{ "objects" : [ { "embark_ID" : 10476, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10476", "Disp_Access_No" : "2001.27", "_AccNumSort1" : "", "Disp_Create_DT" : "October 1922", "_Disp_Start_Dat" : "10/1922", "_Disp_End_Date" : "10/1922", "Disp_Title" : "Autumn Brook", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "16 1/2 x 24 in. (41.9 x 61 cm)", "Disp_Height" : "16 1/2 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "With his unflinching paintings of brutal boxing matches and urban tenements, George Bellows made a name for himself in the early years of the century as a central Urban Realist artist. In this later painting, "Autumn Brook," the modernist influence of expressive color, space and line is visible in Bellows’ lyrical painting of the countryside near his summer home in Woodstock, NY. [Gallery label text, 2007] "Autumn Brook" contains the archetypal elements present in Bellows's finest Woodstock landscapes, including water, rolling hills, mountains, animal life, vegetation, and a dramatic sky. Bellows's choice of vivid colors celebrates the magnificence of nature and the artist's joy at finding himself immersed in it. The active brush strokes prove his ability to paint with a controlled sense of abandon. [Gallery label text]", "Dedication" : "Bequest of Muriel Englander Klepper and Marion Stratton Gould Fund In honor of Marjorie B. Searl", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13430", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/214", "Disp_Access_No" : "1992.78", "_AccNumSort1" : "", "Disp_Create_DT" : "1865", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1865", "Disp_Title" : "The Sierras Near Lake Tahoe, California", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert Bierstadt", "Sort_Artist" : "Bierstadt, Albert", "Disp_Dimen" : "14 15/16 x 21 1/16 in. (38 x 53.5 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "21 1/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Bierstadt was one of the most gifted artists to depict the stunning mountain views of the expanding frontier, far west of the Hudson River region that had inspired earlier American landscape painters. He was a member of the generation of artist-explorers who traveled with expeditions or in their footsteps and recorded the visual experience. MAG's painting quietly but masterfully convinces us of the grandeur of mountains and sky by including the tiny deer to give a sense of scale, and by suffusing the surface of the painting with a warm, glowing palette. ", "Dedication" : "Clara and Edwin Strasenburgh Fund and Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.78_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.78_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.78_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.78_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12517", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note: Master image contains wrong accession # from photoshoot: 75.21. Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 218, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/218", "Disp_Access_No" : "1974.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1880-1890", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Afternoon Light", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Albert Blakelock", "Sort_Artist" : "Blakelock, Ralph Albert", "Disp_Dimen" : "16 1/8 x 24 1/16 in. (41 x 61.1 cm)", "Disp_Height" : "16 1/8 in.", "Disp_Width" : "24 1/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This brooding, moody canvas was created by one of the most haunted souls in the history of American art. Ralph Blakelock, a man diagnosed as a paranoid schizophrenic and placed in a sanitarium for fifteen years, painted some of the most mysterious, expressive and poetic paintings in 19th century America. Indeed, his interest in and exploration of the unknown and the expressive were deeply admired by such radical 20th century abstract painters as Willem deKooning, Jackson Pollock and Franz Kline.... [Gallery label text]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No. 714 in the Nebraska Blakelock Inventory at the University of Nebraska.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12462", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 854, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/854", "Disp_Access_No" : "1994.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1880 - 1890", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1890", "Disp_Title" : "Landscape with Trees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralph Albert Blakelock", "Sort_Artist" : "Blakelock, Ralph Albert", "Disp_Dimen" : "8 x 12 1/4 in. (20.3 x 31.1 cm)", "Disp_Height" : "8 in.", "Disp_Width" : "12 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "University of Nebraska Blakelock inventory No. 1587", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12522", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4859, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4859", "Disp_Access_No" : "1962.29", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Roman Ruins with Card Players ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Both", "Sort_Artist" : "Both, Jan", "Disp_Dimen" : "25 5/8 x 32 1/8 in. (65.1 x 81.6 cm)", "Disp_Height" : "25 5/8 in.", "Disp_Width" : "32 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "As an independent subject of painting, landscape first emerged in Europe during the 1600s. Its development reflects changes in the views commonly held at that time on the universe and man’s relation to it. As landscape painting developed, the Dutch were quick to acquire a taste for Italian settings and motifs. In this painting, Both uses Italian motifs, such as ruins, as pictorial elements; he then combines them with the typical genre scene of a group of men playing cards. Also called The Ruins of the Temple of Saturn, this painting is a version of the original Jan Both painting of the same subject that is owned by the Alte Pinakothek in Munich, Germany. It was probably painted by either Jan Both or his brother, Andries. [Gallery label text] Born in Utrecht, Both subsequently traveled to Rome, where he remained from 1635 until 1641, when he returned to Holland. He was among the leading “bamboccianti,” as the Dutch painters were called who assimilated their native genre tradition with the classical landscape tradition they discovered in Italy. This popular composition, an autograph version of which survives in the Alte Pinakothek, Munich, shows low-life types amusing themselves near the formidable ruins of the Temple of Saturn. [Gallery label text] ", "Dedication" : "Bequest of Albert S. Schwab", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Netherlands", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "See another version of this painting (or original?) at Bayerische Staatsgemäldesammlungen https://www.sammlung.pinakothek.de/de/artwork/A9xlyZJLWv/jan-both/roemische-volksszene-mit-kartenspielern-vor-dem-saturntempel", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.29_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.29_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.29_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.29_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26216", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that master image for this photo has the wrong number on the number bar in the shot: it reads 69.29 rather than 62.29. Frame has been cropped out for this view and print master, but is visible in master image.", "View" : "" } , ] },{ "embark_ID" : 228, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/228", "Disp_Access_No" : "1984.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1846", "_Disp_Start_Dat" : "1846", "_Disp_End_Date" : "1846", "Disp_Title" : "The Indian Hunter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "DeWitt Clinton Boutelle", "Sort_Artist" : "Boutelle, DeWitt Clinton", "Disp_Dimen" : "32 5/8 x 47 1/8 in. (82.9 x 119.7 cm)", "Disp_Height" : "32 5/8 in.", "Disp_Width" : "47 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12494", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses. Color was adjusted closer to the scan in the Seeing America book...less yellow than Access image shown here.", "View" : "" } , ] },{ "embark_ID" : 4957, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4957", "Disp_Access_No" : "1948.95", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Charles Cazin", "Sort_Artist" : "Cazin, Jean-Charles", "Disp_Dimen" : "18 1/4 x 22 in. (46.4 x 55.9 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "On loan to Eastman House from 1979 until at least 1988. Paperwork in the curatorial file indicates this work was approved for deaccessioning in May 1977, but recommended for reaccessioning in October 1981. It had come in on loan in 1948 (L1.48) but was somehow accessioned at that time. It was formally presented at Art Committee of March 1967. Backing board covers back of canvas", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.95_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.95_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.95_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.95_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 4958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4958", "Disp_Access_No" : "1969.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1878-1882", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1882", "Disp_Title" : "The Bay of Estaque Seen from the East (La Baie de l'Estaque vue de l'est)", "Alt_Title" : "View of Mt. Marseilleveyre and the Isle of Maire (L'Estaque); La Montagne Marseilleveyre et l'Ile Maire; Le Golfe bleu (L'Estaque); Sea at L'Estaque", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Cézanne", "Sort_Artist" : "Cézanne, Paul", "Disp_Dimen" : "21 1/4 x 25 5/8 in. (54 x 65.1 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "25 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Paul Cézanne exhibited in the Impressionist exhibition of 1874, and was encouraged by Camille Pissarro to begin painting out of doors. He soon moved beyond the style of Impressionism and began building form with color to paintings that were more analytical than sensory. He frequently painted scenes of the small town of L’Estaque in southern France, where he lived and worked periodically from 1870 to 1885. In an 1876 letter to his friend the Impressionist painter Camille Pissarro, he wrote of his work in L’Estaque: "I have started two little motifs with a view of the sea…red roofs over the blue sea…The sun is so terrific here that it seems to me as if the objects are silhouetted not only in black and white, but in blue, red, brown and violet. I may be mistaken, but this seems to me to be the opposite of modeling." In this painting, he uses interlocking shapes of bright color and diagonal brushstrokes to create the sensation of volumes in the foliage, mountains, and water. [Label copy from Monet: Vision and Process exhibition, 2018] Cézanne's artistic goals developed through his contact with the Impressionists. Although he was not interested in rendering particular momentary impressions, he wished to record his "sensations" of nature. This painting typifies his technique-- suggesting form and volume through interlocking shapes that are rendered with bold, diagonal brushstrokes. The bright colors deftly evoke the strong light and crystalline atmosphere of southern France. [Gallery label text, 1999] ", "Dedication" : "Anonymous gift in tribute to Edward Harris and in memory of H. R. Stirlin of Switzerland", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40676", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from TR1 transparency to make larger file, at request of borrower", "View" : "" } , ] },{ "embark_ID" : 256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/256", "Disp_Access_No" : "1943.43", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1828", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1838", "Disp_Title" : "View of West Point", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Chambers", "Sort_Artist" : "Chambers, Thomas", "Disp_Dimen" : "22 1/4 x 30 1/8 in. (56.5 x 76.5 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "At a time when there was no photography, videography, or cinema, people relied on landscape paintings to be their windows onto the world beyond their immediate horizons. Thomas Chambers capitalized on people's interest in the American landscape. He is noted for his many picturesque views of early 19th-century America, including this one of the United States Military Academy at West Point on the Hudson River. Chambers worked from personal observation, but also consulted many British and American prints for his paintings. You should not be surprised if you visit other museums and see a painting similar to this one. At least six other views of West Point were painted by Chambers. [Gallery label text, 2004]", "Dedication" : "Gift of Mrs. Elsie McMath Cole in memory of her parents, Mr. and Mrs. Morrison H. McMath", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.43_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39024", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "No print-level image was derived at the time of photography, so 43.43_M1 was cropped and processed 8/30/12 to make a TIF and then a new JPG was derived", "View" : "" } , ] },{ "embark_ID" : 278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/278", "Disp_Access_No" : "1994.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1846-1847", "_Disp_Start_Dat" : "1846", "_Disp_End_Date" : "1847", "Disp_Title" : "Genesee Scenery", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Cole", "Sort_Artist" : "Cole, Thomas", "Disp_Dimen" : "6 1/4 x 4 3/8 in. (15.9 x 11.1 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "4 3/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Like many artists, Thomas Cole traveled extensively, sketching views that he would later include in finished (and much larger) paintings. On a trip to the Upstate New York region, he sketched Deh-ga-ya-soh Creek at what is now Letchworth State Park in Mount Morris. Later that year, he used the sketch to create this study, which ultimately became the subject of the 'Genesee Scenery' (1847, 51 x 39 1/2 inches, owned by the Museum of Art, Rhode Island School of Design). [Adapted from gallery label text, 2007]", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ""Thomas Cole: Landscape into History" has picture of the finished version, ''Genesee Scenery,'' 1847, which is owned by The Museum of Art, Rhode Island School of Design, Providence. Subject of the painting is Oay-ga-ya-soh Creek at Letchworth State Park in Mount Morris, New York, identified by Letchworth park rangers.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12523", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.40_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.40_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.40_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.40_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17363", "Image_Type" : "digital image", "Photo_Credit" : "", 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Trained as an engraver, he recorded many of the details that he saw, but in addition, his personal belief in the immanence of the divine in the natural world motivated him to present a landscape that seems to extend infinitely. Statuesque oak trees, many of which are still standing on the land, dominate the painting. In this region, the trees were more than a decorative feature. When the Wadsworths began to sell and lease land to local farmers, they included a clause in the contract requiring that a number of trees remain after the land was cleared. This was a holdover from British husbandry; the result was a countryside that was not only beautiful but that provided sun and moisture control for humans and animals alike. Genesee Oaks was Durand's tribute to the splendor of this valley. [Gallery label text] Durand visited the Genesee country but once, sketching in the Geneseo area during late June and July of 1859. Of his trip he wrote to his son in August: "With all my troubles I believe I have learnt more about the management of colors in the painting of trees than by all my previous practice, altho' I have never produced so little in the same span of time, not having made but four studies in five weeks." During the following year, back in his studio, Durand painted Genesee Oaks, based on the sketches he had made. The painting was commissioned by James Samuel Wadsworth, a local squire, who owned the work when it was exhibited at the National Academy of Design in 1861. Seven oil studies done near Geneseo in 1859 are photographed in Durand's studio after 1878. A photograph shows three small sculptures of cows, two standing, one reclining that may have served as models for the animals in the painting. Howard S. Merritt Peters, Susan Dodge, ed. Memorial Art Gallery: An Introduction to the Collection. (Rochester, NY: The Memorial Art Gallery, 1988). p.182-3.", "Dedication" : "Gift of the Women's Council in honor of Harris K. Prior", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12463", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 359, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/359", "Disp_Access_No" : "1973.156", "_AccNumSort1" : "", "Disp_Create_DT" : "1874", "_Disp_Start_Dat" : "1874", "_Disp_End_Date" : "1874", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wyatt Eaton", "Sort_Artist" : "Eaton, Wyatt", "Disp_Dimen" : "19 x 22 in. 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(203.2 x 177.8 cm)", "Disp_Height" : "80 in.", "Disp_Width" : "70 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "linen", "Disp_Medium" : "Oil on linen", "Info_Page_Comm" : "Jane Freilicher came of age when contemporaries like Jackson Pollock and Willem de Kooning were painting in the often gestural and painterly style of Abstract Expressionism. Freilicher remained loyal to representational subjects and the time-honored traditions of landscape and still-life painting. Characteristically, View Over Mecox depicts the view of an inlet near her studio in Water Mill, Long Island. Vivid colors and fluid brushwork link Freilicher with Abstract Expressionist Hans Hofmann, with whom she studied and whose work is on view nearby. [Summer 2015]", "Dedication" : "Gift of Lynne Lovejoy in memory of her husband, Dr. Frank Lovejoy, Jr.", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12553", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4804, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4804", "Disp_Access_No" : "1975.115", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1747", "_Disp_Start_Dat" : "1742", "_Disp_End_Date" : "1752", "Disp_Title" : "Man with a Book Seated in a Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas R. 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Geib", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "England", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.115_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.115_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.115_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.115_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "29172", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned by Andy Olenick April 2009 from a 1999 transparency shot by James Via. Master exists only in TIF form, not DNG. On disk 090407", "View" : "" } , ] },{ "embark_ID" : 387, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/387", "Disp_Access_No" : "1923.14", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Russian Bridge, Close of Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Leon Gaspard", "Sort_Artist" : "Gaspard, Leon", "Disp_Dimen" : "17 x 22 in. 