27
Portfolios%3D%22598%22%20and%20Disp_Obj_Type%3D%22Sculpture%22
Sculpture
Evangeline
William Couper, 1853 - 1942
Couper, William
United States
1853 - 1942
Male
21 1/4 in. (54 cm)
.
.
.
Marble
Marble
ca. 1880
1875
1885
1800-1900, 19th century, Evangeline, sculpture, women
Sculpture
on base
1969.7
item
Memorial Art Gallery
9/8/1999
69.7TR1
Transparency
Memorial Art Gallery
Front
2 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
transparency
2 x 2.5
00/00/00
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69.7SL1
slide
2 x 2
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negative
full
4 x 5
00/00/00
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69.7DI1
digital image
Memorial Art Gallery
Front
Imaging complete
2/19/2001
http://127.0.0.1:5000/Media/images/69.7_A1.jpg
69.7DI#2
digital image
2/10/2016
http://127.0.0.1:5000/Media/images/69.7_A2.jpg
Sculpture
Dancer Holding Her Right Foot in Her Right Hand
Edgar Degas, 1834 - 1917
Degas, Edgar
France
1834 - 1917
Male
19 1/2 in. (49.5 cm)
.
.
.
Bronze
Bronze
ca. 1898-1912
1898
1912
1800-1900, 19th century, dance, nudes, sculpture, women
Sculpture
bottom of base?
1959.1
item
Memorial Art Gallery
1/17/2001
59.1SL1
slide
3/4 from right
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full-turned to right
8 x 10
00/00/00
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glossy
full front
8 x 10
00/00/00
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negative
full front
4 x 5
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http://127.0.0.1:5000/Graphics/blank.gif
negative
full front
1.5 x 2.5
00/00/00
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59.1TR1
transparency
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.1DI1
digital image
2 x 3
11/29/2001
http://127.0.0.1:5000/Media/images/59.1_A1.jpg
59.1SL2
slide
full- back
2 x 2
00/00/00
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59.1SL3
slide
3/4 from right
2 x 2
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59.1DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.1DI#2
digital image
11/15/2011
http://127.0.0.1:5000/Media/images/59.1_A2.jpg
59.1DI#3
digital image
11/15/2011
http://127.0.0.1:5000/Media/images/59.1_A3.jpg
Sculpture
Woman Washing Her Left Leg
Edgar Degas, 1834 - 1917
Degas, Edgar
France
1834 - 1917
Male
5 3/4 in. (14.6 cm)
.
.
.
Bronze
Bronze
cast 1919-1937
1919
1937
1900-2000, 20th century, nudes, sculpture, women
Sculpture
left back corner of baseleft back corner of baseright front corner of base
1981.23
item
Memorial Art Gallery
1/17/2001
81.23SL1
slide
full-front
2 x 2
00/00/00
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glossy
8x10
00/00/00
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negative
4x5
00/00/00
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81.23TR1
transparency
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
81.23DI1
digital image
2 x 3
11/29/2001
http://127.0.0.1:5000/Media/images/81.23_A1.jpg
negative
2 x 3
00/00/00
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negative
detail-bottom forge mark
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
detail-bottom forge mark
8 x 10
00/00/00
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negative
det-bottom signature
2 x 3
00/00/00
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glossy
det-bottom signature
8 x 10
00/00/00
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81.23SL2
slide
full-3/4 view
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
81.23DI#2
digital image
11/15/2011
http://127.0.0.1:5000/Media/images/81.23_A2.jpg
81.23DI#3
digital image
11/15/2011
http://127.0.0.1:5000/Media/images/81.23_A3.jpg
Sculpture
The West Wind
Thomas Ridgeway Gould, 1818 - 1881
Gould, Thomas Ridgeway
United States
1818 - 1881
Male
70 1/2 x 23 x 33 1/4 in. (179.1 x 58.4 x 84.5 cm)
.
.
.
overall
Marble
Marble
1876
1876
1876
1800-1900, 19th century, allegories, sculpture, women
Sculpture
Who was the West Wind? In Greek mythology, the West Wind was Zephyrus, one of the four wind gods. Perhaps the maker of this work, who was influenced by the mythological subjects that he saw in Italy, was describing the West Wind by showing its effect on the figure’s hair and skirt. Another interpretation suggests that the sculpture is an idealized expression of the United States’s westward expansion. It was exhibited at the Centennial Exhibition in Philadelphia on the occasion of the nation’s hundredth birthday in 1876. The starred belt on the waistband of the figure’s clothing could refer to the stars on the American flag.
