{ "objects" : [ { "embark_ID" : 5054, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5054", "Disp_Access_No" : "1968.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1622-1625", "_Disp_Start_Dat" : "1622", "_Disp_End_Date" : "1625", "Disp_Title" : "Portrait of an Italian Nobleman", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Anthony van Dyck", "Sort_Artist" : "Dyck, Anthony van", "Disp_Dimen" : "40 x 32 1/2 in. (101.6 x 82.6 cm)", "Disp_Height" : "40 in.", "Disp_Width" : "32 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The Flemish artist, Anthony van Dyck, painted this portrait of an Italian nobleman while he was working in Genoa between 1622 and 1625. Supremely talented and precocious, van Dyck enjoyed considerable success in Italy, Flanders, and eventually England, where he was the favorite painter of King Charles I. He painted notable religious and mythological canvases, but remains most famous for his extraordinarily vivid portraits. The name of this sitter, with his graceful pose and penetrating glance, is unknown. He was certainly a wealthy Genoese patrician, however. To convey this to future viewers of his portrait, he donned his richest apparel for the occasion, including a finely crafted suit of armor and his most expensive wide lace collar and cuffs. [Gallery label text]", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.100_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.100_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.100_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.100_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "21384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "shot onsite 9/20/05", "View" : "" } , ] },{ "embark_ID" : 5239, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5239", "Disp_Access_No" : "1946.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1586", "_Disp_Start_Dat" : "1586", "_Disp_End_Date" : "1586", "Disp_Title" : "Sir Henry Palmer, Knight", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Marcus Geeraerts the Elder", "Sort_Artist" : "Geeraerts the Elder, Marcus", "Disp_Dimen" : "22 3/4 x 18 in. (57.8 x 45.7 cm)", "Disp_Height" : "22 3/4 in.", "Disp_Width" : "18 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on panel", "Info_Page_Comm" : "", "Dedication" : "Gift of Mrs. C. Schuyler Davis", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Palmer b. ca. 1520, Wingham, d. 1608, Essex—comptroller of the Navy between 1598 - 1611. Contemporary of Geeraerts the Elder, born in same year Note that Getty ULAN lists artist as Gheeraerts See replica, or MAG’s is replica: http://www.nationaltrustcollections.org.uk/object/809835 -- that one called IN THE MANNER OF GEERAERTS the YOUNGER Palmer coat of arms: 3 black palmers’ purses tasseled and buckled in gold [palmer = pilgrim, carrying palm leaf]", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/46.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/46.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/46.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/46.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14443", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6558, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6558", "Disp_Access_No" : "1979.69", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Man in a Ruffled Collar", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Pieter Jansz. Pourbus", "Sort_Artist" : "Pourbus, Pieter Jansz.", "Disp_Dimen" : "16 3/4 x 13 3/4 in. (42.5 x 34.9 cm)", "Disp_Height" : "16 3/4 in.", "Disp_Width" : "13 3/4 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bequest of Clarence Clift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.69_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.69_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.69_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.69_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "43995", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] },{ "embark_ID" : 5055, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5055", "Disp_Access_No" : "1944.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1628", "_Disp_Start_Dat" : "1628", "_Disp_End_Date" : "1628", "Disp_Title" : "The Reconciliation of King Henry III and Henry of Navarre", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Peter Paul Rubens", "Sort_Artist" : "Rubens, Peter Paul", "Disp_Dimen" : "9 3/8 x 7 5/8 in. (23.8 x 19.4 cm)", "Disp_Height" : "9 3/8 in.", "Disp_Width" : "7 5/8 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "panel", "Disp_Medium" : "Oil on oak panel", "Info_Page_Comm" : "In 1622 Marie de' Medici commissioned from the internationally famous painter Rubens two series of enormous paintings to decorate the Luxembourg Palace in Paris, where she then lived. The first series, now in the Louvre, told her own life story. The second was to tell the life of her husband Henry IV, but was never completed, and most of the scenes are known only from painted sketches like this one. The event here is a 1589 meeting between King Henry III of France (Catherine de' Medici's youngest son) and King Henry of Navarre, the future King Henry IV of France. Henry III had no heirs, and a rival faction of French nobles who wanted to usurp his throne had taken over Paris. His cousin Henry of Navarre, although Protestant and excommunicated by the Pope, was the rightful heir. At the meeting portrayed here, Henry III promised to declare Henry of Navarre his heir, if the famous warrior king would help him to recapture Paris. To symbolize the agreement, Rubens shows the two kings clasping hands around the royal French scepter and a figure behind them holding an insignia of two clasped hands. A few months later, Henry III was stabbed by an assassin. On his deathbed, he made Henry IV promise to convert to Catholicism. Henry IV's famous comment was "Paris is well worth a mass" ("Paris vaut vien une messe"). [Gallery label text, 1996]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/44.24_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/44.24_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/44.24_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/44.24_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "26142", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk dated 3-25-08", "View" : "" } , ] },{ "embark_ID" : 5032, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5032", "Disp_Access_No" : "1955.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1680", "_Disp_Start_Dat" : "1680", "_Disp_End_Date" : "1680", "Disp_Title" : "Tavern Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "David Teniers the Younger", "Sort_Artist" : "Teniers the Younger, David", "Disp_Dimen" : "18 3/8 x 24 in. (46.7 x 61 cm)", "Disp_Height" : "18 3/8 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "The son-in-law of Jan Brueghel and a friend of Peter Paul Rubens, Teniers achieved success in Antwerp and then moved to Brussels, where he served as court painter to the archduke Leopold Wilhelm and later to Don Juan of Austria. Tavern Scene is one of numerous genre paintings in which rustics carouse, uninhibited by notions of propriety or temperance. Such subjects frequently served a moralizing purpose, indicated here by the drawing tacked to the wall above the laughing drunkard. The bird flanked by eyeglasses and candlestick may illustrate the proverb, “What use candle and spectacles if the owl cannot and will not see?” [Gallery label text]", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12642", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6211, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6211", "Disp_Access_No" : "1989.66", "_AccNumSort1" : "", "Disp_Create_DT" : "before 1645", "_Disp_Start_Dat" : "1635", "_Disp_End_Date" : "1644", "Disp_Title" : "Cornelis de Vos", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Lucas Vorsterman", "Sort_Artist" : "Vorsterman, Lucas", "Disp_Dimen" : "10 1/16 x 6 1/2 in. (25.5 x 16.5 cm)", "Disp_Height" : "10 1/16 in.", "Disp_Width" : "6 1/2 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Engraving", "Info_Page_Comm" : "Created for van Dyck's portfolio of portraits entitled "Iconography," published in 1645-46.", "Dedication" : "Gift of Howard and Florence Merritt", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.66_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.66_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.66_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.66_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25937", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6562, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6562", "Disp_Access_No" : "1955.83", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Young Man with a Dog", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Cornelis de Vos", "Sort_Artist" : "Vos, Cornelis de", "Disp_Dimen" : "57 x 39 1/2 in. (144.8 x 100.3 cm)", "Disp_Height" : "57 in.", "Disp_Width" : "39 1/2 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Bertha Buswell Bequest", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "Flemish", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.83_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.83_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.83_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.83_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15976", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/55.83_I3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/55.83_I3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/55.83_I3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/55.83_I3.jpg", "IsPrimary" : "1", "_SurrogateID" : "52318", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Taken by Chiyo Ueyama on her phone. Still better than 55.83DI1. Not for publication use.", "View" : "" } , ] }, ] }