{ "objects" : [ { "embark_ID" : 193, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/193", "Disp_Access_No" : "1945.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1941", "_Disp_Start_Dat" : "1941", "_Disp_End_Date" : "1941", "Disp_Title" : "The Garden", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Darrel Austin", "Sort_Artist" : "Austin, Darrel", "Disp_Dimen" : "20 x 24 in. (50.8 x 61 cm)", "Disp_Height" : "20 in.", "Disp_Width" : "24 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "This bizarre, spectral landscape was purchased from the Gallery’s 1945 exhibition The A B C’s of Modern Art, organized to foster a more liberal point of view amongst the Gallery’s audience. Painted in thick layers with a palette knife, Darrel Austin’s primordial visions were often peopled by predatory cats and shimmering female figures, as in The Garden. A frank reviewer in the Art Digest wrote in 1942, “It’s hard to explain Darrel Austin’s art, because he can’t explain it himself . So the most sensible approach for the viewer is just to enjoy them without thinking too logically.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Copyright Holder Not Found", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/45.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/45.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/45.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/45.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "39384", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Photographed in frame; frame cropped out in Photoshop", "View" : "" } , ] }, ] }