{ "objects" : [ { "embark_ID" : 290, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/290", "Disp_Access_No" : "1977.15", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "Weaving Homespun, Canada", "Alt_Title" : "The Weavers", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emma Lampert Cooper", "Sort_Artist" : "Cooper, Emma Lampert", "Disp_Dimen" : "22 x 30 in. (55.9 x 76.2 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting of two women weaving by the cool light of a single window won a prize at the St. Louis World’s Fair in 1904. The naturalistic depiction of the crowded interior, with natural tones enlivened by the red blouse of one woman and the blue wool being woven, shows Emma Lampert Cooper’s award-winning grasp of composition and color. However, by the time it was given to MAG, 70 years later, it was mistakenly labelled as a work of her husband, Colin Campbell Cooper. Emma Lampert Cooper was the first vice president of the Rochester Art Club when it was founded in 1877, and later its president. She taught art at the Mechanics’ Institute (now RIT) from 1893 to 1897. [Gallery label text, 2021]", "Dedication" : "Gift of the Estate of Mrs. A. M. Stewart", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.15_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "37922", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "For in-house uses only; not for web or publication.", "View" : "" } , ] },{ "embark_ID" : 4978, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4978", "Disp_Access_No" : "1946.42", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "Moonlight: The Artist's House at Gerberoy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri-Eugène-Augustin Le Sidaner", "Sort_Artist" : "Le Sidaner, Henri-Eugène-Augustin", "Disp_Dimen" : "25 1/4 x 32 in. (64.1 x 81.3 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "About the time this work was painted, Le Sidaner's art was compared by a French critic with the music of his countryman and exact contemporary Claude Debussy. The painting's subtle, almost monochromatic coloring, with daubing brushstrokes creating a soft, flickering play of light over surfaces, is certain reminiscent of Debussy's dappled tonal effects. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of Mrs. William R. Taylor", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Catalogue raisonné (Yann Farinaux-Le Sidaner, 1989) says this painting was made in 1903; but 1974 Musée de la Ville de Dunkerque catalogue indicates artist didn''t buy this cottage until 1904.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.42_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.42_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.42_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.42_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14442", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }