{ "objects" : [ { "embark_ID" : 256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/256", "Disp_Access_No" : "1943.43", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1828", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1838", "Disp_Title" : "View of West Point", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Chambers", "Sort_Artist" : "Chambers, Thomas", "Disp_Dimen" : "22 1/4 x 30 1/8 in. (56.5 x 76.5 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "At a time when there was no photography, videography, or cinema, people relied on landscape paintings to be their windows onto the world beyond their immediate horizons. Thomas Chambers capitalized on people's interest in the American landscape. He is noted for his many picturesque views of early 19th-century America, including this one of the United States Military Academy at West Point on the Hudson River. Chambers worked from personal observation, but also consulted many British and American prints for his paintings. You should not be surprised if you visit other museums and see a painting similar to this one. At least six other views of West Point were painted by Chambers. [Gallery label text, 2004]", "Dedication" : "Gift of Mrs. Elsie McMath Cole in memory of her parents, Mr. and Mrs. Morrison H. McMath", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.43_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39024", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "No print-level image was derived at the time of photography, so 43.43_M1 was cropped and processed 8/30/12 to make a TIF and then a new JPG was derived", "View" : "" } , ] },{ "embark_ID" : 552, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/552", "Disp_Access_No" : "1943.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "People's Follies No. 3", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Reginald Marsh", "Sort_Artist" : "Marsh, Reginald", "Disp_Dimen" : "25 7/8 x 39 in. (65.7 x 99.1 cm)", "Disp_Height" : "25 7/8 in.", "Disp_Width" : "39 in.", "Dimen_Extent" : "", "Medium" : "Egg tempera", "Support" : "board", "Disp_Medium" : "Egg tempera on composition board", "Info_Page_Comm" : "Reginald Marsh inherited the Urban Realist interest in the act of seeing and being seen. His art often addressed sexuality in the urban environment, as in this painting of a burlesque hall. [Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12364", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 584, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/584", "Disp_Access_No" : "1953.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "My Hills of Home", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Mary Robertson Moses", "Sort_Artist" : "Moses, Anna Mary Robertson", "Disp_Dimen" : "18 x 36 in. (45.7 x 91.4 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "If you asked people to name an American artist, chances are that many of them would say “Grandma Moses,” for her name has come to be associated with a distinctive style of painting and rural subjects that strike a common national chord. Grandma Moses first began to paint in her seventies, after arthritis made it impossible for her to continue to embroider. A New York collector driving through Moses’s home town of Hoosick Falls, New York, saw her paintings in a drugstore, bought them, and bought more after visiting her at her farm. She had her first exhibition in 1940. In her biography, she wrote: "I look back on my life like a good day's work, it was done and I feel satisfied with it. I was happy and contented, I knew nothing better and made the best out of what life offered. And life is what we make it, always has been, always will be." [Gallery label text, 2009] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "12579", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "53.3.DI1 watermarked for use on website--see PRR record.", "View" : "" } , ] },{ "embark_ID" : 624, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/624", "Disp_Access_No" : "1958.17", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "Spring through the Willows", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William C. Palmer", "Sort_Artist" : "Palmer, William C.", "Disp_Dimen" : "31 1/2 x 40 3/4 in. (80 x 103.5 cm)", "Disp_Height" : "31 1/2 in.", "Disp_Width" : "40 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Early in his career, William Palmer was a muralist for the WPA, earning $24 a week for his hospital and post office commissions. He went on to found the School of Art at the Munson-Williams-Proctor Arts Institute in Utica, and became a highly regarded painter of colorful, abstract New York landscapes. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Holder Not Found", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/58.17_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/58.17_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/58.17_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/58.17_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39539", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }