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(27.9 x 20.5 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "8 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Part of a series of 12 views of New York, published by The Society of Iconophiles, New York, 1905.", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.75.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.75.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.75.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.75.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14570", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2213, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2213", "Disp_Access_No" : "1947.75.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "The Times Building", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Pennell", "Sort_Artist" : "Pennell, Joseph", "Disp_Dimen" : "9 x 6 in. (22.9 x 15.2 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "Part of a series of 12 views of New York, published by The Society of Iconophiles, New York, 1905.", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.75.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.75.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.75.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.75.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14580", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2049, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2049", "Disp_Access_No" : "1975.245", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Downtown, New York", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Marin", "Sort_Artist" : "Marin, John", "Disp_Dimen" : "6 3/4 x 8 3/4 in. (17.1 x 22.2 cm)", "Disp_Height" : "6 3/4 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In John Marin’s <em>Downtown, New York</em>, the viewer experiences the dizzying, disorienting sensation of looking up at the buildings while walking on a city street. Marin’s urban vision was one of energy, force, and fragmentation. He sought to capture the frenetic pace of the modern urban experience and the power of skyscrapers as though they themselves were active players in the city’s vitality, as “warring, pushing, pulling forces.” The slashing diagonal form is the elevated railroad that dominated the New York City landscape starting in the 1870s. [label text for <em>Modern Icon: The Machine As Subject in American Art</em> exhibition, February 3 – March 6, 2012] ", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.245_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.245_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.245_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.245_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "37623", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1710, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1710", "Disp_Access_No" : "1975.327.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1965", "_Disp_Start_Dat" : "1965", "_Disp_End_Date" : "1965", "Disp_Title" : "Market on 38th Street", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Gropper", "Sort_Artist" : "Gropper, William", "Disp_Dimen" : "11 1/4 x 15 1/2 in. (28.6 x 39.4 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "15 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "As a lifelong supporter of the organized labor movement, William Gropper sensitively depicted many New Yorkers at work in tough circumstances, including in the sweat shops of the Garment District (now called the Fashion Center). After turning to etching in his late sixties, Gropper created this image of laborers pushing empty racks and pulling loaded carts on 38th St. in the busy and chaotic District. His signature caricature style is a continuation of his early political cartooning in Die Freiheit, a Yiddish newspaper printed by the Jewish Federation of the Worker’s Party. [Label text, 2003]", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 175, no.1592", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.327.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.327.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.327.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.327.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17037", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1293", "Disp_Access_No" : "1983.134.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "East River near the Queensborough Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "10 1/4 x 8 1/2 in. (26 x 21.6 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The rivers surrounding Manhattan have always attracted swimmers brave – or foolish – enough to endure pollutants and random bits of garbage floating nearby. Fortunately, the quality of New York waterways is currently improving, and sights like the one may be more common in the future. Looming above the swimmers and boaters enjoying the East River is the Queensborough Bridge, also known as the 59th Street Bridge, made famous by Simon and Garfunkel’s album and song (Feeling Groovy). One of the many bridges that have been artists’ favorites, the Queensborough Bridge connects Manhattan and Queens. Over a mile long, it was opened to traffic in 1909. The spires that were part of the original design, and that can be seen in this print, were removed in the 1950s because of their deteriorating condition. [Label text, 2003]", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The East River Bridge at 59th Street", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25057", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1295, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1295", "Disp_Access_No" : "1983.134.21", "_AccNumSort1" : "", "Disp_Create_DT" : "20th Century", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1999", "Disp_Title" : "Central Park Lake", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "6 1/4 x 11 3/4 in. (15.9 x 29.8 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Aquatint", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.21_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.21_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.21_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.21_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26163", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1312, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1312", "Disp_Access_No" : "1983.134.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Washington Square South", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "7 x 8 3/4 in. (17.8 x 22.2 cm)", "Disp_Height" : "7 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Out of necessity and solidarity artists banded together to survive the Great Depression by collective efforts to make, show, and sell their work. Hugh Botts’ keen sense of humor and ability to market his work is clear in Washington Square Park South. This display of eight of his prints tacked to a fence mimics how he probably displayed his work to sell at the Washington Square Outdoor Art Exhibit (established in 1931). This outdoor, public exhibition of art for sale, similar to the Memorial Art Gallery’s own annual Clothesline Arts Festival, is still in operation today in New York City. The prints depicted were among Bott’s most successful images; Columbus Circle was reprinted in the 1939 WPA guide to New York, Roosevelt Wing Museum was the feature of an article about the artist in Christian Science Monitor, and House Painter was a prizewinning print noted by the New York Times reviewer as characteristic of the artist’s wit. [Label text] Since 1931, artists have shown their works in an annual exhibition in Greenwich Village’s Washington Square. Launched during the Depression by Jackson Pollock, Alice Neel, and other artists seeking to have their work seen and purchased, the show became a popular (and inexpensive) way of gaining recognition. In this etching, Hugh Botts shows his own works on view in Washington Square. In characteristic fashion, the artist includes his whimsical touches – for example, a trompe l’oeil label with his name and date on it. Look closely, and you’ll find a miniature version of an etching in this exhibition. [Label text, 2003]", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25068", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1314, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1314", "Disp_Access_No" : "1983.134.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Mid Manhattan Canyon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "12 15/16 x 17 7/8 in. (32.9 x 45.4 cm)", "Disp_Height" : "12 15/16 in.", "Disp_Width" : "17 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Aquatint and etching", "Info_Page_Comm" : "The New York skyline is a backdrop for the human drama that Botts saw all around him in New York City. [Label text, 2003]", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Duplicate of 87.69", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28697", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1614, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1614", "Disp_Access_No" : "1986.11", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1935-1939", "_Disp_Start_Dat" : "1935", "_Disp_End_Date" : "1939", "Disp_Title" : "East Side, Night", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harold Faye", "Sort_Artist" : "Faye, Harold", "Disp_Dimen" : "11 3/8 x 15 7/8 in. (28.9 x 40.3 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "15 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "During the many hours that Harold Faye spent exploring New York City and recording its dens and denizens, he created work that demonstrated ‘enthusiasm of place and period,’ in the words of one art historian. In East Side, Night, he emphasized the city’s hard metallic elements – the fire escape, the sturdy supports for the El, railings, cars, barrels – but tempered them with the softness of the lithographic crayon. Off and on during the Depression, Harold Faye found employment with the Graphic Division of the Federal Art Project of the Works Progress Administration. This government agency was set up as part of the New Deal to create jobs. Typically, artists submitted drawings to supervisors who would either approve them, in which case the artists would go ahead and print multiple copies, or the work would be disapproved and shelved or discarded. Nearly 4,000 artists were given work thanks to this program, including Jacob Lawrence, Mark Rothko, and Jackson Pollock. [Label text, 2003]", "Dedication" : "Gift of Helen S. Faye", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.11_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17044", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.11_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.11_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.11_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.11_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "51032", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1265, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1265", "Disp_Access_No" : "1989.54", "_AccNumSort1" : "", "Disp_Create_DT" : "1929", "_Disp_Start_Dat" : "1929", "_Disp_End_Date" : "1929", "Disp_Title" : "New York from Weehawken", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mortimer Borne", "Sort_Artist" : "Borne, Mortimer", "Disp_Dimen" : "6 15/16 x 10 in. (17.7 x 25.4 cm)", "Disp_Height" : "6 15/16 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Gift of Jonathan and Marie Cockey", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.54_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.54_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.54_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.54_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17046", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5633", "Disp_Access_No" : "1992.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1774", "_Disp_Start_Dat" : "1774", "_Disp_End_Date" : "1774", "Disp_Title" : "A View of New York from the North West", "Alt_Title" : "Wooded Heights View", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph F.W. Des Barres", "Sort_Artist" : "Des Barres, Joseph F.W.", "Disp_Dimen" : "10 5/8 x 17 13/16 in. (27 x 45.3 cm)", "Disp_Height" : "10 5/8 in.", "Disp_Width" : "17 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored aquatint", "Info_Page_Comm" : "A print from the first important marine atlas, American Neptune, presents a scene of British naval vessels sailing near rural Manhattan shores – ostensibly a peaceful and calm moment, but deceptively so, since it would only be a matter of months before resistance to British rule surfaced. The New York that we see through Des Barres’s eyes is over two centuries and a national history removed from Rhonda Schaller’s memento mori for the destruction of the World Trade Center, but contained in both works is the kernel of political struggle and tragic loss of life. [Label text, 2003]", "Dedication" : "Gift of Mr. and Mrs. John M. Topham", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Great Britain", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.30_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.30_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.30_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.30_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30456", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2018, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2018", "Disp_Access_No" : "1992.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Lincoln Center (Poster)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "45 x 29 5/8 in. (114.4 x 75.2 cm)", "Disp_Height" : "45 in.", "Disp_Width" : "29 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Offset color lithograph", "Info_Page_Comm" : "This Pop Art poster was created to advertise the fourth New York film festival at Lincoln Center in 1966. With primary colors and his signature Ben Day dots (used in commercial printing to produce halftones), Lichtenstein integrated bold elements to create an attention-getting image that would be visible on city streets. He was paid to design the poster by the Lincoln Center Poster Project, which was begun by New York philanthropist Vera List. In an interview in 1973, Mrs. List described her reason for creating the project: "I’ve always believed that one’s environment is what stimulates people. It’s what stimulated me as a child…you’d go to Paris and see all the exciting posters around there which were very colorful and stimulating…but you walk around New York, and you see the three-sheeter. So that gave birth to the idea of allocating a certain sum for posters. The idea was to commission the fine artist, the creative artist of the time…to bring to the general public –they walk down the street, they see an image, something would attract them, and something would happen…I always felt that if people’s sensibilities were awakened, they would seek to make the whole city a more amenable place in which to live. So that’s how that started." [Label text, 2003]", "Dedication" : "Anonymous gift", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17387", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2278, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2278", "Disp_Access_No" : "1975.277", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1964", "_Disp_Start_Dat" : "1959", "_Disp_End_Date" : "1969", "Disp_Title" : "The Great Bridge [Verrazano-Narrows Bridge)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lili Rethi", "Sort_Artist" : "Rethi, Lili", "Disp_Dimen" : "16 3/4 x 12 11/16 in. (42.5 x 32.3 cm)", "Disp_Height" : "16 3/4 in.", "Disp_Width" : "12 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 182, no.1636. Note publication date of 1965", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.277_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.277_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.277_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.277_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25220", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 1242, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1242", "Disp_Access_No" : "1991.77.1", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "In Front of 42nd Street Library", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Eight Etchings, 1927-1934", "Disp_Maker_1" : "Isabel Bishop", "Sort_Artist" : "Bishop, Isabel", "Disp_Dimen" : "9 15/16 x 13 1/16 in. (25.3 x 33.2 cm)", "Disp_Height" : "9 15/16 in.", "Disp_Width" : "13 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Posthumous-edition. Ten folios and eight etchings, housed in a tan buckram clamshell box with printed gold lettering.", "Dedication" : "Gift of the Sylvan Cole Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "printed in 1989", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.77.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.77.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.77.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.77.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "30844", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image- not for print or web", "View" : "" } , ] }, ] }