17
keywordPath%20%3D%20%22GXUK%22%20and%20Century%20%3D%20%2215th%20Century%22
Print
Page from the Nuremberg Bible: The Burial of Jacob (recto and verso)
German artist
German artist
Germany
Primary
16 x 11 1/8 in. (40.7 x 28.2 cm)
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.
.
overall
vertical
image
.
.
.
sheet
Printer's ink
Printer's ink
1483
1483
1483
1400-1600, books, Jacob, Renaissance & Baroque
Print
1929.1a-b
item
Memorial Art Gallery
9/8/1999
29.1aSL1
slide
image w text-not full
2 x 2
00/00/00
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print
full
8 x 10
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print
detail
8 x 10
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29.1aSL2
slide
detail of image no text
2 x 2
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negative
4 x 5
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negative
1 x 1.5
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29.1aSL3
slide
detail text w initial
2 x 2
00/00/00
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digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/29.1a_A2.jpg
29.1aDI2
digital image
9/23/2010
http://127.0.0.1:5000/Media/images/29.1a_A1.jpg
29.1bSL1
slide
image w text
2 x 2
00/00/00
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29.1bSL2
slide
detail of image only
2 x 2
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29.1bDI#1
digital image
00/00/00
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29.1bDI#2
digital image
Detail
00/00/00
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digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/29.1b_A3.jpg
29.1bDI4
digital image
9/23/2010
http://127.0.0.1:5000/Media/images/29.1b_A4.jpg
Sculpture
St. Elizabeth of Hungary
German artist
German artist
Germany
Primary
29 5/16 x 8 7/16 x 7 1/16 in. (74.5 x 21.5 x 18 cm)
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.
.
without base
overall
.
.
.
with base
overall
Wood
Wood
German; made in Swabia
ca. 1470-1500
1470
1500
1400-1600, Renaissance & Baroque, sculpture, St. Elizabeth, women
Sculpture
Saint Elizabeth of Hungary was Queen of Thuringia in the early 1200s. She was an advocate of the poor and gave herself entirely to serving the hungry, weak and feeble. She distributed alms in all parts of her royal territory, even giving royal robes and ornaments to the poor. In order to care personally for the unfortunate, she built a hospital and visited the inmates daily to attend to their needs. In art, she is frequently shown carrying a loaf of bread and a jug of wine, references to her devotion to feeding the hungry.
[Gallery label text, June 2013]
1957.7
item
Memorial Art Gallery
4/5/2000
57.7TR1
Transparency
Memorial Art Gallery
Front
4 x 5
00/00/00
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57.7SL1
slide
full
2 x 2
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full
8 x 10
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glossy
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2 x 2
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57.7DI1
digital image
Memorial Art Gallery
Front
Imaging complete
6/26/2000
http://127.0.0.1:5000/Media/images/57.7_A1.jpg
57.7DI#2
digital image
3/1/2010
http://127.0.0.1:5000/Media/images/57.7_A2.jpg
57.7DI#3
digital image
3/1/2010
http://127.0.0.1:5000/Media/images/57.7_A3.jpg
57.7DI#4
digital image
3/1/2010
http://127.0.0.1:5000/Media/images/57.7_A4.jpg
Sculpture
Madonna and Child
Attributed to Domenico Rosselli, (ca. 1439 - 1497-1498)
Rosselli, Domenico
Italy
ca. 1439 - 1497-1498
Male
36 7/16 x 28 9/16 x 5 9/16 in. (92.6 x 72.5 x 14.2 cm)
.
.
.
without base
overall
Marble
Marble
ca. 1439-1498
1439
1498
1400-1600, Madonna and Child, reliefs, Renaissance & Baroque, sculpture
Sculpture
1969.1
item
Memorial Art Gallery
5/23/2000
69.1SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
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photocopy print
full
8 x 10
00/00/00
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negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
69.1DI1
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/69.1_A1.jpg
69.1DI#2
digital image
4/18/2011
http://127.0.0.1:5000/Media/images/69.1_A2.jpg
Painting
Madonna and Child
Francesco Benaglio, (ca. 1432 - ca. 1492, Verona, Italy)
Benaglio, Francesco
Italy
ca. 1432 - ca. 1492
Male
26 5/16 x 16 5/16 in. (66.9 x 41.5 cm)
.
.
