{ "objects" : [ { "embark_ID" : 26901, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/26901", "Disp_Access_No" : "2018.31", "_AccNumSort1" : "", "Disp_Create_DT" : "2017", "_Disp_Start_Dat" : "2017", "_Disp_End_Date" : "2017", "Disp_Title" : "Into the Woods", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sam Gilliam", "Sort_Artist" : "Gilliam, Sam", "Disp_Dimen" : "59 3/4 x 44 3/4 in. (151.8 x 113.7 cm)", "Disp_Height" : "59 3/4 in.", "Disp_Width" : "44 3/4 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "wood", "Disp_Medium" : "Acrylic on wood", "Info_Page_Comm" : "", "Dedication" : "Gift of Sam Gilliam", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Preliminary correspondence gave the title of this work as Joycean Parable, but the back of the painting is inscribed with the title Into the Woods, and it was decided to use that inscribed title.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.31_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.31_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.31_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.31_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "53204", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy''s disk titled MAG 190716, stored in Curatorial office", "View" : "" } , ] },{ "embark_ID" : 28224, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28224", "Disp_Access_No" : "2018.32", "_AccNumSort1" : "", "Disp_Create_DT" : "2018", "_Disp_Start_Dat" : "2018", "_Disp_End_Date" : "2018", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sam Gilliam", "Sort_Artist" : "Gilliam, Sam", "Disp_Dimen" : "304 x 114 1/2 in. (772.2 x 290.8 cm)", "Disp_Height" : "304 in.", "Disp_Width" : "114 1/2 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "Cerex nylon", "Disp_Medium" : "Acrylic on Cerex nylon", "Info_Page_Comm" : "", "Dedication" : "Gift of Sam Gilliam", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.32-2018.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.32-2018.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.32-2018.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.32-2018.33_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "53205", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "2018.32 and 2018.33 photographed together (2018.33 on the left in this photo) On Andy''s disk titled MAG 190716, stored in Curatorial office", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.32_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.32_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.32_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.32_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "53206", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy''s disk titled MAG 190716, stored in Curatorial office", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.32_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.32_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.32_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.32_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "53791", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy Olenick disk 191120, held in the Curatorial department. No master with color bars exists.", "View" : "" } , ] },{ "embark_ID" : 28225, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/28225", "Disp_Access_No" : "2018.33", "_AccNumSort1" : "", "Disp_Create_DT" : "2018", "_Disp_Start_Dat" : "2018", "_Disp_End_Date" : "2018", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Sam Gilliam", "Sort_Artist" : "Gilliam, Sam", "Disp_Dimen" : "286 1/2 x 118 in. (727.7 x 299.7 cm)", "Disp_Height" : "286 1/2 in.", "Disp_Width" : "118 in.", "Dimen_Extent" : "overall", "Medium" : "Acrylic", "Support" : "Cerex nylon", "Disp_Medium" : "Acrylic on Cerex nylon", "Info_Page_Comm" : "", "Dedication" : "Gift of Sam Gilliam", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.32-2018.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.32-2018.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.32-2018.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.32-2018.33_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "53208", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "2018.32 and 2018.33 photographed together (2018.33 on the left in this photo) On Andy''s disk titled MAG 190716, stored in Curatorial office", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.33_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.33_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.33_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.33_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "53209", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy''s disk titled MAG 190716, stored in Curatorial office", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2018.33_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2018.33_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2018.33_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2018.33_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "53792", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy Olenick disk 191120, held in the Curatorial department. No master with color bars exists.", "View" : "" } , ] },{ "embark_ID" : 24925, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/24925", "Disp_Access_No" : "2013.79", "_AccNumSort1" : "", "Disp_Create_DT" : "2013", "_Disp_Start_Dat" : "2013", "_Disp_End_Date" : "2013", "Disp_Title" : "After Memling’s Portrait of a Man with a Letter", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Kehinde Wiley", "Sort_Artist" : "Wiley, Kehinde", "Disp_Dimen" : "24 1/2 x 19 3/4 x 4 13/16 in. (62.2 x 50.1 x 12.2 cm)", "Disp_Height" : "24 1/2 in.", "Disp_Width" : "19 3/4 in.", "Dimen_Extent" : "with frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on wood panel in artist-designed hand-fabricated wood frame", "Info_Page_Comm" : "This portrait is one of eight in Kehinde Wiley’s series based upon the work of Northern Renaissance painter Hans Memling (1430–1494). Memling created sensitive, quiet portraits of the growing merchant class of his time set within landscapes and cast in natural light. Here, Wiley blends