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(20 x 15.2 cm)", "Disp_Height" : "7 7/8 in.", "Disp_Width" : "6 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of the artist", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/42.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/42.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/42.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/42.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25047", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1293, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1293", "Disp_Access_No" : "1983.134.19", "_AccNumSort1" : "", "Disp_Create_DT" : "1936", "_Disp_Start_Dat" : "1936", "_Disp_End_Date" : "1936", "Disp_Title" : "East River near the Queensborough Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "10 1/4 x 8 1/2 in. (26 x 21.6 cm)", "Disp_Height" : "10 1/4 in.", "Disp_Width" : "8 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The rivers surrounding Manhattan have always attracted swimmers brave – or foolish – enough to endure pollutants and random bits of garbage floating nearby. Fortunately, the quality of New York waterways is currently improving, and sights like the one may be more common in the future. Looming above the swimmers and boaters enjoying the East River is the Queensborough Bridge, also known as the 59th Street Bridge, made famous by Simon and Garfunkel’s album and song (Feeling Groovy). One of the many bridges that have been artists’ favorites, the Queensborough Bridge connects Manhattan and Queens. Over a mile long, it was opened to traffic in 1909. The spires that were part of the original design, and that can be seen in this print, were removed in the 1950s because of their deteriorating condition. [Label text, 2003]", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "The East River Bridge at 59th Street", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.19_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.19_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.19_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.19_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "25057", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1301, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1301", "Disp_Access_No" : "1983.134.33", "_AccNumSort1" : "", "Disp_Create_DT" : "1917", "_Disp_Start_Dat" : "1917", "_Disp_End_Date" : "1917", "Disp_Title" : "Refuge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "7 x 5 in. (17.8 x 12.7 cm)", "Disp_Height" : "7 in.", "Disp_Width" : "5 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.33_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.33_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.33_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.33_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "26164", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1312, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1312", "Disp_Access_No" : "1983.134.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1939", "_Disp_Start_Dat" : "1939", "_Disp_End_Date" : "1939", "Disp_Title" : "Washington Square South", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "7 x 8 3/4 in. (17.8 x 22.2 cm)", "Disp_Height" : "7 in.", "Disp_Width" : "8 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Out of necessity and solidarity artists banded together to survive the Great Depression by collective efforts to make, show, and sell their work. Hugh Botts’ keen sense of humor and ability to market his work is clear in Washington Square Park South. This display of eight of his prints tacked to a fence mimics how he probably displayed his work to sell at the Washington Square Outdoor Art Exhibit (established in 1931). This outdoor, public exhibition of art for sale, similar to the Memorial Art Gallery’s own annual Clothesline Arts Festival, is still in operation today in New York City. The prints depicted were among Bott’s most successful images; Columbus Circle was reprinted in the 1939 WPA guide to New York, Roosevelt Wing Museum was the feature of an article about the artist in Christian Science Monitor, and House Painter was a prizewinning print noted by the New York Times reviewer as characteristic of the artist’s wit. [Label text] Since 1931, artists have shown their works in an annual exhibition in Greenwich Village’s Washington Square. Launched during the Depression by Jackson Pollock, Alice Neel, and other artists seeking to have their work seen and purchased, the show became a popular (and inexpensive) way of gaining recognition. In this etching, Hugh Botts shows his own works on view in Washington Square. In characteristic fashion, the artist includes his whimsical touches – for example, a trompe l’oeil label with his name and date on it. Look closely, and you’ll find a miniature version of an etching in this exhibition. [Label text, 2003]", "Dedication" : "Gift of Robert W. 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(15.2 x 35.6 cm)", "Disp_Height" : "6 in.", "Disp_Width" : "14 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.84_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.84_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.84_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.84_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "29083", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "Temporary image, do not use for web or print", "View" : "" } , ] },{ "embark_ID" : 1662, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1662", "Disp_Access_No" : "1975.202", "_AccNumSort1" : "", "Disp_Create_DT" : "by 1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Subways", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Morton Garchik", "Sort_Artist" : "Garchik, Morton", "Disp_Dimen" : "10 x 13 in. 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(27 x 37.5 cm)", "Disp_Height" : "10 5/8 in.", "Disp_Width" : "14 3/4 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and aquatint", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 1808, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1808", "Disp_Access_No" : "1967.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1888", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1888", "Disp_Title" : "Mending the Nets", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "22 x 27 7/8 in. (55.9 x 70.8 cm)", "Disp_Height" : "22 in.", "Disp_Width" : "27 7/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Made after an 1882 watercolor of the same name.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Remarque proof: anchor below composition in area between composition and plate edge, 1.75" from left edge. After watercolor of same title, dated 1882, in collection of A.H. Caspary.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13506", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1809, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1809", "Disp_Access_No" : "1967.45", "_AccNumSort1" : "", "Disp_Create_DT" : "1887", "_Disp_Start_Dat" : "1887", "_Disp_End_Date" : "1887", "Disp_Title" : "Eight Bells", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "23 5/8 x 28 5/8 in. (60 x 72.7 cm)", "Disp_Height" : "23 5/8 in.", "Disp_Width" : "28 5/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "After an 1886 oil painting of the same title, now at the Addison Gallery of American Art, Phillips Academy, Andover, MA.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "After an oil painting of the same title dated 1886, in the collection of the Addison Gallery of American Art, Phillips Academy, Andover. Remarque proof: compass, anchor, compass sketch, lower left, between plate and composition.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.45_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.45_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.45_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.45_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13509", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1810, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1810", "Disp_Access_No" : "1967.46", "_AccNumSort1" : "", "Disp_Create_DT" : "1888", "_Disp_Start_Dat" : "1888", "_Disp_End_Date" : "1888", "Disp_Title" : "Perils of the Sea", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Winslow Homer", "Sort_Artist" : "Homer, Winslow", "Disp_Dimen" : "20 1/4 x 25 3/8 in. (51.4 x 64.5 cm)", "Disp_Height" : "20 1/4 in.", "Disp_Width" : "25 3/8 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Made after an 1881 watercolor of the same title.", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Remarque proof: lightly etched anchor in area between composition and edge of plate, left plate: head of fisherman, left plate: remnants of lettering to edges, center below composition, indistinguishable. After watercolor of same title, 1881, in the collection of Mr. Francis M. Weld", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/67.46_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/67.46_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/67.46_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/67.46_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "13507", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 1880, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/1880", "Disp_Access_No" : "1931.26", "_AccNumSort1" : "", "Disp_Create_DT" : "1921", "_Disp_Start_Dat" : "1921", "_Disp_End_Date" : "1921", "Disp_Title" : "Night in the Park", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Edward Hopper", "Sort_Artist" : "Hopper, Edward", "Disp_Dimen" : "12 3/8 x 16 1/4 in. (31.5 x 41.3 cm)", "Disp_Height" : "12 3/8 in.", "Disp_Width" : "16 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In 1921, when this print was created, Edward Hopper was a relatively unknown artist who had sold a few paintings but had not begun to receive the acclaim that would be his within a few years. By 1931, when it was exhibited at MAG and acquired with funds donated by a relative of the Watson family, Hopper had become HOPPER; the Museum of Modern Art had purchased one of his paintings the year before. While MAG does not own any of his canvases, we are fortunate to own this print and one other from Hopper’s decade of printmaking, 1915–1924. The cinematic quality of Hopper’s paintings is evident even in his etchings. A shadowy figure placed at the far end of a line of benches could easily be a character from a Hollywood “film noir.” [Label text from It Came From the Vault exhibition, 2013]", "Dedication" : "Granger A. 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(35.6 x 48.3 cm)", "Disp_Height" : "14 in.", "Disp_Width" : "19 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gift of Mr. G. S. Soderlund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per c.r., depicts a quarry at the head of Market Street, San Francisco, across the street from the artist''s residence", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/62.32_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/62.32_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/62.32_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/62.32_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "32715", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2191, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2191", "Disp_Access_No" : "1943.23", "_AccNumSort1" : "", "Disp_Create_DT" : "1920-1929", "_Disp_Start_Dat" : "1920", "_Disp_End_Date" : "1929", "Disp_Title" : "Cinderella", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jules Pascin", "Sort_Artist" : "Pascin, Jules", "Disp_Dimen" : "29 x 13 15/16 in. (73.7 x 35.4 cm)", "Disp_Height" : "29 in.", "Disp_Width" : "13 15/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Color etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Needs MAG investigation", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/43.23_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/43.23_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/43.23_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/43.23_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18713", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2201, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2201", "Disp_Access_No" : "1947.61", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "The Bridge at Hell Gate", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Pennell", "Sort_Artist" : "Pennell, Joseph", "Disp_Dimen" : "10 3/8 x 12 15/16 in. (26.4 x 32.9 cm)", "Disp_Height" : "10 3/8 in.", "Disp_Width" : "12 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.61_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.61_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.61_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.61_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14574", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2214, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2214", "Disp_Access_No" : "1964.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1909", "_Disp_Start_Dat" : "1909", "_Disp_End_Date" : "1909", "Disp_Title" : "The Great Stack, Sheffield", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Joseph Pennell", "Sort_Artist" : "Pennell, Joseph", "Disp_Dimen" : "12 3/4 x 9 5/8 in. (32.4 x 24.4 cm)", "Disp_Height" : "12 3/4 in.", "Disp_Width" : "9 5/8 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.43_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.43_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.43_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.43_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "14582", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2220, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2220", "Disp_Access_No" : "1965.4", "_AccNumSort1" : "", "Disp_Create_DT" : "1959", "_Disp_Start_Dat" : "1959", "_Disp_End_Date" : "1959", "Disp_Title" : "The Morning After", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gabor Peterdi", "Sort_Artist" : "Peterdi, Gabor", "Disp_Dimen" : "21 5/8 x 31 1/2 in. (54.9 x 80 cm)", "Disp_Height" : "21 5/8 in.", "Disp_Width" : "31 1/2 in.", "Dimen_Extent" : "plate", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2221, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2221", "Disp_Access_No" : "1975.267", "_AccNumSort1" : "", "Disp_Create_DT" : "1964", "_Disp_Start_Dat" : "1964", "_Disp_End_Date" : "1964", "Disp_Title" : "Spring", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Gabor Peterdi", "Sort_Artist" : "Peterdi, Gabor", "Disp_Dimen" : "17 1/2 x 14 1/2 in. (44.5 x 36.8 cm)", "Disp_Height" : "17 1/2 in.", "Disp_Width" : "14 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching and engraving", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ ] },{ "embark_ID" : 2299, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2299", "Disp_Access_No" : "1975.285", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Composition", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Rosenquist", "Sort_Artist" : "Rosenquist, James", "Disp_Dimen" : "9 15/16 x 7 9/16 in. (25.3 x 19.2 cm)", "Disp_Height" : "9 15/16 in.", "Disp_Width" : "7 9/16 in.", "Dimen_Extent" : "overall", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.285_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.285_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.285_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.285_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "12875", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2304, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2304", "Disp_Access_No" : "1919.27", "_AccNumSort1" : "", "Disp_Create_DT" : "1916", "_Disp_Start_Dat" : "1916", "_Disp_End_Date" : "1916", "Disp_Title" : "Gisors", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Ernest D. Roth", "Sort_Artist" : "Roth, Ernest D.", "Disp_Dimen" : "15 x 12 11/16 in. (38.1 x 32.2 cm)", "Disp_Height" : "15 in.", "Disp_Width" : "12 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "Japanese paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/19.27_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/19.27_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/19.27_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/19.27_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18596", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2366, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2366", "Disp_Access_No" : "1988.