{ "objects" : [ { "embark_ID" : 1570, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1570", "Disp_Access_No" : "1975.329.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jim Dine", "Sort_Artist" : "Dine, Jim", "Disp_Dimen" : "22 1/8 x 16 15/16 in. (56.2 x 43 cm)", "Disp_Height" : "22 1/8 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From the portfolio "New York Ten" This work claims to be a self-portrait, although we don't actually see what we typically expect in a portrait - a face. One of the trademarks of Pop Art is the absence of the artist's hand - many of them wanted their work to look machine-made or mass-produced. Pop Art, as well as many other art movements throughout the ages, often prompted the question "What is art?" This work also invites the question "What is a portrait?" [Gallery label text] The self-portrait has been redefined by a number of artists in contemporary times. In Dine’s case, the substitution of a bathrobe for the artist’s face is a witty twist on an old theme, simultaneously conveying anonymity and “cozy familiarity,” in the words of one writer. Like Warhol’s Campbell’s soup can, Dine’s bathrobe has become a signature image of Pop art of the Sixties. In addition to his unconventional approach to self-portraiture, Dine’s printing technique “breaks the rules” as well. Rather than being centered on the paper, the image is asymmetrically placed, which creates a cropped effect. [Label text, 1997]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.329.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.329.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.329.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.329.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12741", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2392, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2392", "Disp_Access_No" : "1938.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1933", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1933", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "17 5/8 x 12 7/8 in. (44.8 x 32.7 cm)", "Disp_Height" : "17 5/8 in.", "Disp_Width" : "12 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per Marjorie Searl on December 15, 2011, this is number 26 in Sylvan Cole''s catalog raisonne.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.37_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.37_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.37_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.37_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22331", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3802, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3802", "Disp_Access_No" : "1992.2.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1987", "_Disp_Start_Dat" : "1987", "_Disp_End_Date" : "1987", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joyce Treiman", "Sort_Artist" : "Treiman, Joyce", "Disp_Dimen" : "11 1/4 x 16 in. (28.6 x 40.7 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Monotype", "Info_Page_Comm" : "", "Dedication" : "Purchased with funds from an anonymous donor and Bennett Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.2.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.2.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.2.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.2.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22330", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8704, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8704", "Disp_Access_No" : "1937.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1934", "_Disp_Start_Dat" : "1934", "_Disp_End_Date" : "1934", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Käthe Kollwitz", "Sort_Artist" : "Kollwitz, Käthe", "Disp_Dimen" : "14 15/16 x 10 5/8 in. (38 x 27 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "10 5/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "vellum", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Kollwitz created this unflinching self-portrait at age 67, one year after Hitler came to power in Germany. Kollwitz' art was seen as degenerate by the Nazi regime. She was forced to resign her teaching position and was prohibited from exhibiting and publishing her work. In addition to the oppression of the Nazi regime, Kollwitz was struggling with the difficulty of aging. On New Year's Day, 1932, Kollwitz wrote in her diary, "Age remains age, that is, it pains, torments and subdues. When others see my scant achievements, they speak of a happy old age. I doubt that there is such a thing as happy old age...At the very point when death becomes visible behind everything, it disrupts the imaginative process." Despite her own feelings of exhaustion and hopelessness, Kollwitz continued to create art until she was 76.", "Dedication" : "Gallery purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "German", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.10_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22321", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 12044, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/12044", "Disp_Access_No" : "2003.109", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self Portrait with Sneakers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Clayton Pond", "Sort_Artist" : "Pond, Clayton", "Disp_Dimen" : "28 x 23 in. 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