{ "objects" : [ { "embark_ID" : 223, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/223", "Disp_Access_No" : "1989.70", "_AccNumSort1" : "", "Disp_Create_DT" : "1950", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1950", "Disp_Title" : "Untitled (Relational Painting)", "Alt_Title" : "", "Obj_Title" : "Untitled (Relational Painting)", "Series_Title" : "", "Disp_Maker_1" : "Ilya Bolotowsky", "Sort_Artist" : "Bolotowsky, Ilya", "Disp_Dimen" : "30 3/8 x 20 in. (77.2 x 50.8 cm)", "Disp_Height" : "30 3/8 in.", "Disp_Width" : "20 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.70_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.70_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.70_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.70_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12512", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 452, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/452", "Disp_Access_No" : "1960.37", "_AccNumSort1" : "", "Disp_Create_DT" : "1959", "_Disp_Start_Dat" : "1959", "_Disp_End_Date" : "1959", "Disp_Title" : "Ruby Gold", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hans Hofmann", "Sort_Artist" : "Hofmann, Hans", "Disp_Dimen" : "55 3/8 x 40 1/2 in. (140.7 x 102.9 cm)", "Disp_Height" : "55 3/8 in.", "Disp_Width" : "40 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "According to painter Hans Hofmann, “there are bigger things to be seen in nature than the object.” Ruby Gold demonstrates this idea through the dramatic interplay of color, form, and expression. Hofmann was one of the most influential teachers of Abstract Expressionism, the painting style for which he is known. While other painters, such as Jackson Pollock, pioneered the style, Hofmann taught it to generations of students and helped to cement its role as a dominant form of painting in the U.S. from the 1950s onward. He created his signature works, like Ruby Gold, in the last eight years of his life, when, at age 78, he stopped teaching and devoted himself exclusively to painting. [Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/60.37_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/60.37_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/60.37_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/60.37_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "40794", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "On disk number 131024", "View" : "" } , ] },{ "embark_ID" : 634, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/634", "Disp_Access_No" : "1959.11", "_AccNumSort1" : "", "Disp_Create_DT" : "1950", "_Disp_Start_Dat" : "1950", "_Disp_End_Date" : "1950", "Disp_Title" : "Red Vertical Composition 5", "Alt_Title" : "Red Vertical Composition 5", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jackson Pollock", "Sort_Artist" : "Pollock, Jackson", "Disp_Dimen" : "21 x 11 1/2 in. (53.3 x 29.2 cm)", "Disp_Height" : "21 in.", "Disp_Width" : "11 1/2 in.", "Dimen_Extent" : "without frame", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Jackson Pollock mused “that the modern painter cannot express this age, the airplane, the atom bomb, the radio, in the old forms of the Renaissance or of any other past culture. Each age finds its own technique.” His “poured” paintings, like the one on view here, have become an emblem of twentieth-century abstract art. Eschewing traditional brushes, easels, and realistic subject matter, Pollock placed his canvases on the floor. He often walked on them as he dripped skeins of paint across their surfaces. Using the movement of his entire body, he got inside his paintings, as he sometimes described his working process. His painting style may appear to be accidental and random, but it was, in fact, controlled and defined. [Summer 2015] ", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No. 5 of series of works originally painted as six vertical compositions on one long strip of canvas approx. 24x 85 in. (61x 213.3 cm.)", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/59.11_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/59.11_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/59.11_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/59.11_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12406", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 653, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/653", "Disp_Access_No" : "1968.47", "_AccNumSort1" : "", "Disp_Create_DT" : "1952", "_Disp_Start_Dat" : "1952", "_Disp_End_Date" : "1952", "Disp_Title" : "Abstract Painting: Red", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ad Reinhardt", "Sort_Artist" : "Reinhardt, Ad", "Disp_Dimen" : "82 x 22 in. (208.28 x 55.88 cm)", "Disp_Height" : "82 in.", "Disp_Width" : "22 in.", "Dimen_Extent" : "", "Medium" : "Oil", "Support" : "canvas", "Disp_Medium" : "Oil on canvas", "Info_Page_Comm" : "Ad Reinhardt took a philosophical point of view when it came to making fine art and explaining its significance. An influential writer on the subject, he is remembered for having made the following statement: “Art is Art, and Life is Life.” The spirit of this statement is well represented by this painting, which has a very subtle composition that only emerges for the viewer after close inspection. For Reinhardt, to appreciate the true significance of art one shouldn’t compare it to anything else. Art is an idea that is revealed only through pure form and content. For Reinhardt, art cannot teach you about the world. It can only teach you about art. [Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/68.47_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/68.47_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/68.47_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/68.47_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12439", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 736, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/736", "Disp_Access_No" : "1969.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Prairie Red", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Mark Tobey", "Sort_Artist" : "Tobey, Mark", "Disp_Dimen" : "55 5/8 x 27 3/4 in. (141.3 x 70.5 cm)", "Disp_Height" : "55 5/8 in.", "Disp_Width" : "27 3/4 in.", "Dimen_Extent" : "without frame", "Medium" : "Tempera", "Support" : "paper", "Disp_Medium" : "Tempera on paper", "Info_Page_Comm" : "Mark Tobey’s observations about his own work are especially eloquent and revealing: Over the past 15 years, my approach to painting has varied, sometimes being dependent on brushwork, sometimes on lines, dynamic white strokes in geometric space. For me, the road has been a zig-zag into and out of old civilizations, seeking new horizons through meditation and contemplation. My sources of inspiration have gone from those of my native Middle West to those of microscopic worlds. I have discovered many a universe on paving stones and tree barks. Some critics have criticized me for being what they call an Orientalist and using Oriental models for my work. But they were wrong….What did develop there was what I call the calligraphic impulse that has opened out new horizons for my work. Now I could paint the turmoil and tumult of the great cities, the intertwining of the lights and the streams of people caught up in the mesh of their net. [Summer 2015]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Painting", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/69.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/69.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/69.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/69.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "17116", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1160, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1160", "Disp_Access_No" : "1970.34", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "Untitled #6", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Anuszkiewicz", "Sort_Artist" : "Anuszkiewicz, Richard", "Disp_Dimen" : "18 1/16 x 15 in. (45.9 x 38.1 cm)", "Disp_Height" : "18 1/16 in.", "Disp_Width" : "15 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "From Spectral Cadmium Suite portfolio, 1968", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/70.34_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/70.34_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/70.34_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/70.34_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12844", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1162, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1162", "Disp_Access_No" : "1979.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Spectral Squares", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Richard Anuszkiewicz", "Sort_Artist" : "Anuszkiewicz, Richard", "Disp_Dimen" : "26 x 26 in. (66 x 66 cm)", "Disp_Height" : "26 in.", "Disp_Width" : "26 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Serigraph", "Info_Page_Comm" : "Look closely at the center four squares at the center of this image. Does the yellowish color appear to be the same in all four squares, or is it different in each one? If you look closely, you might notice that all four squares feature the same yellow-orange color. However, what might make them appear different are the surrounding blue and green outlines, which are distinct in each square. Inspired by the teaching of Josef Albers, Spectral Squares is a lesson in color interaction, and how the perception of a single color can be affected by others adjacent to it. [Label copy from Seeing in Color and Black and White, 2018] Richard Anuszkiewicz is interested in what he calls “color systems” that he uses to create an environment; color is always the main concern in his work. Anuszkiewicz received his graduate degree from Yale in 1954, where he studied color interaction with Josef Albers. During this period, he also read and was influenced by Rudolph Arnheim's writings about art and psychology in Art and Visual Perception: A Psychology of the Creative Eye. Upon leaving school, he began to paint with complimentary colors of full intensity and observed their dynamic effect. He continued to explore the effects of combinations of colors, using simplified forms, mainly the square. He begins his paintings by choosing the colors very carefully under controlled lighting, calling the colors his “cast of characters” and then begins the painting. [Label Copy, Collection Connections - Psychedelic, installed September 15, 2010 Curated by Cynthia Culbert]", "Dedication" : "Gift of Benjamin P. Nicolette", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.24_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.24_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.24_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.24_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "12846", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.24_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.24_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.24_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.24_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "51029", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2079, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2079", "Disp_Access_No" : "1971.3", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Untitled", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jack Matott", "Sort_Artist" : "Matott, Jack", "Disp_Dimen" : "11 1/4 x 29 15/16 in. (28.5 x 76 cm)", "Disp_Height" : "11 1/4 in.", "Disp_Width" : "29 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "1970 Patron Print Award, sponsored by Marine Midland Trust Company", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "American", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/71.3_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/71.3_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/71.3_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/71.3_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39120", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2165, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2165", "Disp_Access_No" : "1975.258", "_AccNumSort1" : "", "Disp_Create_DT" : "1970", "_Disp_Start_Dat" : "1970", "_Disp_End_Date" : "1970", "Disp_Title" : "Staplework", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Karen Nelson", "Sort_Artist" : "Nelson, Karen", "Disp_Dimen" : "17 5/8 x 18 in. 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Ackerman Foundation", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "French", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/80.89_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/80.89_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/80.89_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/80.89_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18544", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9694, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9694", "Disp_Access_No" : "2002.25", "_AccNumSort1" : "", "Disp_Create_DT" : "1968", "_Disp_Start_Dat" : "1968", "_Disp_End_Date" : "1968", "Disp_Title" : "One", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Robert Indiana", "Sort_Artist" : "Indiana, Robert", "Disp_Dimen" : "26 x 20 in. 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