410
keywordPath%3DGXYU
Painting
Mary Smith Booth (1744-1824)
Ralph Earl, 1751 - 1801
Earl, Ralph
United States
1751 - 1801
Male
38 x 31 in. (96.5 x 78.7 cm)
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overall
frame
Oil
Oil
1790
1790
1790
1600-1800, 18th century, paintings, portraits, women
Painting
left, center
1957.13
item
Memorial Art Gallery
9/8/1999
57.13SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
57.13DI2
digital image
Memorial Art Gallery
Imaging Complete
3/13/2002
http://127.0.0.1:5000/Media/images/57.13_A1.jpg
glossy
full
8 x 10
00/00/00
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negative
full
2 x 2.5
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full
4 x 5
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glossy
full
5 x 7
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57.13TR1
transparency
4 x 5
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57.13DI1
transparency
4 x 5
00/00/00
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57.13DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Portrait of the Duchess
Rufus J. Dryer, (Rochester, NY, 1880 – 1937, Marcy, NY)
Dryer, Rufus J.
United States
1880 - 1937
Male
39 1/4 x 32 in. (99.7 x 81.3 cm)
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overall
frame
Oil
Oil
1920-1934
1920
1934
1900-2000, 20th century, portraits, women
Painting
Rufus K. Dryer was born into a well-to-do Rochester family of politicians and businessmen. Like many aspiring artists of the day, he studied with Robert Henri in New York City. And like many free spirits of means, he soon after moved to France to pursue his career, returning home only three years before his death. Nothing is known of the pensive woman wearing a fashionable cloche and fur whom Dryer painted in tones of blue and peach against a wildly-patterned wallpaper backdrop. This canvas appeared in the artist’s memorial exhibition here at MAG in 1937, shortly after which it was presented to us as a gift from Dryer’s sister, Leora, also an artist.
[Label text from It Came From the Vault exhibition, 2013]
lower right
1937.15
item
Memorial Art Gallery
9/8/1999
37.15SL1
slide
full
2 x 2
00/00/00
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glossy
8x10
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neg
4x5
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8x10
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37.15DI1
digital image
full
2 x 2
00/00/00
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37.15DI#2
digital image
11/20/2012
http://127.0.0.1:5000/Media/images/37.15_A2.jpg
Painting
Portrait in a Brown Dress
Lady in Yellow
Thomas W. Dewing, (Boston, MA, 1851 - 1938, New York, NY)
Dewing, Thomas W.
United States
1851 - 1938
Male
20 x 15 1/2 in. (50.8 x 39.4 cm)
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.
approximate installation dimensions
frame
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without frame
Oil
Oil
ca. 1908
1903
1913
1900-2000, 20th century, paintings, portraits, women
Painting
Around the same time that Thomas Dewing painted this portrait of a young woman reading a book, American art critic Charles Caffin wrote about Dewing's work:
"Generations of repressed emotion have made [Dewing's women] incapable of passion; strenuousness survives only in supersensitive nerves; their sole religion is the worship of self…They are motionless in an atmosphere from which all human warmth has been sucked, in a vacuum drained of intellectual and emotional nourishment. These bodily shapes are not of flesh and blood; they are the essence distilled from the withering of what is womanly, the mere fragrance of dead rose-leaves."
Thomas Dewing's depictions of genteel, ethereal young women engaged in contemplative and artistic pursuits stand in contrast to the bold and vigorous "New Woman," the feminist model of woman who emerged during this same period. The "New Woman" earned a living and wanted the vote and was not content to be marginalized in gauzy environments like the ones created by Dewing.
This painting is in its original frame, which is similar to those designed by Stanford White, who created opulent and decorative environments for many of Dewing's Gilded Age patrons.
(1). Charles H. Caffin, The Story of American Painting: The Evolution of American Painting from Colonial Times to the Present (New York: Frederick A. Stokes Company, 1907) , 189.
[Gallery label text]
lower leftverso, upper rightverso
1957.79
item
Memorial Art Gallery
9/8/1999
57.79TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
57.79SL1
slide
full
2 x 2
00/00/00
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glossy
full
8 x 10
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negative
full
4 x 5
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57.79DI1
digital image
Memorial Art Gallery
Imaging complete
7/10/2000
http://127.0.0.1:5000/Media/images/57.79_A1.jpg
M425_p159.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p159.tif
M425_p159(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p159(10).tif
Painting
Weaving Homespun, Canada
The Weavers
Emma Lampert Cooper, (Nunda, NY, 1855 - 1920, Pittsford, NY)
Cooper, Emma Lampert
United States
1855 - 1920
Female
22 x 30 in. (55.9 x 76.2 cm)
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overall
frame
Oil
Oil
by 1904
1904
1904
by Rochester artists, genre scenes, home life, jobs & work, paintings, women
Painting
This painting of two women weaving by the cool light of a single window won a prize at the St. Louis World’s Fair in 1904. The naturalistic depiction of the crowded interior, with natural tones enlivened by the red blouse of one woman and the blue wool being woven, shows Emma Lampert Cooper’s award-winning grasp of composition and color. However, by the time it was given to MAG, 70 years later, it was mistakenly labelled as a work of her husband, Colin Campbell Cooper.
Emma Lampert Cooper was the first vice president of the Rochester Art Club when it was founded in 1877, and later its president. She taught art at the Mechanics’ Institute (now RIT) from 1893 to 1897.
[Gallery label text, 2021]
lower rightback of frameback of frameback of frame, Info incorrect all around. Colin CC did exhibit at St. Louis Expo, but no interiors, and it was Emma who won the bronze medal with this painting.
1977.15
item
Memorial Art Gallery
9/8/1999
77.15SL1
slide
2 x 2
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glossy
8 x 10
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4 x 5
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77.15DI1
digital image
2 x 2
00/00/00
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77.15DI#2
digital image
1/30/2012
http://127.0.0.1:5000/Media/images/77.15_A2.jpg
Painting
Portrait of Mary Burbank (1806 - 1888)
William Cogswell, (Sandusky, NY, 1819 - 1903, Pasadena, CA)
Cogswell, William
United States
1819 - 1903
Male
46 x 35 in. (116.8 x 88.9 cm)
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without frame
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.
overall
frame
Oil
Oil
1863
1863
1863
1800-1900, American art, costume, figure, portraits, women
Painting
Mary Goodrich Burbank, 1863
Born Dec. 28, 1806 - died July 4, 1888 (Rochester, NY)
The artist, William Cogswell, was born in upstate New York and taught himself portrait painting in the 1830s. He worked as a professional artist in New York City and exhibited at the National Academy and the American Art-Union. His best-known work is a portrait of Abraham Lincoln in the White House Collection. His portraits also include Presidents Grant and McKinley.
The portraits of Mr. and Mrs. Burbank were conserved by a Henry Luce Foundation Conservation Grant.
Gallery label, Feb. 2011, Colleen Piccone
The portraits of Mr. and Mrs. Burbank provide an unparalleled way of standing ‘face to face’ with early generations of Americans – those people who lived before Kodak gave us the snapshot.
Gideon Webster Burbank was educated in New York City and established a dry goods business in Kendall, NY in 1824. The following year he married Mary Goodrich and she bore eleven children. In 1839, after the Erie Canal was completed, Mr. Burbank started a career in Rochester as a manufacturer of flour at the Frankfort Mills. His mill sent barrels of flour to London as Rochester’s exhibit in the first World’s Fair in 1851. In the late 1850s, he designed and operated the steamer “Fulton” which made trips between Rochester and Buffalo on the Erie Canal. In 1869, he became a partner in the firm of Richardson, Burbank & Company, owners of the New York Flour Mills. He also served as president and director of several banks, and as a trustee of the First Baptist church.
Mr. Burbank was one of the earliest and most generous supporters of the University of Rochester and served on its Board of Trustees for nineteen years. In 1854, when the University was just four years old, he established the “Gideon Webster Burbank Professorship of Intellectual and Moral Philosophy.” His gift of $20,000 was, until that point, the largest single donation and helped inspire confidence in the long-term success of the University. He later suffered great financial loss, but remained proud of his connection to the University, saying “That I have saved.”
The Burbank family plot is located in Mt. Hope Cemetery.
Text Panel, Feb. 2011, Colleen Piccone
1973.69.1
item
Memorial Art Gallery
9/8/1999
73.69.1SL1
slide
2 x 2
00/00/00
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glossy
8 x 10
00/00/00
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negative
4 x 5
00/00/00
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73.69.1DI1
digital image
4/24/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/73.69.1_I1.jpg
73.69.1DI2
digital image
6/25/2009
http://127.0.0.1:5000/Media/images/73.69.1_A1.jpg
73.69.1DI#3
digital image
1/23/2010
http://127.0.0.1:5000/Media/images/73.69.1_A2.jpg
Painting
Boats on Shore, Yport, France
Harry Chase, (Woodstock, VT, 1853 – 1889, Sewanee, TN)
Chase, Harry
United States
1853 - 1889
Male
10 x 16 in. (25.4 x 40.6 cm)
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overall
frame
Oil
Oil
1885
1885
1885
1800-1900, 19th century, boats, paintings, seascapes, women
Painting
lower leftback of frame
1992.16
item
Memorial Art Gallery
9/8/1999
92.16SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
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92.16DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/92.16_A1.jpg
92.16DI#2
digital image
6/7/2017
http://127.0.0.1:5000/Media/images/92.16_A2.jpg
Painting
Mexican Woman
Jean Charlot, 1898 - 1979
Charlot, Jean
United States
1898 - 1979
Male
10 1/8 x 8 1/16 in. (25.7 x 20.4 cm)
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.
overall
frame
Oil
Oil
1968
1968
1968
1900-2000, American art, costume, food, home life, implements & costume, line, movement, paintings, shape, women
Painting
lower rightverso
1991.102
item
Memorial Art Gallery
9/8/1999
91.102SL1
slide
full
2 x 2
00/00/00
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glossy
8 x 10
00/00/00
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negative
4 x 5
00/00/00
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91.102DI1
digital image
5/16/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/91.102_I1.jpg
Painting
Dance of the Pilgrims
Jean Charlot, 1898 - 1979
Charlot, Jean
United States
1898 - 1979
Male
15 3/8 x 19 3/8 in. (39.1 x 49.2 cm)
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.
.
Oil
Oil
1937
1937
1937
20th century, costume, dance, line, MAG Lending Library, movement, shape, women
Painting
upper left
1942.69
item
Memorial Art Gallery
9/8/1999
42.69DI1
digital image
5/9/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/42.69_I1.jpg
glossy
8x10
00/00/00
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neg
4x5
00/00/00
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Painting
Lavendera
Jean Charlot, 1898 - 1979
Charlot, Jean
United States
1898 - 1979
Male
19 3/8 x 15 3/8 in. (49.2 x 39.1 cm)
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.
.
Oil
Oil
1937
1937
1937
20th century, jobs & work, MAG Lending Library, movement, scale, shape, women
Painting
lower left
1942.51
item
Memorial Art Gallery
9/8/1999
42.51DI1
digital image
5/9/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/42.51_I1.jpg
42.51SL1
slide
2 x 2
00/00/00
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8x10
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8x10
00/00/00
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42.51DI2
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/42.51_A1.jpg
Painting
View of the Ducal Palace, Venice
George Loring Brown, 1814 - 1889
Brown, George Loring
United States
1814 - 1889
Male
23 3/4 x 29 1/8 in. (60.3 x 74 cm)
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.
.
Oil
Oil
1843
1843
1843
1800-1900, American art, architecture in art, canals, cityscapes, daily life, men, paintings, women
Painting
1975.13
item
Memorial Art Gallery
9/8/1999
75.13 SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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75.13DI1
digital image
5/9/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/75.13_I1.jpg
Painting
Beatrice Baratoni and Cat
Hugh Botts, 1903 - 1964
Botts, Hugh
United States
1903 - 1964
Male
8 7/16 x 7 5/8 in. (21.5 x 19.4 cm)
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.
.
overall
sheet
Oil
Oil
1930-1939
1930
1939
1900-2000, American art, animals in art, paintings, portrait, women
Painting
1983.134.59
item
Memorial Art Gallery
9/8/1999
83.134.59DI#1
digital image
10/4/2007
http://127.0.0.1:5000/Media/images/Inventory pictures/83.134.59_I1.jpg
83.134.59DI#2
digital image
3/19/2009
http://127.0.0.1:5000/Media/images/83.134.59_A1.jpg
Painting
Fishwife
Paul S. Berry, (1915 - 1997)
Berry, Paul S.
United States
1915 - 1997
Male
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.
overall
frame
Oil
Oil
1950-1952
1950
1952
1900-2000, American art, color, figure, food, Images of Black People, jobs & work, line, men, movement, paintings, scale, shape, women
Painting
For many years, works from the annual Rochester-Finger Lakes Exhibition were purchased by MAG for the permanent collection. Fishwife, by Syracuse artist Paul S. Berry, is an example of such an acquisition made from the 1952 show. Its survival may rest on the fact that it entered the museum’s collection so soon after it was painted, as every August the artist would evaluate the contents of his studio and destroy anything that wasn’t up to his exacting standards.
According to Berry’s widow, Fishwife is painted in a style quite different from most of his work. A turbaned Haitian woman lifts an enormous, wide-eyed fish from a wicker basket; the diagonal line of her muscular arm echoes the ramshackle roofline of the building behind her. The influence of photography is seen in the arm of a third person poking in from the left side of the composition.
[Label text from It Came From the Vault exhibition, 2013]
lower right
Carolyn Berry
1952.50
item
Memorial Art Gallery
9/8/1999
52.50SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
52.50DI1
digital image
5/9/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/52.50_I1.jpg
52.50DI#2
digital image
2/22/2013
http://127.0.0.1:5000/Media/images/52.50_A1.jpg
Painting
Judith
Eugenie Baizerman, (Warsaw, Poland, 1899 - 1949, New York, NY)
Baizerman, Eugenie
United States
1899 - 1949
Female
24 3/4 x 17 3/4 in. (62.9 x 45.1 cm)
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.
approximate installation dimensions
vertical
frame
Oil
Oil
1935
1935
1935
1900-2000, American art, portraits, women
Painting
1994.78
item
Memorial Art Gallery
9/8/1999
94.78SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
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negative
4 x 5
00/00/00
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digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/94.78_I1.jpg
94.78DI#2
digital image
3/12/2013
http://127.0.0.1:5000/Media/images/Inventory pictures/94.78_I2.JPG
Painting
Haircut by the Sea
Milton Avery, (Altmar, NY, 1885 or 1893 - 1965, Bronx, NY)
Avery, Milton
United States
1885 or 1893 - 1965
Male
44 x 32 in. (111.8 x 81.3 cm)
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.
.
approximate installation dimensions
frame
.
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.
Oil
Oil
1943
1943
1943
1900-2000, 20th century, Modernism, paintings, women
Painting
lower right
1963.21
item
Memorial Art Gallery
9/8/1999
63.21TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
63.21SL1
slide
full
2 x 2
00/00/00
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glossy
8 x 10
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8 x 10
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negative
3 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
63.21DI1
digital image
Memorial Art Gallery
Imaging complete
6/26/2000
http://127.0.0.1:5000/Media/images/63.21_A1.jpg
63.21DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Interlude
The Lute Players
Maxfield Parrish, 1870 - 1966
Parrish, Maxfield
United States
1870 - 1966
Male
84 x 60 in. (213.4 x 152.4 cm)
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.
.
approximate installation dimensions
frame
.
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with frame
object
Oil
Oil
1922
1922
1922
1900-2000, 20th century, from Rochester collections, musical instruments (depictions), paintings, women
Painting
Maxfield Parrish, leading illustrator and muralist of the early twentieth century, painted Interlude to hang at the Eastman Theatre in Rochester. Through architect Lawrence Grant White, George Eastman commissioned three murals for the theater, which served as both silent movie palace and philharmonic hall. Interlude was Eastman’s favorite, a “peacherina,” he wrote White.
The radiant quality of Interlude is due to Parrish’s high technical standards and theatrical sense of color—electrical reds, vivid purples, and lush apricots. A shade of cobalt straight from the tube was applied so ingeniously that it became known as “Parrish blue.” He painted glaze upon glaze to create a hard photographic finish that betrayed no brush strokes.
Interlude was moved to the Memorial Art Gallery in 1997 to provide it with more stable temperature and humidity conditions. In its place at the Eastman Theatre is a full-size color reproduction.
Elizabeth Brayer, George Eastman Historian
[Summer 2015]
lower right
5.1997L
item
Memorial Art Gallery
6/1/2000
5.97LTR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
5.97LSL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
5.97LDI1
digital image
Memorial Art Gallery
Imaging complete
6/19/2001
http://127.0.0.1:5000/Media/images/5.97L_A1.jpg
5.97LDI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/5.97L_R1.jpg
5.97LDI3
digital image
00/00/00
http://127.0.0.1:5000/Media/images/5.97L_A2.jpg
digital image
00/00/00
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digital image
00/00/00
http://127.0.0.1:5000/Media/images/5.97L_A3.jpg
5.97LDI#4
digital image
6/4/2012
http://127.0.0.1:5000/Media/images/5.97L_A4.jpg
Painting
Iris
Maurice Fromkes, 1872 - 1931
Fromkes, Maurice
United States
1872 - 1931
Male
31 1/2 x 27 1/2 in. (80 x 69.9 cm)
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.
.
Oil
Oil
1917
1917
1917
1900-2000, 20th century, paintings, women
Painting
lower right
1957.64
item
Memorial Art Gallery
9/8/1999
57.64SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
57.64DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/57.64_A1.jpg
57.64DI#2
digital image
12/8/2021
http://127.0.0.1:5000/Media/images/57.64_A2.jpg
Painting
Portrait of Sophia Josephine Dixon
Mrs. Robert Fulton White
Attributed to Jefferson Gauntt, (1806 - 1864)
Gauntt, Jefferson
United States
1806 - 1864
Male
50 1/4 x 40 1/8 in. (127.6 x 101.9 cm)
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.
.
overall framed size
vertical
frame
.
.
.
without frame
Oil
Oil
ca. 1850-1860
1850
1860
1800-1900, 19th century, birds, bridges, children, paintings, portraits, rivers, women
Painting
Attributed to Jefferson Gauntt
American, 1806 – 1864
Sophia Josephine Dixon, born circa 1852 - date of death unknown
Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860.
Tombstone, Oct. 2010, Colleen Piccone
A favorite of MAG visitors, the portrait of Sophia Josephine Dixon was conserved in 2006 through a Lower Hudson Conference Conservation Treatment Grant and has been on view in the 19th century American gallery. We are happy to reunite her with her parents, Hiram and Angeline Dixon, whose portraits were conserved in 2008 through the Henry Luce Foundation American Art Conservation Grant. This is the first time that MAG has exhibited the portraits together as a family. They were given to the Gallery by Sophia Josephine’s daughter, Mrs. George B. Penny.
The Dixons’ daughter, Sophia Josephine, holds her pet goldfinch on a string, illustrating her patience and nurturing nature in training a wild bird as her pet. Her white dress with blue ribbon sash, lace pantaloons and straw hat are those of a well-bred young girl from a successful American family. In the early nineteenth century, girls were generally depicted in domestic settings. By 1831, however, “The Mother’s Book” by Lydia Child argued that girls as well as boys would benefit from open air and should be allowed to play outside.
The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY.
Excerpted from installation text, Oct. 2010
Colleen Piccone, Curatorial Dept.
lower left, in Scotch thistle
1942.45
item
Memorial Art Gallery
9/8/1999
42.45TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
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42.45DI1
digital image
Memorial Art Gallery
Imaging complete
7/10/2000
http://127.0.0.1:5000/Media/images/42.45_A1.jpg
Painting
Portrait of Angeline Wildey Dixon (1817 - 1903)
Jefferson Gauntt, (1806 - 1864)
Gauntt, Jefferson
United States
1806 - 1864
Male
35 3/4 x 28 1/2 in. (90.8 x 72.4 cm)
.
.
.
.
.
.
approximate installation dimensions
Oil
Oil
circa 1850-1860
1850
1860
1800-1900, American art, costume, home life, paintings, portraits, women
Painting
Angeline Wildey Dixon, born circa 1817 - died Feb. 26, 1903 (Tarrytown, NY)
Hiram, Angeline and daughter, Sophia Josephine Dixon portraits are not signed or dated. We believe all three were painted by the same artist, Jefferson Gauntt. The Dixon family’s life dates have been obtained through research. Based on these dates we speculate the portraits were painted between 1840 and 1860. The Dixon family lived north of New York City, first in Hudson, NY and then in Tarrytown, NY.
Although painted separately, Mr. and Mrs. Dixon appear to share a couch against a large window through which an elaborate landscape can be seen. Both are dressed in stylish and sophisticated attire. It was considered poor taste for men to wear much jewelry; instead, their wives displayed the family’s wealth. Angeline Dixon wears four gold rings and a bracelet with carved black stones. As popular hairstyles of the time covered the ears, earrings fell out of fashion for a time and the hand became the center of interest. Her cameo brooch, carved from shell, is attached to a gold chain with a pendant or watch fob similar to the one worn by her husband.
Excerpted from installation text, Oct. 2010
Colleen Piccone, Curatorial Dept.
1952.35
item
Memorial Art Gallery
9/8/1999
52.35SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
52.35DI1
digital image
4/24/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/52.35_I1.jpg
52.35DI#2
digital image
1/20/2009
http://127.0.0.1:5000/Media/images/52.35_A1.jpg
Painting
Girl's Head
Douglas Warner Gorsline, (Rochester, NY, 1913 - 1985, Dijon, France)
Gorsline, Douglas Warner
United States
1913 - 1985
Male
13 1/2 x 11 in. (34.3 x 27.9 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1935
1935
1935
1900-2000, 20th century, by Rochester artists, paintings, portraits, women
Painting
lower rightyes, on stretcher
1935.29
item
Memorial Art Gallery
9/8/1999
35.29.SL1
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full
2 x 2
00/00/00
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4x5
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digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/35.29_I1.jpg
35.29DI2
digital image
full
2 x 2
00/00/00
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35.29DI#2
digital image
10/1/2012
http://127.0.0.1:5000/Media/images/35.29_A2.jpg
Painting
Night Beauty
Douglas Warner Gorsline, (Rochester, NY, 1913 - 1985, Dijon, France)
Gorsline, Douglas Warner
United States
1913 - 1985
Male
20 x 17 in. (50.8 x 43.2 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
ca. 1935
1930
1940
1900-2000, 20th century, by Rochester artists, paintings, women
Painting
lower right
1935.49
item
Memorial Art Gallery
9/8/1999
35.49SL1
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full
2 x 2
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35.49DI1
digital image
5/16/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/35.49_I1.jpg
35.49DI2
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/35.49_A1.jpg
Painting
Check-Up
Douglas Warner Gorsline, (Rochester, NY, 1913 - 1985, Dijon, France)
Gorsline, Douglas Warner
United States
1913 - 1985
Male
38 x 31 in. (96.5 x 78.7 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1941
1936
1946
1.46L
1900-2000, 20th century, by Rochester artists, costume, paintings, women
Painting
1946.60
item
Memorial Art Gallery
9/8/1999
46.60TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
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46.60DI1
digital image
5/9/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/46.60_I1.jpg
46.60DI2
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/46.60_A1.jpg
46.60DI#3
digital image
4 x 5
1/28/2015
http://127.0.0.1:5000/Media/images/46.60_A2.jpg
Painting
Her Pastime
Charles Paul Gruppé, (Picton, Ontario, Canada, 1860 - 1940, Rockport, MA)
Gruppé, Charles Paul
United States
1860 - 1940
Male
24 x 19 1/2 in. (61 x 49.5 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
ca. 1895-1900
1895
1900
1800-1900, American art, by Rochester artists, costume, leisure activities, paintings, women
Painting
1979.41
item
Memorial Art Gallery
9/8/1999
digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/79.41_I1.jpg
Painting
The Bathers
Childe Hassam, 1859 - 1935
Hassam, Childe
United States
1859 - 1935
Male
48 3/16 x 148 1/4 in. (122.4 x 376.6 cm)
.
.
.
without frame
Oil
Oil
1904
1904
1904
1900-2000, 20th century, nudes, paintings, seascapes, women
Painting
This painting hung originally in the home of C.E.S. Wood, a Portland, Oregon lawyer, writer and art collector.
Murals were a common feature of turn-of-the-20th-century interiors, as they complemented the unified design popularized by artists and designers like William Morris and Gustav Stickley.
Monumental buildings like the Boston Public Library as well as cozy residential bungalows were decorated by artists who covered blank walls with colorful, imaginative, and romantic scenes like The Bathers.
MAG’s painting by Impressionist painter Childe Hassam was installed as part of a larger mural in the library/studio of the Portland, Oregon, home of Charles Erskine Scott Wood. A lawyer, writer, connoisseur, and friend of Hassam, Wood was influenced by the late 19th century Arts & Crafts aesthetic that disdained the ornate and cluttered surroundings of the Victorian period and aspired to simplicity and harmonious design. Wood wrote to his friend, the artist J. Alden Weir, that Hassam “whirled in and painted me a whole wall for my studio, and they tell me it is beautiful.”
[Gallery label text, 2008]
lower leftverso, original stretcher
1963.27
item
Memorial Art Gallery
9/8/1999
63.27TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
63.27TR2
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8 x 10
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detail left
8 x 10
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63.27DI1
digital image
Memorial Art Gallery
Imaging complete
7/10/2000
http://127.0.0.1:5000/Media/images/63.27_A1.jpg
63.27SL2
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detail-right side
2 x 2
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63.27SL3
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detail-left side
2 x 2
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63.27SL4
slide
detail-tree
2 x 2
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M425_p142.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p142.tif
M425_p142(5).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/M425_p142(5).tif
63.27DI2
digital image
Detail
6/16/2009
http://127.0.0.1:5000/Media/images/63.27_A2.jpg
63.27DI2
digital image
Detail
6/16/2009
http://127.0.0.1:5000/Media/images/63.27_A3.jpg
63.27DI4
digital image
Detail
6/16/2009
http://127.0.0.1:5000/Media/images/63.27_A4.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/63.27_R1.jpg
Painting
Spring
From the Garden
Charles Webster Hawthorne, (Lodi, IL, 1872 – 1930, Baltimore, MD)
Hawthorne, Charles Webster
United States
1872 - 1930
Male
39 1/2 x 39 1/2 in. (100.3 x 100.3 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
Oil
Oil
ca. 1911
1906
1916
1900-2000, 20th century, allegories, flowers in art, George Eastman Collection, paintings, spring, women
Painting
lower left
1976.22
item
Memorial Art Gallery
9/8/1999
76.22TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
76.22SL1
slide
full
2 x 2
00/00/00
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negative
4x5
00/00/00
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76.22DI1
digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/76.22_A1.jpg
76.22TR2
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Portrait of a Young Woman
Chester Harding, 1792 - 1866
Harding, Chester
United States
1792 - 1866
Male
27 1/4 x 22 in. (69.2 x 55.9 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
ca. 1840
1835
1845
1800-1900, American art, costume, paintings, portraits, women
Painting
1974.119
item
Memorial Art Gallery
9/8/1999
74.119SL1
slide
full
2 x 2
00/00/00
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4x5
00/00/00
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74.119DI1
digital image
4/24/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/74.119_I1.jpg
Painting
Ready for the Fête
Francis Coates Jones, (Baltimore, MD, 1857 – 1932, New York, NY)
Jones, Francis Coates
United States
1857 - 1932
Male
20 x 14 in. (50.8 x 35.6 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
0
0
1800-1900, American art, costume, paintings, women
Painting
Francis Coates Jones was born in Baltimore and studied at the Académie Julian and the Ecole des Beaux Arts in Paris. He spent much of his life in New York City, where he was the treasurer of the National Academy of Design and a trustee of the Metropolitan Museum of Art. His Neoclassical style references the traditions of ancient Greece and Rome as well as the Italian High Renaissance. This painting demonstrates his mastery of texture and surface design in the rich drapes and folds of the woman’s robe.
[Label text from It Came From the Vault exhibition, 2013]
lower left
1958.6
item
Memorial Art Gallery
9/8/1999
58.6SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3 x 5
00/00/00
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58.6DI1
digital image
4/24/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/58.6_I1.jpg
58.6DI#2
digital image
11/6/2012
http://127.0.0.1:5000/Media/images/58.6_A1.jpg
Painting
Abstract - Study of a Woman
Morris Kantor, (Minsk, Belarus, 1896 – 1974, West Nyack, NY)
Kantor, Morris
United States
1896 - 1974
Male
38 x 34 in. (96.5 x 86.4 cm)
.
.
.
.
.
.
overall
vertical
frame
Oil
Oil
1921
1921
1921
1900-2000, Abstract, American art, color, line, shadow, shape, women
Painting
lower right
1974.99
item
Memorial Art Gallery
9/8/1999
74.99TR1
transparency
pink
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
74.99 SL1
slide
2 x 2
00/00/00
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8x10
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4x5
00/00/00
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74.99DI1
digital image
4/24/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/74.99_I1.jpg
74.99DI#2
digital image
8/20/2013
http://127.0.0.1:5000/Media/images/74.99_A1.jpg
Painting
Interlude
John Koch, 1909 - 1978
Koch, John
United States
1909 - 1978
Male
50 1/8 x 39 7/8 in. (127.3 x 101.3 cm)
.
.
.
without frame
.
.
.
approximate installation dimensions
frame
Oil
Oil
1963
1963
1963
1900-2000, 20th century, artists, making art (depictions), men, nudes, paintings, Realism, self portraits, women
Painting
John Koch was a master of the tradition of American realism. His warm, intimate, and elegant New York City interiors glow with light that is reflected by well-polished furniture, floors, and silver.
In this painting, the artist’s wife (piano teacher Dora Zaslavsky) offers a cup of tea to the nude artist’s model, while the artist sits in the background and contemplates his canvas. A variation on the theme of artists and models, Interlude also is an expression of the generosity of human relationships. As one of Zaslavsky’s former students wrote, “…her philosophy of care and concern for the individual student helps shape my teaching to this day.”
[Summer 2015]
lower left
1965.12
item
Memorial Art Gallery
9/8/1999
65.12TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
65.12CPRT1
glossy
5 x 7
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1 x 1
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65.12DI1
digital image
Memorial Art Gallery
Imaging complete
6/23/2000
http://127.0.0.1:5000/Media/images/65.12_A1.jpg
65.12DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
69koch1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/69koch1.tif
Painting
Judge and Mrs. Arthur Yates
Conversation Piece
M. M. Manchester, active ca. 1840
Manchester, M. M.
United States
active ca. 1840
Male
36 x 58 3/4 in. (91.4 x 149.2 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
without frame
Oil
Oil
ca. 1840
1835
1845
1800-1900, 19th century, folk art, men, paintings, portraits, women
Painting
This grand portrait might have been a focal point in Judge and Mrs. Yates’s parlor. Judge Yates built the first steam saw mill in Tioga County, and was justice of the peace and postmaster.
Whether the furnishings, book, and clothing accurately depict the Yates’s possessions is impossible to say. They are meant to convince us of the pair’s position within the local gentry. Yards of satiny fabric held in place by a curtain holdback speak of luxury. Mrs. Yates’s jewelry, lace collar, cuffs and trimmed handkerchief, were the accoutrements of a lady of means. Judge Yates holds a book by English theologian William Paley entitled Natural Theology, a text regularly consulted by well-read gentlemen of the 19th century. While we know very little about Mr. Manchester, the artist, we can safely say that he was familiar with the grand tradition of portraiture that frequently placed subjects within ennobling, but not always authentic, settings.
[Gallery label text, 2002]
verso, Visible before relining
1941.30
item
Memorial Art Gallery
9/8/1999
41.30TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
41.30SL1
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41.30DI1
digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/41.30_A1.jpg
41.30DI2
digital image
00/00/00
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41.30DI2
digital image
Memorial Art Gallery
Imaging complete
00/00/00
http://127.0.0.1:5000/Media/images/41.30_A2.jpg
Painting
People's Follies No. 3
Reginald Marsh, 1898 - 1954
Marsh, Reginald
United States
1898 - 1954
Male
25 7/8 x 39 in. (65.7 x 99.1 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
Egg tempera
Egg tempera
1938
1938
1938
1900-2000, 20th century, dance, MAG Lending Library, men, paintings, women
Painting
Reginald Marsh inherited the Urban Realist interest in the act of seeing and being seen. His art often addressed sexuality in the urban environment, as in this painting of a burlesque hall.
[Gallery label text, 2007]
lower right
1943.1
item
Memorial Art Gallery
9/8/1999
43.1TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
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43.1DI1
digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/43.1_A1.jpg
43.1DI2
digital image
00/00/00
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59marsh1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/59marsh1.tif
Painting
Ice Cream Cones
Reginald Marsh, 1898 - 1954
Marsh, Reginald
United States
1898 - 1954
Male
24 x 30 in. (61 x 76.2 cm)
.
.
.
overall
frame
.
.
.
without frame
Egg tempera
Egg tempera
1938
1938
1938
1900-2000, 20th century, MAG Lending Library, paintings, women
Painting
lower right
1945.70
item
Memorial Art Gallery
9/8/1999
45.70TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
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digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/45.70_A1.jpg
negative
4x5
00/00/00
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59marsh2.tif
digital image
00/00/00
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Painting
Woman in a Wing Chair
Robert E. Marx, (Northeim, Germany, 1925 - 2020, Rochester, NY)
Marx, Robert E.
United States
1925 - 2020
Male
48 x 44 in. (121.9 x 111.8 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1964
1964
1964
1900-2000, art with Rochester connections, paintings, women
Painting
lower right
1965.16
item
Memorial Art Gallery
9/8/1999
65.16SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
65.16DI1
digital image
4/24/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/65.16_I1.jpg
65.16DI#2
digital image
1/16/2014
http://127.0.0.1:5000/Media/images/Inventory pictures/65.16_I2.JPG
Painting
Woman in an Ermine Collar
Kathleen McEnery Cunningham, 1885 - 1971
Cunningham, Kathleen McEnery
United States
1885 - 1971
Female
76 7/8 x 38 3/8 in. (195.3 x 97.5 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
without frame
Oil
Oil
1909
1909
1909
1900-2000, 20th century, American art, Ashcan School and friends, by Rochester artists, paintings, portraits, women
Painting
Kathleen McEnery’s early training as an Urban Realist drew her to depict reality with an uncompromising eye. The artist was about twenty-two years old and living in Paris when she painted this bold and modern woman. McEnery lived in New York, Madrid, and Paris before she moved to Rochester, NY in 1914.
[Gallery label text, 2007]
Kathleen McEnery was about twenty-two years old and living in Paris when she painted Woman in an Ermine Collar. She lived and trained in New York, Madrid, and Paris before moving to Rochester in 1914. McEnery played a major role in Rochester’s cultural circles, and painted throughout her life while raising a family with her husband, Francis Cunningham of the Cunningham Car Company.
McEnery’s training with the American realist master Robert Henri drew her to depict with honesty the conditions of modern life. The result is this woman’s unapologetic presence. She is an embodiment of the New Woman – a cultural phenomenon of the growing women’s rights movement, of which the artist was an ardent supporter. The New Woman rebelled against traditional gender roles and was independent, confident, and physically active. As this woman’s dashing manner illustrates, she was equally as comfortable in the public domain as would be any man.
[Gallery label text, 2006]
In New York City, Kathleen McEnery studied with Robert Henri. She also studied abroad and exhibited two paintings at the controversial 1913 Armory Show in New York City. After her marriage to Rochesterian Francis Cunningham, whose family owned the Cunningham Carriage Factory, she continued painting in a studio off the family's home on 10 South Goodman St., now on the campus of the Rochester Museum and Science Center. As Mrs. Cunningham, she was a member of the Gallery's Board of Managers from 1927 through 1971.
The model's direct and intelligent expression and forthright pose suggests the "new woman," ready to be a participant in contemporary society rather than remain at home. Certainly, McEnery herself, who had graduated from Pratt Institute and lived on her own in New York City, fit that description as well.
[Gallery label text, 2003]
lower left
1983.13
item
Memorial Art Gallery
9/8/1999
83.13TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
83.13SL1
slide
full
2 x 2
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negative
4x5
00/00/00
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83.13DI1
digital image
Memorial Art Gallery
Imaging complete
6/23/2000
http://127.0.0.1:5000/Media/images/83.13_A1.jpg
83.13DI2
digital image
Signature
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/83.13_I2.jpg
39mcenery1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/39mcenery1.tif
Painting
Miriam McEnery
Kathleen McEnery Cunningham, 1885 - 1971
Cunningham, Kathleen McEnery
United States
1885 - 1971
Female
53 3/4 x 34 in. (136.5 x 86.4 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
by 1915
1915
1915
16.79L
by Rochester artists, paintings, portrait, portraits, women
Painting
2017.13
item
Memorial Art Gallery
9/8/1999
16.97LSL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
16.79LTR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
16.79LNEG1
negative
4 x 5
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glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
16.79LDI1
digital image
5/9/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/2017.13_I1.jpg
16.79LDI2
signature
digital image
16.79Ldetail.jpg
11/16/2004
http://127.0.0.1:5000/Media/images/2017.13_A1.jpg
16.79LDI#3
digital image
8/19/2011
http://127.0.0.1:5000/Media/images/2017.13_A2.jpg
Painting
Indian Village, Taos
Thomas J. Mitchell, (Rochester, NY, 1875 – 1963, Rochester, NY)
Mitchell, Thomas J.
United States
1875 - 1963
Male
20 x 24 in. (50.8 x 61 cm)
.
.
.
Oil
Oil
0
0
1900-2000, American art, by Rochester artists, children, costume, from Rochester collections, home life, houses, landforms in art, landscapes, men, paintings, women
Painting
lower right
1930.12
item
Memorial Art Gallery
9/8/1999
30.12DI1
digital image
5/16/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/30.12_I1.jpg
Painting
Woman in a Cloak
Robert E. Marx, (Northeim, Germany, 1925 - 2020, Rochester, NY)
Marx, Robert E.
United States
1925 - 2020
Male
48 x 42 in. (121.9 x 106.7 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1961
1961
1961
1900-2000, 20th century, art with Rochester connections, paintings, women
Painting
Painter-printmaker Robert Marx taught at the State University at Brockport from 1970 to 1990. His figures personify the frustrating, hurtful, and dysfunctional aspects of the human condition in relation to authority, personal relationships, and oneself. He invites the viewer to meet the gaze of his subject, stating, “If I am successful, my people will make eye contact with you and a dialogue will begin.”
[Label text from It Came From the Vault exhibition, 2013]
Painter-printmaker Robert Marx taught at the State University at Brockport from 1970 to 1990. His figures personify the frustrating, hurtful, and dysfunctional aspects of the human condition. He invites the viewer to meet the gaze of his subject, stating, “If I am successful, my people will make eye contact with you and dialogue will begin.” He currently lives and works in Rochester, New York.
[Gallery Label Text, Summer 2015]
lower right
Robert Marx
1965.22
item
Memorial Art Gallery
9/8/1999
65.22TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
65.22SL1
slide
2 x 2
00/00/00
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glossy
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full
4 x 5
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65.22DI1
digital image
Memorial Art Gallery
Imaging complete
6/19/2001
http://127.0.0.1:5000/Media/images/65.22_A1.jpg
Painting
Mood
Kathleen McEnery Cunningham, 1885 - 1971
Cunningham, Kathleen McEnery
United States
1885 - 1971
Female
24 x 20 in. (61 x 50.8 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
Oil
Oil
1927
1927
1927
1900-2000, 20th century, by Rochester artists, paintings, portraits, women
Painting
Kathleen McEnery’s artistic career drastically changed course after her marriage to Frank Cunningham and subsequent relocation to Rochester. Early on, she studied in New York City with Robert Henri, exhibited two paintings in the pioneering 1913 Armory Show, and continued her education in Paris. Although she continued to paint, her work consisted primarily of intimate portraits of friends and acquaintances. Marjorie Quetchenbach, one of McEnery’s friends, served as the model for this portrait. The title Mood, however, identifies the moment and personality of the sitter rather than her name.
[Forman Gallery, Summer 2015]
lower right
1927.9
item
Memorial Art Gallery
9/8/1999
27.9SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
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glossy
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27.9DI1
digital image
5/16/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/27.9_I1.jpg
27.9DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/27.9_A1.jpg
27.9DI#2
digital image
10/1/2012
http://127.0.0.1:5000/Media/images/27.9_A2.jpg
Painting
Mrs. Elijah Talcott Miller (1803-1863)
Noah North, 1809 - 1880
North, Noah
United States
1809 - 1880
Male
27 x 22 3/4 in. (68.6 x 57.8 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1835
1835
1835
portraits, women
Painting
Sitter's full name was Ruth Tillotson Miller
1974.9
item
Memorial Art Gallery
9/8/1999
74.9TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
74.9 SL1
slide
2 x 2
00/00/00
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negative
4x5
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glossy
8x10
00/00/00
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74.9DI1
digital image
4/24/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/74.9_I1.jpg
Painting
Ann Gennett Pixley Lacey (1809 - 1841)
Attributed to Milton W. Hopkins, 1789 - 1844
Hopkins, Milton W.
United States
1789 - 1844
Male
North, Noah
United States
1809 - 1880
Male
Previous Attribution
30 x 25 in. (76.2 x 63.5 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
Oil
Oil
1835-1836
1835
1836
1800-1900, 19th century, folk art, New York State & Local History, paintings, portraits, women
Painting
In this painting, Ann Lacey (the mother of Pierrepont and Eliza (78.188 and 78.189)) holds a book in her hand. Her traditional pose suggests that she was a cultured and literate individual.
The portraits of the Lacey family were passed down through the generations in the family home in Scottsville, New York, until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors.
[Excerpted from gallery label text, 2006]
M. W. Hopkins
American, 1789 - 1844
Ann Gennett Pixley Lacey (1809 - 1841)
ca. 1835 - 1836
Oil on canvas
Gift of Mr. and Mrs. Robert H. Dunn
in memory of Ruth Hanford Munn
and James Buell Munn, 78.187
Ann Gennett was born in Kirkland, New York, and her family later moved to nearby Chili. Around 1830, she married Allen Tobias Lacey, son of a neighboring farmer and political associate of her father. She was the mother of Pierrepont and Eliza, whose portraits hang nearby.
In the painting, she is shown holding a small book, a popular motif that suggests literacy and a certain level of affluence.
Ann Lacey died of cancer at the age of 32 and she is buried in the Fellows Cemetery in Chili. Shortly thereafter, Allen Lacey remarried, and in 1847, the family moved west to farm in Marshall, Michigan.
{Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial}
The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery.
The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors.
{Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial}
1978.187
item
Memorial Art Gallery
9/8/1999
78.187TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
78.187SL1
slide
full
2 x 2
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negative
4 x 5
00/00/00
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78.187DI1
digital image
Memorial Art Gallery
Imaging complete
4 x 5
10/30/2001
http://127.0.0.1:5000/Media/images/78.187_A1.jpg
78.187DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/78.187-191_R1.jpg
78.187DI3
digital image
Memorial Art Gallery
Imaging complete
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/78.187_A2.jpg
5hopkins2.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/5hopkins2.tif
Painting
Eliza Pixley Lacey (1834 - 1839)
Attributed to Milton W. Hopkins, 1789 - 1844
Hopkins, Milton W.
United States
1789 - 1844
Male
North, Noah
United States
1809 - 1880
Male
Previous Attribution
30 x 25 in. (76.2 x 63.5 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
Oil
Oil
1835-1836
1835
1836
1800-1900, 19th century, children, folk art, New York State & Local History, paintings, portraits, women
Painting
M. W. Hopkins
American, 1789 - 1844
Eliza Pixley Lacey (1834 - 1839)
ca. 1835 - 36
Oil on canvas
Gift of Mr. and Mrs. Robert H. Dunn
in memory of Ruth Hanford Munn and
James Buell Munn, 78.188
M.W. Hopkins painted several portraits of young girls holding flower baskets. Eliza was painted when she was about two, and may have been Hopkins’ youngest and most endearing sitter.
Portrait painting was not Hopkins’ sole occupation; he was also a farmer and ornamental painter who decorated carriages and signs.
Eliza was only five when she died. She is buried in Fellows Cemetery in Chili along with her mother, Ann, whose portrait hangs nearby.
{Excerpted from gallery label text, Oct. 2011, Colleen Piccone, Curatorial}
The Lacey family, whose portraits are on view nearby, lived in this home at 9 Scottsville-Chili Road in Scottsville, New York in the 1830s, where it is believed their portraits were painted and first hung. Two children in this 1890s photograph were relatives of the Lacey family. The girl on the far left was Ruth Hanford (Munn), in whose memory the portraits were given to the Memorial Art Gallery.
The paintings were passed down through the generations in this family home until 1932, when they were presented on the occasion of a marriage and moved to a new home in Cambridge, Massachusetts. In 1978, the generous owners donated the group of family heirlooms to the Memorial Art Gallery, to be enjoyed by its many visitors.
{Excerpted from gallery text panel, Oct. 2011, Colleen Piccone, Curatorial}
1978.188
item
Memorial Art Gallery
9/8/1999
78.188TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
78.188SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
78.188DI1
digital image
Memorial Art Gallery
Imaging complete
4 x 5
10/30/2001
http://127.0.0.1:5000/Media/images/78.188_A1.jpg
78.187DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/78.187-191_R1.jpg
5hopkins3.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/5hopkins3.tif
Painting
A New Arrangement
Ivan G. Olinsky, (Kropyvnytskyi, Ukraine, 1878 – 1962, New York, NY)
Olinsky, Ivan G.
United States
1878 - 1962
Male
30 x 25 in. (76.2 x 63.5 cm)
.
.
.
Oil
Oil
ca. 1920
1915
1925
1900-2000, 20th century, paintings, women
Painting
Ivan Olinksy, a Russian who arrived in New York City at age 13, was for many years the studio assistant of John LaFarge, the celebrated muralist and stained glass designer. After LaFarge’s death, Olinsky became a well-known painter in his own right, and George Herdle included his work in MAG’s inaugural exhibition of 1913. In attempting to trace that painting for the Gallery’s 75th anniversary show, MAG made contact with Olinsky’s daughter and grandsons. Serendipitously, Olinksky’s great-grandson had just graduated from the University of Rochester, and the family generously donated A New Arrangement to the permanent collection.
[Label text from It Came From the Vault exhibition, 2013]
lower leftback of stretcherverso
1988.24
item
Memorial Art Gallery
9/8/1999
88.24TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
88.24SL1
slide
full
2 x 2
00/00/00
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glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
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88.24DI1
digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/88.24_A1.jpg
88.24DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Old Woman with a Bible
Ammi Phillips, 1788 - 1865
Phillips, Ammi
United States
1788 - 1865
Male
33 1/2 x 28 in. (85.1 x 71.1 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
without frame
Oil
Oil
ca. 1834
1829
1839
1800-1900, 19th century, folk art, paintings, portraits, women
Painting
We take for granted the ability to record our families' faces. Even the likenesses of those long-dead are etched in our memories by their photographs. But before cameras and film, the only way to save a "likeness" was to create a life or death mask, draw or paint a picture, or make a sculpture.
In rural New York State, many portraits were done by painters like Ammi Phillips who had a minimal amount of training. Their customers, in turn, passed paintings down through the generations until all too often, the identity of the sitters was lost.
If we don't know whose portrait this was, and if Ammi Phillips was not an academically trained artist, why do we continue to appreciate this work and keep it in a museum? The directness of human spirit that these paintings convey combined with the intricacy of design and patterning create a work filled with the "visual delight" that we search for in a work of art.
[Gallery label text, 2008]
This woman’s identity has not been preserved, but we might speculate with confidence that she was a devout person, as her arm is placed so firmly on the Bible. Notice, too, how carefully the artist painted the fabric of her day-cap, the embroidery on her shawl, and even the tasseled trim of the curtains.
[Gallery label text, 2008]
1984.22
item
Memorial Art Gallery
9/8/1999
84.22TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
84.22SL1
slide
full
2 x 2
00/00/00
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negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
84.22DI1
digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/84.22_A1.jpg
84.22DI2
digital image
Memorial Art Gallery
Imaging complete
00/00/00
http://127.0.0.1:5000/Media/images/84.22_A2.jpg
84.22SL2
slide
detail face during conservation
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
84.22SL3
slide
detail embroidery band
2 x 2
00/00/00
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glossy
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8 x 10
00/00/00
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4phillips1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/4phillips1.tif
Painting
Woodland Bathers
Maurice Prendergast, 1858 - 1924
Prendergast, Maurice
United States
1858 - 1924
Male
19 1/2 x 26 1/2 in. (49.5 x 67.3 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
without frame
Oil
Oil
1913-1915
1913
1915
1900-2000, 20th century, Ashcan School and friends, paintings, women
Painting
Despite many differences in style and subject matter, Maurice Prendergast exhibited with the Urban Realist artists in the beginning of the century. His style of breaking up the surface of his paintings with color and light was a shock to American viewers. An art critic wrote in 1908, “Hung in a group, these canvases of Mr. Prendergast look… like an explosion in a color factory.”
[Gallery label text, 2007]
Prendergast looked to European artists for his inspiration. One of the most modern painters working in America in the first decade of the century, his colors were often applied in post-impressionist daubs, like Seurat, and the space in his works was compressed and unrealistic.
Like Glackens, he enjoyed painting scenes of leisure, particularly bathing scenes like this one. He exhibited in the 1908 Macbeth Gallery show, along with Henri and the others, and while his work had little in common with many of the members of The Eight, he was as interested as they were in defying the conventions that had been established by the National Academy.
[Gallery label text, 2003]
lower right
1963.29
item
Memorial Art Gallery
9/8/1999
63.29TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
63.29SL1
slide
full
2 x 2
00/00/00
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full
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full
8 x 10
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63.29DI1
digital image
Memorial Art Gallery
Imaging complete
7/10/2000
http://127.0.0.1:5000/Media/images/63.29_A1.jpg
30prendergast3.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/30prendergast3.tif
Painting
Woman with Bird
Ramon Santiago, 1944 - 2002
Santiago, Ramon
United States
1944 - 2002
Male
27 1/2 x 24 in. (69.9 x 61 cm)
.
.
.
Oil
Oil
1971
1971
1971
1900-2000, art with Rochester connections, paintings, portrait, women
Painting
lower center
1971.38
item
Memorial Art Gallery
9/8/1999
71.38SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
71.38DI1
digital image
5/9/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/71.38_I1.jpg
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Louise Weiland Shakespeare (Mrs. William Shakespeare)
John Singer Sargent, 1856 - 1925
Sargent, John Singer
United States
1856 - 1925
Male
29 3/8 x 24 1/2 in. (74.6 x 62.2 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
Oil
Oil
circa 1896
1891
1901
1900-2000, 20th century, figure, paintings, portraits, women
Painting
John Singer Sargent was the most fashionable portrait painter working in England and the United States in the late 1800s. He was not only a gifted artist, but an accomplished pianist and linguist. The novelist Henry James once remarked that London society at the turn of the century saw John Singer Sargent and his friends “…all swimming just now in a sea of music,” with Sargent being “as much a player as a painter.”
The sitter of this portrait, Louise Weiland (c. 1850–1911), was brought up at the court of Dresden, Germany. She married the British singer, composer, and conductor William Shakespeare, one of Sargent’s closest friends, in 1875. Mrs. Shakespeare was best known for the musical salons she held in her London home, which brought together artists, musicians, and members of high society. She was described by her friend Eva Ducat as a quiet woman who “hid brilliant gifts under a gentle, deprecating manner.” According to Ducat, Sargent tried to capture Mrs. Shakespeare’s characteristic wistful expression by telling her sad stories as he painted her portrait.
[Forman Gallery, Summer 2015]
upper rightupper left
1957.14
item
Memorial Art Gallery
9/8/1999
57.14TR1
Transparency
Memorial Art Gallery
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digital image
Memorial Art Gallery
Imaging complete
7/10/2000
http://127.0.0.1:5000/Media/images/57.14_A1.jpg
Painting
Maureen Stapleton
Raphael Soyer, (Borisoglebsk (Tamblov Oblast), Russia, 1899 - 1987, New York, NY)
Soyer, Raphael
United States
1899 - 1987
Male
15 3/4 x 11 3/4 in. (40 x 29.8 cm)
.
.
.
.
.
.
overall
horizontal
frame
Oil
Oil
ca. 1946
1941
1951
1900-2000, 20th century, paintings, portraits, Realism, women
Painting
Raphael Soyer was a prolific realist painter and printmaker whose career spanned most of the 20th century. In 1912 he immigrated to New York from Russia with his family, and the city became his muse.
The actress Maureen Stapleton (1925-2006) was an artist’s model before her film career took off. In her memoirs she wrote that she “worked for Reggie [Marsh] for quite a while. He passed me off to his friend, Raphael Soyer….I was zaftig, and that’s what those guys wanted: a big, blubbery young dame.”
[Forman Gallery, Summer 2015]
lower right
Joy Weber
1979.94
item
Memorial Art Gallery
9/8/1999
79.94TR1
Transparency
Memorial Art Gallery
2 1/4 x 2 3/4
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2.5 x 3
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digital image
Memorial Art Gallery
Imaging complete
8/3/2000
http://127.0.0.1:5000/Media/images/79.94_A1.jpg
Painting
Peeling Onions
Lilly Martin Spencer, 1822 - 1902
Spencer, Lilly Martin
United States
1822 - 1902
Female
36 x 29 in. (91.4 x 73.7 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
Oil
Oil
ca. 1852
1847
1857
1800-1900, 19th century, food, genre scenes, home life, jobs & work, paintings, women
Painting
lower left, in frontmost peach. Second numeral unclear.
1988.6
item
Memorial Art Gallery
9/8/1999
88.6TR1
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Memorial Art Gallery
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Memorial Art Gallery
Imaging complete
7/13/2000
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88.6DI3
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Memorial Art Gallery
Imaging complete
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digital image
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10spencer1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/10spencer1.tif
Painting
Elizabeth Perkins Sturgis (1756 - 1843)
Gilbert Stuart, (Saunderstown RI, 1757 - 1828, Boston)
Stuart, Gilbert
United States
1757 - 1828
Male
28 3/4 x 23 1/8 in. (73 x 58.7 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
without frame
Oil
Oil
ca. 1806
1801
1811
1800-1900, 19th century, paintings, portraits, women
Painting
Gilbert Stuart was known for his portraits of George Washington – including the one on the dollar bill.
[Gallery label text, 2007]
1941.35
item
Memorial Art Gallery
9/8/1999
41.35TR1
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Memorial Art Gallery
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41.35DI1
digital image
Memorial Art Gallery
Imaging complete
7/13/2000
http://127.0.0.1:5000/Media/images/41.35_A1.jpg
41.35TR2
transparency
4 x 5
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x-ray
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Painting
Anne Mumford Palmer
Abbott Handerson Thayer, 1849 - 1921
Thayer, Abbott Handerson
United States
1849 - 1921
Male
24 x 19 1/2 in. (61 x 49.5 cm)
.
.
.
without frame
.
.
.
overall
frame
Oil
Oil
1879
1879
1879
1800-1900, 19th century, figure, flowers in art, paintings, portraits, women
Painting
A vision of fresh beauty in her portrait, Anne Mumford Palmer lived a life that was hardly placid. Born to a Rochester lawyer and his wife, Palmer moved to New York City after her father became the treasurer of Western Union. She was a good friend of the distinguished American writer Henry Adams and his wife, Clover.
An adventurous marriage to Englishman E. Nelson Fell included draining swamps in Florida to build a British colony called Fellsmere. Four years were spent with their three children on the Siberian steppes where Nelson Fell supervised a mining operation.
When Anne Mumford Palmer, age 22, was painted by Abbott Thayer, newly returned from studying in France, her life lay ahead of her like a limitless ocean. When she sold the painting to MAG founder Emily Sibley Watson in 1930, she was nearing the end of her remarkable journey, and would die seven years later. More remains to be learned about an interesting life.
[Gallery label text, 2009]
versoupper right
1951.37
item
Memorial Art Gallery
9/8/1999
51.37SL1
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full
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51.37DI1
digital image
7/19/2000
http://127.0.0.1:5000/Media/images/51.37_A1.jpg
51.37sig.jpg
digital image
detail of signature
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digital image
detail of signature
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Painting
Genesee River Valley I
Lemuel M. Wiles, (Perry, NY, 1826 - 1905, New York, NY)
Wiles, Lemuel M.
United States
1826 - 1905
Male
11 1/2 x 19 3/4 in. (29.2 x 50.2 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
ca. 1865-1870
1865
1870
1800-1900, 19th century, children, landscapes, paintings, views of Rochester & western New York, women
Painting
Wiles, an artist from Perry, New York, offers two views of the rolling valleys of the Genesee. Both feature people who seem to be admiring the landscape, as we are invited to do: two women have laid down a rug or blanket on which to picnic, looking out over the rooftops of a barn and other outbuildings; a boy gazes out over the valley while his cows graze nearby. Atmospheric perspective renders the far hills a misty mirage. The artist wrote “Endeavor, as far as possible, to carry the eye beyond the canvas into the subject or scene depicted. Anything short of this detracts from your effort as a work of art. The master conceals his art and fascinates you in the spirit of his work. Therefore, consider your pigments your servants, not your masters. Study good pictures much, but study nature more.”
[Gallery label text, 2021, although painting ultimately not included in installation]
1971.8
item
Memorial Art Gallery
9/8/1999
71.8TR1
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Memorial Art Gallery
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digital image
Memorial Art Gallery
Imaging complete
8/28/2000
http://127.0.0.1:5000/Media/images/71.8_A1.jpg
71.8DI#2
digital image
9/5/2012
http://127.0.0.1:5000/Media/images/71.8_A2.jpg
Painting
Breaking the Pose
The Art Class
Jerome Witkin, 1939 -
Witkin, Jerome
United States
1939
Male
88 x 71 in. (223.5 x 180.3 cm)
.
.
.
Oil
Oil
1986
1986
1986
1900-2000, 20th century, artists, making art (depictions), paintings, self portraits, women
Painting
Throughout his career, Jerome Witkin’s dedication to the human form has never wavered. In "Breaking the Pose," Witkin captures the activities within an artist’s studio at a specific moment in time. A figurative painter’s reliance upon a nude model is made evident here, as two women pose for the artist. Modeled after Diego Velasquez’s 1656 portrait of the royal family of Spain, Las Meninas, Witkin elevates the goings on of an artist’s studio and makes a connection across the centuries to one of the most successful and revered Old Master figure painters.
Similarities between the two works include the presence of the canvas and the artist; multiple subjects, all of whom appear to be momentarily distracted by visitors; and the reflections in a mirrored background that extend the scene and pique the viewer’s interest.
[Hawks Gallery reinstallation, summer 2019]
lower leftversoversoverso
1986.16
item
Memorial Art Gallery
9/8/1999
86.16TR1
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Memorial Art Gallery
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photo of artist with work
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digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/86.16_A1.jpg
Painting
Mindwell Pease Granger (1770 - 1860)
American artist, (active )
American artist
United States
Primary
28 x 21 7/8 in. (71.1 x 55.6 cm)
.
.
.
Oil
Oil
ca. 1815
1810
1820
costume, Granger Family, Canandaigua, NY, portrait, portraits, women
Painting
1930.55
item
Memorial Art Gallery
9/8/1999
30.55DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/30.55_I1.jpg
Painting
Portrait of a Woman
American artist, (active )
American artist
United States
Primary
25 1/2 x 21 in. (64.8 x 53.3 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
ca. 1840
1835
1845
1800-1900, 19th century, portrait, women
Painting
1956.9.2
item
Memorial Art Gallery
9/8/1999
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56.9.2DI1
digital image
4/24/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/56.9.2_I1.jpg
56.9.2DI#2
digital image
Detail
5/6/2015
http://127.0.0.1:5000/Media/images/Inventory pictures/56.9.2_I2.jpg
56.9.2DI#3
digital image
Detail
5/6/2015
http://127.0.0.1:5000/Media/images/Inventory pictures/56.9.2_I3.jpg
56.9.2DI#4
digital image
Detail
5/6/2015
http://127.0.0.1:5000/Media/images/Inventory pictures/56.9.2_I4.jpg
Painting
The Artist's Daughter (Marion Bridge)
Mrs. Ezra R. Bridge
Douglas Volk, 1856 - 1935
Volk, Douglas
United States
1856 - 1935
Male
40 x 30 in. (101.6 x 76.2 cm)
.
.
.
Oil
Oil
1914
1914
1914
1900-2000, 20th century, art with Rochester connections, figure, from Rochester collections, paintings, portraits, women
Painting
Douglas Volk was known for his portraiture. This painting of his daughter, Marion, is a nice example of his work.
Volk was the son of Leonard Wells Volk, the sculptor of Life Mask and Hands of Abraham Lincoln (98.37.1-.2a-b) and Abraham Lincoln and the Emancipation Proclamation statuette (2008.29) in the collection of the Memorial Art Gallery. As the child of an artist, Douglas Volk was surrounded by art from an early age. He travelled to Paris as a young man where he studied under the academic painter, Jean-Léon Gérôme. Volk went on to have a long and distinguished career in the United States where he exhibited widely, was the recipient of numerous awards, and taught generations of artists at Cooper Union, the Art Students League, and the National Academy of Design.
lower right
1915.3
item
Memorial Art Gallery
9/8/1999
15.3TR1
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Memorial Art Gallery
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Memorial Art Gallery
Imaging complete
7/13/2000
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Drawing
Woman at Table
Attributed to George Luks, 1867 - 1933
Luks, George
United States
1867 - 1933
Male
10 1/8 x 7 11/16 in. (25.7 x 19.5 cm)
.
.
.
without frame
Charcoal
Charcoal
ca. 1900
1895
1905
1800-1900, 1900-2000, 20th century, drawing, women
Drawing
lower left, Gallery label u.l. of backing board that was removed and placed in object file., Gallery label with hand-written title and artist's name on u.l. of backing board that was removed and placed in object file., Paper in u.r. of backing board that was removed and placed in object file., Gallery label on u.r. of backing board that has been removed and placed in object file., Hand-writing in u.r. of backing board that has been removed and placed in object file., Hand-writing in u.r. of backing board that has been removed and placed in object file.
1996.47
item
Memorial Art Gallery
9/8/1999
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Drawing
Adah Mann
Georgia O'Keeffe, 1887 - 1986
O'Keeffe, Georgia
United States
1887 - 1986
Female
6 15/16 x 8 15/16 in. (17.6 x 22.7 cm)
.
.
.
without frame
Graphite
Graphite
1907
1907
1907
1900-2000, 20th century, drawing, portraits, women
Drawing
lower leftlower right, below image
1996.94
item
Memorial Art Gallery
9/8/1999
96.94TR1
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Memorial Art Gallery
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digital image
Memorial Art Gallery
Imaging complete
8/4/2000
http://127.0.0.1:5000/Media/images/96.94_A1.jpg
54okeeffe3.tif
digital image
00/00/00
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Drawing
Angna Enters Dancing
John Sloan, 1871 - 1951
Sloan, John
United States
1871 - 1951
Male
10 5/16 x 6 1/2 in. (26.2 x 16.5 cm)
.
.
.
without frame
Graphite
Graphite
0
0
1900-2000, 20th century, dance, drawing, women
Drawing
Drawing of dance/mime skit called 'Contre Danse' by performer Angna Enters.
Angna Enters (ca. 1900 -1989) was known for performances that were often referred to as 'compositions in dance form' or 'episodes.' Enters used dance, mime, acting, costumes, music and sets to bring to life an array of characters from different times and foreign countries. Miss Enters was also an artist and exhibited paintings and drawings at The Memorial Art Gallery in November of 1936 and she performed in Rochester at least once in 1946.
Raised in Milwaukee, Enters moved to New York City in the early 1920's, where she enrolled in a life class taught by John Sloan at the Art Students League. Enters and Sloan met again several years later after a performance she gave in 1925. Sloan, Robert Henri and others were so impressed with Enters' performance that they created a committee to promote her work as they had done decades earlier for dance legend Isadora Duncan.
[Gallery label text]
1996.96
item
Memorial Art Gallery
9/8/1999
96.96TR1
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Memorial Art Gallery
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96.96DI1
digital image
Memorial Art Gallery
Imaging complete
2/19/2001
http://127.0.0.1:5000/Media/images/96.96_A1.jpg
Sculpture
Evangeline
William Couper, 1853 - 1942
Couper, William
United States
1853 - 1942
Male
21 1/4 in. (54 cm)
.
.
.
Marble
Marble
ca. 1880
1875
1885
1800-1900, 19th century, Evangeline, sculpture, women
Sculpture
on base
1969.7
item
Memorial Art Gallery
9/8/1999
69.7TR1
Transparency
Memorial Art Gallery
Front
2 x 2 3/4
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69.7DI1
digital image
Memorial Art Gallery
Front
Imaging complete
2/19/2001
http://127.0.0.1:5000/Media/images/69.7_A1.jpg
69.7DI#2
digital image
2/10/2016
http://127.0.0.1:5000/Media/images/69.7_A2.jpg
Sculpture
The West Wind
Thomas Ridgeway Gould, 1818 - 1881
Gould, Thomas Ridgeway
United States
1818 - 1881
Male
70 1/2 x 23 x 33 1/4 in. (179.1 x 58.4 x 84.5 cm)
.
.
.
overall
Marble
Marble
1876
1876
1876
1800-1900, 19th century, allegories, sculpture, women
Sculpture
Who was the West Wind? In Greek mythology, the West Wind was Zephyrus, one of the four wind gods. Perhaps the maker of this work, who was influenced by the mythological subjects that he saw in Italy, was describing the West Wind by showing its effect on the figure’s hair and skirt. Another interpretation suggests that the sculpture is an idealized expression of the United States’s westward expansion. It was exhibited at the Centennial Exhibition in Philadelphia on the occasion of the nation’s hundredth birthday in 1876. The starred belt on the waistband of the figure’s clothing could refer to the stars on the American flag.
When English poet Percy Shelley wrote his Ode to the West Wind in 1820, he closed it with these immortal words:
O Wind,
If Winter comes, can Spring be far behind?
[Gallery label text, 2004]
base
1966.18
item
Memorial Art Gallery
9/8/1999
66.18TR1
Transparency
Memorial Art Gallery
3/4 view
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66.18SL2
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full-frontal
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66.18DI1
digital image
Memorial Art Gallery
3/4 view
Imaging complete
2/5/2001
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66.18SL3
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full-right front
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66.18SL4
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in Powers Gallery
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in print from 1876 Exposition
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west wind in gallery.tif
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digital image
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http://127.0.0.1:5000/Media/images/SeeingAmerica/west wind in situ.tif
66.18D3
digital image
Side
00/00/00
http://127.0.0.1:5000/Media/images/66.18_A2.JPG
66.18D4
digital image
Detail
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http://127.0.0.1:5000/Media/images/66.18_A3.JPG
66.18D5
digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/66.18_A4.JPG
Sculpture
Joan of Arc
Anna Hyatt Huntington, 1876 - 1973
Huntington, Anna Hyatt
United States
1876 - 1973
Female
18 x 12 x 5 in. (45.7 x 30.5 x 12.7 cm)
.
.
.
Bronze
Bronze
1915
1915
1915
1900-2000, 20th century, horses, Joan of Arc, portraits, sculpture, women
Sculpture
Sculptor Anna Hyatt Huntington, whose career overlapped chronologically with [Gaston] Lachaise’s, is well known for her historical and fictional subjects. In addition to creating Joan of Arc, located in New York City (the heroic version of MAG’s smaller sculpture), she also sculpted El Cid and Don Quixote for the Hispanic Society.
[Gallery label text, 2005]
on baseside of baseback of base
1988.15
item
Memorial Art Gallery
9/8/1999
88.15TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
88.15SL1
slide
full-right side
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
88.15SL2
slide
full-left side
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
88.15DI1
digital image
Memorial Art Gallery
Imaging complete
7/10/2000
http://127.0.0.1:5000/Media/images/88.15_A1.jpg
Sculpture
Garden Figure
Lola Konraty, 1900 - 1988
Konraty, Lola
United States
1900 - 1988
Female
35 in. (88.9 cm)
.
.
.
Limestone
Limestone
ca. 1938
1933
1943
20th century, Arena Group, sculpture, women
Sculpture
1943.42
item
Memorial Art Gallery
9/8/1999
43.42SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
43.42DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/43.42_A1.jpg
Sculpture
Female Torso (Ogunquit)
Ogunquit Torso
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
10 1/4 x 8 5/8 x 4 1/8 in. (26 x 21.9 x 10.5 cm)
.
.
.
.
.
.
approximate installation dimensions
overall
Bronze, nickel-plated
Bronze, nickel-plated
1925
1925
1925
1900-2000, 20th century, from Rochester collections, nudes, torsos, women
Sculpture
Lachaise's sculptures captured in permanent form elusive and complex ideals of female beauty. Here, the model's contrapposto stance, in which the weight is off center rather than upright and balanced, is lively and engaging. Additionally, areas of bronze color enliven the fragment's surface.
[Gallery label text, 2005]
lower left of backbottom of base, On masking tapebottom of basebottom of base
Marie P. Charles
1960.46
item
Memorial Art Gallery
9/8/1999
60.46SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 right
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 left
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
60.46DI1
digital image
front
2 x 2
11/20/2002
http://127.0.0.1:5000/Media/images/60.46_A1.jpg
60.46DI#2
digital image
7/25/2011
http://127.0.0.1:5000/Media/images/60.46_A2.jpg
60.46DI#3
digital image
7/25/2011
http://127.0.0.1:5000/Media/images/60.46_A3.jpg
Sculpture
Fountain Figure
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
72 in. (182.9 cm)
.
.
.
Limestone
Limestone
1927
1927
1927
1900-2000, 20th century, from Rochester collections, nudes, sculpture, women
Sculpture
Charlotte Whitney Allen and her husband hired Pittsford native Fletcher Steele to design a garden for their newly built house on Oliver Street [Rochester, NY] in 1915. The lot was small, ninety by two hundred feet, so Steele had to make use of interesting details to provide visual stimulation. The young landscape architect had strong notions of what would make a small backyard into a charming city oasis, which he enumerated in several articles and even a book, "Design in the Little Garden". Sculpture was one such detail Steele felt was crucial to a small garden, providing it met the proper criteria. He also considered space composition a necessary factor in good garden design. Some of the traits good garden sculpture should possess, according to Steele, include substantial mass, interesting silhouette, strong light and shadow, and contrasting material and color to the foliage around it.
Mr. and Mrs. Allen commissioned the French-born sculptor Gaston Lachaise in 1926 to create a figure for the focal point of their garden. They had first seen his work in an exhibition in New York City in 1918, from which they may have purchased a small sculpture, and possibly even earlier in the 1913 Armory Show. A group of letters housed at Kenyon College in Gambier, Ohio chronicles the development of their occasionally stormy relationship. After considerable delay, the sculpture was finally installed above the pool in the Oliver Street garden. Alfred Stieglitz, who championed Lachaise, wrote to the Allens in 1927 that "It [the sculpture] has been seen by at least thirty sculptors and their unanimous opinion has been that it is one of the grand bits of work that has come out of America." (Kenyon College Special Collections, Gambier, Ohio, March 26, 1927)
[Gallery label text]
lower right
Marie P. Charles
1964.28
item
Memorial Art Gallery
9/8/1999
64.28TR1
Transparency
Memorial Art Gallery
Front
2 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
64.28SL2
slide
full- in Pavillion
2 x 2
00/00/00
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64.28SL1
slide
full
2 x 2
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full
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glossy
full
8 x 10
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64.28DI1
digital image
Memorial Art Gallery
Front
Imaging complete
2/2/2001
http://127.0.0.1:5000/Media/images/64.28_A1.jpg
64.28TR2
Transparency
Memorial Art Gallery
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
64.28TR3
Transparency
Memorial Art Gallery
detail- head
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
64.28DI2
digital image
View of Charlotte Whitney Allen garden
00/00/00
http://127.0.0.1:5000/Media/images/related_images/64.28_R1.jpg
64.28DI3
digital image
in situ
00/00/00
http://127.0.0.1:5000/Media/images/related_images/64.28_R2.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/64.28_A3.jpg
64.28TR2
transparency
full after conservation
4 x 5
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http://127.0.0.1:5000/Graphics/blank.gif
51lachaise1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/51lachaise1.tif
51lachaise1(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/51lachaise1(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/64.28_A2.jpg
64.28DI#4
digital image
11/1/2005
http://127.0.0.1:5000/Media/images/64.28_A4.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/64.28_R3.jpg
digital image
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digital image
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digital image
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digital image
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digital image
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digital image
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digital image
00/00/00
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digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/64.28_R14.jpg
Sculpture
Standing Woman
Pudeur
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
13 1/2 x 4 3/8 in. (34.3 x 11.1 cm)
.
.
.
.
.
.
approximate installation dimensions
overall
Bronze
Bronze
1917
1917
1917
1900-2000, 20th century, nudes, sculpture, women
Sculpture
Mrs. Whitney Allen, who commissioned "Fountain Figure" for her garden (now in the MAG's collection) and donated this sculpture to the Memorial Art Gallery, was a friend of Lachaise's patrons, the Watsons.
[Gallery label text, 2005]
at base
Marie P. Charles
1964.29
item
Memorial Art Gallery
9/8/1999
64.29SL1
slide
full frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
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negative
full
8 x 10
00/00/00
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64.29SL2
slide
full- 3/4
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
64.29DI1
digital image
front
2 x 2
11/20/2002
http://127.0.0.1:5000/Media/images/64.29_A1.jpg
64.29DI2
from conservation photo
digital image
full/front
00/00/00
http://127.0.0.1:5000/Media/images/64.29_A2.jpg
62.49DI#3
digital image
Right side
7/25/2011
http://127.0.0.1:5000/Media/images/64.29_A3.jpg
62.49DI#4
digital image
Left side
7/25/2011
http://127.0.0.1:5000/Media/images/64.29_A4.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/CWAhouse1.jpg
Sculpture
Portrait Statuette of Mrs. J. Sibley Watson, Jr.
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
16 1/4 x 7 1/2 x 6 1/2 in. (41.3 x 19.1 x 16.5 cm)
.
.
.
without base
.
.
.
with base
Bronze
Bronze
1925
1925
1925
1900-2000, 20th century, from Rochester collections, portraits, sculpture, women
Sculpture
Strength and refinement are communicated simultaneously in this elegant portrait of Hildegarde Lasell Watson. She and her husband, James Sibley Watson, Jr., were important figures in Rochester’s cultural history, and were central to an avant-garde salon of writers, artists and musicians during the first half of the 20th century.
The sculpture is enlivened by Gaston Lachaise’s characteristic use of contrasting surface colors.
[Forman Gallery, Summer 2015]
right top of baseleft back edge of base
Paula R. Hornbostel
1967.11
item
Memorial Art Gallery
9/8/1999
67.11SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
00/00/00
http://127.0.0.1:5000/Media/images/related_images/67.11_R1.png
00/00/00
http://127.0.0.1:5000/Media/images/related_images/67.11_R1.tif
negative
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
67.11DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/67.11_A1.jpg
51lachaise3.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/51lachaise3.tif
67.11DI#
digital image
11/1/2005
http://127.0.0.1:5000/Media/images/67.11_A2.jpg
67.11_DI3
digital image
00/00/00
http://127.0.0.1:5000/Media/images/67.11_A3.jpg
62.49DI#4
digital image
7/25/2011
http://127.0.0.1:5000/Media/images/67.11_A4.jpg
00/00/00
http://127.0.0.1:5000/Media/images/related_images/Lachaise_studio.tif
Sculpture
Urling Sibley Iselin
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
17 in. (43.2 cm)
.
.
.
Alabaster
Alabaster
1927
1927
1927
1900-2000, 20th century, art with Rochester connections, portraits, sculpture, women
Sculpture
Urling Sibley Iselin was cousin to James Sibley Watson, Jr., one of Lachaise's most important patrons.
base
Marie P. Charles
1973.74
item
Memorial Art Gallery
9/8/1999
73.74SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.74DI1
digital image
front
2 x 2
11/20/2002
http://127.0.0.1:5000/Media/images/73.74_A1.jpg
Sculpture
Standing Woman
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
65 in. (165.1 cm)
.
.
.
Bronze
Bronze
1928
1928
1928
1900-2000, 20th century, nudes, sculpture, women
Sculpture
"Standing Woman" was commissioned for the New York City apartment of Mr. and Mrs. O'Donnell Iselin, cousins of James Sibley Watson, Jr., one of Lachaise's most important patrons. Lachaise designed the sculpture knowing that the work was to be the centerpiece of a formal library, and would be placed on the mantel above the fireplace. He wrote that he "composed the figure in a spirit of tranquil elevation, harmonious to the purpose of the room."
Lachaise's most distinguished subjects are life sized draped female figures. The Memorial Art Gallery is fortunate to own two examples, the bronze Standing Woman and the stone Fountain Figure.
[Gallery label text, 2005]
base
Marie P. Charles
1973.75
item
Memorial Art Gallery
9/8/1999
73.75SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.75DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/73.75_A1.jpg
73.75DI2
from conservation photo
digital image
full/front
00/00/00
http://127.0.0.1:5000/Media/images/73.75_A2.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/73.75_R1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/73.75_R2.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/73.75_R3.jpg
Sculpture
Standing Nude
Woman; Hautaine
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
13 x 6 1/2 x 4 in. (33 x 16.5 x 10.2 cm)
.
.
.
.
.
.
approximate installation dimensions
overall
Bronze
Bronze
by 1917
1917
1917
1900-2000, 20th century, nudes, sculpture, women
Sculpture
Isabel Dutaud Nagle was Lachaise's muse, his wife, and the model or at least the inspiration for many of his sculptures. He never ceased to appreciate and depict the physicality of her body - its strength and its ample proportions.
[Gallery label text, 2005]
versoverso
Marie P. Charles
1977.189
item
Memorial Art Gallery
9/8/1999
77.189SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.189DI1
digital image
2 x 2
11/20/2002
http://127.0.0.1:5000/Media/images/77.189_A1.jpg
77.189TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.189DI#2
digital image
7/25/2011
http://127.0.0.1:5000/Media/images/77.189_A2.jpg
77.189DI#3
digital image
7/25/2011
http://127.0.0.1:5000/Media/images/77.189_A3.jpg
77.189DI#4
digital image
11/1/2005
http://127.0.0.1:5000/Media/images/77.189_A4.jpg
Sculpture
The Mountain
The Mountain
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
9 x 20 x 9 in. (22.9 x 50.8 x 22.9 cm)
.
.
.
base
base
.
.
.
overall
Limestone
Limestone
July 1923 - February 1924
7/1923
2/1924
1900-2000, 20th century, nudes, sculpture, women
Sculpture
Lachaise made numerous versions of "The Mountain," in which he suggested the similarity between a reclining female figure and a mountainous form.
[Gallery label text, 2005]
sole of figure's left foot
Marie P. Charles
1997.11
item
Memorial Art Gallery
9/8/1999
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
97.11DI1
digital image
2 x 2
11/20/2002
http://127.0.0.1:5000/Media/images/97.11_A1.jpg
97.11SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
97.11DI1
digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/97.11_A2.jpg
Sculpture
Head of a Woman
Winifred Lansing, (Rochester, NY, 1910 - 1988)
Lansing, Winifred
United States
1910 - 1988
Female
14 x 10 x 10 1/2 in. (35.6 x 25.4 x 26.7 cm)
.
.
.
Cast stone
Cast stone
0
0
by Rochester artists, heads, Sunday Art Fellowship, women
Sculpture
1979.102
item
Memorial Art Gallery
9/8/1999
79.102SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.102DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/79.102_I1.jpg
79.102DI#2
digital image
6/13/2011
http://127.0.0.1:5000/Media/images/79.102_A1.jpg
79.102DI#3
digital image
6/13/2011
http://127.0.0.1:5000/Media/images/79.102_A2.jpg
Print
Woman Tying Obi
Kikukawa Eizan, 1787 - 1867
Kikukawa Eizan
Japan
1787 - 1867
Male
Designer
19 7/16 x 8 3/4 in. (49.4 x 22.2 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1814
1814
1814
Japanese, Ukiyo-e, women, woodcuts
Print
, Signature: Kikugara Eizan hitsu
1997.45
item
Memorial Art Gallery
6/22/2000
97.45DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.45_A1.jpg
Sculpture
Head of a Woman
Elie Nadelman, 1882 - 1946
Nadelman, Elie
United States
1882 - 1946
Male
18 3/4 x 10 x 15 1/2 in. (47.6 x 25.4 x 39.4 cm)
.
.
.
image
.
.
.
approximate installation dimensions
overall
Bronze
Bronze
ca. 1916-1932
1916
1932
1900-2000, 20th century, heads, women
Sculpture
Sculptor Elie Nadelman drew inspiration from the classical forms of ancient Greece, yet his work suggests contemporary influences as well. The streamlined and chiseled facial features of Head of a Woman and the subtle band at the woman’s hairline are timeless elements, yet they suggest an aesthetic closely associated with the Art Deco movement.
[Gallery label text, 2010]
1962.7
item
Memorial Art Gallery
9/8/1999
62.7TR1
Transparency
Memorial Art Gallery
Front, 3/4
2 1/4 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
transparency
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
62.7SL1
slide
full frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
8 x 10
00/00/00
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glossy
full front
5 x 7
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glossy
3/4 front
5 x 7
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glossy
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5 x 7
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3/4 front
5 x 7
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negative
front
4 x 5
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62.7DI1
digital image
Memorial Art Gallery
"Front, 3/4"
Imaging complete
8/28/2000
http://127.0.0.1:5000/Media/images/62.7_A1.jpg
62.7SL2
slide
3/4 from left
2 x 2
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62.7SL3
slide
3/4 from right
2 x 2
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62.7_R1.tif
digital image
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62.7_R2.tif
digital image
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62.7_R3.tif
digital image
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62.7_R4.tif
digital image
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62.7_P5.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/62.7_R5.tif
Sculpture
Untitled (Head of a Woman)
Elie Nadelman, 1882 - 1946
Nadelman, Elie
United States
1882 - 1946
Male
23 x 10 x 11 1/2 in. (58.4 x 25.4 x 29.2 cm)
.
.
.
object (w/o accessories)
vertical
image
.
.
.
approximate installation dimensions
overall
White marble
White marble
1922
1922
1922
1900-2000, 20th century, heads, women
Sculpture
Sculptors Elie Nadelman and Gaston Lachaise traveled in many of the same artistic circles. Their drawings were published in The Dial, James Sibley Watson's literary magazine, and their sculpture was exhibited at Alfred Stieglitz's galleries. Stieglitz was known for his interest in and promotion of modern art.
[Gallery label text, 2005]
Elie Nadelman
1977.190
item
Memorial Art Gallery
9/8/1999
77.190TR1
Transparency
Memorial Art Gallery
Front, 3/4
2 1/4 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.190SL1
slide
front, 3/4 view
2 x 2
00/00/00
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glossy
8 x 10
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negative
2 x 2.5
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77.190DI1
digital image
Memorial Art Gallery
"Front, 3/4"
Imaging complete
8/28/2000
http://127.0.0.1:5000/Media/images/77.190_A1.jpg
Sculpture
Memory
William Ordway Partridge, (Paris, France, 1861 - 1930, New York, NY)
Partridge, William Ordway
United States
1861 - 1930
Male
82 1/2 x 26 3/4 x 29 5/8 in. (209.6 x 67.9 x 75.2 cm)
.
.
.
overall
.
.
.
overall
Marble
Marble
1914
1914
1914
1900-2000, 20th century, allegories, from Rochester collections, sculpture, women
Sculpture
back, at bottom
1913.12
item
Memorial Art Gallery
9/8/1999
13.12TR1
Transparency
Memorial Art Gallery
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
13.12DI1
digital image
Memorial Art Gallery
Front
Imaging complete
2/1/2001
http://127.0.0.1:5000/Media/images/13.12_A1.jpg
glossy
8 x 10
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glossy
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negative
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13.12SL2
slide
full-without base
2 x 2
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13.12SL1
slide
full-with base
2 x 2
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13.12SL3
slide
detail-base Averill
2 x 2
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13.12SL4
slide
instalation in orig gallery
2 x 2
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glossy
installation
5 x 7
00/00/00
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13.12DI2
archival
digital image
2/8/2006
http://127.0.0.1:5000/Media/images/related_images/13.12_R1.jpg
44partridge1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/44partridge1.tif
44partridge1(10).tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/44partridge1(10).tif
44partridge3.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/44partridge3.tif
pdf file
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/pdf/13.12_R2.pdf
digital image
00/00/00
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digital image
00/00/00
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digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/13.12_R3.tif
Sculpture
Taking the Oath and Drawing Rations
John Rogers, 1829 - 1904
Rogers, John
United States
1829 - 1904
Male
23 in. (58.4 cm)
.
.
.
Plaster
Plaster
1865
1865
1865
1800-1900, 19th century, children, Civil War, Images of Black People, men, sculpture, women
Sculpture
For a fervent abolitionist like artist John Rogers, sympathy for the Southern cause did not come easily. However, an incident in Charleston, South Carolina, inspired him to create the story in plaster. During the Civil War, as the Union army moved in to Confederate territory, citizens were required to take a loyalty oath in order to obtain food rations. Rogers has captured one mother’s conflict as she swears loyalty to the hated Union while keeping a protective hand on her child’s head. The Union soldier who is administering the oath tips his cap, simultaneously the chivalrous gentleman and the enemy. The freed slave looks on with concern and confusion.
Because of the emotional complexity and the poignant feelings evoked by this group, it was considered one of Rogers’ most successful works. Over 80,000 narrative sculptures were sold by the self-taught Rogers from his workshop in New York City to middle-class Americans looking to decorate their parlors with an engaging work of art.
