{ "objects" : [ { "embark_ID" : 199, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/199", "Disp_Access_No" : "1965.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "Steamship James Fisk, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Bard", "Sort_Artist" : "Bard, James", "Disp_Dimen" : "29 1/4 x 49 1/2 in. (74.3 x 125.7 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "49 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "The large steamship in this painting, the James Fisk, Jr., was a ferryboat with a side paddlewheel, decorated with oversized flags and at least six gold eagles. It was named for its owner, a powerful financier who lived a colorful life that was ended by a scandalous shooting. Fisk also owned the Bristol, which can be seen in the distance. Known for his pristine depictions of ferries and steamboats, self-taught artist James Bard painted so accurately that it was said that shipbuilders could rebuild their boats based on his works. [Gallery label text, 2002]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39031", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Derived from 65.60_M1; no print-level image was made at the time of photography, so the correction was done 9/12 and a new Print Master derived; a new JPG was created from that. KS", "View" : "" } , ] },{ "embark_ID" : 205, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/205", "Disp_Access_No" : "1947.13", "_AccNumSort1" : "", "Disp_Create_DT" : "1914", "_Disp_Start_Dat" : "1914", "_Disp_End_Date" : "1914", "Disp_Title" : "Evening Group", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "25 x 30 in. (63.5 x 76.2 cm)", "Disp_Height" : "25 in.", "Disp_Width" : "30 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on composition board", "Info_Page_Comm" : "This painting portrays the artist with his wife, Emma, and daughter, Anne, on vacation on Monhegan Island off the coast of Maine. Two neighbor children occupy the right side of the canvas. [Gallery label text, 2007] In the summer of 1914, painter George Bellows convinced his wife, Emma, to travel to Monhegan Island off the coast of Maine along with their young daughter, Anne. There, he hoped to paint more of the stunning seascapes he had worked on so successfully in past years. Evening Group depicts Emma and Anne on the left, the artist in the middle, and two neighbor children on the right. Based in New York City during much of the year, Bellows found that the harsh beauty of places like Monhegan Island provided him with subjects that contrasted dramatically with his acclaimed urban scenes. He first visited the island in 1911 in the company of his teacher and mentor, Robert Henri, and wrote enthusiastically to Emma: “The Island is only a mile wide and two miles long, but it looks as large as the Rocky Mountains. It’s three times as high as Montauk [Long Island] and all black and grey rock. Beautiful pine forests and wonderful varieties of all kinds…” In another letter, he lamented “my head is full of millions of great pictures which I will never have time to paint.” [Gallery label text, 2005]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3002", "Rel_Obj_Title" : "Study for "Evening Group"" } ], "Curator" : "Note that the online catalogue raisonne lists the inclusion of this work in a 1926 exhibition at the Los Angeles Museum of Art, but an exhibition of that date that might contain this work could not be found.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.13_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.13_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.13_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.13_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12371", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42bellows1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42bellows1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42bellows1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/42bellows1.tif", "IsPrimary" : "0", "_SurrogateID" : "23028", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "CMYK tif image from Monroe Litho for Seeing America catalogue. Cannot be converted to RGB for web use without considerable color adjustment.", "View" : "" } , ] },{ "embark_ID" : 3002, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3002", "Disp_Access_No" : "1993.23", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1914", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1919", "Disp_Title" : "Study for "Evening Group"", "Alt_Title" : "The Family, Evening", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Bellows", "Sort_Artist" : "Bellows, George", "Disp_Dimen" : "17 11/16 x 21 3/16 in. (44.9 x 53.8 cm)", "Disp_Height" : "17 11/16 in.", "Disp_Width" : "21 3/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Graphite", "Support" : "paper", "Disp_Medium" : "Conté crayon and graphite on tracing paper", "Info_Page_Comm" : "George Bellows was a remarkable painter who studied, taught, and lived in New York City. There, he often associated with members of the group of artists known as The Eight, led by Robert Henri. In 1911, accompanied by Henri, George Bellows made the first of several trips to Monhegan Island off the coast of Maine. On his last visit, in 1914, he was accompanied by his wife and daughter Anne, who are the two figures on the left of this drawing. The figures on the right are young neighbors, but the central figure has not yet been identified. While this drawing has an anecdotal quality in its depiction of friends and family, the artist's interest in composition, or the arrangement of forms, can also be seen in the heavily-drawn diagonal lines and the diamond grid in the paper that he used. Bellows used this drawing as a preliminary study for a similar painting that is owned by the Gallery, which underwent technical analysis at the Williamstown Art Conservation Center to determine what changes the artist may have made to the painting before his death in 1925. [Gallery label text]", "Dedication" : "Bennett Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Parent" : [ { "Rel_Obj_ID" : "205", "Rel_Obj_Title" : "Evening Group" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12519", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42bellows2.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42bellows2.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42bellows2.tif", "IIIF_URL": "http://iiif.gallerysystems.com/42bellows2.tif", "IsPrimary" : "0", "_SurrogateID" : "23029", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "CMYK tif image from Monroe Litho for Seeing America catalogue. Cannot be converted to RGB for web use without considerable color adjustment.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/93.23_I1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/93.23_I1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/93.23_I1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/93.23_I1.jpg", "IsPrimary" : "0", "_SurrogateID" : "27091", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/251", "Disp_Access_No" : "1989.71", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1859-1860", "_Disp_Start_Dat" : "1859", "_Disp_End_Date" : "1860", "Disp_Title" : "The Clipper Ship "Flying Cloud" off the Needles, Isle of Wight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James E. Buttersworth", "Sort_Artist" : "Buttersworth, James E.", "Disp_Dimen" : "12 1/16 x 18 1/16 in. (30.6 x 45.9 cm)", "Disp_Height" : "12 1/16 in.", "Disp_Width" : "18 1/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Clara and Edwin Strasenburgh Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.71_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.71_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.71_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.71_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12513", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4861, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4861", "Disp_Access_No" : "1968.99", "_AccNumSort1" : "", "Disp_Create_DT" : "after ca. 1652", "_Disp_Start_Dat" : "1653", "_Disp_End_Date" : "1662", "Disp_Title" : "View off the Dutch Coast", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan van de Cappelle", "Sort_Artist" : "Cappelle, Jan van de", "Disp_Dimen" : "30 1/2 x 39 1/8 in. (77.5 x 99.4 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "39 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The popularity of seascapes in seventeenth-century Holland reflected the wealth and power engendered by that nation's naval superiority. Although he was primarily a merchant and only an amateur painter, van de Cappelle is generally recognized as among the most proficient artists to specialize in this genre. The subtle color harmonies and quiet serenity of this scene are typical of his accomplishment. [Gallery label text, 1989]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that the Getty Provenance Database indicates a sale of a van de Cappelle "Sea Piece" by McLarren to Robinson as lot no. 92 on February 21, 1833 at Edward Foster, London. It could not be detemined if that painting was this one, nor if the Robinson mentioned was Joseph B. Robinson, previous owner of the MAG painting.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.99_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.99_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.99_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.99_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27625", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 264, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/264", "Disp_Access_No" : "1992.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "Boats on Shore, Yport, France", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harry Chase", "Sort_Artist" : "Chase, Harry", "Disp_Dimen" : "10 x 16 in. (25.4 x 40.6 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Hollister Spencer", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.16_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15795", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6594, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6594", "Disp_Access_No" : "1936.62", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "The Coast of Brittany", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Cottet", "Sort_Artist" : "Cottet, Charles", "Disp_Dimen" : "31 x 23 in. (78.7 x 58.4 cm)", "Disp_Height" : "31 in.", "Disp_Width" : "23 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "wood", "Disp_Medium" : "Oil on wood", "Info_Page_Comm" : "Charles Cottet was particularly well known for his landscapes and stormy seascapes of Brittany, where he spent several months a year. The dark tones and strong values of his work belong to the tradition of Realism, an artistic movement that emphasized objective representations of the world based on the impartial observation of contemporary life. He studied and exhibited with artists such as Edouard Vuillard. [adapted from gallery label text]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/36.62_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/36.62_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/36.62_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/36.62_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26140", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 347, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/347", "Disp_Access_No" : "1915.1", "_AccNumSort1" : "", "Disp_Create_DT" : "circa 1915", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1920", "Disp_Title" : "Coast of Cornwall, near St. Ives", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Dougherty", "Sort_Artist" : "Dougherty, Paul", "Disp_Dimen" : "36 x 48 in. (91.4 x 121.9 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "48 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In 1915, Memorial Art Gallery mounted an exhibition of seascapes by a leading American marine painter of the time, Paul Dougherty. After the show was already open to the public, the artist sent an additional canvas, Coast of Cornwall, Near St. Ives, which he considered his best work to date. George Eastman had expressed interest in purchasing a Dougherty for the MAG collection. This painting was a top contender but several members of the Art Committee requested director George Herdle to ask the artist to rework the foreground. Reluctantly, Herdle complied and the mystified Dougherty politely asked him exactly what he would like done. In the meantime, Herdle sought the opinion of painter Elmer Schofield, who “thought the criticism not well made.” The director quickly assured Dougherty that all was well, overrode the Committee’s objections, and acquired this painting with funds donated by Eastman. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of George Eastman", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Purchased from January 1915 Exhibition", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/15.1_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/15.1_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/15.1_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/15.1_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25636", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This photo was taken after conservation treatment was performed on this object by Susan Blakney of West Lake Conservators in January 2008 (cleaning).", "View" : "" } , ] },{ "embark_ID" : 355, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/355", "Disp_Access_No" : "1977.106", "_AccNumSort1" : "", "Disp_Create_DT" : "1900-1905", "_Disp_Start_Dat" : "1900", "_Disp_End_Date" : "1905", "Disp_Title" : "Sunset Seascape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frank Duveneck", "Sort_Artist" : "Duveneck, Frank", "Disp_Dimen" : "23 5/8 x 28 5/8 in. (60 x 72.7 cm)", "Disp_Height" : "23 5/8 in.", "Disp_Width" : "28 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. Robert P. Coggins", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.106_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.106_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.106_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.106_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12474", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3636, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3636", "Disp_Access_No" : "1922.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1898", "_Disp_Start_Dat" : "1898", "_Disp_End_Date" : "1898", "Disp_Title" : "Little Harbor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "11 x 15 7/16 in. (28 x 39.2 cm)", "Disp_Height" : "11 in.", "Disp_Width" : "15 7/16 in.", "Dimen_Extent" : "with mount", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor, pastel and charcoal on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Elmer Adler", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/22.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/22.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/22.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/22.43_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17682", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/22.43_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/22.43_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/22.43_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/22.43_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54499", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3640, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3640", "Disp_Access_No" : "1964.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1884", "_Disp_Start_Dat" : "1884", "_Disp_End_Date" : "1884", "Disp_Title" : "Summerville Pier and Lighthouse", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harvey Ellis", "Sort_Artist" : "Ellis, Harvey", "Disp_Dimen" : "11 3/8 x 17 3/8 in. (28.9 x 44.2 cm)", "Disp_Height" : "11 3/8 in.", "Disp_Width" : "17 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.38_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "14736", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.38_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.38_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.38_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.38_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "54507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.38_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.38_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.38_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.38_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "27816", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 396, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/396", "Disp_Access_No" : "1973.12", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1915", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1920", "Disp_Title" : "Beach at Blue Point", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Glackens", "Sort_Artist" : "Glackens, William", "Disp_Dimen" : "25 1/4 x 30 1/8 in. (64.1 x 76.5 cm)", "Disp_Height" : "25 1/4 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Like many American painters, including Winslow Homer, William Glackens was an artist-reporter early in his career. He met Robert Henri in Philadelphia, shared a studio with him, and went to Paris with him in 1895. Upon Glackens's return, he moved to New York City. He exhibited with The Eight in 1908, and chaired the Armory Show in 1913. By 1914, he was devoting all of his time to painting, and espoused subjects like this one, colorful depictions of Americans at play. Many of his paintings reflect the influence of French impressionists, particularly Pierre Auguste Renoir. [Gallery label text, 2003]", "Dedication" : "Elizabeth R. Grauwiller Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12454", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4267, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4267", "Disp_Access_No" : "1997.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1856-1858", "_Disp_Start_Dat" : "1856", "_Disp_End_Date" : "1858", "Disp_Title" : "Eitai Bridge, Tsukuda Island", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "100 Views of Edo", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "13 3/16 x 8 11/16 in. (33.5 x 22.1 cm)", "Disp_Height" : "13 3/16 in.", "Disp_Width" : "8 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "From "One Hundred Famous Views of Edo" series.", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "There is also a reproduction of this print (see 97.42). Title listed on www.hiroshige.org.uk as "Tsukuda Island from Eitai Bridge" but could not be determined how authoritative the information is.