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[Gallery label text, 2002]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/65.60_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/65.60_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/65.60_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/65.60_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39031", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Derived from 65.60_M1; no print-level image was made at the time of photography, so the correction was done 9/12 and a new Print Master derived; a new JPG was created from that. 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They directed their focus increasingly on transient effects of light and weather and revisited their subjects under varying conditions. In particular, both artists shared a fascination with the landmarks and activity along London’s Thames River. This etchings was a part of Whistler’s A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (known as “The Thames Set”). When they were published in 1871, the prints were already recognized as a valuable record of an already vanishing London. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Bequest of Ida Lynch", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per note in file, inscribed on old mat: III state From "Sixteen Etchings of Scenes on the Thames and Other Subjects," published in 1871 by Ellis and Green, London", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "24317", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2486, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2486", "Disp_Access_No" : "1947.58", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Long Lagoon-First State", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "5 15/16 x 9 5/16 in. (15.1 x 23.7 cm)", "Disp_Height" : "5 15/16 in.", "Disp_Width" : "9 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "2nd and subsequent state was included in "Twenty-six Etchings," published by Dowdeswell and Dowdeswell, London, 1886.", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Wedmore''s Catalogue, 169, Thomas Mansfield, A Descriptive catalogue of the Etchings and Drypoints of James Abbott McNeill Whistler, 206; Mansfield, 201, Grolier Club Cat. of 1904, 171; N\Benedict, Buckingham, Bullard and Mansfield Collections", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.58_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.58_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.58_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.58_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24320", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 3653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/3653", "Disp_Access_No" : "1973.159", "_AccNumSort1" : "", "Disp_Create_DT" : "1892", "_Disp_Start_Dat" : "1892", "_Disp_End_Date" : "1892", "Disp_Title" : "Dutch Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Charles Paul Gruppé", "Sort_Artist" : "Gruppé, Charles Paul", "Disp_Dimen" : "17 x 25 1/2 in. (43.2 x 64.8 cm)", "Disp_Height" : "17 in.", "Disp_Width" : "25 1/2 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor on paper", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Betsy Brayer indicates that George Eastman''s payment for this painting included a Kodak camera.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/73.159_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/73.159_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/73.159_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/73.159_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13074", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4167, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4167", "Disp_Access_No" : "2000.6", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "View of Venice", "Alt_Title" : "Venetian Scene", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Thomas Moran", "Sort_Artist" : "Moran, Thomas", "Disp_Dimen" : "19 3/4 x 24 1/2 in. (50.2 x 62.2 cm)", "Disp_Height" : "19 3/4 in.", "Disp_Width" : "24 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Thomas Moran was an adventurous landscape painter who traveled far and wide in search of compelling views. He accompanied the first government-sponsored expedition to Yellowstone, shortly before it became a national park, and his drawings and watercolors from that expedition formed the basis for dramatic paintings of western views. In 1886, he journeyed to Venice, where his watercolors captured views of lagoons and picturesque buildings. These sketches formed the basis of immensely popular studio paintings like the one hanging here. In the second half of the nineteenth century, Venice was a favored Old World destination for many American writers and painters, including Mark Twain, Henry James, and James MacNeill Whistler. However, Moran's work probably had the greatest impact on Americans' awareness of La Serenissima (the most serene), a fond nickname for Venice. [Gallery label text, 2004]", "Dedication" : "Given in loving memory of Cornelia Robinson and Henry Douglas Buell by their daughter Jane Buell Ward and family", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2000.6_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2000.6_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2000.6_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2000.6_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17996", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4321, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4321", "Disp_Access_No" : "1997.77", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Theatrical scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Utagawa Kunisada I", "Sort_Artist" : "Utagawa Kunisada I", "Disp_Dimen" : "13 7/8 x 18 11/16 in. (35.2 x 47.4 cm)", "Disp_Height" : "13 7/8 in.", "Disp_Width" : "18 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japan", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.77_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.77_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.77_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.77_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17609", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4332, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4332", "Disp_Access_No" : "1997.195", "_AccNumSort1" : "", "Disp_Create_DT" : "1855", "_Disp_Start_Dat" : "1855", "_Disp_End_Date" : "1855", "Disp_Title" : "Shrine of the Bonfires in Sanuki", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Famous Places in 60-Odd Provinces", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "13 1/8 x 8 11/16 in. (33.4 x 22 cm)", "Disp_Height" : "13 1/8 in.", "Disp_Width" : "8 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of Margaret Sterling in memory of M. Louise Stowell, transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japan", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.195_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.195_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.195_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.195_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17631", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4406, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4406", "Disp_Access_No" : "1997.193", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "8 