{ "objects" : [ { "embark_ID" : 296, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/296", "Disp_Access_No" : "1951.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1939-1940", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1940", "Disp_Title" : "Whitestone Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralston Crawford", "Sort_Artist" : "Crawford, Ralston", "Disp_Dimen" : "40 1/4 x 32 in. (102.2 x 81.3 cm)", "Disp_Height" : "40 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ralston Crawford’s strong linear style and simplified form and palette in Whitestone Bridge are representative of the modern Precisionist style. Precisionist artists celebrated industrialization and technology with a visual language that evoked the purity and perfection of the machine. [Gallery label text, 2007] The Whitestone Bridge, linking The Bronx and Queens, was opened in 1939 just in time for the New York World's Fair. The suspension bridge routed travelers coming to the Fair from Upstate and New England away from the congestion of New York City. At the same time, Crawford was moving away from painting traditional landscapes and searching for a vocabulary that was closer in spirit to the streamlined, industrial aesthetic that he was observing in the world around him. The Whitestone Bridge was an excellent match for his artistic aspirations. The sleek and futuristic lines of the Whitestone Bridge matched the Trylon and Perisphere logo of the World's Fair, which was intended to signify progress and the World of Tomorrow. By 1944, when this painting was acquired by the Encyclopedia Britannica Collection, the sleek and elegant Whitestone Bridge had become an icon of contemporary design. The curator traveled to New York City to determine whether the bridge really looks as though it extends back into space with no land visible on the other side. And, in fact, Crawford's thrilling vantage point can be experienced by taking the bus across the bridge - for a brief instant, the first-time crosser experiences the view that Crawford recorded: a slim line of road, held up by wires, sailing across the water with no end in sight. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3071", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "3583", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "297", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "298", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "3367", "Rel_Obj_Title" : "Whitestone Bridge" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12382", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Image is 800ppi but only 2.5 x 3.5". Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/256", "Disp_Access_No" : "1943.43", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1828", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1838", "Disp_Title" : "View of West Point", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Chambers", "Sort_Artist" : "Chambers, Thomas", "Disp_Dimen" : "22 1/4 x 30 1/8 in. (56.5 x 76.5 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "At a time when there was no photography, videography, or cinema, people relied on landscape paintings to be their windows onto the world beyond their immediate horizons. Thomas Chambers capitalized on people's interest in the American landscape. He is noted for his many picturesque views of early 19th-century America, including this one of the United States Military Academy at West Point on the Hudson River. Chambers worked from personal observation, but also consulted many British and American prints for his paintings. You should not be surprised if you visit other museums and see a painting similar to this one. At least six other views of West Point were painted by Chambers. [Gallery label text, 2004]", "Dedication" : "Gift of Elsie McMath Cole in memory of her parents, Mr. and Mrs. Morrison H. McMath", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.43_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39024", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "No print-level image was derived at the time of photography, so 43.43_M1 was cropped and processed 8/30/12 to make a TIF and then a new JPG was derived", "View" : "" } , ] },{ "embark_ID" : 587, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/587", "Disp_Access_No" : "1947.31", "_AccNumSort1" : "", "Disp_Create_DT" : "1899", "_Disp_Start_Dat" : "1899", "_Disp_End_Date" : "1899", "Disp_Title" : "Springtime: Foggy Morning", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "J. Francis Murphy", "Sort_Artist" : "Murphy, J. Francis", "Disp_Dimen" : "16 x 22 in. (40.6 x 55.9 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 746, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/746", "Disp_Access_No" : "1967.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Frail Survival", "Alt_Title" : " Grove of Trees", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Isabelle Hollister Tuttle", "Sort_Artist" : "Tuttle, Isabelle Hollister", "Disp_Dimen" : "17 1/2 x 23 1/2 in. (44.5 x 59.7 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas board", "Disp_Medium" : "Oil on canvas board", "Info_Page_Comm" : "", "Dedication" : "Gift of Thomas G. Spencer", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24403", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }