{ "objects" : [ { "embark_ID" : 199, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/199", "Disp_Access_No" : "1965.60", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "Steamship James Fisk, Jr.", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Bard", "Sort_Artist" : "Bard, James", "Disp_Dimen" : "29 1/4 x 49 1/2 in. (74.3 x 125.7 cm)", "Disp_Height" : "29 1/4 in.", "Disp_Width" : "49 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on board", "Info_Page_Comm" : "The large steamship in this painting, the James Fisk, Jr., was a ferryboat with a side paddlewheel, decorated with oversized flags and at least six gold eagles. It was named for its owner, a powerful financier who lived a colorful life that was ended by a scandalous shooting. Fisk also owned the Bristol, which can be seen in the distance. Known for his pristine depictions of ferries and steamboats, self-taught artist James Bard painted so accurately that it was said that shipbuilders could rebuild their boats based on his works. 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(25.4 x 34.3 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "13 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on wood panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. James Sibley Watson, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Former accession number: 51.329", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.18_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.18_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.18_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.18_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12435", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 296, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/296", "Disp_Access_No" : "1951.2", "_AccNumSort1" : "", "Disp_Create_DT" : "1939-1940", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1940", "Disp_Title" : "Whitestone Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ralston Crawford", "Sort_Artist" : "Crawford, Ralston", "Disp_Dimen" : "40 1/4 x 32 in. (102.2 x 81.3 cm)", "Disp_Height" : "40 1/4 in.", "Disp_Width" : "32 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ralston Crawford’s strong linear style and simplified form and palette in Whitestone Bridge are representative of the modern Precisionist style. Precisionist artists celebrated industrialization and technology with a visual language that evoked the purity and perfection of the machine. [Gallery label text, 2007] The Whitestone Bridge, linking The Bronx and Queens, was opened in 1939 just in time for the New York World's Fair. The suspension bridge routed travelers coming to the Fair from Upstate and New England away from the congestion of New York City. At the same time, Crawford was moving away from painting traditional landscapes and searching for a vocabulary that was closer in spirit to the streamlined, industrial aesthetic that he was observing in the world around him. The Whitestone Bridge was an excellent match for his artistic aspirations. The sleek and futuristic lines of the Whitestone Bridge matched the Trylon and Perisphere logo of the World's Fair, which was intended to signify progress and the World of Tomorrow. By 1944, when this painting was acquired by the Encyclopedia Britannica Collection, the sleek and elegant Whitestone Bridge had become an icon of contemporary design. The curator traveled to New York City to determine whether the bridge really looks as though it extends back into space with no land visible on the other side. And, in fact, Crawford's thrilling vantage point can be experienced by taking the bus across the bridge - for a brief instant, the first-time crosser experiences the view that Crawford recorded: a slim line of road, held up by wires, sailing across the water with no end in sight. [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Related_Children" : [ { "Rel_Obj_ID" : "3071", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "3583", "Rel_Obj_Title" : "Study for "Whitestone Bridge"" },{ "Rel_Obj_ID" : "297", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "298", "Rel_Obj_Title" : "Study for Fortune Magazine" },{ "Rel_Obj_ID" : "3367", "Rel_Obj_Title" : "Whitestone Bridge" } ], "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.2_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.2_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.2_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.2_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12382", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Image is 800ppi but only 2.5 x 3.5". Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 451, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/451", "Disp_Access_No" : "1989.55", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1915", "_Disp_Start_Dat" : "1910", "_Disp_End_Date" : "1920", "Disp_Title" : "The Canal Boat", "Alt_Title" : "The Locks at Brighton (title given by Gertrude Herdle Moore and Isabel Herdle when it came into collection)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "George Leonard Herdle", "Sort_Artist" : "Herdle, George Leonard", "Disp_Dimen" : "21 15/16 x 28 in. (55.8 x 71.1 cm)", "Disp_Height" : "21 15/16 in.", "Disp_Width" : "28 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Title is taken from Memorial Exhibition. George Herdle was one of the most versatile and influential leaders of Rochester’s arts community around the turn of the twentieth century. In addition to being a fine landscape painter, he was president of the Rochester Art Club for nearly two decades and, in 1913, he became the first director of the Memorial Art Gallery of the University of Rochester. Herdle’s legacy is visible in the building and collections that surround you, as well as in the tradition of connoisseurship and artistic vitality that he transmitted to his two daughters, Gertrude Herdle Moore and Isabel C. Herdle. Gertrude took over at the Gallery as director after her father’s untimely death, and Isabel worked by her side as curator and associate director for many years. The family was honored by the naming of the Herdle Fountain Court on the second floor of the Gallery. [Gallery label text, 2007]", "Dedication" : "Gift of Gertrude Herdle Moore and Isabel C. Herdle", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.55_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.55_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.55_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.55_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "38897", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame edited out of photo in processing.