{ "objects" : [ { "embark_ID" : 4349, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4349", "Disp_Access_No" : "1997.206", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1835", "_Disp_Start_Dat" : "1830", "_Disp_End_Date" : "1840", "Disp_Title" : "Azuma Bridge from the series "Edo Bridges"", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Edo Bridges", "Disp_Maker_1" : "Utagawa Kunisada I", "Sort_Artist" : "Utagawa Kunisada I", "Disp_Dimen" : "15 1/16 x 10 5/16 in. (38.2 x 26.2 cm)", "Disp_Height" : "15 1/16 in.", "Disp_Width" : "10 5/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "One in a series on the theme of bridges spanning the Sumida River that bisects Edo, this print shows the <em>Azumabashi</em>, or Azuma Bridge (<em>-bashi</em> means bridge), in the background. The Azuma Bridge was famous as the site where the fireworks displays over the river in summer were customarily viewed. Mt. Fuji appears in the distance behind the title cartouche on the left, and a roof of the popular Sensôji temple juts up just to the right at the far end of the bridge. The two most famous bridges of this appearance during the Edo period were Azumabashi in Edo and Sanjô Ôhashi in Kyoto. While the geisha playing the <em>shamisen</em> in the foreground is not specified, her name may well be Azuma ("East"), then as now a common word in the names of people such as entertainers and sumô wrestlers.", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.206_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.206_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.206_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.206_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "19919", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4283, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4283", "Disp_Access_No" : "1997.207", "_AccNumSort1" : "", "Disp_Create_DT" : "1855", "_Disp_Start_Dat" : "1855", "_Disp_End_Date" : "1855", "Disp_Title" : "Spring Rain in the Sunset Glow (two geisha)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Utagawa Kunisada I", "Sort_Artist" : "Utagawa Kunisada I", "Disp_Dimen" : "14 5/16 x 9 3/4 in. (36.3 x 24.8 cm)", "Disp_Height" : "14 5/16 in.", "Disp_Width" : "9 3/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.207_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.207_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.207_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.207_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17237", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 8940, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/8940", "Disp_Access_No" : "1977.152.371", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Scene from the "New Herbs, I" chapter, The Tale of Genji", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Utagawa Kunisada I", "Sort_Artist" : "Utagawa Kunisada I", "Disp_Dimen" : "14 5/8 x 9 15/16 in. (37.2 x 25.2 cm)", "Disp_Height" : "14 5/8 in.", "Disp_Width" : "9 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "The early-11th century Tale of Genji was a favorite theme of Edo period art. This scene refers to the problematic moment when the young Kashiwagi, the son of Genji's old friend Tô no Chûjô, catches a glimpse of one of Genji's wives, the Third Princess, whose errant cat she has chased out onto the verandah in the springtime. (Later in the story, Genji will be cuckolded by Kashiwagi, whose son the Third Princess bears.) Although the scene shown here does not suggest that the Princess, who like all noblewomen should remain out of the sight of men, has just been chasing her cat into plain view—the cat is, after all, asleep on its own cushion—any woman depicted in court robes on a verandah with a cat is invariably the Third Princess. The two young men in court robes may therefore be identified as Kashiwagi and his companion, Genji's son Yûgiri. ", "Dedication" : "Gift of the Estate of Ralph Avery", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japanese", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/77.152.371_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/77.152.371_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/77.152.371_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/77.152.371_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "16687", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }