15
Portfolios%20%3D%20%22709%22%20and%20Period%20%3D%20%22%22
Painting
St. Margaret with a Donor
Vrancke van der Stockt, (before 1420 - c. 6/14/1495)
Stockt, Vrancke van der
Flanders
before 1420 - c. 6/14/1495
Male
Primary
18 1/8 x 7 7/8 in. (46 x 20 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
0
0
1400-1600, dragons, paintings, Renaissance & Baroque, St. Margaret, women
Painting
This painting, which shows a woman in contemporary dress kneeling in devotion before an open prayer book, her patron saint behind her, was once the right wing of a small triptych, or three-part altarpiece. Saint Margaret, who is recognizable through her attributes, or identifying symbols, holds a cross; a fanged dragon is at her feet. According to the story, Margaret spent her life following the teachings of Christ. The governor of Antioch in the ancient Roman province of Syria, now modern Turkey, fell in love with Margaret’s beauty and asked her to marry him. She rejected his proposal, vowing to remain a virgin. The governor sent her to prison, where the Devil appeared to Margaret as a dragon. She was saved by her Christian faith: when the dragon swallowed Margaret, she made the sign of the cross, which split the dragon in two and allowed her to escape from his belly unharmed.
The left panel of the altarpiece, now in the Allen Memorial Art Museum of Oberlin University in Oberlin, Ohio, is a mirror image of this scene and depicts the woman’s husband also kneeling in devotion with his patron saint behind him. The center panel of the altarpiece to which the couple offers their prayers was probably a painting of the Virgin and infant Christ.
[Expanded from gallery label text, June 2013]
1944.15
item
Memorial Art Gallery
1/19/2001
44.15TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15DI1
digital image
full
2 x 2
6/28/2002
http://127.0.0.1:5000/Media/images/44.15_A1.jpg
44.15DI2
digital image
detail of serpent
2 x 2
6/20/2002
http://127.0.0.1:5000/Media/images/44.15_A2.jpg
44.15DI3
digital image
detail of donor
2 x 2
6/20/2002
http://127.0.0.1:5000/Media/images/44.15_A3.jpg
44.15SL2
slide
detail - snake
2x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15SL3
slide
detail - donor's face
2x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15DI4
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/44.15_A4.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15DI#5
digital image
4/30/2021
http://127.0.0.1:5000/Media/images/44.15_A5.jpg
44.15DI#8
digital image
Detail
4/30/2021
http://127.0.0.1:5000/Media/images/44.15_A8.jpg
44.15DI#7
digital image
4/30/2021
http://127.0.0.1:5000/Media/images/44.15_A7.jpg
44.15DI#6
digital image
4/30/2021
http://127.0.0.1:5000/Media/images/44.15_A6.jpg
Sculpture
Winged Genius
Assyrian artist, (active )
Assyrian artist
Iraq
33 3/8 x 29 1/8 x 2 1/2 in. (84.7 x 73.9 x 6.4 cm)
.
.
.
with mount
overall
.
.
.
with base
overall
Alabaster
Alabaster
Assyrian; made in Nimrud
ca. 865 BCE-860 BCE
865 BCE
860 BCE
1000 BCE - 500 CE, ancient art (Mediterranean & Near East), Assyrian, reliefs, reliefs
Sculpture
This mythical guardian figure, called a Genius, wears a two-horned helmet and fringed garment and carries a double-handled dagger, all attributes of his divine nature. His hands gesture protectively toward a flowering tree, just visible at the right edge of the sculpture. This relief, once brightly painted, is a fragment from the Northwest palace built by the Assyrian king Ashirnasirpal II (883—859 BCE) in his capital city at Kalhu, now the Iraqi city of Nimrud. Dozens of huge stone slabs carved with scenes of human and divine figures decorated the palace walls.
[Gallery label text, 2009]
This relief is a fragment of a larger composition of similar figures that once decorated one of the palaces of King Ashurnasirpal II, who ruled Assyria from 883 to 859 BCE. He established his capital at Kalhu, now the Iraqi city of Nimrud. Carved in a technique typical of Assyrian bas-reliefs, with contours deeply channeled to make them discernible in diffuse light, the figure’s facial features and musculature are carefully modeled. The hair and garments are also carved in detail, enhancing the decorative effect that the Assyrians favored in such reliefs.
The wings and the two-horned helmet worn by the figure, called a Genius, are attributes of his divinity. That he is a protective deity is implied by his gesture toward the tree form, which suggests the care of a farmer for planted crops. The palmettes of a tree behind the figure’s right foot separated this figure from a similar one, now in the Vatican Museum in Rome, facing in the opposite direction.
