{ "objects" : [ { "embark_ID" : 273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/273", "Disp_Access_No" : "1983.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Figure by the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hilda Altschule Coates", "Sort_Artist" : "Coates, Hilda Altschule", "Disp_Dimen" : "8 7/8 x 10 in. (22.5 x 25.4 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Mixed media", "Support" : "Japanese paper", "Disp_Medium" : "Mixed media on Japanese paper", "Info_Page_Comm" : "", "Dedication" : "Gift in memory of Willson H. and Hilda Altschule Coates, from the Estate of Hilda Altschule Coates ", "Copyright_Type" : "No existing copyright holder", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16330", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 551, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/551", "Disp_Access_No" : "1960.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1957", "_Disp_Start_Dat" : "1957", "_Disp_End_Date" : "1957", "Disp_Title" : "The Assessor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Conrad Marca-Relli", "Sort_Artist" : "Marca-Relli, Conrad", "Disp_Dimen" : "54 x 46 in. (137.2 x 116.8 cm)", "Disp_Height" : "54 in.", "Disp_Width" : "46 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil collage on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12410", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8034, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8034", "Disp_Access_No" : "2001.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1989", "_Disp_Start_Dat" : "1989", "_Disp_End_Date" : "1989", "Disp_Title" : "Night Music Opus #21", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Motherwell", "Sort_Artist" : "Motherwell, Robert", "Disp_Dimen" : "32 1/2 x 25 1/2 in. (82.6 x 64.8 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic and rice paper on canvas", "Info_Page_Comm" : "Collages hang on refrigerator doors and the walls of museums. Tearing and cutting paper, positioning and repositioning the pieces, and layering them on top of each other until they create a satisfying composition—these are practices that preschoolers and the most sophisticated artists share. Artist Robert Motherwell worked in collage in preparation for some of his larger paintings, and he also created collages that were finished works of art themselves, such as his Night Music series. About the colors, one writer described “the ochre and the black of ancient cave paintings, charred by fire, darkened by age; and there are earth colors, of clay and soil. And there are the lighter, fragile eggshell colors of day. These are all offered up, in the bands and layers of their forms, whether perfect in their angles, or incomplete, ragged.” [Label text from It Came From the Vault exhibition, 2013] Much of the art of the twentieth century challenges the viewer to leave the comfort of recognizable subject matter and confront more directly color, form and expressive technique. As an example, this collage by Robert Motherwell is representative of his nearly lifelong effort to expand the conventional boundaries of painting. Motherwell, who gave voice to the aesthetics and philosophies of the New York City -based Abstract Expressionists, created works imbued with tension and paradox. For him and his fellow painters (among them Jackson Pollock and Mark Rothko), the canvas presented a surface on which to record gesture and emotion, liberated from the need to record an objective reality. [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17672", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3883, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3883", "Disp_Access_No" : "1998.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1998", "_Disp_Start_Dat" : "1998", "_Disp_End_Date" : "1998", "Disp_Title" : "Famous Names", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jaune Quick-to-See Smith", "Sort_Artist" : "Smith, Jaune Quick-to-See", "Disp_Dimen" : "80 x 50 in. (203.2 x 127 cm)", "Disp_Height" : "80 in.", "Disp_Width" : "50 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil, acrylic, collaged photographs and mixed media on canvas", "Info_Page_Comm" : "Jaune Quick-To-See Smith’s collaged paintings incorporate the desert colors of her childhood with the spontaneous brushwork of Abstract Expressionism. She has said about her work: My art, my life experience, and my tribal ties are totally enmeshed. I go from one community with messages to the other, and I try to enlighten people. Famous Names accomplishes Smith’s self-appointed task. The canvas is dominated by the image of a traditional Native American buckskin dress. The photographs and text around this central form refer to stereotypes that the dominant non-Native culture has used to describe Native Americans as simultaneously exotic and ridiculous, and to marginalize them. As Seneca artist and site manager of Ganondagan G. Peter Jemison writes in an essay on this painting, the “famous names” referenced in the title offer a composite of “a record of people with ancient ties to the land and of the often-bungled attempts of English-speaking writers to capture what a translator related.” [Summer 2015]", "Dedication" : "Gift of Thomas H. and Marion J. Hawks, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12543", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }