{ "objects" : [ { "embark_ID" : 10209, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10209", "Disp_Access_No" : "1956.77.1", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Stencil (Katagami)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Japanese", "Sort_Artist" : "Unknown, Japanese", "Disp_Dimen" : "12 11/16 x 16 13/16 in. 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(31.2 x 43.6 cm)", "Disp_Height" : "12 5/16 in.", "Disp_Width" : "17 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "", "Support" : "paper", "Disp_Medium" : "Mulberry paper and hair", "Info_Page_Comm" : "", "Dedication" : "Gift of the Women's Council of the Memorial Art Gallery", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Stencil", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.77.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.77.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.77.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.77.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17191", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10212, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10212", "Disp_Access_No" : "1956.77.4", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Stencil (Katagami)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Japanese", "Sort_Artist" : "Unknown, Japanese", "Disp_Dimen" : "11 7/8 x 16 9/16 in. (30.2 x 42.1 cm)", "Disp_Height" : "11 7/8 in.", "Disp_Width" : "16 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "", "Support" : "paper", "Disp_Medium" : "Mulberry paper and hair", "Info_Page_Comm" : "Paper stencils were used in Japan for over 500 years to dye almost every type of clothing, from the formal dress of samurai and silk kimono to hemp and cotton work clothing. Their patterns show a vast array of every type of decoration, including stripes, vines, flowers and butterflies. Stencils are made of two or more layers of handmade mulberry paper laminated together and waterproofed. They are then cured with smoke, which gives the paper stiffness and turns it a rich brown. Openwork patterns like this were carved away and then reinforced with a network of fine silk threads sandwiched between the layers of paper. [Gallery label text, 2006]", "Dedication" : "Gift of the Women's Council of the Memorial Art Gallery", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Stencil", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.77.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.77.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.77.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.77.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28759", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10213, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10213", "Disp_Access_No" : "1956.77.5", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Stencil (Katagami)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Japanese", "Sort_Artist" : "Unknown, Japanese", "Disp_Dimen" : "12 1/8 x 17 11/16 in. (30.8 x 45 cm)", "Disp_Height" : "12 1/8 in.", "Disp_Width" : "17 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "", "Support" : "paper", "Disp_Medium" : "Mulberry paper and hair", "Info_Page_Comm" : "", "Dedication" : "Gift of the Women's Council of the Memorial Art Gallery", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Stencil", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.77.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.77.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.77.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.77.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17192", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10214", "Disp_Access_No" : "1956.77.6", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Stencil (Katagami)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, Japanese", "Sort_Artist" : "Unknown, Japanese", "Disp_Dimen" : "17 1/8 x 27 3/16 in. (43.5 x 69 cm)", "Disp_Height" : "17 1/8 in.", "Disp_Width" : "27 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "", "Support" : "paper", "Disp_Medium" : "Mulberry paper and hair", "Info_Page_Comm" : "", "Dedication" : "Gift of the Women's Council of the Memorial Art Gallery", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Stencil", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/56.77.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/56.77.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/56.77.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/56.77.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17193", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1116, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1116", "Disp_Access_No" : "1973.9", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Santo (Crucifix)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Unknown, American", "Sort_Artist" : "Unknown, American", "Disp_Dimen" : "37 x 24 in. (94 x 61 cm)", "Disp_Height" : "37 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Wood", "Support" : "", "Disp_Medium" : "Wood and paint", "Info_Page_Comm" : "The image of Christ on the cross is fundamental to Christian belief and the art that expresses it. The nearby Tramp Art Shrine, made in the northeastern United States, as well as many European works on the second floor of the Gallery, incorporate images similar to this santo made by an unknown santero. Santero is the traditional name for the carver of santos, which are typically figures of Christ or saints. When European missionaries brought Catholicism across the ocean to the New World, they also brought with them traditional forms of religious iconography and woodcarving techniques. Spanish friars were the original santeros, carving the figures to decorate mission churches; during the 19th century, lay people became santeros, and santos became part of the domestic religious tradition. [Gallery label text, 2002]", "Dedication" : "Gift of the Women's Council in honor of Isabel C. Herdle", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Sculpture", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "American, Southwest, possibly Franciscan", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.9_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.9_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.9_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.9_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14242", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image. Reference only.", "View" : "" } , ] },{ "embark_ID" : 352, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/352", "Disp_Access_No" : "1974.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1860", "_Disp_Start_Dat" : "1860", "_Disp_End_Date" : "1860", "Disp_Title" : "Genesee Oaks", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Asher Brown Durand", "Sort_Artist" : "Durand, Asher Brown", "Disp_Dimen" : "28 1/4 x 42 in. (71.8 x 106.7 cm)", "Disp_Height" : "28 1/4 in.", "Disp_Width" : "42 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Asher B. Durand was commissioned to paint this magnificent vista overlooking the Genesee River Valley in Geneseo, New York, by a member of the Wadsworth family, the village founders. At one time, they owned all the land from Geneseo to Rochester. [Gallery label text, 2007] No matter what the weather, this view across the Genesee Valley near Geneseo is as breathtaking now as it was over two hundred years ago, when landowner James S. Wadsworth commissioned Hudson River school founder Asher B. Durand to record the beauty of the landscape in a painting. In the summer of 1859, Durand traveled from New York City to the Genesee Valley to make preparatory sketches. Trained as an engraver, he recorded many of the details that he saw, but in addition, his personal belief in the immanence of the divine in the natural world motivated him to present a landscape that seems to extend infinitely. Statuesque oak trees, many of which are still standing on the land, dominate the painting. In this region, the trees were more than a decorative feature. When the Wadsworths began to sell and lease land to local farmers, they included a clause in the contract requiring that a number of trees remain after the land was cleared. This was a holdover from British husbandry; the result was a countryside that was not only beautiful but that provided sun and moisture control for humans and animals alike. Genesee Oaks was Durand's tribute to the splendor of this valley. [Gallery label text] Durand visited the Genesee country but once, sketching in the Geneseo area during late June and July of 1859. Of his trip he wrote to his son in August: "With all my troubles I believe I have learnt more about the management of colors in the painting of trees than by all my previous practice, altho' I have never produced so little in the same span of time, not having made but four studies in five weeks." During the following year, back in his studio, Durand painted Genesee Oaks, based on the sketches he had made. The painting was commissioned by James Samuel Wadsworth, a local squire, who owned the work when it was exhibited at the National Academy of Design in 1861. Seven oil studies done near Geneseo in 1859 are photographed in Durand's studio after 1878. A photograph shows three small sculptures of cows, two standing, one reclining that may have served as models for the animals in the painting. Howard S. Merritt Peters, Susan Dodge, ed. Memorial Art Gallery: An Introduction to the Collection. (Rochester, NY: The Memorial Art Gallery, 1988). p.182-3.", "Dedication" : "Gift of the Women's Council in honor of Harris K. Prior", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.5_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.5_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.5_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.5_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12463", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6937, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6937", "Disp_Access_No" : "1987.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "Woodland Scene with Faggot Gatherers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Henry Mole", "Sort_Artist" : "Mole, John Henry", "Disp_Dimen" : "14 3/8 x 11 in. (36.5 x 28 cm)", "Disp_Height" : "14 3/8 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of the Gallery Council", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "English", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This is probably a painting found on a 1963 list of "items recommended for disposal"-- "J. H. Mole, Landscape with Figures, Women''s Council-- left from Flea Market, April in Paris." This was a 1956 gala to benefit the Gallery. See curatorial file. As the original donor could not be determined, Gallery Council was credited with this gift.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "22755", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 720, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/720", "Disp_Access_No" : "1988.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1852", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1857", "Disp_Title" : "Peeling Onions", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lilly Martin Spencer", "Sort_Artist" : "Spencer, Lilly Martin", "Disp_Dimen" : "36 x 29 in. (91.4 x 73.7 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "29 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of the Women's Council in celebration of the 75th anniversary of the Memorial Art Gallery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12511", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 24578, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/24578", "Disp_Access_No" : "2013.49", "_AccNumSort1" : "", "Disp_Create_DT" : "1882", "_Disp_Start_Dat" : "1882", "_Disp_End_Date" : "1882", "Disp_Title" : "View From Mount Hope, Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ebenezer Emmons", "Sort_Artist" : "Emmons, Ebenezer", "Disp_Dimen" : "8 11/16 x 10 3/8 in. (22.1 x 26.3 cm)", "Disp_Height" : "8 11/16 in.", "Disp_Width" : "10 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored lithograph laid down to stiff paper", "Info_Page_Comm" : "From "Natural History of New York... vol. 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