The motif of tending to these tree forms appears on many of the more than 315 Assyrian reliefs in collections outside of Nimrud, and is believed to represent an act that was part of ritual ceremonies. While such ceremonies remain unexplained, their frequent representation in palace reliefs suggests their importance to Assyrian court life.
"I, Ashurnasirpal, the king whose glory is mighty, took Kalhu and changed its ancient mound… A palace of boxwood, mulberry, cedar, cypress, pistachio, tamarisk, and poplar… for my royal dwelling and for my lordly pleasure I founded therein, I adorned and made glorious.”
King Ashurnasirpal II, who ruled Assyria from 883-859 BCE, so described the founding of his new capital city at Kalhu (modern-day Nimrud) on the banks of the Tigris River. Ashurnasirpal’s most elaborate project was the construction of the Northwest Palace, which included state apartments, a throne room, administrative offices, a harem and a tomb. Built during his reign and completed by his successors, the palace was decorated with huge stone slabs that were carved with scenes of figures in relief and inscribed with a record of important events during Ashurnasirpal’s reign. The Gallery’s relief, Winged Genius, probably comes from this palace.
[Gallery label text, 2004]
1944.10
item
Memorial Art Gallery
3/20/2001
44.10SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.10DI1
digital image
Memorial Art Gallery
Imaging complete
2 x 2
11/29/2001
http://127.0.0.1:5000/Media/images/44.10_A1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.10SL2
slide
detail of hands
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.10DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/44.10_A2.jpg
44.10DI3
digital image
00/00/00
http://127.0.0.1:5000/Media/images/44.10_A3.jpg
44.10DI#4
digital image
3/30/2009
http://127.0.0.1:5000/Media/images/44.10_A4.jpg
44.10DI#5
digital image
3/30/2009
http://127.0.0.1:5000/Media/images/44.10_A5.jpg
44.10DI#6
digital image
3/30/2009
http://127.0.0.1:5000/Media/images/44.10_A6.jpg
44.10DI#7
digital image
3/30/2009
http://127.0.0.1:5000/Media/images/44.10_A7.jpg
44.10DI#8
digital image
Detail of lower hand
00/00/00
http://127.0.0.1:5000/Media/images/44.10_A8.jpg
pdf file
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/pdf/CrossroadsGuide.pdf
Sculpture
Crest Mask: Male Antelope (Chi Wara)
Bamana artist, (active )
Bamana artist
Mali
Primary
40 9/16 x 2 15/16 x 13 9/16 in. (103 x 7.5 x 34.5 cm)
.
.
.
overall
overall
Wood
Wood
Bamana; made in Mali
0
0
African art, antelopes, Bamana, chi wara, sculpture
Sculpture
In many cultures, gods and spirits take the form of animals. Selected for their physical or behavioral traits, features of different animals are combined to create mythical creatures whose symbolic powers are greater than those of ordinary beasts. This antelope crest mask combines the curved horns of an antelope, the curious snout and scales of a pangolin (a kind of anteater) and the squat body of an aardvark—all animals that dig up the earth. This makes the mask a fitting representations of Chi Wara, the supernatural being the Bamana believe taught humans to farm. Chi wara masks were worn in male/female pairs during dance performances in the fields that taught and encouraged good farming. Today, because of conversion to Islam and a variety of social changes due to westernization, the Chi Wara masquerade is now performed for entertainment and cultural pride.
The small pieces of red cloth attached to the snout of this male Chi Wara may have originated in the woolen bandages imported by the French during the First World War. In Bamana culture, red is the color of danger and is often restricted to men of certain status.
[Gallery label text, 2009]
1969.107
item
Memorial Art Gallery
11/28/2000
69.107SL2
slide
worn w fiber costume
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
69.107SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
69.107DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/69.107_A2.jpg
69.107DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/69.107_A1.jpg
69.107DI#3
digital image
Three-quarter
1/13/2009
http://127.0.0.1:5000/Media/images/69.107_A3.jpg
69.107DI#4
digital image
Side
1/13/2009
http://127.0.0.1:5000/Media/images/69.107_A4.jpg
69.107DI#5
digital image
Front
1/13/2009
http://127.0.0.1:5000/Media/images/69.107_A5.jpg
69.107DI#6
digital image
1/13/2009
http://127.0.0.1:5000/Media/images/69.107_A6.jpg
69.107TR1
transparency
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Sculpture
Rhythm Pounder (Deble)
Senufo artist, (active )
Senufo artist
Côte d'Ivoire
42 1/2 in. (108 cm)
.
.
.
