2
Portfolios%3D%22565%22%20and%20Period%3D%22Precolumbian%22
Stonework
Stela No. 9: Two Dancing Figures
Maya artist, (active )
Maya artist
Mexico
Primary
51 x 37 x 7 in. (129.5 x 94 x 17.8 cm)
.
.
.
Stone
Stone
Maya; made in Oxkintok, Yucatan, Mexico
ca. 859
854
864
500-1000, Mayan, Pre-Columbian art of Central & South America, reliefs, stelae
Stonework
A stela is a sculpted stone monument with carved figures and inscriptions. The Maya often placed stela before temple or palace entrances. The one on view here was found at the portal of the main group of buildings in the Maya site of Oxkintok, Mexico by archaeologists from the Carnegie Institution of Washington in 1940.
A 1940 excavation photograph (click on "view all images" above) shows the Gallery’s largely intact stela in the location where it was unearthed. This photo also shows that since its excavation in 1940 and before it was purchased by the museum in 1967, the stela suffered damage by unknown hands. The fragment of the upper panel visible in this photo was broken off and is now missing. Also damaged were the glyphs (Maya writing) between the knees of the figures, which lost some of their surface carving.
What remains of the stela shows two elaborately dressed dancing figures who face each other. Three bands of glyphs are visible: the long horizontal band along the top, a vertical row between their faces and one horizontal row between their knees. The horizontal row of glyphs across the top contains the date of October 9, 859 CE. Both smaller rows are now badly abraded and difficult to identify, but the first two glyphs in the short vertical row between the figures may identify the name of the individual standing on the left as “White Jaguar.” This figure is a youthful ruler or noble, possibly in the guise of one of the legendary “Hero-Twins” who in Maya mythology traveled to the Underworld to overcome its lords. The figure on the right has been identified as God N (Pauahtun), one of the principal Maya lords of the Underworld or region of the dead. He wears feathers on his arms and carries a codex, or folding-screen book, of bark paper with a jaguar-pelt cover. Below Pauahtun is a bowl or basket containing unidentifiable objects.
The upper panel that was attached to the stela in the 1940 excavation photo may have depicted an elaborately dressed dancing ruler in the world of the living as a counterpoint to the Underworld scene visible here.
[Gallery label text, 2009]
1967.30
item
Memorial Art Gallery
2/3/2001
67.30SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
67.30SL2
slide
photo of possible original site
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/67.30_A1.jpg
67.30SL3
slide
detail upper left
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
67.30DI2
digital image
Detail
6/16/2009
http://127.0.0.1:5000/Media/images/67.30_A2.jpg
67.30DI3
digital image
Detail
6/16/2009
http://127.0.0.1:5000/Media/images/67.30_A3.jpg
67.30DI#4
object at excavation site, 1940
digital image
object at excavation site, 1940
00/00/00
http://127.0.0.1:5000/Media/images/67.30_A4.jpg
67.30DI#5
now missing top of MAG stele at excavation site, 1940
digital image
Now-missing top section of MAG stele at excavation site, 1940
00/00/00
http://127.0.0.1:5000/Media/images/67.30_A5.jpg
67.30DI6
digital image
00/00/00
http://127.0.0.1:5000/Media/images/67.30_A6.jpg
Ceramics
Stirrup Spout Vessel: Seated Blind Man
Moche artist, (active )
Moche artist
Peru
7 11/16 x 3 3/4 x 6 7/8 in. (19.6 x 9.5 x 17.5 cm)
.
.
.
overall
overall
Terracotta, pigment
Terracotta, pigment
Moche; made in Peru
450-600 CE
450
600
1000 BCE - 500 CE, ceramics, male figures, Mochica, Pre-Columbian art of Central & South America, vessels
Ceramics
The Moche were keen observers of humanity as evidenced by the wide variety of subjects treated in their ceramics. Although they often based their designs on realistic images and scenes from daily life, these vessels probably had religious and symbolic significance. Here, a portrait of a blind man may allude to both a specific individual and the shamanic practice of using senses beyond sight to determine meaning. This figure is seated and wears a sash that passes through the stirrup spout of another vessel.
[Gallery label text, 2009]
1944.65
item
Memorial Art Gallery
11/16/2000
44.65SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
w 45.30 & 43.8
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.65DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/44.65_A1.jpg
44.65DI#2
digital image
Three-quarter
7/28/2009
http://127.0.0.1:5000/Media/images/44.65_A2.jpg