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Portfolios%3D%22598%22%20and%20Sort_Artist%3D%22Myers,%20Jerome%22
Print
The Little Family
Jerome Myers, 1867 - 1940
Myers, Jerome
United States
1867 - 1940
Male
5 1/2 x 6 11/16 in. (13.9 x 17 cm)
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.
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plate
image
Printer's ink
Printer's ink
ca. 1910
1905
1915
1900-2000, 20th century, children, drypoint, families, women
Print
This print was reproduced in Vogue magazine, August 15, 1922, p. 50
lower right, below imagelower left, below image
1951.97
item
Memorial Art Gallery
9/8/1999
51.97SL1
slide
full
2 x 2
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glossy
8x10
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negative
2.5x3
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51.97DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/51.97_A1.jpg
35myers2.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/35myers2.tif
51.97DI#2
digital image
8/26/2010
http://127.0.0.1:5000/Media/images/51.97_A2.jpg
Painting
Sunday Morning
Jerome Myers, 1867 - 1940
Myers, Jerome
United States
1867 - 1940
Male
37 1/2 x 44 1/2 in. (95.3 x 113 cm)
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image
Oil
Oil
1907
1907
1907
1900-2000, 20th century, Ashcan School and friends, children, cityscapes, men, paintings, women
Painting
Jerome Myers said of his art, “I went to the gutter for my subject, but they were poetic gutters.”
[Gallery label text, 2007]
Jerome Myers was called "the gentle poet of the slums" for his compassionate images of immigrant life in New York's Lower East Side. Myers recorded the unglamorous, yet commonplace aspects of city life, as did fellow painters John Sloan and Robert Henri, members of The Eight or the Ashcan School. However, his vision of the city's poor never evoked a sense of wretchedness: "Why catch humanity by the shirt-tail," he said, "when I could see more pleasant things?"
Though tame to us today, paintings like Sunday Morning were considered progressive, even "revolutionary" when they were painted, because of their subject matter. However, when it came to exhibiting with The Eight, Robert Henri didn't think that Myers's work was forceful enough. As a founder of the innovative American Association of Painters and Sculptors in 1911, Myers helped to pave the way for the watershed 1913 Armory Show in New York City, the exhibition that introduced European modernism to an enthusiastic but occasionally bewildered public.
[Gallery label text, 2006]
lower left
1998.74
item
Memorial Art Gallery
10/21/1999
98.74TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.74SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.74DI1
digital image
Memorial Art Gallery
Imaging complete
6/19/2001
http://127.0.0.1:5000/Media/images/98.74_A1.jpg
98.74DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
35myers1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/35myers1.tif
98.74DI#2
digital image
Memorial Art Gallery
Imaging complete
1/19/2015
http://127.0.0.1:5000/Media/images/98.74_A2.jpg