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16037", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1831, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1831", "Disp_Access_No" : "1986.77", "_AccNumSort1" : "", "Disp_Create_DT" : "1871", "_Disp_Start_Dat" : "1871", "_Disp_End_Date" : "1871", "Disp_Title" : "At Sea - Signalling a Passing Steamer", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "8 7/8 x 11 3/4 in. (22.5 x 29.8 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Every Saturday," April 8, 1871", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.77_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.77_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.77_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.77_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13548", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1809", "Disp_Access_No" : "1967.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1887", "_Disp_Start_Dat" : "1887", "_Disp_End_Date" : "1887", "Disp_Title" : "Eight Bells", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "23 5/8 x 28 5/8 in. (60 x 72.7 cm)", "Disp_Height" : "23 5/8 in.", "Disp_Width" : "28 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "After an 1886 oil painting of the same title, now at the Addison Gallery of American Art, Phillips Academy, Andover, MA.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "After an oil painting of the same title dated 1886, in the collection of the Addison Gallery of American Art, Phillips Academy, Andover. Remarque proof: compass, anchor, compass sketch, lower left, between plate and composition.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13509", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1853, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1853", "Disp_Access_No" : "1986.55", "_AccNumSort1" : "", "Disp_Create_DT" : "1873", "_Disp_Start_Dat" : "1873", "_Disp_End_Date" : "1873", "Disp_Title" : "Gloucester Harbor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/4 x 14 in. (23.5 x 35.6 cm)", "Disp_Height" : "9 1/4 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," September 27, 1873", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.55_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.55_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.55_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.55_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13530", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1838, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1838", "Disp_Access_No" : "1986.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "High Tide", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "8 7/8 x 11 3/4 in. (22.5 x 29.8 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "11 3/4 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Every Saturday," August 6, 1870", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13537", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1859, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1859", "Disp_Access_No" : "1986.49", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "On the Bluff at Long Branch, at the Bathing Hour", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "8 7/8 x 13 3/4 in. (22.5 x 34.9 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," August 6, 1870", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.49_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.49_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.49_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.49_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13259", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.49_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.49_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.49_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.49_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46182", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3676, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3676", "Disp_Access_No" : "1984.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "Paddling at Dusk", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "15 1/8 x 21 7/16 in. (38.4 x 54.5 cm)", "Disp_Height" : "15 1/8 in.", "Disp_Width" : "21 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "wove paper", "Disp_Medium" : "Watercolor with graphite on wove paper", "Info_Page_Comm" : "The remote North Woods Club in the Adirondacks was a favorite retreat for Winslow Homer. There, he painted over a hundred oils and watercolors and found congenial friends, including 22-year-old Ernest Yalden, son of members of the club and the subject of this painting. Yalden recalled Homer’s interest in capturing the play of light flashing off the blades as he paddled his own self-built, light-weight canoe. The year after Homer painted him in his canoe, Yalden graduated with a civil engineering degree and started a trade school in New York City for uneducated Jewish immigrants. He founded the Mineralogy Club of New York and trained men to be navigators during World War I. An authority on sun-dialing, he became an accomplished amateur astronomer who built an observatory in his back yard. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12495", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1810, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1810", "Disp_Access_No" : "1967.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1888", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1888", "Disp_Title" : "Perils of the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "20 1/4 x 25 3/8 in. (51.4 x 64.5 cm)", "Disp_Height" : "20 1/4 in.", "Disp_Width" : "25 3/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Made after an 1881 watercolor of the same title.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Remarque proof: lightly etched anchor in area between composition and edge of plate, left plate: head of fisherman, left plate: remnants of lettering to edges, center below composition, indistinguishable. After watercolor of same title, 1881, in the collection of Mr. Francis M. Weld", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 455, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/455", "Disp_Access_No" : "1941.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1894", "_Disp_Start_Dat" : "1894", "_Disp_End_Date" : "1894", "Disp_Title" : "The Artist's Studio in an Afternoon Fog", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "24 x 30 1/4 in. (61 x 76.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "30 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the course of his long and distinguished career, Winslow Homer shifted his focus from robust descriptions of American life to studies of interaction between man and the powerful forces of nature, particularly the ocean. This evocative painting of his studio at his family’s compound on the coast of Maine in Prout’s Neck, near Portland, is considered one of Homer’s most masterful works. [Gallery label text, 2007] A foggy day on the coastal peninsula of Prout's Neck, Maine, inspired Winslow Homer to paint one of his most elegant and contemplative works. His studio and family home stand silhouetted between the darker cliffs in the foreground and the paler sky. The painting's composition balances strong diagonal and horizontal elements in the lower half with a monolithic sky punctuated by a circle of sun. Homer was known for his many paintings of rural America, as well as his illustrations of the Civil War. In 1883, Homer left New York City, where he had been living, and settled permanently in Prout's Neck. During his years there, he produced some of the most thrilling marine paintings in the history of American art. [Gallery label text, 2006]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In 1991 a NYC composer named Dana Paul Perna, visited the Gallery and was so inspired by this work that he composed "Prout''s Neck" a work for piano/harp/percussion and strings. ", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.32_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.32_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.32_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.32_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12358", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.32_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.32_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.32_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.32_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "53274", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Re-derived from original master because derivative images determined to be too warm.", "View" : "" } , ] },{ "embark_ID" : 1856, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1856", "Disp_Access_No" : "1986.52", "_AccNumSort1" : "", "Disp_Create_DT" : "1873", "_Disp_Start_Dat" : "1873", "_Disp_End_Date" : "1873", "Disp_Title" : "The Bathers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "13 3/4 x 9 1/8 in. 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(23.2 x 35.1 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "13 13/16 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," April 26, 1873", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.50_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.50_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.50_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.50_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13260", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.50_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.50_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.50_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.50_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46183", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1864, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1864", "Disp_Access_No" : "1986.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1869", "_Disp_Start_Dat" : "1869", "_Disp_End_Date" : "1869", "Disp_Title" : "Winter at Sea - Taking In Sail Off the Coast", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "9 1/8 x 13 3/4 in. (23.2 x 34.9 cm)", "Disp_Height" : "9 1/8 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "image", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "Published in "Harper's Weekly," January 16, 1869", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.44_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "13255", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/86.44_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/86.44_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/86.44_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/86.44_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "46178", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4809", "Disp_Access_No" : "1955.180", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1760-1771", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1771", "Disp_Title" : "The Riva degli Schiavoni, Venice, Looking West", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William James", "Sort_Artist" : "James, William", "Disp_Dimen" : "25 3/4 x 40 in. (65.4 x 101.6 cm)", "Disp_Height" : "25 3/4 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The waterfront promenade of the Riva degli Schiavoni, or River of the Slavs, has long been one of the most picturesque and popular in Venice. Paintings by the great Canaletto and his British followers like William James show the bustling of gondolas, sailing boats and barges; the promenade itself is equally lively with travelers, merchants and townspeople actively engaged in both commerce and recreation. [Gallery label text, 2008]", "Dedication" : "Gift of Mr. and Mrs. Harold L. Field", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "English", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1955 - The painting was given to the Gallery as a Canaletto (certified by the Gallery it was purchased from, Howard Young Galleries, and endorsed by Dr. W. R. Valentiner). 1970 – note to file from Harris Prior, Memorial Art Gallery Director, “The young gentleman, David Posnett, from the Leger Galleries in London was here last winter. He looked at our Canaletto and immediately said that it is by William James, an English associate of Canaletto.” In addition, there are numerous references throughout the file about scholars viewing the painting and finding the early attribution to Canaletto dubious due to the style. Unfortunately, not all previous curators were fanatical about documenting such information, so we do not know exact names. Since then there have been numerous William James’ views of Venice that have been compared to the MAG painting (photocopies in file) and have been found to have a similar style. James flourished between 1760 and 1771, hence our dating for the painting. An identical painting hangs at the Sir John Soane Museum in London.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.180_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.180_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.180_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.180_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26217", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that master image includes frame; it has been cropped out for this view.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.180_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.180_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.180_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.180_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "27901", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1987, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1987", "Disp_Access_No" : "1929.84", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "Cavtat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Clare Leighton", "Sort_Artist" : "Leighton, Clare", "Disp_Dimen" : "10 7/16 x 15 3/16 in. (26.5 x 38.5 cm)", "Disp_Height" : "10 7/16 in.", "Disp_Width" : "15 3/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Wood engraving", "Info_Page_Comm" : "One of the picturesque views seen by Clare Leighton on her trip through Croatia in the 1920s was this panorama of the peninsula of Cavtat, on the Adriatic Sea. [Gallery label text]", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/29.84_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/29.84_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/29.84_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/29.84_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "31602", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2015, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2015", "Disp_Access_No" : "1975.329.7", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Seascape (I)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Roy Lichtenstein", "Sort_Artist" : "Lichtenstein, Roy", "Disp_Dimen" : "16 5/8 x 21 7/8 in. (42.2 x 55.6 cm)", "Disp_Height" : "16 5/8 in.", "Disp_Width" : "21 7/8 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Printer''s ink", "Support" : "plastic", "Disp_Medium" : "Serigraph on translucent Rowlux", "Info_Page_Comm" : "From the portfolio "New York Ten"", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Runs: Hand-cut stencil - white Photo-stencil - blue", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.329.7_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.329.7_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.329.7_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.329.7_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12745", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5066, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5066", "Disp_Access_No" : "1952.2", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1735", "_Disp_Start_Dat" : "1736", "_Disp_End_Date" : "1745", "Disp_Title" : "The Exorcism of the Waves", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Alessandro Magnasco", "Sort_Artist" : "Magnasco, Alessandro", "Disp_Dimen" : "33 x 51 in. (83.8 x 129.5 cm)", "Disp_Height" : "33 in.", "Disp_Width" : "51 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Italian", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/52.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/52.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/52.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/52.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21385", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3717, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3717", "Disp_Access_No" : "1951.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1931", "_Disp_Start_Dat" : "1931", "_Disp_End_Date" : "1931", "Disp_Title" : "Marin Island, Small Point, Maine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Marin", "Sort_Artist" : "Marin, John", "Disp_Dimen" : "17 x 21 3/4 in. (43.2 x 55.2 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "21 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor with graphite on paper", "Info_Page_Comm" : "Like Arthur G. Dove and Georgia O'Keeffe, John Marin aligned himself with the avant-garde circle surrounding Alfred Stieglitz. While Marin's favorite subjects were landscapes and seascapes, particularly Maine marines, he applied to them the modernist sensibilities that he absorbed from European masters like Cézanne, whose first one-man show was at Stieglitz's Gallery 291 in 1911. The island that Marin depicts here is one that he purchased in 1914 immediately after getting married. It is off the coast of Maine, near Portland. The Maine landscape drew Marin back throughout his life. A chief characteristic of twentieth century painting has been the practice of artists to transform subject with emotion, or as Marin's fellow painter Arthur Dove describes it, to pull the subject matter out and leave the sensation. Here, Marin sketches in the bare bones of his island but then folds it in as part of an all-over expression of action and energy, as if to suggest that the land mass is one with the wind and the waves. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12376", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5172, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5172", "Disp_Access_No" : "1978.5", "_AccNumSort1" : "", "Disp_Create_DT" : "1875", "_Disp_Start_Dat" : "1875", "_Disp_End_Date" : "1875", "Disp_Title" : "Harbor Town", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jacob Maris", "Sort_Artist" : "Maris, Jacob", "Disp_Dimen" : "14 1/4 x 23 1/2 in. (36.2 x 59.7 cm)", "Disp_Height" : "14 1/4 in.", "Disp_Width" : "23 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/78.5_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/78.5_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/78.5_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/78.5_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26153", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 4969, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4969", "Disp_Access_No" : "1939.