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Historically, they were the most common form of printed material, used for news, proclamations, advertising, and ballads. For Angel Robert Marx combined a poem by Al Poulin (1938-1996), founder of BOA Press, and his own etching. Excerpted from installation text, Aug. 2011 Colleen Piccone, Curatorial Dept. 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Marx", "Sort_Artist" : "Marx, Robert E.", "Disp_Dimen" : "10 x 12 3/4 in. (25.4 x 32.4 cm)", "Disp_Height" : "10 in.", "Disp_Width" : "12 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Information about this print edition can be found in Art for Every Home: An Illustrated Index of Associated American Artists Prints, Ceramics, and Textile Designs, at http://hdl.handle.net/2097/19686, p. 210, no.1878. 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Marx says of his work, "Images come from my surroundings, I distort my images according to my personal bias, and this distortion comes from remembering and inventing. I am a spectator, watching both myself and others. My paintings are a wordless game of conscience. The game is uncertain. My part in the game is observer. 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