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[Gallery label text, 2007]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Fell Out of Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12428", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.59_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.59_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.59_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.59_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "16353", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Margie MacDougal, the author for the Hartley painting for the American catalog took this photograph on November 4, 2002.", "View" : "" } , ] },{ "embark_ID" : 441, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/441", "Disp_Access_No" : "1975.21", "_AccNumSort1" : "", "Disp_Create_DT" : "1862", "_Disp_Start_Dat" : "1862", "_Disp_End_Date" : "1862", "Disp_Title" : "Newbury Hayfield at Sunset", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Martin Johnson Heade", "Sort_Artist" : "Heade, Martin Johnson", "Disp_Dimen" : "11 1/4 x 25 3/16 in. (28.6 x 64 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "25 3/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of James T. and Jacqueline S. Adams in memory of Mr. and Mrs. Frederick M. Stemmler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12467", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 458, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/458", "Disp_Access_No" : "1973.147", "_AccNumSort1" : "", "Disp_Create_DT" : "1902", "_Disp_Start_Dat" : "1902", "_Disp_End_Date" : "1902", "Disp_Title" : "Landscape with Sheep", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Henry Howe", "Sort_Artist" : "Howe, William Henry", "Disp_Dimen" : "15 x 22 in. (38.1 x 55.9 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.147_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.147_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.147_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.147_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "28902", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090406", "View" : "" } , ] },{ "embark_ID" : 483, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/483", "Disp_Access_No" : "1936.61", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1892-1893", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1893", "Disp_Title" : "Early Moonrise in Florida", "Alt_Title" : "July Moonrise in Florida (Eastman Catalog)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Inness", "Sort_Artist" : "Inness, George", "Disp_Dimen" : "24 3/8 x 36 1/4 in. (61.9 x 92.1 cm)", "Disp_Height" : "24 3/8 in.", "Disp_Width" : "36 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "For George Inness, an adherent of the mystical Swedenborgian faith, landscape elements and colors had specific symbolic qualities. For example, he wrote that the moon is a ‘natural emblem of faith,’ reassuring the faithful that divine light still exists even though it is not directly visible in the night sky. In Inness’s philosophical system, blue is the color of faith. [Gallery label text, 2007]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.61_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12351", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.61_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.61_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.61_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.61_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41491", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "36.61_M1 color-corrected and cropped to create new Print Master as none existed. JPG derived from that Print Master", "View" : "" } , ] },{ "embark_ID" : 485, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/485", "Disp_Access_No" : "1969.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1888", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1888", "Disp_Title" : "Genesee River", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Johnson", "Sort_Artist" : "Johnson, David", "Disp_Dimen" : "15 5/8 x 22 1/2 in. (39.7 x 57.2 cm)", "Disp_Height" : "15 5/8 in.", "Disp_Width" : "22 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This pastoral scene shows cows wading at a bend in the Genesee River while their herder lounges on the ground at the left. It was painted by David Johnson, an artist from New York City who specialized in Genesee landscapes in the mid-19th century, a time when few artists were making the journey upstate. The name Genesee originates with the Seneca people, meaning “beautiful or pleasant valley.” The rich soil of the valley and the abundance of the river has made this region a desirable location to live for centuries. This painting was made almost 100 years after the Canandaigua Treaty of 1794, in which the United States of America established the Seneca Nation’s land rights for Western New York with the Genesee River as the eastern boundary, Lake Ontario as the northern boundary, and Niagara River as the western boundary. Many subsequent violations and treaties slowly encroached upon these rights; today only three tracts of land are left to the Seneca in the region, including the Cattaraugus Reservation. [Gallery label text, 2021]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12440", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 493, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/493", "Disp_Access_No" : "1985.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1982", "_Disp_Start_Dat" : "1982", "_Disp_End_Date" : "1982", "Disp_Title" : "Evening Glow", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wolf Kahn", "Sort_Artist" : "Kahn, Wolf", "Disp_Dimen" : "52 1/4 x 76 1/4 in. (132.7 x 193.7 cm)", "Disp_Height" : "52 1/4 in.", "Disp_Width" : "76 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Julius G. Kayser", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "<SPAN>From e-mail sent by Lyn Kaiser to Jonathan Binstock upon reinstallation of the piece at MAG in May 2018: "<SPAN STYLE="font-size:10pt">Nice to know that Wolf is represented on the walls of MAG again.  He was/is a good friend of the Gallery.. My sister, Lennie Strasenburgh, spent studio time in Vermont with him for a few summers and they enjoyed a friendship.  <BR/>I think the piece is entitled Evening Glow and had there been a light with a reostat ? reistat?  on it , it would actually glow when the light was activated.    <BR/>I am not an advocate of keeping art that is no longer of importance to a museum and had in the past let Peter know that if it was determined that Kahn fit that category, that the art committee should take the money and run...<BR/>Of interest, the committee advised the Board of it''s intention to buy the piece on the occasion of my last meeting as Board Pres... I loved it and thought it an appropriate departure gift and handed a note of my covering the expense to Peter? Betsey? the person making the committee''s accession known. I was always happy that it was their choice and not mine.<BR/>You must know that Mickey Sands has some of Wolf''s work in her collection.</SPAN>"</SPAN>", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/85.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/85.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/85.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/85.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12497", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 495, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/495", "Disp_Access_No" : "1974.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Landscape with Bathers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Morris Kantor", "Sort_Artist" : "Kantor, Morris", "Disp_Dimen" : "36 x 42 in. (91.4 x 106.7 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.100_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.100_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.100_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.100_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12458", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 499, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/499", "Disp_Access_No" : "1974.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1860", "_Disp_Start_Dat" : "1855", "_Disp_End_Date" : "1865", "Disp_Title" : "A Showery Day, Lake George", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Frederick Kensett", "Sort_Artist" : "Kensett, John Frederick", "Disp_Dimen" : "14 1/8 x 24 1/8 in. (35.9 x 61.3 cm)", "Disp_Height" : "14 1/8 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12461", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 523, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/523", "Disp_Access_No" : "1951.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "The Garden", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernest Lawson", "Sort_Artist" : "Lawson, Ernest", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "While many early twentieth century American paintings celebrated buildings, bridges and the hustle and bustle of the city, tranquil subjects, including Ashcan artist Ernest Lawson’s Garden, filled canvases as well. In documenting a formal garden owned by H.H. Rogers in exclusive Tuxedo Park, New York, Lawson chose rich and vivid colors that evoked the warmth and languor of a summer interlude. The view of the charming teahouse, complete with sculpture, suggests afternoons filled with genteel conversation and desultory reading, or spent drifting off to the sound of lapping water, far removed from the clamor of Lie’s nearby Brooklyn Bridge or Sloan’s Election Night. [Gallery label text, 2007] Ernest Lawson moved to New York in 1898, and in 1908 he exhibited at Macbeth Gallery with The Eight. While this garden vista is an uncharacteristically intimate view by Lawson, it demonstrates his intense use of a color palette that was referred to as consisting of "crushed jewels." The painting was exhibited in 1916 at the Memorial Art Gallery, acquired from the exhibition by longtime MAG patrons, the Watsons, and generously donated to the Gallery in 1951. Long thought to be a Rochester garden, the subject was definitively identified by Deirdre Cunningham, the George Eastman House Nancy R. Turner landscape curator, as a garden in Tuxedo Park, New York. The current owners are in the process of restoring the garden, abandoned for many years, to its original beauty. [Gallery label text, 2003] ", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "20130", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "From Architectural Forum article", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "20131", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "20132", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Contemporary view of H. H. Rogers garden", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "36872", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "From Architectural Forum article", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.36_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.36_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.36_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.36_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "44279", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5076", "Disp_Access_No" : "1977.102", "_AccNumSort1" : "", "Disp_Create_DT" : "1779", "_Disp_Start_Dat" : "1779", "_Disp_End_Date" : "1779", "Disp_Title" : "The Visit (Le visite à la gardien)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Le Prince", "Sort_Artist" : "Le Prince, Jean-Baptiste", "Disp_Dimen" : "34 3/4 x 50 3/4 in. (88.3 x 128.9 cm)", "Disp_Height" : "34 3/4 in.", "Disp_Width" : "50 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Le Prince studied with the rococo painter François Boucher and adopted his master's delicate manner and cool, pastel palette in his early work. Dating from late in his career, however, "The Visit" demonstrates a greater naturalism, reflecting the increasing popularity of seventeenth-century Dutch painting in eighteenth-century France. In this canvas, Le Prince has combined a genre scene with a panoramic landscape to suggest a gracious moment in everyday rural life. The subject of nobles visiting a peasant family would have appealed to the sense of humanity cultivated during the Enlightenment. [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund; and Mr. and Mrs. E. Lewis Burnham, Edith Holden Babcock Bequest, and Bertha Buswell Bequest, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38874", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 6532, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6532", "Disp_Access_No" : "1978.4", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Close of Day", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Maris", "Sort_Artist" : "Maris, Jacob", "Disp_Dimen" : "18 1/4 x 30 in. (46.4 x 76.2 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Netherlands", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13081", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 554, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/554", "Disp_Access_No" : "1936.63", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Normandy Trees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Homer Dodge Martin", "Sort_Artist" : "Martin, Homer Dodge", "Disp_Dimen" : "27 1/2 x 35 1/4 in. (69.9 x 89.5 cm)", "Disp_Height" : "27 1/2 in.", "Disp_Width" : "35 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.63_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.63_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.63_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.63_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13056", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 555, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/555", "Disp_Access_No" : "1936.64", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "On the Hillside", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Homer Dodge Martin", "Sort_Artist" : "Martin, Homer Dodge", "Disp_Dimen" : "24 1/2 x 36 1/2 in. (62.2 x 92.7 cm)", "Disp_Height" : "24 1/2 in.", "Disp_Width" : "36 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.64_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.64_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.64_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.64_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13057", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5151, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5151", "Disp_Access_No" : "1936.66", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Harrowing", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anton Mauve", "Sort_Artist" : "Mauve, Anton", "Disp_Dimen" : "23 x 33 in. (58.4 x 83.8 cm)", "Disp_Height" : "23 in.", "Disp_Width" : "33 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Netherlands", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.66_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.66_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.66_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.66_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "28901", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk 090406", "View" : "" } , ] },{ "embark_ID" : 5153, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5153", "Disp_Access_No" : "1936.67", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Sheep", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anton Mauve", "Sort_Artist" : "Mauve, Anton", "Disp_Dimen" : "15 x 27 in. (38.1 x 68.6 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "27 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Netherlands", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.67_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.67_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.67_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.67_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13059", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 576, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/576", "Disp_Access_No" : "1913.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "The Golden Carnival", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Willard L. Metcalf", "Sort_Artist" : "Metcalf, Willard L.", "Disp_Dimen" : "36 x 39 in. (91.4 x 99.1 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "39 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12335", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.7_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.7_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.7_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.7_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "41033", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned in-house from transparency and re-color corrected to create larger file for RIT iPad project, 2013", "View" : "" } , ] },{ "embark_ID" : 5033, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5033", "Disp_Access_No" : "1946.36", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1620 (?)", "_Disp_Start_Dat" : "1615", "_Disp_End_Date" : "1625", "Disp_Title" : "Landscape with Figures", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joos de Momper", "Sort_Artist" : "Momper, Joos de", "Disp_Dimen" : "18 5/8 x 26 7/8 in. (47.3 x 68.3 cm)", "Disp_Height" : "18 5/8 in.", "Disp_Width" : "26 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flanders", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14441", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4968, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4968", "Disp_Access_No" : "1971.24", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rural Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Ferdinand Monchablon", "Sort_Artist" : "Monchablon, Jean Ferdinand", "Disp_Dimen" : "24 x 17 1/2 in. (61 x 44.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "Monchablon was inspired by the rise of photography to experiment with detailed naturalism in painting. At the same time, he also applied Impressionist color theory. The result is a unique vision of the French countryside. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of Elizabeth Weis", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14515", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 584, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/584", "Disp_Access_No" : "1953.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "My Hills of Home", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anna Mary Robertson Moses", "Sort_Artist" : "Moses, Anna Mary Robertson", "Disp_Dimen" : "18 x 36 in. (45.7 x 91.4 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "If you asked people to name an American artist, chances are that many of them would say “Grandma Moses,” for her name has come to be associated with a distinctive style of painting and rural subjects that strike a common national chord. Grandma Moses first began to paint in her seventies, after arthritis made it impossible for her to continue to embroider. A New York collector driving through Moses’s home town of Hoosick Falls, New York, saw her paintings in a drugstore, bought them, and bought more after visiting her at her farm. She had her first exhibition in 1940. In her biography, she wrote: "I look back on my life like a good day's work, it was done and I feel satisfied with it. I was happy and contented, I knew nothing better and made the best out of what life offered. And life is what we make it, always has been, always will be." [Gallery label text, 2009] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/53.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/53.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/53.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/53.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "12579", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "53.3.DI1 watermarked for use on website--see PRR record.", "View" : "" } , ] },{ "embark_ID" : 637, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/637", "Disp_Access_No" : "1986.132", "_AccNumSort1" : "", "Disp_Create_DT" : "1973", "_Disp_Start_Dat" : "1973", "_Disp_End_Date" : "1973", "Disp_Title" : "The Beginning of the Fields", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fairfield Porter", "Sort_Artist" : "Porter, Fairfield", "Disp_Dimen" : "52 x 76 1/8 in. (132.1 x 193.4 cm)", "Disp_Height" : "52 in.", "Disp_Width" : "76 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.132_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.132_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.132_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.132_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12499", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 649, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/649", "Disp_Access_No" : "1928.444", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "River Hills - Pt. Pleasant Hillside", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edward W. Redfield", "Sort_Artist" : "Redfield, Edward W.", "Disp_Dimen" : "50 x 56 1/4 in. (127 x 142.9 cm)", "Disp_Height" : "50 in.", "Disp_Width" : "56 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the children of Daniel W. Powers in his memory", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Fletcher 1996 (see bibliography) says this work is dated 1927", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/powersbuilding2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/powersbuilding2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/powersbuilding2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/powersbuilding2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17540", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/28.444_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/28.444_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/28.444_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/28.444_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25638", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was taken after conservation treatment was performed on this object by Susan Blakney of West Lake Conservators in January 2008 (cleaning).", "View" : "" } , ] },{ "embark_ID" : 6578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6578", "Disp_Access_No" : "1951.27", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1907-1919", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1919", "Disp_Title" : "Near Cagnes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "18 3/8 x 22 in. (46.7 x 55.9 cm)", "Disp_Height" : "18 3/8 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Renoir’s health began failing in the early 1900s, and he spent most of his remaining years in the south of France. In 1907, he bought property near Nice, France, where he lived until his death. Despite his physical limitations due to severe rheumatism, he continued to paint still lifes, portraits, and landscapes of the area. Like Monet, he used a fairly limited color palette, usually five to seven pigments, to create his complex, yet subtle, color relationships. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally paid from R. T. Miller Fund, but shifted to Marion Stratton Gould Fund via fund transfer on June 25 1952. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.27_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39557", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from TR1", "View" : "" } , ] },{ "embark_ID" : 5080, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5080", "Disp_Access_No" : "1963.14", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1775", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1780", "Disp_Title" : "Figures Amidst Ruins", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hubert Robert", "Sort_Artist" : "Robert, Hubert", "Disp_Dimen" : "25 3/4 x 32 1/8 in. (65.4 x 81.6 cm)", "Disp_Height" : "25 3/4 in.", "Disp_Width" : "32 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14502", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 671, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/671", "Disp_Access_No" : "1973.149", "_AccNumSort1" : "", "Disp_Create_DT" : "1912", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1912", "Disp_Title" : "In the Woods", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Percival L. Rosseau", "Sort_Artist" : "Rosseau, Percival L.", "Disp_Dimen" : "21 x 25 1/2 in. (53.3 x 64.8 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.149_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.149_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.149_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.149_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13068", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5165", "Disp_Access_No" : "1939.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Wooded Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Théodore Rousseau", "Sort_Artist" : "Rousseau, Théodore", "Disp_Dimen" : "6 1/4 x 8 1/2 in. (15.9 x 21.6 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. John Gade, Mrs. O'Donnell Iselin, and Mr. F. Harper Sibley in memory of their father, Hiram W. Sibley", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Not cited in Schulman''s 1999 catalogue raisonne.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/39.14_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/39.14_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/39.14_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/39.14_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26141", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 4976, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4976", "Disp_Access_No" : "1974.127", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape Near Guillena", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emilio Sanchez-Perrier", "Sort_Artist" : "Sanchez-Perrier, Emilio", "Disp_Dimen" : "10 1/2 x 13 7/8 in. (26.7 x 35.2 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "13 7/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "Guillena is in the province of Seville, in Andalusia, Spain", "Dedication" : "Gift of Gallery Council", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spain", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Found in storage in 1974. Note from Bernard Barryte in curatorial file indicates he believes the work may have originally come in in 1956, but it is unclear why he thought that. No record of its acquisition in 1956 could be found. An undated typed list of objects [found in Registrar''s office files] recommended for disposal includes a listing for “E. Sanchez Perrier River Scene—oil on wood” which is listed as having come from the Council—“left from Flea Market, April in Paris.” That may be this work; the April in Paris event was indeed in 1956. A Sanchez-Perrier landscape was included in a Rochester Art Club exhibition in 1895 (Sixteenth Annual Exhibition and Art Loan Exhibition, no. 48), lent by Mrs. Granger Hollister-- was that the same work, and is that then the source of this painting? As the original donor could not be determined, Gallery Council was credited with this gift. --KSchauber, Curatorial Research Ass''t ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.127_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.127_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.127_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.127_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "20620", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 685, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/685", "Disp_Access_No" : "1951.99", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "In the Dugway", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "W. Elmer Schofield", "Sort_Artist" : "Schofield, W. Elmer", "Disp_Dimen" : "11 x 13 in. (27.9 x 33 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.99_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.99_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.99_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.99_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40326", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame, frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 713, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/713", "Disp_Access_No" : "1951.105", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "The Farm", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Somerville", "Sort_Artist" : "Somerville, James", "Disp_Dimen" : "6 x 12 in. (15.2 x 30.5 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "12 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.105_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.105_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.105_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.105_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14720", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6777, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6777", "Disp_Access_No" : "1973.153", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cows in a Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pieter Stortenbeker", "Sort_Artist" : "Stortenbeker, Pieter", "Disp_Dimen" : "18 x 15 in. (45.7 x 38.1 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "The watercolorist, lithographer, and painter Pieter Stortenbeker created some of the finest work of The Hague School, a movement of Dutch painters who worked around The Hague from about 1860–1900. They were interested in realistic rather than romantic imagery, and their subjects included Dutch scenes of daily life, landscapes, animals, and sea- and cityscapes. Early on, the work of The Hague School artists tended toward an overwhelming gray color, which explains why the movement is sometimes also called the “gray school.” Stortenbeker was highly regarded during his lifetime. He studied at the Royal Academy of Art in The Hague, received the gold medal of honor at a major exhibition there in 1861, and was made a Knight of the Order of the Oak Crown in Brussels in 1863. His work is found in many museums and private collections, including those of the Dutch royal family. (label text, 2020)", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Netherlands", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.153_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.153_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.153_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.153_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4979, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4979", "Disp_Access_No" : "1973.151", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "The Stream", "Alt_Title" : "Bridge and Stream (from MAG label on backing board)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frits Thaulow", "Sort_Artist" : "Thaulow, Frits", "Disp_Dimen" : "23 3/4 x 28 3/4 in. (60.3 x 73 cm)", "Disp_Height" : "23 3/4 in.", "Disp_Width" : "28 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thaulow spent much time painting in France. This scene probably represents Manéhouville, a village on the Schie River near Dieppe in Normandy. A friend of many of the Impressionists, although he did not experiment with colors of light as they did, Thaulow convinced Claude Monet to visit Norway one winter to paint the snow. [Gallery label text, 1999] ", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Norway", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.151_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.151_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.151_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.151_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26146", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 731, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/731", "Disp_Access_No" : "1975.421", "_AccNumSort1" : "", "Disp_Create_DT" : "1967-1975", "_Disp_Start_Dat" : "1967", "_Disp_End_Date" : "1975", "Disp_Title" : "River Pond", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Wayne Thiebaud", "Sort_Artist" : "Thiebaud, Wayne", "Disp_Dimen" : "74 1/8 x 76 1/16 in. (188.3 x 193.2 cm)", "Disp_Height" : "74 1/8 in.", "Disp_Width" : "76 1/16 in.", "Dimen_Extent" : "", "Medium" : "Acrylic", "Support" : "canvas", "Disp_Medium" : "Acrylic on canvas", "Info_Page_Comm" : "", "Dedication" : "Joseph C. Wilson Memorial Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3297", "Rel_Obj_Title" : "Study for "River Pond"" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.421_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.421_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.421_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.421_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12469", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 745, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/745", "Disp_Access_No" : "1951.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1906", "_Disp_Start_Dat" : "1906", "_Disp_End_Date" : "1906", "Disp_Title" : "Late Twilight - Autumn", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Dwight W. Tryon", "Sort_Artist" : "Tryon, Dwight W.", "Disp_Dimen" : "16 x 24 in. (40.6 x 61 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 747, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/747", "Disp_Access_No" : "1916.9", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "The White Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Henry Twachtman", "Sort_Artist" : "Twachtman, John Henry", "Disp_Dimen" : "30 1/4 x 25 1/8 in. (76.8 x 63.8 cm)", "Disp_Height" : "30 1/4 in.", "Disp_Width" : "25 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Impressionism, a radically modern style upon its inception in France in the 1860s, came late to American shores. The Impressionist artist sought to capture impressions of light, color, and shape in a spontaneous way. [Gallery label text, 2007] John Twachtman’s finest paintings were inspired by the beauty of the land on which he lived with his family. Located in Greenwich, Connecticut, the picturesque property included a portion of Horseneck Brook, across which Twachtman built an ornamental but functional footbridge. Here, his children swam in the summer and rowed their boat beneath the bridge’s arched deck. The bridge may have been inspired by similar structures in Venice, where the artist lived in the 1880s and 90s. Twachtman was one of America’s premier impressionist painters and a founding member of the Ten American Painters, a group that included Thomas Dewing and William Merritt Chase, artists whose works are also on view at MAG. The White Bridge’s bright colors, energetic brushwork, and light-filled canvas link Twachtman’s work with that of French impressionist Claude Monet. [Gallery label text, 2004]", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/16.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/16.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/16.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/16.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12337", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 811, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/811", "Disp_Access_No" : "1977.196", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1851", "_Disp_Start_Dat" : "1852", "_Disp_End_Date" : "1861", "Disp_Title" : "American Harvesting (after Jasper Cropsey)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "American artist", "Sort_Artist" : "American artist", "Disp_Dimen" : "32 1/2 x 44 1/4 in. (82.6 x 112.4 cm)", "Disp_Height" : "32 1/2 in.", "Disp_Width" : "44 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "While we may not know who painted this work, we can trace its inspiration. In 1851 Jasper Cropsey's painting American Harvesting was in the American Art-Union's annual exhibition in New York. The American Art-Union, formed in 1844, promoted American artists by purchasing and exhibiting their works. To familiarize more Americans with these artists, engravings were made and distributed to members. Possibly, one of these engravings was owned by the artist who did the Gallery's painting. Several other versions of this work exist and were most likely inspired by the same print. A version of the this image was printed by Currier & Ives, entitled 'A Summer Landscape: Haymaking." Cropsey's painting is currently in the collection of the <a href="http://www.artmuseum.iu.edu">Indiana University Art Museum</a>. [Gallery label text, 2002]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.196_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.196_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.196_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.196_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13420", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.196_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.196_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.196_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.196_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "21368", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Image of American Harvesting in the collection of the Indiana University Art Museum. Approved by IUAM to go on our website as a detail image", "View" : "" } , ] },{ "embark_ID" : 751, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/751", "Disp_Access_No" : "1971.57", "_AccNumSort1" : "", "Disp_Create_DT" : "1866", "_Disp_Start_Dat" : "1866", "_Disp_End_Date" : "1866", "Disp_Title" : "Wadsworth Meadow, Geneseo, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick T. Vance", "Sort_Artist" : "Vance, Frederick T.", "Disp_Dimen" : "18 x 30 in. (45.7 x 76.2 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.57_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.57_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.57_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.57_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12449", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image is really splotchy.", "View" : "" } , ] },{ "embark_ID" : 761, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/761", "Disp_Access_No" : "1947.19", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840", "_Disp_Start_Dat" : "1835", "_Disp_End_Date" : "1845", "Disp_Title" : "Outlet of Lake George", "Alt_Title" : "Outlet of Lake George - Rogers Rock in the Distance", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob C. Ward", "Sort_Artist" : "Ward, Jacob C.", "Disp_Dimen" : "21 3/4 x 30 in. (55.2 x 76.2 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Sometimes referred to as "Outlet of Lake George - Rogers Rock in the Distance" From "The New Yorker," April 25, 1840, p. 81 "The Wilds of Lake George." "[Suggested by a Painting of ''The Outlet of Lake George,'' engraved for the Title-Page of the Quarto New-Yorker, Vol. VIII., just issued.--by Alfred B. Street.]" "Grand pomp of the Wilderness! solemn and wild, Magnificent temple, for the Solitude piled! Its columns the rocks, and canopy, sky; Its huge mountain-altar reared proudly on high. Round circle the Seasons: Spring dances along-- It is breathing with fragrance and vocal with song; Its grass-carpet lifts to the steps of her showers; At the wand of her sunbeam come thronging its flowers. Bright, beautiful Summer her thick garlands weaves, And its depths are made dim with her mantle of leaves; There''s dancing of shadows in ebony gloss, And gold-slants and sprinkles on blossoms and moss. Gay alchymist Autumn transmutes, and behold! The emerald changed to rich crimson and gold; There''s a glitter of gems--a proud blazon of hues, And silver mists forming, to melt with the dews; The Moon''s splendor streams with more pomp from on high, And the star-clusters glow with more light in the sky. Wild Winter on rushes, with clouds o''er his brow, His war-steed the tempest--his banner the snow; The temple stands blighted and mute at his glance, The glitter has faded, and past is the dance, Till Spring, with her soft looks and sweet smiles, again Breathes joy, as the Despot abandons his reign. And music, sweet music, the temple gives forth When Winter has reached his stern home in the North; The torrent-like stream, as, mad-foaming, it bounds, Loud raises, unceasing, its organ-like sounds; There are voices of birds, and a murmur of bees, And soft strains of wind-harps breathed low through the trees, And thunder o''er rolling, and lanching its crash, And the strong sheeted rains, as fierce downward they dash, And the wild blast, as onward it rages and shoots, Whirling boughs from their trees--wrenching trees from their roots-- The bee-song--the blast hymn--the chant of the flood, Send upward in praise to their Maker and God. And other sounds forth, too, this temple hath cast, Stern, loud as the thunder, and fierce as the blast, When Tyranny''s hordes, grasping fetters, were led O''er a region that shuddered in wrath at their tread; In an air that grew black, as their banners it fanned, Till the fierce storm of Vengeance thick curtained the land. ''T was the war-shout of Freedom! and echoed by men She poured down the mountain and rallied in glen, As proudly she spread her pure flag for the fray, And her young Eagle stretched his strong wings on her way. Oh, what though to earth that starred banner was cast! Oh, what though those wings were crushed down by the blast! Brave hearts bore that banner--''t was lifted anew; High hopes cheered those pinions--more lofty they flew; Till Victory, loud as the roar of the sea, In heart bursts was shouted by men that were Free!", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.19_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.19_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.19_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.19_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12372", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3960, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3960", "Disp_Access_No" : "1999.40", "_AccNumSort1" : "", "Disp_Create_DT" : "1994", "_Disp_Start_Dat" : "1994", "_Disp_End_Date" : "1994", "Disp_Title" : "Dead Pine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Neil Welliver", "Sort_Artist" : "Welliver, Neil", "Disp_Dimen" : "72 x 72 in. (182.9 x 182.9 cm)", "Disp_Height" : "72 in.", "Disp_Width" : "72 in.", "Dimen_Extent" : "overall", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Neil Welliver is one in a long line of painters of the Maine landscape, where the forces of nature play themselves out against a background of severe beauty. As art critic Edgar Allen Beem has commented, In the end, what you have in a Neil Welliver landscape is the evidence one artist has collected of the visual order within the seeming chaos of nature, of human consciousness alive in an indifferent universe, and of the clarity of vision that can be brought to bear on a beauty borne out of pain. [Summer 2015]", "Dedication" : "Gift of the Gallery Council, the Averell Council and the Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17527", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 768, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/768", "Disp_Access_No" : "1925.