Wood
Wood
Senufo; made in Côte d'Ivoire
0
0
1900-2000, African art, religious & ritual objects, Senufo
Sculpture
In many African societies, life on earth is seen as part of a continuum that permits movement between the spirit and earthly worlds. As ancestors are in a position to assist the living, they must be respected and attended to. The rhythm pounders of the Senufo originally functioned as communication devices in calling the spirits of ancestors to participate in funerals. Held by the upper arms, the rhythm pounder’s thick base is thumped into the earth in rhythm with the sounds of chants, drums and rattles.
[Gallery label text, 2009]
1969.72
item
Memorial Art Gallery
3/10/2001
69.72SL1
slide
3/4 full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 full L
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 full R
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3/4 full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
69.72SL2
slide
detail-torso/head
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
69.72DI1
digital image
3/4 full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/69.72_A1.jpg
69.72DI#3
digital image
Front
3/10/2009
http://127.0.0.1:5000/Media/images/69.72_A3.jpg
69.72DI#2
digital image
Three-quarter
3/10/2009
http://127.0.0.1:5000/Media/images/69.72_A2.jpg
Sculpture
Helmet Mask (Waniougo)
Senufo artist, (active )
Senufo artist
Côte d'Ivoire
Primary
14 3/8 x 25 3/4 x 13 in. (36.5 x 65.4 x 33 cm)
.
.
.
Wood
Wood
Senufo; made in Côte d'Ivoire
0
0
masks
Sculpture
The sharp edges and angular forms of this double-faced mask (waniougo) result in a fierce and expressive presence. A fearsome appearance is desirable as waniougo’s role is to frighten away evil spirits wishing to harm a Senufo village at times of particular vulnerability, for example at funerals. Their appearance in nighttime masquerades enhances the otherworldly presence of these “firespitter” masks; embers or burning grass are held in front of the mouths through which the wearer blows to creating a dramatic shower of sparks into the night sky.
Waniougo combines the features of crocodiles (teeth), hippos (tusks), warthogs (upper tusks) and chameleons (two are visible on the top). In order to empower the mask before the ceremony, the cup held by the chameleons is filled with magical materials and the mask freshly painted with spots.
[Gallery label text, 2009]
1970.22
item
Memorial Art Gallery
3/10/2001
70.22TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
70.22SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
70.22DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/70.22_A1.jpg
Print
Rosalind and Celia, from "As You Like It" (after William Hamilton)
Peltro William Tomkins, (London, 1759 - 1840, London)
Tomkins, Peltro William
England
1759 - 1840
Male
Engraver
Hamilton, William
England
1751 - 1801
Male
Original artist
After
14 1/2 x 17 15/16 in. (36.8 x 45.6 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1799
1799
1799
1600-1800, 18th century, engravings, men, trees in art, women
Print
lower right, below imagelower leftversolower right of versoverso
1917.5
item
Memorial Art Gallery
8/18/2000
17.5SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
17.5DI#1
digital image
3/19/2009
http://127.0.0.1:5000/Media/images/17.5_A1.jpg
Print
The Birth of Venus
Childe Hassam, 1859 - 1935
Hassam, Childe
United States
1859 - 1935
Male
7 x 13 in. (17.8 x 33 cm)
.
.
.
Printer's ink
Printer's ink
1922
1922
1922
1900-2000, 20th century, etchings, line, nudes, Venus, waves
Print
lower rightlower left, in margin
1940.12
item
Memorial Art Gallery
9/8/1999
40.12DI1
digital image
Full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/40.12_A1.jpg
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Stonework
Figure of Quetzalcoatl
Aztec artist, (active )
Aztec artist
Mexico
26 in. (66 cm)
.
.
.
Volcanic stone
Volcanic stone
Aztec; made in Mexico
1200-1500 CE
1200
1500
Aztec, Pre-Columbian art of Central & South America, Quetzalcoatl, sculpture
Stonework
Aztec deity sculptures exist in the thousands, despite a campaign of destruction by the conquering Spanish who believed they were heathen idols. This sculpture represents the Aztec creator god, Quetzalcoatl. His name combines the words for “precious green feather” (quetzalli) and “serpent” (coatl), thus combining the two religious/cosmological realms, the sky realm and earth.
Representations of their gods were made recognizable to the Aztec people by their individual attributes. Here Quetzalcoatl wears his characteristic curved shell ear ornaments and conical headpiece.
[Gallery label text, 2009]
1944.64
item
Memorial Art Gallery
2/3/2001
44.64SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.64DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/44.64_A1.jpg
44.64DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.64DI#2
digital image
Front
5/12/2009
http://127.0.0.1:5000/Media/images/44.64_A2.jpg
44.64DI#3
digital image
Three-quarter
5/12/2009
http://127.0.0.1:5000/Media/images/44.64_A3.jpg
Sculpture
Female Satyr, Bacchus, and Putti
Gerhard van Opstal, 1597 - 1668
Opstal, Gerhard van
Flanders
1597 - 1668
Male
8 1/2 x 6 1/4 x 1 in. (21.6 x 15.9 x 2.5 cm)
.