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1882", "_Disp_Start_Dat" : "1882", "_Disp_End_Date" : "1882", "Disp_Title" : "The Rocks at Pourville, Low Tide", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "25 5/16 x 31 in. (64.3 x 78.7 cm)", "Disp_Height" : "25 5/16 in.", "Disp_Width" : "31 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting belongs to a series of works produced during the spring and summer of 1882, while Monet visited Pourville, a town on the Normandy coast. As he explored the beach and the rocks exposed at low tide, Monet found a startling diversity of viewpoints that enabled him to create some of his most dramatic and unexpected compositions. In all of them, Monet placed himself far out across the beach, a little to the east of Pourville. He juxtaposed the cliffs in the far distance with the fragmented forms of the rock shelves in the foreground, using unique brushstrokes to convey the movement and light of the water and clouds. Monet’s technique gradually changed from completing paintings out of doors to one of making hundreds of concentrated studies on location. He then compiled and reworked these many sketches in his studio, where he created the final canvases. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/39.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/39.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/39.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/39.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "44019", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Recorrected from M1 image as there was no print master version. A new JPG was derived from the new print master.", "View" : "" } , ] },{ "embark_ID" : 4477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4477", "Disp_Access_No" : "1991.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1864", "_Disp_Start_Dat" : "1864", "_Disp_End_Date" : "1864", "Disp_Title" : "Towing a Boat, Honfleur", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "21 3/4 x 32 5/16 in. (55.2 x 82.1 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "32 5/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : ""All that is painted directly, at a given moment, has a force, power, and vitality which can never be duplicated in a studio." --Eugène Boudin, to his student Claude Monet Claude Monet’s early paintings were solidly grounded in the work of the preceding generation of French landscape painters called the Barbizon school. Their insistence on painting en plein air, or out of doors, led to Monet’s passion for capturing the transience of light. Towing a Boat, Honfleur, painted ten years before the term Impressionism was coined, captures the moment that night overtakes sunset. It is one of the earliest of Monet’s many seascapes. As an experiment in reproducing the changing effects of light under different atmospheric conditions, the painting shows his process of abstracting nature into simplified forms and exaggerated color contrasts. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25404", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 581, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/581", "Disp_Access_No" : "1983.112", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1900", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1905", "Disp_Title" : "Sunset over the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Moran", "Sort_Artist" : "Moran, Thomas", "Disp_Dimen" : "5 1/8 x 10 1/4 in. (13 x 26 cm)", "Disp_Height" : "5 1/8 in.", "Disp_Width" : "10 1/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "", "Dedication" : "Given in memory of Dr. James Sibley Watson and Hildegarde Lasell Watson by their daughter-in-law, Nicoleta Z. Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.112_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.112_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.112_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.112_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12490", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2255, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2255", "Disp_Access_No" : "1919.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1895-1897", "_Disp_Start_Dat" : "1895", "_Disp_End_Date" : "1897", "Disp_Title" : "The Ships", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maurice Prendergast", "Sort_Artist" : "Prendergast, Maurice", "Disp_Dimen" : "15 3/8 x 10 15/16 in. (39.1 x 27.8 cm)", "Disp_Height" : "15 3/8 in.", "Disp_Width" : "10 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Oil", "Support" : "Japanese paper", "Disp_Medium" : "Monotype", "Info_Page_Comm" : "", "Dedication" : "Gift of Emily Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/19.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/19.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/19.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/19.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12338", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/19.29_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/19.29_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/19.29_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/19.29_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41490", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Corrected and cropped from 19.29_M1.tif as no print master existed. JPG derived from new print master.", "View" : "" } , ] },{ "embark_ID" : 3922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3922", "Disp_Access_No" : "1999.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1996-1998", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1998", "Disp_Title" : "Boats, Blue Square", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Resika", "Sort_Artist" : "Resika, Paul", "Disp_Dimen" : "76 x 76 in. (193 x 193 cm)", "Disp_Height" : "76 in.", "Disp_Width" : "76 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painter Paul Resika's brush translates the dramatic colors of boats, sea and sky into a nearly abstract composition. The artist's lifelong interest in color was established early on in studies with Hans Hofmann (see Hofmann's "Ruby Gold," 60.37). Two years in the watery environs of Venice, and residency since the 1960s on Cape Cod, have given Resika the imagery with which to express his profound connection with the beauty of the natural world. [Gallery label text]", "Dedication" : "Gift of the Gallery Council", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17155", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image has the correct orientation. Image on CD is flipped. Print scan saved to server has correct orientation.", "View" : "" } , ] },{ "embark_ID" : 3738, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3738", "Disp_Access_No" : "1980.73", "_AccNumSort1" : "", "Disp_Create_DT" : "1878", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1878", "Disp_Title" : "St. Michael's Mount, Cornwall", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William Trost Richards", "Sort_Artist" : "Richards, William Trost", "Disp_Dimen" : "3 1/8 x 4 7/8 in. (7.9 x 12.4 cm)", "Disp_Height" : "3 1/8 in.", "Disp_Width" : "4 7/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Joseph H. Willard", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.73_A4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.73_A4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.73_A4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.73_A4.jpg", "IsPrimary" : "1", "_SurrogateID" : "37960", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3275, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3275", "Disp_Access_No" : "1977.150", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1890-1900", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1900", "Disp_Title" : "The Flying Dutchman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Albert P. Ryder", "Sort_Artist" : "Ryder, Albert P.", "Disp_Dimen" : "7 5/16 x 7 15/16 in. (18.6 x 20.2 cm)", "Disp_Height" : "7 5/16 in.", "Disp_Width" : "7 15/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Graphite", "Support" : "wove paper", "Disp_Medium" : "Graphite, pen and india ink with scraping on wove paper", "Info_Page_Comm" : "", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Drawing", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.150_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.150_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.150_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.150_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12475", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4951, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4951", "Disp_Access_No" : "1914.8", "_AccNumSort1" : "", "Disp_Create_DT" : "1910", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1910", "Disp_Title" : "Oxen on the Beach", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joaquin Sorolla y Bastida", "Sort_Artist" : "Sorolla y Bastida, Joaquin", "Disp_Dimen" : "29 x 43 in. (73.7 x 109.2 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "43 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Sorolla discovered Impressionism during an 1885 visit to Paris and took its revolutionary approach to light and color back to Spain with him. There he developed his own style, characterized by large, strong brushstrokes, and soon his international reputation was established. Sorolla's special ability to render the play of bright sunlight on the sea, on sand, and on figures along the beach has been praised by critics. "Oxen on the Beach," which features all three surfaces, is a brilliant display of Sorolla's talents. [adapted from gallery label text, 1999]", "Dedication" : "Gift of Mrs. James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Spanish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/14.8_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/14.8_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/14.8_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/14.8_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14425", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 729, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/729", "Disp_Access_No" : "1967.