{ "objects" : [ { "embark_ID" : 3676, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3676", "Disp_Access_No" : "1984.51", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "Paddling at Dusk", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "15 1/8 x 21 7/16 in. (38.4 x 54.5 cm)", "Disp_Height" : "15 1/8 in.", "Disp_Width" : "21 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "wove paper", "Disp_Medium" : "Watercolor with graphite on wove paper", "Info_Page_Comm" : "The remote North Woods Club in the Adirondacks was a favorite retreat for Winslow Homer. There, he painted over a hundred oils and watercolors and found congenial friends, including 22-year-old Ernest Yalden, son of members of the club and the subject of this painting. Yalden recalled Homer’s interest in capturing the play of light flashing off the blades as he paddled his own self-built, light-weight canoe. The year after Homer painted him in his canoe, Yalden graduated with a civil engineering degree and started a trade school in New York City for uneducated Jewish immigrants. He founded the Mineralogy Club of New York and trained men to be navigators during World War I. An authority on sun-dialing, he became an accomplished amateur astronomer who built an observatory in his back yard. [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Gift of Dr. and Mrs. James H. Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/84.51_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/84.51_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/84.51_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/84.51_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12495", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 455, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/455", "Disp_Access_No" : "1941.32", "_AccNumSort1" : "", "Disp_Create_DT" : "1894", "_Disp_Start_Dat" : "1894", "_Disp_End_Date" : "1894", "Disp_Title" : "The Artist's Studio in an Afternoon Fog", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "24 x 30 1/4 in. (61 x 76.8 cm)", "Disp_Height" : "24 in.", "Disp_Width" : "30 1/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "In the course of his long and distinguished career, Winslow Homer shifted his focus from robust descriptions of American life to studies of interaction between man and the powerful forces of nature, particularly the ocean. This evocative painting of his studio at his family’s compound on the coast of Maine in Prout’s Neck, near Portland, is considered one of Homer’s most masterful works. [Gallery label text, 2007] A foggy day on the coastal peninsula of Prout's Neck, Maine, inspired Winslow Homer to paint one of his most elegant and contemplative works. His studio and family home stand silhouetted between the darker cliffs in the foreground and the paler sky. The painting's composition balances strong diagonal and horizontal elements in the lower half with a monolithic sky punctuated by a circle of sun. Homer was known for his many paintings of rural America, as well as his illustrations of the Civil War. In 1883, Homer left New York City, where he had been living, and settled permanently in Prout's Neck. During his years there, he produced some of the most thrilling marine paintings in the history of American art. [Gallery label text, 2006]", "Dedication" : "R. T. Miller Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "In 1991 a NYC composer named Dana Paul Perna, visited the Gallery and was so inspired by this work that he composed "Prout''s Neck" a work for piano/harp/percussion and strings. 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