11
Portfolios%3D%22576%22%20and%20Century%3D%2221st%20Century%22
Painting
Everett Shinn Writes Isabel Herdle
Ken Aptekar, (Detroit, MI, 1950 - )
Aptekar, Ken
United States
1950
Male
Oil
Oil
2001
2001
2001
2000+, 21st Century, Memorial Art Gallery, paintings
Painting
2002.1a-d
item
Memorial Art Gallery
3/27/2002
2002.1a-dDI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2002.1a-d_A1.jpg
Furniture
Lord Dragonfly Chair
Wendell Castle and William Heyen
Heyen, William
United States
1940
Male
Co-creator
poetry inscribed on bench
Castle, Wendell
United States
1932 - 2018
Male
Co-creator
Wendell Castle and William Heyen
United States
Male
35 x 82 x 24 in. (88.9 x 208.3 x 61 cm)
Cherry
Cherry
2001
2001
2001
2000+, 21st Century, American art, by Rochester artists, chairs, decorative arts, School for American Craftsmen
Furniture
The Memorial Art Gallery commissioned Lord Dragonfly Chair as a bench for public use. It represents the collaboration of two of Rochester’s luminaries, furniture artist Wendell Castle and poet William Heyen (born 1940). Routed into the back and seat are poems from Heyen’s 1981 book Lord Dragonfly: Five Sequences. Heyen made an initial selection of possible poems, from which Castle chose six. To disguise his handwriting, Castle used his left hand to rout these brief untitled poems into the wood.
[Gallery label text, 2008]
Yes, Proper right on back of seat
Wendell Castle
2001.6
item
Memorial Art Gallery
10/23/2001
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2001.6TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2001.6SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2001.6SL1
slide
detail-seat left
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2001.6SL3
slide
detail- center seat
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2001.6SL4
slide
detail-seat-right
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2001.6DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2001.6_A1.jpg
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/2001.6_I4.JPG
2001.6DI2
digital image
back of Lord Dragonfly Chair
00/00/00
http://127.0.0.1:5000/Media/images/2001.6_A2.jpg
digital image
Front
00/00/00
http://127.0.0.1:5000/Media/images/2001.6_A3.jpg
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/2001.6_I5.JPG
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/2001.6_I6.JPG
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/2001.6_I7.JPG
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/2001.6_I8.JPG
Print
Accepting the Good with the Bad
Debra M. Fisher, (1954 - )
Fisher, Debra M.
United States
1954
Female
21 5/8 x 17 3/4 in. (54.9 x 45.1 cm)
.
.
.
overall
vertical
image
.
.
.
sheet
Printer's ink
Printer's ink
2001
2001
2001
2000+, 21st Century, aquatints, by Rochester artists, etchings, Patron Prints
Print
lower right, below imagelower left, below imagelower right
2001.13
item
Memorial Art Gallery
10/23/2001
2001.13DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2001.13_A1.jpg
Drawing
untitled (3)
Steven Harvey, 1953 -
Harvey, Steven
United States
1953
Male
19 3/4 x 25 9/16 in. (50.2 x 64.9 cm)
.
.
.
sheet
Charcoal
Charcoal
2002
2002
2002
2000+, 21st Century
Drawing
verso
2003.35
item
Memorial Art Gallery
7/11/2003
2003.35DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.35_A1.jpg
2003.35DI#2
digital image
4/19/2017
http://127.0.0.1:5000/Media/images/2003.35_A2.jpg
Print
Snowball Shadows
G. Peter Jemison, (Silver Creek, NY, 1945 - )
Jemison, G. Peter
United States
1945
Male
21 1/8 x 26 in. (53.6 x 66 cm)
.
.
.
sheet
Printer's ink
Printer's ink
Artists proof
Seneca
2001
2001
2001
2000+, 21st Century, by Rochester artists, lithographs, winter
Print
From a suite of prints by Native American artists entitled "Lasting Impressions", commissioned by University of Arizona at Tuscon.
lower right, in imagelower right, in image, Blindstamp monogram: Landfall Pressversoversoverso, Print Numberlower left, in the plate
2003.1
item
Memorial Art Gallery
2/3/2003
2003.1DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.1_A1.jpg
2003.1DI#2
digital image
2/13/2015
http://127.0.0.1:5000/Media/images/2003.1_A2.jpg
Print
Wormhole, Fallen Custer (broadside)
DeLoss McGraw, 1945 -
Heyen, William
United States
1940
Male
poet
text
McGraw, DeLoss
United States
1945
Male
12 11/16 x 16 in. (32.3 x 40.7 cm)
.
.
.
sheet
Printer's ink
Printer's ink
2001
2001
2001
2000+, 21st Century, Patron Prints, relief halftone
Print
lower right, below image
2003.3
item
Memorial Art Gallery
2/5/2003
2003.3DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.3_A1.jpg
2003.3DI#2
digital image
2/17/2010
http://127.0.0.1:5000/Media/images/2003.3_A2.jpg
Print
Push Comes to Shove
David Row, 1949 -
Row, David
United States
1949
Male
19 1/2 x 29 in. (49.5 x 73.7 cm)
.
.
.
overall
horizontal
image
.
.
.
sheet
Printer's ink
Printer's ink
2002
2002
2002
2000+, 21st Century, aquatints, Presentation Prints from the Print Club of Rochester
Print
2002 Presentation Print of the Print Club of Rochester
lower rightlower leftlower center
2002.41
item
Memorial Art Gallery
11/13/2002
2002.41DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2002.41_A1.jpg
2002.41DI#2
digital image
8/30/2010
http://127.0.0.1:5000/Media/images/2002.41_A2.jpg
Drawing
In Memoriam
Rhonda Schaller, 1958 -
Schaller, Rhonda
United States
1958
Female
23 1/2 x 26 3/4 x 1 3/4 in. (59.7 x 67.9 x 4.4 cm)
.
.
.
with frame
Oil stick
Oil stick
2001-2002
2001
2002
2000+, 21st Century
Drawing
On 9/11/01, as artist Rhonda Schaller commuted to her studio near the World Trade Center, planes were flying into the Twin Towers. As she emerged from the subway into the debacle, her first instinct was to head to her studio – but she quickly turned and ran to safety.
In the aftermath of the attack, Schaller said that it was as if “…the sounds and smoke and destruction became a part of my work.” In Memoriam is one of a group of drawings that emerged from this period of turmoil. For their first exhibition, Schaller wrote:
"These works were made post 9/11.
I had no choice but to make these works now that darkness and light have been redefined in the collective unconscious. This psychic blow of catastrophic proportions has caused a major shift in the reality of the community, and as an artist, I must respond. For if the symbols of the universe exist in shape and form within us, what does darkness and light in this new age of terror look like, feel like? And who am I within this collective space? What is the interior landscape that alters my personal ‘center,’ and yours, when the exterior landscape is destroyed?"
[Label text, 2003]
verso
2003.5
item
Memorial Art Gallery
4/21/2003
2003.5DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.5_A2.jpg
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2003.5TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2003.5SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2003.5DI2
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/2003.5_A1.jpg
Print
One View from the Thicket
Nicholas Ruth, (Phildelphia, PA, )
Ruth, Nicholas
United States
Male
15 7/16 x 11 1/4 in. (39.2 x 28.5 cm)
.
.
.
plate
vertical
image
.
.
.
sheet
Printer's ink
Printer's ink
2004
2004
2004
2000+, 21st Century, aquatints, conical, cube, etchings, Patron Prints
Print
lower right, below imagelower left, below imagelower center, below image
Nicolas Ruth
2004.28
item
Memorial Art Gallery
9/29/2004
2004.28DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2004.28_A1.jpg
Ceramics
First of June
Anne Currier, 1950 -
Currier, Anne
United States
1950
Female
21 x 27 x 20 in. (53.3 x 68.6 x 50.8 cm)
.
.
.
overall
Ceramic
Ceramic
2002
2002
2002
EX2004.GG2.7
2000+, 21st Century, Craft, sculpture, western New York
Ceramics
Anne Currier, internationally renowned ceramist and professor of ceramics at Alfred University, was one of six artists included in the first Rochester Biennial exhibition in 2004. She speaks eloquently about her work:
"The ceramic sculptures express my curiosity about… the physical and visual exchange of masses and voids in space…how the absence of a shape can assert a presence and define an arcane existence. Projection and recession, hard and soft, light and shadow, substance and impression are dynamics that parallel content and intentions…Color and texture are chosen to enhance the ambiguity between the visual perception of a surface and the reality of touch. There is a compulsion to experience inside and outside, using the simplicity of clay cylinders, cones, planes and edges…Associations with architecture and positions of the human figure found in Buddhist temple friezes are part of an exploration that generates for me an intriguing sense of scale, intimacy and narrative."
[Gallery label text]
2004.31
item
Memorial Art Gallery
4/19/2004
2004.31DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2004.31_A1.jpg
2004.31DI2
digital image
another view
00/00/00
http://127.0.0.1:5000/Media/images/2004.31_A2.jpg
2004.31SL1
slide
frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2004.31SL2
slide
side
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Tango
Alison Saar, 1956 -
Saar, Alison
United States
1956
Female
Primary
29 1/8 x 41 3/16 in. (74 x 104.6 cm)
.
.
.
sheet
horizontal
sheet
.
.
.
block
image
Printer's ink
Printer's ink
2005
2005
2005
Print
lower right, below imagelower left, below image
2008.68
item
Memorial Art Gallery
12/3/2008
2008.68_I1.JPG
digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/2008.68_I1.JPG
2008.68DI#2
digital image
5/17/2010
http://127.0.0.1:5000/Media/images/Inventory pictures/2008.68_I2.JPG
2008.68DI#3
digital image
1/20/2017
http://127.0.0.1:5000/Media/images/2008.68_A2.jpg