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/exhibitview1.tif", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/exhibitview1.tif", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/exhibitview1.tif", "IIIF_URL": "http://iiif.gallerysystems.com/exhibitview1.tif", "IsPrimary" : "0", "_SurrogateID" : "47757", "Image_Type" : "", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 534, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/534", "Disp_Access_No" : "1913.6", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1911-1912", "_Disp_Start_Dat" : "1911", "_Disp_End_Date" : "1912", "Disp_Title" : "Morning on the River", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jonas Lie", "Sort_Artist" : "Lie, Jonas", "Disp_Dimen" : "50 x 60 in. (127 x 152.4 cm)", "Disp_Height" : "50 in.", "Disp_Width" : "60 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Jonas Lie captures the new American landscape of industry and technology by painting the gritty underside of the Brooklyn Bridge. [Gallery label text, 2007]", "Dedication" : "Gift of Ruth Sibley Gade in memory of James G. Averell", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/13.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/13.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/13.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/13.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12334", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Print Master derived from Digital Master for Seeing America Pachyderm project August 2008. Needs curatorial approval for other uses.", "View" : "" } , ] },{ "embark_ID" : 630, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/630", "Disp_Access_No" : "1981.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1930", "_Disp_Start_Dat" : "1930", "_Disp_End_Date" : "1930", "Disp_Title" : "Memorial Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Carl W. Peters", "Sort_Artist" : "Peters, Carl W.", "Disp_Dimen" : "36 x 40 in. (91.4 x 101.6 cm)", "Disp_Height" : "36 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "One of Rochester's most picturesque river crossings is the Veterans' Memorial Bridge (Ridge Road), completed in 1931. In this painting, Carl Peters records the complex engineering systems that were used to build the bridge's series of seven granite-faced concrete arches. Most likely, his vantage point was the steep west bank of the Genesee River, whose green waters flow far below; work has been completed on both sides of the river but the bridge is still lacking its large central span. On the bridge is a dedicatory plaque donated by World War I Gold Star Mothers - women who lost sons in World War I. At the dedication, the president of the group said: Great bridges across flowing waters are indicative of the continual labors of life. In the very presence of continual change, they seem to connect the past with the present, even as they connect the East with the West, the North with the South... [Gallery label text, 2009]", "Dedication" : "Gift of Mr. and Mrs. Edwin S. Wiitala in memory of Dr. and Mrs. Charles R. Weeth and Mr. and Mrs. Axel Wiitala", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12485", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17335", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17336", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R3.jpg", "IsPrimary" : "0", "_SurrogateID" : "17337", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R4.jpg", "IsPrimary" : "0", "_SurrogateID" : "17338", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/81.56_R5.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/81.56_R5.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/81.56_R5.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/81.56_R5.jpg", "IsPrimary" : "0", "_SurrogateID" : "17339", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge & environs", "View" : "" } , ] },{ "embark_ID" : 251, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/251", "Disp_Access_No" : "1989.71", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1859-1860", "_Disp_Start_Dat" : "1859", "_Disp_End_Date" : "1860", "Disp_Title" : "The Clipper Ship "Flying Cloud" off the Needles, Isle of Wight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James E. Buttersworth", "Sort_Artist" : "Buttersworth, James E.", "Disp_Dimen" : "12 1/16 x 18 1/16 in. (30.6 x 45.9 cm)", "Disp_Height" : "12 1/16 in.", "Disp_Width" : "18 1/16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Clara and Edwin Strasenburgh Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.71_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.71_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.71_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.71_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12513", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4861, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4861", "Disp_Access_No" : "1968.99", "_AccNumSort1" : "", "Disp_Create_DT" : "after ca. 1652", "_Disp_Start_Dat" : "1653", "_Disp_End_Date" : "1662", "Disp_Title" : "View off the Dutch Coast", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan van de Cappelle", "Sort_Artist" : "Cappelle, Jan van de", "Disp_Dimen" : "30 1/2 x 39 1/8 in. (77.5 x 99.4 cm)", "Disp_Height" : "30 1/2 in.", "Disp_Width" : "39 1/8 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The popularity of seascapes in seventeenth-century Holland reflected the wealth and power engendered by that nation's naval superiority. Although he was primarily a merchant and only an amateur painter, van de Cappelle is generally recognized as among the most proficient artists to specialize in this genre. The subtle color harmonies and quiet serenity of this scene are typical of his accomplishment. [Gallery label text, 1989]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Dutch", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Note that the Getty Provenance Database indicates a sale of a van de Cappelle "Sea Piece" by McLarren to Robinson as lot no. 92 on February 21, 1833 at Edward Foster, London. It could not be detemined if that painting was this one, nor if the Robinson mentioned was Joseph B. Robinson, previous owner of the MAG painting.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.99_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.99_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.99_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.99_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27625", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 256, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/256", "Disp_Access_No" : "1943.43", "_AccNumSort1" : "", "Disp_Create_DT" : "after 1828", "_Disp_Start_Dat" : "1829", "_Disp_End_Date" : "1838", "Disp_Title" : "View of West Point", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Chambers", "Sort_Artist" : "Chambers, Thomas", "Disp_Dimen" : "22 1/4 x 30 1/8 in. (56.5 x 76.5 cm)", "Disp_Height" : "22 1/4 in.", "Disp_Width" : "30 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "At a time when there was no photography, videography, or cinema, people relied on landscape paintings to be their windows onto the world beyond their immediate horizons. Thomas Chambers capitalized on people's interest in the American landscape. He is noted for his many picturesque views of early 19th-century America, including this one of the United States Military Academy at West Point on the Hudson River. Chambers worked from personal observation, but also consulted many British and American prints for his paintings. You should not be surprised if you visit other museums and see a painting similar to this one. At least six other views of West Point were painted by Chambers. [Gallery label text, 2004]", "Dedication" : "Gift of Elsie McMath Cole in memory of her parents, Mr. and Mrs. Morrison H. McMath", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.43_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39024", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "No print-level image was derived at the time of photography, so 43.43_M1 was cropped and processed 8/30/12 to make a TIF and then a new JPG was derived", "View" : "" } , ] },{ "embark_ID" : 264, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/264", "Disp_Access_No" : "1992.16", "_AccNumSort1" : "", "Disp_Create_DT" : "1885", "_Disp_Start_Dat" : "1885", "_Disp_End_Date" : "1885", "Disp_Title" : "Boats on Shore, Yport, France", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Harry Chase", "Sort_Artist" : "Chase, Harry", "Disp_Dimen" : "10 x 16 in. (25.4 x 40.6 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "16 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. and Mrs. Hollister Spencer", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.16_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.16_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.16_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.16_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15795", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 285, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/285", "Disp_Access_No" : "1994.36", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1927", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1926", "Disp_Title" : "The Aqueduct at Broad Street Bridge, Rochester", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Colin Campbell Cooper", "Sort_Artist" : "Cooper, Colin Campbell", "Disp_Dimen" : "5 3/16 x 8 7/16 in. (13.2 x 21.4 cm)", "Disp_Height" : "5 3/16 in.", "Disp_Width" : "8 7/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "board", "Disp_Medium" : "Oil on canvas board", "Info_Page_Comm" : "", "Dedication" : "Fred Bennett Fund", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/BROADSTREETBRIDGE.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/BROADSTREETBRIDGE.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/BROADSTREETBRIDGE.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/BROADSTREETBRIDGE.jpg", "IsPrimary" : "0", "_SurrogateID" : "17344", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of the bridge", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/BROADSTREETBRIDGE2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/BROADSTREETBRIDGE2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/BROADSTREETBRIDGE2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/BROADSTREETBRIDGE2.jpg", "IsPrimary" : "0", "_SurrogateID" : "17345", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/BROADSTREETBRIDGE4.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/BROADSTREETBRIDGE4.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/BROADSTREETBRIDGE4.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/BROADSTREETBRIDGE4.jpg", "IsPrimary" : "0", "_SurrogateID" : "17346", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/BROADSTREETBRIDGE10.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/BROADSTREETBRIDGE10.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/BROADSTREETBRIDGE10.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/BROADSTREETBRIDGE10.jpg", "IsPrimary" : "0", "_SurrogateID" : "17347", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/BROADSTREETBRIDGE11.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/BROADSTREETBRIDGE11.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/BROADSTREETBRIDGE11.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/BROADSTREETBRIDGE11.jpg", "IsPrimary" : "0", "_SurrogateID" : "17348", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/BROADSTREETBRIDGE13.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/BROADSTREETBRIDGE13.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/BROADSTREETBRIDGE13.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/BROADSTREETBRIDGE13.jpg", "IsPrimary" : "0", "_SurrogateID" : "17349", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "contemporary photography of bridge", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/94.