{ "objects" : [ { "embark_ID" : 5078, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5078", "Disp_Access_No" : "1981.2", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1743", "_Disp_Start_Dat" : "1738", "_Disp_End_Date" : "1748", "Disp_Title" : "The Trinity", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Corrado Giaquinto", "Sort_Artist" : "Giaquinto, Corrado", "Disp_Dimen" : "30 x 30 in. (76.2 x 76.2 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "diameter", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "“The Holy Trinity,” the concept that there are three Persons in the unity of God, is the central doctrine of the Christian religion. Although these three Persons—the Father, the Son and the Holy Spirit—are distinct from each other, the Christian faith holds that there are not three gods but one. In Christian art, three elements represent the Trinity. The image of an older patriarch refers to God the Father; God the Son, or Christ, is usually shown either crucified on a cross or, as in this painting, after his death; and the Holy Spirit appears as a dove in flight. During the Counter-Reformation, images of the Trinity emphasized the physical nature of Christ by focusing on his suffering and death. Like other dramatic works of Counter-Reformation art, the intent was to evoke an emotional response from the faithful that would lead to increased devotion. This painting is one of several variations of Giaquinto’s Dead Christ with the Trinity (1741-1742), a fresco he painted in the apse of S. Giovanni Calibita in Rome. ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italy", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24187", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Another master scan is saved as 81.2_M2.tif", "View" : "" } , ] },{ "embark_ID" : 13366, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/13366", "Disp_Access_No" : "2005.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1650-1653", "_Disp_Start_Dat" : "1650", "_Disp_End_Date" : "1653", "Disp_Title" : "The Entombment", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Luca Giordano", "Sort_Artist" : "Giordano, Luca", "Disp_Dimen" : "115 1/4 x 79 1/2 in. (292.7 x 201.9 cm)", "Disp_Height" : "115 1/4 in.", "Disp_Width" : "79 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Originally an altarpiece, this painting illustrates the New Testament scene of the Entombment of Christ, one of the most emotional and dramatic events in the Christian faith. Joseph of Arimathea, who is holding Jesus and clasping him in a shroud, and Nicodemus, who supports Jesus’ legs, are placing him in a stone sarcophagus. Saint John the Evangelist, cloaked in red, is in the foreground with his back to the viewer. Christ’s mother, the Virgin Mary, dressed in a blue robe, collapses in despair at the left. She is surrounded by Holy Women, including Mary Magdalene who wrings her hands in sorrow. Other grieving figures in the background of the painting engage each other in conversation, enhancing both the devotional and dramatic character of the painting. Luca Giordano was one of the most celebrated artists in Naples. He produced a huge quantity of work, including altarpieces, mythological paintings and decorative fresco cycles. Giordano was internationally successful and traveled widely, working in Naples, Venice, Florence and Madrid. This altarpiece was painted early in Giordano’s career when he was only in his late teens. It shows the influence of the equally well-known and prolific painter Jusepe de Ribera, with whom he may have trained. [Gallery label] ", "Dedication" : "Marion Stratton Gould Fund, Maurice R. and Maxine B. Forman Fund, Gallery Purchase Fund, gift of Whitney F. Hoyt, by exchange, gift of Mr. and Mrs. Hollister Spencer, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italy", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.34_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "21376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2005.34_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2005.34_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2005.34_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2005.34_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "21378", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 5079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5079", "Disp_Access_No" : "1982.6", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "San Giorgio Maggiore, Venice", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Guardi", "Sort_Artist" : "Guardi, Francesco", "Disp_Dimen" : "17 1/8 x 24 1/2 in. (43.5 x 62.2 cm)", "Disp_Height" : "17 1/8 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "The Clara and Edwin Strasenburgh Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italy", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/82.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/82.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/82.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/82.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21386", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05; another master is saved on the image server as 82.6_M2.tif, GF6P0295.tif, .jpg on CD, a third master is save on the server as 82.6_M5.tif. ", "View" : "" } , ] },{ "embark_ID" : 5066, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5066", "Disp_Access_No" : "1952.