When English poet Percy Shelley wrote his Ode to the West Wind in 1820, he closed it with these immortal words:
O Wind,
If Winter comes, can Spring be far behind?
[Gallery label text, 2004]
base
1966.18
item
Memorial Art Gallery
9/8/1999
66.18TR1
Transparency
Memorial Art Gallery
3/4 view
2 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
66.18SL2
slide
full-frontal
2 x 2
00/00/00
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66.18SL1
slide
full-left side
2 x 2
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negative
full
4 x 5
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glossy
full
8 x 10
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negative
full
8 x 10
00/00/00
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66.18DI1
digital image
Memorial Art Gallery
3/4 view
Imaging complete
2/5/2001
http://127.0.0.1:5000/Media/images/66.18_A1.jpg
66.18SL3
slide
full-right front
2 x 2
00/00/00
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66.18SL4
slide
in Powers Gallery
2 x 2
00/00/00
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66.18SL5
slide
in print from 1876 Exposition
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
21gould1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/21gould1.tif
21gould1(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/21gould1(10).tif
21gould5.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/21gould5.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/66.18_R1.jpg
west wind in gallery.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/west wind in gallery.tif
west wind in situ.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/west wind in situ.tif
66.18D3
digital image
Side
00/00/00
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66.18D4
digital image
Detail
00/00/00
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66.18D5
digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/66.18_A4.JPG
Sculpture
Joan of Arc
Anna Hyatt Huntington, 1876 - 1973
Huntington, Anna Hyatt
United States
1876 - 1973
Female
18 x 12 x 5 in. (45.7 x 30.5 x 12.7 cm)
.
.
.
Bronze
Bronze
1915
1915
1915
1900-2000, 20th century, horses, Joan of Arc, portraits, sculpture, women
Sculpture
Sculptor Anna Hyatt Huntington, whose career overlapped chronologically with [Gaston] Lachaise’s, is well known for her historical and fictional subjects. In addition to creating Joan of Arc, located in New York City (the heroic version of MAG’s smaller sculpture), she also sculpted El Cid and Don Quixote for the Hispanic Society.
[Gallery label text, 2005]
on baseside of baseback of base
1988.15
item
Memorial Art Gallery
9/8/1999
88.15TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
88.15SL1
slide
full-right side
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
88.15SL2
slide
full-left side
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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negative
4x5
00/00/00
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88.15DI1
digital image
Memorial Art Gallery
Imaging complete
7/10/2000
http://127.0.0.1:5000/Media/images/88.15_A1.jpg
Sculpture
Female Torso (Ogunquit)
Ogunquit Torso
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
10 1/4 x 8 5/8 x 4 1/8 in. (26 x 21.9 x 10.5 cm)
.
.
.
.
.
.
approximate installation dimensions
overall
Bronze, nickel-plated
Bronze, nickel-plated
1925
1925
1925
1900-2000, 20th century, from Rochester collections, nudes, torsos, women
Sculpture
Lachaise's sculptures captured in permanent form elusive and complex ideals of female beauty. Here, the model's contrapposto stance, in which the weight is off center rather than upright and balanced, is lively and engaging. Additionally, areas of bronze color enliven the fragment's surface.
[Gallery label text, 2005]
lower left of backbottom of base, On masking tapebottom of basebottom of base
Marie P. Charles
1960.46
item
Memorial Art Gallery
9/8/1999
60.46SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 right
8 x 10
00/00/00
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glossy
full front
8 x 10
00/00/00
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glossy
3/4 left
8 x 10
00/00/00
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negative
full
2 x 2
00/00/00
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negative
full
4 x 5
00/00/00
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60.46DI1
digital image
front
2 x 2
11/20/2002
http://127.0.0.1:5000/Media/images/60.46_A1.jpg
60.46DI#2
digital image
7/25/2011
http://127.0.0.1:5000/Media/images/60.46_A2.jpg
60.46DI#3
digital image
7/25/2011
http://127.0.0.1:5000/Media/images/60.46_A3.jpg
Sculpture
Fountain Figure
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
72 in. (182.9 cm)
.
.
.
Limestone
Limestone
1927
1927
1927
1900-2000, 20th century, from Rochester collections, nudes, sculpture, women
Sculpture
Charlotte Whitney Allen and her husband hired Pittsford native Fletcher Steele to design a garden for their newly built house on Oliver Street [Rochester, NY] in 1915. The lot was small, ninety by two hundred feet, so Steele had to make use of interesting details to provide visual stimulation. The young landscape architect had strong notions of what would make a small backyard into a charming city oasis, which he enumerated in several articles and even a book, "Design in the Little Garden". Sculpture was one such detail Steele felt was crucial to a small garden, providing it met the proper criteria. He also considered space composition a necessary factor in good garden design. Some of the traits good garden sculpture should possess, according to Steele, include substantial mass, interesting silhouette, strong light and shadow, and contrasting material and color to the foliage around it.
Mr. and Mrs. Allen commissioned the French-born sculptor Gaston Lachaise in 1926 to create a figure for the focal point of their garden. They had first seen his work in an exhibition in New York City in 1918, from which they may have purchased a small sculpture, and possibly even earlier in the 1913 Armory Show. A group of letters housed at Kenyon College in Gambier, Ohio chronicles the development of their occasionally stormy relationship. After considerable delay, the sculpture was finally installed above the pool in the Oliver Street garden. Alfred Stieglitz, who championed Lachaise, wrote to the Allens in 1927 that "It [the sculpture] has been seen by at least thirty sculptors and their unanimous opinion has been that it is one of the grand bits of work that has come out of America." (Kenyon College Special Collections, Gambier, Ohio, March 26, 1927)
[Gallery label text]
lower right
Marie P. Charles
1964.28
item
Memorial Art Gallery
9/8/1999
64.28TR1
Transparency
Memorial Art Gallery
Front
2 x 2 3/4
00/00/00
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64.28SL2
slide
full- in Pavillion
2 x 2
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64.28SL1
slide
full
2 x 2
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negative
full
4 x 5
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glossy
full
8 x 10
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64.28DI1
digital image
Memorial Art Gallery
Front
Imaging complete
2/2/2001
http://127.0.0.1:5000/Media/images/64.28_A1.jpg
64.28TR2
Transparency
Memorial Art Gallery
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
64.28TR3
Transparency
Memorial Art Gallery
detail- head
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
64.28DI2
digital image
View of Charlotte Whitney Allen garden
00/00/00
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64.28DI3
digital image
in situ
00/00/00
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digital image
00/00/00
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64.28TR2
transparency
full after conservation
4 x 5
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http://127.0.0.1:5000/Graphics/blank.gif
51lachaise1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/51lachaise1.tif
51lachaise1(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/51lachaise1(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/64.28_A2.jpg
64.28DI#4
digital image
11/1/2005
http://127.0.0.1:5000/Media/images/64.28_A4.jpg
digital image
00/00/00
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digital image
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digital image
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digital image
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digital image
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digital image
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digital image
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http://127.0.0.1:5000/Media/images/related_images/64.28_R14.jpg
Sculpture
Portrait Statuette of Mrs. J. Sibley Watson, Jr.
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
16 1/4 x 7 1/2 x 6 1/2 in. (41.3 x 19.1 x 16.5 cm)
.
.
.
without base
.
.
.
with base
Bronze
Bronze
1925
1925
1925
1900-2000, 20th century, from Rochester collections, portraits, sculpture, women
Sculpture
Strength and refinement are communicated simultaneously in this elegant portrait of Hildegarde Lasell Watson. She and her husband, James Sibley Watson, Jr., were important figures in Rochester’s cultural history, and were central to an avant-garde salon of writers, artists and musicians during the first half of the 20th century.
The sculpture is enlivened by Gaston Lachaise’s characteristic use of contrasting surface colors.
[Forman Gallery, Summer 2015]
right top of baseleft back edge of base
Paula R. Hornbostel
1967.11
item
Memorial Art Gallery
9/8/1999
67.11SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
00/00/00
http://127.0.0.1:5000/Media/images/related_images/67.11_R1.png
00/00/00
http://127.0.0.1:5000/Media/images/related_images/67.11_R1.tif
negative
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
67.11DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/67.11_A1.jpg
51lachaise3.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/51lachaise3.tif
67.11DI#
digital image
11/1/2005
http://127.0.0.1:5000/Media/images/67.11_A2.jpg
67.11_DI3
digital image
00/00/00
http://127.0.0.1:5000/Media/images/67.11_A3.jpg
62.49DI#4
digital image
7/25/2011
http://127.0.0.1:5000/Media/images/67.11_A4.jpg
00/00/00
http://127.0.0.1:5000/Media/images/related_images/Lachaise_studio.tif
Sculpture
Standing Woman
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
65 in. (165.1 cm)
.
.
.
Bronze
Bronze
1928
1928
1928
1900-2000, 20th century, nudes, sculpture, women
Sculpture
"Standing Woman" was commissioned for the New York City apartment of Mr. and Mrs. O'Donnell Iselin, cousins of James Sibley Watson, Jr., one of Lachaise's most important patrons. Lachaise designed the sculpture knowing that the work was to be the centerpiece of a formal library, and would be placed on the mantel above the fireplace. He wrote that he "composed the figure in a spirit of tranquil elevation, harmonious to the purpose of the room."
Lachaise's most distinguished subjects are life sized draped female figures. The Memorial Art Gallery is fortunate to own two examples, the bronze Standing Woman and the stone Fountain Figure.
[Gallery label text, 2005]
base
Marie P. Charles
1973.75
item
Memorial Art Gallery
9/8/1999
73.75SL1
slide
full
2 x 2
00/00/00
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glossy
full
8 x 10
00/00/00
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negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.75DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/73.75_A1.jpg
73.75DI2
from conservation photo
digital image
full/front
00/00/00
http://127.0.0.1:5000/Media/images/73.75_A2.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/73.75_R1.jpg
digital image
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http://127.0.0.1:5000/Media/images/related_images/73.75_R2.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/73.75_R3.jpg
Sculpture
Standing Woman
Pudeur
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
13 1/2 x 4 3/8 in. (34.3 x 11.1 cm)
.
.
.
.
.
.
approximate installation dimensions
overall
Bronze
Bronze
1917
1917
1917
1900-2000, 20th century, nudes, sculpture, women
Sculpture
Mrs. Whitney Allen, who commissioned "Fountain Figure" for her garden (now in the MAG's collection) and donated this sculpture to the Memorial Art Gallery, was a friend of Lachaise's patrons, the Watsons.
[Gallery label text, 2005]
at base
Marie P. Charles
1964.29
item
Memorial Art Gallery
9/8/1999
64.29SL1
slide
full frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
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full
8 x 10
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full
8 x 10
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64.29SL2
slide
full- 3/4
2 x 2
00/00/00
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64.29DI1
digital image
front
2 x 2
11/20/2002
http://127.0.0.1:5000/Media/images/64.29_A1.jpg
64.29DI2
from conservation photo
digital image
full/front
00/00/00
http://127.0.0.1:5000/Media/images/64.29_A2.jpg
62.49DI#3
digital image
Right side
7/25/2011
http://127.0.0.1:5000/Media/images/64.29_A3.jpg
62.49DI#4
digital image
Left side
7/25/2011
http://127.0.0.1:5000/Media/images/64.29_A4.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/CWAhouse1.jpg
Sculpture
The Mountain
The Mountain
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
9 x 20 x 9 in. (22.9 x 50.8 x 22.9 cm)
.
.
.
base
base
.
.
.
overall
Limestone
Limestone
July 1923 - February 1924
7/1923
2/1924
1900-2000, 20th century, nudes, sculpture, women
Sculpture
Lachaise made numerous versions of "The Mountain," in which he suggested the similarity between a reclining female figure and a mountainous form.
[Gallery label text, 2005]
sole of figure's left foot
Marie P. Charles
1997.11
item
Memorial Art Gallery
9/8/1999
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
97.11DI1
digital image
2 x 2
11/20/2002
http://127.0.0.1:5000/Media/images/97.11_A1.jpg
97.11SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
97.11DI1
digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/97.11_A2.jpg
Sculpture
Standing Nude
Woman; Hautaine
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
13 x 6 1/2 x 4 in. (33 x 16.5 x 10.2 cm)
.
.
.
.
.
.
approximate installation dimensions
overall
Bronze
Bronze
by 1917
1917
1917
1900-2000, 20th century, nudes, sculpture, women
Sculpture
Isabel Dutaud Nagle was Lachaise's muse, his wife, and the model or at least the inspiration for many of his sculptures. He never ceased to appreciate and depict the physicality of her body - its strength and its ample proportions.