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1988", "_Disp_Start_Dat" : "1988", "_Disp_End_Date" : "1988", "Disp_Title" : "Farm Road (Truxton, NY)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James A. Skvarch", "Sort_Artist" : "Skvarch, James A.", "Disp_Dimen" : "10 7/8 x 19 1/4 in. (27.7 x 48.9 cm)", "Disp_Height" : "10 7/8 in.", "Disp_Width" : "19 1/4 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "1988 Patron Print Award", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/88.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/88.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/88.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/88.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "34801", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2370, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2370", "Disp_Access_No" : "1917.12", "_AccNumSort1" : "", "Disp_Create_DT" : "1915", "_Disp_Start_Dat" : "1915", "_Disp_End_Date" : "1915", "Disp_Title" : "Barber Shop", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : " ()", "Disp_Height" : "", "Disp_Width" : "", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "Gallery Purchase Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/17.12_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/17.12_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/17.12_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/17.12_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "18592", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2374, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2374", "Disp_Access_No" : "1989.43", "_AccNumSort1" : "", "Disp_Create_DT" : "1912", "_Disp_Start_Dat" : "1912", "_Disp_End_Date" : "1912", "Disp_Title" : "Anshutz Talking on Anatomy", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "7 5/16 x 8 13/16 in. (18.5 x 22.4 cm)", "Disp_Height" : "7 5/16 in.", "Disp_Width" : "8 13/16 in.", "Dimen_Extent" : "image/plate", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "In 1905, shortly after Bellows arrived in New York to study painting, Robert Henri arranged a lecture at the New York School of Art by Thomas Anshutz, an instructor at the Pennsylvania Academy of Fine Arts. In attendance were a number of artists who would form the core of the urban realists led by Henri-among them George Bellows (standing, third from the right toward the upper right corner), John Sloan, and William Glackens. Sloan recorded the event in this etching. On close examination, it is possible to see a caricature of Bellows with the initials GB. According to artist Rockwell Kent, who is also included in this etching, "We used to paint all over the walls of the studio, and Sloan shows some of those paintings in his etching. The one bearing the initials 'GB' is probably someone's caricature of Bellows at that time." [Gallery label text]", "Dedication" : "Purchased with funds donated by Frank and Lynne Lovejoy in memory of Suzanne Trimble Lovejoy", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/89.43_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/89.43_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/89.43_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/89.43_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "39056", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2375, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2375", "Disp_Access_No" : "1991.22", "_AccNumSort1" : "", "Disp_Create_DT" : "1905", "_Disp_Start_Dat" : "1905", "_Disp_End_Date" : "1905", "Disp_Title" : "Turning Out the Light", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "John Sloan", "Sort_Artist" : "Sloan, John", "Disp_Dimen" : "7 3/4 x 11 5/16 in. (19.7 x 28.7 cm)", "Disp_Height" : "7 3/4 in.", "Disp_Width" : "11 5/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "For centuries, New York and Paris have shared a reputation as centers of vice and licentious behavior. While John Sloan’s tender print of a bedtime moment in a New York tenement seems far removed from the ubiquitous and explicit displays of contemporary sexuality, the image was firmly rejected for the American Water Color Society’s 1906 exhibition as being ‘vulgar’ and ‘indecent.’ Sloan was part of a group of artists later called the Ashcan School, who did not shy away from subjects that other artists found unworthy or unattractive. Because so many of the artists, among them Sloan, had difficulty exhibiting their work due to their choice of subject matter and their idiosyncratic styles, they mounted their own exhibition in 1908 at Macbeth Gallery in New York City and were subsequently referred to as The Eight. [Label text, 2003]", "Dedication" : "Marion Stratton Gould Fund", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/91.22_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/91.22_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/91.22_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/91.22_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "45721", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2393, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2393", "Disp_Access_No" : "1975.304", "_AccNumSort1" : "", "Disp_Create_DT" : "1963", "_Disp_Start_Dat" : "1963", "_Disp_End_Date" : "1963", "Disp_Title" : "Self-Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Raphael Soyer", "Sort_Artist" : "Soyer, Raphael", "Disp_Dimen" : "14 15/16 x 11 in. (38 x 28 cm)", "Disp_Height" : "14 15/16 in.", "Disp_Width" : "11 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.304_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.304_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.304_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.304_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "22329", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 9671, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/9671", "Disp_Access_No" : "1983.134.25", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Self Portrait", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Hugh Botts", "Sort_Artist" : "Botts, Hugh", "Disp_Dimen" : "8 1/16 x 6 5/16 in. (20.5 x 16 cm)", "Disp_Height" : "8 1/16 in.", "Disp_Width" : "6 5/16 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "The self-portrait is undated but may have been made in the late 1920s when Botts was a printmaking fellow at the prestigious Yaddo artist colony. Botts presents himself as a dapper draughtsman with his eyebrows arched over his clear gaze. Stylistic references point to self-portraits by earlier artists including James McNeill Whistler. Rather than describe everything about his appearance Botts relies on loose lines, clear description and select dark lines. [Label text] ", "Dedication" : "Gift of Robert W. Brown", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/83.134.25_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/83.134.25_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/83.134.25_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/83.134.25_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "25061", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2448, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2448", "Disp_Access_No" : "1951.56", "_AccNumSort1" : "", "Disp_Create_DT" : "", "_Disp_Start_Dat" : "0", "_Disp_End_Date" : "0", "Disp_Title" : "Landscape", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Henry Emerson Tuttle", "Sort_Artist" : "Tuttle, Henry Emerson", "Disp_Dimen" : "12 x 9 in. (30.5 x 22.9 cm)", "Disp_Height" : "12 in.", "Disp_Width" : "9 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Henry Emerson Tuttle was well-known for his drypoint prints of birds. In the 1930s and 1940s, he was Curator of Prints at Yale University Art Gallery, and the first president of the Artists Association of Nantucket. His work was also included in several books of poetry and prose. [Gallery label text]", "Dedication" : "Presented by Mrs. Alan C. Valentine - June 5, 1951", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/51.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/51.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/51.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/51.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "32630", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2449, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2449", "Disp_Access_No" : "1979.100", "_AccNumSort1" : "", "Disp_Create_DT" : "1880", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1880", "Disp_Title" : "Untitled (Farmer hoeing in field)", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Frederick T. Vance", "Sort_Artist" : "Vance, Frederick T.", "Disp_Dimen" : "3 7/16 x 4 15/16 in. (8.8 x 12.5 cm)", "Disp_Height" : "3 7/16 in.", "Disp_Width" : "4 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "Frederick Vance was an artist with roots in Livingston County and the Genesee River region.", "Dedication" : "Anonymous gift", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "No source listed in registrar''s ledger. Does not appear in incomings.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/79.100_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/79.100_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/79.100_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/79.100_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "33253", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2451, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2451", "Disp_Access_No" : "1975.311", "_AccNumSort1" : "", "Disp_Create_DT" : "1962", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1962", "Disp_Title" : "Pine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Beth Van Hoesen", "Sort_Artist" : "Van Hoesen, Beth", "Disp_Dimen" : "15 1/2 x 12 1/2 in. (39.4 x 31.8 cm)", "Disp_Height" : "15 1/2 in.", "Disp_Width" : "12 1/2 in.", "Dimen_Extent" : "", "Medium" : "Printer''s ink", "Support" : "paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "", "Dedication" : "The Charles Rand Penney Collection of the Memorial Art Gallery", "Copyright_Type" : "Under Copyright", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/75.311_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/75.311_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/75.311_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/75.311_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "59639", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2480, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2480", "Disp_Access_No" : "1931.36", "_AccNumSort1" : "", "Disp_Create_DT" : "1873", "_Disp_Start_Dat" : "1873", "_Disp_End_Date" : "1873", "Disp_Title" : "Florence Leyland", "Alt_Title" : "(E.G. Kennedy; 7th state-Mansfield)", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "8 3/8 x 5 3/8 in. (21.2 x 13.6 cm)", "Disp_Height" : "8 3/8 in.", "Disp_Width" : "5 3/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Drypoint", "Info_Page_Comm" : "One of James McNeill Whistler’s great patrons was British shipping magnate and art collector, Frederick Leyland (1832-1892) whose wife and four children were the subjects of numerous drawings, prints, and painted portraits by the artist. Much of what is known of Whistler’s relationship with this family is through letters from his mother, who not infrequently tried her best to smoothe