.
overall
overall
Oil
Oil
probably 1465-1472
1465
1472
1400-1600, Madonna and Child, paintings, Renaissance & Baroque
Painting
lower right, on column, See image: 64.21_A6back of panelside of frame
1964.21
item
Memorial Art Gallery
5/25/2000
64.21SL1
slide
full
2 x 2
00/00/00
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glossy
full
8 x 10
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negative
full
4 x 5
00/00/00
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64.21D1
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/64.21_A1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
64.21DI2
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/64.21_A2.jpg
64.21SL2
slide
with perspective lines
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/64.21_I1.jpg
63.21DI3
digital image
00/00/00
http://127.0.0.1:5000/Media/images/64.21_A3.jpg
64.21DI4
digital image
00/00/00
http://127.0.0.1:5000/Media/images/179_Through_the_Looking_Glass/Untitled-52.jpg
64.21DI#6
digital image
Detail
6/22/2010
http://127.0.0.1:5000/Media/images/64.21_A5.jpg
64.21DI#5
digital image
6/22/2010
http://127.0.0.1:5000/Media/images/64.21_A4.jpg
64.21DI#7
digital image
Detail
6/22/2010
http://127.0.0.1:5000/Media/images/64.21_A6.jpg
Painting
The Nativity
Attributed to Master of Frankfurt, (active ca. 1460 - after 1505)
Master of Frankfurt
Flanders
active ca. 1460 - after 1505
Male
17 x 13 in. (43.2 x 33 cm)
.
.
.
Tempera
Tempera
late 15th Century - early 16th Century
1467
1532
1400-1600, angels, cows, horses, Nativity, paintings, Renaissance & Baroque
Painting
Set against a backdrop of the ruins of a church, this picture depicts the adoration of the infant Christ by his mother and three kneeling angels. The two shepherds at the left, along with their animals, are about to enter the ruins; at the right, standing under a broken arch, Joseph carries a lighted candle. Three angels hover above the scene in the remains of the church gable. The artist renders in meticulous detail richly decorated fabrics, architectural motifs and foliage as well as the story of the picture. The landscape in the background possibly depicts an actual location in the Netherlands.
back of panelback of panel, Piece of paper taped to back of panel. MAG's incoming number?back of frame
1931.28
item
Memorial Art Gallery
1/19/2001
31.28SL1
slide
full
2 x 2
00/00/00
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negative
4 x 5
00/00/00
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negative
8 x 10
00/00/00
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31.28DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/31.28_A1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
31.28DI2
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/31.28_A2.jpg
31.28DI#3
digital image
6/22/2010
http://127.0.0.1:5000/Media/images/31.28_A3.jpg
31.28DI#4
digital image
Detail
6/22/2010
http://127.0.0.1:5000/Media/images/31.28_A4.jpg
Painting
Madonna and Child Enthroned with Angels
Master of the St. Ursula Legend, (active 1470 - 1495)
Master of the St. Ursula Legend
Flanders
active 1470 - 1495
Male
24 1/4 x 13 1/2 in. (61.6 x 34.3 cm)
.
.
.
Oil
Oil
ca. 1470-1495
1470
1495
1400-1600, Adam & Eve, angels, Christ, John the Baptist, Madonna and Child, paintings, Renaissance & Baroque, St. Elizabeth, women
Painting
back of frameback of frame, Obscured by mending plate
1948.11
item
Memorial Art Gallery
1/19/2001
separations
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.11TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.11SL1
slide
full
2 x 2
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8x10
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4x5
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5x7
00/00/00
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negative
8x10
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48.11SL2
slide
detail-angel & castle
2 x 2
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48.11SL3
slide
detail- walled town
2 x 2
00/00/00
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48.11DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/48.11_A1.jpg
48.11DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.11DI3
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.11_A2.jpg
48.11
Madonna and Child Enthroned with Angels
pdf file
00/00/00
http://127.0.0.1:5000/Media/images/C/Users/Public/Desktop/My Scans/scan0883.pdf
Painting
St. Margaret with a Donor
Vrancke van der Stockt, (before 1420 - c. 6/14/1495)
Stockt, Vrancke van der
Flanders
before 1420 - c. 6/14/1495
Male
Primary
18 1/8 x 7 7/8 in. (46 x 20 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
0
0
1400-1600, dragons, paintings, Renaissance & Baroque, St. Margaret, women
Painting
This painting, which shows a woman in contemporary dress kneeling in devotion before an open prayer book, her patron saint behind her, was once the right wing of a small triptych, or three-part altarpiece. Saint Margaret, who is recognizable through her attributes, or identifying symbols, holds a cross; a fanged dragon is at her feet. According to the story, Margaret spent her life following the teachings of Christ. The governor of Antioch in the ancient Roman province of Syria, now modern Turkey, fell in love with Margaret’s beauty and asked her to marry him. She rejected his proposal, vowing to remain a virgin. The governor sent her to prison, where the Devil appeared to Margaret as a dragon. She was saved by her Christian faith: when the dragon swallowed Margaret, she made the sign of the cross, which split the dragon in two and allowed her to escape from his belly unharmed.
The left panel of the altarpiece, now in the Allen Memorial Art Museum of Oberlin University in Oberlin, Ohio, is a mirror image of this scene and depicts the woman’s husband also kneeling in devotion with his patron saint behind him. The center panel of the altarpiece to which the couple offers their prayers was probably a painting of the Virgin and infant Christ.
[Expanded from gallery label text, June 2013]
1944.15
item
Memorial Art Gallery
1/19/2001
44.15TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15SL1
slide
full
2 x 2
00/00/00
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glossy
8x10
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neg
3x2
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neg
4x5
00/00/00
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44.15DI1
digital image
full
2 x 2
6/28/2002
http://127.0.0.1:5000/Media/images/44.15_A1.jpg
44.15DI2
digital image
detail of serpent
2 x 2
6/20/2002
http://127.0.0.1:5000/Media/images/44.15_A2.jpg
44.15DI3
digital image
detail of donor
2 x 2
6/20/2002
http://127.0.0.1:5000/Media/images/44.15_A3.jpg
44.15SL2
slide
detail - snake
2x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15SL3
slide
detail - donor's face
2x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15DI4
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/44.15_A4.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15DI#5
digital image
4/30/2021
http://127.0.0.1:5000/Media/images/44.15_A5.jpg
44.15DI#8
digital image
Detail
4/30/2021
http://127.0.0.1:5000/Media/images/44.15_A8.jpg
44.15DI#7
digital image
4/30/2021
http://127.0.0.1:5000/Media/images/44.15_A7.jpg
44.15DI#6
digital image
4/30/2021
http://127.0.0.1:5000/Media/images/44.15_A6.jpg
Sculpture
St. Barbara
German artist
German artist
Germany
Primary
29 7/16 x 9 3/16 x 5 1/8 in. (74.8 x 23.4 x 13 cm)
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.
.
without base
overall
.
.
.
with base
overall
Wood
Wood
Made in Ulm, Baden-Württemberg
1470-1489
1470
1489
1400-1600, Renaissance & Baroque, sculpture, St. Barbara, women
Sculpture
According to Christian legend, Saint Barbara was the beautiful daughter of a wealthy pagan named Dioscorus, who lived in Nicodemia (present-day Turkey) during the 3rd century. Fearful of losing Barbara to the outside world, her father kept her locked in a tower. She secretly converted to Christianity; when she told Dioscorus of her new-found faith, he reported her to the authorities. She was sentenced to torture and beheading—a decree carried out by her father himself.
In Christian art, Barbara is usually shown holding the tower in which she was imprisoned and a book, which represents the teachings that led to her conversion. Here, she also wears fine clothing that represents her wealth. A purse hangs from her belt, and she wears a golden crown.
This sculpture originally formed part of a larger late medieval altarpiece that included other solitary or grouped figures. Although beautifully carved, the last 500 years have taken their toll on both her appearance and structure. Old repairs have broken off or splintered, and both original and later paint and gilding are flaking, making her too unstable for continuous display. MAG staff is working to identify funds for her treatment so that she can be returned to permanent exhibition in the medieval galleries.
[Label text from It Came From the Vault exhibition, 2013]
1955.46
item
Memorial Art Gallery
1/19/2001
55.46SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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negative
3x2
00/00/00
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55.46D1
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/55.46_A1.jpg
55.46DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.46DI#3
digital image
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A2.jpg
55.46DI#4
digital image
Three-quarter
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A3.jpg
55.46DI#5
digital image
Three-quarter
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A4.jpg
55.46DI#6
digital image
Side
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A5.jpg
55.46DI#7
digital image
Side
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A6.jpg
55.46DI#8
digital image
Back
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A7.jpg
Sculpture
St. Crispin
French artist, (active )
French artist
France
Primary
33 1/16 x 11 7/16 x 9 3/8 in. (84 x 29 x 23.8 cm)
.
.
.
overall
overall
Wood
Wood
late 15th Century
1467
1499
Renaissance & Baroque, sculpture, St. Crispin
Sculpture
backback
1949.8
item
Memorial Art Gallery
1/25/2001
49.8SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
2 x 2
00/00/00
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49.8DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/49.8_A2.jpg
49.8DI2
digital image
full
6/14/2002
http://127.0.0.1:5000/Media/images/49.8_A1.jpg
49.8DI3
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
49.8SL2
slide
detail-face
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
49.8DI#4
digital image
3/9/2010
http://127.0.0.1:5000/Media/images/49.8_A3.jpg
49.8DI#5
digital image
Side
3/9/2010
http://127.0.0.1:5000/Media/images/49.8_A4.jpg
49.8DI#6
digital image
Side
3/9/2010
http://127.0.0.1:5000/Media/images/49.8_A5.jpg
Textiles
Tapestry: Judgment of Emperor Otto III of Saxony
Flemish artist
Flemish artist
Flanders
Primary
168 1/2 x 134 in. (428 x 340.4 cm)
.
.
.
Wool
Wool
ca. 1495
1490
1500
1400-1600, history through art, Renaissance & Baroque, tapestry, textiles
Textiles
1930.1
item
Memorial Art Gallery
1/25/2001
30.1SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
details
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.1SL2
slide
detail of Otto
2 x 2
00/00/00
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30.1SL3
slide
Detail of Dog
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.1SL4
slide
Detail of Females
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.1SL5
slide
Detail lower left corner
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.1SL6
slide
Detail upper left corner
2 x 2
00/00/00
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30.1SL7
slide
Detail right side
2 x 2
00/00/00
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30.1SL8
slide
In Fountain Court
2 x 2
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30.1DI2
digital image
detail
00/00/00
http://127.0.0.1:5000/Media/images/30.1_A2.jpg
30.1DI1
digital image
Full
00/00/00
http://127.0.0.1:5000/Media/images/30.1_A1.jpg
30.1DI3
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.1DI#
digital image
2/12/2021
http://127.0.0.1:5000/Media/images/30.1_A3.jpg
Sculpture
St. James
French artist, (active )
French artist
France
Primary
34 3/8 x 16 x 11 in. (87.3 x 40.6 x 27.9 cm)
.
.
.
overall
overall
Limestone
Limestone
French; made in Auxerre, Burgundy?
late 15th Century
1467
1499
1400-1600, Renaissance & Baroque, sculpture, St. James
Sculpture
In the Middle Ages, faithful Christians made pilgrimages to sacred sites in Europe and the Holy Land. One of the most important was to the cathedral of Santiago de Compostela in northwest Spain, dedicated to the Apostle Saint James the Greater. Numerous altars dedicated to Saint James were located in churches along the route, allowing the travelers to pray daily for a successful journey. This statue was originally placed in a niche above such an altar.
Here, Saint James is dressed as a pilgrim, wearing a broad-brimmed, black hat with the image of a scallop shell, a traditional Christian symbol of pilgrimage. He holds the customary staff that supported the pilgrim, giving him strength to overcome the forces of evil and arrive safely at the cathedral. The figure carries a scrip, or alms sack, that is also decorated with the scallop shell. The scrip symbolizes that the pilgrim, trusting in the Lord, carried very little money.
The sculpture retains much of its original coloring; slight traces of gilding can be seen on the edge of the saint’s cloak and the knobs of his staff.
[Gallery label text, June 2013]
front of base, S in red; other letters in black
1994.49
item
Memorial Art Gallery
1/29/2001
94.49TR1
transparency
2 x 3
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94.49SL1
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full-frontal
2 x 2
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2 x 3
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94.49SL2
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full-profile left side
2 x 2
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94.49SL3
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full-profile right side
2 x 2
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94.49SL4
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detail, head frontal
2 x 2
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94.49SL5
slide
detail-purse w shell
2 x 2
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94.49SL6
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detail-base
2 x 2
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94.49DI1
digital image
2 x 3
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94.49DI#2
digital image
3/1/2010
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94.49DI#3
digital image
3/1/2010
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94.49DI#4
digital image
3/1/2010
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94.49DI#5
digital image
Detail
3/1/2010
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Ceramics
Portrait Bust of a Man
Attributed to Vincenzo Onofri, active 1493-1594
Onofri, Vincenzo
Italy
Male
16 1/4 x 18 1/2 x 9 1/4 in. (41.3 x 47 x 23.5 cm)
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overall
without base
Terracotta
Terracotta
late 15th Century - early 16th Century
1467
1532
1400-1600, busts, men, portraits, Renaissance & Baroque, sculpture
Ceramics
1968.4
item
Memorial Art Gallery
3/13/2001
68.4SL1
slide
full
2 x 2
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glossy
full
8 x 10
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4 x 5
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negative
full
4 x 5
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68.4D1
digital image
full
2 x 2
6/20/2002
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68.4DI#2
digital image
12/12/2012
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68.4DI#3
digital image
Three-quarter
12/12/2012
http://127.0.0.1:5000/Media/images/68.4_A3.jpg
Sculpture
Portrait of a Caesar
Portrait of a Member of the Corsini Family
Circle of Gregorio di Lorenzo, active 1461 - 1473
di Lorenzo, Gregorio
Italy
1461 - 1473
Male
Pasti, Matteo de'
Italy
c. 1420 - after 5/15/1467
Male
Previous attribution
17 3/4 x 12 in. (45.1 x 30.5 cm)
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.