[Gallery label text, 2005]
versoverso
Marie P. Charles
1977.189
item
Memorial Art Gallery
9/8/1999
77.189SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.189DI1
digital image
2 x 2
11/20/2002
http://127.0.0.1:5000/Media/images/77.189_A1.jpg
77.189TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.189DI#2
digital image
7/25/2011
http://127.0.0.1:5000/Media/images/77.189_A2.jpg
77.189DI#3
digital image
7/25/2011
http://127.0.0.1:5000/Media/images/77.189_A3.jpg
77.189DI#4
digital image
11/1/2005
http://127.0.0.1:5000/Media/images/77.189_A4.jpg
Sculpture
Urling Sibley Iselin
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
17 in. (43.2 cm)
.
.
.
Alabaster
Alabaster
1927
1927
1927
1900-2000, 20th century, art with Rochester connections, portraits, sculpture, women
Sculpture
Urling Sibley Iselin was cousin to James Sibley Watson, Jr., one of Lachaise's most important patrons.
base
Marie P. Charles
1973.74
item
Memorial Art Gallery
9/8/1999
73.74SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.74DI1
digital image
front
2 x 2
11/20/2002
http://127.0.0.1:5000/Media/images/73.74_A1.jpg
Sculpture
Head of a Woman
Elie Nadelman, 1882 - 1946
Nadelman, Elie
United States
1882 - 1946
Male
18 3/4 x 10 x 15 1/2 in. (47.6 x 25.4 x 39.4 cm)
.
.
.
image
.
.
.
approximate installation dimensions
overall
Bronze
Bronze
ca. 1916-1932
1916
1932
1900-2000, 20th century, heads, women
Sculpture
Sculptor Elie Nadelman drew inspiration from the classical forms of ancient Greece, yet his work suggests contemporary influences as well. The streamlined and chiseled facial features of Head of a Woman and the subtle band at the woman’s hairline are timeless elements, yet they suggest an aesthetic closely associated with the Art Deco movement.
[Gallery label text, 2010]
1962.7
item
Memorial Art Gallery
9/8/1999
62.7TR1
Transparency
Memorial Art Gallery
Front, 3/4
2 1/4 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
transparency
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
62.7SL1
slide
full frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 front
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 front
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full front
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3/4 front
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
62.7DI1
digital image
Memorial Art Gallery
"Front, 3/4"
Imaging complete
8/28/2000
http://127.0.0.1:5000/Media/images/62.7_A1.jpg
62.7SL2
slide
3/4 from left
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
62.7SL3
slide
3/4 from right
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
62.7_R1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/62.7_R1.tif
62.7_R2.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/62.7_R2.tif
62.7_R3.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/62.7_R3.tif
62.7_R4.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/62.7_R4.tif
62.7_P5.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/62.7_R5.tif
Sculpture
Untitled (Head of a Woman)
Elie Nadelman, 1882 - 1946
Nadelman, Elie
United States
1882 - 1946
Male
23 x 10 x 11 1/2 in. (58.4 x 25.4 x 29.2 cm)
.
.
.
object (w/o accessories)
vertical
image
.
.
.
approximate installation dimensions
overall
White marble
White marble
1922
1922
1922
1900-2000, 20th century, heads, women
Sculpture
Sculptors Elie Nadelman and Gaston Lachaise traveled in many of the same artistic circles. Their drawings were published in The Dial, James Sibley Watson's literary magazine, and their sculpture was exhibited at Alfred Stieglitz's galleries. Stieglitz was known for his interest in and promotion of modern art.
[Gallery label text, 2005]
Elie Nadelman
1977.190
item
Memorial Art Gallery
9/8/1999
77.190TR1
Transparency
Memorial Art Gallery
Front, 3/4
2 1/4 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.190SL1
slide
front, 3/4 view
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.190DI1
digital image
Memorial Art Gallery
"Front, 3/4"
Imaging complete
8/28/2000
http://127.0.0.1:5000/Media/images/77.190_A1.jpg
Sculpture
Memory
William Ordway Partridge, (Paris, France, 1861 - 1930, New York, NY)
Partridge, William Ordway
United States
1861 - 1930
Male
82 1/2 x 26 3/4 x 29 5/8 in. (209.6 x 67.9 x 75.2 cm)
.
.
.
overall
.
.