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Three Trees, Winter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harold Weston", "Sort_Artist" : "Weston, Harold", "Disp_Dimen" : "16 x 20 in. (40.6 x 50.8 cm)", "Disp_Height" : "16 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In 1922, the year he painted "Three Trees, Winter," Harold Weston wrote: "I stopped beside a big hemlock tree and reached around the great trunk to feel its vigor, its reality, its life existing essence. My ear, laid against the wet bark, seemed to hear the pulse, the flow of life-creating sap....[R]oots plunged into the soil, made it one with the earth and gave it life. As a primitive pagan I bowed before the mystery of that world spirit that giveth life to nature and to man." Weston has recently emerged as one of the premier painters of the Adirondack landscape. His modernist sensibility - abstract forms, expressive lines and colors - renew the viewer's understanding and appreciation of traditional vistas. In the words of collector Duncan Phillips, "There is a young American painter who stirs in me the hope for a re-birth on this new soil of something that was not lost to the art of painting with the passing of Vincent van Gogh." [Gallery label text, 2007] ", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/25.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/25.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/25.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/25.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12345", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 769, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/769", "Disp_Access_No" : "1973.157", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape with Cattle", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carleton Wiggins", "Sort_Artist" : "Wiggins, Carleton", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.157_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.157_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.157_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.157_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13073", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 771, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/771", "Disp_Access_No" : "1971.8", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1865-1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1870", "Disp_Title" : "Genesee River Valley I", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lemuel M. Wiles", "Sort_Artist" : "Wiles, Lemuel M.", "Disp_Dimen" : "11 1/2 x 19 3/4 in. (29.2 x 50.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "19 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Wiles, an artist from Perry, New York, offers two views of the rolling valleys of the Genesee. Both feature people who seem to be admiring the landscape, as we are invited to do: two women have laid down a rug or blanket on which to picnic, looking out over the rooftops of a barn and other outbuildings; a boy gazes out over the valley while his cows graze nearby. Atmospheric perspective renders the far hills a misty mirage. The artist wrote “Endeavor, as far as possible, to carry the eye beyond the canvas into the subject or scene depicted. Anything short of this detracts from your effort as a work of art. The master conceals his art and fascinates you in the spirit of his work. Therefore, consider your pigments your servants, not your masters. Study good pictures much, but study nature more.” [Gallery label text, 2021, although painting ultimately not included in installation]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.8_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.8_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.8_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.8_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39028", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Derived from 71.8_M1; a print version was not made at the time this master was made, so one was corrected and cropped and a new JPG derived from that, 9-5-12 KS.", "View" : "" } , ] },{ "embark_ID" : 772, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/772", "Disp_Access_No" : "1971.9", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1865-1870", "_Disp_Start_Dat" : "1865", "_Disp_End_Date" : "1870", "Disp_Title" : "Genesee River Valley II", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lemuel M. Wiles", "Sort_Artist" : "Wiles, Lemuel M.", "Disp_Dimen" : "11 1/2 x 19 3/4 in. (29.2 x 50.2 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "19 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Wiles, an artist from Perry, New York, offers two views of the rolling valleys of the Genesee. Both feature people who seem to be admiring the landscape, as we are invited to do: two women have laid down a rug or blanket on which to picnic, looking out over the rooftops of a barn and other outbuildings; a boy gazes out over the valley while his cows graze nearby. Atmospheric perspective renders the far hills a misty mirage. The artist wrote “Endeavor, as far as possible, to carry the eye beyond the canvas into the subject or scene depicted. Anything short of this detracts from your effort as a work of art. The master conceals his art and fascinates you in the spirit of his work. Therefore, consider your pigments your servants, not your masters. Study good pictures much, but study nature more.” [Gallery label text, 2021, although painting ultimately not included in installation]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.9_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.9_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.9_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.9_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "55913", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Derived from 71.9_M1; a print version was not made at the time this master was made, so one was corrected and cropped and a new JPG derived from that, 9-5-12 KS.", "View" : "" } , ] },{ "embark_ID" : 780, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/780", "Disp_Access_No" : "1951.104", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Early Morning", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alexander H. Wyant", "Sort_Artist" : "Wyant, Alexander H.", "Disp_Dimen" : "15 1/2 x 22 1/4 in. (39.4 x 56.5 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "22 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.104_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.104_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.104_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.104_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12377", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/477", "Disp_Access_No" : "1992.5", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bend in the River, Vermont", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emile Gruppe", "Sort_Artist" : "Gruppe, Emile", "Disp_Dimen" : "25 x 30 in. (63.5 x 76.2 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Stuart Hyland Bequest", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16963", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 539, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/539", "Disp_Access_No" : "1914.3", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Bringing Home the Cows", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Inness, Jr.", "Sort_Artist" : "Inness, Jr., George", "Disp_Dimen" : "32 x 42 in. (81.3 x 106.7 cm)", "Disp_Height" : "32 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Rochester Art Club", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Lu Harper found a catalogue from the 21st annual Rochester Art Club exhibition in 1903 where a George Inness painting appears as no. 132: "Leading the Cows," given to the Rochester Museum of Fine Arts. As the MAG did not exist yet at that point, it is unclear what museum that refers to, but it is possible that the work later came to MAG from the Art Club. See the photocopy from this catalogue in the object file.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18586", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 715, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/715", "Disp_Access_No" : "1938.40", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Catskill Panorama", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Louis Sonntag", "Sort_Artist" : "Sonntag, William Louis", "Disp_Dimen" : "20 1/8 x 32 1/8 in. (51.1 x 81.6 cm)", "Disp_Height" : "20 1/8 in.", "Disp_Width" : "32 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Mrs. Hannah Gould", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Deaccessioned 1977-78, but recommended for reaccessioning in October 1981.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18982", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 405, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/405", "Disp_Access_No" : "1960.39", "_AccNumSort1" : "", "Disp_Create_DT" : "1949", "_Disp_Start_Dat" : "1949", "_Disp_End_Date" : "1949", "Disp_Title" : "Clearing - Livingston", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Douglas Warner Gorsline", "Sort_Artist" : "Gorsline, Douglas Warner", "Disp_Dimen" : "29 1/2 x 39 1/2 in. (74.9 x 100.3 cm)", "Disp_Height" : "29 1/2 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Joseph F. Taylor", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.39_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.39_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.39_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.39_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18015", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5224, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5224", "Disp_Access_No" : "1930.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1911-1913", "_Disp_Start_Dat" : "1911", "_Disp_End_Date" : "1913", "Disp_Title" : "Houses and Trees", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice de Vlaminck", "Sort_Artist" : "Vlaminck, Maurice de", "Disp_Dimen" : "31 7/8 x 39 1/2 in. (81 x 100.3 cm)", "Disp_Height" : "31 7/8 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Charles A. Dewey Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17989", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5219, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5219", "Disp_Access_No" : "1964.34", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1918", "_Disp_Start_Dat" : "1913", "_Disp_End_Date" : "1923", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henri Matisse", "Sort_Artist" : "Matisse, Henri", "Disp_Dimen" : "13 1/2 x 18 1/2 in. (34.3 x 47 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "18 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas adhered to board", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.34_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14506", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.34_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.34_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.34_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.34_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "42533", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 429, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/429", "Disp_Access_No" : "1992.6", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Late Afternoon in the Catskills", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emile Gruppe", "Sort_Artist" : "Gruppe, Emile", "Disp_Dimen" : "20 x 24 in. (50.8 x 60.9 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Stuart Hyland Bequest", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16964", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 303, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/303", "Disp_Access_No" : "1946.5", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Mountain Landscape - "New England Vista" ", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "E. E. Cummings", "Sort_Artist" : "Cummings, E. E.", "Disp_Dimen" : "48 x 36 in. (121.9 x 91.4 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on composition board", "Info_Page_Comm" : "E.E. Cummings, both painter and poet, called those two pursuits his “twin obsessions.” Understanding the importance of visual impact and presentation, his unique style often scattered words and fragments of words across the page to punctuate emotion and meaning. [Gallery label text] This view, possibly of Mount Chocorua in New Hampshire, was probably exhibited at the Memorial Art Gallery in 1945. It was from the collection Dr. and Mrs. James Sibley Watson, who were patrons of both e.e.cummings and the Memorial Art Gallery. About his own work, e.e.cummings wrote in 1940: apparently I've found my style in painting --it's NOT painstakingly washed flat surfaces sans brushstrokes fine camel's hair delineation-by-outline building up a careful sum out of parts it's chunking ahead with a big brush held loosely & loaded with paint. Out of the crisscrossings, "mistakes",etc a picture Builds itself --chiefly INWARD,thru GREYS. [Gallery label text]", "Dedication" : "Gift of a friend of the Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Deaccessioned 1-31-78; later reaccessioned? This was deaccessioned 1-31-78 and held for the Watsons to pick up; they did not pick up and it was rediscovered in Temp Storage in February 1984, by which time the Watsons had passed on. Patti Anderson Junker examined and re-accessioned.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "20014", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5222, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5222", "Disp_Access_No" : "1949.80", "_AccNumSort1" : "", "Disp_Create_DT" : "1922", "_Disp_Start_Dat" : "1922", "_Disp_End_Date" : "1922", "Disp_Title" : "Ripe Wheat Field (Reifes Ährenfeld)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Max Pechstein", "Sort_Artist" : "Pechstein, Max", "Disp_Dimen" : "31 7/8 x 39 5/8 in. (81 x 100.6 cm)", "Disp_Height" : "31 7/8 in.", "Disp_Width" : "39 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. Rudolph H. Hofheinz in memory of their son Rudolph Hofheinz, by exchange", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Germany", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/49.80_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/49.80_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/49.80_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/49.80_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27626", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 295, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/295", "Disp_Access_No" : "1938.4", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1893", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1898", "Disp_Title" : "Ripening Grain", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Bruce Crane", "Sort_Artist" : "Crane, Robert Bruce", "Disp_Dimen" : "25 x 30 in. (63.5 x 76.2 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Charles Hudson Bull", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18977", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 741, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/741", "Disp_Access_No" : "1974.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "River Garden", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Fritz Trautmann", "Sort_Artist" : "Trautmann, Fritz", "Disp_Dimen" : "31 x 29 3/4 in. (78.7 x 75.6 cm)", "Disp_Height" : "31 in.", "Disp_Width" : "29 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In River Garden, we see the two passions of Fritz Trautmann’s life: color and landscape architecture. In a letter to the painting’s donors, Trautmann wrote, “This is a corner of my River Road garden. I’ve made many gardens in my day, but this one gave me the most pleasure. It was built in the ruined foundation of a barn that burned many years ago. As I remember it there were thirteen different levels… It was located about midway between the old River Bend Inn and Balentine bridge [sic] on the east side of the Genesee River.” Although he lived in the city of Rochester, Trautmann sought rural surroundings in the summer. He stayed in the house attached to this garden in the 1920s; by the early 1930s he purchased and refurbished an old farmhouse and its gardens on Canadice Lake. [Gallery label text, 2010] ", "Dedication" : "Gift of Mr. and Mrs. William G. Staudenmaier", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "With group of letters by artist to donor. No incoming for this?", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.6_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.6_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.6_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.6_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33971", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "See other views on disk: MAG 100622", "View" : "" } , ] },{ "embark_ID" : 5202, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5202", "Disp_Access_No" : "1991.37", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Travelers in a Mountain Landscape (hanging scroll)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kantei", "Sort_Artist" : "Kantei", "Disp_Dimen" : "61 1/4 x 14 3/8 in. (155.6 x 36.5 cm)", "Disp_Height" : "61 1/4 in.", "Disp_Width" : "14 3/8 in.", "Dimen_Extent" : "overall", "Medium" : "Ink", "Support" : "paper", "Disp_Medium" : "Ink on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Japan", "Department" : "", "Obj_Name" : "", "Period" : "Muromachi Period (1333-1573)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.37_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.37_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.37_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.37_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16028", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.37_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.37_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.37_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.37_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "18685", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.37_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.37_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.37_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.37_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "18880", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "temp - for curator''s reference only", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.37_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.37_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.37_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.37_A4.jpg", "IsPrimary" : "0", "_SurrogateID" : "18881", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "temp - for curator''s reference only", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.37_A5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.37_A5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.37_A5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.37_A5.jpg", "IsPrimary" : "0", "_SurrogateID" : "18882", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "temp - for curator''s reference only", "View" : "" } , ] },{ "embark_ID" : 4977, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4977", "Disp_Access_No" : "1974.109", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1880", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1885", "Disp_Title" : "View with Boats", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Emilio Sanchez-Perrier", "Sort_Artist" : "Sanchez-Perrier, Emilio", "Disp_Dimen" : "9 1/4 x 14 1/4 in. 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Additional master scans are on the image server, 78.28.2_M2 (GF6P0274.tif, .jpg on CD) and _M3.tif (GF6P0275.tif, .jpg on CD), respectively.", "View" : "" } , ] }, ] }