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/94.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/94.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/94.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17664", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 348, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/348", "Disp_Access_No" : "1951.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1938", "_Disp_Start_Dat" : "1938", "_Disp_End_Date" : "1938", "Disp_Title" : "Cars in a Sleet Storm", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Arthur Dove", "Sort_Artist" : "Dove, Arthur", "Disp_Dimen" : "15 x 21 in. (38.1 x 53.3 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "21 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painted in Geneva, NY, Cars in a Sleet Storm is representative of Arthur Dove’s personalized abstract vocabulary with which he responded to the world around him. Dove, along with Georgia O’Keeffe and Marsden Hartley, were members of a group of modernist American artists championed by the photographer Alfred Stieglitz in his 291 Gallery in Manhattan. [Gallery label text, 2007] Arthur G. Dove was a native of Geneva, New York, about 46 miles from Rochester. Early on, rural New York State did not satisfy Dove's desire for a more engaged artistic life, and a few years after the turn of the 20th century, he moved to New York City and then to Paris. On his return to the United States in 1910, he began to paint abstract landscapes, and is considered one of America's first abstract painters. Dove's work was actively exhibited by photographer Alfred Stieglitz in his Gallery 291 and Intimate Gallery, major centers of avant-garde art in the United States. Stieglitz also showed the work of Georgia O'Keeffe whom he married in 1924. Cars in a Sleet Storm was painted at the end of Dove's years in Geneva, where he had returned to manage his father's estate. Dove's own words align him with the 20th century movement away from identifiable subject matter:"I would like to make something that is real in itself, that does not remind anyone of any other thing, and that does not have to be explained like the letter A, for instance." He also commented, "… I no longer observed in the old way, and not only began to think subjectively but also to remember certain sensations purely through their form and color, that is, by certain shapes, planes of light, or character lines determined by the meeting of such planes." [Gallery label text, 2006]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.4_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.4_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.4_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.4_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25276", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Scanned from 1999 James Via transparency", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.4_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.4_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.4_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.4_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "41492", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Color-corrected and cropped from M1 file as no print master existed. JPG derived from new print master.", "View" : "" } , ] },{ "embark_ID" : 4809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4809", "Disp_Access_No" : "1955.180", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1760-1771", "_Disp_Start_Dat" : "1760", "_Disp_End_Date" : "1771", "Disp_Title" : "The Riva degli Schiavoni, Venice, Looking West", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "William James", "Sort_Artist" : "James, William", "Disp_Dimen" : "25 3/4 x 40 in. (65.4 x 101.6 cm)", "Disp_Height" : "25 3/4 in.", "Disp_Width" : "40 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The waterfront promenade of the Riva degli Schiavoni, or River of the Slavs, has long been one of the most picturesque and popular in Venice. Paintings by the great Canaletto and his British followers like William James show the bustling of gondolas, sailing boats and barges; the promenade itself is equally lively with travelers, merchants and townspeople actively engaged in both commerce and recreation. [Gallery label text, 2008]", "Dedication" : "Gift of Mr. and Mrs. Harold L. Field", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "British", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "1955 - The painting was given to the Gallery as a Canaletto (certified by the Gallery it was purchased from, Howard Young Galleries, and endorsed by Dr. W. R. Valentiner). 1970 – note to file from Harris Prior, Memorial Art Gallery Director, “The young gentleman, David Posnett, from the Leger Galleries in London was here last winter. He looked at our Canaletto and immediately said that it is by William James, an English associate of Canaletto.” In addition, there are numerous references throughout the file about scholars viewing the painting and finding the early attribution to Canaletto dubious due to the style. Unfortunately, not all previous curators were fanatical about documenting such information, so we do not know exact names. Since then there have been numerous William James’ views of Venice that have been compared to the MAG painting (photocopies in file) and have been found to have a similar style. James flourished between 1760 and 1771, hence our dating for the painting. An identical painting hangs at the Sir John Soane Museum in London.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.180_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.180_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.180_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.180_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "26217", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Note that master image includes frame; it has been cropped out for this view.", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.180_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.180_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.180_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.180_A3.jpg", "IsPrimary" : "0", "_SurrogateID" : "27901", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 499, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/499", "Disp_Access_No" : "1974.29", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1860", "_Disp_Start_Dat" : "1855", "_Disp_End_Date" : "1865", "Disp_Title" : "A Showery Day, Lake George", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Frederick Kensett", "Sort_Artist" : "Kensett, John Frederick", "Disp_Dimen" : "14 1/8 x 24 1/8 in. (35.9 x 61.3 cm)", "Disp_Height" : "14 1/8 in.", "Disp_Width" : "24 1/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/74.29_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/74.29_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/74.29_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/74.29_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12461", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 530, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/530", "Disp_Access_No" : "1938.35", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Cliff and Pier in Sunshine, St. Ives", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hayley Lever", "Sort_Artist" : "Lever, Hayley", "Disp_Dimen" : "21 x 24 in. (53.3 x 61 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Hannah Gould", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "This scene has been identified as Porthminster Beach, St. Ives, seen from the Harbour-- see Tovey''s "Pioneers of St. Ives Art" [see bibliography] Deaccessioned 1977-78, but recommended for reaccessioning in October 1981.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.35_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.35_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.35_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.35_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18979", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4477", "Disp_Access_No" : "1991.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1864", "_Disp_Start_Dat" : "1864", "_Disp_End_Date" : "1864", "Disp_Title" : "Towing a Boat, Honfleur", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "21 3/4 x 32 5/16 in. (55.2 x 82.1 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "32 5/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : ""All that is painted directly, at a given moment, has a force, power, and vitality which can never be duplicated in a studio." --Eugène Boudin, to his student Claude Monet Claude Monet’s early paintings were solidly grounded in the work of the preceding generation of French landscape painters called the Barbizon school. Their insistence on painting en plein air, or out of doors, led to Monet’s passion for capturing the transience of light. Towing a Boat, Honfleur, painted ten years before the term Impressionism was coined, captures the moment that night overtakes sunset. It is one of the earliest of Monet’s many seascapes. As an experiment in reproducing the changing effects of light under different atmospheric conditions, the painting shows his process of abstracting nature into simplified forms and exaggerated color contrasts. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25404", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4167, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4167", "Disp_Access_No" : "2000.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "View of Venice", "Alt_Title" : "Venetian Scene", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Moran", "Sort_Artist" : "Moran, Thomas", "Disp_Dimen" : "19 3/4 x 24 1/2 in. (50.2 x 62.2 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thomas Moran was an adventurous landscape painter who traveled far and wide in search of compelling views. He accompanied the first government-sponsored expedition to Yellowstone, shortly before it became a national park, and his drawings and watercolors from that expedition formed the basis for dramatic paintings of western views. In 1886, he journeyed to Venice, where his watercolors captured views of lagoons and picturesque buildings. These sketches formed the basis of immensely popular studio paintings like the one hanging here. In the second half of the nineteenth century, Venice was a favored Old World destination for many American writers and painters, including Mark Twain, Henry James, and James MacNeill Whistler. However, Moran's work probably had the greatest impact on Americans' awareness of La Serenissima (the most serene), a fond nickname for Venice. [Gallery label text, 2004]", "Dedication" : "Given in loving memory of Cornelia Robinson and Henry Douglas Buell by their daughter Jane Buell Ward and family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17996", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3922, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3922", "Disp_Access_No" : "1999.41", "_AccNumSort1" : "", "Disp_Create_DT" : "1996-1998", "_Disp_Start_Dat" : "1996", "_Disp_End_Date" : "1998", "Disp_Title" : "Boats, Blue Square", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Paul Resika", "Sort_Artist" : "Resika, Paul", "Disp_Dimen" : "76 x 76 in. (193 x 193 cm)", "Disp_Height" : "76 in.", "Disp_Width" : "76 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Painter Paul Resika's brush translates the dramatic colors of boats, sea and sky into a nearly abstract composition. The artist's lifelong interest in color was established early on in studies with Hans Hofmann (see Hofmann's "Ruby Gold," 60.37). Two years in the watery environs of Venice, and residency since the 1960s on Cape Cod, have given Resika the imagery with which to express his profound connection with the beauty of the natural world. [Gallery label text]", "Dedication" : "Gift of the Gallery Council", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/99.41_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/99.41_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/99.41_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/99.41_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17155", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "This image has the correct orientation. Image on CD is flipped. 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