.
overall
Marble
Marble
1914
1914
1914
1900-2000, 20th century, allegories, from Rochester collections, sculpture, women
Sculpture
back, at bottom
1913.12
item
Memorial Art Gallery
9/8/1999
13.12TR1
Transparency
Memorial Art Gallery
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
13.12DI1
digital image
Memorial Art Gallery
Front
Imaging complete
2/1/2001
http://127.0.0.1:5000/Media/images/13.12_A1.jpg
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
13.12SL2
slide
full-without base
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
13.12SL1
slide
full-with base
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
13.12SL3
slide
detail-base Averill
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
13.12SL4
slide
instalation in orig gallery
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
installation
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
13.12DI2
archival
digital image
2/8/2006
http://127.0.0.1:5000/Media/images/related_images/13.12_R1.jpg
44partridge1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/44partridge1.tif
44partridge1(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/44partridge1(10).tif
44partridge3.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/44partridge3.tif
pdf file
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/pdf/13.12_R2.pdf
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/Partridge_contract_p1_fromRBSC.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/Partridge_contract_p2_fromRBSC.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/13.12_R3.tif
Sculpture
Nydia, the Blind Flower Girl of Pompeii
Randolph Rogers, 1825 - 1892
Rogers, Randolph
United States
1825 - 1892
Male
36 x 17 11/16 x 25 in. (91.5 x 45 x 63.5 cm)
.
.
.
overall
Marble
Marble
after 1855
1856
1865
1800-1900, 19th century, Last Days of Pompeii, sculpture, women
Sculpture
Nydia, the blind heroine of Edward Bulwer-Lytton’s 1834 novel The Last Days of Pompeii, was the subject of over 50 sculptures by Randolph Rogers. He depicted her, a broken column at her feet, as she used her heightened sense of hearing to listen for Glaucus, the nobleman whom she loved, and his fiancée, Ione. Although Nydia led them to safety, in the end she drowned herself because Glaucus could not be hers.
Nineteenth century collectors were fascinated by classical subjects like Pompeii. Many American collectors on the Grand Tour made trips to Italy, where they visited the studios of artists like Rogers and actively commissioned work. At left is a picture of MAG’s Nydia in an earlier collection in the home of Mr. and Mrs. W.W. Chapin, 110 South Fitzhugh Street, Rochester. [Gallery Label, February 6, 2012]
on fallen capital
1993.24
item
Memorial Art Gallery
9/8/1999
93.24TR1
Transparency
Memorial Art Gallery
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
93.24SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
93.24DI1
digital image
Memorial Art Gallery
Front
Imaging complete
2/1/2001
http://127.0.0.1:5000/Media/images/93.24_A1.jpg
93.24DI2
digital image
Memorial Art Gallery
Front
Imaging complete
00/00/00
http://127.0.0.1:5000/Media/images/93.24_A2.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/93.24_R1.jpg
Sculpture
Female Saint
German artist
German artist
Germany
Primary
31 13/16 x 10 5/8 x 8 11/16 in. (80.8 x 27 x 22 cm)
.
.
.
overall
overall
Wood
Wood
16th century
1500
1599
1400-1600, female saints, Renaissance & Baroque, sculpture, women
Sculpture
1955.45
item
Memorial Art Gallery
1/19/2001
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.45D1
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/55.45_A1.jpg
55.45SL1
slide
full
2x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.45SL2
slide
full-in Gallery
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.45DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.45DI#3
digital image
3/9/2010
http://127.0.0.1:5000/Media/images/55.45_A2.jpg
55.45DI#4
digital image
Side
3/9/2010
http://127.0.0.1:5000/Media/images/55.45_A3.jpg
55.45DI#5
digital image
Side
3/9/2010
http://127.0.0.1:5000/Media/images/55.45_A4.jpg
55.45DI#6
digital image
Back
3/9/2010
http://127.0.0.1:5000/Media/images/55.45_A5.jpg
Sculpture
St. Barbara
German artist
German artist
Germany
Primary
29 7/16 x 9 3/16 x 5 1/8 in. (74.8 x 23.4 x 13 cm)
.
.
.
without base
overall
.
.
.
with base
overall
Wood
Wood
Made in Ulm, Baden-Württemberg
1470-1489
1470
1489
1400-1600, Renaissance & Baroque, sculpture, St. Barbara, women
Sculpture
According to Christian legend, Saint Barbara was the beautiful daughter of a wealthy pagan named Dioscorus, who lived in Nicodemia (present-day Turkey) during the 3rd century. Fearful of losing Barbara to the outside world, her father kept her locked in a tower. She secretly converted to Christianity; when she told Dioscorus of her new-found faith, he reported her to the authorities. She was sentenced to torture and beheading—a decree carried out by her father himself.
In Christian art, Barbara is usually shown holding the tower in which she was imprisoned and a book, which represents the teachings that led to her conversion. Here, she also wears fine clothing that represents her wealth. A purse hangs from her belt, and she wears a golden crown.
This sculpture originally formed part of a larger late medieval altarpiece that included other solitary or grouped figures. Although beautifully carved, the last 500 years have taken their toll on both her appearance and structure. Old repairs have broken off or splintered, and both original and later paint and gilding are flaking, making her too unstable for continuous display. MAG staff is working to identify funds for her treatment so that she can be returned to permanent exhibition in the medieval galleries.
[Label text from It Came From the Vault exhibition, 2013]
1955.46
item
Memorial Art Gallery
1/19/2001
55.46SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.46D1
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/55.46_A1.jpg
55.46DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.46DI#3
digital image
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A2.jpg
55.46DI#4
digital image
Three-quarter
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A3.jpg
55.46DI#5
digital image
Three-quarter
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A4.jpg
55.46DI#6
digital image
Side
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A5.jpg
55.46DI#7
digital image
Side
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A6.jpg
55.46DI#8
digital image
Back
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A7.jpg
Sculpture
St. Elizabeth of Hungary
German artist
German artist
Germany
Primary
29 5/16 x 8 7/16 x 7 1/16 in. (74.5 x 21.5 x 18 cm)
.
.
.
without base
overall
.
.
.
with base
overall
Wood
Wood
German; made in Swabia
ca. 1470-1500
1470
1500
1400-1600, Renaissance & Baroque, sculpture, St. Elizabeth, women
Sculpture
Saint Elizabeth of Hungary was Queen of Thuringia in the early 1200s. She was an advocate of the poor and gave herself entirely to serving the hungry, weak and feeble. She distributed alms in all parts of her royal territory, even giving royal robes and ornaments to the poor. In order to care personally for the unfortunate, she built a hospital and visited the inmates daily to attend to their needs. In art, she is frequently shown carrying a loaf of bread and a jug of wine, references to her devotion to feeding the hungry.
[Gallery label text, June 2013]
1957.7
item
Memorial Art Gallery
4/5/2000
57.7TR1
Transparency
Memorial Art Gallery
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
57.7SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2 x 2.5
00/00/00
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glossy
full
2 x 2.5
00/00/00
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negative
full
2 x 2
00/00/00
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glossy
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
57.7DI1
digital image
Memorial Art Gallery
Front
Imaging complete
6/26/2000
http://127.0.0.1:5000/Media/images/57.7_A1.jpg
57.7DI#2
digital image
3/1/2010
http://127.0.0.1:5000/Media/images/57.7_A2.jpg
57.7DI#3
digital image
3/1/2010
http://127.0.0.1:5000/Media/images/57.7_A3.jpg
57.7DI#4
digital image
3/1/2010
http://127.0.0.1:5000/Media/images/57.7_A4.jpg
Sculpture
Standing Female Figure
Syrian artist
Syrian artist
Syria
Primary
3 3/4 x 13/16 x 3/8 in. (9.5 x 2.1 x 1 cm)
.
.
.
overall
overall
Ivory
Ivory
Syrian; made in Hama
8th Century BCE
800 BCE
701 BCE
1000 BCE - 500 CE, ancient art (Mediterranean & Near East), ceramics, female figures, from Rochester collections, women
Sculpture
Syria and Palestine (Canaan) were the crossroads of the ancient world. Local artists borrowed and adapted the cultural influences of traders and traveling craftsmen, and created a composite decorative art style of great individuality. This figure, which might represent the Canaanite goddess Astarte, has thick curly hair suggestive of the wigs worn by the Egyptians.
[Gallery label text, 1995]
1928.334
item
Memorial Art Gallery
3/20/2001
glossy
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full back
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full back
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full back
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.334DI1
digital image
Memorial Art Gallery
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/28.334_A2.jpg
28.334DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.334DI#3
digital image
Front
11/6/2007
http://127.0.0.1:5000/Media/images/28.334_A1.jpg
Sculpture
Group of Nymphs
Claude Michel, 1738 - 1814
Clodion
France
1738 - 1814
Male
11 1/2 in. (29.2 cm)
.
.
.
Terracotta
Terracotta
0
0
1800-1900, 19th century, nymphs, sculpture, women
Sculpture
1955.107
item
Memorial Art Gallery
1/25/2001
55.107SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.107SL2
slide
detail
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.107DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/55.107_A1.jpg
55.107DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.107DI#2
digital image
Detail
6/11/2009
http://127.0.0.1:5000/Media/images/55.107_A2.jpg
Sculpture
Guanyin
Chinese artist
Chinese artist
China
Primary
52 x 22 1/2 in. (132.1 x 57.2 cm)
.
.
.
base
.
.
.
base
.
.
.
Limestone
Limestone
0
0
500-1000, Chinese, Guanyin: Chinese, statues, women
Sculpture
1934.3
item
Memorial Art Gallery
1/30/2001
34.3SL1
slide
full-frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
34.3SL2
slide
detail-hand
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
34.3SL3
slide
detail-upper 1/2
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
34.3DI1
digital image
full-frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/34.3_A1.jpg
Sculpture
Girl Playing Guitar
Ivan Mestrovic, (Vrpolje, Croatia, 1883 – 1962, South Bend, IN)
Mestrovic, Ivan
Croatia
1883 - 1962
Male
18 1/2 x 10 x 6 in. (47 x 25.4 x 15.2 cm)
.
.
.
Bronze
Bronze
1918
1918
1918
1900-2000, 20th century, sculpture
Sculpture
In April, 1925, the Memorial Art Gallery mounted an exhibition of Mestrovic’s sculpture. Like [Gaston] Lachaise, Mestrovic created emotionally evocative work, which may have influenced the many Rochesterians who contributed funds to purchase this sculpture and two others for MAG’s permanent collection.
[Gallery label text, 2005]
1925.34
item
Memorial Art Gallery
1/29/2001
25.34SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3/4 view
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
25.34DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/25.34_A1.jpg
25.34DI#2
digital image
7/25/2011
http://127.0.0.1:5000/Media/images/25.34_A2.jpg
Sculpture
Madonna and Child
Ivan Mestrovic, (Vrpolje, Croatia, 1883 – 1962, South Bend, IN)
Mestrovic, Ivan
Croatia
1883 - 1962
Male
20 1/2 x 15 x 11 in. (52.1 x 38.1 x 27.9 cm)
.
.
.
.
.
.
approximate installation dimensions
object
Bronze
Bronze
1917 (cast 1925)
1917
1917
1900-2000, 20th century, Madonna and Child, sculpture
Sculpture
Examples of prehistoric cave painting and rock art indicate humans have always recognized the divine bond between a mother and her child. With his austere modernist figures, Ivan Mestrovic sought to capture a universal spiritual feeling. His unique style clearly affected the many Rochesterians who donated money to purchase this piece from a popular exhibition of the artist’s sculpture held at the Gallery in 1925.
[Label text from It Came From the Vault exhibition, 2013]
1925.35
item
Memorial Art Gallery
1/30/2001
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 view
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
25.35SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3/4 view
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
side view
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
in gallery
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
25.35DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/25.35_A1.jpg
25.35DI#2
digital image
10/29/2012
http://127.0.0.1:5000/Media/images/25.35_A2.jpg
Sculpture
Girl Combing her Hair
Frans Wildenhain, (Leipzig, Germany, 1905 - 1980, Rochester, NY)
Wildenhain, Frans
United States
1905 - 1980
Male
13 1/2 in. (34.3 cm)
.
.
.
Stoneware
Stoneware
Unglazed terracotta
ca. 1953
1948
1958
20th century, Arena Group, busts, female figures, figure, School for American Craftsmen
Sculpture
1953.27
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
53.27DI1
digital image
Front
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/53.27_I1.JPG
53.27DI#2
digital image
7/27/2009
http://127.0.0.1:5000/Media/images/53.27_A1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/53.27_R1.jpg
Sculpture
Torso, Ile de France
Aristide Maillol, 1861 - 1944
Maillol, Aristide
France
1861 - 1944
Male
47 1/4 x 13 5/8 x 20 3/8 in. (120 x 34.6 x 51.8 cm)
.
.
.
Bronze
Bronze
1921
1921
1921
20th century, figures, nudes, women
Sculpture
1960.16
item
Memorial Art Gallery
3/13/2001
60.16SL2
slide
full frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full left
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
60.16SL1
slide
full 3/4 left side
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
60.16DI#1
digital image
Three-quarter
00/00/00
http://127.0.0.1:5000/Media/images/60.16_A1.jpg
60.16DI#2
digital image
Front
00/00/00
http://127.0.0.1:5000/Media/images/60.16_A2.jpg