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1878", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1878", "Disp_Title" : "Boat Race at Skaneateles", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harry J. Sunter", "Sort_Artist" : "Sunter, Harry J.", "Disp_Dimen" : "25 x 33 in. 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(19.1 x 13 cm)", "Disp_Height" : "7 1/2 in.", "Disp_Width" : "5 1/8 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor gouache and graphite on paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Virginia Jeffrey Smith", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.57_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.57_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.57_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.57_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34486", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3707, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3707", "Disp_Access_No" : "1913.2", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "A Gray Day on the Riviera, Cap Ferrat", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Louis Aston Knight", "Sort_Artist" : "Knight, Louis Aston", "Disp_Dimen" : "25 5/8 x 32 in. (65.1 x 81.3 cm)", "Disp_Height" : "25 5/8 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "", "Medium" : "Opaque watercolor", "Support" : "paper", "Disp_Medium" : "Opaque watercolor on paper laid down on canvas", "Info_Page_Comm" : "Louis Aston Knight was born of American parents in Paris, but didn’t visit the United States until 1905, by which time he was already an established painter. Two years later, he married a distant cousin, Caroline Ridgway Brewster of Rochester. Best known for bucolic Normandy landscapes in a style that Thomas Kinkade would appropriate many decades later, this particular view of the rocky French coastline east of Nice is unusual within the artist’s oeuvre in its muted palette and absence of picturesque old dwellings. Knight and his wife took refuge in New York City for the duration of WWI, and he lectured here at MAG in 1918. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of E. Franklin Brewster", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.2_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.2_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.2_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.2_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39448", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5633, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5633", "Disp_Access_No" : "1992.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1774", "_Disp_Start_Dat" : "1774", "_Disp_End_Date" : "1774", "Disp_Title" : "A View of New York from the North West", "Alt_Title" : "Wooded Heights View", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph F.W. Des Barres", "Sort_Artist" : "Des Barres, Joseph F.W.", "Disp_Dimen" : "10 5/8 x 17 13/16 in. (27 x 45.3 cm)", "Disp_Height" : "10 5/8 in.", "Disp_Width" : "17 13/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Hand-colored aquatint", "Info_Page_Comm" : "A print from the first important marine atlas, American Neptune, presents a scene of British naval vessels sailing near rural Manhattan shores – ostensibly a peaceful and calm moment, but deceptively so, since it would only be a matter of months before resistance to British rule surfaced. The New York that we see through Des Barres’s eyes is over two centuries and a national history removed from Rhonda Schaller’s memento mori for the destruction of the World Trade Center, but contained in both works is the kernel of political struggle and tragic loss of life. [Label text, 2003]", "Dedication" : "Gift of Mr. and Mrs. John M. Topham", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.30_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.30_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.30_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.30_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "30456", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 5201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5201", "Disp_Access_No" : "1987.34.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839-1840", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1840", "Disp_Title" : "Returning Sails at Takanawa", "Alt_Title" : "", "Obj_Title" : "Returning Sails at Takanawa from the series "Eight Views of the Shiba District in the Capital City"", "Series_Title" : "Eight Views of the Shiba District in the Capital City", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "9 13/16 x 14 5/16 in. (24.9 x 36.3 cm)", "Disp_Height" : "9 13/16 in.", "Disp_Width" : "14 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : ""Returning Sails at Takanawa" adapts the classical trope of "Returning Sails at a Distant Bay" (enpo kihan) to the well-known view of Edo bay along a stretch of the Tôkaidô Road at Takanawa in the Shiba district of Edo. Smaller boats with white sails ferry goods to shore from the large dark ocean-going vessels anchored in the bay. In the unceasing traffic along the Tôkaidô Road, the major highway leading in and out of the city to the south, we see a mounted samurai and his servant in the lower-left corner passing through the granite sides of the gated portal to the city. Coming towards them is a group of pilgrims dressed in white, followed by two more samurai borne in palanquins, and another two palanquins are parked at the side of the teahouse. Large hand-carts for carrying building materials are seen in the lower right-hand corner, while at the right workers appear to be building a larger restaurant or teahouse. Two sign-boards next to a mile-post at the seating area carry official regulations pertaining to travelers entering Edo—these signs were a common sight at every bridge and approach to the city, along with the heads of executed criminals.", "Dedication" : "Gift of Dr. James B. Austin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.34.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.34.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.34.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.34.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16690", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 530, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/530", "Disp_Access_No" : "1938.35", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cliff and Pier in Sunshine, St. Ives", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hayley Lever", "Sort_Artist" : "Lever, Hayley", "Disp_Dimen" : "21 x 24 in. (53.3 x 61 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Hannah Gould", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This scene has been identified as Porthminster Beach, St. Ives, seen from the Harbour-- see Tovey''s "Pioneers of St. Ives Art" [see bibliography] Deaccessioned 1977-78, but recommended for reaccessioning in October 1981.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18979", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 681, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/681", "Disp_Access_No" : "1937.1", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cornish Coast", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "W. Elmer Schofield", "Sort_Artist" : "Schofield, W. Elmer", "Disp_Dimen" : "30 x 36 in. (76.2 x 91.4 cm)", "Disp_Height" : "30 in.", "Disp_Width" : "36 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Given in memory of Dr. Philip Conboy by his Family", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that this is listed in a catalogue with the title "Golden Coast." Some confusion in records between this piece and 38.31, another Cornish coast painting by Schofield.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/37.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/37.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/37.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/37.1_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18862", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3724, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3724", "Disp_Access_No" : "1941.18", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1941", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1946", "Disp_Title" : "Cove with Squall", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John C. Menihan", "Sort_Artist" : "Menihan, John C.", "Disp_Dimen" : "16 1/2 x 21 in. (41.9 x 53.3 cm)", "Disp_Height" : "16 1/2 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "Purchase Award, George L. Herdle Memorial Prize presented by Mrs. Walden Moore in memory of her father", "Copyright_Type" : "Copyright Assigned to MAG", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19070", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 273, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/273", "Disp_Access_No" : "1983.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Figure by the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hilda Altschule Coates", "Sort_Artist" : "Coates, Hilda Altschule", "Disp_Dimen" : "8 7/8 x 10 in. (22.5 x 25.4 cm)", "Disp_Height" : "8 7/8 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Mixed media", "Support" : "Japanese paper", "Disp_Medium" : "Mixed media on Japanese paper", "Info_Page_Comm" : "", "Dedication" : "Gift in memory of Willson H. and Hilda Altschule Coates, from the Estate of Hilda Altschule Coates ", "Copyright_Type" : "No existing copyright holder", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16330", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1755, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1755", "Disp_Access_No" : "1940.18", "_AccNumSort1" : "", "Disp_Create_DT" : "1918", "_Disp_Start_Dat" : "1918", "_Disp_End_Date" : "1918", "Disp_Title" : "Inner Harbor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "11 1/2 x 7 3/4 in. (29.2 x 19.7 cm)", "Disp_Height" : "11 1/2 in.", "Disp_Width" : "7 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Lithograph", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19052", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4339, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4339", "Disp_Access_No" : "1997.186", "_AccNumSort1" : "", "Disp_Create_DT" : "1853", "_Disp_Start_Dat" : "1853", "_Disp_End_Date" : "1853", "Disp_Title" : "Oyashirazu in Echigo", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Famous Places in the 60-Odd Provices", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "13 1/2 x 8 15/16 in. (34.3 x 22.7 cm)", "Disp_Height" : "13 1/2 in.", "Disp_Width" : "8 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of Margaret Sterling in memory of M. Louise Stowell, transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.186_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.186_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.186_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.186_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17233", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 684, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/684", "Disp_Access_No" : "1941.27", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1915", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1920", "Disp_Title" : "Polperro Harbor", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "W. Elmer Schofield", "Sort_Artist" : "Schofield, W. Elmer", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Miss Mary O'Brien in memory of Mr. and Mrs. John J. Sharkey", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.27_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.27_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.27_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.27_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41482", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame, frame cropped out in Photoshop.", "View" : "" } , ] },{ "embark_ID" : 4408, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4408", "Disp_Access_No" : "1997.143", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Shichiri-ga-hama at Enoshima", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Shotei Hokuju", "Sort_Artist" : "Shotei Hokuju", "Disp_Dimen" : "9 3/4 x 14 15/16 in. (24.8 x 38 cm)", "Disp_Height" : "9 3/4 in.", "Disp_Width" : "14 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of Margaret Sterling in memory of M. Louise Stowell, transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.143_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.143_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.143_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.143_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17177", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 436, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/436", "Disp_Access_No" : "1963.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1904", "_Disp_Start_Dat" : "1904", "_Disp_End_Date" : "1904", "Disp_Title" : "The Bathers", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "48 3/16 x 148 1/4 in. (122.4 x 376.6 cm)", "Disp_Height" : "48 3/16 in.", "Disp_Width" : "148 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This painting hung originally in the home of C.E.S. Wood, a Portland, Oregon lawyer, writer and art collector. Murals were a common feature of turn-of-the-20th-century interiors, as they complemented the unified design popularized by artists and designers like William Morris and Gustav Stickley. Monumental buildings like the Boston Public Library as well as cozy residential bungalows were decorated by artists who covered blank walls with colorful, imaginative, and romantic scenes like The Bathers. MAG’s painting by Impressionist painter Childe Hassam was installed as part of a larger mural in the library/studio of the Portland, Oregon, home of Charles Erskine Scott Wood. A lawyer, writer, connoisseur, and friend of Hassam, Wood was influenced by the late 19th century Arts & Crafts aesthetic that disdained the ornate and cluttered surroundings of the Victorian period and aspired to simplicity and harmonious design. Wood wrote to his friend, the artist J. Alden Weir, that Hassam “whirled in and painted me a whole wall for my studio, and they tell me it is beautiful.” [Gallery label text, 2008] ", "Dedication" : "Gift of Mr. and Mrs. Ogden Phipps", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "There are a number of descendants of C.E.S. Wood, who commissioned this painting from Hassam. In October 2008 Marjorie Searl spoke with Nancy Robinson von Gimbut, a greatgranddaughter of C.E.S. Wood. She was born in Rochester and lived on Fonthill Road in Brighton. Her father was David Robinson, who was born in England and was in the Air Service. Her email address is nvongimbut@yahoo.com", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/63.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/63.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/63.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/63.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12414", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1747, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1747", "Disp_Access_No" : "1940.10", "_AccNumSort1" : "", "Disp_Create_DT" : "1933", "_Disp_Start_Dat" : "1933", "_Disp_End_Date" : "1933", "Disp_Title" : "The Beach Club, East Hampton", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Childe Hassam", "Sort_Artist" : "Hassam, Childe", "Disp_Dimen" : "6 15/16 x 12 11/16 in. (17.5 x 32.2 cm)", "Disp_Height" : "6 15/16 in.", "Disp_Width" : "12 11/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. Maud Hassam", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/40.10_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/40.10_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/40.10_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/40.10_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "19047", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10610, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10610", "Disp_Access_No" : "2002.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1927", "_Disp_Start_Dat" : "1927", "_Disp_End_Date" : "1927", "Disp_Title" : "The Quais, St. Tropez", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Samuel Chamberlain", "Sort_Artist" : "Chamberlain, Samuel", "Disp_Dimen" : "10 1/2 x 10 15/16 in. (26.6 x 27.8 cm)", "Disp_Height" : "10 1/2 in.", "Disp_Width" : "10 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "", "Dedication" : "Gift of Richard Dennison", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2002.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2002.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2002.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2002.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14587", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4001, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4001", "Disp_Access_No" : "1999.30", "_AccNumSort1" : "", "Disp_Create_DT" : "1952", "_Disp_Start_Dat" : "1952", "_Disp_End_Date" : "1952", "Disp_Title" : "Unloading the Fish", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Antonio Frasconi", "Sort_Artist" : "Frasconi, Antonio", "Disp_Dimen" : "22 9/16 x 42 1/16 in. (57.3 x 106.8 cm)", "Disp_Height" : "22 9/16 in.", "Disp_Width" : "42 1/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "Frasconi, an internationally-recognized woodcut artist, is the illustrator of many books and posters. His bold and colorful signature style emanates from the artist’s enthusiastic response to the world around him: "There is so much going on, so much material for artists! You go back a hundred times to a place like the Fulton Fish Market, until you know just how a man lifts a box, say, or how the place looks before dawn. Then you’re ready to make a picture – to put your own feeling into it." Unloading the Fish is part of his Fulton Fish Market series. The market is in lower Manhattan, near the Brooklyn Bridge, whose cables create a lovely interplay with the boat’s rigging in Frasconi’s print. [Label text, 2003] ", "Dedication" : "Bequest of Mildred Baker", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.30_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.30_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.30_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.30_A2.jpg", "IsPrimary" : "0", "_SurrogateID" : "12578", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.30_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.30_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.30_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.30_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17995", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4037, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4037", "Disp_Access_No" : "1998.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1901", "_Disp_Start_Dat" : "1901", "_Disp_End_Date" : "1901", "Disp_Title" : "Seascape", "Alt_Title" : "Seascape", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Hanmer Croughton", "Sort_Artist" : "Croughton, George Hanmer", "Disp_Dimen" : "10 3/4 x 15 1/2 in. (27.3 x 39.4 cm)", "Disp_Height" : "10 3/4 in.", "Disp_Width" : "15 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Watercolor", "Support" : "wove paper", "Disp_Medium" : "Watercolor and gouache on wove paper", "Info_Page_Comm" : "", "Dedication" : "Bequest of Beatrice M. Cliffe", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/98.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/98.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/98.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/98.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16342", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Shadow of frame on top of image needs cropped.", "View" : "" } , ] },{ "embark_ID" : 3563, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3563", "Disp_Access_No" : "1974.123", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Therese Bredl (?)", "Sort_Artist" : "Bredl (?), Therese", "Disp_Dimen" : "12 3/8 x 9 7/16 in. (31.5 x 24 cm)", "Disp_Height" : "12 3/8 in.", "Disp_Width" : "9 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper mounted on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Rush Rhees Library, University of Rochester", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.123_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.123_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.123_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.123_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16329", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3564, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3564", "Disp_Access_No" : "1974.124", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Therese Bredl (?)", "Sort_Artist" : "Bredl (?), Therese", "Disp_Dimen" : "12 1/2 x 9 7/16 in. (31.7 x 24 cm)", "Disp_Height" : "12 1/2 in.", "Disp_Width" : "9 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper mounted on board", "Info_Page_Comm" : "", "Dedication" : "Gift of Rush Rhees Library, University of Rochester", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.124_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.124_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.124_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.124_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16332", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 10256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/10256", "Disp_Access_No" : "2001.11", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled (Holland)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Gruppe", "Sort_Artist" : "Gruppe, Charles Paul", "Disp_Dimen" : "18 x 24 5/16 in. (45.7 x 61.8 cm)", "Disp_Height" : "18 in.", "Disp_Width" : "24 5/16 in.", "Dimen_Extent" : "sheet/image", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and gouache", "Info_Page_Comm" : "", "Dedication" : "Jeannette Campbell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2001.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2001.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2001.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2001.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16411", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4958, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4958", "Disp_Access_No" : "1969.45", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1878-1882", "_Disp_Start_Dat" : "1878", "_Disp_End_Date" : "1882", "Disp_Title" : "The Bay of Estaque Seen from the East (La Baie de l'Estaque vue de l'est)", "Alt_Title" : "View of Mt. Marseilleveyre and the Isle of Maire (L'Estaque); La Montagne Marseilleveyre et l'Ile Maire; Le Golfe bleu (L'Estaque); Sea at L'Estaque", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Cézanne", "Sort_Artist" : "Cézanne, Paul", "Disp_Dimen" : "21 1/4 x 25 5/8 in. (54 x 65.1 cm)", "Disp_Height" : "21 1/4 in.", "Disp_Width" : "25 5/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Paul Cézanne exhibited in the Impressionist exhibition of 1874, and was encouraged by Camille Pissarro to begin painting out of doors. He soon moved beyond the style of Impressionism and began building form with color to paintings that were more analytical than sensory. He frequently painted scenes of the small town of L’Estaque in southern France, where he lived and worked periodically from 1870 to 1885. In an 1876 letter to his friend the Impressionist painter Camille Pissarro, he wrote of his work in L’Estaque: "I have started two little motifs with a view of the sea…red roofs over the blue sea…The sun is so terrific here that it seems to me as if the objects are silhouetted not only in black and white, but in blue, red, brown and violet. I may be mistaken, but this seems to me to be the opposite of modeling." In this painting, he uses interlocking shapes of bright color and diagonal brushstrokes to create the sensation of volumes in the foliage, mountains, and water. [Label copy from Monet: Vision and Process exhibition, 2018] Cézanne's artistic goals developed through his contact with the Impressionists. Although he was not interested in rendering particular momentary impressions, he wished to record his "sensations" of nature. This painting typifies his technique-- suggesting form and volume through interlocking shapes that are rendered with bold, diagonal brushstrokes. The bright colors deftly evoke the strong light and crystalline atmosphere of southern France. [Gallery label text, 1999] ", "Dedication" : "Anonymous gift in tribute to Edward Harris and in memory of H. R. Stirlin of Switzerland", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.45_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.45_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.45_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.45_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40676", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Rescanned from TR1 transparency to make larger file, at request of borrower", "View" : "" } , ] },{ "embark_ID" : 4167, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4167", "Disp_Access_No" : "2000.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "View of Venice", "Alt_Title" : "Venetian Scene", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Moran", "Sort_Artist" : "Moran, Thomas", "Disp_Dimen" : "19 3/4 x 24 1/2 in. (50.2 x 62.2 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thomas Moran was an adventurous landscape painter who traveled far and wide in search of compelling views. He accompanied the first government-sponsored expedition to Yellowstone, shortly before it became a national park, and his drawings and watercolors from that expedition formed the basis for dramatic paintings of western views. In 1886, he journeyed to Venice, where his watercolors captured views of lagoons and picturesque buildings. These sketches formed the basis of immensely popular studio paintings like the one hanging here. In the second half of the nineteenth century, Venice was a favored Old World destination for many American writers and painters, including Mark Twain, Henry James, and James MacNeill Whistler. However, Moran's work probably had the greatest impact on Americans' awareness of La Serenissima (the most serene), a fond nickname for Venice. 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Winn", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.3_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.3_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.3_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.3_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25190", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : " ", "View" : "" } , ] },{ "embark_ID" : 3305, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3305", "Disp_Access_No" : "1975.317", "_AccNumSort1" : "", "Disp_Create_DT" : "1966", "_Disp_Start_Dat" : "1966", "_Disp_End_Date" : "1966", "Disp_Title" : "Sea Coast", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jerry F. Weiss", "Sort_Artist" : "Weiss, Jerry F.", "Disp_Dimen" : "19 3/4 x 24 13/16 in. 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Watson", "Sort_Artist" : "Watson, Ernest W.", "Disp_Dimen" : "7 x 9 in. 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