Memling’s style with contemporary street culture in a way that elevates and immortalizes his modern sitter, a resident of Brooklyn, Rafton Glean (his name is painted on the doors of the frame). Wiley has explained, “I try to use the black body in my work to counter the absence of that body in museum spaces throughout the world.” In 2018, the artist was chosen by President Barack Obama to paint his official portrait (right), now in the collection of the National Portrait Gallery. At the unveiling, the President commended Wiley for his ability to show “the beauty and the grace and the dignity” of black people. [Label text for Hawks Gallery reinstallation, summer 2019] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2013.79_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2013.79_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2013.79_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2013.79_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "40610", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Original JPG provided by gallery Roberts & Tilton, Culver City, CA. Credit line provided: Photo: Max Yawney. Courtesy of Kehinde Wiley Studio and Roberts & Tilton, Culver City, California", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2013.79_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2013.79_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2013.79_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2013.79_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "43854", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 150528", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2013.79_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2013.79_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2013.79_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2013.79_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "43855", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk MAG 150528. Silhouetted out from background by Andy Olenick. Color looks very different in Embark than in actual JPG and TIF-- why? Very cool and muted thru Embark, warmer in actual files. ", "View" : "" } , ] },{ "embark_ID" : 25771, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/25771", "Disp_Access_No" : "2015.1", "_AccNumSort1" : "", "Disp_Create_DT" : "2015", "_Disp_Start_Dat" : "2015", "_Disp_End_Date" : "2015", "Disp_Title" : "Portrait of Qusuquzah #6", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mickalene Thomas", "Sort_Artist" : "Thomas, Mickalene", "Disp_Dimen" : "48 x 36 in. (121.9 x 91.4 cm)", "Disp_Height" : "48 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "without frame", "Medium" : "Acrylic", "Support" : "panel", "Disp_Medium" : "Acrylic, enamel, oil and rhinestones on wood panel", "Info_Page_Comm" : "New-York-based artist Mickalene Thomas is best known for her elaborate paintings composed of rhinestones, acrylic, and oil enamel. Her work introduces a complex vision of what it means to be a woman and expands common definitions of beauty. Thomas’s paintings are based on photographic portraits of models whose qualities allow her to articulate and explore questions of beauty, power, sexuality, and femininity. "I tend to work with the same models. A lot of them are friends.…So it’s women I work with in proximity to and whose energy I enjoy, and they just have a certain charisma that I’m drawn to. Especially Qusuquzah. There’s something about her. She brings something powerful to the image that amazes me through her gaze. I try to pull out those elements. I’m trying to hold onto the truth she brings in the photograph." [Gallery label text, Forman Gallery, Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2015.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2015.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2015.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2015.1_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "43480", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photo provided by gallery.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2015.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2015.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2015.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2015.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "53276", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On Andy''s disk labelled MAG190912", "View" : "" } , ] },{ "embark_ID" : 26393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/26393", "Disp_Access_No" : "2016.180", "_AccNumSort1" : "", "Disp_Create_DT" : "2011", "_Disp_Start_Dat" : "2011", "_Disp_End_Date" : "2011", "Disp_Title" : "The 7 Yard", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Daze", "Sort_Artist" : "Daze", "Disp_Dimen" : "46 1/16 x 46 1/16 in. (117 x 117 cm)", "Disp_Height" : "46 1/16 in.", "Disp_Width" : "46 1/16 in.", "Dimen_Extent" : "overall", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil, spray paint, and acrylic on canvas", "Info_Page_Comm" : "One of the most prominent and influential New York City graffiti artists, Daze is best known for his wall writing and spay-painting on subway cars during the late 1970s and early 1980s. By the mid-1980s he was transitioning to painting on canvas. Daze’s pictures capture the grit and energy of the city he loves. The 7 Yard features the artist’s iconic graffiti markings in acrylic, the soft impression of a young woman’s face rendered in spray-paint, and a hyper-detailed depiction of a train yard in oil paint, which is remarkably similar to the train yard near MAG here in Rochester. Rochester’s WALL\THERAPY project sponsored four large-scale exterior murals by Daze. Visit www.wall-therapy.com for more information. [Gallery wall text October 2016] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2016.180_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2016.180_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2016.180_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2016.180_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "47176", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo on disks labelled "MAG 170607"", "View" : "" } , ] }, ] }