{ "objects" : [ { "embark_ID" : 21690, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/21690", "Disp_Access_No" : "2009.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1871", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1871", "Disp_Title" : "Still Life with Goblet and Fruit", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Helena Searle Pattison", "Sort_Artist" : "Pattison, Helena Searle", "Disp_Dimen" : "17 x 15 5/16 in. (43.2 x 38.9 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "15 5/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Helen Searle grew up in Rochester and taught art in Batavia, New York. In 1860, she moved to Dusseldorf to study with the distinguished painter Johan Wilhelm Preyer, whose still lifes were considered the finest in Germany (see below). He took a particular interest in Searle, and it is clear that she was greatly influenced by him. Preyer, in turn, was a devoté of 17th century Dutch artist Jan de Heem, whose work is on view on MAG’s second floor. [Gallery label text, 2009]", "Dedication" : "Virginia Jeffrey Smith Fund and Marion Stratton Gould Fund ", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2009.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2009.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2009.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2009.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39108", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 432, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/432", "Disp_Access_No" : "1965.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1888-1889", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1889", "Disp_Title" : "Torn-in-Transit with Woman's Photograph", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Haberle", "Sort_Artist" : "Haberle, John", "Disp_Dimen" : "14 x 12 1/8 in. (35.6 x 30.8 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "12 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that 2009 G. Sill catalogue cites exhibition review from New Haven Register "ca. 1895" entitled "By Local Artists-- Cutler''s Second Exhibit-- The Labors of New Haven Professionals... in Oil and Watercolor Crayon and Poker Work, Pencil and Etching-- First Exhibit of Its Kind Here." This article could not be found in historic New Haven Register online, so bibliographic citation not added to record.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12429", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }