:5000/Media/images/48.52_A2.jpg
Painting
Gideon Granger (1767 - 1822)
Ezra Ames, 1768 - 1836
Ames, Ezra
United States
1768 - 1836
Male
29 1/4 x 23 in. (74.3 x 58.4 cm)
.
.
.
.
.
.
approximate installation dimensions
Oil
Oil
0
0
1800-1900, 19th century, from Rochester collections, Granger Family, Canandaigua, NY, men, paintings, portraits
Painting
1930.54
item
Memorial Art Gallery
9/8/1999
30.54TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.54SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.54TR2
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.54DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/30.54_A2.jpg
30.54DI2
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/30.54_A1.jpg
4phillips2.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/4phillips2.tif
30.54DI#4
digital image
00/00/00
http://127.0.0.1:5000/Media/images/30.54_A3.jpg
30.54DI#5
digital image
full
4/10/2006
http://127.0.0.1:5000/Media/images/30.54_A4.jpg
Painting
John Monck (1735-1809)
Angelica Kauffmann, 1741 - 1807
Kauffmann, Angelica
Switzerland
1741 - 1807
Female
39 x 29 in. (99.1 x 73.7 cm)
.
.
.
Oil
Oil
1764
1764
1764
1600-1800, 18th century, men, paintings, portraits
Painting
John Monck was the Master of the Ceremonies in Bath, England, a position that charged him with organizing events, introducing guests and maintaining order in the spa town. Angelica Kauffmann painted this portrait in Italy rather than Monck’s native England, which suggests that he was on a gentleman’s “Grand Tour” of Europe. The Italian painter Pompeo Batoni painted Monck’s portrait in the same year, indicating that he must have spent enough time in Italy for two rounds of sittings.
Although Kauffmann was only 23 years old when she painted Monck’s portrait, she was well into her career, as she had begun painting professionally as a teenager.
[Gallery label text, 2008]
lower left, in image, on edge of tabletop
1980.56
item
Memorial Art Gallery
5/12/2000
80.56SL3
slide
detail-hand
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
80.56SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
80.56SL2
slide
detail-head
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
80.56TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
80.56DI1
digital image
4 x 5
7/23/2002
http://127.0.0.1:5000/Media/images/80.56_A1.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Portrait of Joseph Pennell
Childe Hassam, 1859 - 1935
Hassam, Childe
United States
1859 - 1935
Male
11 1/4 x 15 1/4 in. (28.6 x 38.7 cm)
.
.
.
Printer's ink
Printer's ink
1917
1917
1917
1900-2000, 20th century, artist portraits, artists, lithographs, men
Print
lower rightlower center
1940.19
item
Memorial Art Gallery
9/8/1999
40.19SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
40.19DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/40.19_A1.jpg
Painting
Religious Procession
Attributed to Jules-Adolphe-Aimé Louis Breton, 1827 - 1906
Breton, Jules-Adolphe-Aimé Louis
France
1827 - 1906
Male
15 x 18 in. (38.1 x 45.7 cm)
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1857
1852
1862
1800-1900, 19th century, children, Judeo-Christian, men, paintings, women
Painting
A detail of the central figures from Breton's Blessing of the Wheat in Artois, 1857, at the Musee d'Orsay
1964.19
item
Memorial Art Gallery
1/30/2001
64.19SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
64.19D1
digital image
full
2 x 2
6/20/2002
http://127.0.0.1:5000/Media/images/64.19_A1.jpg
64.19DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Watercolor
Rev. and Mrs. E.M. Stewart and Their Children
Agnes Jeffrey, 1806 - 1897
Jeffrey, Agnes
United States
1806 - 1897
Female
8 9/16 x 9 3/4 in. (21.7 x 24.8 cm)
.
.
.
Watercolor
Watercolor
ca. 1838
1833
1843
1800-1900, by Rochester artists, children, families, men, portraits, watercolors, women
Watercolor
on framemasking tape on back of frame
1987.48
item
Memorial Art Gallery
9/8/1999
87.48SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.48DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.48_A1.jpg
Painting
Ripe Wheat Field (Reifes Ährenfeld)
Max Pechstein, (Zwickau, Germany, 1881 – 1955, Berlin, Germany)
Pechstein, Max
Germany
1881 - 1955
Male
31 7/8 x 39 5/8 in. (81 x 100.6 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1922
1922
1922
1900-2000, 20th century, houses, landscapes, men, paintings
Painting
verso, On verso of original canvas; now lost due to relining. See slide in curatorial file.removed from verso, now in curatorial file, Removed from old frame or backing?, per note in curatorial file, per note in curatorial filelower left
1949.80
item
Memorial Art Gallery
1/30/2001
49.80SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
49.80D1
digital image
full
2 x 2
6/24/2002
http://127.0.0.1:5000/Media/images/49.80_A1.jpg
49.80DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
At LACMA, 1935 (4th from left)
00/00/00
http://127.0.0.1:5000/Media/images/related_images/49.80_R1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/49.80_R2.jpg
digital image
9/25/2008
http://127.0.0.1:5000/Media/images/49.80_A2.jpg
49.80TR1
transparency
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Robespierre
Thomas Cornell, (Cleveland OH, 1937 - 2012, Brunswick ME)
Cornell, Thomas
United States
1937 - 2012
Male
13 7/8 x 11 15/16 in. (35.2 x 30.4 cm)
.
.
.
plate
vertical
image
.
.
.
Printer's ink
Printer's ink
0
0
1900-2000, 20th century, aquatints, etchings, men, portraits
Print
lower right, below imagelower left, below imageverso
2001.33
item
Memorial Art Gallery
3/27/2002
2001.33DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2001.33_A1.jpg
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2001.33SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Roman Ruins with Card Players
After Jan Both, 1618 - 1652
Both, Jan
Netherlands
1618 - 1652
Male
25 5/8 x 32 1/8 in. (65.1 x 81.6 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
0
0
1600-1800, 17th century, children, donkeys, landscapes, leisure activities, men, paintings, ruins
Painting
As an independent subject of painting, landscape first emerged in Europe during the 1600s. Its development reflects changes in the views commonly held at that time on the universe and man’s relation to it. As landscape painting developed, the Dutch were quick to acquire a taste for Italian settings and motifs. In this painting, Both uses Italian motifs, such as ruins, as pictorial elements; he then combines them with the typical genre scene of a group of men playing cards.
Also called The Ruins of the Temple of Saturn, this painting is a version of the original Jan Both painting of the same subject that is owned by the Alte Pinakothek in Munich, Germany. It was probably painted by either Jan Both or his brother, Andries.
[Gallery label text]
Born in Utrecht, Both subsequently traveled to Rome, where he remained from 1635 until 1641, when he returned to Holland. He was among the leading “bamboccianti,” as the Dutch painters were called who assimilated their native genre tradition with the classical landscape tradition they discovered in Italy. This popular composition, an autograph version of which survives in the Alte Pinakothek, Munich, shows low-life types amusing themselves near the formidable ruins of the Temple of Saturn.
[Gallery label text]
1962.29
item
Memorial Art Gallery
11/13/2000
62.29SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
62.29DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/62.29_A1.jpg
62.29DI2
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/62.29_A2.jpg
62.29DI#3
digital image
7/13/2007
http://127.0.0.1:5000/Media/images/62.29_A3.jpg
Print
Self Portrait in the Bathtub
Clayton Pond, 1941 -
Pond, Clayton
United States
1941
Male
23 1/16 x 29 in. (58.5 x 73.7 cm)
.
.
.
screen
horizontal
image
.
.
.
sheet
Printer's ink
Printer's ink
0
0
1900-2000, 20th century, artists, men, self portraits, serigraphs
Print
Clayton Pond, a second-generation Pop artist, transformed everyday objects into icons. Color and texture played a key role in his work. His electric color combinations and his experimental technique of adding a layer of high gloss varnish to the surface of his prints create a lustrous effect.