over disagreements between her dilatory son and the impatient Leyland. Whistler’s regular visits to Speke Hall (the Leyland family’s estate near Liverpool, England) brought him into frequent contact with the children, who posed for him many times. Look for the phrase “I am Flo” to the right of the figure of Florence, the youngest, who is holding a hoop – perhaps an inside joke, a reference to the fact that there were three Leyland daughters who may have been regularly confused with each other! [Gallery label text, 2009]", "Dedication" : "Gift of Mrs. James Sibley Watson Jr.", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Identifying features of this state: right leg is outlined by heavy broken line; the right toe is made square, and there is new work on the left foot. Many fine diagonal lines are added to the background to the left. Listed in 1932 "Annual Report" as being on "permanent loan" from Mrs. J. S. Watson Jr.", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/31.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/31.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/31.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/31.36_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24298", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2481, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2481", "Disp_Access_No" : "1938.24", "_AccNumSort1" : "", "Disp_Create_DT" : "1858", "_Disp_Start_Dat" : "1858", "_Disp_End_Date" : "1858", "Disp_Title" : "Annie Seated", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "7 7/8 x 6 9/16 in. (20 x 16.6 cm)", "Disp_Height" : "7 7/8 in.", "Disp_Width" : "6 9/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "This is a portrait of Whistler's niece, the daughter of Francis Seymour Hayden.", "Dedication" : "Gift of Mrs. Granger A. Hollister", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : ""One of the most beautiful of the many portraits of Miss Annie Hayden" T.R. Way", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/38.24_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/38.24_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/38.24_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/38.24_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "24297", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2483, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2483", "Disp_Access_No" : "1941.17", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1863", "_Disp_Start_Dat" : "1858", "_Disp_End_Date" : "1868", "Disp_Title" : "Old Hungerford Bridge", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "9 x 12 7/8 in. (22.8 x 32.7 cm)", "Disp_Height" : "9 in.", "Disp_Width" : "12 7/8 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "The American artist James Abbott McNeill Whistler, based primarily in London, and Monet were both committed to working from nature and seeking beauty in contemporary environments. They directed their focus increasingly on transient effects of light and weather and revisited their subjects under varying conditions. In particular, both artists shared a fascination with the landmarks and activity along London’s Thames River. This etchings was a part of Whistler’s A Series of Sixteen Etchings of Scenes on the Thames and Other Subjects (known as “The Thames Set”). When they were published in 1871, the prints were already recognized as a valuable record of an already vanishing London. [Label copy from Monet: Vision and Process exhibition, 2018]", "Dedication" : "Bequest of Ida Lynch", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Per note in file, inscribed on old mat: III state From "Sixteen Etchings of Scenes on the Thames and Other Subjects," published in 1871 by Ellis and Green, London", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/41.17_A2.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/41.17_A2.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/41.17_A2.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/41.17_A2.jpg", "IsPrimary" : "1", "_SurrogateID" : "24317", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2484, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2484", "Disp_Access_No" : "1947.56", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Doorway and Vine", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "9 3/16 x 6 11/16 in. (23.4 x 17 cm)", "Disp_Height" : "9 3/16 in.", "Disp_Width" : "6 11/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From "Twenty-six Etchings" published by Dowdeswell and Dowdeswell, London, 1886 ", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.56_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.56_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.56_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.56_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24295", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2485, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2485", "Disp_Access_No" : "1947.59", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Garden", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "11 15/16 x 9 5/16 in. (30.3 x 23.6 cm)", "Disp_Height" : "11 15/16 in.", "Disp_Width" : "9 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From "Twenty-six Etchings," published by Dowdeswell and Dowdeswell, London, 1886.", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.59_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.59_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.59_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.59_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24303", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2486, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2486", "Disp_Access_No" : "1947.58", "_AccNumSort1" : "", "Disp_Create_DT" : "1886", "_Disp_Start_Dat" : "1886", "_Disp_End_Date" : "1886", "Disp_Title" : "Long Lagoon-First State", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "5 15/16 x 9 5/16 in. (15.1 x 23.7 cm)", "Disp_Height" : "5 15/16 in.", "Disp_Width" : "9 5/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "2nd and subsequent state was included in "Twenty-six Etchings," published by Dowdeswell and Dowdeswell, London, 1886.", "Dedication" : "Bequest of Edith Holden Babcock", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "Wedmore''s Catalogue, 169, Thomas Mansfield, A Descriptive catalogue of the Etchings and Drypoints of James Abbott McNeill Whistler, 206; Mansfield, 201, Grolier Club Cat. of 1904, 171; N\Benedict, Buckingham, Bullard and Mansfield Collections", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/47.58_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/47.58_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/47.58_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/47.58_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24320", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2487, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2487", "Disp_Access_No" : "1948.38", "_AccNumSort1" : "", "Disp_Create_DT" : "1880", "_Disp_Start_Dat" : "1880", "_Disp_End_Date" : "1880", "Disp_Title" : "The Doorway", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "11 9/16 x 7 15/16 in. (29.4 x 20.2 cm)", "Disp_Height" : "11 9/16 in.", "Disp_Width" : "7 15/16 in.", "Dimen_Extent" : "sheet", "Medium" : "Printer''s ink", "Support" : "laid paper", "Disp_Medium" : "Etching and drypoint", "Info_Page_Comm" : "From "Twenty-six Etchings" published by Dowdeswell and Dowdeswell, London, 1886", "Dedication" : "George Eastman Collection of the University of Rochester", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/48.38_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/48.38_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/48.38_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/48.38_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24294", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2488, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2488", "Disp_Access_No" : "1964.44", "_AccNumSort1" : "", "Disp_Create_DT" : "1858", "_Disp_Start_Dat" : "1858", "_Disp_End_Date" : "1858", "Disp_Title" : "Liverdun", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "James Abbott McNeill Whistler", "Sort_Artist" : "Whistler, James Abbott McNeill", "Disp_Dimen" : "6 1/4 x 8 1/16 in. (15.9 x 20.5 cm)", "Disp_Height" : "6 1/4 in.", "Disp_Width" : "8 1/16 in.", "Dimen_Extent" : "sheet (irregular)", "Medium" : "Printer''s ink", "Support" : "wove paper", "Disp_Medium" : "Etching", "Info_Page_Comm" : "From "Twelve Etchings from Nature" also known as "The French Set," published by Auguste Delâtre, Paris, 1858.", "Dedication" : "Gift of Charlotte Whitney Allen", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "United States", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/64.44_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/64.44_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/64.44_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/64.44_A1.jpg", "IsPrimary" : "1", "_SurrogateID" : "24319", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 2506, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/2506", "Disp_Access_No" : "1975.394", "_AccNumSort1" : "", "Disp_Create_DT" : "ca. 1967", "_Disp_Start_Dat" : "1962", "_Disp_End_Date" : "1972", "Disp_Title" : "Madonna of the Wormwood", "Alt_Title" : "", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Maruta Racenis Winebrenner", "Sort_Artist" : "Winebrenner, Maruta Racenis", "Disp_Dimen" : "12 3/4 x 17 5/8 in. 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Belden", "Copyright_Type" : "Public Domain", "Disp_Obj_Type" : "Print", "Creation_Place2" : "Netherlands", "Department" : "", "Obj_Name" : "", "Period" : "", "Style" : "", "Edition" : "", "Curator" : "", "Images": [ { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.36_A1.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.36_A1.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.36_A1.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.36_A1.jpg", "IsPrimary" : "0", "_SurrogateID" : "15293", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , { "ImagePath" : "https://webkiosk.gallerysystems.com/Media/images/95.36_A3.jpg", "ThumbnailPath" : "https://webkiosk.gallerysystems.com/Media/Thumbnails/95.36_A3.jpg", "PreviewPath" : "https://webkiosk.gallerysystems.com/Media/Previews/95.36_A3.jpg", "IIIF_URL": "http://iiif.gallerysystems.com/95.36_A3.jpg", "IsPrimary" : "1", "_SurrogateID" : "59370", "Image_Type" : "digital image", "Photo_Credit" : "", "Remarks" : "", "View" : "" } , ] },{ "embark_ID" : 7904, "URL" : "https://webkiosk.gallerysystems.com/Objects-1/info/7904", "Disp_Access_No" : "1992.63", "_AccNumSort1" : "", "Disp_Create_DT" : "1630-1633", "_Disp_Start_Dat" : "1630", "_Disp_End_Date" : "1633", "Disp_Title" : "Bust of a Man ("Bust of Doctor Faustus") (after Rembrandt)", "Alt_Title" : "Bust of Doctor Faustus", "Obj_Title" : "", "Series_Title" : "", "Disp_Maker_1" : "Jan Georg van Vliet", "Sort_Artist" : "Vliet, Jan Georg van", "Disp_Dimen" : "5 13/16 x 5 1/8 in. 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