[Gallery label text, 2002]
on baseon base
1951.310
item
Memorial Art Gallery
9/8/1999
51.310SL1
slide
2 x 2
00/00/00
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glossy
8x10
00/00/00
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negative
2 x 2
00/00/00
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51.310DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/51.310_A1.jpg
51.310DI1
digital image
00/00/00
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Sculpture
Nydia, the Blind Flower Girl of Pompeii
Randolph Rogers, 1825 - 1892
Rogers, Randolph
United States
1825 - 1892
Male
36 x 17 11/16 x 25 in. (91.5 x 45 x 63.5 cm)
.
.
.
overall
Marble
Marble
after 1855
1856
1865
1800-1900, 19th century, Last Days of Pompeii, sculpture, women
Sculpture
Nydia, the blind heroine of Edward Bulwer-Lytton’s 1834 novel The Last Days of Pompeii, was the subject of over 50 sculptures by Randolph Rogers. He depicted her, a broken column at her feet, as she used her heightened sense of hearing to listen for Glaucus, the nobleman whom she loved, and his fiancée, Ione. Although Nydia led them to safety, in the end she drowned herself because Glaucus could not be hers.
Nineteenth century collectors were fascinated by classical subjects like Pompeii. Many American collectors on the Grand Tour made trips to Italy, where they visited the studios of artists like Rogers and actively commissioned work. At left is a picture of MAG’s Nydia in an earlier collection in the home of Mr. and Mrs. W.W. Chapin, 110 South Fitzhugh Street, Rochester. [Gallery Label, February 6, 2012]
on fallen capital
1993.24
item
Memorial Art Gallery
9/8/1999
93.24TR1
Transparency
Memorial Art Gallery
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
93.24SL1
slide
full
2 x 2
00/00/00
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negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
93.24DI1
digital image
Memorial Art Gallery
Front
Imaging complete
2/1/2001
http://127.0.0.1:5000/Media/images/93.24_A1.jpg
93.24DI2
digital image
Memorial Art Gallery
Front
Imaging complete
00/00/00
http://127.0.0.1:5000/Media/images/93.24_A2.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/related_images/93.24_R1.jpg
Sculpture
Seated Girl
Robin Spry
Spry, Robin
United States
Female
11 1/2 in. (29.2 cm)
.
.
.
Terracotta
Terracotta
ca. 1949
1944
1954
1900-2000, 20th century, female figures, figure, nudes, women
Sculpture
1949.60
item
Memorial Art Gallery
9/8/1999
49.60SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
49.60DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/49.60_A1.jpg
49.60DI#2
digital image
6/13/2011
http://127.0.0.1:5000/Media/images/49.60_A2.jpg
Print
The Promenade Deck
Peggy Bacon, 1895 - 1987
Bacon, Peggy
United States
1895 - 1987
Female
6 1/2 x 9 in. (16.5 x 22.9 cm)
.
.
.
plate
Printer's ink
Printer's ink
1924
1924
1924
1900-2000, 20th century, children, drypoint, etchings, leisure activities, men, movement, Social Realism, women
Print
lower right, below platelower left, below plate
Kraushaar Galleries
1943.16
item
Memorial Art Gallery
9/8/1999
43.16SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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negative
2 x 2
00/00/00
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43.16DI1
digital image
1/16/2002
http://127.0.0.1:5000/Media/images/43.16_A1.jpg
43.16DI#2
digital image
4/19/2017
http://127.0.0.1:5000/Media/images/43.16_A2.jpg
Print
Charlotte Whitney Allen
Antonio Barone, 1889 - 1971
Barone, Antonio
United States
1889 - 1971
Male
12 3/4 x 9 1/2 in. (32.4 x 24.1 cm)
.
.
.
Printer's ink
Printer's ink
1915
1915
1915
1900-2000, art with Rochester connections, drypoint, portrait, portraits, women
Print
lower left
1964.48
item
Memorial Art Gallery
9/8/1999
64.48SL2
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
64.48SL1
slide
full
2 x 2
00/00/00
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negative
full
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00/00/00
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glossy
full
8x10
00/00/00
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64.48DI#1
digital image
6/4/2009
http://127.0.0.1:5000/Media/images/64.48_A1.jpg
64.48DI#2
digital image
10/10/2012
http://127.0.0.1:5000/Media/images/64.48_A2.jpg
Print
Nude Study: Woman Lying on a Pillow
George Bellows, 1882 - 1925
Bellows, George
United States
1882 - 1925
Male
5 7/8 x 9 3/4 in. (14.9 x 24.8 cm)
.
.
.
Printer's ink
Printer's ink
1923-1924
1923
1924
1900-2000, 20th century, American art, lithographs, nudes, Realism, women
Print
lower left
1973.116
item
Memorial Art Gallery
9/8/1999
73.116DI1
digital image
1/11/2002
http://127.0.0.1:5000/Media/images/73.116_A1.jpg
73.116DI#2
digital image
8/2/2018
http://127.0.0.1:5000/Media/images/73.116_A2.jpg
Print
Students on the Steps
Isabel Bishop, 1902 - 1988
Bishop, Isabel
United States
1902 - 1988
Female
13 1/4 x 12 7/16 in. (33.6 x 31.6 cm)
.
.
.
Printer's ink
Printer's ink
1981
1981
1981
1900-2000, 20th century, aquatints, etchings, men, women
Print
lower rightlower leftlower right
D.C. Moore Gallery
1992.11
item
Memorial Art Gallery
9/8/1999
92.11SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
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negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
92.11DI1
digital image
3/6/2002
http://127.0.0.1:5000/Media/images/92.11_A1.jpg
92.11DI#2
digital image
2/13/2015
http://127.0.0.1:5000/Media/images/92.11_A2.jpg
Print
Mending
Hugh Botts, 1903 - 1964
Botts, Hugh
United States
1903 - 1964
Male
11 7/8 x 8 7/8 in. (30.2 x 22.5 cm)
.
.
.
Printer's ink
Printer's ink
0
0
1900-2000, 20th century, etchings, home life, women
Print
lower right, below platelower left, below plate
1942.42
item
Memorial Art Gallery
9/8/1999
42.42DI#1
digital image
10/4/2007
http://127.0.0.1:5000/Media/images/Inventory pictures/42.42_I1.jpg
42.42DI#2
digital image
11/13/2007
http://127.0.0.1:5000/Media/images/42.42_A1.jpg
Print
Street Musicians
Hugh Botts, 1903 - 1964
Botts, Hugh
United States
1903 - 1964
Male
6 x 8 in. (15.2 x 20.3 cm)
.
.
.
Printer's ink
Printer's ink
0
0
1900-2000, 20th century, etchings, men, musical instruments (depictions), musicians, women
Print
lower right, below platelower left, below plate
1942.43
item
Memorial Art Gallery
9/8/1999
42.43DI#1
digital image
10/4/2007
http://127.0.0.1:5000/Media/images/Inventory pictures/42.43_I1.jpg
42.43DI#2
digital image
11/13/2007
http://127.0.0.1:5000/Media/images/42.43_A1.jpg
Print
Dark Lady
Alexander Brook, 1898 - 1980
Brook, Alexander
United States
1898 - 1980
Male
15 1/16 x 11 7/16 in. (38.3 x 29.1 cm)
.
.
.
Printer's ink
Printer's ink
by 1936
1936
1936
1900-2000, 20th century, lithographs, Lockhart Collection, women
Print
lower right
1975.34
item
Memorial Art Gallery
9/8/1999
75.34 SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.34DI1
digital image
1/11/2002
http://127.0.0.1:5000/Media/images/75.34_A1.jpg
Print
Play
Bolton Coit Brown, 1864 - 1936
Brown, Bolton Coit
United States
1864 - 1936
Male
10 3/16 x 14 3/4 in. (25.9 x 37.5 cm)
.
.
.
Printer's ink
Printer's ink
1923
1923
1923
1900-2000, 20th century, leisure activities, lithographs, nudes, women
Print
lower leftlower centerlower right
1928.450
item
Memorial Art Gallery
9/8/1999
28.450SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.450DI1
digital image
1/16/2002
http://127.0.0.1:5000/Media/images/28.450_A1.jpg
28.450DI#2
digital image
9/4/2015
http://127.0.0.1:5000/Media/images/28.450_A2.jpg
Print
Shadows
Bolton Coit Brown, 1864 - 1936
Brown, Bolton Coit
United States
1864 - 1936
Male
13 3/4 x 10 3/4 in. (34.9 x 27.3 cm)
.
.
.
Printer's ink
Printer's ink
1922
1922
1922
1900-2000, 20th century, lithographs, nudes, women
Print
lower leftlower leftlower centerlower right
1928.451
item
Memorial Art Gallery
9/8/1999
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.451DI1
digital image
1/16/2002
http://127.0.0.1:5000/Media/images/28.451_A1.jpg
28.451DI#2
digital image
2/13/2015
http://127.0.0.1:5000/Media/images/28.451_A2.jpg
Print
The Baroness Leja de Torinoff
Bolton Coit Brown, 1864 - 1936
Brown, Bolton Coit
United States
1864 - 1936
Male
13 1/4 x 11 1/8 in. (33.7 x 28.3 cm)
.
.
.
Printer's ink
Printer's ink
1923
1923
1923
1900-2000, 20th century, lithographs, portraits, women
Print
lower leftlower center, in the stonein the stone, Artist's monogram is two B's back to back
1988.39
item
Memorial Art Gallery
9/8/1999
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
1x1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
1x1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
88.39DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/88.39_A1.jpg
Print
The Bridge
Bolton Coit Brown, 1864 - 1936
Brown, Bolton Coit
United States
1864 - 1936
Male
10 1/4 x 13 3/4 in. (26 x 34.9 cm)
.
.
.
Printer's ink
Printer's ink
0
0
1900-2000, 20th century, landscapes, lithographs, nudes, women
Print
lower leftupper left, in the stone, Artist's monogram is two B's back to backlower right, in the stone
1988.43
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
1x1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
1x1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
88.43DI1
digital image
1/16/2002
http://127.0.0.1:5000/Media/images/88.43_A1.jpg
Print
The Cup of Youth
Bolton Coit Brown, 1864 - 1936
Brown, Bolton Coit
United States
1864 - 1936
Male
11 1/2 x 15 1/4 in. (29.2 x 38.7 cm)
.
.
.
Printer's ink
Printer's ink
1920
1920
1920
1900-2000, 20th century, lithographs, nudes, women
Print
lower rightlower left, in the stone, Artist's monogram is two B's back to backlower center, in the stone
1988.47
item
Memorial Art Gallery
9/8/1999
88.44SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
1x1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
1x1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
88.47DI1
digital image
1/16/2002
http://127.0.0.1:5000/Media/images/88.47_A1.jpg
Print
Lake Ladies
Bolton Coit Brown, 1864 - 1936
Brown, Bolton Coit
United States
1864 - 1936
Male
10 1/4 x 13 5/8 in. (26 x 34.6 cm)
.
.
.
Printer's ink
Printer's ink
1924
1924
1924
1900-2000, 20th century, lakes, lithographs, nudes, women
Print
lower leftlower left, in the stone, Artist's monogram is two B's back to backlower right, in the stone
1988.53
item
Memorial Art Gallery
9/8/1999
88.53SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
88.53DI1
digital image
1/18/2002
http://127.0.0.1:5000/Media/images/88.53_A1.jpg
Print
The Sand Bar
Bolton Coit Brown, 1864 - 1936
Brown, Bolton Coit
United States
1864 - 1936
Male
11 1/4 x 14 in. (28.6 x 35.6 cm)
.
.
.
overall
horizontal
image
.
.
.
sheet
Printer's ink
Printer's ink
1924
1924
1924
1900-2000, 20th century, landscapes, lithographs, nudes, rivers, women
Print
lower right, in image, in the stonelower right in image, in the stonelower right, in imagelower right, below image, in the stone, serial number of the stoneversolower left corner
1988.66
item
Memorial Art Gallery
9/8/1999
88.66SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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glossy
2 x 2
00/00/00
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negative
2 x 2
00/00/00
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88.66DI1
digital image
11/13/2002
http://127.0.0.1:5000/Media/images/88.66_A1.jpg
Print
Sylvia
Bolton Coit Brown, 1864 - 1936
Brown, Bolton Coit
United States
1864 - 1936
Male
11 1/2 x 15 1/8 in. (29.2 x 38.4 cm)
.
.
.
Printer's ink
Printer's ink
1924
1924
1924
1900-2000, 20th century, lithographs, nudes, waterfalls, women
Print
lower rightlower left, in the stone, The artist's monogram is two B's back to back
1988.70
item
Memorial Art Gallery
9/8/1999
88.70SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
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glossy
2 x 2
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negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
88.70DI1
digital image
1/18/2002
http://127.0.0.1:5000/Media/images/88.70_A1.jpg
Print
Portrait of a Woman
Bolton Coit Brown, 1864 - 1936
Brown, Bolton Coit
United States
1864 - 1936
Male
12 5/8 x 10 1/4 in. (32.1 x 26 cm)
.
.
.
Printer's ink
Printer's ink
0
0
1900-2000, 20th century, lithographs, portraits, women
Print
lower left
1988.79
item
Memorial Art Gallery
9/8/1999
88.79SL1
slide
full
2 x 2
00/00/00
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glossy
8x10
00/00/00
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glossy
2 x 2
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negative
2 x 2
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negative
3x2
00/00/00
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88.79DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/88.79_A1.jpg
Print
The Mandolin Player
Mary Cassatt, 1844 - 1926
Cassatt, Mary
United States
1844 - 1926
Female
9 3/8 x 6 1/4 in. (23.8 x 15.9 cm)
.
.
.
Printer's ink
Printer's ink
ca. 1889
1884
1894
1800-1900, 19th century, drypoint, figure, musical instruments (depictions), musicians, women
Print
Although Cassatt began her artistic training in Pennsylvania, from an early age she frequently traveled and lived in Europe. She settled in Paris in 1874, where she became a close friend of Edgar Degas. She soon became affiliated with the French Impressionists and exhibited with them from 1879 until 1886.
Here, the mandolin player holds her instrument as though she were actually playing it while looking at the music on the stand. She is seated on an upholstered settee in a room with a framed picture and a fan on the wall behind her.
[Label copy from Monet: Vision and Process exhibition, 2018]
lower rightlower right, in marginlower left, in margin
1954.29
item
Memorial Art Gallery
9/8/1999
54.29SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
54.29TR1
transparency
full
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
54.29DI1
digital image
Memorial Art Gallery
Imaging Complete
3/13/2002
http://127.0.0.1:5000/Media/images/54.29_A1.jpg
54.29DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Misunderstanding
Federico Castellon, 1914 - 1971
Castellon, Federico
United States
1914 - 1971
Male
10 5/8 x 8 1/8 in. (27 x 20.7 cm)
.
.
.
overall sheet
vertical
sheet
.
.
.
plate
image
Printer's ink
Printer's ink
ca. 1945
1940
1950
1900-2000, 20th century, etchings, men, women
Print
lower left, in the platelower leftlower right, below plate
1943.18
item
Memorial Art Gallery
9/8/1999
43.18SL1
slide
2 x 2
00/00/00
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glossy
8x10
00/00/00
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negative
2 x 2
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negative
3x5
00/00/00
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43.18DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/43.18_A1.jpg
Print
In Phillis Wheatley I Proved Intellectual Equality in the Midst of Slavery
Elizabeth Catlett, (Washington, DC, 1915 - 2012, Cuernavaca, Mexico)
Catlett, Elizabeth
America and Mexico
1915 - 2012
Female
15 x 11 in. (38.1 x 28 cm)
.
.
.
overall sheet
sheet
.
.
.
stone
image
Printer's ink
Printer's ink
1947
1947
1947
1900-2000, 20th century, authors, Images of Black People, linocuts, women
Print
1995.11
item
Memorial Art Gallery
9/8/1999
95.11SL1
slide
full
2 x 2
00/00/00
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glossy
8 x 10
00/00/00
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negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.11DI1
digital image
3/6/2002
http://127.0.0.1:5000/Media/images/95.11_A1.jpg
95.11DI#2
digital image
1/20/2017
http://127.0.0.1:5000/Media/images/95.11_A2.jpg
Print
Harriet
Elizabeth Catlett, (Washington, DC, 1915 - 2012, Cuernavaca, Mexico)
Catlett, Elizabeth
America and Mexico
1915 - 2012
Female
18 3/8 x 15 1/4 in. (46.6 x 38.7 cm)
.
.
.
overall sheet
sheet
.
.
.
block
image
Printer's ink
Printer's ink
1975
1975
1975
1900-2000, 20th century, Harriet Tubman, Images of Black People, linocuts, women
Print
1995.47
item
Memorial Art Gallery
9/8/1999
95.47SL1
slide
full
2 x 2
00/00/00
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glossy
8 x 10
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negative
2 x 3
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95.47DI1
digital image
3/6/2002
http://127.0.0.1:5000/Media/images/95.47_A1.jpg
95.47DI#2
digital image
1/8/2014
http://127.0.0.1:5000/Media/images/95.47_A2.jpg
Print
La Maternité (after Eugène Carrière)
Timothy Cole, 1852 - 1931
Cole, Timothy
United States
1852 - 1931
Male
Engraver
Carrière, Eugène
France
1849 - 1906
Male
Original artist
After
Painting
8 3/4 x 10 3/8 in. (22.2 x 26.4 cm)
.
.
.
plate
image
.
.
.
sheet
sheet
Printer's ink
Printer's ink
1909
1909
1909
1900-2000, 20th century, children, women, wood engravings
Print
lower left, in the platelower right, in the platelower left, in marginlower center, in marginlower right, in margin
1915.8
item
Memorial Art Gallery
9/8/1999
15.8SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
15.8DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/15.8_A1.jpg
Print
Composition #64 - Girl with Plant
Alfonsas Dargis, (Mazeikiai, Lithuania, 1909 - 1996, Friedrichshafen, Germany)
Dargis, Alfonsas
United States
1909 - 1996
Male
29 1/2 x 21 in. (74.9 x 53.3 cm)
.
.
.
Printer's ink
Printer's ink
1953
1953
1953
Arena Group, art with Rochester connections, women, woodcuts
Print
The gauzy delicacy of line in the border and the almost winglike forms of the figure’s legs create an illusion of weightlessness that corresponds with the fragility of the small plant barely resting her hands.
lower rightlower left, in the blocklower left
1953.65
item
Memorial Art Gallery
9/8/1999
53.65DI#1
digital image
3/15/2011
http://127.0.0.1:5000/Media/images/53.65_A1.jpg
Print
The Harpist
Alfonsas Dargis, (Mazeikiai, Lithuania, 1909 - 1996, Friedrichshafen, Germany)
Dargis, Alfonsas
United States
1909 - 1996
Male
18 5/8 x 15 in. (47.3 x 38.1 cm)
.
.
.
Printer's ink
Printer's ink
1950
1950
1950
20th century, Arena Group, art with Rochester connections, musical instruments (depictions), women, woodcuts
Print
Using just a few expressive curves, Dargis has abstracted the essence of the harpist’s engagement with her instrument. He used the medium of the woodcut technique to his advantage in creating, with a few simple lines, the strings of the harp and the texture of the harpist’s skin. In this print he also employed the collagraph technique, in which a part of the image (in this case the harpist’s dress) are impressions of textured materials glued to a cardboard or metal base.
[Gallery label text, 2011]
right
1956.58
item
Memorial Art Gallery
9/8/1999
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
56.58DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/56.58_A1.jpg
56.58DI#2
digital image
Front
3/1/2011
http://127.0.0.1:5000/Media/images/56.58_A2.jpg
Print
The Children's Clinic (#2)
Mabel Dwight, 1875 - 1955
Dwight, Mabel
United States
1875 - 1955
Female
12 1/2 x 18 in. (31.8 x 45.7 cm)
.
.
.
Printer's ink
Printer's ink
1936
1936
1936
1900-2000, 20th century, children, doctors, lithographs, nurses, women
Print
Scenes of humble folk and their daily lives fill Mabel Dwight’s work. A Midwesterner who relocated to New York City, Dwight is highly regarded for her personal depictions of urban life. Like Harold Faye and others, she worked for the Federal Art Project during the Depression.
[Label text, 2003]
1985.55
item
Memorial Art Gallery
9/8/1999
85.55SL1
slide
full
2 x 2
00/00/00
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glossy
full
8x10
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negative
full
4x5
00/00/00
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85.55DI1
digital image
3/6/2002
http://127.0.0.1:5000/Media/images/85.55_A1.jpg
Print
Americana
Ralph Fabri, 1894 - 1975
Fabri, Ralph
United States
1894 - 1975
Male
11 x 14 1/16 in. (27.9 x 35.7 cm)
.
.
.
Printer's ink
Printer's ink
1946
1946
1946
20th century, architecture in art, barns, cityscapes, etchings, horses, men, women
Print
lower right, below imagelower right, in the platelower left, below the plate
1947.82
item
Memorial Art Gallery
9/8/1999
47.82SL1
slide
2 x 2
00/00/00
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negative
2.5x3
00/00/00
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glossy
8x10
00/00/00
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47.82DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/47.82_A1.jpg
47.82DI#2
digital image
8/2/2018
http://127.0.0.1:5000/Media/images/47.82_A2.jpg
Print
At the Sea Shore
Conversation; Sunbathers (no.1)
Emil Ganso, 1895 - 1941
Ganso, Emil
United States
1895 - 1941
Male
11 1/2 x 15 9/16 in. (29.2 x 39.6 cm)
.
.
.
sheet
sheet
.
.
.
block
image
Printer's ink
Printer's ink
paper: oriental, long-fibered
1932
1932
1932
1900-2000, 20th century, boats, nudes, women, wood engravings
Print
lower rightlower right
1933.15
item
Memorial Art Gallery
9/8/1999
33.15SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
33.15DI1
digital image
1/16/2002
http://127.0.0.1:5000/Media/images/33.15_A1.jpg
Print
I.R.T. Interlude
Douglas Warner Gorsline, (Rochester, NY, 1913 - 1985, Dijon, France)
Gorsline, Douglas Warner
United States
1913 - 1985
Male
13 1/8 x 10 1/16 in. (33.3 x 25.6 cm)
.
.
.
plate
image
.
.
.
Printer's ink
Printer's ink
1941
1941
1941
1900-2000, 20th century, engravings, men, women
Print
lower rightlower left
1959.59
item
Memorial Art Gallery
9/8/1999
59.59TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.59CPRT1
glossy print
3 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.59SL1
slide
2 x 2
00/00/00
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glossy
full
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full
4x5
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59.59DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/59.59_A1.jpg
Print
Soft Lights, Sweet Music
Douglas Warner Gorsline, (Rochester, NY, 1913 - 1985, Dijon, France)
Gorsline, Douglas Warner
United States
1913 - 1985
Male
10 1/8 x 8 in. (25.7 x 20.3 cm)
.
.
.
Printer's ink
Printer's ink
1947
1947
1947
1900-2000, 20th century, by Rochester artists, dance, etchings, men, women
Print
lower rightlower leftleft edge
1987.15
item
Memorial Art Gallery
9/8/1999
87.15SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
slide
2 x 2
00/00/00
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negative
4x5
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87.15DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.15_A1.jpg
Print
Summer Night
Lily Harmon, 1912 - 1998
Harmon, Lily
United States
1912 - 1998
Female
11 1/2 x 7 1/4 in. (29.2 x 18.4 cm)
.
.
.
Printer's ink
Printer's ink
by 1965
1965
1965
1900-2000, 20th century, aquatints, Charles Rand Penney Collection, etchings, women
Print
1975.211
item
Memorial Art Gallery
9/8/1999
75.211 SL1
slide
full
2 x 2
00/00/00
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glossy
8x10
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negative
2 x 2
00/00/00
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75.211DI1
digital image
4/3/2002
http://127.0.0.1:5000/Media/images/75.211_A1.jpg
75.211DI#2
digital image
5/26/2016
http://127.0.0.1:5000/Media/images/75.211_A2.jpg
Print
Anna
Childe Hassam, 1859 - 1935
Hassam, Childe
United States
1859 - 1935
Male
3 3/8 x 4 7/8 in. (8.6 x 12.4 cm)
.
.
.
Printer's ink
Printer's ink
1920
1920
1920
1900-2000, 20th century, etchings, portraits, shadow, women
Print
lower center, rightlower leftlower right, in margin
1940.8
item
Memorial Art Gallery
9/8/1999
40.8SL1
slide
full
2 x 2
00/00/00
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glossy
8x10
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negative
2 x 3
00/00/00
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40.8DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/40.8_A1.jpg
Print
Deshabille
Childe Hassam, 1859 - 1935
Hassam, Childe
United States
1859 - 1935
Male
8 7/8 x 12 in. (22.5 x 30.5 cm)
.
.
.
Printer's ink
Printer's ink
1918
1918
1918
1900-2000, 20th century, daily life, home life, lithographs, portraits, women
Print
lower rightlower right
1940.17
item
Memorial Art Gallery
9/8/1999
40.17SL1
slide
full
2 x 2
00/00/00
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glossy
8x10
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negative
2x3
00/00/00
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40.17DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/40.17_A1.jpg
Print
Nude
Childe Hassam, 1859 - 1935
Hassam, Childe
United States
1859 - 1935
Male
9 5/8 x 14 1/8 in. (24.4 x 35.9 cm)
.
.
.
Printer's ink
Printer's ink
1918
1918
1918
1900-2000, 20th century, lithographs, nudes, women
Print
lower left, in the stonelower right
1940.30
item
Memorial Art Gallery
9/8/1999
40.30SL1
slide
full
2 x 2
00/00/00
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glossy
8x10
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negative
2.5x3
00/00/00
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40.30DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/40.30_A1.jpg
Print
Red Cross Nurse
Childe Hassam, 1859 - 1935
Hassam, Childe
United States
1859 - 1935
Male
9 3/8 x 11 3/4 in. (23.8 x 29.8 cm)
.
.
.
Printer's ink
Printer's ink
1918
1918
1918
1900-2000, 20th century, lithographs, nurses, portraits, women
Print
lower right, Monogram directly under date
1940.31
item
Memorial Art Gallery
9/8/1999
40.31SL1
slide
full
2 x 2
00/00/00
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glossy
8x10
00/00/00
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negative
2x3
00/00/00
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40.31DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/40.31_A1.jpg
Print
Contact Sheet
June Hildebrand, 1930 -
Hildebrand, June
United States
1930
Female
13 15/16 x 11 in. (35.4 x 28 cm)
.
.
.
sheet
sheet
.
.
.
sheet
image
Printer's ink
Printer's ink
by 1965
1965
1965
1900-2000, 20th century, Charles Rand Penney Collection, serigraphs, women
Print
1975.216
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.216DI1
digital image
4/3/2002
http://127.0.0.1:5000/Media/images/75.216_A1.jpg
75.216DI#2
digital image
2/13/2015
http://127.0.0.1:5000/Media/images/75.216_A2.jpg
Print
Mending the Nets
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
22 x 27 7/8 in. (55.9 x 70.8 cm)
.
.
.
Printer's ink
Printer's ink
1888
1888
1888
1800-1900, 19th century, etchings, figure, jobs & work, women
Print
Made after an 1882 watercolor of the same name.
at right, in the plate
1967.44
item
Memorial Art Gallery
9/8/1999
67.44SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
67.44DI1
digital image
3/28/2002
http://127.0.0.1:5000/Media/images/67.44_A1.jpg
Print
The Fishing Party
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 x 12 11/16 in. (22.9 x 32.2 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, figure, leisure activities, men, women, wood engravings
Print
Published in "Appleton's Journal," October 2, 1869
lower center, in the blocklower left, in image, printed on rock
1986.85
item
Memorial Art Gallery
9/8/1999
86.85SL1
slide
full
2 x 2
00/00/00
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8x10
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negative
2 x 2
00/00/00
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86.85DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.85_A1.jpg
Print
The Picnic Excursion
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
6 9/16 x 9 1/8 in. (16.7 x 23.2 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, dogs, figure, horses, leisure activities, men, women, wood engravings
Print
Published in "Appleton's Journal," August 14, 1869
lower center, in the blocklower left, in image
1986.84
item
Memorial Art Gallery
9/8/1999
86.84SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
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negative
2 x 2
00/00/00
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86.84DI1
digital image
3/26/2002
http://127.0.0.1:5000/Media/images/86.84_A1.jpg
Print
The Last Load
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
4 1/2 x 6 1/2 in. (11.4 x 16.5 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, figure, jobs & work, men, women, wood engravings
Print
Published in "Appleton's Journal," August 7, 1869
lower center, in the blocklower right, in image
1986.83
item
Memorial Art Gallery
9/8/1999
86.83SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.83DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.83_A1.jpg
Print
The Artist in the Country
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
6 1/4 x 6 5/8 in. (15.9 x 16.8 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, artists, figure, making art (depictions), men, women, wood engravings
Print
Published in "Appleton's Journal," June 19, 1869
lower center, in the blocklower left, in image
1986.80
item
Memorial Art Gallery
9/8/1999
86.80SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.80DI1
digital image
3/26/2002
http://127.0.0.1:5000/Media/images/86.80_A1.jpg
Print
All in the Gay and Golden Weather
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
5 1/2 x 6 1/2 in. (14 x 16.5 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, boats, figure, leisure activities, men, rivers, women, wood engravings
Print
Published in "Appleton's Journal," June 12, 1869
lower center, in the blocklower right, in imagelower left, in image
1986.79
item
Memorial Art Gallery
9/8/1999
86.79SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.79DI1
digital image
3/26/2002
http://127.0.0.1:5000/Media/images/86.79_A1.jpg
Print
Bathing at Long Branch - "Oh Ain't It Cold!"
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
8 7/8 x 11 13/16 in. (22.5 x 30 cm)
.
.
.
image
Printer's ink
Printer's ink
1871
1871
1871
1800-1900, 19th century, figure, leisure activities, women, wood engravings
Print
Published in "Every Saturday," August 26, 1871
lower centerinitialed, lower leftlower right
1986.78
item
Memorial Art Gallery
9/8/1999
86.78SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.78DI1
digital image
3/26/2002
http://127.0.0.1:5000/Media/images/86.78_A1.jpg
Print
A Country Store - Getting Weighed
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
8 13/16 x 11 3/4 in. (22.4 x 29.8 cm)
.
.
.
image
Printer's ink
Printer's ink
1871
1871
1871
1800-1900, 19th century, figure, women, wood engravings
Print
Published in "Every Saturday," March 25, 1871
lower center, in the blocklower left, in image, On side of wooden binlower center, in image
1986.76
item
Memorial Art Gallery
9/8/1999
86.76SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.76DI1
digital image
3/26/2002
http://127.0.0.1:5000/Media/images/86.76_A1.jpg
Print
The Robin's Note
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 x 8 7/8 in. (22.9 x 22.5 cm)
.
.
.
image
Printer's ink
Printer's ink
1870
1870
1870
1800-1900, 19th century, figure, leisure activities, women, wood engravings
Print
Published in "Every Saturday," August 20, 1870
lower center, in the blocklower left, in image
1986.71
item
Memorial Art Gallery
9/8/1999
86.71SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.71DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.71_A1.jpg
Print
High Tide
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
8 7/8 x 11 3/4 in. (22.5 x 29.8 cm)
.
.
.
image
Printer's ink
Printer's ink
1870
1870
1870
1800-1900, 19th century, boats, figure, seascapes, women, wood engravings
Print
Published in "Every Saturday," August 6, 1870
lower center, in the blocklower left, in image
1986.70
item
Memorial Art Gallery
9/8/1999
86.70SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.70DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.70_A1.jpg
Print
Flirting on the Sea-Shore and on the Meadow
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 1/8 x 13 5/8 in. (23.2 x 34.6 cm)
.
.
.
image
Printer's ink
Printer's ink
1874
1874
1874
1800-1900, 19th century, birds, children, figure, leisure activities, men, women, wood engravings
Print
Published in "Harper's Weekly," September 19, 1874
lower center, in the blocklower right, in image
1986.68
item
Memorial Art Gallery
9/8/1999
86.68SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.68DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.68_A1.jpg
Print
On the Beach at Long Branch - The Children's Hour
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 3/16 x 13 1/4 in. (23.3 x 33.7 cm)
.
.
.
image
Printer's ink
Printer's ink
1874
1874
1874
1800-1900, 19th century, children, figure, leisure activities, women, wood engravings
Print
Published in "Harper's Weekly," August 15, 1874
lower center, in the blocklower left, in image
1986.65
item
Memorial Art Gallery
9/8/1999
86.65SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.65DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.65_A1.jpg
Print
New York Charities-St. Barnabas House, 304 Mulberry Street
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 1/8 x 13 1/2 in. (23.2 x 34.3 cm)
.
.
.
image
Printer's ink
Printer's ink
1874
1874
1874
1800-1900, 19th century, children, figure, women, wood engravings
Print
Published in "Harper's Weekly," April 18, 1874
St. Barnabas House was located at the corner of Mulberry and Bleecker Streets in New York City. It was founded by the Episcopal Mission Society to shelter homeless women and children, in a neighborhood that was home to many poor immigrant families.
[Label text, 2003]
lower center, in the blocklower right, in imagelower left, in image
1986.62
item
Memorial Art Gallery
9/8/1999
86.62SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.62DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.62_A1.jpg
Print
The Morning Bell
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 1/8 x 13 7/16 in. (23.2 x 34.1 cm)
.
.
.
image
Printer's ink
Printer's ink
1873
1873
1873
1800-1900, 19th century, children, figure, jobs & work, rivers, women, wood engravings
Print
Published in "Harper's Weekly," December 13, 1874
lower center, in the block
1986.58
item
Memorial Art Gallery
9/8/1999
86.58SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.58DI1
digital image
3/27/2002
http://127.0.0.1:5000/Media/images/86.58_A1.jpg
Print
The Bathers
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
13 3/4 x 9 1/8 in. (34.9 x 23.2 cm)
.
.
.
image
Printer's ink
Printer's ink
1873
1873
1873
1800-1900, 19th century, figure, leisure activities, seascapes, women, wood engravings
Print
Published in "Harper's Weekly," August 2, 1873
lower center, in the blocklower right, in image
1986.52
item
Memorial Art Gallery
9/8/1999
86.52SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.52DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.52_A1.jpg
86.52DI#2
digital image
8/11/2016
http://127.0.0.1:5000/Media/images/86.52_A2.jpg
Print
On the Bluff at Long Branch, at the Bathing Hour
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
8 7/8 x 13 3/4 in. (22.5 x 34.9 cm)
.
.
.
image
Printer's ink
Printer's ink
1870
1870
1870
1800-1900, 19th century, boats, figure, leisure activities, seascapes, women, wood engravings
Print
Published in "Harper's Weekly," August 6, 1870
lower center, in the blocklower left, in image
1986.49
item
Memorial Art Gallery
9/8/1999
86.49SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.49DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.49_A1.jpg
86.49DI#2
digital image
8/11/2016
http://127.0.0.1:5000/Media/images/86.49_A2.jpg
Print
The Dinner Horn
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
13 3/4 x 9 in. (34.9 x 22.9 cm)
.
.
.
image
Printer's ink
Printer's ink
1870
1870
1870
1800-1900, 19th century, cats, figure, genre scenes, women, wood engravings
Print
Published in "Harper's Weekly," June 11, 1870
lower center, in the blocklower left, in image, In side of bowl tipped upright
1986.48
item
Memorial Art Gallery
9/8/1999
86.48SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.48DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.48_A1.jpg
86.48DI#2
digital image
8/11/2016
http://127.0.0.1:5000/Media/images/86.48_A2.jpg
Print
The Summit of Mount Washington
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 1/16 x 16 in. (23.1 x 40.6 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, figure, horses, landscapes, men, mountains, women, wood engravings
Print
Published in "Harper's Weekly," July 10, 1869
lower center, in the blocklower right, in the block
1986.46
item
Memorial Art Gallery
9/8/1999
86.46SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.46DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.46_A1.jpg
86.46DI#2
digital image
8/11/2016
http://127.0.0.1:5000/Media/images/86.46_A2.jpg
Print
Christmas Belles
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 1/8 x 13 3/4 in. (23.2 x 34.9 cm)
.
.
.
image
Printer's ink
Printer's ink
1869
1869
1869
1800-1900, 19th century, figure, holidays & festivals, horses, men, women, wood engravings
Print
Published in "Harper's Weekly," January 2, 1869
lower center, in the block
1986.42
item
Memorial Art Gallery
9/8/1999
86.42SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.42DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.42_A1.jpg
86.42DI#2
digital image
8/11/2016
http://127.0.0.1:5000/Media/images/86.42_A2.jpg
Print
The Morning Walk - Young Ladies School Promenading the Avenue
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
9 x 13 7/8 in. (22.9 x 35.2 cm)
.
.
.
image
Printer's ink
Printer's ink
1868
1868
1868
1800-1900, 19th century, figure, genre scenes, women, wood engravings
Print
Published in "Harper's Weekly," March 28, 1868
lower center, in the block
1986.38
item
Memorial Art Gallery
9/8/1999
86.38SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.38DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.38_A1.jpg
86.38DI#2
digital image
8/11/2016
http://127.0.0.1:5000/Media/images/86.38_A2.jpg
Print
St. Valentine's Day - The Old Story in All Lands
Winslow Homer, 1836 - 1910
Homer, Winslow
United States
1836 - 1910
Male
13 9/16 x 9 in. (34.4 x 22.9 cm)
.
.
.
image
Printer's ink
Printer's ink
1868
1868
1868
1800-1900, 19th century, figure, holidays & festivals, men, putti, women, wood engravings
Print
Published in "Harper's Weekly," February 22, 1868
lower center, in the block
1986.37
item
Memorial Art Gallery
9/8/1999
86.37SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.37DI1
digital image
2/27/2002
http://127.0.0.1:5000/Media/images/86.37_A1.jpg
86.37DI#2
digital image
8/11/2016
http://127.0.0.1:5000/Media/images/86.37_A2.jpg
Print
Doves (after Ada Howe Kent)
M. Louise Stowell, (Hornell, NY, 1861 - 1930, Rochester, NY)
Kent, Ada Howe
United States
1858 - 1942
Female
Original artist
Stowell, M. Louise
United States
1861 - 1930
Female
Primary
9 x 6 1/4 in. (22.9 x 15.9 cm)
.
.
.
Printer's ink
Printer's ink
1912
1912
1912
1900-2000, 20th century, birds, by Rochester artists, flowers in art, women, woodcuts
Print
Ada Howe Kent was one of the founders of the Rochester Arts & Crafts Society.
[Gallery label text]
lower leftlower right, Stowell's blindstamplower left, in image, Trefoil tree shape with horizontal bar through vertical "trunk"
1975.25
item
Memorial Art Gallery
9/8/1999
75.25 SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.25DI1
digital image
4/3/2002
http://127.0.0.1:5000/Media/images/75.25_A1.jpg
75.25DI#2
digital image
8/7/2020
http://127.0.0.1:5000/Media/images/75.25_A2.jpg
Print
Untitled
Rockwell Kent, 1882 - 1971
Kent, Rockwell
United States
1882 - 1971
Male
10 1/2 x 7 in. (26.7 x 17.8 cm)
.
.
.
Printer's ink
Printer's ink
1928
1928
1928
1900-2000, 20th century, lithographs, women
Print
lower right
Plattsburgh State Art Museum
1964.88
item
Memorial Art Gallery
9/8/1999
64.88DI1
digital image
1/11/2002
http://127.0.0.1:5000/Media/images/64.88_A1.jpg
64.88DI#2
digital image
8/26/2010
http://127.0.0.1:5000/Media/images/64.88_A2.jpg
Print
Mother and Child
Clara Klinghoffer, 1900 - 1970
Klinghoffer, Clara
Germany
1900 - 1970
Female
16 3/4 x 12 7/16 in. (42.5 x 31.6 cm)
.
.
.
sheet
sheet
.
.
.
image
image
Printer's ink
Printer's ink
by 1965
1965
1965
1900-2000, 20th century, Charles Rand Penney Collection, children, families, lithographs, women
Print
1975.233
item
Memorial Art Gallery
9/8/1999
75.233 SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.233DI1
digital image
4/3/2002
http://127.0.0.1:5000/Media/images/75.233_A1.jpg
75.233DI#2
digital image
2/9/2012
http://127.0.0.1:5000/Media/images/75.233_A2.jpg
Print
D P's
Milton Levey, (1923 - 1972)
Levey, Milton
United States
1923 - 1972
Male
16 1/2 x 10 3/8 in. (41.9 x 26.4 cm)
.
.
.
Printer's ink
Printer's ink
before 1948
1938
1947
20th century, children, lithographs, war, women
Print
1948.13
item
Memorial Art Gallery
9/8/1999
48.13DI#1
digital image
11/20/2009
http://127.0.0.1:5000/Media/images/48.13_A1.jpg
Print
CRAK!
Roy Lichtenstein, (New York, NY, 1923 - 1997, New York, NY)
Lichtenstein, Roy
United States
1923 - 1997
Male
19 7/8 x 28 7/16 in. (50.5 x 72.2 cm)
.
.
.
overall
horizontal
image
.
.
.
sheet
Printer's ink
Printer's ink
3
1964
1964
1964
1900-2000, 20th century, Charles Rand Penney Collection, weapons, women
Print
Gallery label text 2012:
CRAK! was made around the time Roy Lichtenstein first gained attention for his appropriation and elevation of the visual vocabulary of comic strips. The now-iconic Ben-Day dots, thick outlines, speech balloons, and tight cropping were quite new and shocking at the time. Both Lichtenstein and Warhol were elemental in the Pop Art movement for their conscious rejection of highbrow subjects and their use of commercial printing techniques.
lower right, in image
Shelley Lee
1975.239
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.239DI1
digital image
12/7/2001
http://127.0.0.1:5000/Media/images/75.239_A1.jpg
Print
Crying Girl
Roy Lichtenstein, (New York, NY, 1923 - 1997, New York, NY)
Lichtenstein, Roy
United States
1923 - 1997
Male
18 x 24 in. (45.7 x 61 cm)
.
.
.
overall
horizontal
image
.
.
.
sheet
Printer's ink
Printer's ink
1963
1963
1963
1900-2000, 20th century, Charles Rand Penney Collection, lithographs, women
Print
Gallery label text 2012:
Roy Lichtenstein first gained attention for his appropriation and elevation of the visual vocabulary of comic strips. The now-iconic Ben-Day dots, thick outlines, speech balloons, and tight cropping were quite new and shocking at the time. Both Lichtenstein and Warhol were elemental in the Pop Art movement for their conscious rejection of highbrow subjects and their use of commercial printing techniques.
lower right, below image
Shelley Lee
1975.240
item
Memorial Art Gallery
9/8/1999
75.240 SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.240DI1
digital image
12/7/2001
http://127.0.0.1:5000/Media/images/75.240_A1.jpg
75.240DI#2
digital image
9/19/2022
http://127.0.0.1:5000/Media/images/75.240_A2.jpg
Print
Still Life with Portrait
Roy Lichtenstein, (New York, NY, 1923 - 1997, New York, NY)
Lichtenstein, Roy
United States
1923 - 1997
Male
47 3/8 x 37 5/8 in. (120.3 x 95.6 cm)
.