[Gallery label text]
lower center right, below the imagelower center left, below image
1973.47
item
Memorial Art Gallery
9/8/1999
73.47SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.47DI1
digital image
12/7/2001
http://127.0.0.1:5000/Media/images/73.47_A1.jpg
Painting
Self-Portrait in a Chinese Hat
Douglas Warner Gorsline, (Rochester, NY, 1913 - 1985, Dijon, France)
Gorsline, Douglas Warner
United States
1913 - 1985
Male
22 1/16 x 17 15/16 in. (56 x 45.5 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
0
0
1900-2000, 20th century, American Scene/Regionalism, artists, by Rochester artists, men, paintings, Realism, self portraits
Painting
Originally from Rochester, the painter and writer Douglas Gorsline attended the Art Students League in New York City and taught at the National Academy of Design. He was profoundly influenced by the artistic styles of cubism and realism. He tended to use fragmented compositions as a means of depicting reality, in particular reality combined with movement.
[Forman Gallery, Summer 2015]
lower right
1993.36
item
Memorial Art Gallery
9/8/1999
93.36SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
93.36DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/93.36_A1.jpg
93.36DI#2
digital image
7/7/2015
http://127.0.0.1:5000/Media/images/93.36_A2.jpg
Print
Self-Portrait with Plumed Cap and Lowered Saber
Rembrandt Harmensz. van Rijn, (Leiden, 1606 - 1669, Amsterdam)
Rijn, Rembrandt Harmensz. van
Netherlands
1606 - 1669
Male
6 3/4 x 5 5/16 in. (17.1 x 13.5 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1634
1634
1634
1600-1800, 17th century, artists, etchings, men, self portraits
Print
1931.39
item
Memorial Art Gallery
2/4/2001
31.39SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
31.39DI1
digital image
10/16/2002
http://127.0.0.1:5000/Media/images/31.39_A1.jpg
31.39DI#2
digital image
9/20/2023
http://127.0.0.1:5000/Media/images/31.39_A2.jpg
Print
Self-Portrait with Raised Saber
Rembrandt Harmensz. van Rijn, (Leiden, 1606 - 1669, Amsterdam)
Rijn, Rembrandt Harmensz. van
Netherlands
1606 - 1669
Male
5 7/8 x 4 1/16 in. (14.9 x 10.4 cm)
.
.
.
image
Printer's ink
Printer's ink
1634
1634
1634
1600-1800, 17th century, artists, engravings, etchings, men, self portraits
Print
1967.43
item
Memorial Art Gallery
2/4/2001
00813
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
67.43DI1
digital image
10/16/2002
http://127.0.0.1:5000/Media/images/67.43_A1.jpg
67.43DI#2
digital image
9/20/2023
http://127.0.0.1:5000/Media/images/67.43_A2.jpg
Print
Soft Lights, Sweet Music
Douglas Warner Gorsline, (Rochester, NY, 1913 - 1985, Dijon, France)
Gorsline, Douglas Warner
United States
1913 - 1985
Male
10 1/8 x 8 in. (25.7 x 20.3 cm)
.
.
.
Printer's ink
Printer's ink
1947
1947
1947
1900-2000, 20th century, by Rochester artists, dance, etchings, men, women
Print
lower rightlower leftleft edge
1987.15
item
Memorial Art Gallery
9/8/1999
87.15SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.15DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.15_A1.jpg
Print
St. Valentine's Day - The Old Story in All Lands
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
13 9/16 x 9 in. (34.4 x 22.9 cm)
.
.
.
image
Printer's ink
Printer's ink
1868
1868
1868
1800-1900, 19th century, figure, holidays & festivals, men, putti, women, wood engravings
Print
Published in "Harper's Weekly," February 22, 1868
lower center, in the block
1986.37
item
Memorial Art Gallery
9/8/1999
86.37SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.37DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.37_A1.jpg
86.37DI#2
digital image
8/11/2016
http://127.0.0.1:5000/Media/images/86.37_A2.jpg
Print
Station-House Lodgers
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 1/16 x 13 3/8 in. (23.1 x 34 cm)
.
.
.
image
Printer's ink
Printer's ink
1874
1874
1874
1800-1900, 19th century, figure, men, wood engravings
Print
Published in "Harper's Weekly," February 2, 1874
lower center, in the block
1986.59
item
Memorial Art Gallery
9/8/1999
86.59SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.59DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.59_A1.jpg
Sculpture
Striding Man
Egyptian artist
Egyptian artist
Egypt
Primary
8 5/8 x 2 1/4 x 5 in. (21.9 x 5.7 x 12.7 cm)
.
.
.
overall
overall
Stone
Stone
ca. 1700 BCE
1705 BCE
1695 BCE
2000 - 1000 BCE, Egyptian, men, sculpture
Sculpture
This statuette would have been placed in the statue chamber of a tomb to provide a permanent dwelling place for the soul (ka) of the deceased. This sculpture is inscribed with a prayer to Osiris, the god of the Underworld.
[Gallery label text, 2004]
bottom, Dealer's label?bottombottom
1979.39
item
Memorial Art Gallery
2/14/2001
79.39SL1
slide
full 3/4
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.39DI1
digital image
Memorial Art Gallery
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/79.39_A1.jpg
79.39SL2
slide
full frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.39SL3
slide
full profile
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.39SL4
slide
full-back
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.39DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.39DI#2
digital image
Three-quarter
12/18/2007
http://127.0.0.1:5000/Media/images/79.39_A3.jpg
79.39DI#3
digital image
front
12/18/2007
http://127.0.0.1:5000/Media/images/79.39_A2.jpg
79.39DI#4
digital image
side
12/18/2007
http://127.0.0.1:5000/Media/images/79.39_A4.jpg
79.39DI#5
digital image
back
12/18/2007
http://127.0.0.1:5000/Media/images/79.39_A5.jpg
Print
Students on the Steps
Isabel Bishop, 1902 - 1988
Bishop, Isabel
United States
1902 - 1988
Female
13 1/4 x 12 7/16 in. (33.6 x 31.6 cm)
.
.
.
Printer's ink
Printer's ink
1981
1981
1981
1900-2000, 20th century, aquatints, etchings, men, women
Print
lower rightlower leftlower right
D.C. Moore Gallery
1992.11
item
Memorial Art Gallery
9/8/1999
92.11SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
92.11DI1
digital image
3/6/2002
http://127.0.0.1:5000/Media/images/92.11_A1.jpg
92.11DI#2
digital image
2/13/2015
http://127.0.0.1:5000/Media/images/92.11_A2.jpg
Painting
Sunday Morning
Jerome Myers, 1867 - 1940
Myers, Jerome
United States
1867 - 1940
Male
37 1/2 x 44 1/2 in. (95.3 x 113 cm)
.
.
.
image
Oil
Oil
1907
1907
1907
1900-2000, 20th century, Ashcan School and friends, children, cityscapes, men, paintings, women
Painting
Jerome Myers said of his art, “I went to the gutter for my subject, but they were poetic gutters.”
[Gallery label text, 2007]
Jerome Myers was called "the gentle poet of the slums" for his compassionate images of immigrant life in New York's Lower East Side. Myers recorded the unglamorous, yet commonplace aspects of city life, as did fellow painters John Sloan and Robert Henri, members of The Eight or the Ashcan School. However, his vision of the city's poor never evoked a sense of wretchedness: "Why catch humanity by the shirt-tail," he said, "when I could see more pleasant things?"
Though tame to us today, paintings like Sunday Morning were considered progressive, even "revolutionary" when they were painted, because of their subject matter. However, when it came to exhibiting with The Eight, Robert Henri didn't think that Myers's work was forceful enough. As a founder of the innovative American Association of Painters and Sculptors in 1911, Myers helped to pave the way for the watershed 1913 Armory Show in New York City, the exhibition that introduced European modernism to an enthusiastic but occasionally bewildered public.
[Gallery label text, 2006]
lower left
1998.74
item
Memorial Art Gallery
10/21/1999
98.74TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.74SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.74DI1
digital image
Memorial Art Gallery
Imaging complete
6/19/2001
http://127.0.0.1:5000/Media/images/98.74_A1.jpg
98.74DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
35myers1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/35myers1.tif
98.74DI#2
digital image
Memorial Art Gallery
Imaging complete
1/19/2015
http://127.0.0.1:5000/Media/images/98.74_A2.jpg
Print
The Brawl (La Rixe)
Felix Vallotton, 1865 - 1925
Vallotton, Felix
Switzerland
1865 - 1925
Male
10 5/8 x 14 1/8 in. (27 x 35.9 cm)
.
.
.
overall
horizontal
image
.
.
.
sheet
Printer's ink
Printer's ink
1892
1892
1892
1800-1900, 19th century, men, violence, women, woodcuts
Print
lower right, below imagelower right, in image, in the blockverso
1984.17
item
Memorial Art Gallery
5/29/2001
negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
84.17DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/84.17_A1.jpg
84.17SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
The Card Player
Rembrandt Harmensz. van Rijn, (Leiden, 1606 - 1669, Amsterdam)
Rijn, Rembrandt Harmensz. van
Netherlands
1606 - 1669
Male
3 9/16 x 3 1/4 in. (9.1 x 8.2 cm)
.
.
.
sheet
sheet
Printer's ink
Printer's ink
1641
1641
1641
1600-1800, 17th century, etchings, leisure activities, men, portraits
Print
versoversoupper left, in the plate
1995.36
item
Memorial Art Gallery
2/4/2001
95.36SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.36DI1
digital image
10/16/2002
http://127.0.0.1:5000/Media/images/95.36_A1.jpg
95.36DI2
digital image
10/16/2002
http://127.0.0.1:5000/Media/images/95.36_A2.jpg
95.36DI#3
digital image
9/20/2023
http://127.0.0.1:5000/Media/images/95.36_A3.jpg
Painting
The Doctor's Visit
Attributed to Hendrick Heerschop, 1620 - 1672
Heerschop, Hendrick
Netherlands
1620 - 1672
Male
17 x 14 1/4 in. (43.2 x 36.2 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1660
1655
1665
1600-1800, 17th century, doctors, health & hygiene, men, paintings, women
Painting
In this picture, a doctor dramatically examines a flask of urine as he takes his patient’s pulse. The setting is the young woman’s bedchamber; she droops with exhaustion as the physician seeks a diagnosis. A second woman, her hand placed jauntily on her hip, leans between them.
The role of the characters in this painting would have been easily understood in the prosperous world of 17th -century Holland. The satirical subject of the quack doctor (suggested here by his dramatic posturing and costume) who claimed he could identify all sorts of illnesses by looking at a patient’s urine was a favorite theme in both theater and painting. There are also moral overtones in the portrayal of the patient and the demeanor of her companion—scenes of fainting women usually referred to lovesickness, erotic melancholy or pregnancy.
[Gallery label text, 2005]
back of panelback of panel, Torn at right edge, partly illegible
1946.35
item
Memorial Art Gallery
2/20/2001
46.35TR2
transparency
3 x 4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.35SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.35DI1
digital image
5/16/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/46.35_I1.jpg
46.35DI2
digital image
3 x 4
00/00/00
http://127.0.0.1:5000/Media/images/46.35_A1.jpg
46.35DI#3
digital image
2/18/2008
http://127.0.0.1:5000/Media/images/46.35_A2.jpg
46.35TR1
transparency
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
The Drunkard of Edo
Eight Cups of Drunkeness
Utagawa Kuniyoshi, 1797 - 1861
Utagawa Kuniyoshi
Japan
1797 - 1861
Male
Designer
13 11/16 x 9 3/4 in. (34.8 x 24.7 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1847-1852
1847
1852
1800-1900, dogs, Japanese, men, Ukiyo-e, woodcuts
Print
, Signature: Ichiyusai Kunisada ga, with pavlownia seal
1997.217
item
Memorial Art Gallery
6/22/2000
97.217DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.217_A1.jpg
Print
The Englishman at the Moulin Rouge (L'Anglais au Moulin Rouge)
Henri de Toulouse-Lautrec, 1864 - 1901
Toulouse-Lautrec, Henri de
France
1864 - 1901
Male
24 13/16 x 19 3/8 in. (63 x 49.2 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1892
1892
1892
1800-1900, 19th century, leisure activities, lithographs, Lockhart Collection, men, women
Print
lower left, in the image, on the stonelower right, on the stonelower right, below image, on the stonelower left, below image
1981.41
item
Memorial Art Gallery
5/12/2001
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
81.41DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/81.41_A1.jpg
81.41SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
The Fisherman
Jules Dupré, 1811 - 1889
Dupré, Jules
France
1811 - 1889
Male
9 1/2 x 13 in. (24.1 x 33 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1850-1858
1850
1858
1800-1900, 19th century, George Eastman Collection, landscapes, men, paintings, sheep
Painting
1959.70
item
Memorial Art Gallery
1/29/2001
59.70SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.70DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/59.70_A1.jpg
59.70SL2
slide
full with frame
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
The Last Days of Harvest
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 3/16 x 13 1/4 in. (23.3 x 33.7 cm)
.
.
.
image
Printer's ink
Printer's ink
1873
1873
1873
1800-1900, 19th century, children, fall, figure, horses, men, wood engravings
Print
Published in "Harper's Weekly," December 6, 1873
lower center, in the block
1986.57
item
Memorial Art Gallery
9/8/1999
86.57SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.57DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.57_A1.jpg
Print
The Last Load
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
4 1/2 x 6 1/2 in. (11.4 x 16.5 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, figure, jobs & work, men, women, wood engravings
Print
Published in "Appleton's Journal," August 7, 1869
lower center, in the blocklower right, in image
1986.83
item
Memorial Art Gallery
9/8/1999
86.83SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.83DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.83_A1.jpg
Painting
The Pancake Woman
Jan Steen, (1626 - 1679)
Steen, Jan
Netherlands
1626 - 1679
Male
26 1/4 x 20 7/16 in. (66.7 x 51.9 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1661-1669
1661
1669
1600-1800, 17th century, children, genre scenes, jobs & work, men, paintings, women
Painting
Pancake vendors, much like outdoor food vendors today, were a common sight on Dutch streets during the 1600s. Originally a delicacy prepared on the festival day of Shrove Tuesday, the last day of Carnival and the day before the beginning of Lent, pancakes were associated with feasting and wild behavior. Images of pancake makers were initially moralistic in nature, symbolizing gluttony and lust. By the 17th century, pancakes were eaten every day and the theme lost some of its allegorical significance. The scene retained its popularity among painters and printmakers of “low-life” genre scenes, or scenes of everyday peasant and street life.
[Gallery label text]
Steen was a prolific artist who specialized in low-life genre scenes, such as the popular subject of the pancake maker. A delicacy prepared especially on Vastenavond, or Shrove Tuesday, which was the last day of Carnival, the pancake had become associated with feasting and riotous behavior. It was therefore identified with overindulgence and became a symbol of gluttony or lust. During the seventeenth century, however, pancakes began to be enjoyed at any time, which reduced the allegorical potency of the theme.
[Gallery label text]
1955.71
item
Memorial Art Gallery
1/22/2001
55.71TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.71SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.71DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/55.71_A1.jpg
55.71SL2
slide
full with frame
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.71SL3
slide
detail
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.71DI2
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.71DI#3
digital image
Detail
6/11/2009
http://127.0.0.1:5000/Media/images/55.71_A2.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
The Picnic Excursion
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
6 9/16 x 9 1/8 in. (16.7 x 23.2 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, dogs, figure, horses, leisure activities, men, women, wood engravings
Print
Published in "Appleton's Journal," August 14, 1869
lower center, in the blocklower left, in image
1986.84
item
Memorial Art Gallery
9/8/1999
86.84SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.84DI1
digital image
3/26/2002
http://127.0.0.1:5000/Media/images/86.84_A1.jpg
Print
The Promenade Deck
Peggy Bacon, 1895 - 1987
Bacon, Peggy
United States
1895 - 1987
Female
6 1/2 x 9 in. (16.5 x 22.9 cm)
.
.
.
plate
Printer's ink
Printer's ink
1924
1924
1924
1900-2000, 20th century, children, drypoint, etchings, leisure activities, men, movement, Social Realism, women
Print
lower right, below platelower left, below plate
Kraushaar Galleries
1943.16
item
Memorial Art Gallery
9/8/1999
43.16SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
43.16DI1
digital image
1/16/2002
http://127.0.0.1:5000/Media/images/43.16_A1.jpg
43.16DI#2
digital image
4/19/2017
http://127.0.0.1:5000/Media/images/43.16_A2.jpg
Painting
The Sculpture Gallery
Sir Lawrence Alma-Tadema, (Dronerijp, the Netherlands, 1836 - 1912, Wiesbaden, Germany)
Alma-Tadema, Lawrence
Netherlands
1836 - 1912
Male
30 1/4 x 23 1/4 in. (76.8 x 59.1 cm)
.
.
.
approximate installation dimensions
frame
Oil
Oil
1875
1875
1875
1800-1900, 19th century, children, men, Orientalism, paintings, women
Painting
Alma-Tadema is known for his historical and anecdotal scenes set in classical antiquity or medieval Europe. The Sculpture Gallery is one of a number of scenes showing patrons at an ancient art gallery or sculptor’s studio. Here a slave—recognizable by the tablet hanging around his neck—displays a basin ornamented with Scylla, the mythological sea-serpent. The 19th-century collecting audience could likely identify the "Infant Hercules Struggling with a Snake," from the Capodimonti Museum in Naples at the left, and on the right, the statue of Helen, mother of Emperor Constantine, from the Capitoline museum in Rome. The Roman visitors are modelled on members of Alma-Tadema's family, including the artist’s wife and children, at the center.
The artist travelled widely and visited historic sites, gaining a reputation for his accuracy in depicting ancient settings and artifacts. However, it was modern technology that helped him achieve this renown: the artist collected professional photographs of artworks and artifacts found on archaeological digs, using these images as the basis for his scenes.
[Gallery label text, 2011]
upper leftback of panel,
back of panelback of panelback of panel, also appears at least twice on back of frameback of panel, Partly torn away.back of frameback of frameback of frame, Partly obscured by a labelback of frameback of frameback of frameback of frame
1989.45
item
Memorial Art Gallery
11/2/2000
89.45TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
89.45SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
89.45DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/89.45_A1.jpg
89.45DI#2
digital image
4/7/2009
http://127.0.0.1:5000/Media/images/89.45_A2.jpg
Print
The Summit of Mount Washington
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 1/16 x 16 in. (23.1 x 40.6 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, figure, horses, landscapes, men, mountains, women, wood engravings
Print
Published in "Harper's Weekly," July 10, 1869
lower center, in the blocklower right, in the block
1986.46
item
Memorial Art Gallery
9/8/1999
86.46SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.46DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.46_A1.jpg
86.46DI#2
digital image
8/11/2016
http://127.0.0.1:5000/Media/images/86.46_A2.jpg
Watercolor
The Trap
Harvey Ellis, (1852 - 1904)
Ellis, Harvey
United States
1852 - 1904
Male
13 3/16 x 7 11/16 in. (33.5 x 19.6 cm)
.
.
.
sheet
sheet
Watercolor
Watercolor
1896
1896
1896
1800-1900, 19th century, by Rochester artists, dogs, men, paintings, Rochester Art Club founders, watercolors, women
Watercolor
lower leftversoverso
1958.114
item
Memorial Art Gallery
9/8/1999
58.114SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
58.114DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/58.114_A1.jpg
58.114DI#2
digital image
8/26/2008
http://127.0.0.1:5000/Media/images/58.114_A2.jpg
58.114DI#3
digital image
7/23/2020
http://127.0.0.1:5000/Media/images/58.114_A3.jpg
Print
The Union Cavalry and Artillery Starting in Pursuit of the Rebels...
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 3/8 x 13 7/8 in. (23.8 x 35.2 cm)
.
.
.
image
Printer's ink
Printer's ink
1862
1862
1862
1800-1900, 19th century, Civil War, figure, horses, men, wood engravings
Print
Published in "Harper's Weekly," May 17, 1862
lower center, in the block
1986.27
item
Memorial Art Gallery
9/8/1999
86.27SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.27DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.27_A1.jpg
86.27DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/86.27_A2.jpg
Painting
The Visit (Le visite à la gardien)
Jean-Baptiste Le Prince, (Metz, 1734 - 1781, Saint-Denis)
Le Prince, Jean-Baptiste
France
1734 - 1781
Male
34 3/4 x 50 3/4 in. (88.3 x 128.9 cm)
.
.
.
Oil
Oil
1779
1779
1779
1600-1800, 18th century, horses, houses, landscapes, men, paintings, women
Painting
Le Prince studied with the rococo painter François Boucher and adopted his master's delicate manner and cool, pastel palette in his early work. Dating from late in his career, however, "The Visit" demonstrates a greater naturalism, reflecting the increasing popularity of seventeenth-century Dutch painting in eighteenth-century France. In this canvas, Le Prince has combined a genre scene with a panoramic landscape to suggest a gracious moment in everyday rural life. The subject of nobles visiting a peasant family would have appealed to the sense of humanity cultivated during the Enlightenment.
[Gallery label text, 2008]
lower left
1977.102
item
Memorial Art Gallery
1/25/2001
77.102TR2
transparency
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.102TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.102SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.102DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/77.102_A1.jpg
77.102DI#2
digital image
6/4/2012
http://127.0.0.1:5000/Media/images/77.102_A2.jpg
Painting
Autumn, from the Four Seasons
Studio of Jacopo Bassano, ca. 1515 - 1592
Bassano, Jacopo
Italy
ca. 1515 - 1592
Male
17 1/4 x 17 1/8 in. (43.8 x 43.5 cm)
.
.
.
Oil
Oil
16th Century
1500
1599
1400-1600, chickens & roosters, children, dogs, genre scenes, jobs & work, men, paintings, rabbits, Renaissance & Baroque, women
Painting
This painting was originally one of a set of four that illustrated the four seasons of the year. The scene of wine-making was traditionally associated with autumn.
[Gallery label text]
1945.62
item
Memorial Art Gallery
1/22/2001
45.62SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
45.62DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/45.62_A1.jpg
45.62DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Sculpture
Thomas Jefferson
William Ordway Partridge, 1861 - 1930
Partridge, William Ordway
United States
1861 - 1930
Male
20 in. (50.8 cm)
.
.
.
maximum
Plaster
Plaster
ca. 1914
1909
1919
1900-2000, 20th century, men, politics in art, portraits, statues, Thomas Jefferson
Sculpture
Plaster sketch for the bronze portrait statue at the School of Journalism, Columbia University, New York.
1923.8
item
Memorial Art Gallery
9/8/1999
23.8SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
23.8DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/23.8_A1.jpg
23.8DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
23.8DI2
conservation treatment photo
digital image
before treatment full
9/3/2004
http://127.0.0.1:5000/Media/images/Conservation photos/ACC# 23.8 BT1.jpg
23.8DI3
conservation treatment photo
digital image
before treatment detail front
9/3/2004
http://127.0.0.1:5000/Media/images/Conservation photos/ACC# 23.8 BT2.jpg
23.8DI4
conservation treatment photo
digital image
before treatment detail foot
9/3/2004
http://127.0.0.1:5000/Media/images/Conservation photos/ACC#23.8 BT3.jpg
23.8DI5
conservation treatment photo
digital image
after treatment detail foot
9/3/2004
http://127.0.0.1:5000/Media/images/Conservation photos/ACC# 23.8 AT1.jpg
23.8DI6
conservation treatment photo
digital image
after treatment detail front
9/3/2004
http://127.0.0.1:5000/Media/images/Conservation photos/ACC# 23.8 AT2.jpg
23.8.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/23.8.tif
23.8DI#7
digital image
6/13/2011
http://127.0.0.1:5000/Media/images/23.8_A2.jpg
Painting
Towing a Boat, Honfleur
Claude Monet, (Paris, 1840 – 1926, Giverny, France)
Monet, Claude
France
1840 - 1926
Male
21 3/4 x 32 5/16 in. (55.2 x 82.1 cm)
.
.
.
overall
horizontal
traveling frame
.
.
.
overall
stretcher
.
.
.
frame
Oil
Oil
1864
1864
1864
1800-1900, 19th century, boats, men, paintings, seascapes
Painting
"All that is painted directly, at a given moment, has a force, power, and vitality which can never be duplicated in a studio." --Eugène Boudin, to his student Claude Monet
Claude Monet’s early paintings were solidly grounded in the work of the preceding generation of French landscape painters called the Barbizon school. Their insistence on painting en plein air, or out of doors, led to Monet’s passion for capturing the transience of light.
Towing a Boat, Honfleur, painted ten years before the term Impressionism was coined, captures the moment that night overtakes sunset. It is one of the earliest of Monet’s many seascapes. As an experiment in reproducing the changing effects of light under different atmospheric conditions, the painting shows his process of abstracting nature into simplified forms and exaggerated color contrasts.
[Label copy from Monet: Vision and Process exhibition, 2018]
lower leftback of frame
1991.35
item
Memorial Art Gallery
8/8/2000
91.35CPRT1
glossy
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.35TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.35SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.35DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/91.35_A1.jpg
91.35DI3
digital image
00/00/00
http://127.0.0.1:5000/Media/images/91.35_A3.jpg
91.35DI#2
digital image
Memorial Art Gallery
1/9/2008
http://127.0.0.1:5000/Media/images/91.35_A2.jpg
Print
George Washington
Alex Katz, 1927 -
Katz, Alex
United States
1927
Male
20 x 40 in. (50.8 x 101.6 cm)
.
.
.
sheet/image
Printer's ink
Printer's ink
1975
1975
1975
1900-2000, 20th century, lithographs, men, politics in art, portraits
Print
1975.120.7
item
Memorial Art Gallery
9/8/1999
75.120.7DI1
digital image
7/22/2004
http://127.0.0.1:5000/Media/images/75.120.7_A1.jpg
Print
Watch-Tower, Corner of Spring and Varick Streets, New York
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
13 11/16 x 9 3/16 in. (34.8 x 23.3 cm)
.
.
.
image
Printer's ink
Printer's ink
1874
1874
1874
1800-1900, 19th century, figure, jobs & work, men, wood engravings
Print
Published in "Harper's Weekly," February 28, 1874
lower center, in the block
1986.60
item
Memorial Art Gallery
9/8/1999
86.60SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.60DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.60_A1.jpg
Print
White Collar Boys
Elizabeth M. Olds, 1896 - 1991
Olds, Elizabeth M.
United States
1896 - 1991
Female
13 x 17 3/8 in. (33 x 44.1 cm)
.
.
.
stone
horizontal
image
.
.
.
sheet
Printer's ink
Printer's ink
1935-1936
1935
1936
1900-2000, 20th century, lithographs, men
Print
In <em>White Collar Boys</em>, Elizabeth M. Olds depicts a group of Wall Street men marching down the street with no individuation or sense of independent will. The concept of the automaton—a human/machine amalgamation—was an outgrowth of life in an industrial, urban environment in which almost all facets of life had become automated and removed from nature. In 1922, philosopher and historian Lewis Mumford wrote, “We have had the alternative of humanizing the industrial city or de-humanizing the population. So far we have de-humanized the population.”
[label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012]
lower right, below imagelower left, below imageverso
2001.17
item
Memorial Art Gallery
1/8/2002
2001.17DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2001.17_A1.jpg
negative
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2001.17SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2001.17DI#2
digital image
2/17/2010
http://127.0.0.1:5000/Media/images/2001.17_A2.jpg
Painting
Young Man with a Dog
Cornelis de Vos, 1584 - 1651
Vos, Cornelis de
Flanders
1584 - 1651
Male
57 x 39 1/2 in. (144.8 x 100.3 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
0
0
1600-1800, 17th century, children, dogs, men, paintings, portraits
Painting
1955.83
item
Memorial Art Gallery
2/20/2001
55.83SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.83DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/55.83_A1.jpg
55.83DI2
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/55.83_A2.jpg
55.83SL2
slide
full in exhibit
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.83DI3
digital image
11/1/2018
http://127.0.0.1:5000/Media/images/Inventory pictures/55.83_I3.jpg
Painting
Study for "The Death of Richard II"
Francis Wheatley, (London, 1747 - 1801)
Wheatley, Francis
England
1747 - 1801
Male
14 1/2 x 11 1/2 in. (36.8 x 29.2 cm)
.
.
.
Oil
Oil
ca. 1792-1793
1792
1793
European art
Painting
1987.2
item
Memorial Art Gallery
11/3/2000
87.2TR1
transparency
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.2SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.2DI1
digital image
8 x 10
00/00/00
http://127.0.0.1:5000/Media/images/87.2_A1.jpg
Print
Donato Bramante (1444-1514)
Nicolas Larmessin, (ca. 1640 - 1725)
Larmessin, Nicolas
France
ca. 1640 - 1725
Male
7 1/2 x 5 5/8 in. (19 x 14.3 cm)
.
.
.
sheet
sheet
Printer's ink
Printer's ink
0
0
engravings, men, portraits
Print
below imagelower left, in image
1913.23
item
Memorial Art Gallery
4/24/2001
13.23DI#1
digital image
2/7/2008
http://127.0.0.1:5000/Media/images/13.23_A1.jpg
Print
Figurine
Soldier with Sword and Cane, Facing Right
Salvator Rosa, (1615 - 1673)
Rosa, Salvator
Italy
1615 - 1673
Male
5 3/8 x 3 11/16 in. (13.7 x 9.3 cm)
.
.
.
plate
Printer's ink
Printer's ink
1656-1657
1656
1657
etchings, men
Print
initialed, lower right
1915.10
item
Memorial Art Gallery
5/15/2001
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
15.10SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
15.10DI#1
digital image
3/13/2008
http://127.0.0.1:5000/Media/images/15.10_A1.jpg
Print
Springtime in New Orleans
George Overbury Hart, 1868 - 1933
Hart, George Overbury
United States
1868 - 1933
Male
11 13/16 x 17 5/8 in. (30 x 44.8 cm)
.
.
.
Printer's ink
Printer's ink
1925
1925
1925
20th century, lithographs, New Orleans, spring
Print
upper right, in the stonelower right, in marginlower left
1924.40
item
Memorial Art Gallery
9/8/1999
24.40SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
24.40DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/24.40_A1.jpg
Drawing
Two Gentlemen
Charles Dana Gibson, 1867 - 1944
Gibson, Charles Dana
United States
1867 - 1944
Male
17 1/2 x 13 3/4 in. (44.5 x 34.9 cm)
.
.
.
Ink
Ink
ca. 1895
1890
1900
19th century, drawing, figure, men
Drawing
lower center
1930.63
item
Memorial Art Gallery
9/8/1999
30.63SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.63DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/30.63_A1.jpg
30.63DI#2
digital image
12/7/2010
http://127.0.0.1:5000/Media/images/30.63_A2.jpg
Print
In a French Cafe (1st stone)
William S. Gisch, 1906 - 1989
Gisch, William S.
United States
1906 - 1989
Male
9 5/8 x 10 15/16 in. (24.4 x 27.8 cm)
.
.
.
Printer's ink
Printer's ink
ca. 1930
1925
1935
20th century, lithographs, men
Print
lower right
1933.16
item
Memorial Art Gallery
9/8/1999
33.16SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
33.16DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/33.16_A1.jpg
33.16DI#2
digital image
12/28/2010
http://127.0.0.1:5000/Media/images/33.16_A2.jpg
Print
Russia
Russia, 1919
Boardman Robinson, 1876 - 1952
Robinson, Boardman
United States
1876 - 1952
Male
17 15/16 x 12 15/16 in. (45.5 x 32.8 cm)
.
.
.
overall
sheet
.
.
.
stone
image
Printer's ink
Printer's ink
0
0
20th century, lithographs, men, women
Print
lower left, on the stonelower leftlower right
1936.43
item
Memorial Art Gallery
9/8/1999
36.43SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
36.43DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/36.43_A1.jpg
Drawing
Henry Mandeville (1804-1858)
Augustin Edouart, (1789 - 1861)
Edouart, Augustin
France
1789 - 1861
Male
11 x 7 1/2 in. (27.9 x 19.1 cm)
.
.
.
1840
1840
1840
1800-1900, 19th century, architecture in art, drawing, mixed media, portrait, portraits, silhouettes
Drawing
lower left
1939.4
item
Memorial Art Gallery
3/20/2001
matte
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
39.4DI#1
digital image
3/19/2009
http://127.0.0.1:5000/Media/images/39.4_A1.jpg
Print
The Umbrella Man
Hugh Botts, 1903 - 1964
Botts, Hugh
United States
1903 - 1964
Male
7 7/8 x 6 in. (20 x 15.2 cm)
.
.
.
Printer's ink
Printer's ink
0
0
1900-2000, 19th century, cats, etchings, jobs & work, men
Print
lower right, below platelower left, below platemargin
1942.44
item
Memorial Art Gallery
9/8/1999
42.44DI#1
digital image
10/4/2007
http://127.0.0.1:5000/Media/images/Inventory pictures/42.44_I1.jpg
42.44DI#2
digital image
11/13/2007
http://127.0.0.1:5000/Media/images/42.44_A1.jpg
Print
Pierre Mignard
Georg Friedrich Schmidt, (1712 - 1775)
Schmidt, Georg Friedrich
Germany
1712 - 1775
Male
Rigaud, Hyacinthe
France
1659 - 1743
Male
original artist
After
painting
19 1/2 x 14 1/4 in. (49.5 x 36.2 cm)
.
.
.
plate
Printer's ink
Printer's ink
ca. 1744
1739
1749
18th century, engravings, portrait
Print
1946.6
item
Memorial Art Gallery
5/15/2001
46.6DI#1
digital image
3/5/2010
http://127.0.0.1:5000/Media/images/46.6_A1.jpg
Drawing
Beggars
Winifred Lansing, (Rochester, NY, 1910 - 1988)
Lansing, Winifred
United States
1910 - 1988
Female
11 1/8 x 8 in. (28.3 x 20.3 cm)
.
.
.
Wash
Wash
0
0
1900-2000, 20th century, by Rochester artists, drawing, Sunday Art Fellowship
Drawing
lower right
1946.52
item
Memorial Art Gallery
9/8/1999
46.52DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/46.52_A1.jpg
Painting
Francis Granger (1792 - 1868)
Daniel Huntington, 1816 - 1906
Huntington, Daniel
United States
1816 - 1906
Male
32 x 27 in. (81.3 x 68.6 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
1871
1871
1871
19th century, from Rochester collections, Granger Family, Canandaigua, NY, portraits
Painting
lower left
1946.62
item
Memorial Art Gallery
9/8/1999
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.62DI1
digital image
full
2/7/2006
http://127.0.0.1:5000/Media/images/Inventory pictures/46.62_I1.jpg
46.62DI#1
digital image
full
4/10/2006
http://127.0.0.1:5000/Media/images/46.62_A1.jpg
46.64TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Honorable Mr. Leicester Stanhope (after Joshua Reynolds)
Francesco Bartolozzi, 1727 - 1815
Bartolozzi, Francesco
Italy
1727 - 1815
Male
Engraver
Reynolds, Joshua
England
1723 - 1792
Male
Original artist
After
14 13/16 x 10 1/2 in. (37.6 x 26.7 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
18th century, 19th century, children, engravings, musical instruments (depictions), portrait
Print
1947.80
item
Memorial Art Gallery
8/14/2000
47.80DI#1
digital image
2/5/2010
http://127.0.0.1:5000/Media/images/47.80_A1.jpg
Sculpture
Portrait Head
Roman artist
Roman artist
Italy
Primary
12 5/16 x 6 11/16 x 8 1/16 in. (31.3 x 17 x 20.5 cm)
.
.
.
with base
overall
.
.
.
without base
overall
.
.
.
with base
overall
Marble
Marble
1st century
0
99
1000 BCE - 500 CE, heads, portrait, portraits, Roman
Sculpture
1949.74
item
Memorial Art Gallery
5/12/2000
49.74SL1
slide
full frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
front
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
side
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
front
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
front
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
front
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
back
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
side
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
49.74DI#1
digital image
4/4/2008
http://127.0.0.1:5000/Media/images/Inventory pictures/49.74_I1.jpg
49.74DI#2
digital image
12/1/2009
http://127.0.0.1:5000/Media/images/49.74_A1.jpg
49.74DI#3
digital image
12/1/2009
http://127.0.0.1:5000/Media/images/49.74_A2.jpg
Print
Bishop Jacques-Bénigne Bossuet (1627-1704)
Pierre-Imbert Drevet, 1697 - 1739
Drevet, Pierre-Imbert
France
1697 - 1739
Male
Rigaud, Hyacinthe
France
1659 - 1743
Male
After
20 3/8 x 13 3/4 in. (51.8 x 34.9 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1723
1723
1723
1600-1800, 18th century, church officials, engravings, line, portrait, portraits, shadow
Print
After a 1723 portrait by Rigaud
1950.1
item
Memorial Art Gallery
5/1/2001
50.1SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
50.1DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/50.1_A1.jpg
50.1DI#2
digital image
4/19/2017
http://127.0.0.1:5000/Media/images/50.1_A2.jpg
Print
Admiral Frank Sotheron (1765-1839) (after Thomas Lawrence)
Charles Turner, (1774 - 1857)
Turner, Charles
England
1774 - 1857
Male
engraver
Lawrence, Thomas
England
1769 - 1830
Male
original artist
After
20 x 15 in. (50.8 x 38.1 cm)
.
.
.
sheet
Printer's ink
Printer's ink
after 1809
1810
1819
1800-1900, 19th century, mezzotints, military, portrait, portraits, weapons
Print
lower left, below imagelower right, below imagelower center, below image
1950.2
item
Memorial Art Gallery
8/18/2000
50.2SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
50.2DI#1
digital image
3/19/2009
http://127.0.0.1:5000/Media/images/50.2_A1.jpg
Print
Charles I (after van Dyck)
Johann August Eduard Mandel, (1810 - 1882)
Mandel, Johann August Eduard
Germany
1810 - 1882
Male
Dyck, Anthony van
Flanders
1599 - 1641
Male
original artist
After
23 3/8 x 18 13/16 in. (59.4 x 47.8 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
1800-1900, 19th century, engravings, portrait, portraits
Print
1950.3
item
Memorial Art Gallery
5/12/2001
50.3SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
50.3DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/50.3_A1.jpg
50.3DI#2
digital image
3/5/2010
http://127.0.0.1:5000/Media/images/50.3_A2.jpg
Watercolor
Alfred Mason Badger (1808-1868)
American artist, (active )
American artist
United States
Primary
2 9/16 x 2 3/16 x 5/16 in. (6.5 x 5.5 x 0.8 cm)
.
.
.
overall
overall
.
.
.
overall
overall
Watercolor
Watercolor
1830-1839
1830
1839
1800-1900, 19th century, portrait, portraits, watercolors
Watercolor
1950.5
item
Memorial Art Gallery
9/8/1999
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
50.5DI#1
digital image
full
8/10/2009
http://127.0.0.1:5000/Media/images/50.5_A1.jpg
Painting
Portrait of Hiram Westley Dixon (1817- 1888)
Jefferson Gauntt, (1806 - 1864)
Gauntt, Jefferson
United States
1806 - 1864
Male
35 3/4 x 28 1/2 in. (90.8 x 72.4 cm)
.
.
.
.
.
.
approximate installation dimensions
Oil
Oil
circa 1850-1860
1850
1860
1800-1900, American art, costume, men, paintings, portraits
Painting
Hiram Wesley Dixon, Born circa 1817- died Dec. 1, 1888 (Tarrytown, NY)
Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860.
Tombstone, Oct. 2010, Colleen Piccone
The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY.
Although painted separately, Mr. and Mrs. Dixon appear to share a couch against a large window through which an elaborate landscape can be seen. Both are dressed in stylish and sophisticated attire. Hiram W. Dixon was the owner of a hardware store in Hudson. In 1856, Mr. Dixon was elected a messenger of the Electoral College to carry the vote to Washington. A newspaper article reported that each year he “predicted the election returns and his selections were as predictable as the Gallup polls.” In 1864, he was a director of The First National Bank of Hudson and in 1866, appointed postmaster of the Hudson post-office.
In 1866, the family became members of the First Reformed Protestant Dutch Church in Hudson. Mr. Dixon was also involved in real estate and insurance in Tarrytown where there is a street named for him.
Text Panel, Oct. 2010, Colleen Piccone
verso
1952.36
item
Memorial Art Gallery
9/8/1999
52.36SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
52.36DI1
digital image
4/24/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/52.36_I1.jpg
52.36_DI#2
digital image
1/20/2009
http://127.0.0.1:5000/Media/images/52.36_A1.jpg
Drawing
Paderewski
Robert Lee MacCameron, 1866 - 1912
MacCameron, Robert Lee
United States
1866 - 1912
Male
13 1/4 x 9 3/16 in. (33.7 x 23.4 cm)
.
.
.
sheet
sheet (irregular)
Graphite
Graphite
1902
1902
1902
20th century, drawing, male figures, portrait
Drawing
lower left
1964.30
item
Memorial Art Gallery
9/8/1999
64.30SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
64.30DI#1
digital image
8/26/2008
http://127.0.0.1:5000/Media/images/64.30_A1.jpg
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/pdf/64.30_R1.pdf
Drawing
The Old Pilgrim Comes Home (Portrait of Henry James)
Max Beerbohm, (London, England, 1872 - 1956, Rapallo, Italy)
Beerbohm, Max
England
1872 - 1956
Male
15 1/2 x 12 1/4 in. (39.4 x 31.1 cm)
.
.
.
Pen and ink
Pen and ink
1913
1913
1913
1900-2000, drawing, male figures
Drawing
1964.32
item
Memorial Art Gallery
2/13/2001
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
64.32DI#1
digital image
9/11/2008
http://127.0.0.1:5000/Media/images/64.32_A1.jpg
Painting
Mullah Do Piaza (A courtier of Akbar)
Indian artist, (active )
Indian artist
India
Primary
8 1/4 x 5 in. (21 x 12.7 cm)
.
.
.
sheet
sheet
Opaque watercolor
Opaque watercolor
ca. 1600
1595
1605
Painting
verso, Per curatorial file-- see file for transcription
1969.19
item
Memorial Art Gallery
2/27/2001
69.19SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
3.5 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
1.5 x 1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
69.19DI1
digital image
6/27/2002
http://127.0.0.1:5000/Media/images/69.19_A1.jpg
69.19DI#2
digital image
9/8/2011
http://127.0.0.1:5000/Media/images/69.19_A2.jpg
Painting
Road Runner in a Big Red Apple
Manon Cleary, 1942 - 2011
Cleary, Manon
United States
1942 - 2011
Female
60 x 60 in. (152.4 x 152.4 cm)
.
.
.
without frame
overall
Acrylic
Acrylic
0
0
1900-2000, American art, color, figure, movement, paintings, transportation
Painting
lower right
1970.67
item
Memorial Art Gallery
9/8/1999
70.67DI1
digital image
5/1/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/70.67_I1.jpg
70.67DI#2
digital image
7/13/2009
http://127.0.0.1:5000/Media/images/70.67_A1.jpg
Print
Pierre Bonnard
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.1
item
Memorial Art Gallery
6/28/2001
72.2.1SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.1DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.1_A1.jpg
Print
Georges Braque
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.2
item
Memorial Art Gallery
6/28/2001
72.2.2SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.2DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.2_A1.jpg
Print
Marc Chagall
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.3
item
Memorial Art Gallery
6/28/2001
72.2.3SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.3DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.3_A1.jpg
Print
Raoul Dufy
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.4
item
Memorial Art Gallery
6/28/2001
72.2.4SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.4DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.4_A1.jpg
Print
Fernand Léger
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.5
item
Memorial Art Gallery
6/28/2001
72.2.5SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.5DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.5_A1.jpg
Print
Jacques Lipchitz
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.6
item
Memorial Art Gallery
6/28/2001
72.2.6SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.6DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.6_A1.jpg
Print
Aristide Maillol
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.7
item
Memorial Art Gallery
6/28/2001
72.2.7SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.7DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.7_A1.jpg
Print
Albert Marquet
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.8
item
Memorial Art Gallery
6/28/2001
72.2.8SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.8DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.8_A1.jpg
Print
Henri Matisse
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.9
item
Memorial Art Gallery
6/28/2001
72.2.9SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.9DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.9_A1.jpg
Print
Pablo Picasso
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.10
item
Memorial Art Gallery
6/28/2001
72.2.10SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.10DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.10_A1.jpg
Print
Chaim Soutine
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.11
item
Memorial Art Gallery
6/28/2001
72.2.11SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.11DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.11_A1.jpg
Print
Maurice Utrillo
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.12
item
Memorial Art Gallery
6/28/2001
72.2.12SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.12DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.12_A1.jpg
Print
Maurice de Vlaminck
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.13
item
Memorial Art Gallery
6/28/2001
72.2.13SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.13DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.13_A1.jpg
Print
Edouard Vuillard
Portfolio of 14 lithographs: (portraits of Bonnard, Braque, Chagall, Dufy, Leger, Lipchitz, Maillol, Marquet, Matisse, Picasso, Soutine, Utrillo, Vlaminck, Vuillard) with introduction by Emily Genauer
Arbit Blatas, (1908 - 1999)
Blatas, Arbit
Lithuania
1908 - 1999
Male
19 3/4 x 13 in. (50.2 x 33 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1962
1962
1962
Print
1972.2.14
item
Memorial Art Gallery
6/28/2001
72.2.14SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.2.14DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/72.2.14_A1.jpg
Painting
Portrait of Gideon Burbank (1803 - 1873)
William Cogswell, (Sandusky, NY, 1819 - 1903, Pasadena, CA)
Cogswell, William
United States
1819 - 1903
Male
46 x 35 in. (116.8 x 88.9 cm)
.
.
.
without frame
.
.
.
overall
frame
Oil
Oil
1863
1863
1863
1800-1900, American art, figure, implements & costume, men, paintings, portraits
Painting
Gideon Webster Burbank, Sr., 1863
Born May 24, 1803 - died March 4, 1873 (Rochester, NY)
The artist, William Cogswell, was born in upstate New York and taught himself portrait painting in the 1830s. He worked as a professional artist in New York City and exhibited at the National Academy and the American Art-Union. His best-known work is a portrait of Abraham Lincoln in the White House Collection. His portraits also include Presidents Grant and McKinley.
The portraits of Mr. and Mrs. Burbank were conserved by a Henry Luce Foundation Conservation Grant.
Gallery label, Feb. 2011, Colleen Piccone
The portraits of Mr. and Mrs. Burbank provide an unparalleled way of standing ‘face to face’ with early generations of Americans – those people who lived before Kodak gave us the snapshot.
Gideon Webster Burbank was educated in New York City and established a dry goods business in Kendall, NY in 1824. The following year he married Mary Goodrich and she bore eleven children. In 1839, after the Erie Canal was completed, Mr. Burbank started a career in Rochester as a manufacturer of flour at the Frankfort Mills. His mill sent barrels of flour to London as Rochester’s exhibit in the first World’s Fair in 1851. In the late 1850s, he designed and operated the steamer “Fulton” which made trips between Rochester and Buffalo on the Erie Canal. In 1869, he became a partner in the firm of Richardson, Burbank & Company, owners of the New York Flour Mills. He also served as president and director of several banks, and as a trustee of the First Baptist church.
Mr. Burbank was one of the earliest and most generous supporters of the University of Rochester and served on its Board of Trustees for nineteen years. In 1854, when the University was just four years old, he established the “Gideon Webster Burbank Professorship of Intellectual and Moral Philosophy.” His gift of $20,000 was, until that point, the largest single donation and helped inspire confidence in the long-term success of the University. He later suffered great financial loss, but remained proud of his connection to the University, saying “That I have saved.”
The Burbank family plot is located in Mt. Hope Cemetery.
Text Panel, Feb. 2011, Colleen Piccone
lower right
1973.69.2
item
Memorial Art Gallery
9/8/1999
73.69.2SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.69.2DI1
digital image
4/24/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/73.69.2_I1.jpg
73.69.2DI2
digital image
6/25/2009
http://127.0.0.1:5000/Media/images/73.69.2_A1.jpg
73.69.2DI#3
digital image
1/23/2010
http://127.0.0.1:5000/Media/images/73.69.2_A2.jpg
Print
Homeless Philosopher
Unwanted
Joseph Margulies, 1896 - 1984
Margulies, Joseph
United States
1896 - 1984
Male
14 5/8 x 11 11/16 in. (37.1 x 29.7 cm)
.
.
.
Printer's ink
Printer's ink
by 1936
1936
1936
Print
lower right, below image
1975.43
item
Memorial Art Gallery
9/8/1999
75.43 SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.43DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/75.43_A1.jpg
Print
A Patriarch
Moses Hyman, 1870 - after 1953
Hyman, Moses
United States
1870 - after 1953
Male
13 x 8 9/16 in. (33 x 21.7 cm)
.
.
.
Printer's ink
Printer's ink
1936
1936
1936
Print
lower rightlower left
1975.42
item
Memorial Art Gallery
9/8/1999
75.42 SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.42DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/75.42_A1.jpg
75.42DI#2
digital image
8/2/2018
http://127.0.0.1:5000/Media/images/75.42_A2.jpg
Print
Portrait of Llewelyn Powys
Reginald Marsh, 1898 - 1954
Marsh, Reginald
United States
1898 - 1954
Male
10 1/2 x 7 in. (26.7 x 17.8 cm)
.
.
.
Printer's ink
Printer's ink
1930
1930
1930
Print
Llewelyn Powys (1884-1939) was a British writer. His family was noted for the breadth of the creative accomplishments of its members - painting, architecture, writing, poetry, among other things.
Powys was married to the writer Alyse Gregory, who for several years in the 1920s was the managing editor of The Dial Magazine, a literary and arts journal owned and published by James Sibley Watson, Jr. (son of the founder of the Memorial Art Gallery) and Schofield Thayer.
[Gallery label text]
lower right, below imagelower leftlower right, in image
1975.48
item
Memorial Art Gallery
9/8/1999
75.48 SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.48DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/75.48_A1.jpg
75.48DI#2
digital image
2/17/2010
http://127.0.0.1:5000/Media/images/75.48_A2.jpg
Print
At the Base of the Flagpole, 1928
Isabel Bishop, (Cincinnati, OH, 1902 - 1988, Riverdale, NY)
Bishop, Isabel
United States
1902 - 1988
Female
15 7/16 x 11 15/16 in. (39.2 x 30.3 cm)
.
.
.
sheet
sheet
.
.
.
plate
plate
Printer's ink
Printer's ink
1928
1928
1928
Print
Ten folios and eight etchings, housed in a green cloth clamshell box with printed gold lettering.
lower right, Facsimile signaturelower leftlower right, For Stephen Sholinsky at Stem Graphics
D.C. Moore Gallery
1991.76.4
item
Memorial Art Gallery
8/17/2020
91.76.4SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.76.4DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/91.76.4_A1.jpg
Print
Man Holding Hat, 1929
Isabel Bishop, (Cincinnati, OH, 1902 - 1988, Riverdale, NY)
Bishop, Isabel
United States
1902 - 1988
Female
15 7/16 x 11 15/16 in. (39.2 x 30.3 cm)
.
.
.
plate
plate
.
.
.
sheet
sheet
Printer's ink
Printer's ink
1929
1929
1929
Print
Ten folios and eight etchings, housed in a green cloth clamshell box with printed gold lettering.
lower right, Facsimile signaturelower leftlower right, For Stephen Sholinsky at Stem Graphics
D.C. Moore Gallery
1991.76.5
item
Memorial Art Gallery
8/17/2020
91.76.5SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.76.5DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/91.76.5_A1.jpg
Print
Conversation, 1931
Isabel Bishop, (Cincinnati, OH, 1902 - 1988, Riverdale, NY)
Bishop, Isabel
United States
1902 - 1988
Female
15 7/16 x 11 15/16 in. (39.2 x 30.3 cm)
.
.
.
sheet
sheet
.
.
.
plate
plate
Printer's ink
Printer's ink
1931
1931
1931
Print
Ten folios and eight etchings, housed in a green cloth clamshell box with printed gold lettering.
lower right, Facsimile signaturelower leftlower right, For Stephen Sholinsky at Stem Graphics
D.C. Moore Gallery
1991.76.7
item
Memorial Art Gallery
8/17/2020
91.76.7SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.76.7DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/91.76.7_A1.jpg
Print
In Front of 42nd Street Library
Eight Etchings, 1927-1934
Isabel Bishop, (Cincinnati, OH, 1902 - 1988, Riverdale, NY)
Bishop, Isabel
United States
1902 - 1988
Female
Primary
9 15/16 x 13 1/16 in. (25.3 x 33.2 cm)
.
.
.
sheet
sheet
.
.
.
plate
plate
Printer's ink
Printer's ink
1927
1927
1927
Print
Posthumous-edition. Ten folios and eight etchings, housed in a tan buckram clamshell box with printed gold lettering.
lower right, Facsimile signature.lower leftlower right, For Stephen Sholinsky at Stem Graphics
D.C. Moore Gallery
1991.77.1
item
Memorial Art Gallery
9/8/1999
91.77.1SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.77.1DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/91.77.1_A1.jpg
Print
Over the Wall
Eight Etchings, 1927-1934
Isabel Bishop, 1902 - 1988
Bishop, Isabel
United States
1902 - 1988
Female
9 15/16 x 13 1/8 in. (25.2 x 33.3 cm)
.
.
.
sheet
sheet
.
.
.
plate
plate
Printer's ink
Printer's ink
1927
1927
1927
Print
lower right, Facsimile signature.lower leftlower right, For Stephen Sholinsky at Stem Graphics
D.C. Moore Gallery
1991.77.2
item
Memorial Art Gallery
9/25/2001
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.77.2SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.77.2DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/91.77.2_A1.jpg
Print
Looking Over the Wall
Eight Etchings, 1927-1934
Isabel Bishop, 1902 - 1988
Bishop, Isabel
United States
1902 - 1988
Female
13 1/8 x 10 in. (33.3 x 25.4 cm)
.
.
.
sheet
sheet
.
.
.
plate
plate
Printer's ink
Printer's ink
1928
1928
1928
Print
lower right, Facsimile signature.lower leftlower right, For Stephen Sholinsky at Stem Graphics
D.C. Moore Gallery
1991.77.3
item
Memorial Art Gallery
9/8/1999
91.77.3SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.77.3DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/91.77.3_A1.jpg
Print
Reading the Newspaper
Eight Etchings, 1927-1934
Isabel Bishop, 1902 - 1988
Bishop, Isabel
United States
1902 - 1988
Female
13 1/8 x 9 15/16 in. (33.3 x 25.2 cm)
.
.
.
sheet
sheet
.
.
.
plate
plate
Printer's ink
Printer's ink
1931
1931
1931
Print
lower right, Facsimile signature.lower leftlower right, For Stephen Sholinsky at Stem Graphics
D.C. Moore Gallery
1991.77.5
item
Memorial Art Gallery
9/8/1999
91.77.5SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.77.5DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/91.77.5_A1.jpg
Print
Seated Man
John Heliker, (1909 - 2000)
Heliker, John
United States
1909 - 2000
Male
9 15/16 x 13 3/16 in. (25.2 x 33.5 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Print
1998.109
item
Memorial Art Gallery
9/13/2000
98.109SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.109DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/98.109_A1.jpg
98.109DI#2
digital image
8/2/2018
http://127.0.0.1:5000/Media/images/98.109_A2.jpg
Print
Portrait of an Old Man
Peter von Halm, 1854 - 1923
Halm, Peter von
Germany
1854 - 1923
Male
Primary
20 1/16 x 15 3/16 in. (51 x 38.5 cm)
.
.
.
plate
square
image
Printer's ink
Printer's ink
0
0
Print
lower right, below imagelower left, below imagelower left, below image
2007.12
item
Memorial Art Gallery
11/28/2006
6102.2DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/2007.12_I1.jpg
2007.12DI#2
digital image
3/5/2010
http://127.0.0.1:5000/Media/images/2007.12_A1.jpg