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without frame
overall
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with frame
overall
Marble
Marble
ca. 1470 - ca. 1500
1470
1500
1400-1600, men, portraits, reliefs, Renaissance & Baroque, sculpture
Sculpture
reverse, Encircled in black ink or felt-tipbottom
1965.8
item
Memorial Art Gallery
3/13/2001
65.8SL1
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full
2 x 2
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full
8 x 10
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65.8DI1
digital image
front
2 x 2
6/14/2002
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65.8DI2
digital image
00/00/00
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65.8DI#3
digital image
4/18/2011
http://127.0.0.1:5000/Media/images/65.8_A2.jpg
65.8DI#4
digital image
without frame
4/18/2011
http://127.0.0.1:5000/Media/images/65.8_A3.jpg
Print
The Sea Monster
Albrecht Dürer, (Nuremberg, Germany, 1471 - 1528, Nuremberg, Germany)
Dürer, Albrecht
Germany
1471 - 1528
Male
9 15/16 x 7 1/2 in. (25.2 x 19 cm)
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.
.
plate
vertical
image
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.
sheet
Printer's ink
Printer's ink
ca. 1498
1493
1503
1400-1600, engravings, Renaissance & Baroque, sea monsters, women
Print
lower center, in the plate, in the imageverso, text within a cut-corner rectangleverso, Circle of text surrounding the letter Bverso, Encircled text:
1913.19
item
Memorial Art Gallery
5/12/2001
negative
4 x 5
00/00/00
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glossy
8 x 10
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5 x 7
00/00/00
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13.19SL1
slide
2 x 2
00/00/00
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13.19DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/13.19_A1.jpg
Print
The Saviour Blessing, Half Length
Israhel van Meckenem, ca. 1450 - 1503
Meckenem, Israhel van
Germany
ca. 1450 - 1503
Male
7 1/2 x 5 3/4 in. (19 x 14.6 cm)
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sheet
vertical
sheet
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.
Printer's ink
Printer's ink
ca. 1480
1475
1485
1400-1600, engravings, Lockhart Collection, Renaissance & Baroque, Salvator Mundi
Print
lower left, and lower right, in the plate, in imageverso, letter L in a boxverso
1975.44
item
Memorial Art Gallery
5/12/2001
75.44 SL1
slide
full
2 x 2
00/00/00
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8x10
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2.5x3
00/00/00
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75.44DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/75.44_A1.jpg
75.44DI#2
digital image
5/12/2023
http://127.0.0.1:5000/Media/images/75.44_A2.jpg
Print
The Madonna and Child with an Apple
Martin Schongauer, 1450? - 1491
Schongauer, Martin
Germany
1450? - 1491
Male
6 13/16 x 4 7/8 in. (17.3 x 12.4 cm)
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.
sheet
vertical
sheet
.
.
.
Printer's ink
Printer's ink
ca. 1480
1475
1485
1400-1600, engravings, Lockhart Collection, Madonna and Child, Renaissance & Baroque
Print
in the image, in the plate, lower centerverso, L in a boxverso
1982.39
item
Memorial Art Gallery
5/15/2001
82.39SL1
slide
full
2 x 2
00/00/00
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glossy
full
8x10
00/00/00
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full
4x5
00/00/00
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82.39DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/82.39_A1.jpg
Print
The Dance of Death (Totentanz)
Michael Wolgemut, 1434 - 1519
Wolgemut, Michael
Germany
1434 - 1519
Male
16 3/4 x 11 3/4 in. (42.6 x 29.8 cm)
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.
.
sheet
vertical
sheet
Printer's ink
Printer's ink
1493
1493
1493
1400-1600, Death, Renaissance & Baroque, woodcuts
Print
Leaf from the Nuremberg Chronicle.
recto and verso
2001.7
item
Memorial Art Gallery
10/23/2001
2001.7DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/2001.7_A1.jpg
2001.7DI#2
digital image
Front
6/18/2007
http://127.0.0.1:5000/Media/images/2001.7_A2.jpg