.
.
overall
vertical
image
.
.
.
sheet
Printer's ink
Printer's ink
1974
1974
1974
1900-2000, 20th century, Charles Rand Penney Collection, lithographs, serigraphs, still lifes, women
Print
lower rightversolower right
Shelley Lee
1975.328.6
item
Memorial Art Gallery
9/8/1999
75.328.6DI1
digital image
10/23/2002
http://127.0.0.1:5000/Media/images/75.328.6_A1.jpg
75.328.6SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
The Little Family
Jerome Myers, 1867 - 1940
Myers, Jerome
United States
1867 - 1940
Male
5 1/2 x 6 11/16 in. (13.9 x 17 cm)
.
.
.
plate
image
Printer's ink
Printer's ink
ca. 1910
1905
1915
1900-2000, 20th century, children, drypoint, families, women
Print
This print was reproduced in Vogue magazine, August 15, 1922, p. 50
lower right, below imagelower left, below image
1951.97
item
Memorial Art Gallery
9/8/1999
51.97SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.97DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/51.97_A1.jpg
35myers2.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/35myers2.tif
51.97DI#2
digital image
8/26/2010
http://127.0.0.1:5000/Media/images/51.97_A2.jpg
Sculpture
Dancer Holding Her Right Foot in Her Right Hand
Edgar Degas, 1834 - 1917
Degas, Edgar
France
1834 - 1917
Male
19 1/2 in. (49.5 cm)
.
.
.
Bronze
Bronze
ca. 1898-1912
1898
1912
1800-1900, 19th century, dance, nudes, sculpture, women
Sculpture
bottom of base?
1959.1
item
Memorial Art Gallery
1/17/2001
59.1SL1
slide
3/4 from right
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full-turned to right
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full front
1.5 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.1TR1
transparency
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.1DI1
digital image
2 x 3
11/29/2001
http://127.0.0.1:5000/Media/images/59.1_A1.jpg
59.1SL2
slide
full- back
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.1SL3
slide
3/4 from right
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.1DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
59.1DI#2
digital image
11/15/2011
http://127.0.0.1:5000/Media/images/59.1_A2.jpg
59.1DI#3
digital image
11/15/2011
http://127.0.0.1:5000/Media/images/59.1_A3.jpg
Print
Miss Comfort Creme
Mel Ramos, 1935 - 2018
Ramos, Mel
United States
1935 - 2018
Male
40 x 30 1/16 in. (101.6 x 76.4 cm)
.
.
.
overall
image
.
.
.
sheet
Printer's ink
Printer's ink
1965
1965
1965
1900-2000, 20th century, nudes, serigraphs, women
Print
Ramos was a California native, like his friend and teacher, Wayne Thiebaud. Surrealism and then Abstract Expressionism influenced him early in his career. As his work became more figural, he turned for inspiration to the comic books he loved as a child. He painted his favorite comic book heroes and when he ran out of subjects, he began looking at other magazines for material. He combined pin-ups with commercial products, which evolved into the "Beauty and the Beast" series involving pin-ups and animals, then to an art history series reworking famous paintings of the Old Masters in his own slick style.
[Gallery label text]
From the portfolio "Eleven Pop Artists, Volume III"
lower right, below imagelower left, below imageverso
1976.123
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
76.123DI1
digital image
12/5/2001
http://127.0.0.1:5000/Media/images/76.123_A1.jpg
Print
Russia
Russia, 1919
Boardman Robinson, 1876 - 1952
Robinson, Boardman
United States
1876 - 1952
Male
17 15/16 x 12 15/16 in. (45.5 x 32.8 cm)
.
.
.
overall
sheet
.
.
.
stone
image
Printer's ink
Printer's ink
0
0
20th century, lithographs, men, women
Print
lower left, on the stonelower leftlower right
1936.43
item
Memorial Art Gallery
9/8/1999
36.43SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
36.43DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/36.43_A1.jpg
Print
Woman Brushing Her Hair
George Segal, 1924 - 2000
Segal, George
United States
1924 - 2000
Male
22 x 17 in. (55.9 x 43.2 cm)
.
.
.
Printer's ink
Printer's ink
1965
1965
1965
1900-2000, 20th century, Charles Rand Penney Collection, nudes, serigraphs, women
Print
From the portfolio "New York Ten"
1975.329.9
item
Memorial Art Gallery
9/8/1999
75.329.9DI1
digital image
1/18/2002
http://127.0.0.1:5000/Media/images/75.329.9_A1.jpg
Print
Turning Out the Light
John Sloan, 1871 - 1951
Sloan, John
United States
1871 - 1951
Male
7 3/4 x 11 5/16 in. (19.7 x 28.7 cm)
.
.
.
Printer's ink
Printer's ink
1905
1905
1905
1900-2000, 20th century, etchings, night, women
Print
For centuries, New York and Paris have shared a reputation as centers of vice and licentious behavior. While John Sloan’s tender print of a bedtime moment in a New York tenement seems far removed from the ubiquitous and explicit displays of contemporary sexuality, the image was firmly rejected for the American Water Color Society’s 1906 exhibition as being ‘vulgar’ and ‘indecent.’
Sloan was part of a group of artists later called the Ashcan School, who did not shy away from subjects that other artists found unworthy or unattractive. Because so many of the artists, among them Sloan, had difficulty exhibiting their work due to their choice of subject matter and their idiosyncratic styles, they mounted their own exhibition in 1908 at Macbeth Gallery in New York City and were subsequently referred to as The Eight.
[Label text, 2003]
lower rightlower leftlower centerlower left, in the plate
1991.22
item
Memorial Art Gallery
9/8/1999
91.22SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.22DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/91.22_A1.jpg
91.22DI#2
digital image
5/26/2016
http://127.0.0.1:5000/Media/images/91.22_A2.jpg
Print
A Wind is Rising and the Rivers Flow
Benton Murdoch Spruance, 1904 - 1967
Spruance, Benton Murdoch
United States
1904 - 1967
Male
16 3/4 x 22 3/4 in. (42.5 x 57.8 cm)
.
.
.
Printer's ink
Printer's ink
0
0
1900-2000, 20th century, death & burial, lithographs, men, women
Print
lower leftlower left, below imagelower centerlower right, below imagelower right, on stone
1948.12
item
Memorial Art Gallery
9/8/1999
48.12SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.12DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.12_A1.jpg
Print
Jackie
Andy Warhol, 1928 - 1987
Warhol, Andy
United States
1928 - 1987
Male
23 7/8 x 23 1/4 in. (60.6 x 59.1 cm)
.
.
.
.
.
.
overall
frame
Acrylic
Acrylic
1964
1964
1964
1900-2000, 20th century, politics in art, serigraphs, women
Print
Warhol often used an unorthodox approach to portraiture. He borrowed from media photographs of celebrities to construct an individual’s public image instead of using a brush to render an idiosyncratic artistic interpretation of a sitter’s appearance.
This work is part of Warhol’s “Jackie” series, which he began shortly after the assassination of President John F. Kennedy in 1963. As the basis for the paintings, he first selected eight photographs from the mass-media coverage of the event. He then cropped the pictures to focus on the President’s widow, Jacqueline Kennedy. Warhol used a commercial silkscreen technique to produce multiple versions of his work. As Warhol described,
I wanted something that gave more of an assembly line effect….With silkscreening you pick a photograph, blow it up, transfer it in glue onto silk, and then roll ink across it so the ink goes through the silk but not through the glue. That way you get the same image, slightly different each time. It was all so simple quick and chancy.
[Forman Gallery, Summer 2015]
1965.7
item
Memorial Art Gallery
9/8/1999
65.7TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
65.7SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
65.7DI1
digital image
Memorial Art Gallery
Imaging complete
6/19/2001
http://127.0.0.1:5000/Media/images/65.7_A1.jpg
70warhol1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/70warhol1.tif
Print
Jacqueline Kennedy III
Jacqueline Kennedy III
Andy Warhol, 1928 - 1987
Warhol, Andy
United States
1928 - 1987
Male
Warhol, Andy
United States
1928 - 1987
Male
Primary
40 x 30 in. (101.6 x 76.2 cm)
.
.
.
.
.
.
overall
frame
Printer's ink
Printer's ink
1966
1966
1966
1900-2000, 20th century, politics in art, serigraphs, women
Print
The images that Andy Warhol used of Jacqueline Bouvier Kennedy were based on photographs by Fred War in "Life" magazine, December 6, 1963.
[Gallery label text]
From the portfolio "Eleven Pop Artists, Volume III"
Pop Art print rotation, Post-1950 American art gallery, Jessica Marten, Assistant Curator, Oct. 3, 2011 - March 5, 2012:
President John F. Kennedy was the first “television president;” he and his wife and children were regulars on our TVs, as if they were our royal family. After the President’s assassination, Warhol treated images of Jacqueline Kennedy as a popular culture commodity much like his ubiquitous Campbell Soup can.
Warhol used a commercial silkscreen technique to produce his art. “I wanted something that gave more of an assembly line effect… With silkscreening you pick a photograph, blow it up, transfer it in glue onto silk, and then roll ink across it so the ink goes through the silk but not through the glue. That way you get the same image, slightly different each time. It was all so simple quick and chancy.”
lower left, Hand undeterminedverso
1976.132
item
Memorial Art Gallery
9/8/1999
76.132SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
76.132DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/76.132_A1.jpg
76.132TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
70warhol2.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/70warhol2.tif
76.132DI#2
digital image
1/20/2006
http://127.0.0.1:5000/Media/images/76.132_A2.jpg
Print
Rock of Ages Cleft for Me
William Weege, 1935 -
Weege, William
United States
1935
Male
23 3/4 x 40 in. (60.3 x 101.6 cm)
.
.
.
Printer's ink
Printer's ink
1969
1969
1969
1900-2000, 20th century, Charles Rand Penney Collection, lithographs, serigraphs, women
Print
lower rightupper rightcenter right edge
1975.315
item
Memorial Art Gallery
9/8/1999
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.315DI1
digital image
1/31/2002
http://127.0.0.1:5000/Media/images/75.315_A1.jpg
Print
#II
William Weege, 1935 -
Weege, William
United States
1935
Male
26 x 19 1/2 in. (66 x 49.5 cm)
.
.
.
Printer's ink
Printer's ink
1969
1969
1969
1900-2000, 20th century, nudes, serigraphs, women
Print
lower rightlower centerlower left
1976.133
item
Memorial Art Gallery
9/8/1999
76.133SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
76.133DI1
digital image
12/5/2001
http://127.0.0.1:5000/Media/images/76.133_A1.jpg
76.133DI#2
digital image
1/8/2014
http://127.0.0.1:5000/Media/images/76.133_A2.jpg
Print
#III
William Weege, 1935 -
Weege, William
United States
1935
Male
22 15/16 x 17 15/16 in. (58.3 x 45.5 cm)
.
.
.
overall
support
.
.
.
sheet/image
Printer's ink
Printer's ink
1969
1969
1969
1900-2000, 20th century, serigraphs, women
Print
William Weege was always interested in unusual and experimental textures in printmaking. For example, he has been known to adhere cut and sewn pieces of paper to his work, and to print images on objects, like records. During his early career, his work often contained political messages about war and peace. Weege was born in Milwaukee and spent most of his life in Wisconsin. He received his MA and his MFA from the University of Wisconsin at Madison and went on to teach there for most of his career. From 1968 to 1970, Weege served as the Director of the Experimental Workshop at the Smithsonian Institution, at which time he made this print.
[Gallery label text]
lower left, below image on supportlower right, below image on supportlower center, below image on support
1976.134
item
Memorial Art Gallery
9/8/1999
76.134DI1
digital image
12/5/2001
http://127.0.0.1:5000/Media/images/76.134_A1.jpg
76.134DI#2
digital image
1/17/2019
http://127.0.0.1:5000/Media/images/76.134_A2.jpg
Print
Florence Leyland
(E.G. Kennedy; 7th state-Mansfield)
James Abbott McNeill Whistler, (Lowell, MA, 1834 – 1903, London)
Whistler, James Abbott McNeill
United States
1834 - 1903
Male
8 3/8 x 5 3/8 in. (21.2 x 13.6 cm)
.
.
.
plate
vertical
image
Printer's ink
Printer's ink
1873
1873
1873
19th century, drypoint, etchings, figure, women
Print
One of James McNeill Whistler’s great patrons was British shipping magnate and art collector, Frederick Leyland (1832-1892) whose wife and four children were the subjects of numerous drawings, prints, and painted portraits by the artist. Much of what is known of Whistler’s relationship with this family is through letters from his mother, who not infrequently tried her best to smoothe over disagreements between her dilatory son and the impatient Leyland.
Whistler’s regular visits to Speke Hall (the Leyland family’s estate near Liverpool, England) brought him into frequent contact with the children, who posed for him many times. Look for the phrase “I am Flo” to the right of the figure of Florence, the youngest, who is holding a hoop – perhaps an inside joke, a reference to the fact that there were three Leyland daughters who may have been regularly confused with each other!
[Gallery label text, 2009]
lower right, in the image, in the platelower right, in the image, in the plateverso
1931.36
item
Memorial Art Gallery
9/8/1999
31.36SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
31.36DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/31.36_A2.jpg
31.36DI#2
digital image
8/1/2007
http://127.0.0.1:5000/Media/images/31.36_A1.jpg
Medal
World Peace Medal
Joseph Kiselewski, 1901 - 1988
Kiselewski, Joseph
United States
1901 - 1988
Male
2 7/8 x 2 7/8 in. (7.3 x 7.3 cm)
.
.
.
Bronze
Bronze
1946
1946
1946
20th century, medals, women
Medal
33rd medal issued by the Society of Medalists
side of medalnear figure representing peace
1946.50
item
Memorial Art Gallery
9/8/1999
proof sheet
reverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
proof sheet
obverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
reverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
obverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.50DI1
digital image
Recto
00/00/00
http://127.0.0.1:5000/Media/images/46.50_A1.jpg
46.50DI2
digital image
Verso
00/00/00
http://127.0.0.1:5000/Media/images/46.50_A2.jpg
46.50DI#3
digital image
obverse
12/29/2011
http://127.0.0.1:5000/Media/images/46.50_A3.jpg
46.50DI#4
digital image
Reverse
12/29/2011
http://127.0.0.1:5000/Media/images/46.50_A4.jpg
Medal
Five Wise and Five Foolish Virgins Medal
Henry Kreis, 1889 - 1963
Kreis, Henry
United States
1889 - 1963
Male
2 7/8 x 2 7/8 in. (7.3 x 7.3 cm)
.
.
.
Bronze
Bronze
1948
1948
1948
20th century, Bible, medals, women
Medal
36th medal issued by the Society of Medalists
across bottom
1947.95
item
Memorial Art Gallery
9/8/1999
proof sheet
reverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
proof sheet
obverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
reverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
obverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
47.95DI1
digital image
Recto
00/00/00
http://127.0.0.1:5000/Media/images/47.95_A1.jpg
47.95DI1
digital image
Verso
00/00/00
http://127.0.0.1:5000/Media/images/47.95_A2.jpg
47.95DI#3
digital image
obverse
12/29/2011
http://127.0.0.1:5000/Media/images/47.95_A3.jpg
47.95DI#4
digital image
Reverse
12/29/2011
http://127.0.0.1:5000/Media/images/47.95_A4.jpg
Medal
Pastoral Bliss Medal
Sidney Biehler Waugh, 1904 - 1963
Waugh, Sidney Biehler
United States
1904 - 1963
Male
2 7/8 x 2 7/8 in. (7.3 x 7.3 cm)
.
.
.
Bronze
Bronze
1946
1946
1946
fruit in art, medals, men, women
Medal
34th medal issued by the Society of Medalists
1947.2
item
Memorial Art Gallery
9/8/1999
proof sheet
reverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
proof sheet
obverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
reverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
obverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
47.2DI1
digital image
Recto
00/00/00
http://127.0.0.1:5000/Media/images/47.2_A1.jpg
47.2DI2
digital image
Verso
00/00/00
http://127.0.0.1:5000/Media/images/47.2_A2.jpg
47.2DI#3
digital image
obverse
12/29/2011
http://127.0.0.1:5000/Media/images/47.2_A3.jpg
47.2DI#4
digital image
Reverse
12/29/2011
http://127.0.0.1:5000/Media/images/47.2_A4.jpg
Medal
Genesis and the Web of Destiny Medal
Adolph Alexander Weinman, 1870 - 1952
Weinman, Adolph Alexander
United States
1870 - 1952
Male
2 7/8 x 2 7/8 in. (7.3 x 7.3 cm)
.
.
.
Bronze
Bronze
1949
1949
1949
20th century, angels, medals, women
Medal
39th medal issued by the Society of Medalists
lower left
1949.55
item
Memorial Art Gallery
9/8/1999
proof sheet
reverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
proof sheet
obverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
reverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
obverse
2 1/2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
49.55DI1
digital image
Recto
00/00/00
http://127.0.0.1:5000/Media/images/49.55_A1.jpg
49.55DI1
digital image
Verso
00/00/00
http://127.0.0.1:5000/Media/images/49.55_A2.jpg
49.55DI#3
digital image
obverse
12/29/2011
http://127.0.0.1:5000/Media/images/49.55_A3.jpg
49.55DI#4
digital image
Reverse
12/29/2011
http://127.0.0.1:5000/Media/images/49.55_A4.jpg
Textiles
At the Gates of Morning
Arthur B. Davies, 1862 - 1928
Davies, Arthur B.
United States
1862 - 1928
Male
69 x 38 1/4 in. (175.3 x 97.2 cm)
.
.
.
Wool
Wool
ca. 1925
1920
1930
1900-2000, nudes, tapestry, women
Textiles
Arthur B. Davies was the driving force behind the 1913 Armory Show which introduced Americans to radical European abstract art, but his own style remained representational throughout his career. This tapestry of the artist’s signature lyrical nudes dancing in the landscape was one of 36 tapestries he designed and had woven by the famous Gobelins factories in France. Only six were sold during his lifetime; the rest were later destroyed in a fire.
[Label text from It Came From the Vault exhibition, 2013]
1962.23
item
Memorial Art Gallery
9/8/1999
62.23TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
62.23SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
62.23DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/62.23_A1.jpg
62.23DI#2
digital image
5/4/2018
http://127.0.0.1:5000/Media/images/62.23_A2.jpg
Drawing
Young Mother, Daughter, and Baby (Jeune mère, fillette et bébé)
Mother and Son on a Chaise Longue, Daughter Leaning Over Them
Mary Cassatt, 1844 - 1926
Cassatt, Mary
United States
1844 - 1926
Female
43 1/4 x 33 1/4 in. (109.9 x 84.5 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
without frame
Pastel
Pastel
1913
1913
1913
1900-2000, 20th century, children, drawing, families, figure, women
Drawing
Mary Cassatt was an American artist who lived in France for much of her life, after having moved there at the age of 21 in order to study painting. Artist Edgar Degas admired Cassatt’s art and encouraged her to join the circle of painters that included Pierre Renoir and Claude Monet, the group that became known as the Impressionists. She first exhibited with them in 1879, when she was 35, and continued to be associated with them for the rest of her life. Cassatt was the only American woman in the group.
While Cassatt’s subjects were typically women and children, she herself lived an atypical life for a woman in that period. Cassatt was a strong supporter of women’s suffrage; this painting and others were exhibited in a 1915 exhibition at Knoedler’s that was organized by Cassatt’s good friend and staunch supporter, suffragist and art connoisseur Louisine Havemeyer.
[Gallery label text, 2009]
lower right
1959.16
item
Memorial Art Gallery
9/8/1999
59.16TR1
Transparency
Memorial Art Gallery
4 x 5
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59.16SL1
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full
4x5
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59.16DI1
digital image
Memorial Art Gallery
Imaging complete
7/10/2000
http://127.0.0.1:5000/Media/images/59.16_A2.jpg
59.16SL1
slide
in 4/1915 exhibit
2 x 2
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59.15TR2
transparency
4 x 5
00/00/00
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59.16DI#2
digital image
Memorial Art Gallery
1/9/2008
http://127.0.0.1:5000/Media/images/59.16_A1.jpg
Drawing
Head of a Girl
Howard Chandler Christy, 1873 - 1952
Christy, Howard Chandler
United States
1873 - 1952
Male
19 x 15 in. (48.3 x 38.1 cm)
.
.
.
Pastel
Pastel
1902
1902
1902
20th century, drawing, portraits, women
Drawing
lower left
1957.42
item
Memorial Art Gallery
9/8/1999
57.42SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8x10
00/00/00
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negative
full
3x2
00/00/00
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57.42DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/57.42_A1.jpg
Drawing
A Mill in Suahn
Clapp
Clapp
United States
11 1/2 x 16 1/8 in. (29.2 x 41 cm)
.
.
.
Graphite
Graphite
ca. 1870
1865
1875
19th century, children, men, mills, trees in art, women
Drawing
lower center
1989.12
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
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glossy
2 x 2
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2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
89.12DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/89.12_A1.jpg
Drawing
Seated Woman
Clapp
Clapp
United States
11 5/8 x 10 1/4 in. (29.5 x 26 cm)
.
.
.
Graphite
Graphite
ca. 1870
1865
1875
19th century, portraits, women
Drawing
1989.16
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
2 x 2
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2 x 2
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89.16DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/89.16_A1.jpg
Drawing
Woman at a Well
Clapp
Clapp
United States
12 1/2 x 10 1/4 in. (31.8 x 26 cm)
.
.
.
Graphite
Graphite
ca. 1870
1865
1875
19th century, women
Drawing
1989.17
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
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glossy
2 x 2
00/00/00
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negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
89.17DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/89.17_A1.jpg
Drawing
Profile Portraits of Members of the Knox Family, Vernon, New York
J. M. Crowley
Crowley, J. M.
United States
Male
5 x 3 5/8 in. (12.7 x 9.2 cm)
.
.
.
Graphite
Graphite
1836
1836
1836
19th century, portraits, women
Drawing
verso
1987.37.1
item
Memorial Art Gallery
9/8/1999
glossy
with 87.37.2
8 x 10
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negative
with 87.37.2
4 x 5
00/00/00
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87.37.1DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.37.1_A1.jpg
87.37.1DI#1
digital image
9/11/2008
http://127.0.0.1:5000/Media/images/87.37.1_A2.jpg
Drawing
Reclining Nude
Arthur B. Davies, 1862 - 1928
Davies, Arthur B.
United States
1862 - 1928
Male
17 1/4 x 11 1/4 in. (43.8 x 28.6 cm)
.
.
.
Crayon
Crayon
0
0
1900-2000, 20th century, drawing, figure, nudes, women
Drawing
1948.27
item
Memorial Art Gallery
9/8/1999
48.27SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.27DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.27_A1.jpg
48.27DI#2
digital image
9/4/2015
http://127.0.0.1:5000/Media/images/48.27_A2.jpg
Drawing
Seated Nude Figure
Arthur B. Davies, 1862 - 1928
Davies, Arthur B.
United States
1862 - 1928
Male
13 1/4 x 17 7/8 in. (33.7 x 45.4 cm)
.
.
.
Crayon
Crayon
0
0
1900-2000, 20th century, drawing, figure, nudes, women
Drawing
1948.28
item
Memorial Art Gallery
9/8/1999
48.28SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.28DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.28_A1.jpg
48.28DI#2
digital image
9/4/2015
http://127.0.0.1:5000/Media/images/48.28_A2.jpg
Drawing
Head of a Young Woman
Thomas W. Dewing, 1851 - 1938
Dewing, Thomas W.
United States
1851 - 1938
Male
10 1/4 x 8 1/4 in. (26 x 21 cm)
.
.
.
.
.
.
overall
frame
Silver point
Silver point
ca. 1895
1890
1900
1800-1900, 19th century, drawing, portraits, women
Drawing
Head of a Young Woman is the only silver point drawing in MAG’s collection. It is also the only American artwork that was given to the Gallery by Bertha Buswell, whose taste ran nearly exclusively to European fine and decorative arts. Unfortunately, we do not know anything about how or why she acquired such an anomaly, albeit a beautiful one, for her collection.
Silver point was a technique used extensively in the Renaissance and revived in the United States in the late 19th century. Every line was created by dragging a silver stylus across the surface of a specially-prepared paper. The stylus left a trail of silver on the paper, requiring perfect control by the artist, as this was not a forgiving medium where mistakes could be corrected with an eraser. With exposure to the air, the silver tarnished and created a warm brown tone. Because of the fragility of the silver and the paper, this lovely work is rarely exhibited.
[Label text from It Came From the Vault exhibition, 2013]
lower left
1955.79
item
Memorial Art Gallery
9/8/1999
55.79TR1
Transparency
Memorial Art Gallery
2 1/4 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
transparency
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.79SL1
slide
2 x 2
00/00/00
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glossy
side
8x10
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negative
3x2
00/00/00
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55.79DI1
digital image
Memorial Art Gallery
Imaging complete
8/4/2000
http://127.0.0.1:5000/Media/images/55.79_A1.jpg
38dewing2.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/38dewing2.tif
Drawing
Conversation Piece
Charles Dana Gibson, 1867 - 1944
Gibson, Charles Dana
United States
1867 - 1944
Male
14 3/4 x 10 3/4 in. (37.5 x 27.3 cm)
.
.
.
Ink
Ink
0
0
1800-1900, 1900-2000, 19th century, 20th century, drawing, figure, leisure activities, men, women
Drawing
lower center
1948.80
item
Memorial Art Gallery
9/8/1999
48.80SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.80DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.80_A1.jpg
48.80DI#1
digital image
12/7/2010
http://127.0.0.1:5000/Media/images/48.80_A2.jpg
Drawing
To Liberty
Eugene Higgins, 1874 - 1958
Higgins, Eugene
United States
1874 - 1958
Male
25 1/2 x 20 5/8 in. (64.8 x 52.4 cm)
.
.
.
Crayon
Crayon
1915
1915
1915
20th century, men, politics in art, women
Drawing
Illustrated in the July 1915 issue of "The Masses."
upper leftlower leftlower left
1977.154
item
Memorial Art Gallery
9/8/1999
77.154SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
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77.154DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/77.154_A1.jpg
77.154DI#2
digital image
12/7/2010
http://127.0.0.1:5000/Media/images/77.154_A2.jpg
Drawing
Female Nude
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
10 1/4 x 7 1/16 in. (26 x 18 cm)
.
.
.
overall
sheet (irregular)
Crayon
Crayon
1920-1929
1920
1929
1900-2000, 20th century, drawing, nudes, women
Drawing
Marie P. Charles
1951.333
item
Memorial Art Gallery
9/8/1999
51.333SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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8x10
00/00/00
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negative
5 x 7
00/00/00
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negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.333DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/51.333_A1.jpg
Drawing
Untitled (head of a woman)
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
10 1/4 x 6 1/2 in. (26 x 16.5 cm)
.
.
.
Crayon
Crayon
0
0
1900-2000, 20th century, drawing, women
Drawing
Marie P. Charles
1951.334
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.334DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/51.334_A1.jpg
Drawing
Untitled
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
9 1/2 x 7 1/2 in. (24.1 x 19.1 cm)
.
.
.
Crayon
Crayon
0
0
1900-2000, 20th century, drawing, women
Drawing
Marie P. Charles
1951.335
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.335DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/51.335_A1.jpg
Drawing
Untitled (woman's head)
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
10 1/4 x 7 1/2 in. (26 x 19.1 cm)
.
.
.
Crayon
Crayon
0
0
1900-2000, 20th century, drawing, women
Drawing
Marie P. Charles
1973.3
item
Memorial Art Gallery
9/8/1999
73.3SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
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73.3DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/73.3_A1.jpg
Drawing
Untitled (nude woman)
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
10 1/4 x 7 1/2 in. (26 x 19.1 cm)
.
.
.
Crayon
Crayon
0
0
1900-2000, 20th century, drawing, nudes, women
Drawing
Marie P. Charles
1973.4
item
Memorial Art Gallery
9/8/1999
73.4SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
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negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.4DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/73.4_A1.jpg
Drawing
Untitled (woman's head)
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
9 1/2 x 6 3/4 in. (24.1 x 17.1 cm)
.
.
.
Crayon
Crayon
0
0
1900-2000, 20th century, drawing, women
Drawing
Marie P. Charles
1973.5
item
Memorial Art Gallery
9/8/1999
73.5SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
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8 x 10
00/00/00
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73.5DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/73.5_A1.jpg
Drawing
Sketch for "Fountain Figure"
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
9 3/8 x 3 5/8 in. (23.8 x 9.2 cm)
.
.
.
Graphite
Graphite
ca. 1925
1920
1930
1900-2000, 20th century, drawing, from Rochester collections, nudes, women
Drawing
Marie P. Charles
1982.11
item
Memorial Art Gallery
9/8/1999
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4x5
00/00/00
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82.11DI1
digital image
7/21/2000
http://127.0.0.1:5000/Media/images/82.11_A1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/82.11_A2.jpg
Drawing
Untitled (female nude)
Gaston Lachaise, 1882 - 1935
Lachaise, Gaston
United States
1882 - 1935
Male
23 5/8 x 18 3/16 in. (60 x 46.2 cm)
.
.
.
sheet
sheet
Graphite
Graphite
1931
1931
1931
1900-2000, 20th century, drawing, nudes, women
Drawing
Paula R. Hornbostel
1997.12
item
Memorial Art Gallery
9/8/1999
97.12SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
97.12DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.12_A1.jpg
97.12DI#2
digital image
8/26/2008
http://127.0.0.1:5000/Media/images/97.12_A2.jpg
Drawing
Market
Winifred Lansing, (Rochester, NY, 1910 - 1988)
Lansing, Winifred
United States
1910 - 1988
Female
15 1/2 x 11 in. (39.4 x 27.9 cm)
.
.
.
Wash
Wash
0
0
1900-2000, 20th century, birds, by Rochester artists, drawing, Sunday Art Fellowship, women
Drawing
lower center
1946.53
item
Memorial Art Gallery
9/8/1999
46.53DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/46.53_A1.jpg
Drawing
Untitled
Winifred Lansing, (Rochester, NY, 1910 - 1988)
Lansing, Winifred
United States
1910 - 1988
Female
11 x 8 in. (27.9 x 20.3 cm)
.
.
.
Charcoal
Charcoal
0
0
1900-2000, 20th century, by Rochester artists, drawing, nudes, Sunday Art Fellowship, women
Drawing
lower right
1979.14
item
Memorial Art Gallery
9/8/1999
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.14DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/79.14_A1.jpg
Drawing
Mary Smyth Hunter (Mrs. Charles Hunter)
John Singer Sargent, 1856 - 1925
Sargent, John Singer
United States
1856 - 1925
Male
23 3/4 x 18 3/8 in. (60.3 x 46.7 cm)
.
.
.
.
.
.
overall framed size
vertical
frame
Charcoal
Charcoal
ca. 1904
1899
1909
1900-2000, 20th century, drawing, figure, portraits, women
Drawing
upper left, in the image
1970.52
item
Memorial Art Gallery
9/8/1999
70.52SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
70.52TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
70.52DI1
digital image
Memorial Art Gallery
Imaging Complete
3/13/2002
http://127.0.0.1:5000/Media/images/70.52_A1.jpg
70.52DI2
digital image
Memorial Art Gallery
Imaging Complete
1/19/2015
http://127.0.0.1:5000/Media/images/70.52_A2.jpg
Drawing
Portrait of Marianne Moore
Hildegarde Lasell Watson, (Whitinsville MA, 1888 – 1976, Rochester NY)
Watson, Hildegarde Lasell
United States
1888 - 1976
Female
22 3/8 x 15 7/16 in. (56.9 x 39.2 cm)
.
.
.
overall
sheet
Graphite
Graphite
1956
1956
1956
20th century, by Rochester artists, drawing, women
Drawing
initialed, lower right
1968.32
item
Memorial Art Gallery
9/8/1999
68.32SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.32DI#1
digital image
Front
4/2/2007
http://127.0.0.1:5000/Media/images/68.32_A1.jpg
Drawing
Women Sitting under a Tree
Benjamin West, 1738 - 1820
West, Benjamin
United States
1738 - 1820
Male
6 1/2 x 5 1/4 in. (16.5 x 13.3 cm)
.
.
.
.
.
.
overall
frame
Pen and ink
Pen and ink
0
0
portrait, women
Drawing
1970.50
item
Memorial Art Gallery
9/8/1999
70.50SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
70.50DI1
digital image
6/30/2009
http://127.0.0.1:5000/Media/images/70.50_A1.jpg
Drawing
Sarah Hendrickson Holmes (Mrs. John Stout Holmes, 1767-1824)
Micah Williams, 1782 - 1837
Williams, Micah
United States
1782 - 1837
Male
25 x 21 in. (63.5 x 53.3 cm)
.
.
.
Pastel
Pastel
ca. 1820
1815
1825
19th century, costume, drawing, portrait, women
Drawing
1948.71
item
Memorial Art Gallery
9/8/1999
48.71SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.71DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/48.71_I1.jpg
Drawing
Deborah Leonard Holmes (Mrs. John Hendrickson Holmes, 1802-1872)
Micah Williams, 1782 - 1837
Williams, Micah
United States
1782 - 1837
Male
25 1/4 x 20 1/2 in. (64.1 x 52.1 cm)
.
.
.
overall framed size
frame
Pastel
Pastel
ca. 1820
1815
1825
1800-1900, 19th century, drawing, portraits, women
Drawing
1948.72
item
Memorial Art Gallery
9/8/1999
48.72SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.72DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/48.72_A1.jpg
48.72DI#2
digital image
3/25/2013
http://127.0.0.1:5000/Media/images/48.72_A2.jpg
Drawing
Micah Van Mater (ca. 1795-?) with Baby Joseph
Micah Williams, 1782 - 1837
Williams, Micah
United States
1782 - 1837
Male
25 x 21 in. (63.5 x 53.3 cm)
.
.
.
.
.
.
overall framed size
vertical
frame
Pastel
Pastel
ca. 1820
1815
1825
19th century, children, costume, drawing, portrait, women
Drawing
1948.74
item
Memorial Art Gallery
9/8/1999
48.74SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.74DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/48.74_I1.jpg
48.74DI#2
digital image
10/10/2012
http://127.0.0.1:5000/Media/images/48.74_A1.jpg
Drawing
Florine Stettheimer
Marguerite Zorach, 1887 - 1968
Zorach, Marguerite
United States
1887 - 1968
Female
20 1/16 x 14 15/16 in. (51 x 38 cm)
.
.
.
sheet
sheet
Graphite
Graphite
ca. 1922
1917
1927
1900-2000, 20th century, artist portraits, artists, drawing, women
Drawing
lower rightlower left
Peter Zorach
1995.2
item
Memorial Art Gallery
9/8/1999
95.2TR1
Transparency
Memorial Art Gallery
2 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.2SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.2DI1
digital image
Memorial Art Gallery
Imaging complete
2/19/2001
http://127.0.0.1:5000/Media/images/95.2_A1.jpg
Photograph
Act Without Words
Max Waldman, (1920 - 1981)
Waldman, Max
United States
1920 - 1981
Male
13 15/16 x 10 15/16 in. (35.4 x 27.8 cm)
.
.
.
image
image
.
.
.
sheet
sheet
.
.
.
with mount
overall
Gelatin silver print
Gelatin silver print
1972
1972
1972
women
Photograph
lower right, below imagelower left, below imageversoverso
1975.417
item
Memorial Art Gallery
12/24/2001
75.417DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/75.417_A1.jpg
Photograph
42nd Street, 1969
William Suttle, (Charlotte, NC, 1938 - )
Suttle, William
United States
1938
Male
10 15/16 x 14 in. (27.8 x 35.6 cm)
.
.
.
image
image
.
.
.
with mount
overall
Gelatin silver print
Gelatin silver print
1969
1969
1969
men, New York city, politics in art, women
Photograph
verso
1975.414
item
Memorial Art Gallery
12/24/2001
75.414DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/75.414_A1.jpg
75.414DI#2
digital image
1/17/2019
http://127.0.0.1:5000/Media/images/75.414_A2.jpg
Photograph
Woman of the High Plains, Texas Panhandle
Dorothea Lange, 1895 - 1965
Lange, Dorothea
United States
1895 - 1965
Female
17 3/16 x 13 7/8 in. (43.6 x 35.2 cm)
.
.
.
image
image
.
.
.
sheet
sheet
Gelatin silver print
Gelatin silver print
1938
1938
1938
Great Depression, women
Photograph
verso
1970.10
item
Memorial Art Gallery
12/24/2001
70.10DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/70.10_A1.jpg
70.10DI#2
digital image
2/16/2017
http://127.0.0.1:5000/Media/images/70.10_A2.jpg
Photograph
Untitled (crowd scene - old man with newspaper center)
David Heath, (Philadelphia, PA, 1931 - 2016, Toronto, Ontario, Canada)
Heath, David
United States
1931 - 2016
Male
18 15/16 x 23 15/16 in. (48.1 x 60.8 cm)
.
.
.
with mount
overall
.
.
.
sheet
sheet
Gelatin silver print
Gelatin silver print
1966
1966
1966
49.72L
children, men, women
Photograph
verso
1978.134
item
Memorial Art Gallery
12/24/2001
78.134DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/78.134_A1.jpg
Watercolor
Mrs. Rachel Tooker
Justus DaLee, (Pittstown, New York, 1793 - 1878, Eden, Wisconsin)
DaLee, Justus
United States
1793 - 1878
Male
3 1/2 x 3 in. (8.9 x 7.6 cm)
.
.
.
without frame
Watercolor
Watercolor
1845
1845
1845
portraits, women
Watercolor
Justus DaLee, a former professor of penmanship in nearby Palmyra, was an itinerant painter of small portraits, always in profile. By 1840, he was working in Rochester, taking advantage of the population and economic boom that had come with the opening of the Erie Canal 15 years earlier. Nothing is known of the sitter, Mrs. Rachel Tooker, aged 69, of Pittsford. Within a couple of years of painting her likeness, DaLee had moved to Buffalo, where his occupation was listed as “grocer.”
[Label text from It Came From the Vault exhibition, 2013]
in the imageversoverso
1986.129
item
Memorial Art Gallery
9/8/1999
86.129SL1
slide
full - front
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.129SL2
slide
full - back
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
86.129DI1
digital image
Front
00/00/00
http://127.0.0.1:5000/Media/images/86.129_A1.jpg
86.129DI2
digital image
Back
00/00/00
http://127.0.0.1:5000/Media/images/86.129_A2.jpg
Watercolor
Gossiping Women (after Goya)
George Deem, (Vincennes, IN, 1932 - 2008, New York, NY)
Deem, George
United States
1932 - 2008
Male
25 1/4 x 19 5/16 in. (64.2 x 49 cm)
.
.
.
sheet
sheet
Watercolor
Watercolor
1963
1963
1963
1900-2000, watercolors, women
Watercolor
verso
Ronald Vance
1965.2
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
65.2DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/65.2_A1.jpg
65.2DI#2
digital image
3/9/2012
http://127.0.0.1:5000/Media/images/65.2_A2.jpg
Watercolor
The Trap
Harvey Ellis, (1852 - 1904)
Ellis, Harvey
United States
1852 - 1904
Male
13 3/16 x 7 11/16 in. (33.5 x 19.6 cm)
.
.
.
sheet
sheet
Watercolor
Watercolor
1896
1896
1896
1800-1900, 19th century, by Rochester artists, dogs, men, paintings, Rochester Art Club founders, watercolors, women
Watercolor
lower leftversoverso
1958.114
item
Memorial Art Gallery
9/8/1999
58.114SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
58.114DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/58.114_A1.jpg
58.114DI#2
digital image
8/26/2008
http://127.0.0.1:5000/Media/images/58.114_A2.jpg
58.114DI#3
digital image
7/23/2020
http://127.0.0.1:5000/Media/images/58.114_A3.jpg
Watercolor
Old Brittany Church
George M. Haushalter, (Portland, ME, 1862 - 1943, Sodus Point, NY)
Haushalter, George M.
United States
1862 - 1943
Male
12 x 10 1/8 in. (30.5 x 25.7 cm)
.
.
.
sheet
vertical
sheet
Gouache
Gouache
ca. 1900
1895
1905
1900-2000, 20th century, by Rochester artists, churches, watercolors, women
Watercolor
verso
1943.38
item
Memorial Art Gallery
9/8/1999
43.38SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
43.38DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/43.38_A1.jpg
Watercolor
Woman in Red
Maud Humphrey, 1865 - 1940
Humphrey, Maud
United States
1865 - 1940
Female
16 1/4 x 13 in. (41.2 x 33 cm)
.
.
.
sheet
vertical
sheet
Watercolor
Watercolor
1896
1896
1896
1800-1900, 19th century, by Rochester artists, portraits, watercolors, women
Watercolor
upper left
1952.45
item
Memorial Art Gallery
9/8/1999
52.45SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
52.45DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/52.45_A1.jpg
52.45DI#2
digital image
2/16/2017
http://127.0.0.1:5000/Media/images/52.45_A2.jpg
Watercolor
Jane Jeffrey Stewart (1805-1878)
Agnes Jeffrey, 1806 - 1897
Jeffrey, Agnes
United States
1806 - 1897
Female
9 11/16 x 8 7/16 in. (24.6 x 21.4 cm)
.
.
.
Watercolor
Watercolor
ca. 1832
1827
1837
1800-1900, 19th century, by Rochester artists, watercolors, women
Watercolor
versomasking tape on the back of the frame
1987.47
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.47DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.47_A1.jpg
Watercolor
Rev. and Mrs. E.M. Stewart and Their Children
Agnes Jeffrey, 1806 - 1897
Jeffrey, Agnes
United States
1806 - 1897
Female
8 9/16 x 9 3/4 in. (21.7 x 24.8 cm)
.
.
.
Watercolor
Watercolor
ca. 1838
1833
1843
1800-1900, by Rochester artists, children, families, men, portraits, watercolors, women
Watercolor
on framemasking tape on back of frame
1987.48
item
Memorial Art Gallery
9/8/1999
87.48SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.48DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.48_A1.jpg
Watercolor
Elizabeth McConnell Jeffrey (1784-1856)
Agnes Jeffrey, 1806 - 1897
Jeffrey, Agnes
United States
1806 - 1897
Female
9 3/4 x 8 1/2 in. (24.8 x 21.6 cm)
.
.
.
Watercolor
Watercolor
ca. 1832
1827
1837
1800-1900, 19th century, by Rochester artists, watercolors, women
Watercolor
versoon masking tape on back of frame
1987.49
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.49DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.49_A1.jpg
Watercolor
Elizabeth Jeffrey Cunningham (1803-1893)
Agnes Jeffrey, 1806 - 1897
Jeffrey, Agnes
United States
1806 - 1897
Female
8 3/4 x 7 1/4 in. (22.2 x 18.4 cm)
.
.
.
Watercolor
Watercolor
ca. 1832
1827
1837
1800-1900, 19th century, by Rochester artists, watercolors, women
Watercolor
lower right
1987.51
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.51DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.51_A1.jpg
Watercolor
Jane McConnell Ross (Mrs. George Ross)
Agnes Jeffrey, 1806 - 1897
Jeffrey, Agnes
United States
1806 - 1897
Female
6 5/8 x 5 3/8 in. (16.8 x 13.7 cm)
.
.
.
Watercolor
Watercolor
ca. 1840
1835
1845
1800-1900, 19th century, by Rochester artists, watercolors, women
Watercolor
verso
1987.52
item
Memorial Art Gallery
9/8/1999
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.52DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.52_A1.jpg
Watercolor
The Breadwinner
Emma Lampert Cooper, (Nunda, NY, 1855 - 1920, Pittsford, NY)
Cooper, Emma Lampert
United States
1855 - 1920
Female
20 x 24 in. (50.8 x 61 cm)
.
.
.
.
.
.
overall
frame
Watercolor
Watercolor
1891
1891
1891
by Rochester artists, cats, genre scenes, home life, jobs & work, watercolors, women
Watercolor
Emma Lampert of Nunda, NY, studied at the Art Students League and taught at Mechanics Institute (now RIT) before marrying the well-known painter, Colin Campbell Cooper. This view of a Dutch interior was exhibited widely both here and abroad; it garnered several awards, including a medal at the 1893 World’s Columbian Exposition.
[Label text from It Came From the Vault exhibition, 2013]
lower right
1920.3
item
Memorial Art Gallery
9/8/1999
20.3TR1
transparency
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
20.3SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
20.3DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/20.3_A1.jpg
20.3DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/20.3_A2.jpg
20.3DI3
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
20.3DI#3
digital image
10/22/2008
http://127.0.0.1:5000/Media/images/20.3_A3.jpg
Watercolor
Peasant Girl
Virginia Jeffrey Smith, 1886 - 1987
Smith, Virginia Jeffrey
United States
1886 - 1987
Female
8 15/16 x 6 7/8 in. (22.7 x 17.5 cm)
.
.
.
Watercolor
Watercolor
0
0
1900-2000, 20th century, by Rochester artists, watercolors, women
Watercolor
1987.56
item
Memorial Art Gallery
9/8/1999
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.56DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.56_A1.jpg
87.56DI#2
digital image
2/9/2012
http://127.0.0.1:5000/Media/images/87.56_A2.jpg
Watercolor
The Bathers
Carl Sprinchorn, 1887 - 1971
Sprinchorn, Carl
United States
1887 - 1971
Male
19 5/16 x 14 1/16 in. (49 x 35.7 cm)
.
.
.
overall
sheet
Watercolor
Watercolor
1920-1929
1920
1929
20th century, paintings, watercolors, women
Watercolor
lower left
1950.48
item
Memorial Art Gallery
9/8/1999
50.48DI#1
digital image
Recto
2/20/2008
http://127.0.0.1:5000/Media/images/50.48_A1.jpg
Watercolor
Girl with Dove
Philip Ten Eyck
Ten Eyck, Philip
United States
Male
6 3/16 x 5 3/16 in. (15.7 x 13.2 cm)
.
.
.
Watercolor
Watercolor
1853
1853
1853
animals in art, portraits, women
Watercolor
verso
1989.11
item
Memorial Art Gallery
9/8/1999
89.11SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
1x1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
1x1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
89.11DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/89.11_A1.jpg
89.11DI#2
digital image
6/8/2010
http://127.0.0.1:5000/Media/images/89.11_A2.jpg
Watercolor
Forget-Me-Not
James Abbott McNeill Whistler, (Lowell, MA, 1834 – 1903, London)
Whistler, James Abbott McNeill
United States
1834 - 1903
Male
10 x 7 in. (25.4 x 17.8 cm)
.
.
.
overall
image
.
.
.
overall
frame
Watercolor
Watercolor
ca. 1885
1880
1890
1800-1900, 19th century, nudes, watercolors, women
Watercolor
center right
1976.85
item
Memorial Art Gallery
9/8/1999
76.85TR1
Transparency
Memorial Art Gallery
2 x 2 3/4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
76.85SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
76.85DI1
digital image
Memorial Art Gallery
Imaging complete
2/20/2001
http://127.0.0.1:5000/Media/images/76.85_A1.jpg
76.85DI2
digital image
in frame
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/76.85_I1.jpg
Print
Orange Hat
Alex Katz, (Brooklyn, New York, 1927 - )
Katz, Alex
United States
1927
Male
17 15/16 x 36 1/8 in. (45.6 x 91.8 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1990
1990
1990
1900-2000, 20th century, portraits, serigraphs, women
Print
Based on a 1988 painting by Katz.
Alex Katz's artistic vision has revised what representational art looks like in the modern world. His portraits, carefully edited of extraneous detail, flattened, cropped, and blown-up to a grand scale, combine characteristics of realism and abstraction in a way that recalls the visual language and scale of advertising billboards and movies.
[Gallery label text, 2005]
lower leftverso
1995.62.1
item
Memorial Art Gallery
10/14/1999
95.62.1SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.62.1DI1
digital image
10/23/2002
http://127.0.0.1:5000/Media/images/95.62.1_A1.jpg
95.62.1DI#2
digital image
10/28/2010
http://127.0.0.1:5000/Media/images/95.62.1_A2.jpg
Print
Ada in Hat
Alex Katz, (Brooklyn, New York, 1927 - )
Katz, Alex
United States
1927
Male
26 x 36 1/16 in. (66 x 91.6 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1990
1990
1990
1900-2000, 20th century, portraits, serigraphs, women
Print
This print is based on a small painting of Katz's wife, Ada in a Pillbox Hat, 1961. Katz's interest in making images that were of-the-moment is reflected in his use of "modern props". The pillbox hat was made famous and fashionable by First Lady Jackie Kennedy around the time of her husband's presidential inauguration in January 1961.
[Gallery label text, 2005]
lower leftverso
1995.62.2
item
Memorial Art Gallery
10/14/1999
95.62.2SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
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negative
4 x 5
00/00/00
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95.62.2DI1
digital image
10/23/2002
http://127.0.0.1:5000/Media/images/95.62.2_A1.jpg
95.62.2DI#2
digital image
10/28/2010
http://127.0.0.1:5000/Media/images/95.62.2_A2.jpg
Print
Grey Ribbon
Alex Katz, (Brooklyn, New York, 1927 - )
Katz, Alex
United States
1927
Male
27 1/2 x 36 in. (69.9 x 91.4 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1990
1990
1990
1900-2000, 20th century, portraits, serigraphs, women
Print
Based on a 1987 painting by Katz.
Alex Katz's ongoing effort to devalue the subject in his art is most visible in his portraits in which the subject is multiplied, with the result that the image contains more in design than it does in content. A sitter's individuality is diminished one further step, a person's unique character is subsumed to the pattern of the whole.
[Gallery label text, 2005]
lower leftverso
1995.62.4
item
Memorial Art Gallery
10/14/1999
95.62.4SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.62.4DI1
digital image
10/23/2002
http://127.0.0.1:5000/Media/images/95.62.4_A1.jpg
95.62.4DI#2
digital image
10/28/2010
http://127.0.0.1:5000/Media/images/95.62.4_A2.jpg
Print
Ada with Sun Glasses
Alex Katz, (Brooklyn, New York, 1927 - )
Katz, Alex
United States
1927
Male
36 x 24 3/16 in. (91.4 x 61.4 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1990
1990
1990
1900-2000, 20th century, portraits, serigraphs, women
Print
This print is based on Katz's earlier portrait of the same name created in 1963. Katz views his prints as the final synthesis of his paintings.
[Gallery label text, 2005]
lower leftverso
1995.62.6
item
Memorial Art Gallery
10/14/1999
95.62.6SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.62.6DI1
digital image
10/23/2002
http://127.0.0.1:5000/Media/images/95.62.6_A1.jpg
95.62.6DI#2
digital image
10/28/2010
http://127.0.0.1:5000/Media/images/95.62.6_A2.jpg
Print
White Hat
Alex Katz, 1927 -
Katz, Alex
United States
1927
Male
36 x 25 1/2 in. (91.4 x 64.8 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1990
1990
1990
1900-2000, 20th century, portraits, serigraphs, women
Print
Based on a 1978 painting by Katz.
This is a portrait of the artist's wife, Ada. Like many artists before him, Alex Katz found his wife a convenient model. Having painted her face more than a hundred times, it has become an aesthetic thread woven throughout his body of work. Katz described Ada as "very malleable…a pretty girl cased in different roles." In fact, we see her throughout Katz's career as she gracefully ages from the time of their marriage in 1958 up to the current day.
Despite Katz's assertion that he is interested in divesting his images of meaning, it is hard for the viewer to avoid searching for emotional content in Katz's repeated portraits of himself and his wife. In traditional art making, portraits (and especially those of oneself and one's significant other) are charged with personal connotations. In addition, it is nearly impossible for us as humans to look at a face at such close range without attempting to ascribe to it some emotional content. Our desire to penetrate the surface of these paintings and Katz's insistence on refusing us that privilege creates a tension between our aesthetic and emotional senses. Katz thwarts our expectations and demands that we think differently about what a portrait is and can be.
[Gallery label text, 2005]
lower leftverso
1995.62.8
item
Memorial Art Gallery
10/14/1999
95.62.8SL1
slide
full
2 x 2
00/00/00
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glossy
8 x 10
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negative
4 x 5
00/00/00
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95.62.8DI1
digital image
10/23/2002
http://127.0.0.1:5000/Media/images/95.62.8_A1.jpg
95.62.8DI#2
digital image
10/28/2010
http://127.0.0.1:5000/Media/images/95.62.8_A2.jpg
Watercolor
Two Female Models on an Iron Bed
Philip Pearlstein, 1924 -
Pearlstein, Philip
United States
1924
Male
22 3/8 x 29 5/8 in. (56.8 x 75.2 cm)
.
.
.
without frame
Watercolor
Watercolor
1975
1975
1975
1900-2000, 20th century, nudes, watercolors, women
Watercolor
lower rightversoupper left and lower right
1998.64
item
Memorial Art Gallery
10/15/1999
98.64SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.64TR1
transparency
full
4 x 5
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negative
4 x 5
00/00/00
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glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.64DI1
digital image
Memorial Art Gallery
Imaging Complete
3/13/2002
http://127.0.0.1:5000/Media/images/98.64_A1.jpg
98.64DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Sunday Morning
Jerome Myers, 1867 - 1940
Myers, Jerome
United States
1867 - 1940
Male
37 1/2 x 44 1/2 in. (95.3 x 113 cm)
.
.
.
image
Oil
Oil
1907
1907
1907
1900-2000, 20th century, Ashcan School and friends, children, cityscapes, men, paintings, women
Painting
Jerome Myers said of his art, “I went to the gutter for my subject, but they were poetic gutters.”
[Gallery label text, 2007]
Jerome Myers was called "the gentle poet of the slums" for his compassionate images of immigrant life in New York's Lower East Side. Myers recorded the unglamorous, yet commonplace aspects of city life, as did fellow painters John Sloan and Robert Henri, members of The Eight or the Ashcan School. However, his vision of the city's poor never evoked a sense of wretchedness: "Why catch humanity by the shirt-tail," he said, "when I could see more pleasant things?"
Though tame to us today, paintings like Sunday Morning were considered progressive, even "revolutionary" when they were painted, because of their subject matter. However, when it came to exhibiting with The Eight, Robert Henri didn't think that Myers's work was forceful enough. As a founder of the innovative American Association of Painters and Sculptors in 1911, Myers helped to pave the way for the watershed 1913 Armory Show in New York City, the exhibition that introduced European modernism to an enthusiastic but occasionally bewildered public.
[Gallery label text, 2006]
lower left
1998.74
item
Memorial Art Gallery
10/21/1999
98.74TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.74SL1
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full
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glossy
8x10
00/00/00
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98.74DI1
digital image
Memorial Art Gallery
Imaging complete
6/19/2001
http://127.0.0.1:5000/Media/images/98.74_A1.jpg
98.74DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
35myers1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/35myers1.tif
98.74DI#2
digital image
Memorial Art Gallery
Imaging complete
1/19/2015
http://127.0.0.1:5000/Media/images/98.74_A2.jpg
Painting
Jane
Guy Pène du Bois, 1884 - 1958
Pène du Bois, Guy
United States
1884 - 1958
Male
30 x 24 in. (76.2 x 61 cm)
.
.
.
overall
frame
.
.
.
Oil
Oil
ca. 1946
1941
1951
1900-2000, 20th century, paintings, women
Painting
Critic and painter Guy Pène du Bois continued the Realist, urban tradition of the Ash Can School painters, but peopled his canvases with more urbane elegant, and at times, mysterious, figures.
Jane is one of his quintessential creations. An enigmatic figure appears to step out of a shadow, perhaps in a restaurant or nightclub, perhaps inside or outside, in America or abroad. She is fashionably thin, well-dressed, and bejeweled, and yet for all her apparent material comfort, she manifests a sense of isolation and anxiety, expressed by her hands, her cast down eyes, and a downward turn of the mouth. Pène du Bois' intriguing contrasts of light and dark areas within the painting contribute to the sense of unease that the figure expresses. The painting's mood certainly reflects the artist's admiration of Edward Hopper.
[Gallery label text, 2003]
1998.36
item
Memorial Art Gallery
10/21/1999
98.36TR1
Transparency
Memorial Art Gallery
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.36SL1
slide
2 x 2
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98.36DI1
digital image
Memorial Art Gallery
Imaging complete
7/14/2000
http://127.0.0.1:5000/Media/images/98.36_A1.jpg
98.36DI2
digital image
Memorial Art Gallery
Imaging complete
00/00/00
http://127.0.0.1:5000/Media/images/98.36_A2.jpg
67dubois1.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/67dubois1.tif
Print
A Parisian Woman Out Walking (Une Parisienne en Promenade (Madame Duez))
Ernest Ange Duez, 1843 - 1896
Duez, Ernest Ange
France
1843 - 1896
Male
20 x 13 1/16 in. (50.8 x 33.2 cm)
.
.
.
sheet
sheet
.
.
.
plate
plate
Printer's ink
Printer's ink
ca. 1880
1875
1885
1800-1900, 19th century, etchings, fall, women
Print
lower centerlower center edgeversoverso
1998.45
item
Memorial Art Gallery
10/22/1999
98.45SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.45DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/98.45_A1.jpg
98.45DI#2
digital image
4/19/2017
http://127.0.0.1:5000/Media/images/98.45_A2.jpg
Painting
Landscape with Figures
Joseph H. Hidley, 1830 - 1872
Hidley, Joseph H.
United States
1830 - 1872
Male
10 7/8 x 20 7/8 in. (27.6 x 53 cm)
.
.
.
overall
horizontal
.
.
.
without frame
Oil
Oil
0
0
1800-1900, 19th century, cows, folk art, houses, men, paintings, women
Painting
This painting was never intended to hang on a wall. Rather, it was created as part of a wall to decorate a panel underneath a tall window in the parlor of a home in Eagle Mills, New York, near Albany.
The artist was an unusual individual. In addition to painting scenes to decorate rooms in the Albany region, Joseph Hidley was a house painter, a carpenter, and arranger of stuffed birds and dried flowers.
For his underwindow panels, he is thought to have derived his inspiration from European viewbooks, which is why this scene is reminiscent of a Swiss landscape. We are still trying to locate the original view that Hidley copied.
[Gallery label text, 2002]
1997.173
item
Memorial Art Gallery
10/25/1999
97.173SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
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glossy
8x10
00/00/00
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97.173DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.173_A2.jpg
97.173TR1
transparency
full
4 x 5
00/00/00
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97.173DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.173_A1.jpg
Watercolor
In the Park
Jan Matulka, 1890 - 1972
Matulka, Jan
United States
1890 - 1972
Male
8 13/16 x 11 13/16 in. (22.4 x 30 cm)
.
.
.
without frame
.
.
.
overall
frame
Watercolor
Watercolor
ca. 1912-1915
1912
1915
1900-2000, 20th century, children, leisure activities, watercolors, women
Watercolor
This idyllic scene of fashionable women and children in a New York City park contrasts with the reality of Jan Matulka’s impoverished childhood as the son of an immigrant mother in the Bronx.
The realist style of Matulka’s early years shifted to abstraction as he had the opportunity to travel, first through the United States and subsequently to Paris, and engage with artists like Stuart Davis, who was experimenting with modernist styles like cubism.
[Label text, 2003]
lower right, in imageversoversoverso
1999.4
item
Memorial Art Gallery
10/26/1999
99.4DI1
digital image
2 x 2.5
00/00/00
http://127.0.0.1:5000/Media/images/99.4_A1.jpg
99.4SL1
slide
full
2 x 2
00/00/00
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negative
2 x 3
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Watercolor
Seated Girl Surrounded by Baskets
Woman in Market
Rufino Tamayo, (Oaxaca, Mexico, 1899 - 1991, Mexico City)
Tamayo, Rufino
Mexico
1899 - 1991
Male
18 7/8 x 24 1/2 in. (47.9 x 62.2 cm)
.
.
.
without frame
Gouache
Gouache
0
0
1900-2000, Mexican art, paintings, women
Watercolor
lower rightupper rightversoversoverso, Gallery label, removed and placed in file.
1999.34
item
Memorial Art Gallery
3/2/2000
99.34SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
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99.34DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/99.34_A1.jpg
Print
Harriet Tubman
Margaret Taylor-Burroughs, (St. Rose Parish, LA, 1917 - 2010, Chicago, IL)
Taylor-Burroughs, Margaret
United States
1917 - 2010
Female
17 1/2 x 11 1/2 in. (44.5 x 29.2 cm)
.
.
.
block
vertical
image
.
.
.
sheet
Printer's ink
Printer's ink
ca. 1950
1945
1955
1900-2000, 20th century, Harriet Tubman, Images of Black People, linocuts, portraits, women
Print
lower right, below imagelower left, below image
1997.24
item
Memorial Art Gallery
3/20/2000
97.24SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
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glossy
8 x 10
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97.24DI1
digital image
3/6/2002
http://127.0.0.1:5000/Media/images/97.24_A1.jpg
97.24DI#2
digital image
11/20/2009
http://127.0.0.1:5000/Media/images/97.24_A2.jpg
Sculpture
St. Elizabeth of Hungary
German artist
German artist
Germany
Primary
29 5/16 x 8 7/16 x 7 1/16 in. (74.5 x 21.5 x 18 cm)
.
.
.
without base
overall
.
.
.
with base
overall
Wood
Wood
German; made in Swabia
ca. 1470-1500
1470
1500
1400-1600, Renaissance & Baroque, sculpture, St. Elizabeth, women
Sculpture
Saint Elizabeth of Hungary was Queen of Thuringia in the early 1200s. She was an advocate of the poor and gave herself entirely to serving the hungry, weak and feeble. She distributed alms in all parts of her royal territory, even giving royal robes and ornaments to the poor. In order to care personally for the unfortunate, she built a hospital and visited the inmates daily to attend to their needs. In art, she is frequently shown carrying a loaf of bread and a jug of wine, references to her devotion to feeding the hungry.
[Gallery label text, June 2013]
1957.7
item
Memorial Art Gallery
4/5/2000
57.7TR1
Transparency
Memorial Art Gallery
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
57.7SL1
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full
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57.7DI1
digital image
Memorial Art Gallery
Front
Imaging complete
6/26/2000
http://127.0.0.1:5000/Media/images/57.7_A1.jpg
57.7DI#2
digital image
3/1/2010
http://127.0.0.1:5000/Media/images/57.7_A2.jpg
57.7DI#3
digital image
3/1/2010
http://127.0.0.1:5000/Media/images/57.7_A3.jpg
57.7DI#4
digital image
3/1/2010
http://127.0.0.1:5000/Media/images/57.7_A4.jpg
Print
Morning, Nude on Bed
George Bellows, 1882 - 1925
Bellows, George
United States
1882 - 1925
Male
12 x 9 in. (30.5 x 22.9 cm)
.
.
.
sheet
sheet
.
.
.
plate
plate
Printer's ink
Printer's ink
1921
1921
1921
1900-2000, 20th century, lithographs, nudes, Realism, women
Print
lower left, in the platelower leftlower rightverso, u.l.c.
1999.53
item
Memorial Art Gallery
4/13/2000
99.53DI1
digital image
1/11/2002
http://127.0.0.1:5000/Media/images/99.53_A1.jpg
glossy
8 x 10
00/00/00
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2 x 3
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99.53SL1
slide
full
2 x 2
00/00/00
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99.53DI#2
digital image
8/2/2018
http://127.0.0.1:5000/Media/images/99.53_A2.jpg
Watercolor
Moses Soyer and Ida Soyer in the Studio
David Burliuk, 1882 - 1967
Burliuk, David
United States
1882 - 1967
Male
11 1/4 x 15 3/8 in. (28.6 x 39.1 cm)
.
.
.
sheet
horizontal
sheet
.
.
.
overall
frame
Watercolor
Watercolor
1945
1945
1945
1900-2000, 20th century, artist portraits, artists, men, watercolors, women
Watercolor
upper leftupper right, barely visibleverso
2000.2
item
Memorial Art Gallery
4/13/2000
2000.2SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
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00/00/00
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2000.2DI1
digital image
2 x 2
7/23/2002
http://127.0.0.1:5000/Media/images/2000.2_A1.jpg
2000.2DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2000.2DI#2
digital image
10/1/2012
http://127.0.0.1:5000/Media/images/2000.2_A2.jpg
Painting
Miss Sophia Hoare
Sir Joshua Reynolds, (Plymouth, England, 1723 - 1792, London)
Reynolds, Joshua
England
1723 - 1792
Male
36 x 28 in. (91.4 x 71.1 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1783
1783
1783
1600-1800, 18th century, George Eastman Collection, paintings, portraits, women
Painting
Joshua Reynolds was the leading portrait painter in 18th-century England, the first president of London’s Royal Academy, and a respected art critic. He frequently modeled his sitters’ poses on those seen in Old Master painting and ancient classical sculpture. Reynolds’ use of rich color, strong lighting, and loose brushwork greatly influenced the next generation of British portraitists, including Sir Thomas Lawrence and Sir Henry Raeburn.
The young woman in this portrait, Sophia Hoare (c. 1765-1836), was the daughter of Richard Hoare, an heir to the founder of England’s oldest private bank. Sophia’s portrait was commissioned by William Grimston, whom she married in February 1783. Reynolds noted the transaction in his account books: “Miss Hoare, paid by Mr. Grimpstone, £ 78 15s.; a very proper attention on the part of the fiancé.”
[Forman Gallery, Summer 2015]
1977.1
item
Memorial Art Gallery
5/12/2000
77.1TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
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digital image
full
00/00/00
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77.1DI#2
digital image
7/7/2015
http://127.0.0.1:5000/Media/images/77.1_A2.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Madonna and Child with Angel
Raffaellino del Garbo, (1466 - 1524)
Raffaellino del Garbo
Italy
1466 - 1524
Male
37 1/4 x 37 1/4 in. (94.6 x 94.6 cm)
.
.
.
diameter
Tempera
Tempera
Italian; made in Florence
ca. 1500
1495
1505
1400-1600, angels, Madonna and Child, paintings, Renaissance & Baroque, women
Painting
1947.30
item
Memorial Art Gallery
6/9/2000
separations
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
47.30TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
47.30SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
47.30SL2
slide
detail-central group
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
47.30SL3
slide
detail-Madonna/Child
2 x 2
00/00/00
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47.30SL4
slide
detail-Angel
2 x 2
00/00/00
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47.30SL5
slide
detail-Angel's hands
2 x 2
00/00/00
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47.30SL6
slide
detail-Angel's eye
2 x 2
00/00/00
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47.30DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/47.30_A1.jpg
47.30DI#2
digital image
4/7/2009
http://127.0.0.1:5000/Media/images/47.30_A2.jpg
47.30DI#3
digital image
Detail
6/10/2009
http://127.0.0.1:5000/Media/images/47.30_A3.jpg
46.36DI#4
digital image
Detail
6/10/2009
http://127.0.0.1:5000/Media/images/47.30_A4.jpg
46.36DI#5
digital image
Detail
6/10/2009
http://127.0.0.1:5000/Media/images/47.30_A5.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Nakazu (?)
8 Places in Edo
Hosoda Eishi, 1756 - 1829
Hosoda Eishi
Japan
1756 - 1829
Male
Designer
8 9/16 x 6 1/8 in. (21.8 x 15.6 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, Ukiyo-e, women, woodcuts
Print
, Signature: Eishi ga
1997.83
item
Memorial Art Gallery
6/22/2000
97.83DI1
digital image
8/14/2003
http://127.0.0.1:5000/Media/images/97.83_A1.jpg
Print
Chofu in Musashi
6 Jewel Rivers
Ando Hiroshige, (Edo, 1797 - 1858, Edo)
Ando Hiroshige
Japan
1797 - 1858
Male
Designer
14 13/16 x 5 1/16 in. (37.7 x 12.8 cm)
.
.
.
sheet
Printer's ink
Printer's ink
ca. 1835-1836
1835
1836
Japanese, laundresses, rivers, Ukiyo-e, women, woodcuts
Print
, Signature: Hiroshige ga, with seal
1997.190
item
Memorial Art Gallery
6/22/2000
97.190DI1
digital image
8/14/2003
http://127.0.0.1:5000/Media/images/97.190_A1.jpg
Print
Courtesans
Attributed to Isoda Koryusai, (1735 - after 1790)
Isoda Koryusai
Japan
1735 - after 1790
Male
Designer
8 7/8 x 6 1/8 in. (22.5 x 15.6 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, musical instruments (depictions), musicians, Ukiyo-e, women, woodcuts
Print
1997.215
item
Memorial Art Gallery
6/22/2000
97.215DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.215_A1.jpg
Print
Print from "White Threads of Waterfall and Mountain Cherry Blossoms" series
White Threads of Waterfall and Mountain Cherry Blossoms
Kitagawa Utamaro, 1753 - 1806
Kitagawa Utamaro II
Japan
- 1831
Male
Designer
Kitagawa Utamaro
Japan
1753 - 1806
Male
Designer
14 7/16 x 19 3/4 in. (36.7 x 50.1 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, trees in art, Ukiyo-e, waterfalls, women, woodcuts
Print
, Signature: Utamaro hitsu
1997.98
item
Memorial Art Gallery
6/22/2000
97.98DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.98_A1.jpg
Print
Fujie of the Naka-manjiya (a courtesan)
Comparison of flowers-Courtesan and Geisha
Kitagawa Utamaro, (1753 - 1806)
Kitagawa Utamaro
Japan
1753 - 1806
Male
Designer
15 1/16 x 10 7/16 in. (38.2 x 26.5 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1805
1805
1805
Japanese, Ukiyo-e, women, woodcuts
Print
, Signature: Utamaro hitsu
1997.95
item
Memorial Art Gallery
6/22/2000
97.95DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.95_A1.jpg
Print
Segawa (a courtesan)
Kikukawa Eizan, 1787 - 1867
Kikukawa Eizan
Japan
1787 - 1867
Male
Designer
14 1/8 x 9 1/2 in. (35.8 x 24.2 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, Ukiyo-e, women, woodcuts
Print
, Signature: Eizan hitsu
1997.89
item
Memorial Art Gallery
6/22/2000
97.89DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.89_A1.jpg
Print
Women making oshi-e [collage pictures]
Utagawa Toyohiro, 1773 - 1829
Utagawa Toyohiro
Japan
1773 - 1829
Male
Designer
15 1/4 x 19 3/4 in. (38.7 x 50.2 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, making art (depictions), Ukiyo-e, women, woodcuts
Print
, Signature: Toyohiro ga
1997.97
item
Memorial Art Gallery
6/22/2000
97.97DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.97_A1.jpg
Print
Women walking past a dry goods store
Utagawa Toyohiro, (1773 - 1829)
Utagawa Toyohiro
Japan
1773 - 1829
Male
Designer
13 1/4 x 8 1/4 in. (33.6 x 21 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, Ukiyo-e, women, woodcuts
Print
, Signature: Toyohiro ga
1997.85
item
Memorial Art Gallery
6/22/2000
97.85DI1
digital image
8/14/2003
http://127.0.0.1:5000/Media/images/97.85_A1.jpg
Print
Portrait of a courtesan
Eight Favorite Things of the Present Day
Ikeda Eisen, (1790 - 1848)
Ikeda Eisen
Japan
1790 - 1848
Male
Designer
14 5/8 x 10 1/16 in. (37.1 x 25.5 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, portraits, Ukiyo-e, women, woodcuts
Print
, Signature: Keisai Eisen ga
1997.93
item
Memorial Art Gallery
6/22/2000
97.93DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.93_A1.jpg
Print
Courtesans on a balcony overlooking a river
Hosoda Eishi, 1756 - 1829
Hosoda Eishi
Japan
1756 - 1829
Male
Designer
15 3/16 x 10 3/16 in. (38.6 x 25.8 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, rivers, Ukiyo-e, women, woodcuts
Print
, Eishi ga, with seal
1997.86
item
Memorial Art Gallery
6/22/2000
97.86DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.86_A1.jpg
Print
Taking the bride to the wedding
Utagawa Toyokuni I, (1769 - 1825)
Utagawa Toyokuni I
Japan
1769 - 1825
Male
Designer
15 7/16 x 30 3/16 in. (39.2 x 76.7 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, Ukiyo-e, women, woodcuts
Print
, Signature: Toyokuni ga (on each sheet
1997.48
item
Memorial Art Gallery
6/22/2000
97.48DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.48_A1.jpg
Print
Courtesan writing love letters
Utagawa Toyohiro, (1773 - 1829)
Utagawa Toyohiro
Japan
1773 - 1829
Male
Designer
6 7/16 x 7 1/2 in. (16.4 x 19.1 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, Ukiyo-e, women, woodcuts
Print
, Signature: Toyohiro ga
1997.84
item
Memorial Art Gallery
6/22/2000
97.84DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.84_A1.jpg
97.84DI#2
digital image
6/12/2008
http://127.0.0.1:5000/Media/images/97.84_A2.jpg
Print
Woman watching two children; parody of the armor-pulling scene
Utagawa Toyohiro, 1773 - 1829
Utagawa Toyohiro
Japan
1773 - 1829
Male
Designer
4 11/16 x 7 1/16 in. (11.9 x 17.9 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
children, Japanese, Ukiyo-e, women, woodcuts
Print
1997.227
item
Memorial Art Gallery
6/22/2000
97.227DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.227_A1.jpg
Print
Courtesan and attendant
Suzuki Harunobu, (1724 - 1770)
Suzuki Harunobu
Japan
1724 - 1770
Male
Designer
10 3/16 x 7 5/16 in. (25.8 x 18.5 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
1600-1800, Japanese, Ukiyo-e, women, woodcuts
Print
, Signature: Harunobu ga
1997.204
item
Memorial Art Gallery
6/22/2000
97.204DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.204_A1.jpg
97.204SL
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
The Third Month
Fashionable Twelve Seasons
Isoda Koryusai, (1735 - after 1790)
Isoda Koryusai
Japan
1735 - after 1790
Male
Designer
9 1/16 x 6 1/4 in. (23 x 15.8 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, spring, trees in art, Ukiyo-e, women, woodcuts
Print
, Signature: Koryu ga
1997.199
item
Memorial Art Gallery
6/22/2000
97.199DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.199_A1.jpg
Print
Woman and baby
Fashionable Seven Komachi
Kitagawa Utamaro, 1753 - 1806
Kitagawa Utamaro II
Japan
- 1831
Male
Designer
Kitagawa Utamaro
Japan
1753 - 1806
Male
Designer
15 1/2 x 10 1/2 in. (39.4 x 26.7 cm)
.
.
.
sheet (irregular)
Printer's ink
Printer's ink
0
0
children, Japanese, Ukiyo-e, women, woodcuts
Print
, Signature: Utamaro hitsu
1997.87
item
Memorial Art Gallery
6/22/2000
97.87DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.87_A1.jpg
Print
Women diving for abalone
Katsukawa Shunsen, 1762 - ca.1830
Katsukawa Shunsen
Japan
1762 - ca.1830
Male
9 7/16 x 14 3/16 in. (24 x 36 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, jobs & work, men, Ukiyo-e, women, woodcuts
Print
, Signature: Kashosai Shunsen ga, with seal
1997.203
item
Memorial Art Gallery
6/22/2000
97.203DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.203_A1.jpg
Print
Two women and a man
Utagawa Toyokuni I, (1769 - 1825)
Utagawa Toyokuni I
Japan
1769 - 1825
Male
Designer
14 5/16 x 9 3/4 in. (36.3 x 24.8 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, men, Ukiyo-e, women, woodcuts
Print
1997.88
item
Memorial Art Gallery
6/22/2000
97.88DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.88_A1.jpg
Print
Tsuyu - of the Ogiya (a courtesan)
A Comparison of Flowers of the Five Festivals
Kitagawa Utamaro, 1753 - 1806
Kitagawa Utamaro
Japan
1753 - 1806
Male
Designer
14 15/16 x 9 11/16 in. (37.9 x 24.6 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, Ukiyo-e, women
Print
, Signature: Utamaro hitsu
1997.90
item
Memorial Art Gallery
6/22/2000
97.90DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.90_A1.jpg
Print
Matsushima of the Matsubaya (left) and Yashina of the Ogiya (right) in the New Yoshiwara
Kikukawa Eizan, 1787 - 1867
Kikukawa Eizan
Japan
1787 - 1867
Male
Designer
15 1/2 x 19 5/16 in. (39.4 x 49 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1809
1809
1809
Japanese, Ukiyo-e, women, woodcuts
Print
, Signature: Kikugawa Eizan hitsu
1997.94
item
Memorial Art Gallery
6/22/2000
97.94DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.94_A1.jpg
Print
Snow on Matsuchiyama
Eastern Views Compared to Modern Beauties
Utagawa Kunisada I, 1786 - 1864
Utagawa Kunisada I
Japan
1786 - 1864
Male
14 1/2 x 9 7/8 in. (36.8 x 25.1 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
Japanese, Ukiyo-e, women, woodcuts
Print
, Signature: Gototei Kunisada ga
1997.73
item
Memorial Art Gallery
6/22/2000
97.73DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.73_A1.jpg
Print
A fan store
Utagawa Toyokuni I, 1769 - 1825
Utagawa Toyokuni I
Japan
1769 - 1825
Male
Designer
14 1/2 x 20 1/16 in. (36.9 x 50.9 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
fans, Japanese, Ukiyo-e, women, woodcuts
Print
, Signature: Toyokuni ga (on each sheet)
1997.91
item
Memorial Art Gallery
6/22/2000
97.91DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.91_A1.jpg
Print
The Ide Jewel River in Yamashiro
Fashionable Six Jewel Rivers
Kikukawa Eizan, 1787 - 1867
Kikukawa Eizan
Japan
1787 - 1867
Male
Designer
14 11/16 x 10 3/8 in. (37.3 x 26.4 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1812
1812
1812
Japanese, rivers, Ukiyo-e, women, woodcuts
Print
, Signature: Kiku Eizan hitsu
1997.92
item
Memorial Art Gallery
6/22/2000
97.92DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.92_A1.jpg
97.92DI#2
digital image
1/3/2019
http://127.0.0.1:5000/Media/images/97.92_A2.jpg
Print
Kiyohara no Fukayabu (#35)
Pictures for the 100 Poems by 100 Poets
Utagawa Kunisada I, 1786 - 1864
Utagawa Kunisada I
Japan
1786 - 1864
Male
14 9/16 x 9 5/8 in. (37 x 24.5 cm)
.
.
.
sheet
Printer's ink
Printer's ink
ca. 1844
1839
1849
Japanese, musical instruments (depictions), musicians, Ukiyo-e, women, woodcuts
Print
, Signature: Kunisada aratane Nidaime Toyokuni ga ("Kunisada, now changed to the second Toyokuni")
1997.71
item
Memorial Art Gallery
6/22/2000
97.71DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/97.71_A1.jpg
97.71DI#2
digital image
1/3/2019
http://127.0.0.1:5000/Media/images/97.71_A2.jpg
Print
Women celebrating doll festival
Utagawa Toyokuni I, (1769 - 1825)
Utagawa Toyokuni I
Japan
1769 - 1825
Male
Designer
15 9/16 x 10 1/8 in. (39.5 x 25.7 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
holidays & festivals, Japanese, musical instruments (depictions), musicians, Ukiyo-e, women, woodcuts
Print
, Signature: Toyokuni ga
1997.75
item
Memorial Art Gallery
6/22/2000
97.75DI1
digital image
8/14/2003
http://127.0.0.1:5000/Media/images/97.75_A1.jpg
Painting
Vertumnus and Pomona
Govaert Flinck, (Cleves, Electorate of Brandenburg, 1615 – 1660, Amsterdam, Holland)
Flinck, Govaert
Netherlands
1615 - 1660
Male
38 1/4 x 45 1/4 in. (97.2 x 114.9 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1640
1635
1645
1600-1800, 17th century, paintings, Pomona, Vertumnus, Vertumnus & Pomona, women
Painting
This painting illustrates a myth from Ovid’s Metamorphosis. Pomona, a nymph who presided over gardens and fruit trees, had taken a vow of chastity and therefore rejected the advances of all suitors. Vertumnus, the Roman deity of orchards, persisted nonetheless. To gain her affections he disguised himself as a fisherman, a soldier, a peasant, and finally as an old woman.
Flinck was a student and follower of Rembrandt, so much so that the styles of the two artists were often confused. Flinck’s skill brought him enviable social and economic rewards and eventually he was honored with a commission to create twelve paintings for the civic hall of Amsterdam.
[Gallery label text, 2005]
back of frame, Then given to Flinck. Label says "See folder for Literature and Exhibitions."back of frameback of stretcher, Each in different handwriting, all on one piece of masking tape on cross member of stretcherback of stretcher, Under edge of tape, only half of each letter visibleback of framelower right
1983.10
item
Memorial Art Gallery
10/6/2000
83.10TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
83.10SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
83.10SL2
slide
detail
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
83.10SL3
slide
with x-ray
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
color
1 x 1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
83.10DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/83.10_A1.jpg
83.10DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
83.10DI3
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/83.10_A2.jpg
83.10SL4
slide
collateral
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
83.10DI4
digital image
Detail- hands
00/00/00
http://127.0.0.1:5000/Media/images/83.10_A4.jpg
83.10DI5
digital image
Detail- Vertumnus
00/00/00
http://127.0.0.1:5000/Media/images/83.10_A5.jpg
Print
Girl (Mädchen)
Carl Maria (Carry) Hauser, 1895 - 1985
Hauser, Carl Maria (Carry)
Austria
1895 - 1985
Male
11 1/2 x 9 1/4 in. (29.2 x 23.5 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1922
1922
1922
20th century, women, woodcuts
Print
Carry Hauser, who died at 90, was influenced by numerous artistic movements throughout his long career, including Expressionism, Cubism, and Futurism. Although perhaps more decorative than the work of many of his Expressionist contemporaries, his woodcut "Girl" of 1922 shares much in common, including a favored medium and subject matter. When examined closely, the innocuous theme of a seated nude female takes on a much darker quality through her expression, the placement of her hand, wilting leaves, the strangeness of the dog at her side, and the bird hovering above her head.
[Gallery label text, 2007]
lower rightlower leftlower leftverso, per file
1983.105
item
Memorial Art Gallery
7/20/2000
negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
83.105DI#1
digital image
Front
6/18/2007
http://127.0.0.1:5000/Media/images/83.105_A1.jpg
Print
Rosalind and Celia, from "As You Like It" (after William Hamilton)
Peltro William Tomkins, (London, 1759 - 1840, London)
Tomkins, Peltro William
England
1759 - 1840
Male
Engraver
Hamilton, William
England
1751 - 1801
Male
Original artist
After
14 1/2 x 17 15/16 in. (36.8 x 45.6 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1799
1799
1799
1600-1800, 18th century, engravings, men, trees in art, women
Print
lower right, below imagelower leftversolower right of versoverso
1917.5
item
Memorial Art Gallery
8/18/2000
17.5SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
17.5DI#1
digital image
3/19/2009
http://127.0.0.1:5000/Media/images/17.5_A1.jpg
Print
A Visit to the Boarding School (after George Morland)
William Ward, (London, 1766 - 1826, London)
Ward, William
England
1766 - 1826
Male
Printer
Morland, George
England
1763 - 1804
Male
Original artist
20 x 23 7/8 in. (50.8 x 60.6 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1789
1789
1789
1600-1800, 18th century, children, daily life, mezzotints, women
Print
The painting by Morland after which this print is made is in the Wallace Collection, London.
lower left, below imagelower center, below imagelower center, below imagelower right, below image
1938.30
item
Memorial Art Gallery
9/1/2000
38.30DI#1
digital image
3/19/2009
http://127.0.0.1:5000/Media/images/38.30_A1.jpg
Print
Lady Gertrude Villiers
Charles Wilkins, (1750 - 1814)
Wilkins, Charles
England
1750 - 1814
Male
15 x 14 5/8 in. (38.1 x 37.1 cm)
.
.
.
sheet (irregular)
Printer's ink
Printer's ink
1800
1800
1800
1800-1900, 19th century, engravings, portrait, portraits, women
Print
1941.14
item
Memorial Art Gallery
9/1/2000
41.14SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
41.14DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/41.14_A1.jpg
41.14DI#2
digital image
11/17/2022
http://127.0.0.1:5000/Media/images/41.14_A2.jpg
Print
Double Portrait
Alex Katz, (Brooklyn, New York, 1927 - )
Katz, Alex
United States
1927
Male
9 15/16 x 12 3/16 in. (25.2 x 31 cm)
.
.
.
sheet
Printer's ink
Printer's ink
Black & white crayon lithograph
0
0
1900-2000, 20th century, lithographs, portraits, women
Print
This lithograph is representative of Katz's continual use of his wife Ada as a subject. One of his first multiple portraits, this composition of two Adas was reworked by Katz several times in paint, print, and cutout.
[Gallery label text, 2005]
1998.114
item
Memorial Art Gallery
9/14/2000
98.114SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.114DI1
digital image
1/23/2002
http://127.0.0.1:5000/Media/images/98.114_A1.jpg
negative
2x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Woman Figure
Mary Frank, 1933 -
Frank, Mary
United States
1933
Female
10 x 13 1/4 in. (25.4 x 33.7 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
1900-2000, 20th century, lithographs, nudes, women
Print
1998.191
item
Memorial Art Gallery
9/14/2000
98.191SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.191DI1
digital image
3/6/2002
http://127.0.0.1:5000/Media/images/98.191_A1.jpg
98.191DI#2
digital image
5/26/2016
http://127.0.0.1:5000/Media/images/98.191_A2.jpg
Print
Félicité Sleeping, with Parrot
David Hockney, (Bradford, England, 1937 - )
Hockney, David
England
1937
Male
14 7/8 x 16 3/4 in. (37.8 x 42.5 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1974
1974
1974
1900-2000, 20th century, aquatints, birds, etchings, women
Print
lower left, below imagelower right, below image
1982.5
item
Memorial Art Gallery
10/5/2000
negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
82.5DI#2
digital image
2/7/2008
http://127.0.0.1:5000/Media/images/82.5_A2.jpg
82.5DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/82.5_A1.jpg
Painting
The Sculpture Gallery
Sir Lawrence Alma-Tadema, (Dronerijp, the Netherlands, 1836 - 1912, Wiesbaden, Germany)
Alma-Tadema, Lawrence
Netherlands
1836 - 1912
Male
30 1/4 x 23 1/4 in. (76.8 x 59.1 cm)
.
