{ "objects" : [ { "embark_ID" : 4957, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4957", "Disp_Access_No" : "1948.95", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Charles Cazin", "Sort_Artist" : "Cazin, Jean-Charles", "Disp_Dimen" : "18 1/4 x 22 in. (46.4 x 55.9 cm)", "Disp_Height" : "18 1/4 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of a Friend of the Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "On loan to Eastman House from 1979 until at least 1988. Paperwork in the curatorial file indicates this work was approved for deaccessioning in May 1977, but recommended for reaccessioning in October 1981. It had come in on loan in 1948 (L1.48) but was somehow accessioned at that time. It was formally presented at Art Committee of March 1967. Backing board covers back of canvas", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.95_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.95_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.95_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.95_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 4958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4958", "Disp_Access_No" : "1969.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1878-1882", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1882", "Disp_Title" : "The Bay of Estaque Seen from the East (La Baie de l'Estaque vue de l'est)", "Alt_Title" : "View of Mt. Marseilleveyre and the Isle of Maire (L'Estaque); La Montagne Marseilleveyre et l'Ile Maire; Le Golfe bleu (L'Estaque); Sea at L'Estaque", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Cézanne", "Sort_Artist" : "Cézanne, Paul", "Disp_Dimen" : "21 1/4 x 25 5/8 in. (54 x 65.1 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "25 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Paul Cézanne exhibited in the Impressionist exhibition of 1874, and was encouraged by Camille Pissarro to begin painting out of doors. He soon moved beyond the style of Impressionism and began building form with color to paintings that were more analytical than sensory. He frequently painted scenes of the small town of L’Estaque in southern France, where he lived and worked periodically from 1870 to 1885. In an 1876 letter to his friend the Impressionist painter Camille Pissarro, he wrote of his work in L’Estaque: "I have started two little motifs with a view of the sea…red roofs over the blue sea…The sun is so terrific here that it seems to me as if the objects are silhouetted not only in black and white, but in blue, red, brown and violet. I may be mistaken, but this seems to me to be the opposite of modeling." In this painting, he uses interlocking shapes of bright color and diagonal brushstrokes to create the sensation of volumes in the foliage, mountains, and water. [Label copy from Monet: Vision and Process exhibition, 2018] Cézanne's artistic goals developed through his contact with the Impressionists. Although he was not interested in rendering particular momentary impressions, he wished to record his "sensations" of nature. This painting typifies his technique-- suggesting form and volume through interlocking shapes that are rendered with bold, diagonal brushstrokes. The bright colors deftly evoke the strong light and crystalline atmosphere of southern France. [Gallery label text, 1999] ", "Dedication" : "Anonymous gift in tribute to Edward Harris and in memory of H. R. Stirlin of Switzerland", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40676", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from TR1 transparency to make larger file, at request of borrower", "View" : "" } , ] },{ "embark_ID" : 6593, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6593", "Disp_Access_No" : "1991.80", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1840-1845", "_Disp_Start_Dat" : "1840", "_Disp_End_Date" : "1845", "Disp_Title" : "A Mill Wheel (Une roue de moulin)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste-Camille Corot", "Sort_Artist" : "Corot, Jean-Baptiste-Camille", "Disp_Dimen" : "8 5/8 x 13 3/16 in. (21.9 x 33.5 cm)", "Disp_Height" : "8 5/8 in.", "Disp_Width" : "13 3/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "cardstock", "Disp_Medium" : "Oil on cardstock mounted on canvas", "Info_Page_Comm" : "Corot’s practice of painting directly from nature lasted throughout his long career. His ability to paint the transitory effects of light with subtlety and sensitivity is most characteristic in his landscapes. The simple composition of The Mill Wheel, with its subtle tonal and almost monochromatic color gradations, also shows Corot’s interest in the new medium of photography. ", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.80_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.80_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.80_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.80_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26160", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 5154, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5154", "Disp_Access_No" : "1938.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1871-1872", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1872", "Disp_Title" : "Between Coubron and Montfermeil, Undergrowth (Entre Coubron et Montfermeil)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste-Camille Corot", "Sort_Artist" : "Corot, Jean-Baptiste-Camille", "Disp_Dimen" : "13 3/4 x 17 1/2 in. (34.9 x 44.5 cm)", "Disp_Height" : "13 3/4 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This painting appears on a memo in 1977 where it appears that this work was deaccessioned and exchanged with Newhouse Galleries in New York for another painting. The Corot painting deaccessioned and sold was in fact 55.63, "Souvenir de Douai." The mention of this work, 38.8, was apparently a confusion between the two Corot paintings. --KSchauber, Curatorial Research Assistant", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14436", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5150, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5150", "Disp_Access_No" : "1978.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1872", "_Disp_Start_Dat" : "1872", "_Disp_End_Date" : "1872", "Disp_Title" : "Near Andresy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles François Daubigny", "Sort_Artist" : "Daubigny, Charles François", "Disp_Dimen" : "17 x 32 1/2 in. (43.2 x 82.6 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "32 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22372", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Master files exist on disk MAG v. 56", "View" : "" } , ] },{ "embark_ID" : 6574, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6574", "Disp_Access_No" : "1936.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "The Washerwomen of Auvers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles François Daubigny", "Sort_Artist" : "Daubigny, Charles François", "Disp_Dimen" : "11 3/4 x 20 3/8 in. (29.8 x 51.8 cm)", "Disp_Height" : "11 3/4 in.", "Disp_Width" : "20 3/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.59_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13085", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5161, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5161", "Disp_Access_No" : "1959.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1850-1858", "_Disp_Start_Dat" : "1850", "_Disp_End_Date" : "1858", "Disp_Title" : "The Fisherman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jules Dupré", "Sort_Artist" : "Dupré, Jules", "Disp_Dimen" : "9 1/2 x 13 in. (24.1 x 33 cm)", "Disp_Height" : "9 1/2 in.", "Disp_Width" : "13 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13066", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "not for publication", "View" : "" } , ] },{ "embark_ID" : 5076, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5076", "Disp_Access_No" : "1977.102", "_AccNumSort1" : "", "Disp_Create_DT" : "1779", "_Disp_Start_Dat" : "1779", "_Disp_End_Date" : "1779", "Disp_Title" : "The Visit (Le visite à la gardien)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean-Baptiste Le Prince", "Sort_Artist" : "Le Prince, Jean-Baptiste", "Disp_Dimen" : "34 3/4 x 50 3/4 in. (88.3 x 128.9 cm)", "Disp_Height" : "34 3/4 in.", "Disp_Width" : "50 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Le Prince studied with the rococo painter François Boucher and adopted his master's delicate manner and cool, pastel palette in his early work. Dating from late in his career, however, "The Visit" demonstrates a greater naturalism, reflecting the increasing popularity of seventeenth-century Dutch painting in eighteenth-century France. In this canvas, Le Prince has combined a genre scene with a panoramic landscape to suggest a gracious moment in everyday rural life. The subject of nobles visiting a peasant family would have appealed to the sense of humanity cultivated during the Enlightenment. [Gallery label text, 2008]", "Dedication" : "Marion Stratton Gould Fund; and Mr. and Mrs. E. Lewis Burnham, Edith Holden Babcock Bequest, and Bertha Buswell Bequest, by exchange", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.102_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.102_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.102_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.102_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38874", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in situ as installed; frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 4968, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4968", "Disp_Access_No" : "1971.24", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Rural Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jean Ferdinand Monchablon", "Sort_Artist" : "Monchablon, Jean Ferdinand", "Disp_Dimen" : "24 x 17 1/2 in. (61 x 44.5 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "17 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on cradled panel", "Info_Page_Comm" : "Monchablon was inspired by the rise of photography to experiment with detailed naturalism in painting. At the same time, he also applied Impressionist color theory. The result is a unique vision of the French countryside. [Adapted from gallery label text, 1999]", "Dedication" : "Gift of Elizabeth Weis", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.24_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14515", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6578", "Disp_Access_No" : "1951.27", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1907-1919", "_Disp_Start_Dat" : "1907", "_Disp_End_Date" : "1919", "Disp_Title" : "Near Cagnes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pierre Auguste Renoir", "Sort_Artist" : "Renoir, Pierre Auguste", "Disp_Dimen" : "18 3/8 x 22 in. (46.7 x 55.9 cm)", "Disp_Height" : "18 3/8 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Renoir’s health began failing in the early 1900s, and he spent most of his remaining years in the south of France. In 1907, he bought property near Nice, France, where he lived until his death. Despite his physical limitations due to severe rheumatism, he continued to paint still lifes, portraits, and landscapes of the area. Like Monet, he used a fairly limited color palette, usually five to seven pigments, to create his complex, yet subtle, color relationships. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Originally paid from R. T. Miller Fund, but shifted to Marion Stratton Gould Fund via fund transfer on June 25 1952. The reason could not be determined.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.27_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39557", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from TR1", "View" : "" } , ] },{ "embark_ID" : 5080, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5080", "Disp_Access_No" : "1963.14", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1775", "_Disp_Start_Dat" : "1770", "_Disp_End_Date" : "1780", "Disp_Title" : "Figures Amidst Ruins", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hubert Robert", "Sort_Artist" : "Robert, Hubert", "Disp_Dimen" : "25 3/4 x 32 1/8 in. (65.4 x 81.6 cm)", "Disp_Height" : "25 3/4 in.", "Disp_Width" : "32 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.14_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.14_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.14_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.14_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14502", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5165", "Disp_Access_No" : "1939.14", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Wooded Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Théodore Rousseau", "Sort_Artist" : "Rousseau, Théodore", "Disp_Dimen" : "6 1/4 x 8 1/2 in. (15.9 x 21.6 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. John Gade, Mrs. O'Donnell Iselin, and Mr. F. Harper Sibley in memory of their father, Hiram W. 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