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1735", "_Disp_Start_Dat" : "1736", "_Disp_End_Date" : "1745", "Disp_Title" : "The Exorcism of the Waves", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alessandro Magnasco", "Sort_Artist" : "Magnasco, Alessandro", "Disp_Dimen" : "33 x 51 in. (83.8 x 129.5 cm)", "Disp_Height" : "33 in.", "Disp_Width" : "51 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italy", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21385", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5061, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5061", "Disp_Access_No" : "1977.103", "_AccNumSort1" : "", "Disp_Create_DT" : "1633-1637", "_Disp_Start_Dat" : "1633", "_Disp_End_Date" : "1637", "Disp_Title" : "Portrait of a Man Holding the Frontispiece to Dürer's "Small Passion"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pietro Paolini", "Sort_Artist" : "Paolini, Pietro", "Disp_Dimen" : "49 3/4 x 40 3/4 in. (126.4 x 103.5 cm)", "Disp_Height" : "49 3/4 in.", "Disp_Width" : "40 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italy", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.103_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.103_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.103_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.103_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "38884", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from TR1 to create a file of a size suitable for publication.", "View" : "" } , ] },{ "embark_ID" : 5062, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5062", "Disp_Access_No" : "1977.109", "_AccNumSort1" : "", "Disp_Create_DT" : "1704-1708", "_Disp_Start_Dat" : "1704", "_Disp_End_Date" : "1708", "Disp_Title" : "The Triumph of Judith", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francesco Solimena", "Sort_Artist" : "Solimena, Francesco", "Disp_Dimen" : "38 3/4 x 49 1/4 in. (98.4 x 125.1 cm)", "Disp_Height" : "38 3/4 in.", "Disp_Width" : "49 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The subject of Judith cutting off the head of Holofernes was one of the most popular subjects in Christian art of the 1600s and 1700s. The Old Testament story tells how the heroine Judith went to the camp of Holofernes, the Assyrian general who was besieging her town. She dazzled him with her beauty; after pretending to accept his advances, she beheaded him with his own sword while he was in a drunken stupor. This painting illustrates the moment when Judith displays the trophy of her victory to the citizens she has rescued. In a Christian context, the story of the Jewish heroine represents the triumph of virtue over evil. During the Counter-Reformation, the subject also became a powerful symbol of the Catholic Church’s triumph over heresy, or dissent from its teachings. Here, Solimena shows Judith as confident that she has served the will of God. The dramatic lighting, gestures and facial expressions of the figures are intended to appeal to the emotions and inspire the faith that motivated Judith.", "Dedication" : "Gift of Dr. and Mrs. James V. Aquavella", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italy", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.109_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.109_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.109_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.109_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22380", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 5049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5049", "Disp_Access_No" : "1953.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1630-1635", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1635", "Disp_Title" : "Two Musicians", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Bernardo Strozzi", "Sort_Artist" : "Strozzi, Bernardo", "Disp_Dimen" : "45 5/8 x 47 7/8 in. (115.9 x 121.6 cm)", "Disp_Height" : "45 5/8 in.", "Disp_Width" : "47 7/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This scene of a middle-aged lute player and young violinist illustrates many qualities of Baroque art. Both musicians look directly out from the painting, their eye contact and lively expressions establishing a sympathetic psychological relationship with their audience. A parapet that separates performer from spectator links imaginary and actual space; dramatic lighting, naturalistic details and richly saturated colors all merge to intensify the viewer’s visual experience. The meaning of Two Musicians leaves much to the imagination. The two figures here could suggest a contrast between naïve youth and experienced age; the violin and the lute both refer to ideas of balance and harmony. Concert scenes sometimes symbolize the sense of hearing or the idea of harmony and love. Whatever the interpretation, these paintings of concerts were, like the music they represent, extremely popular with their public during the Baroque period. As a young man, Strozzi entered a monastery where he painted religious subjects. After his father’s death, he was allowed to leave the monastery to support his mother; he refused, though, to return after she died and was forced to flee his native Genoa. In 1631, he settled in Venice, where he became a Roman Catholic prelate, or church official. He enjoyed continuous success as a painter for the rest of his life. [Gallery label text] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italy", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per catalogue raisonne, one of eighteen versions of this scene.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.8_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15969", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29168", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1999 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 5048, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5048", "Disp_Access_No" : "1964.110", "_AccNumSort1" : "", "Disp_Create_DT" : "17th Century - early 18th Century", "_Disp_Start_Dat" : "1600", "_Disp_End_Date" : "1732", "Disp_Title" : "Still Life with Quince", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Italian artist", "Sort_Artist" : "Italian artist", "Disp_Dimen" : "27 1/2 x 43 in. (69.9 x 109.2 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "43 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Fred W. Geib", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italy", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.110_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.110_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.110_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.110_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22379", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] }, ] }