{ "objects" : [ { "embark_ID" : 334, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/334", "Disp_Access_No" : "1953.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Composition", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Stuart Davis", "Sort_Artist" : "Davis, Stuart", "Disp_Dimen" : "17 1/2 x 19 1/2 in. (44.5 x 49.5 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "19 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs.Thomas G. Spencer", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12391", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 296, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/296", "Disp_Access_No" : "1951.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1939-1940", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1940", "Disp_Title" : "Whitestone Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralston Crawford", "Sort_Artist" : "Crawford, Ralston", "Disp_Dimen" : "40 1/4 x 32 in. (102.2 x 81.3 cm)", "Disp_Height" : "40 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ralston Crawford’s strong linear style and simplified form and palette in Whitestone Bridge are representative of the modern Precisionist style. Precisionist artists celebrated industrialization and technology with a visual language that evoked the purity and perfection of the machine. [Gallery label text, 2007] The Whitestone Bridge, linking The Bronx and Queens, was opened in 1939 just in time for the New York World's Fair. The suspension bridge routed travelers coming to the Fair from Upstate and New England away from the congestion of New York City. At the same time, Crawford was moving away from painting traditional landscapes and searching for a vocabulary that was closer in spirit to the streamlined, industrial aesthetic that he was observing in the world around him. The Whitestone Bridge was an excellent match for his artistic aspirations. The sleek and futuristic lines of the Whitestone Bridge matched the Trylon and Perisphere logo of the World's Fair, which was intended to signify progress and the World of Tomorrow. By 1944, when this painting was acquired by the Encyclopedia Britannica Collection, the sleek and elegant Whitestone Bridge had become an icon of contemporary design. The curator traveled to New York City to determine whether the bridge really looks as though it extends back into space with no land visible on the other side. And, in fact, Crawford's thrilling vantage point can be experienced by taking the bus across the bridge - for a brief instant, the first-time crosser experiences the view that Crawford recorded: a slim line of road, held up by wires, sailing across the water with no end in sight. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3071", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "3583", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "297", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "298", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "3367", "Rel_Obj_Title" : "Whitestone Bridge" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12382", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Image is 800ppi but only 2.5 x 3.5". Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 435, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/435", "Disp_Access_No" : "1965.59", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1940", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1945", "Disp_Title" : "Waterfall, Morse Pond", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marsden Hartley", "Sort_Artist" : "Hartley, Marsden", "Disp_Dimen" : "22 x 28 in. (55.9 x 71.1 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "academy board", "Disp_Medium" : "Oil on academy board", "Info_Page_Comm" : "With the introduction of modernism, landscapes painted by American artists become deeply personal exercises. Unlike the emphasis on panoramic vistas in the 19th century, modernist artists allow their personal connection and response to a waterfall or a tree become the main subject of their painting. This waterfall in the Maine woods would have held particular interest for Marsden Hartley, who felt a spiritual connection to Maine and its natural resources. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Fell Out of Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12428", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.59_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.59_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.59_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.59_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "16353", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Margie MacDougal, the author for the Hartley painting for the American catalog took this photograph on November 4, 2002.", "View" : "" } , ] },{ "embark_ID" : 494, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/494", "Disp_Access_No" : "1974.99", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Abstract - Study of a Woman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Morris Kantor", "Sort_Artist" : "Kantor, Morris", "Disp_Dimen" : "38 x 34 in. (96.5 x 86.4 cm)", "Disp_Height" : "38 in.", "Disp_Width" : "34 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.99_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.99_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.99_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.99_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "40330", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 552, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/552", "Disp_Access_No" : "1943.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "People's Follies No. 3", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reginald Marsh", "Sort_Artist" : "Marsh, Reginald", "Disp_Dimen" : "25 7/8 x 39 in. (65.7 x 99.1 cm)", "Disp_Height" : "25 7/8 in.", "Disp_Width" : "39 in.", "Dimen_Extent" : "", "Medium" : "Egg tempera", "Support" : "board", "Disp_Medium" : "Egg tempera on composition board", "Info_Page_Comm" : "Reginald Marsh inherited the Urban Realist interest in the act of seeing and being seen. His art often addressed sexuality in the urban environment, as in this painting of a burlesque hall. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12364", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 617, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/617", "Disp_Access_No" : "1951.11a-b", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Jawbone and Fungus (recto); Untitled (Abstraction) (verso)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Georgia O'Keeffe", "Sort_Artist" : "O'Keeffe, Georgia", "Disp_Dimen" : "17 x 20 in. (43.2 x 50.8 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "With her unique vision and expression, Georgia O’Keeffe epitomizes the modern American artist. Her simple, pared down shapes and closely cropped still-lifes of bones and flowers turn objects into landscapes of their own. [Gallery label text, 2007] Painting on the verso, an untitled abstraction, dates to ca. 1923", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Sibling" : [ ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.11a_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.11a_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.11a_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.11a_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12378", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.11b_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.11b_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.11b_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.11b_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "55251", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/979", "Disp_Access_No" : "1960.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1925", "_Disp_Start_Dat" : "1925", "_Disp_End_Date" : "1925", "Disp_Title" : "Female Torso (Ogunquit)", "Alt_Title" : "Ogunquit Torso", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gaston Lachaise", "Sort_Artist" : "Lachaise, Gaston", "Disp_Dimen" : "10 1/4 x 8 5/8 x 4 1/8 in. (26 x 21.9 x 10.5 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 5/8 in.", "Dimen_Extent" : "", "Medium" : "Bronze, nickel-plated", "Support" : "", "Disp_Medium" : "Nickel-plated bronze", "Info_Page_Comm" : "Lachaise's sculptures captured in permanent form elusive and complex ideals of female beauty. Here, the model's contrapposto stance, in which the weight is off center rather than upright and balanced, is lively and engaging. Additionally, areas of bronze color enliven the fragment's surface. [Gallery label text, 2005]", "Dedication" : "Gift of Friends of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This piece is visible in James Sibley Watson''s 1933 film "Lot in Sodom." Catalogue raisonne says only 5 figures in nickel-plated edition", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.46_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.46_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.46_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.46_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "36928", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1074, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1074", "Disp_Access_No" : "1977.105", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1923", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1928", "Disp_Title" : "Le Coq d'or: Chanticleer Greeting the Sun...", "Alt_Title" : "", "Obj_Title" : "Le Coq d'or: Chanticleer Greeting the Sun, from Chanticleer's Point of View, Causing the Sun to Rise", "Series_Title" : "", "Disp_Maker_1" : "Warren Wheelock", "Sort_Artist" : "Wheelock, Warren", "Disp_Dimen" : "29 3/4 x 12 in. (75.6 x 30.5 cm)", "Disp_Height" : "29 3/4 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Polished bronze on marble base", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.105_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.105_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.105_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.105_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12473", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3568, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3568", "Disp_Access_No" : "1947.105", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Telegraph Pole", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Ephraim Burchfield", "Sort_Artist" : "Burchfield, Charles Ephraim", "Disp_Dimen" : "23 3/8 x 20 7/8 in. (59.4 x 53 cm)", "Disp_Height" : "23 3/8 in.", "Disp_Width" : "20 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor, charcoal and graphite", "Info_Page_Comm" : "As a symbol of American invention and progress, the telegraph pole and its wires frame a depressing landscape. The curved pole, clearly a tree cut down and stripped of its bark and limbs, is a powerful metaphor for the abuse that man and nature experience under the unstoppable momentum of industry. Railroad tracks lined by austere workers’ huts lead the viewer’s eyes back to an industrial inferno. Buffalo artist Charles Burchfield felt a great deal of reverence for the natural world. His nuanced depictions of the industrial landscape were indictments of environmental abuse. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of Mrs. Charles H. Babcock", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This was part of Lending LIbrary of American Art at MAG as per a Gallery Notes article in 1941. How did it get Mrs. Babcock in credit line-- did she purchase from them and give to MAG later?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.105_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.105_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.105_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.105_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "33650", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "converted from Seeing America CMYK image for web use", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.105_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.105_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.105_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.105_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "39114", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3743, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3743", "Disp_Access_No" : "1974.94", "_AccNumSort1" : "", "Disp_Create_DT" : "1935", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1935", "Disp_Title" : "Totems in Steel", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Sheeler", "Sort_Artist" : "Sheeler, Charles", "Disp_Dimen" : "3 11/16 x 5 1/8 in. (9.4 x 13 cm)", "Disp_Height" : "3 11/16 in.", "Disp_Width" : "5 1/8 in.", "Dimen_Extent" : "image", "Medium" : "Gouache", "Support" : "paper", "Disp_Medium" : "Gouache and watercolor", "Info_Page_Comm" : "This image of a New York City construction site is based on a film still from Charles Sheeler’s 1920 film collaboration with photographer Paul Strand, <em>Manhatta</em>. In the ten-minute film, the artists track the dynamism of Manhattan through the course of a day, focusing on the unique pulse and geometry of the city’s machinery, vehicles, and architecture. <em>Manhatta</em> provided Sheeler with numerous images from which he later painted. The title of this painting, <em>Totems in Steel</em>, frames modern engineering, industry, and architecture in quasi-religious terms. Sheeler wrote, “In a period such as ours when only a comparatively few individuals seem to be given to religion, some form other than the Gothic cathedral must be found. Industry concerns the greatest numbers—it may be true, as has been said, that our factories are our substitute for religious expression.” [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "Gift of Peter Iselin and his sister, Emilie Iselin Wiggin", "Copyright_Type" : "No existing copyright holder", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.94_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.94_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.94_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.94_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27604", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 1-16-05", "View" : "" } , ] }, ] }