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[Gallery label text, 2016]", "Dedication" : "Lyman K. and Eleanore B. 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(190 x 16 x 28.5 cm)", "Disp_Height" : "74 13/16 in.", "Disp_Width" : "6 5/16 in.", "Dimen_Extent" : "overall", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood, raffia, hair, metal", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert Horn", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "Mali", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2017.31_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2017.31_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2017.31_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2017.31_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "48003", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 26806, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/26806", "Disp_Access_No" : "2018.15", "_AccNumSort1" : "", "Disp_Create_DT" : "2017", "_Disp_Start_Dat" : "2017", "_Disp_End_Date" : "2017", "Disp_Title" : "San Quentin West Block II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gil Batle", "Sort_Artist" : "Batle, Gil", "Disp_Dimen" : "6 1/2 x 5 x 5 in. 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The creative impulse that has threaded throughout Batle’s life has now found outlet in these otherworldly eggs covered with narratives of institutionalized gang violence and racially segregated cellblocks. Eggs are a part of the creation myths of nearly all cultures throughout time and have many powerful connections to the history of art. The ostrich egg, in particular, has been used as a durable carving medium for over 60,000 years (as recently discovered in caves in South Africa). In Medieval and Renaissance Europe, they were used to make elaborate drinking cups and were sometimes hung in chapels dedicated to the Virgin Mary. left: 51/50 Dreams, 2015 Batle: 51/50 is a police code for “crazy person on the loose” 51/50 is also a term inmates use to label the mentally ill convicts that have been medically cleared to roam in the general population in prison… They are unpredictable, at times acting with odd behaviors and keep to themselves and are better off left alone… It’s pretty eerie to see one of these guys sleeping… I carved what I imagined what these guys dream about. right: San Quentin West Block II, 2017 Batle: San Quentin’s West Block is the closest thing to Hell that I can imagine. It holds more than 700 inmates. The noise level was as loud as a football stadium during a touchdown. There is no way to describe this place. My first term in prison, I was in awe walking past each cell. Each cell had its own character. 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Exist as corrected 300-ppi TIFs and JPGs-- no uncorrected masters.", "View" : "" } , ] },{ "embark_ID" : 26807, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/26807", "Disp_Access_No" : "2018.16", "_AccNumSort1" : "", "Disp_Create_DT" : "2015", "_Disp_Start_Dat" : "2015", "_Disp_End_Date" : "2015", "Disp_Title" : "51/50 Dreams", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gil Batle", "Sort_Artist" : "Batle, Gil", "Disp_Dimen" : "6 1/2 x 5 x 5 in. (16.5 x 12.7 x 12.7 cm)", "Disp_Height" : "6 1/2 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "overall", "Medium" : "Ostrich egg shell", "Support" : "", "Disp_Medium" : "Ostrich egg shell", "Info_Page_Comm" : "Born and raised in San Francisco to Filipino parents, the artist Gil Batle spent over 20 years in and out of California prisons for fraud and forgery. 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The ostrich egg, in particular, has been used as a durable carving medium for over 60,000 years (as recently discovered in caves in South Africa). In Medieval and Renaissance Europe, they were used to make elaborate drinking cups and were sometimes hung in chapels dedicated to the Virgin Mary. left: 51/50 Dreams, 2015 Batle: 51/50 is a police code for “crazy person on the loose” 51/50 is also a term inmates use to label the mentally ill convicts that have been medically cleared to roam in the general population in prison… They are unpredictable, at times acting with odd behaviors and keep to themselves and are better off left alone… It’s pretty eerie to see one of these guys sleeping… I carved what I imagined what these guys dream about. right: San Quentin West Block II, 2017 Batle: San Quentin’s West Block is the closest thing to Hell that I can imagine. It holds more than 700 inmates. The noise level was as loud as a football stadium during a touchdown. 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Exist as corrected 300-ppi TIFs and JPGs-- no uncorrected masters.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.16_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.16_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.16_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.16_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "48129", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos provided by Ricco Maresca Gallery. Exist as corrected 300-ppi TIFs and JPGs-- no uncorrected masters.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.16_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.16_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.16_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.16_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "48130", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photos provided by Ricco Maresca Gallery. Exist as corrected 300-ppi TIFs and JPGs-- no uncorrected masters.", "View" : "" } , ] },{ "embark_ID" : 28145, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28145", "Disp_Access_No" : "2018.34", "_AccNumSort1" : "", "Disp_Create_DT" : "2002", "_Disp_Start_Dat" : "2002", "_Disp_End_Date" : "2002", "Disp_Title" : "Bakelite Robot", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nam June Paik", "Sort_Artist" : "Paik, Nam June", "Disp_Dimen" : "46 x 32 3/16 x 9 in. (116.8 x 81.8 x 22.9 cm)", "Disp_Height" : "46 in.", "Disp_Width" : "32 3/16 in.", "Dimen_Extent" : "overall", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Mixed media", "Info_Page_Comm" : "Nam June Paik, often referred to as the “Father of Video Art,” studied music performance, art history, and Eastern philosophy in Korea and Japan before making New York City his home in 1964. Paik expanded the language and materials of artmaking and was part of Fluxus, an international avant-garde art movement. Interested in electronic music and video manipulations, in 1964 Paik created a remote-controlled robot, Robot K-456, which he used in performances, often on the streets of Manhattan. This celebrated artwork spoke to Paik’s efforts to humanize technology, and it inspired his first “Family of Robot” sculpture, made in the 1980s and fashioned from a variety of antique televisions and radios. Bakelite Robot, created late in life, is a signature work that addresses a variety of artistic and cultural issues: the human form in sculpture, the found object, technology and art, and the transformation of video into a sculptural medium. [Hawks Gallery reinstallation, summer 2019]", "Dedication" : "Maurice R. and Maxine B. Forman Fund, Marion Stratton Gould Fund, Clara and Edwin Strasenburgh Fund, Lyman K. and Eleanore B. Stuart Endowment Fund, and Thelma M. Knapp Fund", "Copyright_Type" : "See Notes & Histories-Copyright Notes", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN>Credit line to be determined 9/18: <SPAN STYLE="font-family:''Times New Roman'';font-size:12pt">Funds from Deaccessioning [specific?]<BR/>Media Arts Watch funds, Laura to determine<BR/>the Strasenburgh Fund<BR/>Marion Stratton Gould Fund<BR/>Maurice R. and Maxine B. Forman Fund</SPAN></SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "52315", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "There is no uncorrected master for this image as it is a composite based on photos of the robot and photos of the screens, taken in different lighting. These separate shots can be found on Andy''s disk dated/numbered 181009, stored in the curatorial department.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.34_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "52316", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "There is no uncorrected master for this image as it is a composite based on photos of the robot and photos of the screens, taken in different lighting. These separate shots can be found on Andy''s disk dated/numbered 181009, stored in the curatorial department.", "View" : "" } , ] },{ "embark_ID" : 28229, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28229", "Disp_Access_No" : "2018.38", "_AccNumSort1" : "", "Disp_Create_DT" : "2005", "_Disp_Start_Dat" : "2005", "_Disp_End_Date" : "2005", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nam June Paik", "Sort_Artist" : "Paik, Nam June", "Disp_Dimen" : "8 1/2 x 8 3/4 x 11 3/4 in. (21.6 x 22.2 x 29.8 cm)", "Disp_Height" : "8 1/2 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Sony black and white television, permanent ink marker and acrylic paint ", "Info_Page_Comm" : "", "Dedication" : "Gift of the Hakuta family in honor of John Hanhardt for his lifelong friendship and scholarship of Nam June Paik", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.38_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.38_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.38_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.38_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "54732", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 28364, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28364", "Disp_Access_No" : "2019.10", "_AccNumSort1" : "", "Disp_Create_DT" : "2016", "_Disp_Start_Dat" : "2016", "_Disp_End_Date" : "2016", "Disp_Title" : "Wandering Weevil", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Stewart", "Sort_Artist" : "Stewart, William", "Disp_Dimen" : "66 x 20 x 22 in. (167.6 x 50.8 x 55.9 cm)", "Disp_Height" : "66 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "overall", "Medium" : "Mixed media", "Support" : "", "Disp_Medium" : "Ceramic, nylon cord, leather cord, foam, wood", "Info_Page_Comm" : "Throughout his career, artist Bill Stewart has relied primarily on clay to create images and objects that are “on the edge, off center, humorous, weird, absurd or irreverent.” Wandering Weevil is one of Stewart’s large-scale ceramic figures that have typified his creative output in recent years. Drawing on innumerable sources from across time, Stewart’s playful figures incorporate references to toys, shamans, ancient deities, and archaeological artifacts. Stewart taught sculpture at SUNY Brockport from 1966 through 1999, and his work is shown and collected regionally and nationally. The ambitious scale of a ceramic figure of this size, the variety of textures, and the challenges of firing such complicated ceramic forms all indicate the artist’s mastery of the medium. [Hawks Gallery reinstallation, summer 2019]", "Dedication" : "Gift of William and Bonnie Stewart", "Copyright_Type" : "", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "53329", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy''s disk labelled MAG190919", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.10_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.10_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.10_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.10_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "53330", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy''s disk labelled MAG190919", "View" : "" } , ] },{ "embark_ID" : 28575, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28575", "Disp_Access_No" : "2019.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1997/2007", "_Disp_Start_Dat" : "", "_Disp_End_Date" : "", "Disp_Title" : "The Gardener (Melissa with Bob Marley Shirt)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Ahearn", "Sort_Artist" : "Ahearn, John", "Disp_Dimen" : "67 x 36 x 36 in. (170.2 x 91.4 x 91.4 cm)", "Disp_Height" : "67 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "without base", "Medium" : "Fiberglass", "Support" : "", "Disp_Medium" : "Pigmented fiberglass resin with cement base", "Info_Page_Comm" : "John Ahearn and Rigoberto Torres have worked together and independently to make casts directly from living models since the early 1980s. Each sculpture is the result of a sustained interaction and creative collaboration with the sitter, offering a realistic portrait of an individual from their South Bronx neighborhood. Ahearn explains: "We were working with neighborhood friends to create free-standing figures that define aspects of community… Melissa was constantly in the studio, she loved children, and she was an active gardener… her favorite sweatshirt featured the image of Bob Marley with his words, "WE AFRICANS MUST FIGHT IF NECESSARY FOR WE ARE CONFIDENT IN THE VICTORY OF GOOD OVER EVIL.'" Melissa’s casual attire and the everyday objects she holds seem to indicate her work as a gardener, yet the portrait takes on the quality of the sculpted saints found in churches. Melissa gazes up into the sky. Is she simply checking for rain, or is there a divine source attracting her attention? [Hawks Gallery reinstallation, summer 2019]", "Dedication" : "Herdle-Moore Fund, Maurice R. and Maxine B. Forman Fund, Thelma M. Knapp Fund, and with the support of attendees on the 2019 Frieze Los Angeles art trip", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per John Ahearn: "After 2000, I began experimenting on a fabrication technique to pigment the resin and apply the colors in the mold in a reverse painting style, so that the work was finished when it emerged from the mold.  Both "Noel and Blondie" (also part of the E 100 ST/ Baltimore project)  and "Melissa" were made this way. The only fiberglass versions of these figures are these two. So Melissa''s original plaster was made in 1997 but the pigmented resin was made in 2007." [see e-mail in curatorial file] ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.14_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "53331", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy''s disk labelled MAG190919", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.14_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "53332", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy''s disk labelled MAG190919", "View" : "" } , ] },{ "embark_ID" : 26944, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/26944", "Disp_Access_No" : "2019.16", "_AccNumSort1" : "", "Disp_Create_DT" : "2006", "_Disp_Start_Dat" : "2006", "_Disp_End_Date" : "2006", "Disp_Title" : "Cloud Prototype No. 2", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Iñigo Manglano-Ovalle", "Sort_Artist" : "Manglano-Ovalle, Iñigo", "Disp_Dimen" : "57 1/4 x 96 5/8 x 96 5/8 in. (145.5 x 245.5 x 245.5 cm)", "Disp_Height" : "57 1/4 in.", "Disp_Width" : "96 5/8 in.", "Dimen_Extent" : "overall", "Medium" : "Fiberglass", "Support" : "", "Disp_Medium" : "Fiberglass and titanium alloy foil", "Info_Page_Comm" : "March 16th, only days after MAG closed to the public because of COVID-19 and only days before all non-essential staff would be required to work from home, our curatorial and facilities teams installed Cloud Prototype No. 2 by the Chicago-based artist Iñigo Manglano-Ovalle. The plan to mount the work was set forth back in summer 2018, when philanthropists and art patrons Pamela and Bob Goergen—Bob is also former Chairman of the Board of Trustees of the University of Rochester—pledged the sculpture as a generous gift to MAG. Specialized—and very difficult to schedule because they are in such demand—art handlers were secured to truck the work from Connecticut, install after arrival in Rochester, and then return east, to New Jersey. The moment of installation was a highly coordinated affair, and it had been on the books for months. You can imagine how grateful and relieved the team was when we successfully suspended Cloud Prototype No. 2 from the still-gleaming-like-new skylight latticework of our Vanden Brul Pavilion. The striking titanium leaf-clad Cloud Prototype No. 2 derives from a digital rendering of an actual cumulonimbus formation, a type of storm cloud. On the one hand it brims with ominous portent; on the other, it is spellbindingly beautiful. It is as much a symbol of everything we cannot control—from the forces of nature to, in its evocation of neural gray matter, the workings of our own minds—as it is of those powers we can control, like thermonuclear explosions and their resulting mushroom clouds. And there are many other references to draw. In 2003, when the MacArthur Fellowship winning-artist premiered his “Cloud Prototype” series, New York Times art critic Ken Johnson called the example on view at Max Protetch Gallery “possibly the most beautiful object to be found in a contemporary art gallery in New York right now.” In 2003 the architectural style of the celebrated Frank Gehry was in full bloom. Many immediately made the connection between Manglano-Ovalle’s clouds and the architect’s wavy titanium-paneled buildings, which were being unveiled that year in multiple locations, at Case Western Reserve, Bard College, and in Los Angeles with the new Walt Disney Concert Hall. (The iconic example of this Gehry style is, of course, the Guggenheim Museum in Bilbao, which opened in 1997.) Manglano-Ovalle’s clouds are a corollary to Gehry’s architecture, in that they not only deliver on the promise of technology, but also critique that promise, couching humankind’s continuing advances in the context of a world that is nonetheless always out of our control. As we look for a silver lining in this unsettling time, know that a deeper understanding is always on offer through the contemplation of art, in all of its beauty and grotesquerie, its intelligence and, dare I say, ineptitude. Art embraces the struggle, sometimes successful, sometimes not so much, to make sense of ourselves and the world around us. The point is that we try. Artists as visionaries, innovators, and makers; and, for those of us who do not make, we are nonetheless essential to realizing the potential of art, in our efforts to look, listen, and otherwise absorb the expressions of others. Even in these uncertain times, MAG remains dedicated to stewarding the most important expressions of humankind’s greatest aspirations of permanence and relevance. Look for us on social media during this period of self-isolation and quarantine. Stay engaged. We are still working hard to be the center of the conversation on art and creativity in Rochester. By continuing to share our experiences of art, art will continue to connect us. And as soon as it is safe to do so, we will warmly welcome you back to MAG and to our Vanden Brul Pavilion, where we can experience the real things, the art and each other, together. --Jonathan Binstock, gallery exhibition label, July 2020 ", "Dedication" : "Gift of Robert B. and Pamela M. Goergen", "Copyright_Type" : "", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.16_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "53362", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by Christopher Grimes Projects. Exists only as JPG, no larger file", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.16_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.16_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.16_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.16_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "56779", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk of Andy''s photos dated 11/15/2021", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2019.16_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2019.16_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2019.16_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2019.16_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "56780", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk of Andy''s photos dated", "View" : "" } , ] },{ "embark_ID" : 28692, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28692", "Disp_Access_No" : "2020.1", "_AccNumSort1" : "", "Disp_Create_DT" : "2008", "_Disp_Start_Dat" : "2008", "_Disp_End_Date" : "2008", "Disp_Title" : "Process Art (An Eye for An Eye)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Nathan Mabry", "Sort_Artist" : "Mabry, Nathan", "Disp_Dimen" : "89 x 49 x 36 in. (226.06 x 124.46 x 91.44 cm)", "Disp_Height" : "89 in.", "Disp_Width" : "49 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze and wood", "Info_Page_Comm" : "", "Dedication" : "Gift of Howard and Wilma Kaye", "Copyright_Type" : "", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 28967, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28967", "Disp_Access_No" : "2020.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1996", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1996", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Deborah Butterfield", "Sort_Artist" : "Butterfield, Deborah", "Disp_Dimen" : "92 x 113 x 37 in. (233.68 x 287.02 x 93.98 cm)", "Disp_Height" : "92 in.", "Disp_Width" : "113 in.", "Dimen_Extent" : "overall", "Medium" : "Bronze", "Support" : "", "Disp_Medium" : "Bronze", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert B. and Pamela M. 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