Views of Omi", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Utagawa Sadahide", "Sort_Artist" : "Utagawa Sadahide", "Disp_Dimen" : "14 7/8 x 9 15/16 in. (37.8 x 25.2 cm)", "Disp_Height" : "14 7/8 in.", "Disp_Width" : "9 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of Margaret Sterling in memory of M. Louise Stowell, transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japan", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.193_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.193_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.193_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.193_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17622", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4420, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4420", "Disp_Access_No" : "1997.158", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1841-1842", "_Disp_Start_Dat" : "1841", "_Disp_End_Date" : "1842", "Disp_Title" : "Shirasuka", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "Gyosho Tokaido", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "7 11/16 x 12 7/16 in. (19.5 x 31.6 cm)", "Disp_Height" : "7 11/16 in.", "Disp_Width" : "12 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "Shirasuka: View of Shiomizaka (Shirasuka, Shiomizaka fûkei), from the series The Fifty-three Stations of the Tôkaidô Road (Tôkaidô gojûsan tsugi no uchi), also known as the Gyôsho Tôkaidô ", "Dedication" : "Gift of Margaret Sterling in memory of M. Louise Stowell, transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japan", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.158_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.158_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.158_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.158_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17627", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4426, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4426", "Disp_Access_No" : "1997.191", "_AccNumSort1" : "", "Disp_Create_DT" : "1855", "_Disp_Start_Dat" : "1855", "_Disp_End_Date" : "1855", "Disp_Title" : "Arai", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "The Vertical Tokaido", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "14 5/8 x 9 5/16 in. (37.1 x 23.7 cm)", "Disp_Height" : "14 5/8 in.", "Disp_Width" : "9 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : "", "Dedication" : "Gift of Margaret Sterling in memory of M. Louise Stowell, transfer from the Art Department of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japan", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/97.191_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/97.191_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/97.191_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/97.191_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17109", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4477, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4477", "Disp_Access_No" : "1991.35", "_AccNumSort1" : "", "Disp_Create_DT" : "1864", "_Disp_Start_Dat" : "1864", "_Disp_End_Date" : "1864", "Disp_Title" : "Towing a Boat, Honfleur", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Claude Monet", "Sort_Artist" : "Monet, Claude", "Disp_Dimen" : "21 3/4 x 32 5/16 in. (55.2 x 82.1 cm)", "Disp_Height" : "21 3/4 in.", "Disp_Width" : "32 5/16 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : ""All that is painted directly, at a given moment, has a force, power, and vitality which can never be duplicated in a studio." --Eugène Boudin, to his student Claude Monet Claude Monet’s early paintings were solidly grounded in the work of the preceding generation of French landscape painters called the Barbizon school. Their insistence on painting en plein air, or out of doors, led to Monet’s passion for capturing the transience of light. Towing a Boat, Honfleur, painted ten years before the term Impressionism was coined, captures the moment that night overtakes sunset. It is one of the earliest of Monet’s many seascapes. As an experiment in reproducing the changing effects of light under different atmospheric conditions, the painting shows his process of abstracting nature into simplified forms and exaggerated color contrasts. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gift of Marie C. and Joseph C. Wilson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.35_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.35_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.35_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.35_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25404", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4549, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4549", "Disp_Access_No" : "1931.20", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1860", "_Disp_Start_Dat" : "1855", "_Disp_End_Date" : "1865", "Disp_Title" : "Sunset on the Thames", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "6 1/16 x 9 15/16 in. (15.4 x 25.2 cm)", "Disp_Height" : "6 1/16 in.", "Disp_Width" : "9 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Francis Seymour Haden was an English surgeon and a well-known etcher who founded the Society of Painter-Etchers in 1880. He studied the original prints of great Old Master artists such as Rembrandt and Albrecht Dürer; his intense studies helped bring about the revival of etching in England. James Abbott McNeill Whistler was Haden’s brother-in-law, and the two artists collaborated for some time on a series of etchings of the Thames River. The relationship between the artists deteriorated, however, and the project was never completed. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Gallery purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "England", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.20_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.20_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.20_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.20_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26719", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 4554, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/4554", "Disp_Access_No" : "1948.49", "_AccNumSort1" : "", "Disp_Create_DT" : "1870", "_Disp_Start_Dat" : "1870", "_Disp_End_Date" : "1870", "Disp_Title" : "Breaking Up of the Agamemnon", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Francis Seymour Haden", "Sort_Artist" : "Haden, Francis Seymour", "Disp_Dimen" : "10 9/16 x 18 7/8 in. (26.8 x 47.9 cm)", "Disp_Height" : "10 9/16 in.", "Disp_Width" : "18 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "England", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.49_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.49_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.49_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.49_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29092", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 5201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/5201", "Disp_Access_No" : "1987.34.1", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1839-1840", "_Disp_Start_Dat" : "1839", "_Disp_End_Date" : "1840", "Disp_Title" : "Returning Sails at Takanawa", "Alt_Title" : "", "Obj_Title" : "Returning Sails at Takanawa from the series "Eight Views of the Shiba District in the Capital City"", "Series_Title" : "Eight Views of the Shiba District in the Capital City", "Disp_Maker_1" : "Ando Hiroshige", "Sort_Artist" : "Ando Hiroshige", "Disp_Dimen" : "9 13/16 x 14 5/16 in. (24.9 x 36.3 cm)", "Disp_Height" : "9 13/16 in.", "Disp_Width" : "14 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Color woodcut", "Info_Page_Comm" : ""Returning Sails at Takanawa" adapts the classical trope of "Returning Sails at a Distant Bay" (enpo kihan) to the well-known view of Edo bay along a stretch of the Tôkaidô Road at Takanawa in the Shiba district of Edo. Smaller boats with white sails ferry goods to shore from the large dark ocean-going vessels anchored in the bay. In the unceasing traffic along the Tôkaidô Road, the major highway leading in and out of the city to the south, we see a mounted samurai and his servant in the lower-left corner passing through the granite sides of the gated portal to the city. Coming towards them is a group of pilgrims dressed in white, followed by two more samurai borne in palanquins, and another two palanquins are parked at the side of the teahouse. Large hand-carts for carrying building materials are seen in the lower right-hand corner, while at the right workers appear to be building a larger restaurant or teahouse. Two sign-boards next to a mile-post at the seating area carry official regulations pertaining to travelers entering Edo—these signs were a common sight at every bridge and approach to the city, along with the heads of executed criminals.", "Dedication" : "Gift of Dr. James B. Austin", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Japan", "Department" : "", "Obj_Name" : "", "Period" : "Edo Period (1600-1868)", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/87.34.1_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/87.34.1_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/87.34.1_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/87.34.1_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "16690", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6935, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6935", "Disp_Access_No" : "1951.110", "_AccNumSort1" : "", "Disp_Create_DT" : "19th Century", "_Disp_Start_Dat" : "1800", "_Disp_End_Date" : "1899", "Disp_Title" : "Harbor Scene", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Myles Birket Foster", "Sort_Artist" : "Foster, Myles Birket", "Disp_Dimen" : "4 1/2 x 7 in. (11.4 x 17.8 cm)", "Disp_Height" : "4 1/2 in.", "Disp_Width" : "7 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "Gift of the Estate of Emily and James Sibley Watson", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "England", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.110_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.110_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.110_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.110_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "27540", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 6943, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/6943", "Disp_Access_No" : "1942.9", "_AccNumSort1" : "", "Disp_Create_DT" : "1834", "_Disp_Start_Dat" : "1834", "_Disp_End_Date" : "1834", "Disp_Title" : "Aberystwith, Wales", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "British artist", "Sort_Artist" : "British artist", "Disp_Dimen" : "6 3/4 x 10 in. (17.1 x 25.4 cm)", "Disp_Height" : "6 3/4 in.", "Disp_Width" : "10 in.", "Dimen_Extent" : "", "Medium" : "Watercolor", "Support" : "", "Disp_Medium" : "Watercolor", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "Great Britain", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Formerly described as being by Turner; are they after Turner or just in his style? British nationality designation carries over from Turner attribution.", "Images": [ ] },{ "embark_ID" : 7909, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7909", "Disp_Access_No" : "1947.40", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Fan with Romantic Scenes", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Chinese artist", "Sort_Artist" : "Chinese artist", "Disp_Dimen" : "8 11/16 x 16 15/16 in. (22 x 43 cm)", "Disp_Height" : "8 11/16 in.", "Disp_Width" : "16 15/16 in.", "Dimen_Extent" : "overall", "Medium" : "Silk", "Support" : "", "Disp_Medium" : "Silk and ivory", "Info_Page_Comm" : "", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Artist Unknown", "Disp_Obj_Type" : "Accessory", "Creation_Place2" : "China", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Painted scenes that appear to be European-- is this really Chinese? Maybe carved sticks are Chinese but painted fan is European? Verso painted with a flower. Fabric in poor condition-- stained.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.40_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.40_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.40_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.40_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26661", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7937, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7937", "Disp_Access_No" : "1992.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1890", "_Disp_Start_Dat" : "1890", "_Disp_End_Date" : "1890", "Disp_Title" : "The Banks of the Loing River: Six Moored Dingies", "Alt_Title" : "", "Obj_Title" : "The Banks of the Loing River: Six Moored Dingies (Bords du Loing: les six canots amarrés)", "Series_Title" : "", "Disp_Maker_1" : "Alfred Sisley", "Sort_Artist" : "Sisley, Alfred", "Disp_Dimen" : "9 15/16 x 12 13/16 in. 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Lockhart, Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "France", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/92.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/92.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/92.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/92.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25971", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 11699, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/11699", "Disp_Access_No" : "2003.15", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Untitled (Windmill)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Ward Ranger", "Sort_Artist" : "Ranger, Henry Ward", "Disp_Dimen" : "12 13/16 x 24 7/16 in. (32.5 x 62 cm)", "Disp_Height" : "12 13/16 in.", "Disp_Width" : "24 7/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Watercolor", "Support" : "paper", "Disp_Medium" : "Watercolor and gouache ", "Info_Page_Comm" : "", "Dedication" : "Gift of John and Mary Celentano", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Watercolor", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.15_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.15_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.15_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.15_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "17928", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/2003.15_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/2003.15_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/2003.15_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/2003.15_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "52485", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] }, ] }