.
.
approximate installation dimensions
frame
Oil
Oil
1875
1875
1875
1800-1900, 19th century, children, men, Orientalism, paintings, women
Painting
Alma-Tadema is known for his historical and anecdotal scenes set in classical antiquity or medieval Europe. The Sculpture Gallery is one of a number of scenes showing patrons at an ancient art gallery or sculptor’s studio. Here a slave—recognizable by the tablet hanging around his neck—displays a basin ornamented with Scylla, the mythological sea-serpent. The 19th-century collecting audience could likely identify the "Infant Hercules Struggling with a Snake," from the Capodimonti Museum in Naples at the left, and on the right, the statue of Helen, mother of Emperor Constantine, from the Capitoline museum in Rome. The Roman visitors are modelled on members of Alma-Tadema's family, including the artist’s wife and children, at the center.
The artist travelled widely and visited historic sites, gaining a reputation for his accuracy in depicting ancient settings and artifacts. However, it was modern technology that helped him achieve this renown: the artist collected professional photographs of artworks and artifacts found on archaeological digs, using these images as the basis for his scenes.
[Gallery label text, 2011]
upper leftback of panel,
back of panelback of panelback of panel, also appears at least twice on back of frameback of panel, Partly torn away.back of frameback of frameback of frame, Partly obscured by a labelback of frameback of frameback of frameback of frame
1989.45
item
Memorial Art Gallery
11/2/2000
89.45TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
89.45SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
89.45DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/89.45_A1.jpg
89.45DI#2
digital image
4/7/2009
http://127.0.0.1:5000/Media/images/89.45_A2.jpg
Painting
Mrs. William Provis of Bath
Thomas R. A. Gainsborough, (Sudbury, England, 1727 - 1788, London)
Gainsborough, Thomas R. A.
England
1727 - 1788
Male
29 1/2 x 24 in. (74.9 x 61 cm)
.
.
.
overall
frame
.
.
.
Oil
Oil
1766
1766
1766
1600-1800, 18th century, George Eastman Collection, paintings, portraits, women
Painting
A founding member of the Royal Academy, Thomas R. A. Gainsborough was a premier 18th-century English portraitist whose upward trajectory to fame began with a strategic move to Bath, a town with many portrait-commissioning British gentry. This particular portrait captures Bath resident Ann Pigott in her lonely and isolated youth. At 17, she married a much older William Provis and was left alone and childless while he lived at his country estate. As British gentry were selling family art collections in face of financial strain from estate taxes implemented in 1894, newly-wealthy Americans were building art collections. George Eastman acquired this portrait in 1912 in that manner and later bequeathed it to the University of Rochester.[
Label text from It Came From the Vault exhibition, 2013]
1978.1
item
Memorial Art Gallery
11/2/2000
78.1SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
78.1DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/78.1_A1.jpg
78.1DI#2
digital image
11/6/2012
http://127.0.0.1:5000/Media/images/78.1_A2.jpg
78.1DI#3
digital image
11/27/2017
http://127.0.0.1:5000/Media/images/78.1_A3.jpg
Painting
Mrs. John Addison (Lucy Clark)
John Hoppner, (London, 1758 - 1810, London)
Hoppner, John
England
1758 - 1810
Male
28 x 21 in. (71.1 x 53.3 cm)
.
.
.
Oil
Oil
ca. 1789
1784
1794
1600-1800, 18th century, George Eastman Collection, paintings, portraits, women
Painting
Having a portrait painted by a noted artist such as John Hoppner was a mark of status; decades later, American collectors still enjoyed the prestige of owning portraits of European gentry. Even into the twentieth century, America was seen as a young country, and newly-wealthy Americans could “borrow” the pedigree that accompanied the sitter by displaying these portraits. Comprehensive estate taxes were introduced in England in 1894, and in the years that followed, families were forced to sell off some of their family holdings, including real estate, household belongings, and works of art, to pay these death duties. At the same time, wealthy American industrialists like George Eastman, who owned this painting and several other British portraits, were building their art collections, and bought family portraits as well as Old Master works as they came on the market.
Little is known of Mrs. Addison; her husband was in the civil service of the East India Company, and they lived in India for much of their married life.
[Gallery label text, 2008]
1978.2
item
Memorial Art Gallery
11/2/2000
78.2SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
78.2DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/78.2_A1.jpg
Painting
Mrs. Johnston of Straiton
Sir Henry Raeburn, (Edinburgh, Scotland, 1756 – 1823, Edinburgh, Scotland)
Raeburn, Henry
Scotland
1756 - 1823
Male
35 x 27 in. (88.9 x 68.6 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
ca. 1800
1795
1805
1800-1900, 19th century, George Eastman Collection, paintings, portraits, women
Painting
Henry Raeburn was almost exclusively a painter of portraits. The demand for his work was great enough to sustain a career in Scotland, and his commissions came primarily from the members of high society in and around the growing city of Edinburgh. Raeburn’s portraits are known for their naturalness and sensitivity to the sitter. They often take the form seen here, with a seated three-quarter length figure pictured in a landscape, painted as if seen from below.
This portrait is of a young noblewoman, Mary Johnston, the wife of James Johnston and the daughter of William Baillie, Lord Polkemmet, a Scottish judge whose portrait Raeburn had also painted.
[Forman Gallery, Summer 2015]
1978.6
item
Memorial Art Gallery
11/3/2000
78.6SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
1 x 1.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
78.6DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/78.6_A1.jpg
78.6DI#2
digital image
7/7/2015
http://127.0.0.1:5000/Media/images/78.6_A2.jpg
Painting
Eleanor Todd, Lady Maitland (1762-1856)
George Romney, (Dalton-in-Furness, England, 1734 - 1802, Kendal, England)
Romney, George
England
1734 - 1802
Male
30 x 25 in. (76.2 x 63.5 cm)
.
.
.
Oil
Oil
after 1782
1783
1792
1600-1800, 18th century, George Eastman Collection, paintings, portraits, women
Painting
This unfinished portrait depicts Eleanor Todd, who became Lady Maitland in 1782 when she married James, Viscount Maitland, eighth Earl of Lauderdale. Although it is not known why the portrait was never completed, at this point in his career, Romney had a large number of unfinished paintings in his studio. Sitters were required to pay half his fee before the painting could commence, but the daunting schedule of sittings and the artist’s demands for specific poses and clothing dissuaded some clients from continuing the professional relationship. Still, the presence of half-finished portraits in the studio served as a sort of showcase, enabling potential subjects to see examples of Romney’s work.
[Gallery label text, 2008]
1977.2
item
Memorial Art Gallery
11/3/2000
77.2SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.2DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/77.2_A1.jpg
77.2DI#2
digital image
10/20/2014
http://127.0.0.1:5000/Media/images/77.2_A2.jpg
Print
Woman Holding Cat
Henry Spencer Moore, (Castleford, England, 1898 - 1986, Perry Green, England)
Moore, Henry Spencer
England
1898 - 1986
Male
14 x 20 7/8 in. (35.5 x 53 cm)
.
.
.
overall sheet
sheet
.
.
.
stone
image
Printer's ink
Printer's ink
1949-1951
1949
1951
20th century, cats, lithographs, women
Print
Published in 1951.
1957.58
item
Memorial Art Gallery
11/3/2000
57.58SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
57.58DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/57.58_A1.jpg
Painting
The Butterfly
Bernardus-Johannes Blommers, (the Hague, 1845 – 1914, the Hague)
Blommers, Bernardus-Johannes
Netherlands
1845 - 1914
Male
16 x 19 in. (40.6 x 48.3 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
0
0
1800-1900, children, European art, genre scenes, George Eastman Collection, home life, paintings, women
Painting
1973.155
item
Memorial Art Gallery
11/13/2000
73.155TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.155SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.155DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/73.155_A1.jpg
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.155DI3
digital image
with frame
00/00/00
http://127.0.0.1:5000/Media/images/73.155_A2.jpg
Ceramics
Stirrup Spout Vessel: Seated Woman and Child
Moche artist, (active )
Moche artist
Peru
Primary
8 1/8 in. (20.6 cm)
.
.
.
Blackware
Blackware
Moche; made in Peru
450-600 CE
450
600
ceramics, children, Moche, Pre-Columbian art of Central & South America, women
Ceramics
1945.29
item
Memorial Art Gallery
11/16/2000
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
45.29SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
45.29DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/45.29_A1.jpg
45.29DI#2
digital image
5/12/2009
http://127.0.0.1:5000/Media/images/45.29_A2.jpg
Print
Jean 1921
George Bellows, 1882 - 1925
Bellows, George
United States
1882 - 1925
Male
5 5/16 x 4 1/8 in. (13.5 x 10.5 cm)
.
.
.
overall
vertical
sheet
.
.
.
image
Printer's ink
Printer's ink
1921
1921
1921
1900-2000, 20th century, lithographs, portraits, women
Print
lower right, in image, in the stonelower right, below imagelower left, below imagelower centerlower right cornerverso, u.l. cornerin the margin
2000.20
item
Memorial Art Gallery
1/5/2001
2000.20SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2000.20DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/2000.20_A1.jpg
2000.20DI#2
digital image
8/2/2018
http://127.0.0.1:5000/Media/images/2000.20_A2.jpg
Painting
The Linen
Pierre Bonnard, (Fontenay-aux-Roses, France, 1867 – 1947, Le Cannet, France)
Bonnard, Pierre
France
1867 - 1947
Male
19 5/8 x 25 1/2 in. (49.8 x 64.8 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
1909
1909
1909
1900-2000, 20th century, genre scenes, paintings, women
Painting
As an art student in Paris, Bonnard became affiliated with the Nabis, or Prophets. This group of young artists was influenced by Paul Gauguin's belief that a painting should be a product of the imagination rather than a mere copy of nature. Influenced also by Gauguin's style, the Nabis simplified form and used color boldly and expressively.
After the turn of the century, Bonnard refined these principles, developing a personal, decorative, and highly subjective style. As in this scene, his pictures of everyday life often featured his wife. Painting from memory in his studio, Bonnard freely modified form and heightened color to express the beauty he recalled in nature.
[Gallery label text, 1999]
lower centerback of frameback of frameback of panel, Note European-style 7 with line through center
1991.36
item
Memorial Art Gallery
1/17/2001
91.36SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.36DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/91.36_A1.jpg
91.36DI#2
digital image
3/25/2008
http://127.0.0.1:5000/Media/images/91.36_A2.jpg
Painting
Washerwomen of Fouesnant
William-Adolphe Bouguereau, (La Rochelle, France, 1825 – 1905, La Rochelle, France)
Bouguereau, William-Adolphe
France
1825 - 1905
Male
30 x 23 5/8 in. (76.2 x 60 cm)
.
.
.
without frame
.
.
.
overall framed size
frame
Oil
Oil
1869
1869
1869
1800-1900, 19th century, genre scenes, jobs & work, paintings, women
Painting
In Fouesnant, a bay in Brittany, Bouguereau found the source material that would fuel his work for years to come. Academic artists viewed scenes of peasants performing their usual daily chores as a modern-day counterpart to the rustic figures of antiquity so beloved in historical paintings. Despite their circumstances, peasants in Academic paintings were usually depicted as clean, well-fed and neatly dressed. Here a girl carrying laundry resembles a caryatid, a classical figure used to support an architectural pediment.
[Gallery label text, 2011]
lower leftback of frameback of frameback of frameback of frameback of frameback of frame, Partly torn away.back of frame, Torn green labelback of frame, red circular sticker, no text visibleback of frameback of stretcher, In ball-point penback of stretcher, Torn green labelback of stretcher
1955.61
item
Memorial Art Gallery
1/17/2001
55.61TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.61SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.61DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/55.61_A1.jpg
55.61DI2
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.61DI#3
digital image
4/7/2009
http://127.0.0.1:5000/Media/images/55.61_A2.jpg
Painting
Young Priestess
William-Adolphe Bouguereau, (La Rochelle, France, 1825 – 1905, La Rochelle, France)
Bouguereau, William-Adolphe
France
1825 - 1905
Male
71 1/4 x 32 in. (181 x 81.3 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
1902
1902
1902
1900-2000, 20th century, Orientalism, paintings, women
Painting
Bouguereau's idealized figures, with their realistically-rendered surfaces and painstaking level of finish, show a technical mastery that still astonishes. Here the fluid fabrics of the priestess's garments and the drapery behind her contrast sharply with her pale flesh and the stone mosaic of the floor. The lack of context invites viewers to provide the figure with a narrative. This painting, completed when the artist was almost 80, demonstrates a return to the themes of classical antiquity that had been mainstays of his youthful work.
Bouguereau had a typical Academic education: he studied anatomy, classical literature and archaeology along with drawing and painting, and spent a year in Rome where he took inspiration from Renaissance artists. A member of the Academy throughout his career, his paintings were regularly included in the annual Salon exhibitions.
[Gallery label text, 2011]
1973.1
item
Memorial Art Gallery
1/17/2001
73.1TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.1SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.1DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/73.1_A2.jpg
73.1DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/73.1_A1.jpg
73.1DI3
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/73.1_A3.jpg
Drawing
Dancers
Edgar Degas, 1834 - 1917
Degas, Edgar
France
1834 - 1917
Male
37 5/8 x 26 3/4 in. (95.6 x 67.9 cm)
.
.
.
overall
frame
.
.
.
Pastel
Pastel
ca. 1900
1895
1905
1900-2000, 20th century, dance, drawing, women
Drawing
When asked by Mrs. Horace Havemeyer, an American collector, why he so often portrayed dancers, Degas replied “Because I find there, Madame, the combined movements of the Greeks.”
This pastel was produced late in the artist’s life when his eyesight had begun to fail. It is possible that his diminished vision resulted in the heavy contours that surround the dancers and give only the barest suggestion of their facial features. Rather than attempting great detail, he concentrated on mapping out the unpredictable effects of theatrical lighting on the forms of the figures.
[Label text from It Came From the Vault exhibition, 2013]
back of frame, From Cleveland Degas exhibition, Feb 7 - Mar 9 1947back of framelower leftback of panelback of panelback of panelback of panelback of panel, Label for AFA Degas and the Dance exhibitionback of panel, Label for National Gallery of Art Degas exhibition
1931.21
item
Memorial Art Gallery
1/17/2001
color separations
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
31.21TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
31.21SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
31.21SL2
slide
detail
2x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
31.21DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/31.21_A1.jpg
31.21DI#2
digital image
6/4/2012
http://127.0.0.1:5000/Media/images/31.21_A2.jpg
Sculpture
Woman Washing Her Left Leg
Edgar Degas, 1834 - 1917
Degas, Edgar
France
1834 - 1917
Male
5 3/4 in. (14.6 cm)
.
.
.
Bronze
Bronze
cast 1919-1937
1919
1937
1900-2000, 20th century, nudes, sculpture, women
Sculpture
left back corner of baseleft back corner of baseright front corner of base
1981.23
item
Memorial Art Gallery
1/17/2001
81.23SL1
slide
full-front
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
81.23TR1
transparency
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
81.23DI1
digital image
2 x 3
11/29/2001
http://127.0.0.1:5000/Media/images/81.23_A1.jpg
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
detail-bottom forge mark
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
detail-bottom forge mark
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
det-bottom signature
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
det-bottom signature
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
81.23SL2
slide
full-3/4 view
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
81.23DI#2
digital image
11/15/2011
http://127.0.0.1:5000/Media/images/81.23_A2.jpg
81.23DI#3
digital image
11/15/2011
http://127.0.0.1:5000/Media/images/81.23_A3.jpg
Painting
The Washerwomen
Léon-Augustin Lhermitte, (Mont-Saint-Père, France, 1844 – 1925, Paris)
Lhermitte, Léon-Augustin
France
1844 - 1925
Male
30 3/8 x 37 3/4 in. (77.2 x 95.9 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
1888-1889
1888
1889
1800-1900, 19th century, genre scenes, jobs & work, paintings, women
Painting
Although he was of the same generation as Monet and Renoir, Lhermitte chose to follow the path of traditional realism, rather than the Impressionists' experimentation with color. He did practice the fluid brushwork that they had popularized, however. Like Sorolla... Lhermitte specialized in scenes of rural workers. However, his keen eye caught the contrasting colors and textures of sun-bathed landscape and figures in much greater detail. Sorolla concentrated more on the colors and effect of the light rather than on the details of form.
[Gallery label text, 1999]
lower right
1937.2
item
Memorial Art Gallery
1/17/2001
37.2SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
37.2DI1
digital image
2 x 2
12/1/2001
http://127.0.0.1:5000/Media/images/37.2_A2.jpg
00/00/00
http://127.0.0.1:5000/Media/images/37.2_A3.jpg
37.2DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/37.2_A1.jpg
37.2DI#4
digital image
3/5/2024
http://127.0.0.1:5000/Media/images/37.2_A4.jpg
Painting
Rural Landscape
Jean Ferdinand Monchablon, (Châtillon-sur-Saône, France, 1854 – 1904, Châtillon-sur-Saône, France)
Monchablon, Jean Ferdinand
France
1854 - 1904
Male
24 x 17 1/2 in. (61 x 44.5 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
0
0
1800-1900, cows, European art, landscapes, paintings, women
Painting
Monchablon was inspired by the rise of photography to experiment with detailed naturalism in painting. At the same time, he also applied Impressionist color theory. The result is a unique vision of the French countryside.
[Adapted from gallery label text, 1999]
lower rightback of frameback of frameback of frameback of cradle
1971.24
item
Memorial Art Gallery
1/17/2001
71.24SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
71.24D1
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/71.24_A1.jpg
Painting
Harvest Festival
Adolphe Monticelli, (Marseille, France, 1824 – 1886, Marseille, France)
Monticelli, Adolphe
France
1824 - 1886
Male
Primary
16 x 28 in. (40.6 x 71.1 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
1883
1883
1883
1800-1900, 19th century, genre scenes, holidays & festivals, horses, men, paintings, women
Painting
Monticelli was captivated by the rich colors and brushwork of Venetian Renaissance painting and of his somewhat older French contemporary Delacroix. By 1860 he was already experimenting with the softened effects that the Impressionists would adopt only in the 1880s. Van Gogh was fascinated by the light in Monticelli's canvasas, which seem to emanate from the colors themselves, rather than from an outside source. In this late work, which depicts one of the artist's favorite festive themes, form and color mysteriously melt together.
[Adapted from gallery label text, 1999]
lower rightback of frameback of frameback of frameback of frameback of stretcher
1951.32
item
Memorial Art Gallery
1/17/2001
51.32SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.32D1
digital image
full
2 x 2
6/24/2002
http://127.0.0.1:5000/Media/images/51.32_A1.jpg
51.32DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.32DI3
digital image
with frame
00/00/00
http://127.0.0.1:5000/Media/images/51.32_A2.jpg
Sculpture
Group of Nymphs
Claude Michel, 1738 - 1814
Clodion
France
1738 - 1814
Male
11 1/2 in. (29.2 cm)
.
.
.
Terracotta
Terracotta
0
0
1800-1900, 19th century, nymphs, sculpture, women
Sculpture
1955.107
item
Memorial Art Gallery
1/25/2001
55.107SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.107SL2
slide
detail
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.107DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/55.107_A1.jpg
55.107DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.107DI#2
digital image
Detail
6/11/2009
http://127.0.0.1:5000/Media/images/55.107_A2.jpg
Painting
Madonna and Child Enthroned with Angels
Master of the St. Ursula Legend, (active 1470 - 1495)
Master of the St. Ursula Legend
Flanders
active 1470 - 1495
Male
24 1/4 x 13 1/2 in. (61.6 x 34.3 cm)
.
.
.
Oil
Oil
ca. 1470-1495
1470
1495
1400-1600, Adam & Eve, angels, Christ, John the Baptist, Madonna and Child, paintings, Renaissance & Baroque, St. Elizabeth, women
Painting
back of frameback of frame, Obscured by mending plate
1948.11
item
Memorial Art Gallery
1/19/2001
separations
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.11TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.11SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.11SL2
slide
detail-angel & castle
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.11SL3
slide
detail- walled town
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.11DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/48.11_A1.jpg
48.11DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.11DI3
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.11_A2.jpg
48.11
Madonna and Child Enthroned with Angels
pdf file
00/00/00
http://127.0.0.1:5000/Media/images/C/Users/Public/Desktop/My Scans/scan0883.pdf
Painting
St. Margaret with a Donor
Vrancke van der Stockt, (before 1420 - c. 6/14/1495)
Stockt, Vrancke van der
Flanders
before 1420 - c. 6/14/1495
Male
Primary
18 1/8 x 7 7/8 in. (46 x 20 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
0
0
1400-1600, dragons, paintings, Renaissance & Baroque, St. Margaret, women
Painting
This painting, which shows a woman in contemporary dress kneeling in devotion before an open prayer book, her patron saint behind her, was once the right wing of a small triptych, or three-part altarpiece. Saint Margaret, who is recognizable through her attributes, or identifying symbols, holds a cross; a fanged dragon is at her feet. According to the story, Margaret spent her life following the teachings of Christ. The governor of Antioch in the ancient Roman province of Syria, now modern Turkey, fell in love with Margaret’s beauty and asked her to marry him. She rejected his proposal, vowing to remain a virgin. The governor sent her to prison, where the Devil appeared to Margaret as a dragon. She was saved by her Christian faith: when the dragon swallowed Margaret, she made the sign of the cross, which split the dragon in two and allowed her to escape from his belly unharmed.
The left panel of the altarpiece, now in the Allen Memorial Art Museum of Oberlin University in Oberlin, Ohio, is a mirror image of this scene and depicts the woman’s husband also kneeling in devotion with his patron saint behind him. The center panel of the altarpiece to which the couple offers their prayers was probably a painting of the Virgin and infant Christ.
[Expanded from gallery label text, June 2013]
1944.15
item
Memorial Art Gallery
1/19/2001
44.15TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15DI1
digital image
full
2 x 2
6/28/2002
http://127.0.0.1:5000/Media/images/44.15_A1.jpg
44.15DI2
digital image
detail of serpent
2 x 2
6/20/2002
http://127.0.0.1:5000/Media/images/44.15_A2.jpg
44.15DI3
digital image
detail of donor
2 x 2
6/20/2002
http://127.0.0.1:5000/Media/images/44.15_A3.jpg
44.15SL2
slide
detail - snake
2x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15SL3
slide
detail - donor's face
2x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15DI4
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/44.15_A4.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
44.15DI#5
digital image
4/30/2021
http://127.0.0.1:5000/Media/images/44.15_A5.jpg
44.15DI#8
digital image
Detail
4/30/2021
http://127.0.0.1:5000/Media/images/44.15_A8.jpg
44.15DI#7
digital image
4/30/2021
http://127.0.0.1:5000/Media/images/44.15_A7.jpg
44.15DI#6
digital image
4/30/2021
http://127.0.0.1:5000/Media/images/44.15_A6.jpg
Painting
Portrait of a Woman
School of Fontainebleau, 16th century
School of Fontainebleau
France
16th century
10 1/2 x 8 1/4 in. (26.7 x 21 cm)
.
.
.
Oil
Oil
16th Century
1500
1599
European art, paintings, portrait, women
Painting
back of frameback of frame, Illegible, partly covered by paper that covers back of entire frame
1955.74
item
Memorial Art Gallery
1/19/2001
55.74TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.74DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/55.74_A1.jpg
55.74DI#2
digital image
6/22/2010
http://127.0.0.1:5000/Media/images/55.74_A2.jpg
Painting
Autumn, from the Four Seasons
Studio of Jacopo Bassano, ca. 1515 - 1592
Bassano, Jacopo
Italy
ca. 1515 - 1592
Male
17 1/4 x 17 1/8 in. (43.8 x 43.5 cm)
.
.
.
Oil
Oil
16th Century
1500
1599
1400-1600, chickens & roosters, children, dogs, genre scenes, jobs & work, men, paintings, rabbits, Renaissance & Baroque, women
Painting
This painting was originally one of a set of four that illustrated the four seasons of the year. The scene of wine-making was traditionally associated with autumn.
[Gallery label text]
1945.62
item
Memorial Art Gallery
1/22/2001
45.62SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
45.62DI1
digital image
6/28/2002
http://127.0.0.1:5000/Media/images/45.62_A1.jpg
45.62DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Sculpture
St. Barbara
German artist
German artist
Germany
Primary
29 7/16 x 9 3/16 x 5 1/8 in. (74.8 x 23.4 x 13 cm)
.
.
.
without base
overall
.
.
.
with base
overall
Wood
Wood
Made in Ulm, Baden-Württemberg
1470-1489
1470
1489
1400-1600, Renaissance & Baroque, sculpture, St. Barbara, women
Sculpture
According to Christian legend, Saint Barbara was the beautiful daughter of a wealthy pagan named Dioscorus, who lived in Nicodemia (present-day Turkey) during the 3rd century. Fearful of losing Barbara to the outside world, her father kept her locked in a tower. She secretly converted to Christianity; when she told Dioscorus of her new-found faith, he reported her to the authorities. She was sentenced to torture and beheading—a decree carried out by her father himself.
In Christian art, Barbara is usually shown holding the tower in which she was imprisoned and a book, which represents the teachings that led to her conversion. Here, she also wears fine clothing that represents her wealth. A purse hangs from her belt, and she wears a golden crown.
This sculpture originally formed part of a larger late medieval altarpiece that included other solitary or grouped figures. Although beautifully carved, the last 500 years have taken their toll on both her appearance and structure. Old repairs have broken off or splintered, and both original and later paint and gilding are flaking, making her too unstable for continuous display. MAG staff is working to identify funds for her treatment so that she can be returned to permanent exhibition in the medieval galleries.
[Label text from It Came From the Vault exhibition, 2013]
1955.46
item
Memorial Art Gallery
1/19/2001
55.46SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.46D1
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/55.46_A1.jpg
55.46DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.46DI#3
digital image
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A2.jpg
55.46DI#4
digital image
Three-quarter
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A3.jpg
55.46DI#5
digital image
Three-quarter
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A4.jpg
55.46DI#6
digital image
Side
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A5.jpg
55.46DI#7
digital image
Side
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A6.jpg
55.46DI#8
digital image
Back
3/9/2010
http://127.0.0.1:5000/Media/images/55.46_A7.jpg
Sculpture
Female Saint
German artist
German artist
Germany
Primary
31 13/16 x 10 5/8 x 8 11/16 in. (80.8 x 27 x 22 cm)
.
.
.
overall
overall
Wood
Wood
16th century
1500
1599
1400-1600, female saints, Renaissance & Baroque, sculpture, women
Sculpture
1955.45
item
Memorial Art Gallery
1/19/2001
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.45D1
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/55.45_A1.jpg
55.45SL1
slide
full
2x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.45SL2
slide
full-in Gallery
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.45DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.45DI#3
digital image
3/9/2010
http://127.0.0.1:5000/Media/images/55.45_A2.jpg
55.45DI#4
digital image
Side
3/9/2010
http://127.0.0.1:5000/Media/images/55.45_A3.jpg
55.45DI#5
digital image
Side
3/9/2010
http://127.0.0.1:5000/Media/images/55.45_A4.jpg
55.45DI#6
digital image
Back
3/9/2010
http://127.0.0.1:5000/Media/images/55.45_A5.jpg
Painting
Portrait of Elizabeth Jordaens, Daughter of the Artist
Jacob Jordaens, (Antwerp, 1593 - 1678, Antwerp)
Jordaens, Jacob
Flanders
1593 - 1678
Male
27 1/2 x 21 3/4 in. (69.9 x 55.2 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1640
1635
1645
1600-1800, 17th century, paintings, portraits, women
Painting
1974.102
item
Memorial Art Gallery
1/22/2001
74.102SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
74.102DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/74.102_A1.jpg
74.102DI#2
digital image
3/5/2024
http://127.0.0.1:5000/Media/images/74.102_A2.jpg
Painting
The Pancake Woman
Jan Steen, (1626 - 1679)
Steen, Jan
Netherlands
1626 - 1679
Male
26 1/4 x 20 7/16 in. (66.7 x 51.9 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1661-1669
1661
1669
1600-1800, 17th century, children, genre scenes, jobs & work, men, paintings, women
Painting
Pancake vendors, much like outdoor food vendors today, were a common sight on Dutch streets during the 1600s. Originally a delicacy prepared on the festival day of Shrove Tuesday, the last day of Carnival and the day before the beginning of Lent, pancakes were associated with feasting and wild behavior. Images of pancake makers were initially moralistic in nature, symbolizing gluttony and lust. By the 17th century, pancakes were eaten every day and the theme lost some of its allegorical significance. The scene retained its popularity among painters and printmakers of “low-life” genre scenes, or scenes of everyday peasant and street life.
[Gallery label text]
Steen was a prolific artist who specialized in low-life genre scenes, such as the popular subject of the pancake maker. A delicacy prepared especially on Vastenavond, or Shrove Tuesday, which was the last day of Carnival, the pancake had become associated with feasting and riotous behavior. It was therefore identified with overindulgence and became a symbol of gluttony or lust. During the seventeenth century, however, pancakes began to be enjoyed at any time, which reduced the allegorical potency of the theme.
[Gallery label text]
1955.71
item
Memorial Art Gallery
1/22/2001
55.71TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.71SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.71DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/55.71_A1.jpg
55.71SL2
slide
full with frame
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.71SL3
slide
detail
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.71DI2
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.71DI#3
digital image
Detail
6/11/2009
http://127.0.0.1:5000/Media/images/55.71_A2.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Eva Bicker
Dirck van Santvoort, 1610 - 1680
Santvoort, Dirck van
Netherlands
1610 - 1680
Male
27 x 23 1/2 in. (68.6 x 59.7 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1640
1635
1645
1600-1800, 17th century, paintings, portraits, women
Painting
, Removed from backing or frame, now in curatorial fileu.r. of cradleu.r. of cradlecradle, Partial label, torn away at left sidecradle, [old paper label, darkened, no text visible]back of panelcradlecradlecradle
1955.72
item
Memorial Art Gallery
1/22/2001
55.72SL1
slide
post treatment
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.72DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/55.72_A1.jpg
55.72SL2
slide
before conservation
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.72DI2
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/55.72_A2.jpg
55.72DI#3
digital image
3/5/2024
http://127.0.0.1:5000/Media/images/55.72_A3.jpg
Painting
The Triumph of Judith
Francesco Solimena, 1657 - 1747
Solimena, Francesco
Italy
1657 - 1747
Male
38 3/4 x 49 1/4 in. (98.4 x 125.1 cm)
.
.
.
without frame
Oil
Oil
1704-1708
1704
1708
1600-1800, 18th century, Judith, paintings, women
Painting
The subject of Judith cutting off the head of Holofernes was one of the most popular subjects in Christian art of the 1600s and 1700s. The Old Testament story tells how the heroine Judith went to the camp of Holofernes, the Assyrian general who was besieging her town. She dazzled him with her beauty; after pretending to accept his advances, she beheaded him with his own sword while he was in a drunken stupor.
This painting illustrates the moment when Judith displays the trophy of her victory to the citizens she has rescued. In a Christian context, the story of the Jewish heroine represents the triumph of virtue over evil. During the Counter-Reformation, the subject also became a powerful symbol of the Catholic Church’s triumph over heresy, or dissent from its teachings. Here, Solimena shows Judith as confident that she has served the will of God. The dramatic lighting, gestures and facial expressions of the figures are intended to appeal to the emotions and inspire the faith that motivated Judith.
back of canvas, visible in conservation photo in curatorial fileback of stretcher, visible in conservation photo in curatorial fileback of stretcher, visible in conservation photo in curatorial file, written on torn piece of tape. Probably the Intermuseum Laboratory's internal number.back of stretcher, visible in conservation photo in curatorial fileback of stretcher, visible in conservation photo in curatorial fileback of stretcher, visible in conservation photo in curatorial fileback of stretcher, visible in conservation photo in curatorial fileback of stretcher, visible in conservation photo in curatorial fileback of stretcher, visible in conservation photo in curatorial fileback of stretcher, visible in conservation photo in curatorial file
1977.109
item
Memorial Art Gallery
1/22/2001
77.109TR2
transparency
conserved
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.109TR1
transparency
pre-conservation
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.109SL1
slide
full
2 x 2
00/00/00
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glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.109SL2
slide
detail of Abra
2x2
00/00/00
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77.109SL3
slide
detail
2x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.109DI1
digital image
pre-conservation
00/00/00
http://127.0.0.1:5000/Media/images/77.109_A2.jpg
77.109DI#2
digital image
full
4/10/2006
http://127.0.0.1:5000/Media/images/77.109_A1.jpg
77.109TR3
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
The Visit (Le visite à la gardien)
Jean-Baptiste Le Prince, (Metz, 1734 - 1781, Saint-Denis)
Le Prince, Jean-Baptiste
France
1734 - 1781
Male
34 3/4 x 50 3/4 in. (88.3 x 128.9 cm)
.
.
.
Oil
Oil
1779
1779
1779
1600-1800, 18th century, horses, houses, landscapes, men, paintings, women
Painting
Le Prince studied with the rococo painter François Boucher and adopted his master's delicate manner and cool, pastel palette in his early work. Dating from late in his career, however, "The Visit" demonstrates a greater naturalism, reflecting the increasing popularity of seventeenth-century Dutch painting in eighteenth-century France. In this canvas, Le Prince has combined a genre scene with a panoramic landscape to suggest a gracious moment in everyday rural life. The subject of nobles visiting a peasant family would have appealed to the sense of humanity cultivated during the Enlightenment.
[Gallery label text, 2008]
lower left
1977.102
item
Memorial Art Gallery
1/25/2001
77.102TR2
transparency
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.102TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.102SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
77.102DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/77.102_A1.jpg
77.102DI#2
digital image
6/4/2012
http://127.0.0.1:5000/Media/images/77.102_A2.jpg
Painting
At Court (Au Tribunal)
Jean Louis Forain, (Reims, France, 1853 – 1931, Paris)
Forain, Jean Louis
France
1853 - 1931
Male
22 x 27 5/8 in. (55.9 x 70.2 cm)
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1900
1895
1905
children, European art, lawyers, men, paintings, politics in art, women
Painting
1954.1
item
Memorial Art Gallery
1/29/2001
54.1TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
54.1SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
54.1D1
digital image
full
4 x 5
6/14/2002
http://127.0.0.1:5000/Media/images/54.1_A1.jpg
54.1DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Religious Procession
Attributed to Jules-Adolphe-Aimé Louis Breton, 1827 - 1906
Breton, Jules-Adolphe-Aimé Louis
France
1827 - 1906
Male
15 x 18 in. (38.1 x 45.7 cm)
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1857
1852
1862
1800-1900, 19th century, children, Judeo-Christian, men, paintings, women
Painting
A detail of the central figures from Breton's Blessing of the Wheat in Artois, 1857, at the Musee d'Orsay
1964.19
item
Memorial Art Gallery
1/30/2001
64.19SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
64.19D1
digital image
full
2 x 2
6/20/2002
http://127.0.0.1:5000/Media/images/64.19_A1.jpg
64.19DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Bread and Butter
Albert Neuhuys, (Utrecht, Netherlands, 1844 – 1914, Locarno, Switzerland)
Neuhuys, Albert
Netherlands
1844 - 1914
Male
52 x 42 in. (132.1 x 106.7 cm)
.
.
.
approximate installation dimensions
frame
Oil
Oil
0
0
1800-1900, 19th century, children, genre scenes, George Eastman Collection, home life, paintings, women
Painting
1973.148
item
Memorial Art Gallery
1/30/2001
73.148SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
73.148DI2
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/73.148_A1.jpg
Sculpture
Guanyin
Chinese artist
Chinese artist
China
Primary
52 x 22 1/2 in. (132.1 x 57.2 cm)
.
.
.
base
.
.
.
base
.
.
.
Limestone
Limestone
0
0
500-1000, Chinese, Guanyin: Chinese, statues, women
Sculpture
1934.3
item
Memorial Art Gallery
1/30/2001
34.3SL1
slide
full-frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
34.3SL2
slide
detail-hand
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
34.3SL3
slide
detail-upper 1/2
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
34.3DI1
digital image
full-frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/34.3_A1.jpg
Sculpture
Maternity
Giacomo Manzù, 1908 - 1991
Manzù, Giacomo
Italy
1908 - 1991
Male
14 x 7 x 9 in. (35.6 x 17.8 x 22.9 cm)
.
.
.
.
.
.
approximate installation dimensions
object
Bronze
Bronze
1956
1956
1956
20th century, children, European art, sculpture, women
Sculpture
The remarkable bond between a mother and her child begins with gestation and continues after birth through touch. Our first lessons on how to interact with our world and the people around us begin in our mother’s arms. Giacomo Manzù captured this intensely physical relationship in a series of sculptures of women with their children in various states of embrace and caress. This sculpture was never put into production, and the chalky remains of the casting process remain on its surface.
[Label text from It Came From the Vault exhibition, 2013]
back
1957.32
item
Memorial Art Gallery
1/30/2001
57.32SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
side view
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
7 x 9
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
57.32DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/57.32_A1.jpg
57.32DI#2
digital image
Front
10/23/2009
http://127.0.0.1:5000/Media/images/57.32_A2.jpg
57.32DI#3
digital image
Side
10/23/2009
http://127.0.0.1:5000/Media/images/57.32_A3.jpg
Painting
Girl with a Tricorne (Vénitienne)
Henri Matisse, (Le Cateau-Cambrésis, France, 1869 – 1954, Nice, France)
Matisse, Henri
France
1869 - 1954
Male
24 3/8 x 20 in. (61.9 x 50.8 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
1922-1923
1922
1923
1900-2000, 20th century, paintings, women
Painting
lower right
1924.38
item
Memorial Art Gallery
1/30/2001
24.38TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
24.38SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
24.38SL2
slide
detail
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
24.38DI1
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/24.38_A1.jpg
24.38DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/24.38_A2.jpg
24.38DI#3
digital image
Detail
00/00/00
http://127.0.0.1:5000/Media/images/24.38_A3.jpg
24.38DI#4
digital image
Detail left side of dress
00/00/00
http://127.0.0.1:5000/Media/images/24.38_A4.jpg
24.38DI#4
digital image
Detail of dress
00/00/00
http://127.0.0.1:5000/Media/images/24.38_A5.jpg
pdf file
00/00/00
http://127.0.0.1:5000/Media/images/surrogates/pdf/24.38_R1.pdf
Painting
Mother and Child
Lynne Feldman, 1951 -
Feldman, Lynne
United States
1951
Female
41 x 31 in. (104.1 x 78.7 cm)
.
.
.
overall
vertical
frame
Oil
Oil
0
0
by Rochester artists, cats, children, families, paintings, women
Painting
lower right
1998.72
item
Memorial Art Gallery
6/19/2002
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.72SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
98.72DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/98.72_A1.jpg
Print
Mary Fitzroy, Duchess of Richmond and Somerset
William Nicholls, (active London 1808 - 1813)
Nicholls, William
England
1808 - 1813
Male
Holbein, Hans
Germany
1497 - 1543
Male
Original artist
After
13 7/8 x 11 7/16 in. (35.2 x 29.1 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1812
1812
1812
1800-1900, 19th century, engravings, portrait, portraits, women
Print
Commissioned for John Chamberlaine's 1812 edition of "Portraits of Illustrious Personages of the Court of Henry VIII," featuring the original drawings by Holbein copied by a number of engravers. Mary Fitzroy, the Duchess of Richmond and Somerset, was born in 1519, married Henry Fitzroy, illegitimate son of Henry VIII around 1533, and died in 1557. This portrait was made around the date of her marriage. Holbein's original sketch that provides the basis for this work is now in the royal collection of the United Kingdom.
lower left, below imagelower right, below imagelower center, in marginlower right, in marginlower right, in margin
1936.8
item
Memorial Art Gallery
2/3/2001
36.8DI#1
digital image
2/7/2008
http://127.0.0.1:5000/Media/images/36.8_A1.jpg
Ceramics
Fragment with Head of a Woman in Relief from a Vessel
Carthaginian artist, (active )
Carthaginian artist
Carthage
Primary
1 7/8 x 1 7/16 in. (4.8 x 3.7 cm)
.
.
.
Terracotta
Terracotta
0
0
1000 BCE - 500 CE, Carthaginian, ceramics, reliefs, vessels, women
Ceramics
1920.59
item
Memorial Art Gallery
2/4/2001
20.59DI#1
digital image
11/18/2008
http://127.0.0.1:5000/Media/images/Inventory pictures/20.59_I1.JPG
20.59DI#2
digital image
3/8/2011
http://127.0.0.1:5000/Media/images/20.59_A1.jpg
Ceramics
Fragment of a Vessel with Head of Woman in Relief
Carthaginian artist, (active )
Carthaginian artist
Carthage
Primary
2 1/8 x 1 15/16 x 9/16 in. (5.4 x 5 x 1.5 cm)
.
.
.
overall
Terracotta
Terracotta
3rd century BCE
300 BCE
201 BCE
1000 BCE - 500 CE, Carthaginian, ceramics, heads, reliefs, vessels, women
Ceramics
1920.60
item
Memorial Art Gallery
2/4/2001
20.60DI#1
digital image
8/27/2008
http://127.0.0.1:5000/Media/images/20.60_A1.jpg
Ceramics
Pelike
Amphora
Greek artist, (active )
Greek artist
Greece
Primary
13 x 10 1/2 in. (33 x 26.7 cm)
.
.
.
overall
overall
Terracotta
Terracotta
5th century BCE
500 BCE
401 BCE
1000 BCE - 500 CE, ceramics, global studies, Greek, Greek, men, vessels, warriors, weapons, women
Ceramics
1929.89
item
Memorial Art Gallery
2/4/2001
29.89SL1
slide
full- side 1
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
29.89SL2
slide
full-side 2
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
29.89DI1
digital image
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/29.89_A1.jpg
29.89DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
29.89DI#2
Side 2
digital image
Front
6/7/2007
http://127.0.0.1:5000/Media/images/29.89_A3.jpg
29.89DI#21
side 1
digital image
Front
6/7/2007
http://127.0.0.1:5000/Media/images/29.89_A2.jpg
Ceramics
Shallow Bowl
Roman artist
Roman artist
Italy
Primary
2 9/16 x 9 5/8 in. (6.5 x 24.5 cm)
.
.
.
overall
overall
Ceramic
Ceramic
1535
1535
1535
1400-1600, bowls, ceramics, women
Ceramics
1955.153
item
Memorial Art Gallery
2/4/2001
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.153DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/55.153_I1.jpg
55.153DI#2
digital image
4/2/2012
http://127.0.0.1:5000/Media/images/55.153_A1.jpg
55.153DI#3
digital image
4/2/2012
http://127.0.0.1:5000/Media/images/55.153_A2.jpg
55.153DI#4
digital image
4/10/2012
http://127.0.0.1:5000/Media/images/55.153_A3.jpg
55.153DI#5
digital image
Detail
4/10/2012
http://127.0.0.1:5000/Media/images/55.153_A4.jpg
Ceramics
Woman and Child
Egyptian artist
Egyptian artist
Egypt
Primary
8 1/2 x 2 1/2 x 2 5/16 in. (21.6 x 6.3 x 5.8 cm)
.
.
.
without base
overall
.
.
.
with base
overall
Terracotta
Terracotta
Before 3200 BCE
3210 BCE
3201 BCE
Before 2000 BCE, ceramics, children, Egyptian, from Rochester collections, sculpture, women
Ceramics
1928.368
item
Memorial Art Gallery
2/4/2001
28.368SL1
slide
full - front view
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.368SL2
slide
full - side view
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.368DI1
digital image
full - front view
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/28.368_A5.jpg
28.368DI#2
digital image
Side
12/18/2007
http://127.0.0.1:5000/Media/images/28.368_A4.jpg
28.368DI#3
digital image
side view
12/18/2007
http://127.0.0.1:5000/Media/images/28.368_A1.jpg
28.368DI#4
digital image
front view
12/18/2007
http://127.0.0.1:5000/Media/images/28.368_A2.jpg
28.368DI#5
digital image
back view
12/18/2007
http://127.0.0.1:5000/Media/images/28.368_A3.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Ceramics
Figure of a Goddess of the Dancer Type
Egyptian artist
Egyptian artist
Egypt
Primary
7 1/2 x 4 1/2 x 2 3/8 in. (19 x 11.5 x 6 cm)
.
.
.
without base
overall
.
.
.
with base
overall
Terracotta
Terracotta
before 3400 BCE
3410 BCE
3401 BCE
Before 2000 BCE, ceramics, Egyptian, from Rochester collections, women
Ceramics
The female figure was the most common subject of the clay figures of the Predynastic age. Simple and smooth, the primitive totemic figures were often reduced to lumps of clay with only the female features in detail. Many of these statuettes must have represented the fertility or mother-goddess. Others may have represented loved ones, servants, or dancing women who accompany the deceased to the next life.
[Gallery label text, 2004]
1928.376
item
Memorial Art Gallery
2/4/2001
28.376SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
side view
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5 x 6
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
frontal
3 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
side view
3 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.376DI1
digital image
Memorial Art Gallery
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/28.376_A1.jpg
28.376DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.376DI3
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.376DI#4
digital image
Front
12/18/2007
http://127.0.0.1:5000/Media/images/28.376_A2.jpg
28.376DI#5
digital image
three quarter view
12/18/2007
http://127.0.0.1:5000/Media/images/28.376_A3.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Roses de Noel
Paul Berthon, 1872 - 1909
Berthon, Paul
France
1872 - 1909
Male
20 1/4 x 19 3/16 in. (51.5 x 48.7 cm)
.
.
.
sheet
sheet
.
.
.
image
image
Printer's ink
Printer's ink
0
0
European art, flowers in art, lithographs, women
Print
lower left, in the stonelower left
1994.75
item
Memorial Art Gallery
2/4/2001
94.75SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
94.75DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/94.75_A1.jpg
94.75DI#2
digital image
1/3/2019
http://127.0.0.1:5000/Media/images/94.75_A2.jpg
Painting
Woman in Boat
Feng Zhonglian, (1918 - 2001)
Zhonglian, Feng
China
1918 - 2001
Female
77 7/8 x 17 3/4 in. (197.8 x 45.1 cm)
.
.
.
overall
vertical
base
.
.
.
sheet
Ink
Ink
0
0
boats, Chinese, landscapes, mountains, paintings, women
Painting
1995.35
item
Memorial Art Gallery
2/13/2001
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
95.35DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/95.35_I1.jpg
95.35DI2
digital image
detail
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/95.35_I3.jpg
95.35DI3
digital image
detail
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/95.35_I2.jpg
Drawing
Seated Woman
Rembrandt Harmensz. van Rijn, (Leiden, 1606 - 1669, Amsterdam)
Rijn, Rembrandt Harmensz. van
Netherlands
1606 - 1669
Male
4 7/8 x 3 7/16 in. (12.4 x 8.7 cm)
.
.
.
sheet
sheet
Black chalk
Black chalk
0
0
1600-1800, 17th century, drawing, Lockhart Collection, women
Drawing
1981.39
item
Memorial Art Gallery
2/13/2001
81.39SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
81.39DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/81.39_A1.jpg
81.39DI#2
digital image
6/4/2012
http://127.0.0.1:5000/Media/images/81.39_A2.jpg
Painting
La Bionda del Balcone
Dante Gabriel Rossetti, (London, 1828 – 1882, Birchington-on-Sea, England)
Rossetti, Dante Gabriel
England
1828 - 1882
Male
14 7/8 x 13 3/4 in. (37.78 x 34.93 cm)
.
.
.
approximate installation dimensions
frame
Watercolor
Watercolor
1868
1868
1868
1800-1900, 19th century, paintings, women
Painting
1966.17
item
Memorial Art Gallery
2/20/2001
66.17TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
66.17DI1
digital image
4 x 5
10/30/2001
http://127.0.0.1:5000/Media/images/66.17_A1.jpg
66.17SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/P/Master_Files/66.17_M2.tif
66.17DI3
digital image
with frame
6/30/2009
http://127.0.0.1:5000/Media/images/66.17_A2.jpg
Painting
The Doctor's Visit
Attributed to Hendrick Heerschop, 1620 - 1672
Heerschop, Hendrick
Netherlands
1620 - 1672
Male
17 x 14 1/4 in. (43.2 x 36.2 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
ca. 1660
1655
1665
1600-1800, 17th century, doctors, health & hygiene, men, paintings, women
Painting
In this picture, a doctor dramatically examines a flask of urine as he takes his patient’s pulse. The setting is the young woman’s bedchamber; she droops with exhaustion as the physician seeks a diagnosis. A second woman, her hand placed jauntily on her hip, leans between them.
The role of the characters in this painting would have been easily understood in the prosperous world of 17th -century Holland. The satirical subject of the quack doctor (suggested here by his dramatic posturing and costume) who claimed he could identify all sorts of illnesses by looking at a patient’s urine was a favorite theme in both theater and painting. There are also moral overtones in the portrayal of the patient and the demeanor of her companion—scenes of fainting women usually referred to lovesickness, erotic melancholy or pregnancy.
[Gallery label text, 2005]
back of panelback of panel, Torn at right edge, partly illegible
1946.35
item
Memorial Art Gallery
2/20/2001
46.35TR2
transparency
3 x 4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.35SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.35DI1
digital image
5/16/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/46.35_I1.jpg
46.35DI2
digital image
3 x 4
00/00/00
http://127.0.0.1:5000/Media/images/46.35_A1.jpg
46.35DI#3
digital image
2/18/2008
http://127.0.0.1:5000/Media/images/46.35_A2.jpg
46.35TR1
transparency
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Drawing
Gypsy at Fire
Eric Gill, (Steyning, England, 1882 - 1940, Uxbridge, England)
Gill, Eric
England
1882 - 1940
Male
7 7/8 x 7 1/2 in. (20 x 19 cm)
.
.
.
sheet
sheet
Graphite
Graphite
0
0
20th century, drawing, line, women
Drawing
lower edge
1943.20
item
Memorial Art Gallery
2/20/2001
43.20DI#1
digital image
5/8/2008
http://127.0.0.1:5000/Media/images/43.20_A1.jpg
Painting
Portrait of a Lady
Frans van Mieris the Elder, 1635 - 1681
Mieris the Elder, Frans van
Netherlands
1635 - 1681
Male
5 x 4 in. (12.7 x 10.2 cm)
.
.
.
Oil
Oil
0
0
1600-1800, 17th century, paintings, portrait, portraits, women
Painting
1955.69
item
Memorial Art Gallery
2/20/2001
55.69SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.69SL2
slide
with frame
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.69DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/55.69_A1.jpg
Painting
An Old Woman
Dutch artist, (active )
Ostade, Isack van
Netherlands
1621 - 1649
Male
Previous attribution
Dutch artist
Netherlands
Primary
25 5/8 x 20 5/8 x 3/4 in. (65.1 x 52.4 x 1.9 cm)
.
.
.
without frame
.
.
.
approximate installation dimensions
frame
Oil
Oil
Dutch; made in Leiden
ca. 1628-1630
1628
1630
1600-1800, 17th century, paintings, portrait, portraits, shadow, women
Painting
back of stretcherback of stretcher, Over two other labels, obscured
1955.66
item
Memorial Art Gallery
2/20/2001
55.66SL!
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x4
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.66DI1
digital image
5/16/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/55.66_I1.jpg
55.66DI#2
digital image
2/18/2008
http://127.0.0.1:5000/Media/images/55.66_A1.jpg
55.66TR1
transparency
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Woman in a Ruffled Collar
Pieter Jansz. Pourbus, 1510 - 1584
Pourbus, Pieter Jansz.
Flanders
1510 - 1584
Male
16 3/4 x 13 3/4 in. (42.5 x 34.9 cm)
.
.
.
Oil
Oil
0
0
1400-1600, paintings, portraits, Renaissance & Baroque, women
Painting
1979.70
item
Memorial Art Gallery
2/20/2001
79.70SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.70DI1
digital image
full
2 x 2
6/21/2002
http://127.0.0.1:5000/Media/images/79.70_A1.jpg
79.70DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
79.70DI#3
digital image
7/7/2015
http://127.0.0.1:5000/Media/images/79.70_A2.jpg
Painting
Allegory of Vanity: Lady with a Mirror
Flemish artist
Flemish artist
Flanders
Primary
Mieris the Elder, Frans van
Netherlands
1635 - 1681
Male
Previous attribution
13 x 10 in. (33 x 25.4 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
ca. 1600
1595
1605
1400-1600, 1600-1800, 17th century, allegories, figure, flowers in art, paintings, women
Painting
This painting has all the elements of the Christian medieval tradition of an allegory of vanity, or the personification of all the temptations and vain pleasures of the world. The painter drew on a wide vocabulary of images to suggest the transience of the material world. In this painting, dressed in fine clothes and bedecked in jewels, the woman seems to be turning away from the mirror, the symbol of vanity. In reality, though, out of the corner of her eye she gazes approvingly at her own reflection. The mirror also represents the idea of false appearances; her jewels symbolize the dangerous allure of wealth. Fresh flowers, beautiful for only a few days, suggest the fleeting nature of beauty; the book on her table refers to earthly rather than spiritual knowledge.
[Gallery label text, 2005]
back of frameback of panel
1955.132
item
Memorial Art Gallery
2/20/2001
55.132SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.132DI1
digital image
5/16/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/55.132_I1.jpg
55.132DI2
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/55.132_A1.jpg
55.132DI3
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.132DI4
condition
digital image
full including frame
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/55.132_I2.jpg
55.132DI#5
digital image
6/22/2010
http://127.0.0.1:5000/Media/images/55.132_A2.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
The Washerwomen of Auvers
Charles François Daubigny, (Paris, 1817 – 1878, Paris)
Daubigny, Charles François
France
1817 - 1878
Male
11 3/4 x 20 3/8 in. (29.8 x 51.8 cm)
.
.
.
Oil
Oil
1870
1870
1870
1800-1900, 19th century, genre scenes, George Eastman Collection, jobs & work, landscapes, paintings, women
Painting
lower right
1936.59
item
Memorial Art Gallery
2/20/2001
36.59TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
36.59SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
36.59DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/36.59_A1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/36.59_I1.jpg
36.59DI#3
digital image
6/25/2019
http://127.0.0.1:5000/Media/images/36.59_A2.jpg
Drawing
Two Figures
Attributed to George Romney, (Dalton-in-Furness, England, 1734 - 1802, Kendal, England)
Romney, George
England
1734 - 1802
Male
15 1/4 x 11 3/4 in. (38.7 x 29.8 cm)
.
.
.
Ink
Ink
0
0
18th century, drawing, women
Drawing
1948.21
item
Memorial Art Gallery
2/20/2001
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.21DI#1
digital image
9/11/2008
http://127.0.0.1:5000/Media/images/48.21_A1.jpg
Painting
Charity
François LeMoyne, 1688 - 1737
LeMoyne, François
France
1688 - 1737
Male
25 x 31 1/4 in. (63.5 x 79.4 cm)
.
.
.
.
.
.
overall
frame
Oil
Oil
0
0
18th century, allegories, children, paintings, women
Painting
1955.179
item
Memorial Art Gallery
2/20/2001
55.179SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.179DI1
digital image
5/16/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/55.179_I1.jpg
55.179SL2
slide
detail of child
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.179SL3
slide
collateral
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.179DI#2
digital image
Detail
6/11/2009
http://127.0.0.1:5000/Media/images/55.179_A2.jpg
55.179DI#3
digital image
1/30/2013
http://127.0.0.1:5000/Media/images/55.179_A3.jpg
x-ray
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Drawing
Peasant Carousel
Joos van Craesbeeck, 1608 - 1660
Craesbeeck, Joos van
Flanders
1608 - 1660
Male
6 3/4 x 7 5/16 in. (17.1 x 18.6 cm)
.
.
.
Pen and ink
Pen and ink
0
0
1400-1600, dance, drawing, men, women
Drawing
1947.26
item
Memorial Art Gallery
2/20/2001
47.26SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
47.26DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/47.26_A1.jpg
47.26DI#2
digital image
2/9/2012
http://127.0.0.1:5000/Media/images/47.26_A2.jpg
Painting
Woman Leaning on Her Elbows
Pierre Auguste Renoir, (Limoges, France, 1841 - 1919, Cagnes-sur-Mer, France)
Renoir, Pierre Auguste
France
1841 - 1919
Male
8 3/4 x 8 3/4 in. (22.2 x 22.2 cm)
.
.
.
Oil
Oil
1910
1910
1910
19th century, 20th century, paintings, women
Painting
back of frame, Mostly illegibleback of stretcher, "tull" translates to "Customs"
1945.80
item
Memorial Art Gallery
2/20/2001
47.13SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
45.80DI1
digital image
5/9/2002
http://127.0.0.1:5000/Media/images/Inventory pictures/45.80_I1.jpg
Painting
Harem Scene
Daniel Israel, 1859 - 1901
Israel, Daniel
Austria
1859 - 1901
Male
Primary
35 1/2 x 23 1/2 in. (90.2 x 59.7 cm)
.
.
.
approximate installation dimensions
frame
.
.
.
sight
sight
Oil
Oil
1895-1900
1895
1900
1800-1900, 19th century, Orientalism, paintings, women
Painting
The scene depicted here is an example of Orientalism, the portrayal of Eastern figures and scenes-both real and imagined-by western artists. This was a popular aspect of Academic painting. Here a girl tries on jewelry while an older woman, perhaps her maid, looks on approvingly. The intimate alcove of a vast, columned interior allows the artist to show his skill at rendering the patterned fabrics, such as the hanging drapery and the maid's robe, and the jewels that spill from the inlaid chest behind the girl.
The 19th century provided many opportunities for artists to travel to Asia and Africa as those lands were being explored, exploited and colonized by European countries. While some paintings were anthropologically correct, based on the artists' experiences, others chose to portray the people of these faraway lands in settings and poses that demonstrated the vast perceived difference between their circumstances and Europeans'. Women, especially, were held up as object lessons of decadence and sensuality in ways Europeans would not have been.
[Gallery label text, 2011]
lower right, D and I in ligatureback of stretcherback of frame, Note that spelling of "Gallery" is English, not Germanback of frameback of frameback of stretcherback of stretcher, European-style 7, with line through centerback of frame, Printed in red, largely illegible. Note that "strasse" is spelled with two s's and not ßback of stretcher, Center illegible-- text or design? See image, attached. Scholar Emily Weeks dates this particular color of stamp to the years 1920-34 or later than 1945.
1991.15
item
Memorial Art Gallery
2/20/2001
91.15SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.15DI1
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/91.15_A1.jpg
91.15DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.15DI3
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/91.15_A2.jpg
91.15DI#5
digital image
3/25/2008
http://127.0.0.1:5000/Media/images/91.15_A4.jpg
91.15DI#4
digital image
3/25/2008
http://127.0.0.1:5000/Media/images/91.15_A3.jpg
Drawing
Dancer, Seen from Behind (Danseuse vue de dos)
Edgar Degas, 1834 - 1917
Degas, Edgar
France
1834 - 1917
Male
19 3/16 x 11 11/16 in. (48.7 x 29.7 cm)
.
.
.
sheet
sheet
.
.
.
overall
frame
Chalk
Chalk
ca. 1878-1881
1878
1881
1800-1900, 19th century, dance, drawing, Lockhart Collection, women
Drawing
Often called “the painter of modern life,” Edgar Degas filled his canvases with images from the vibrant world of performance and spectacle in the clubs and theaters of Paris during the latter part of the 1800s. Ballet dancers appealed to Degas as a pictorial subject for two key reasons: they represented modern subjects, and they offered female bodies that could be naturally observed in a host of complicated poses. Drawing from innumerable studies, he created light-filled images that represent the essence of natural movement.
Dancer, Seen from Behind is a study for a figure in the far right of Dancers in the Rehearsal Room, with a Double Bass, which is now in the Metropolitan Museum of Art.
[Label copy from Monet: Vision and Process exhibition, 2018]
lower left, oval Degas atelier stamp [Lugt 657]lower left, Degas atelier sale stamp
1987.65
item
Memorial Art Gallery
2/21/2001
87.65TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
87.65SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.65_A1.jpg
87.65DI#2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/87.65_A2.jpg
Drawing
The Proposal
Alexandre-Evariste Fragonard, (1780 - 1850)
Fragonard, Alexandre-Evariste
France
1780 - 1850
Male
4 1/2 x 3 1/16 in. (11.4 x 7.7 cm)
.
.
.
sheet
sheet
Wash
Wash
0
0
1600-1800, 18th century, 19th century, drawing, men, women
Drawing
lower right, in image
1932.19
item
Memorial Art Gallery
2/22/2001
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
32.19DI#1
digital image
5/8/2008
http://127.0.0.1:5000/Media/images/32.19_A1.jpg
Print
Women's Equality
Marisol, 1930 - 2016
Marisol
United States
1930 - 2016
Female
41 1/2 x 29 3/4 in. (105.4 x 75.6 cm)
.
.
.
overall
vertical
image
.
.
.
sheet
Printer's ink
Printer's ink
1975
1975
1975
1900-2000, 20th century, Elizabeth Cady Stanton, Lucretia Mott, politics in art, women
Print
1975.120.9
item
Memorial Art Gallery
2/26/2001
75.120.9.DI1
digital image
4/3/2002
http://127.0.0.1:5000/Media/images/75.120.9_A1.jpg
75.120.9DI#2
digital image
1/20/2017
http://127.0.0.1:5000/Media/images/75.120.9_A2.jpg
Drawing
Illustration for "Wallenstein's Camp"
Lovis Corinth, 1858 - 1925
Corinth, Lovis
Germany
1858 - 1925
Male
9 9/16 x 6 7/16 in. (24.3 x 16.4 cm)
.
.
.
sheet
sheet (irregular)
Graphite
Graphite
ca. 1921
1916
1926
20th century, drawing, women
Drawing
1957.91
item
Memorial Art Gallery
2/26/2001
57.91DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/57.91_A1.jpg
57.91DI#1
digital image
5/8/2008
http://127.0.0.1:5000/Media/images/57.91_A2.jpg
Drawing
Rococo Scene
Lovis Corinth, 1858 - 1925
Corinth, Lovis
Germany
1858 - 1925
Male
9 7/16 x 7 3/8 in. (23.9 x 18.7 cm)
.
.
.
sheet
sheet (irregular)
Pen and ink
Pen and ink
20th Century
1900
1999
20th century, drawing, men, women
Drawing
1957.92
item
Memorial Art Gallery
2/26/2001
57.92DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/57.92_A1.jpg
57.92DI#2
digital image
5/8/2008
http://127.0.0.1:5000/Media/images/57.92_A2.jpg
Drawing
Two Lovers
Dos Amantes
Alfredo Ramos Martinez, 1872 - 1946
Ramos Martinez, Alfredo
Mexico
1872 - 1946
Male
13 5/8 x 16 3/8 in. (34.6 x 41.6 cm)
.
.
.
Ink
Ink
20th Century
1900
1999
20th century, drawing, houses, men, mountains, women
Drawing
1948.32
item
Memorial Art Gallery
2/27/2001
48.32DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.32_A1.jpg
Painting
Figure of a Woman
Indian artist, (active )
Indian artist
India
Primary
3 5/8 x 2 1/2 in. (9.2 x 6.4 cm)
.
.
.
sight
sight
Opaque watercolor
Opaque watercolor
18th Century
1700
1799
1600-1800, Indian, watercolors, women
Painting
1958.36
item
Memorial Art Gallery
3/5/2001
58.36DI1
digital image
6/27/2002
http://127.0.0.1:5000/Media/images/58.36_A1.jpg
58.36DI#2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/58.36_A2.jpg
Watercolor
Adele Granger Winthrop
George Lethbridge Saunders, (Bristol, England, 1807 - 1863, Bristol, England)
Saunders, George Lethbridge
England
1807 - 1863
Male
5 1/4 x 4 1/8 in. (13.3 x 10.5 cm)
.
.
.
without frame
Watercolor
Watercolor
1842
1842
1842
costume, Granger Family, Canandaigua, NY, portrait, portraits, women
Watercolor
1930.51
item
Memorial Art Gallery
3/6/2001
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
30.51DI#1
digital image
8/22/2007
http://127.0.0.1:5000/Media/images/30.51_A1.jpg
Watercolor
Jeanne and St. Michael
Original illustration for "Jeanne d'Arc"
Louis Maurice Boutet de Monvel, (1851 - 1913)
Boutet de Monvel, Louis Maurice
France
1851 - 1913
Male
12 7/16 x 9 9/16 in. (31.6 x 24.3 cm)
.
.
.
sheet
sheet
.
.
.
image
image
Watercolor
Watercolor
1896
1896
1896
1800-1900, 19th century, books, Joan of Arc, lions, St. Michael, war, watercolors, women
Watercolor
Originally published as the frontispiece in the 1896 French-language version of a book on the life of Joan of Arc. The book was republished in English in 1980, where the drawing was reproduced with the introduction, on p. 6.
lower right, in imagebacking board, On old backing board, now discarded; photocopy in curatorial file.backing board, Inscribed on old backing board, now discarded. Photocopy in curatorial file.backing board, On old backing board, now discarded; photocopy in curatorial file.lower left, in marginupper left, in margin, Circular design of manequin with artists palette, umbrella, potted flowers and picture frame
1920.6
item
Memorial Art Gallery
3/10/2001
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
20.6SL1
slide
with 20.5
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
20.6_A1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Media/images/20.6_A1.jpg
20.6DI#2
digital image
11/11/2013
http://127.0.0.1:5000/Media/images/20.6_A2.jpg
Watercolor
Seated Nude
Auguste Rodin, (Paris, 1840 - 1917, Meudon, France)
Rodin, Auguste
France
1840 - 1917
Male
13 1/16 x 9 1/2 in. (33.1 x 24.1 cm)
.
.
.
Watercolor
Watercolor
0
0
European art, nudes, paintings, women
Watercolor
1956.3
item
Memorial Art Gallery
3/10/2001
56.3SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
56.3DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/56.3_A2.jpg
56.3DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/56.3_A1.jpg
Glass
Copy of the Barovier Wedding Goblet
Italian (Murano) manufactory, (active )
Italian (Murano) manufactory
Italy
7 x 8 1/2 x 8 1/2 in. (17.8 x 21.6 x 21.6 cm)
.
.
.
Glass
Glass
early 1900s
1900
1900
1800-1900, 19th century, compote, glass, horses, trees in art, women
Glass
The Barovier “Coppa Nuziale,” or wedding goblet, was made by the Venetian master glassmaker Angelo Barovier during the late 1400s. Originally designed for the marriage of the Duke of Ferrara, the piece is one of the most famous and frequently reproduced works of Renaissance glass in existence. The images on the bowl include wedding portraits of the bride and groom. A group of women on horseback ride toward a fountain in which, on the other side of the goblet, they are shown bathing nude.
Reproductions of this iconic Renaissance work represent the revitalization during the late 19th century of Murano’s centuries-long fame as a glassmaking center. One of the earliest figures in this effort was Antonio Salviati, whose adaptation of traditional skills to modern manufacturing processes promoted ornate and highly decorative glass as an accessible art form rather than one limited to the very wealthy. Many of the existing copies are attributed to his manufactory.
[Label text from It Came From the Vault exhibition, 2013]
1955.97
item
Memorial Art Gallery
3/10/2001
55.97DI#2
digital image
Side 1
9/19/2007
http://127.0.0.1:5000/Media/images/55.97_A1.jpg
55.97DI#1
digital image
side 2
9/19/2007
http://127.0.0.1:5000/Media/images/55.97_A2.jpg
55.97DI#3
digital image
side 3
9/19/2007
http://127.0.0.1:5000/Media/images/55.97_A3.jpg
55.97DI#4
digital image
side 4
9/19/2007
http://127.0.0.1:5000/Media/images/55.97_A4.jpg
Glass
Armorial Panel of Hans Ringler
Swiss artist, (active )
Swiss artist
Switzerland
14 1/2 x 9 3/8 in. (36.8 x 23.8 cm)
.
.
.
Glass
Glass
1562
1562
1562
1400-1600, armor & weaponry, costume, men, stained glass, women
Glass
bottomupper center
1942.32
item
Memorial Art Gallery
3/10/2001
42.32DI#1
digital image
12/4/2009
http://127.0.0.1:5000/Media/images/42.32_A1.jpg
42.32DI#2
digital image
3/20/2024
http://127.0.0.1:5000/Media/images/42.32_A2.jpg
Woodwork
Heddle Pulley
Guro artist, (active )
Guro artist
Côte d'Ivoire
6 1/4 in. (15.9 cm)
.
.
.
Wood
Wood
Guro; made in Côte d'Ivoire
0
0
1900-2000, African, African art, busts, mixed media, textiles, women, woodwork
Woodwork
Hand looms are traditionally used by West African men in weaving narrow-strips of cloth. While the heddle pulley is a crucial functional element of the loom, the elaborately carved figure is not. These decorative figures, which fell out of fashion at the end of the last century, were made beautiful simply for the delight and pleasure of the weaver. The human compulsion to beautify functional objects is explained simply by a Guro artist who said, “We cannot live without such beautiful things.”
[Gallery label text, 2009]
1953.75.1
item
Memorial Art Gallery
3/10/2001
53.75.1SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3/4 right
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3/4 right
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
53.75.1DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/53.75.1_A1.jpg
53.75.1DI#4
digital image
back
1/22/2008
http://127.0.0.1:5000/Media/images/53.75.1_A4.jpg
53.75.1DI#3
digital image
three-quarter view
1/22/2008
http://127.0.0.1:5000/Media/images/53.75.1_A3.jpg
53.75.1DI#2
digital image
Front
1/22/2008
http://127.0.0.1:5000/Media/images/53.75.1_A2.jpg
Ceramics
Dancing Court Lady (one of a pair)
Chinese artist
Chinese artist
China
Primary
9 7/16 x 3 3/8 x 3 3/8 in. (24 x 8.5 x 8.6 cm)
.
.
.
overall
overall
Terracotta
Terracotta
7th century - early 8th century
600
732
500-1000, ceramics, Chinese, dance, female figures, women
Ceramics
1948.90.1
item
Memorial Art Gallery
3/10/2001
48.90SL1
slide
pair
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
7.5x7.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.90DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/48.90_A1.jpg
48.90.1DI#2
digital image
Front
8/31/2010
http://127.0.0.1:5000/Media/images/48.90.1_A1.jpg
48.90.1DI#3
digital image
Side
8/31/2010
http://127.0.0.1:5000/Media/images/48.90.1_A2.jpg
48.90.1DI#4
digital image
Side
8/31/2010
http://127.0.0.1:5000/Media/images/48.90.1_A3.jpg
48.90.1DI#5
digital image
Back
8/31/2010
http://127.0.0.1:5000/Media/images/48.90.1_A4.jpg
48.90.1DI#6
digital image
Back
8/31/2010
http://127.0.0.1:5000/Media/images/48.90_A2.jpg
Ceramics
Court Lady
Chinese artist
Chinese artist
China
Primary
15 9/16 x 5 11/16 x 4 3/4 in. (39.6 x 14.5 x 12 cm)
.
.
.
overall
overall
Terracotta
Terracotta
0
0
500-1000, ceramics, Chinese, female figures, women
Ceramics
1949.1
item
Memorial Art Gallery
3/10/2001
49.1SL1
slide
full frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
49.1DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/49.1_A1.jpg
49.1SL1
slide
with 48.90
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
49.1DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
49.1DI#3
digital image
Front
8/31/2010
http://127.0.0.1:5000/Media/images/49.1_A2.jpg
49.1DI#4
digital image
Side
8/31/2010
http://127.0.0.1:5000/Media/images/49.1_A3.jpg
49.1DI#5
digital image
Side
8/31/2010
http://127.0.0.1:5000/Media/images/49.1_A4.jpg
49.1DI#6
digital image
Back
8/31/2010
http://127.0.0.1:5000/Media/images/49.1_A5.jpg
Ceramics
Laughing Neapolitan Girl (Buste de la Rieuse napolitaine)
Jean Baptiste Carpeaux, 1827 - 1875
Carpeaux, Jean Baptiste
France
1827 - 1875
Male
20 1/4 x 11 x 12 in. (51.4 x 27.9 x 30.5 cm)
.
.
.
Terracotta
Terracotta
0
0
19th century, busts, ceramics, women
Ceramics
proper left of base
1923.12
item
Memorial Art Gallery
3/13/2001
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
23.12DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/23.12_A1.jpg
23.12DI#3
digital image
9/12/2019
http://127.0.0.1:5000/Media/images/23.12_A3.jpg
23.12DI#2
digital image
9/12/2019
http://127.0.0.1:5000/Media/images/23.12_A2.jpg
Sculpture
Torso, Ile de France
Aristide Maillol, 1861 - 1944
Maillol, Aristide
France
1861 - 1944
Male
47 1/4 x 13 5/8 x 20 3/8 in. (120 x 34.6 x 51.8 cm)
.
.
.
Bronze
Bronze
1921
1921
1921
20th century, figures, nudes, women
Sculpture
1960.16
item
Memorial Art Gallery
3/13/2001
60.16SL2
slide
full frontal
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full left
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
60.16SL1
slide
full 3/4 left side
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
60.16DI#1
digital image
Three-quarter
00/00/00
http://127.0.0.1:5000/Media/images/60.16_A1.jpg
60.16DI#2
digital image
Front
00/00/00
http://127.0.0.1:5000/Media/images/60.16_A2.jpg
Ceramics
Votive Head of a Woman
Etruscan artist, (active )
Etruscan artist
Italy
Primary
9 13/16 x 6 11/16 x 4 5/16 in. (25 x 17 x 11 cm)
.
.
.
overall
Clay
Clay
3rd century BCE-1st century BCE
300 BCE
1 BCE
1000 BCE - 500 CE, ceramics, Etruscan, European art, heads, women
Ceramics
1947.14
item
Memorial Art Gallery
3/13/2001
47.14SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
47.14DI1
digital image
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/47.14_A1.jpg
47.14DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
47.14DI#3
digital image
11/12/2009
http://127.0.0.1:5000/Media/images/47.14_A2.jpg
Ceramics
Fragment of a Female Head
Greek artist, (active )
Greek artist
Greece
Primary
2 3/4 x 1 7/8 in. (7 x 4.8 cm)
.
.
.
Clay
Clay
3rd century BCE
300 BCE
201 BCE
Before 2000 BCE, Greek, heads, women
Ceramics
1953.56
item
Memorial Art Gallery
3/13/2001
53.56DI#1
digital image
8/27/2008
http://127.0.0.1:5000/Media/images/53.56_A1.jpg
Ceramics
Figure of a Woman, Tanagra Type
Greek artist, (active )
Greek artist
Greece
Primary
7 7/16 x 3 1/8 x 2 3/8 in. (18.9 x 8 x 6 cm)
.
.
.
overall
overall
Terracotta
Terracotta
323 BCE - 90 BCE
323 BCE
90 BCE
Tanagra figurines, AAT
1000 BCE - 500 CE, ceramics, female figures, Greek, women
Ceramics
1966.14
item
Memorial Art Gallery
3/13/2001
66.14SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
1 x 1
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
66.14DI1
digital image
Memorial Art Gallery
full
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/66.14_A1.jpg
66.14DI2
digital image
Memorial Art Gallery
detail
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/66.14_A2.jpg
66.14DI3
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Sculpture
Standing Female Figure
Syrian artist
Syrian artist
Syria
Primary
3 3/4 x 13/16 x 3/8 in. (9.5 x 2.1 x 1 cm)
.
.
.
overall
overall
Ivory
Ivory
Syrian; made in Hama
8th Century BCE
800 BCE
701 BCE
1000 BCE - 500 CE, ancient art (Mediterranean & Near East), ceramics, female figures, from Rochester collections, women
Sculpture
Syria and Palestine (Canaan) were the crossroads of the ancient world. Local artists borrowed and adapted the cultural influences of traders and traveling craftsmen, and created a composite decorative art style of great individuality. This figure, which might represent the Canaanite goddess Astarte, has thick curly hair suggestive of the wigs worn by the Egyptians.
[Gallery label text, 1995]
1928.334
item
Memorial Art Gallery
3/20/2001
glossy
full front
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full back
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full back
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full back
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.334DI1
digital image
Memorial Art Gallery
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/28.334_A2.jpg
28.334DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.334DI#3
digital image
Front
11/6/2007
http://127.0.0.1:5000/Media/images/28.334_A1.jpg
Ceramics
Standing Female Figure
Cypriot artist, (active )
Cypriot artist
Cyprus
Primary
7 3/8 x 1 3/4 x 13/16 in. (18.7 x 4.5 x 2 cm)
.
.
.
without base
overall
.
.
.
with base
overall
Terracotta
Terracotta
7th Century BCE - 6th Century BCE
700 BCE
501 BCE
1000 BCE - 500 CE, ancient art (Mediterranean & Near East), ceramics, Cypriot, from Rochester collections, women
Ceramics
Terra cotta figurines for religious functions were mass-produced along the Syrian-Phoenician coast. Perhaps this is a representation of one of the Canaanite goddesses, such as Asherah, Astarte, or Anat.
[Gallery label text, 1995]
bottom of base
1928.263
item
Memorial Art Gallery
3/20/2001
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.263DI1
digital image
Memorial Art Gallery
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/28.263_A1.jpg
28.263DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.263DI#2
digital image
Front
11/6/2007
http://127.0.0.1:5000/Media/images/28.263_A2.jpg
Ceramics
Standing Female Figure
Coptic artist, (active )
Coptic artist
Egypt
5 9/16 x 2 15/16 x 1 9/16 in. (14.2 x 7.5 x 4 cm)
.
.
.
overall
overall
Terracotta
Terracotta
8th Century
700
799
1000 BCE - 500 CE, ancient art (Mediterranean & Near East), ceramics, female figures, from Rochester collections, women
Ceramics
1928.264
item
Memorial Art Gallery
3/20/2001
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.264DI1
digital image
Memorial Art Gallery
Imaging Complete
00/00/00
http://127.0.0.1:5000/Media/images/28.264_A2.jpg
28.264DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
28.264DI#3
digital image
Front
11/6/2007
http://127.0.0.1:5000/Media/images/28.264_A1.jpg
Print
Earth (Terra)
Jan van de Velde II, ca. 1593 - 1641
Buytewech, Willem Pietersz.
Netherlands
1591 or 1592 - 1624
Male
After
Velde II, Jan van de
Netherlands
ca. 1593 - 1641
Male
7 3/4 x 11 1/4 in. (19.7 x 28.6 cm)
.
.
.
sheet
sheet
Printer's ink
Printer's ink
ca. 1622
1617
1627
17th century, children, cows, men, women
Print
From a series of the Four Elements.
lower left, in the image, in the platelower right, in the margin, in the plate, designer's monogramlower center, in the margin, in the plate
1992.60
item
Memorial Art Gallery
3/20/2001
92.60SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
92.60DI#1
digital image
3/13/2008
http://127.0.0.1:5000/Media/images/92.60_A1.jpg
Accessory
Fan: Three Courting Vignettes
French artist, (active )
French artist
France
Primary
11 13/16 x 22 in. (30 x 55.9 cm)
.
.
.
Silk
Silk
0
0
19th century, fans, men, women
Accessory
1956.89.2
item
Memorial Art Gallery
3/20/2001
56.89.2DI#1
digital image
8/10/2007
http://127.0.0.1:5000/Media/images/56.89.2_A1.jpg
56.89.2DI#2
digital image
4/23/2021
http://127.0.0.1:5000/Media/images/Inventory pictures/56.89.2_I1.jpg
Print
La Madone
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
11 7/8 x 9 9/16 in. (30.2 x 24.3 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1929
1929
1929
1900-2000, 20th century, children, drypoint, Madonna and Child, women
Print
lower right, below imagelower left, below imageextreme lower leftextreme lower right
1959.90
item
Memorial Art Gallery
4/11/2001
59.90DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.90_A1.jpg
Print
Portrait Study of an Old Woman
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
12 x 9 in. (30.5 x 22.9 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
proof
1937
1937
1937
1900-2000, 20th century, drypoint, women
Print
lower right, below imagelower left, below imageextreme lower leftlower right corner
1959.91.2
item
Memorial Art Gallery
4/11/2001
59.91.2DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.91.2_A1.jpg
Print
A Market Woman
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
4 x 2 11/16 in. (10.2 x 6.8 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1915
1915
1915
1900-2000, 20th century, etchings, women
Print
lower left, below imagelower right, below imageextreme lower leftextreme lower rightverso
1959.95
item
Memorial Art Gallery
4/11/2001
59.95DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.95_A1.jpg
Print
The Sweeper (La Balayeuse)
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
Heintzelman, Arthur William
United States
1891 - 1965
Male
Heintzelman, Arthur William
United States
1891 - 1965
Male
3 15/16 x 3 1/8 in. (10 x 7.9 cm)
.
.
.
vertical
sheet
.
.
.
plate
Printer's ink
Printer's ink
1926
1926
1926
1900-2000, 20th century, etchings, women
Print
lower left, below imagelower right, below imageextreme lower edgelower left corner
1959.99.1
item
Memorial Art Gallery
4/11/2001
59.99.1DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.99.1_A1.jpg
59.99.1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Portrait of Madame X
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
9 1/2 x 7 in. (24.1 x 17.8 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1933
1933
1933
1900-2000, 20th century, drypoint, women
Print
lower right, below imagelower right, in the platemiddle right side, in the plateextreme lower center
1959.113.1
item
Memorial Art Gallery
4/11/2001
59.113.1DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.113.1_A1.jpg
Print
Portrait of Madame X
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
9 1/2 x 7 in. (24.1 x 17.8 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
Trial Proof
1933
1933
1933
1900-2000, 20th century, drypoint, women
Print
lower left, below platelower right, in the platelower center, below platelower right, below platemiddle right side, in the plateextreme lower leftextreme lower right
1959.113.2
item
Memorial Art Gallery
4/11/2001
59.113.2DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.113.2_A1.jpg
59.113.2
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
The Black Hat
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
6 1/8 x 4 1/2 in. (15.6 x 11.4 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
from the 35 on van gelder
1918
1918
1918
1900-2000, 20th century, etchings, women
Print
lower left, below imagelower right, below imagealong extreme lower edge
1959.132
item
Memorial Art Gallery
4/11/2001
59.132DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.132_A1.jpg
Print
Leisure
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
11 1/8 x 8 5/8 in. (28.3 x 21.9 cm)
.
.
.
overall
sheet
.
.
.
overall
plate
Printer's ink
Printer's ink
From the 30 on Van Gelder
1918
1918
1918
1900-2000, 20th century, etchings, women
Print
lower left, below imageextreme lower left extreme lower right
1959.133
item
Memorial Art Gallery
4/11/2001
59.133DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.133_A1.jpg
59.133DI#2
digital image
11/20/2012
http://127.0.0.1:5000/Media/images/59.133_A2.jpg
Print
Rêveuse
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
11 x 9 5/16 in. (27.9 x 23.7 cm)
.
.
.
vertical
sheet
.
.
.
plate
Printer's ink
Printer's ink
1929
1929
1929
1900-2000, 20th century, drypoint, women
Print
lower right, below imagelower left, below imagelower centerextreme lower left cornerverso
1959.142
item
Memorial Art Gallery
4/11/2001
59.142DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.142_A1.jpg
Print
La Femme a la Meche Tombante
Arthur William Heintzelman, 1891 - 1965
Heintzelman, Arthur William
United States
1891 - 1965
Male
11 3/4 x 8 3/4 in. (29.8 x 22.2 cm)
.
.
.
sheet
.
.
.
plate
Printer's ink
Printer's ink
1929
1929
1929
1900-2000, 20th century, drypoint, prints, women
Print
lower right, below imagelower left, below imageextreme lower right
1959.143
item
Memorial Art Gallery
4/11/2001
59.143DI1
digital image
2/20/2002
http://127.0.0.1:5000/Media/images/59.143_A1.jpg
Watercolor
Art Class Penn Academy
Charles Demuth, 1883 - 1935
Demuth, Charles
United States
1883 - 1935
Male
13 1/16 x 19 7/8 in. (33.1 x 50.5 cm)
.
.
.
sheet
sheet (irregular)
.
.
.
overall
frame
Watercolor
Watercolor
1906
1906
1906
1900-2000, 20th century, watercolors, women
Watercolor
Charles Demuth’s most famous paintings are in a hard-lined and tightly-controlled industrial style called Precisionism, which he helped develop, but his watercolors of people, fruit, and flowers are loose, sensuous, and evocative. This casual study of a woman in a studio at the Pennsylvania Academy of Fine Art was made when Demuth was a student there. Based upon a somewhat illegible inscription on the back, this figure may be Helen Torr, a modernist artist who ran in the same circles as Demuth and eventually married the artist Arthur Dove.
[Label text from It Came From the Vault exhibition, 2013]
verso, Somewhat illegible
2000.28
item
Memorial Art Gallery
4/12/2001
2000.28DI1
digital image
Memorial Art Gallery
Imaging complete
2 1/4
10/30/2001
http://127.0.0.1:5000/Media/images/2000.28_A1.jpg
2000.28PRT1
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2000.28TR1
transparency
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2000.28SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2000.28NEG1
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2000.28DI#2
digital image
10/1/2012
http://127.0.0.1:5000/Media/images/2000.28_A2.jpg
Drawing
Proper Pride
George du Maurier, (Paris, 1834 – 1896, London)
Maurier, George du
France
1834 - 1896
Male
Primary
10 x 14 in. (25.4 x 35.5 cm)
.
.
.
sheet
sheet
Pen and ink
Pen and ink
1893
1893
1893
19th century, costume, drawing, men, women
Drawing
A cartoon drawn for Punch magazine. Reproduced in the issue of April 15, 1893.
below imageupper edgelower left, in imageupper right
1947.52
item
Memorial Art Gallery
4/24/2001
47.52DI#1
digital image
7/10/2008
http://127.0.0.1:5000/Media/images/47.52_A1.jpg
Print
Auti Te Pape (Women at the River)
Paul Gauguin, 1848 - 1903
Gauguin, Paul
France
1848 - 1903
Male
Gauguin, Paul Rollon (Pola)
Denmark
1883 - 1961
Male
Reprinted by
10 5/8 x 17 in. (27 x 43.2 cm)
.
.
.
overall
sheet
.
.
.
overall
image
Printer's ink
Printer's ink
1921
1921
1921
nudes, women, woodcuts
Print
Reprinted after the artist's death by his son, Paul Rollon (Pola) Gauguin in an album published in Copenhagen. The Museum of Fine Arts, Boston, owns the original wood block for this print. The literal translation of the title is "the fresh water is in motion."
lower right, in the blocklower center, in the platelower left, in margin, in artist's hand? same hand as "Pola Gauguin imp"lower right, in margin, in artist's hand? same hand as "Paul Gauguin fait"upper left, in margin, Edition number?
1963.2
item
Memorial Art Gallery
5/3/2001
63.2SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
63.2DI#1
digital image
2/7/2008
http://127.0.0.1:5000/Media/images/63.2_A1.jpg
Print
The Morphine Addict (Morphinomane)
Eugène Samuel Grasset, 1841 - 1917
Grasset, Eugène Samuel
France
1841 - 1917
Male
22 5/16 x 16 13/16 in. (56.7 x 42.7 cm)
.
.
.
sheet
sheet
.
.
.
image
image
Printer's ink
Printer's ink
1897
1897
1897
1800-1900, 19th century, health & hygiene, lithographs, Lockhart Collection, women
Print
Printed by Auguste Clot
lower left, in the image, in the stone
1994.13
item
Memorial Art Gallery
5/3/2001
94.13DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/94.13_A1.jpg
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
94.13DI#2
digital image
2/7/2008
http://127.0.0.1:5000/Media/images/94.13_A2.jpg
Print
Odalisque
Henri Matisse, (Le Cateau-Cambrésis, France, 1869 – 1954, Nice, France)
Matisse, Henri
France
1869 - 1954
Male
14 1/4 x 10 3/8 in. (36.2 x 26.4 cm)
.
.
.
Printer's ink
Printer's ink
1924
1924
1924
20th century, lithographs, women
Print
1927.11
item
Memorial Art Gallery
5/8/2001
27.11SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
27.11DI1
digital image
full
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/27.11_A1.jpg
27.11DI#2
digital image
9/6/2012
http://127.0.0.1:5000/Media/images/27.11_A2.jpg
Drawing
Washerwomen by Moonlight (Les laveuses au clair de lune)
Jean François Millet, 1814 - 1875
Millet, Jean François
France
1814 - 1875
Male
17 x 12 in. (43.2 x 30.5 cm)
.
.
.
.
.
.
overall
frame
Crayon
Crayon
1860-1865
1860
1865
1800-1900, 19th century, drawing, genre scenes, George Eastman Collection, jobs & work, women
Drawing
1957.67
item
Memorial Art Gallery
5/8/2001
57.67SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
57.67DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/57.67_A1.jpg
57.67DI#2
digital image
2/13/2015
http://127.0.0.1:5000/Media/images/57.67_A2.jpg
Print
Berthe Morisot Drawing, with her Daughter
Berthe Morisot, 1841 - 1895
Morisot, Berthe
France
1841 - 1895
Female
7 7/16 x 5 1/2 in. (18.9 x 14 cm)
.
.
.
plate
Printer's ink
Printer's ink
4
1907
1907
1907
1800-1900, 19th century, drypoint, making art (depictions), women
Print
This work was not published during Morisot's lifetime; this edition was published in December 1907 in the Gazette des Beaux-Arts
Berthe Morisot was a founding member of the Impressionist group and exhibited regularly at their exhibitions. Although best known for her fresh, light-filled oil paintings, she also produced a number of etchings. Her favorite subjects were women in domestic settings.
This print is a self-portrait of the artist with her daughter.
[Label copy from Monet: Vision and Process exhibition, 2018]
lower center, below image
1972.73
item
Memorial Art Gallery
5/8/2001
72.73SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
72.73DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/72.73_A1.jpg
72.73DI#2
digital image
7/8/2016
http://127.0.0.1:5000/Media/images/72.73_A2.jpg
Print
"Here is the Good Goddess" ("Voici la Bonne-Déesse")
Odilon Redon, (Bordeaux, France, 1840 - 1916, Paris)
Redon, Odilon
France
1840 - 1916
Male
7 3/16 x 6 3/8 in. (18.3 x 16.2 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1896
1896
1896
1800-1900, 19th century, lithographs, women
Print
Inspired by Gustave Flaubert's 1874 "Temptation of St. Anthony." The line from which the title is taken is "Voici la Bonne-Déesse, la idéenne des montagnes, la grande-mère de Syrie!" ("Here is the Good Goddess, the Idaean mother of the mountains, the grandmother of Syria!")
1935.8
item
Memorial Art Gallery
5/8/2001
35.8SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
35.8DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/35.8_A1.jpg
35.8DI#2
digital image
4/24/2014
http://127.0.0.1:5000/Media/images/35.8_A2.jpg
Print
Mother and Child (Maternité)
Pierre Auguste Renoir, (Limoges, France, 1841 - 1919, Cagnes-sur-Mer, France)
Renoir, Pierre Auguste
France
1841 - 1919
Male
25 11/16 x 19 5/8 in. (65.3 x 49.8 cm)
.
.
.
.
.
.
sheet
Printer's ink
Printer's ink
ca. 1912
1907
1917
1900-2000, 20th century, children, lithographs, portraits, women
Print
lower right, in the platetop center and lower center
1951.23
item
Memorial Art Gallery
5/8/2001
51.23DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/51.23_A1.jpg
51.23SL1
slide
detail
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.23DI#2
digital image
7/8/2016
http://127.0.0.1:5000/Media/images/51.23_A2.jpg
Print
Female Bather, Three-Quarter Length (Baigneuse debout, a mi-jambes)
Pierre Auguste Renoir, (Limoges, France, 1841 - 1919, Cagnes-sur-Mer, France)
Renoir, Pierre Auguste
France
1841 - 1919
Male
9 3/4 x 7 7/16 in. (24.8 x 18.9 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1910
1910
1910
1900-2000, 20th century, etchings, nudes, women
Print
1948.34
item
Memorial Art Gallery
5/8/2001
48.34DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/48.34_A1.jpg
Print
Standing Woman Bather (Baigneuse debout, en pied)
Pierre Auguste Renoir, (Limoges, France, 1841 - 1919, Cagnes-sur-Mer, France)
Renoir, Pierre Auguste
France
1841 - 1919
Male
24 x 17 1/2 in. (61 x 44.5 cm)
.
.
.
sheet
sheet
.
.
.
image
image
Printer's ink
Printer's ink
1896
1896
1896
1800-1900, 19th century, lithographs, Lockhart Collection, nudes, women
Print
For Ambroise Vollard's third "Album des Peintres-Gravures," unpublished.
lower right, in image, on the stonelower rightremoved from backing, now in curatorial file
1983.121
item
Memorial Art Gallery
5/8/2001
glossy
full
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
83.121DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/83.121_A1.jpg
83.121DI#2
digital image
3/17/2016
http://127.0.0.1:5000/Media/images/83.121_A2.jpg
Print
Madame Abdala
Henri de Toulouse-Lautrec, 1864 - 1901
Toulouse-Lautrec, Henri de
France
1864 - 1901
Male
17 5/16 x 12 1/2 in. (44 x 31.8 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1893
1893
1893
1800-1900, 19th century, lithographs, women
Print
lower right, in the stonelower left, in marginlower right, in margin, erasedlower right, in margin, erasedupper right, in margin
1936.50
item
Memorial Art Gallery
5/12/2001
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
36.50DI#1
digital image
11/13/2007
http://127.0.0.1:5000/Media/images/36.50_A1.jpg
Print
Troupe de Mlle. Eglantine
Henri de Toulouse-Lautrec, 1864 - 1901
Toulouse-Lautrec, Henri de
France
1864 - 1901
Male
24 1/2 x 21 1/2 in. (62.2 x 54.6 cm)
.
.
.
Printer's ink
Printer's ink
0
0
1800-1900, 19th century, dance, lithographs, women
Print
1949.3
item
Memorial Art Gallery
5/12/2001
49.3SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5 x 7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
49.3DI1
digital image
12/13/2001
http://127.0.0.1:5000/Media/images/49.3_A1.jpg
Print
Divan Japonais: Poster
Henri de Toulouse-Lautrec, 1864 - 1901
Toulouse-Lautrec, Henri de
France
1864 - 1901
Male
30 7/8 x 23 5/8 in. (78.5 x 60 cm)
.
.
.
stretcher
vertical
image
.
.
.
.
.
.
overall
frame
Printer's ink
Printer's ink
ca. 1893
1888
1898
1800-1900, 19th century, lithographs, men, women
Print
lower right, in imagelower right, in image, Somewaht illegible due to paper lossupper right, in imagelower left, in image
1952.62
item
Memorial Art Gallery
5/12/2001
glossy
8x10
00/00/00
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negative
4x5
00/00/00
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52.62SL1
slide
full
2 x 2
00/00/00
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52.62DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/52.62_A1.jpg
Print
Jean Hading
"Actors and Actresses" series
Henri de Toulouse-Lautrec, 1864 - 1901
Toulouse-Lautrec, Henri de
France
1864 - 1901
Male
12 13/16 in. (32.6 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
1800-1900, 19th century, actors, lithographs, women
Print
1969.10
item
Memorial Art Gallery
5/12/2001
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
4 x 6
00/00/00
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glossy
full
8 x 10
00/00/00
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69.10DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/69.10_A1.jpg
69.10SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
The Englishman at the Moulin Rouge (L'Anglais au Moulin Rouge)
Henri de Toulouse-Lautrec, 1864 - 1901
Toulouse-Lautrec, Henri de
France
1864 - 1901
Male
24 13/16 x 19 3/8 in. (63 x 49.2 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1892
1892
1892
1800-1900, 19th century, leisure activities, lithographs, Lockhart Collection, men, women
Print
lower left, in the image, on the stonelower right, on the stonelower right, below image, on the stonelower left, below image
1981.41
item
Memorial Art Gallery
5/12/2001
glossy
full
8x10
00/00/00
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negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
81.41DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/81.41_A1.jpg
81.41SL1
slide
full
2 x 2
00/00/00
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Print
At the Café Ambassadeurs (Aux Ambassadeurs)
Henri de Toulouse-Lautrec, 1864 - 1901
Toulouse-Lautrec, Henri de
France
1864 - 1901
Male
19 1/16 x 15 3/16 in. (48.4 x 38.6 cm)
.
.
.
sheet
sheet
.
.
.
image
image
Printer's ink
Printer's ink
1894
1894
1894
1800-1900, 19th century, lithographs, Lockhart Collection, musicians, women
Print
From the sixth album of André Marty's "L'Estampe Original," Paris, 1894, printed by Ancourt.
lower left, in the image, on the stonelower left, in the marginverso, Lockhart's collector stamp
1982.40
item
Memorial Art Gallery
5/12/2001
82.40TR1
transparency
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
82.40SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8x10
00/00/00
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negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
82.40DI1
digital image
3/13/2002
http://127.0.0.1:5000/Graphics/blank.gif
82.40DI2
digital image
4 x 5
00/00/00
http://127.0.0.1:5000/Media/images/82.40_A1.jpg
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
The Beloved Shepherd (Le Berger Chéri)
Jean-Baptiste Huet, (1745 - 1811)
Huet, Jean-Baptiste
France
1745 - 1811
Male
original artist
After
drawing
8 1/16 x 10 3/16 in. (20.5 x 25.9 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
18th century, dogs, engravings, leisure activities, men, sheep, women
Print
lower left, below imagelower right, below imagelower center, below imageversoverso
1954.6
item
Memorial Art Gallery
5/12/2001
54.6DI#1
digital image
2/7/2008
http://127.0.0.1:5000/Media/images/54.6_A1.jpg
Print
Wedding Dancers
Heinrich Aldegrever, (Paderborn, Germany, 1502 - ca. 1561, Soest, Germany)
Aldegrever, Heinrich
Germany
1502 - ca. 1561
Male
4 5/8 x 3 1/8 in. (11.7 x 7.9 cm)
.
.
.
sheet
sheet
Printer's ink
Printer's ink
1538
1538
1538
1400-1600, dance, engravings, European art, holidays & festivals, men, women
Print
upper right, in the plate
1951.47
item
Memorial Art Gallery
5/12/2001
51.47SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.47DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/51.47_A1.jpg
51.47DI#2
digital image
11/21/2013
http://127.0.0.1:5000/Media/images/51.47_A2.jpg
Textiles
Tapestry
Flemish artist
Flemish artist
Flanders
Primary
66 x 49 in. (167.6 x 124.5 cm)
.
.
.
Wool
Wool
0
0
17th century, horses, leisure activities, men, tapestry, textiles, women
Textiles
1953.69
item
Memorial Art Gallery
5/12/2001
53.69DI1
digital image
overall
00/00/00
http://127.0.0.1:5000/Media/images/53.69_A1.jpg
53.69DI2
digital image
10/28/2004
http://127.0.0.1:5000/Media/images/Inventory pictures/53.69_I1.jpg
Print
Judith and the Head of Holofernes
Barthel Beham, 1502 - 1540
Beham, Barthel
Germany
1502 - 1540
Male
3 3/8 x 2 5/8 in. (8.5 x 6.7 cm)
.
.
.
sheet
sheet
Printer's ink
Printer's ink
ca. 1525
1520
1530
71U42731, Judith with Holofernes' head and the sword, Iconclass
1400-1600, engravings, Judith, Renaissance & Baroque, women
Print
versoverso
1968.39
item
Memorial Art Gallery
5/12/2001
68.39SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
68.39DI1
digital image
4/11/2002
http://127.0.0.1:5000/Media/images/68.39_A1.jpg
Print
Penance of Saint John Chrysostom
Lucas Cranach the Elder, (1472 - 1553)
Cranach the Elder, Lucas
Germany
1472 - 1553
Male
10 x 7 13/16 in. (25.4 x 19.8 cm)
.
.
.
Printer's ink
Printer's ink
1509
1509
1509
1400-1600, birds, children, deer, engravings, European art, male saints, trees in art, women
Print
1913.17
item
Memorial Art Gallery
5/12/2001
negative
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
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13.17SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
13.17DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/13.17_A1.jpg
Print
The Sea Monster
Albrecht Dürer, (Nuremberg, Germany, 1471 - 1528, Nuremberg, Germany)
Dürer, Albrecht
Germany
1471 - 1528
Male
9 15/16 x 7 1/2 in. (25.2 x 19 cm)
.
.
.
plate
vertical
image
.
.
.
sheet
Printer's ink
Printer's ink
ca. 1498
1493
1503
1400-1600, engravings, Renaissance & Baroque, sea monsters, women
Print
lower center, in the plate, in the imageverso, text within a cut-corner rectangleverso, Circle of text surrounding the letter Bverso, Encircled text:
1913.19
item
Memorial Art Gallery
5/12/2001
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5 x 7
00/00/00
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13.19SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
13.19DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/13.19_A1.jpg
Print
Death Seizes a Woman
Käthe Kollwitz, 1867 - 1945
Kollwitz, Käthe
Germany
1867 - 1945
Female
24 11/16 x 19 11/16 in. (62.7 x 50 cm)
.
.
.
sheet
sheet
Printer's ink
Printer's ink
1934
1934
1934
1900-2000, 20th century, Death, lithographs, women
Print
1936.3
item
Memorial Art Gallery
5/12/2001
36.3SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
36.3DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/36.3_A1.jpg
36.3DI#2
digital image
5/12/2023
http://127.0.0.1:5000/Media/images/36.3_A2.jpg
Print
Maria und Elisabeth
Käthe Kollwitz, 1867 - 1945
Kollwitz, Käthe
Germany
1867 - 1945
Female
15 3/4 x 16 1/4 in. (40 x 41.3 cm)
.
.
.
sheet
sheet
Printer's ink
Printer's ink
1928
1928
1928
1900-2000, 20th century, women, woodcuts
Print
1937.11
item
Memorial Art Gallery
5/12/2001
37.11SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
3x2
00/00/00
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glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
37.11DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/37.11_A1.jpg
37.11DI#2
digital image
10/1/2012
http://127.0.0.1:5000/Media/images/37.11_A2.jpg
Print
Mothers
Käthe Kollwitz, 1867 - 1945
Kollwitz, Käthe
Germany
1867 - 1945
Female
20 x 27 1/8 in. (50.8 x 68.9 cm)
.
.
.
overall
sheet
Printer's ink
Printer's ink
1919
1919
1919
1900-2000, 20th century, children, lithographs, women
Print
Five years before Käthe Kollwitz created this print, she lost her son Peter in the First World War. Jessica Marten, MAG’s curator of American art and a mother of two, observed when she selected this work for the exhibition: “To mother is to experience love, anxiety, joy, and sacrifice. To mother during wartime must be hell.”
[Label text from It Came From the Vault exhibition, 2013]
This lithograph was created five years after the death of Kollwitz' son Peter in WWI. The intensity of her grief found an outlet in her art. One year before this print was created the German poet Richard Dehmel wrote a newspaper article asking his countrymen to sacrifice every last man for Germany. Kollwitz' response was published in October 1918, "There has been enough of dying! Let not another man fall! Against Richard Dehmel I ask that the words of an even greater poet be remembered: 'Seed for the planting must not be ground.'"
The children in this image can be seen as the seeds of hope for their nation. Their mothers are trying to protect them from being "ground" by the voracious appetite of war.
[Gallery label text]
1946.17
item
Memorial Art Gallery
5/12/2001
46.17SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
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neg
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
46.17DI1
digital image
12/5/2001
http://127.0.0.1:5000/Media/images/46.17_A1.jpg
46.17DI#2
digital image
10/1/2012
http://127.0.0.1:5000/Media/images/46.17_A2.jpg
Print
Working Woman in Left Profile (Arbeitfrau in Profil nach Links)
Käthe Kollwitz, 1867 - 1945
Kollwitz, Käthe
Germany
1867 - 1945
Female
24 x 18 1/2 in. (61 x 47 cm)
.
.
.
sheet
sheet
Printer's ink
Printer's ink
1903
1903
1903
1900-2000, 19th century, lithographs, portrait, portraits, women
Print
1947.3
item
Memorial Art Gallery
5/12/2001
47.3SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
neg
3x2
00/00/00
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glossy
8x10
00/00/00
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47.3DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/47.3_A1.jpg
Print
Working Woman with a Blue Shawl
Käthe Kollwitz, 1867 - 1945
Kollwitz, Käthe
Germany
1867 - 1945
Female
17 1/8 x 12 1/2 in. (43.5 x 31.7 cm)
.
.
.
sheet
sheet
Printer's ink
Printer's ink
1903
1903
1903
1900-2000, costume, portrait, women
Print
1963.17
item
Memorial Art Gallery
5/12/2001
63.17SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
63.17DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/63.17_A1.jpg
63.17DI#2
digital image
6/12/2008
http://127.0.0.1:5000/Media/images/63.17_A2.jpg
Print
Two Nude Women with Skull and Hourglass (Allegory of Transience)
Ludwig Krug, 1488/1490 - 1532
Krug, Ludwig
Germany
1488-1490 - 1532
Male
5 1/16 x 3 5/16 in. (12.9 x 8.4 cm)
.
.
.
overall
vertical
image
.
.
.
sheet
Printer's ink
Printer's ink
ca. 1500
1495
1505
1400-1600, allegories, engravings, nudes, Renaissance & Baroque, women
Print
upper right, in the plate, in the image, In between artist's initials is the image of a jug with handle.
1991.14
item
Memorial Art Gallery
5/12/2001
91.14SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
91.14DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/91.14_A1.jpg
91.14DI#2
digital image
7/24/2009
http://127.0.0.1:5000/Media/images/91.14_A2.jpg
Print
At the Shore (Am Ufer)
Max Pechstein, (Zwickau, Germany, 1881 – 1955, Berlin, Germany)
Pechstein, Max
Germany
1881 - 1955
Male
12 3/16 x 16 1/16 in. (31 x 40.8 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1920
1920
1920
20th century, drypoint, men, nudes, women
Print
lower right, below image
1953.35
item
Memorial Art Gallery
5/12/2001
53.35DI#1
digital image
Front
6/18/2007
http://127.0.0.1:5000/Media/images/53.35_A1.jpg
Print
The Women's Bath
Attributed to Hans Springinklee, 1490/1495 - ca. 1540
Springinklee, Hans
Germany
1490-1495 - ca. 1540
Male
Attributed to
Dürer, Albrecht
Germany
1471 - 1528
Male
original artist
After
drawing
8 3/4 x 9 3/16 in. (22.2 x 23.3 cm)
.
.
.
sheet
horizontal
sheet
.
.
.
Printer's ink
Printer's ink
0
0
1400-1600, health & hygiene, Lockhart Collection, nudes, Renaissance & Baroque, women, woodcuts
Print
Reverse copy after a drawing by Albrecht Dürer.
Public baths for both men and women enjoyed great popularity in Renaissance Germany; women’s baths in particular were frequent subjects of artists like Albrecht Dürer and his followers. Images of female nudity often carried erotic overtones, as seen here in the woman at center, who gazes directly at the viewer while turning her body in a frontal pose. These depictions of the female nude sometimes carried moral and menacing messages, as they were also used to portray women as prostitutes and witches.
[Label text from It Came From the Vault exhibition, 2013]
verso, L in a boxverso
1975.45
item
Memorial Art Gallery
5/15/2001
75.45 SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2.5x3
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
75.45DI1
digital image
4/8/2002
http://127.0.0.1:5000/Media/images/75.45_A1.jpg
75.45DI#2
digital image
10/10/2012
http://127.0.0.1:5000/Media/images/75.45_A2.jpg
Print
Youth
Tsuguji Foujita, (Tokyo, 1886 - 1968, Zurich)
Foujita, Tsuguji
France
1886 - 1968
Male
19 1/8 x 14 1/8 in. (48.6 x 35.9 cm)
.
.
.
sheet
Printer's ink
Printer's ink
0
0
20th century, lithographs, nudes, women
Print
Foujita went to France in 1913 following graduation from the Western-style painting division of the Tokyo School of Fine Arts. The artist, who was also known as Foujita Tsuguhara and Leonard Foujita, lived alternately in Japan and abroad, finally becoming a naturalized French citizen in 1955.
[Gallery label text, 2004]
1948.33
item
Memorial Art Gallery
5/22/2001
48.33SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
48.33DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.33_A1.jpg
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
Aristocrata
David Alfaro Siqueiros, 1896 - 1975
Siqueiros, David Alfaro
Mexico
1896 - 1975
Male
9 7/16 x 6 11/16 in. (24 x 17 cm)
.
.
.
overall
image
.
.
.
overall
sheet
Printer's ink
Printer's ink
1931
1931
1931
20th century, lithographs, women
Print
1948.22
item
Memorial Art Gallery
5/22/2001
48.22DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/48.22_A1.jpg
Print
The Three Bathers, III (Les trois baignèuses, III)
Pablo Picasso, 1881 - 1973
Picasso, Pablo
Spain
1881 - 1973
Male
16 15/16 x 11 1/8 in. (43 x 28.3 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1922-1923
1922
1923
1900-2000, 20th century, etchings, line, nudes, women
Print
1932.14
item
Memorial Art Gallery
5/22/2001
32.14SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
2 x 2.5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
32.14DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/32.14_A1.jpg
32.14DI#2
digital image
9/6/2012
http://127.0.0.1:5000/Media/images/32.14_A2.jpg
Print
The Mother Dressing (La Toilette de la mère)
Pablo Picasso, 1881 - 1973
Picasso, Pablo
Spain
1881 - 1973
Male
9 1/4 x 6 7/8 in. (23.5 x 17.5 cm)
.
.
.
Printer's ink
Printer's ink
1905
1905
1905
1900-2000, 20th century, children, etchings, figure, line, men, nudes, women
Print
1951.20
item
Memorial Art Gallery
5/22/2001
51.20SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8x10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
3x2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
51.20DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/51.20_A1.jpg
Print
Maja von Heijne
Anders Zorn, (Mora, Sweden, 1860 - 1920, Mora, Sweden)
Zorn, Anders
Sweden
1860 - 1920
Male
18 5/16 x 12 3/16 in. (46.5 x 31 cm)
.
.
.
overall
sheet
.
.
.
plate
image
Printer's ink
Printer's ink
1900
1900
1900
20th century, etchings, women
Print
lower right, in image, Letters of "Zorn" all conjoinedlower right, below imagelower left, in marginlower left, in marginlower right, in marginverso
1960.51
item
Memorial Art Gallery
5/29/2001
60.51SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
full
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
60.51DI#1
digital image
2/7/2008
http://127.0.0.1:5000/Media/images/60.51_A1.jpg
Print
The Brawl (La Rixe)
Felix Vallotton, 1865 - 1925
Vallotton, Felix
Switzerland
1865 - 1925
Male
10 5/8 x 14 1/8 in. (27 x 35.9 cm)
.
.
.
overall
horizontal
image
.
.
.
sheet
Printer's ink
Printer's ink
1892
1892
1892
1800-1900, 19th century, men, violence, women, woodcuts
Print
lower right, below imagelower right, in image, in the blockverso
1984.17
item
Memorial Art Gallery
5/29/2001
negative
full
4x5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
84.17DI1
digital image
3/13/2002
http://127.0.0.1:5000/Media/images/84.17_A1.jpg
84.17SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Textiles
Stumpwork Panel
Italian artist
Italian artist
Italy
Primary
15 1/4 x 14 1/2 in. (38.7 x 36.8 cm)
.
.
.
Embroidery
Embroidery
0
0
1600-1800, 17th century, Christ, embroidery, women
Textiles
1955.54
item
Memorial Art Gallery
5/29/2001
55.54SL1
slide
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
negative
5x7
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.54DI#1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/55.54_A1.jpg
55.54DI#2
digital image
3/4/2016
http://127.0.0.1:5000/Media/images/55.54_A2.jpg
Painting
Portrait of a Woman (one of a pair)
Attributed to Thomas de Keyser, (ca. 1596 - 1667)
Keyser, Thomas de
Netherlands
ca. 1596 - 1667
Male
6 x 4 1/2 in. (15.2 x 11.4 cm)
.
.
.
.
.
.
approximate installation dimensions
frame
Oil
Oil
1625
1625
1625
1600-1800, 17th century, paintings, portrait, portraits, women
Painting
center left, Her inscription presumably matches 55.81.2 but is less legible
1955.81.1
item
Memorial Art Gallery
7/1/2002
55.81.1D1
digital image
full
2 x 2
6/14/2002
http://127.0.0.1:5000/Media/images/55.81.1_A1.jpg
55.81.1SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.81.1DI2
digital image
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
55.81.1DI#3
digital image
2/18/2008
http://127.0.0.1:5000/Media/images/55.81.1_A2.jpg
55.81.1DI#4
digital image
2/18/2008
http://127.0.0.1:5000/Media/images/55.81.1_A3.jpg
55.81.1DI#4
digital image
detail
2/18/2008
http://127.0.0.1:5000/Media/images/55.81.1_A4.jpg
55.81.1TR1
transparency
Front
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Portrait of Charlotte Whitney Allen
Kathleen McEnery Cunningham, (Brooklyn, NY, 1885 - 1971, Rochester, NY)
Cunningham, Kathleen McEnery
United States
1885 - 1971
Female
41 3/4 x 35 3/4 in. (106 x 90.8 cm)
.
.
.
with frame
Oil
Oil
by 1915
1915
1915
by Rochester artists, from Rochester collections, paintings, portraits, women
Painting
3.1994L
item
Memorial Art Gallery
7/19/2002
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
3.94LDI1
digital image
Full
00/00/00
http://127.0.0.1:5000/Media/images/3.94L_A1.jpg
3.94LTR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
57calder6.tif
digital image
00/00/00
http://127.0.0.1:5000/Media/images/SeeingAmerica/57calder6.tif
Watercolor
Portrait of a Young Girl
Justus DaLee, 1793 - 1878
DaLee, Justus
United States
1793 - 1878
Male
3 1/4 x 2 15/16 x 11/16 in. (8.3 x 7.4 x 1.7 cm)
.
.
.
with frame
frame
.
.
.
overall
sheet
Ink
Ink
1845
1845
1845
portraits, women
Watercolor
Justus DaLee, a former professor of penmanship in nearby Palmyra, was an itinerant painter of small portraits, always in profile. By 1840, he was working in Rochester, taking advantage of the population and economic boom that had come with the opening of the Erie Canal 15 years earlier.
below image
2002.22
item
Memorial Art Gallery
9/24/2002
2002.22DI#1
digital image
8/20/2013
http://127.0.0.1:5000/Media/images/2002.22_A1.jpg
Painting
Portrait of Emma Lampert Cooper
Colin Campbell Cooper, (Philadelphia, PA, 1856 - 1937, Santa Barbara, CA)
Cooper, Colin Campbell
United States
1856 - 1937
Male
10 x 8 in. (25.4 x 20.3 cm)
.
.
.
without frame
.
.
.
overall
frame
Oil
Oil
ca. 1897
1892
1902
American art, by Rochester artists, portraits, women
Painting
This portrait is thought to have been painted around the time of the artist’s marriage to fellow painter Emma Lampert in 1897. Colin Campbell Cooper also painted the Gallery’s Main Street Bridge, Rochester. Emma, a Nunda native, attended Wells College in Aurora, New York, and the Art Students League. She taught at Mechanics Institute, RIT’s predecessor, in the early years of the 20th century, and was an active member of the Rochester Art Club. She and her husband were intrepid travelers, and they painted scenes throughout Europe and as far afield as India.
[Gallery label text, 2004]
2002.18
item
Memorial Art Gallery
10/22/2002
negative
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
glossy
8 x 10
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2002.18TR1
transparency
full
4 x 5
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2002.18SL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
2002.18DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2002.18_A1.jpg
Print
Edith Eating Bread
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
12 1/2 x 6 3/8 in. (31.8 x 16.2 cm)
.
.
.
plate
vertical
image
.
.
.
sheet (irregular)
Printer's ink
Printer's ink
0
0
food, portraits, women
Print
lower right, below imagelower left, below imagelower left, in margin
2003.31
item
Memorial Art Gallery
4/11/2003
2003.31DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.31_A1.jpg
Drawing
Edith Eating Bread
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
8 1/16 x 5 1/4 in. (20.5 x 13.4 cm)
.
.
.
sheet
Graphite
Graphite
0
0
food, portraits, women
Drawing
2003.30
item
Memorial Art Gallery
4/11/2003
2003.30DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.30_A1.jpg
Print
Gothic Arch
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
9 7/16 x 6 5/16 in. (24 x 16 cm)
.
.
.
plate
vertical
image
.
.
.
sheet (irregular)
Printer's ink
Printer's ink
0
0
arches, women
Print
lower right, below imagelower left, below imagealong left side
2003.28
item
Memorial Art Gallery
4/11/2003
2003.28DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.28_A1.jpg
Print
Woman Combing Hair
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
12 1/2 x 9 7/16 in. (31.7 x 24 cm)
.
.
.
plate
vertical
image
.
.
.
sheet
Printer's ink
Printer's ink
0
0
portraits, women
Print
verso
2003.27
item
Memorial Art Gallery
4/11/2003
2003.27DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.27_A1.jpg
2003.27DI#2
digital image
2/16/2017
http://127.0.0.1:5000/Media/images/2003.27_A2.jpg
Watercolor
Self-Portrait
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
17 13/16 x 11 13/16 in. (45.2 x 30 cm)
.
.
.
sheet
Watercolor
Watercolor
0
0
self portraits, women
Watercolor
lower right, below imagelower left, below image
2003.26
item
Memorial Art Gallery
4/11/2003
2003.26DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.26_A1.jpg
Print
Self-Portrait
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
21 1/4 x 15 3/8 in. (54 x 39 cm)
.
.
.
sheet (irregular)
Printer's ink
Printer's ink
0
0
self portraits, women
Print
2003.25
item
Memorial Art Gallery
4/11/2003
2003.25DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.25_A1.jpg
Drawing
Self-Portrait in Shoe
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
6 1/16 x 4 11/16 in. (15.4 x 11.9 cm)
.
.
.
sheet
Graphite
Graphite
1942
1942
1942
self portraits, women
Drawing
lower right, below imagelower left, below image
2003.24
item
Memorial Art Gallery
4/11/2003
2003.24DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.24_A1.jpg
2003.24DI#2
digital image
full
4/5/2006
http://127.0.0.1:5000/Media/images/2003.24_A2.jpg
Drawing
Come Night
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
4 5/8 x 7 5/16 in. (11.8 x 18.5 cm)
.
.
.
sheet
Graphite
Graphite
0
0
women
Drawing
lower right, below imagelower left, below imagelower center
2003.23
item
Memorial Art Gallery
4/11/2003
2003.23DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.23_A1.jpg
2003.23DI#2
digital image
full
4/5/2006
http://127.0.0.1:5000/Media/images/2003.23_A2.jpg
Drawing
Leaving the Automat
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
7 1/16 x 4 5/8 in. (17.9 x 11.7 cm)
.
.
.
sheet (irregular)
Graphite
Graphite
0
0
women
Drawing
lower right, in imagelower left, in imageupper left
2003.22
item
Memorial Art Gallery
4/11/2003
2003.22DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.22_A1.jpg
2003.22DI#2
digital image
full
4/5/2006
http://127.0.0.1:5000/Media/images/2003.22_A2.jpg
Drawing
Who Are You?
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
7 1/8 x 4 5/8 in. (18.1 x 11.8 cm)
.
.
.
sheet
Ink
Ink
0
0
women
Drawing
lower right, below imagelower left, below imageupper left
2003.21
item
Memorial Art Gallery
4/11/2003
2003.21DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.21_A1.jpg
2003.21DI#2
digital image
full
4/5/2006
http://127.0.0.1:5000/Media/images/2003.21_A2.jpg
Drawing
Peeling Potatoes
Esther Rolick, (Rochester, NY, 1922 - 2008, Rochester, New York)
Rolick, Esther
United States
1922 - 2008
Female
16 3/8 x 13 3/4 in. (41.6 x 35 cm)
.
.
.
sheet
Pen and ink
Pen and ink
0
0
home life, women
Drawing
lower left, below image
2003.17
item
Memorial Art Gallery
4/11/2003
2003.17DI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2003.17_A1.jpg
Print
screams of women in labor
Ben Shahn, 1898 - 1969
Shahn, Ben
United States
1898 - 1969
Male
Artist
images
Rilke, Rainer Maria
Germany
1875 - 1926
Male
Poet
text
22 1/2 x 17 3/4 in. (57.2 x 45.1 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1968
1968
1968
1900-2000, 20th century, lithographs, Social Realism, women
Print
Portfolio of 24 color lithographs based on "The Notebooks of Malte Laurids Brigge" by Rainer Maria Rilke
lower right
1968.59.23b
item
Memorial Art Gallery
1/22/2004
68.59.23bDI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/68.59.23b_A1.jpg
68.59.23bSL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Print
of light, white, sleeping women in childbed
Ben Shahn, 1898 - 1969
Shahn, Ben
United States
1898 - 1969
Male
Artist
images
Rilke, Rainer Maria
Germany
1875 - 1926
Male
Poet
text
22 1/2 x 17 3/4 in. (57.2 x 45.1 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1968
1968
1968
1900-2000, 20th century, lithographs, Social Realism, women
Print
Portfolio of 24 color lithographs based on "The Notebooks of Malte Laurids Brigge" by Rainer Maria Rilke
lower right
1968.59.24b
item
Memorial Art Gallery
1/22/2004
68.59.24bDI1
digital image
00/00/00
http://127.0.0.1:5000/Media/images/68.59.24b_A1.jpg
68.59.24bSL1
slide
full
2 x 2
00/00/00
http://127.0.0.1:5000/Graphics/blank.gif
Painting
Margaret Holahan (1902-1925)
Portrait of a Woman in Checkered Dress
Kathleen McEnery Cunningham, 1885 - 1971
Cunningham, Kathleen McEnery
United States
1885 - 1971
Female
Primary
24 x 24 in. (61 x 61 cm)
.
.
.
without frame
overall
Oil
Oil
before 1925
1915
1924
20th century, art with Rochester connections, paintings, portrait, portraits, women
Painting
2011.4
item
Memorial Art Gallery
9/30/2005
2011.4DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/2011.4_I1.jpg
2011.4DI#2
digital image
10/20/2014
http://127.0.0.1:5000/Media/images/2011.4_A1.jpg
Painting
Elizabeth Holahan (1903-2002)
Portrait of a Woman With Arm Over Chair
Kathleen McEnery Cunningham, 1885 - 1971
Cunningham, Kathleen McEnery
United States
1885 - 1971
Female
Primary
30 x 24 in. (76.2 x 61 cm)
.
.
.
without frame
overall
Oil
Oil
ca. 1930
1925
1935
20th century, art with Rochester connections, portraits, women
Painting
2011.5
item
Memorial Art Gallery
9/30/2005
2011.5DI1
digital image
full
00/00/00
http://127.0.0.1:5000/Media/images/Inventory pictures/2011.5_I1.jpg
2011.5DI#2
digital image
10/20/2014
http://127.0.0.1:5000/Media/images/2011.5_A1.jpg
Painting
Portrait of a Woman as a Bacchante
Attributed to Elizabeth Vigée-Lebrun, 1755 - 1842
Vigée-Lebrun, Elizabeth
France
1755 - 1842
Female
Primary
25 x 20 3/4 in. (63.5 x 52.7 cm)
.
.
.
stretcher
vertical
.
.
.
.
.
.
overall framed size
frame
Oil
Oil
probably 1790s
1790
1790
18th century, 19th century, Bacchante, paintings, women
Painting
The woman in this painting appears as a Bacchante—a female follower of Bacchus, the god of wine and mystical ecstasy. The cluster of grape leaves symbolize wine; her disheveled hair, scanty dress, and enticing gaze suggest the decadence of Bacchanalian festivals.
During the 1700s, artists frequently portrayed their patrons as figures from classical mythology. Portraits of women in the guise of Bacchantes were also a popular theme for other leading portraitists such as Sir Joshua Reynolds and George Romney. This is possibly a portrait of Emma, Lady Hamilton, the infamous mistress of Lord Nelson. She was known as a performer of “attitudes,” or theatrical poses of Greek mythological and historical characters.
[Forman Gallery, Summer 2015]
back of stretcherback of stretcherback of stretcherback of stretcher
2005.277
item
Memorial Art Gallery
3/3/2006
2005.277DI#1
digital image
full
6/7/2006
http://127.0.0.1:5000/Media/images/Inventory pictures/2005.277_I1.jpg
2005.277DI#2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2005.277_A1.jpg
2005.277DI#3
digital image
8/2/2012
http://127.0.0.1:5000/Media/images/2005.277_A2.jpg
2005.277DI#4
digital image
1/28/2022
http://127.0.0.1:5000/Media/images/2005.277_A3.jpg
Print
Poster: If You Want to Fight! - Join the Marines
Howard Chandler Christy, 1873 - 1952
Christy, Howard Chandler
United States
1873 - 1952
Male
Primary
40 1/4 x 30 1/8 in. (102.2 x 76.5 cm)
.
.
.
sheet
Printer's ink
Printer's ink
1915
1915
1915
6
war, women
Print
The Christy Girl-- part goddess, part girl-next-door-- was a popular figure created by illustrator Howard Chandler Christy. In his war posters, the artist often used the Christy Girl, plus a heady dose of sex appeal, to convey the message "real men go to war."
In If You Want to Fight! a young woman plays "dress up" in Marine uniform. Her playful posturing enhances the masculine nature of war; while she wears her uniform to be fetching, the soldiers wear their uniforms to go to battle.
[Gallery label text, 2006]
2022.19
item
Memorial Art Gallery
3/29/2006
2022.19DI#1
digital image
full
3/28/2006
http://127.0.0.1:5000/Media/images/Inventory pictures/2022.19_I1.jpg
2022.19DI#2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/2022.19_A1.jpg
2022.19DI#3
digital image
9/1/2023
http://127.0.0.1:5000/Media/images/2022.19_A2.jpg
Ceramics
Cinerary Urn with Lid
Etruscan artist, (active )
Etruscan artist
Italy
Primary
21 7/16 x 18 1/2 x 10 13/16 in. (54.5 x 47 x 27.5 cm)
.
.
.
overall
Terracotta
Terracotta
2nd century BCE
200 BCE
101 BCE
1000 BCE - 500 CE, ancient art (Mediterranean & Near East), funerary objects, women
Ceramics
A portrait of the deceased reclining adorns the lid of this cinerary urn, a uniquely Etruscan motif. The body of the urn features a popular scene depicting the sons of Oedipus fighting over the throne of Thebes. The two winged figures at the sides represent the double presence of Vanth, the Etruscan female demon, who carries a torch to light the way to the underworld.
[Gallery label text, 2009]
1944.49a-b
item
Memorial Art Gallery
3/3/2009
44.49DI#1
digital image
3/18/2009
http://127.0.0.1:5000/Media/images/Inventory pictures/44.49_I1.jpg
44.49DI2
digital image
00/00/00
http://127.0.0.1:5000/Media/images/44.49a-b_A2.jpg
44.49a-bDI#3
digital image
Front
12/1/2009
http://127.0.0.1:5000/Media/images/44.49a-b_A2.jpg
44.49a-bDI#4
digital image
Three-quarter
12/1/2009
http://127.0.0.1:5000/Media/images/44.49a-b_A3.jpg
Ceramics
Dancing Court Lady (one of a pair)
Chinese artist
Chinese artist
China
Primary
9 1/2 x 4 3/4 x 2 13/16 in. (24.2 x 12 x 7.2 cm)
.
.
.
overall
overall
Terracotta
Terracotta
7th century - early 8th century
600
732
500-1000, ceramics, Chinese, dance, women
Ceramics
1948.90.2
item
Memorial Art Gallery
6/14/2010
48.90.2DI#5
digital image
Back
8/31/2010
http://127.0.0.1:5000/Media/images/48.90_A2.jpg
48.90.1DI#2
digital image
Front
8/31/2010
http://127.0.0.1:5000/Media/images/48.90.2_A1.jpg
48.90.2DI#3
digital image
Side
8/31/2010
http://127.0.0.1:5000/Media/images/48.90.2_A2.jpg
48.90.1DI#4
digital image
Back
8/31/2010
http://127.0.0.1:5000/Media/images/48.90.2_A3.jpg
48.90DI1
digital image
2 x 2
00/00/00
http://127.0.0.1:5000/Media/images/48.90_A1.jpg