.
.
Ivory
Ivory
17th Century
1600
1699
1600-1800, Bacchus, European art, putti, satyrs
Sculpture
1955.49.1
item
Memorial Art Gallery
3/10/2001
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.49.1DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/55.49.1_A1.jpg
55.49.1DI#2
digital image
10/23/2009
http://127.0.0.1:5000/Media/images/55.49.1_A2.jpg
Print
Two Genii
Hans Sebald Beham, (Nuremberg, Germany, 1500 - 1550, Frankfurt, Germany)
Beham, Hans Sebald
Germany
1500 - 1550
Male
1 5/16 x 3 15/16 in. (3.3 x 10 cm)
.
.
.
sheet
sheet
Printer's ink
Printer's ink
1544
1544
1544
Print
Proof of the 4th state
upper center, in the plateverso
1967.62
item
Memorial Art Gallery
5/12/2001
67.62SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
67.62DI#1
digital image
6/8/2009
http://127.0.0.1:5000/Media/images/67.62_A1.jpg
Print
The Cave of Eternity (The Magician)
The Magician
Hendrik Goltzius, 1558 - 1617
Goltzius, Hendrik
Netherlands
1558 - 1617
Male
13 13/16 x 10 3/8 in. (35.1 x 26.4 cm)
.
.
.
sheet (irregular)
sheet (irregular)
.
.
.
plate
image
.
.
.
overall
vertical
frame
Printer's ink
Printer's ink
ca. 1594
1589
1599
Print
lower right, in the image, in the block, in negative [=reverse?]
1979.66
item
Memorial Art Gallery
2/4/2001
79.66TR1
transparency
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.66SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.66DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/79.66_A1.jpg
79.66DI#2
digital image
4/24/2012
http://127.0.0.1:5000/Media/images/79.66_A2.jpg
Print
Quetzalcoatl
Rufino Tamayo, (Oaxaca, Mexico, 1899 - 1991, Mexico City)
Tamayo, Rufino
Mexico
1899 - 1991
Male
27 x 51 1/2 in. (68.6 x 130.8 cm)
.
.
.
.
.
.
overall
frame
Printer's ink
Printer's ink
1979
1979
1979
Print
Rufino Tamayo is considered by many to be the father figure of contemporary Mexican art. Although he lived in New York City and Paris for many years, Tamayo’s work was always informed by his deep affinity for his own Zapotec Indian culture. The subject of this print is Quetzalcoatl, the plumed serpent who in Zapotec mythology was the god of the winds. Tamayo, a master printmaker, found mixographs particularly suited to his personal style. Using a wax slab rather than a conventional metal plate or stone, the mixograph technique allows the artist to create a painterly, textured surface.
[Label text from It Came From the Vault exhibition, 2013]
1986.8
item
Memorial Art Gallery
5/22/2001
86.8TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.8SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.8DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/86.8_A1.jpg
Print
Orpheus: Maenads Dancing
Gerhard Marcks, 1889 - 1947
Marcks, Gerhard
Germany
1889 - 1947
Male
14 1/2 x 15 3/4 in. (36.8 x 40 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1947
1947
1947
Print
1987.78
item
Memorial Art Gallery
5/12/2001
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.78DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.78_A1.jpg
87.78DI#2
digital image
3/5/2010
http://127.0.0.1:5000/Media/images/87.78_A2.jpg
Print
Drunken Silenus
Jusepe de Ribera, (Xativa, Spain, 1591 - 1652, Naples, Italy)
Ribera, Jusepe de
Spain
1591 - 1652
Male
10 5/8 x 13 11/16 in. (27 x 34.8 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1628
1628
1628
Print
verso, "L mariette 1667"verso
1988.34
item
Memorial Art Gallery
5/22/2001
88.34SL1
slide
full
2 x 2
00/00/00
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glossy
8x10
00/00/00
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glossy
2 x 2
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http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
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88.34DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/88.34_A1.jpg
88.34DI#2
digital image
12/28/2010
http://127.0.0.1:5000/Media/images/88.34_A2.jpg
Print
Hercules and Antaeus (after Mantegna)
German artist
Mantegna, Andrea
Italy
1431 - 1506
Male
original artist
After
German artist
Germany
Primary
8 1/2 x 6 3/8 in. (21.6 x 16.2 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Print
1989.34
item
Memorial Art Gallery
5/15/2001
89.34SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
89.34DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/89.34_A1.jpg
89.34DI2
digital image
9/23/2010
http://127.0.0.1:5000/Media/images/89.34_A2.jpg