{ "objects" : [ { "embark_ID" : 5201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5201", "Disp_Access_No" : "1987.34.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839-1840", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1840", "Disp_Title" : "Returning Sails at Takanawa", "Alt_Title" : "", "Obj_Title" : "Returning Sails at Takanawa from the series "Eight Views of the Shiba District in the Capital City"", "Series_Title" : "Eight Views of the Shiba District in the Capital City", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "9 13/16 x 14 5/16 in. (24.9 x 36.3 cm)", "Disp_Height" : "9 13/16 in.", "Disp_Width" : "14 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : ""Returning Sails at Takanawa" adapts the classical trope of "Returning Sails at a Distant Bay" (enpo kihan) to the well-known view of Edo bay along a stretch of the Tôkaidô Road at Takanawa in the Shiba district of Edo. Smaller boats with white sails ferry goods to shore from the large dark ocean-going vessels anchored in the bay. In the unceasing traffic along the Tôkaidô Road, the major highway leading in and out of the city to the south, we see a mounted samurai and his servant in the lower-left corner passing through the granite sides of the gated portal to the city. Coming towards them is a group of pilgrims dressed in white, followed by two more samurai borne in palanquins, and another two palanquins are parked at the side of the teahouse. Large hand-carts for carrying building materials are seen in the lower right-hand corner, while at the right workers appear to be building a larger restaurant or teahouse. Two sign-boards next to a mile-post at the seating area carry official regulations pertaining to travelers entering Edo—these signs were a common sight at every bridge and approach to the city, along with the heads of executed criminals.", "Dedication" : "Gift of Dr. James B. Austin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.34.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.34.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.34.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.34.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16690", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4408, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4408", "Disp_Access_No" : "1997.143", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Shichiri-ga-hama at Enoshima", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Shotei Hokuju", "Sort_Artist" : "Shotei Hokuju", "Disp_Dimen" : "9 3/4 x 14 15/16 in. (24.8 x 38 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "14 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of Margaret Sterling in memory of M. Louise Stowell, transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.143_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.143_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.143_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.143_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17177", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4337, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4337", "Disp_Access_No" : "1997.217", "_AccNumSort1" : "", "Disp_Create_DT" : "1847-1852", "_Disp_Start_Dat" : "1847", "_Disp_End_Date" : "1852", "Disp_Title" : "The Drunkard of Edo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Eight Cups of Drunkeness", "Disp_Maker_1" : "Utagawa Kuniyoshi", "Sort_Artist" : "Utagawa Kuniyoshi", "Disp_Dimen" : "13 11/16 x 9 3/4 in. (34.8 x 24.7 cm)", "Disp_Height" : "13 11/16 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.217_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.217_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.217_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.217_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17204", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "some distortion scattered along the top of the image, and some along the sides. Needs reshot. ", "View" : "" } , ] },{ "embark_ID" : 8956, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8956", "Disp_Access_No" : "1930.25", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Herons in the Rain", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Soseki", "Sort_Artist" : "Soseki", "Disp_Dimen" : "15 x 9 1/2 in. (38.1 x 24.1 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "9 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Woodcut", "Info_Page_Comm" : "Komori Soseki designed kacho-e, or “bird and flower prints,” during the 1920s and early 1930s. Although little is known about his life, Komori Soseki’s work, like that of the artist Yoshida Hiroshi seen at the left, represents the shin-hanga, or “new print,” movement in Japan after the end of the Meiji period in 1912. Shin-hanga artists worked in the traditional manner: they created art, primarily of characteristically Japanese subject matter, which was then produced as a print by a publisher rather than the artist himself. Even though kacho-e prints were not as favored by Japanese collectors as the earlier ukiyo-e prints of landscapes and actors, they were very popular with Western collectors and became lucrative exports for Japanese publishers. [Gallery label text, 2006]", "Dedication" : "Education Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/30.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/30.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/30.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/30.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "28884", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary Image do not use for web or print", "View" : "" } , ] }, ] }